- hace 5 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
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SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:30¡Gracias!
00:03:0014, 14, including humble self.
00:03:05Pass.
00:03:07Thank you so much.
00:03:20Ladies and gentlemen, give me your attention, please.
00:03:24Right here in front of this platform, you elect to be entertained right here.
00:03:28I will now introduce to you, ladies and gentlemen, the biggest little artist with any circus on the face of the earth.
00:03:36They have appeared before all of the crowned heads of the world.
00:03:46I will tell, 42 inches small and Lady Tiny, 2 inches smaller.
00:03:54They will now entertain you.
00:03:58They will now entertain you.
00:04:28The End
00:04:33¡Gracias!
00:05:03¡Gracias!
00:05:33Hey, Mike, did a Chinese gentleman just come in here?
00:05:46You mean the guy with his own sideshow?
00:05:48He's right over there, boss.
00:05:49And now, ladies and gentlemen, I will introduce Gangor, the Hindu snake-timer,
00:05:55who fearlessly handles the most poisonous reptiles, Gangor.
00:06:00Are you, Mr. Chan?
00:06:03Humbly admit, identity.
00:06:06You, Mr. Kinney, who extend most generous invitation to circus.
00:06:10Yes, I saw on the morning paper you were in town.
00:06:13I wanted you to be my guest.
00:06:14Very kind.
00:06:16Free ticket to circus, like gold ring on merry-go-round.
00:06:21Make enjoyment double.
00:06:24Oh, pleased to meet Honorable White.
00:06:28And latest blessed event.
00:06:31Glad to know you, Mr. Chan.
00:06:34Happy to announce, have taken whole full house for vacation.
00:06:37That's right.
00:06:40A multitudinous family.
00:06:42Very interested in little people.
00:06:45Well, I'll introduce you.
00:06:47Come over here, you two peanuts.
00:06:50This is Tim and Mrs. Tim, the biggest little runts on earth.
00:06:54Size of package does not indicate quality within.
00:06:58Come in.
00:06:58Thank you.
00:06:59We've often seen your pictures in the papers, Mr. Chan.
00:07:02Yes, and we've read about every case you've worked on.
00:07:05Have a cigar.
00:07:06Thank you.
00:07:07Do not indulge.
00:07:08Oh, I want.
00:07:09Have the peppermint stick?
00:07:11Thank you.
00:07:11You also?
00:07:13Thank you.
00:07:13May I have your autograph, Mr. Chan, please?
00:07:16Very great pleasure.
00:07:18Hold, please.
00:07:19And now, ladies and gentlemen, right this way, right this way, I will introduce to you
00:07:27Soutoy, that beautiful little flower of the Orient.
00:07:31She ties herself in a thousand knots.
00:07:33Watch her, ladies and gentlemen, the human puzzle, Soutoy.
00:07:40Here.
00:07:41Hey.
00:07:41Hey.
00:07:41Hey.
00:07:42Hey.
00:07:42Hey.
00:07:43Hey.
00:07:44Hey.
00:07:44Hey.
00:07:45Hey.
00:07:46Hey.
00:07:46Hey.
00:07:46Hey.
00:07:48Hey.
00:07:49Good-bye, Mr. Chan.
00:07:58Good-bye.
00:07:58Good-bye.
00:07:59Can't see us again.
00:08:00Struggle.
00:08:01Excuse me.
00:08:02Don't let me get in the sun.
00:08:05Oh, Joe.
00:08:06Excuse me.
00:08:08How about you and me getting together?
00:08:10I've got to see.
00:08:11Can't make it tonight.
00:08:12Too many things to look after.
00:08:13You've been keeping me waiting for weeks.
00:08:14Then you'll keep on waiting until I'm good and ready.
00:08:17I don't want to impose on you, Mr. Chan, but when I sent you the invitation to come here
00:08:25tonight, there was little matter I wanted to get your advice about.
00:08:28Excuse, please.
00:08:30They've promised my not to let anything interfere with family vacation.
00:08:34It'll only take a few minutes and be doing me a great favor.
00:08:37Can't take matter up now?
00:08:39Well, uh...
00:08:41I've been getting a lot of threatening letters, I think.
00:08:44They're all unsigned and they arrive very mysterious.
00:08:47Now, frankly, I'm a bit worried.
00:08:49If you'll notice, they're all, uh...
00:08:51Oh, well, it's time for the show to start.
00:08:54I'll tell you what, Mr. Chan.
00:08:55If you wouldn't mind slipping out during the performance, I'll be at the business wagon in the back lot at 9 o'clock.
00:09:00We'll be there.
00:09:00Thanks.
00:09:01You'd better gather your family together.
00:09:06I'd like to take you someplace where there's a snappy dance orchestra.
00:09:09Oh, boy, I'll bet you can shake a mean rumba.
00:09:13I'm shaking you right now.
00:09:15I told you the show leaves town tonight.
00:09:17Then how about tomorrow night?
00:09:18If it's not too far, I can run over to see you.
00:09:21Excuse?
00:09:23Pardon interruption, please.
00:09:25Oh, Pop, this is Sue Toy.
00:09:27Gee, you ought to see her do her stuff.
00:09:29So, please.
00:09:31Hope romantic offspring has not tried to twist charming artist around finger.
00:09:36Oh, no, Mr. Chan.
00:09:38I had my fingers crossed.
00:09:40Wise precaution.
00:09:41To accept applesauce with large pinch of salt.
00:09:45Excuse, please.
00:09:48Sure, starting.
00:09:49Where are brothers and sisters entrusted to your care?
00:09:53Oh, I've got that all fixed, Pop.
00:09:55Oh, I've got that all fixed, Pop.
00:09:56Oh, I've got that all fixed, Pop.
00:09:57Oh, I've got that all fixed, Pop.
00:09:58Oh, I've got that all fixed, Pop.
00:09:59Oh, I've got that all fixed, Pop.
00:10:00Oh, I've got that all fixed, Pop.
00:10:01Oh, I've got that all fixed, Pop.
00:10:02Oh, I've got that all fixed, Pop.
00:10:03Oh, I've got that all fixed, Pop.
00:10:04Oh, I've got that all fixed, Pop.
00:10:05Oh, I've got that all fixed, Pop.
00:10:06Oh, I've got that all fixed, Pop.
00:10:07Oh, I've got that all fixed, Pop.
00:10:08Oh, I've got that all fixed, Pop.
00:10:09Oh, I've got that all fixed, Pop.
00:10:10Oh, I've got that all fixed, Pop.
00:10:11Oh, I've got that all fixed, Pop.
00:10:12¡Games!
00:10:36¿Qué es el take tonight?
00:10:38$2,680.
00:10:40No es tan bueno.
00:10:41No.
00:10:42Business doesn't pick up.
00:10:44I'm afraid I won't be able to pay you those notes by the end of the season.
00:10:47Well, that's your worry.
00:10:48I know I'll do the best I can.
00:10:50I may have to ask you for an extension.
00:10:52I'll get this straight, Gaines.
00:10:53With me, a bargain is a bargain.
00:10:55You can't meet your obligations.
00:10:57I'm taking over your hand for the show.
00:10:58But good heavens, man.
00:10:59Every dollar I have in the world is tied up in this circus.
00:11:02You can't do anything.
00:11:03Oh, yes, I can.
00:11:04And another thing.
00:11:05Now, Kenny, he ain't sacking up again.
00:11:07Blake says it'll be dangerous to work him tonight.
00:11:09Well, why bother me about it?
00:11:10You're a head animal, man.
00:11:11Use the whip on him.
00:11:12Yeah.
00:11:12I did that once, and you know what it got me.
00:11:15If you ask me, Blake's using good sense.
00:11:17Nobody's asking you.
00:11:18I'll take care of the eight.
00:11:19You're making a mistake, Joe.
00:11:20You can't run a circus with a bullwhip.
00:11:22You look out for your end, Gaines.
00:11:23I'll take care of mine.
00:11:24I'll take care of the other.
00:11:42Easy, boy.
00:11:44Quiet, Caesar.
00:11:46Steady, boy.
00:11:47Take it easy.
00:11:48Yeah.
00:11:48Quiet.
00:11:49No, no, no, no.
00:12:19No, no, no, no.
00:12:49Lou, can I see you a minute?
00:12:52Yes, come on in.
00:12:54What's the matter?
00:12:55Why aren't you working?
00:12:56Oh, I'm through.
00:12:57I've quit.
00:12:58What, again?
00:12:58Yeah, but this time it sticks, and I'm taking you with me.
00:13:01Oh, now, now.
00:13:02Tell me what it's all about.
00:13:04Oh, I'm sick of the whole rotten mess.
00:13:07Let's get away from here and live like regular people.
00:13:09I'll scrape up enough dough somehow.
00:13:11Oh, you wouldn't leave the circus for all the money in the world.
00:13:14You know you wouldn't.
00:13:15Oh, wouldn't I?
00:13:18Where's your sister?
00:13:20Oh, Marie's over at the wardrobe tent getting her costume fixed.
00:13:25Oh, so that's what it was.
00:13:27You had another argument with Kenny.
00:13:29Yeah, he's not going to boot me around like he does the animals.
00:13:35Marie.
00:13:36Oh, hello, dear.
00:13:40I'm sending your act on early tonight.
00:13:42Why?
00:13:42What's happened?
00:13:43A scrap of Hal Blake.
00:13:44I fired him.
00:13:44The eight-pack isn't working.
00:13:45Oh, Joe.
00:13:46You're always getting into trouble with someone.
00:13:48Well, that's the only way to get things in this world.
00:13:50You've got to fight for them.
00:13:50No, it isn't.
00:13:51You only make people hate you.
00:13:53And I want people to like the man I'm going to marry.
00:13:56Here's your cape.
00:13:59Thanks, Nellie.
00:14:02There's your music, Q.
00:14:03Come on, kid.
00:14:04Get going.
00:14:06What's the matter?
00:14:16Joe only comes around when Marie's here.
00:14:18Just to burn me up.
00:14:20I'm going to tell him so next time.
00:14:21I don't want to get you anywhere.
00:14:23If you were any kind of a brother, you wouldn't have let him treat me the way he has.
00:14:27I'm taking care of that in my own way.
00:14:30Ladies and gentlemen,
00:14:31it is my great privilege and honor to be able to introduce to you
00:14:35that careless little aerial star, Miss Marie Norman.
00:14:43The only artiste in the world with any circus today
00:14:46doing a forward somersault from a flying trapeze
00:14:50and catching by her heels.
00:14:52He will perform this death-defying feat
00:14:55without the aid of Annette
00:14:58Marie
00:14:59wanted to walk with any chance to do with any隻 than
00:15:16having a planet.
00:15:17¡Gracias!
00:15:47¡Gracias!
00:16:17¡Gracias!
00:16:25Oh, Pop, I was just looking for you.
00:16:29The following road map?
00:16:32I saw you leave and figured something was up.
00:16:35I wanted to be in on it.
00:16:37Curiosity, responsible for cat needing nine lives.
00:16:41You looking for somebody, Mr. Chen?
00:16:43Had appointment here with Mr. Kinney, but find door lock.
00:16:46This is Mr. Gaines, Mr. Kinney's partner.
00:16:50How do you do?
00:16:51Anything I can do for you?
00:16:52Hey, Pop, look.
00:16:54There's a light on the inside.
00:16:55There shouldn't be.
00:16:56I locked the wagon up myself over half an hour ago.
00:16:59Perhaps advisable to investigate.
00:17:02Do you have key to wagon?
00:17:03Yes, I have.
00:17:04It's bolted on the inside.
00:17:18Most peculiar.
00:17:19Door bolted on inside suggests someone there.
00:17:24But no answer to knock.
00:17:26There's one way to find out.
00:17:27Break the door in.
00:17:28That isn't necessary.
00:17:29I'll get a lock, sir.
00:17:30One moment.
00:17:31More than one way to remove skin from the cap.
00:17:34Ventilator on roof open.
00:17:38Perhaps a little man can enter.
00:17:41Why, I couldn't get up there.
00:17:43Giant.
00:17:44Very good for first step.
00:17:46Sure.
00:17:48There you go.
00:18:02It'll be a long drop to the floor.
00:18:04May you borrow a walking stick?
00:18:06Why, sure.
00:18:08Jack, you have no trouble sliding down beanstalk.
00:18:16Lift me up.
00:18:17I can't see.
00:18:18Why, certainly.
00:18:19Something's happening, Mr. Kennedy.
00:18:35I'll move it all.
00:18:45Touch nothing, please.
00:18:46Towers.
00:18:47Towers.
00:18:47Data show, doctor.
00:18:49Too late.
00:18:50Mr. Kinney.
00:18:52Dead.
00:18:53Dead?
00:18:54He must have been murdered.
00:18:56Neck broken.
00:18:59Strangled by very powerful hands.
00:19:01Dan, Dan Fallow.
00:19:13Caesar's loose.
00:19:14Howdy, get out.
00:19:15Wasn't the case locked?
00:19:16Sure it was.
00:19:16Someone must have opened it.
00:19:17Never mind that.
00:19:18Come on, fellas.
00:19:18Scat her out.
00:19:19Don't let them get near the big top.
00:19:20But the door was bolted on the inside.
00:19:31Much evil can enter through very small space.
00:19:36Police must find answer.
00:19:38Oh, wait, Mr. Chairman.
00:19:40You're a detective.
00:19:41Can't this be handled quietly?
00:19:43Very happy to be of assistance.
00:19:46But police must be notified.
00:19:48I'll do it, Pop.
00:19:49There's a telephone across the street.
00:19:53All of you go about your business as if nothing had happened.
00:19:56I don't want any excitement while the show is on.
00:19:59I'll get Dr. Mead.
00:20:00The police will probably want it.
00:20:01Hello.
00:20:26Chief of the Homicide Squad.
00:20:28There's been a murder at the circus.
00:20:29Of course I know it's murder.
00:20:32I'm a detective myself.
00:20:35Okay, Chief.
00:20:36Chief.
00:20:59Gee, I'm sorry.
00:21:02Tell him I went easily.
00:21:04Hey, Bruce.
00:21:04You're telling me.
00:21:06Pop.
00:21:07Let me go.
00:21:08Oh, there you are.
00:21:10Let me go.
00:21:11Let me out of here.
00:21:14You'll be safe in there.
00:21:15Why, you, you?
00:21:16Don't worry about me.
00:21:17I'll be all right.
00:21:18Hey, Pop.
00:21:30The big ape is loose.
00:21:32I'd suspect it's same.
00:21:35Observe.
00:21:38Air's not from the human head.
00:21:41I got it, Pop.
00:21:42They're monkey hairs.
00:21:43They've killed him.
00:21:44Very good deduction.
00:21:46But how did he get in?
00:21:48The wagon was locked on the inside.
00:21:50It suggests we make inspection outside window.
00:21:53Come.
00:21:55Found anything?
00:21:56Not a trace.
00:21:57Jerry, look at those shadows over there by the canvas.
00:21:59You, Frank, go around the other way.
00:22:00Look out he don't get behind you.
00:22:09Ape track.
00:22:11Gee, Pop.
00:22:11That is barrel he used to climb up to window.
00:22:26And here's some more prints on the barrel.
00:22:28Come out.
00:22:35Caesar.
00:22:35Caesar.
00:22:36Caesar.
00:22:44Ow.
00:22:44Don't use a weapon.
00:22:45Here.
00:22:46I'll have him.
00:22:46Caesar.
00:22:47Caesar.
00:22:47Steady.
00:22:48Caesar.
00:22:49Caesar.
00:22:50Steady, Caesar.
00:22:55All right.
00:22:56Take him to his cage.
00:22:57Good work, Paul.
00:23:00It took a lot of nerve to do that.
00:23:03Are you hurt, Pop?
00:23:05Aside a wagon, not like feather bed.
00:23:09Thank you so much for fortunate rescue.
00:23:12Oh, that's all right.
00:23:15Here come the police, Pop.
00:23:20Recommend you stay here.
00:23:22Study approved method of police.
00:23:24But, Pop, I...
00:23:26One ounce of experience worth a ton of detective books.
00:23:35Go ahead, fellas.
00:23:36Give the place to what's over.
00:23:39I can give you the dope, Lieutenant Macy.
00:23:41The big ape escaped doing the show and murdered him.
00:23:43The proof is right there on the windowsill.
00:23:46Right here, Mr. Macy.
00:23:47Looks like your tip's about right, kid.
00:23:53They're eight pairs.
00:23:55There's only one thing I haven't figured out yet.
00:23:57How they got there with that window locked.
00:23:59That's right.
00:24:01Here.
00:24:05Well, that's easy.
00:24:06Look.
00:24:07The window must have been popped open at the time, like that.
00:24:10Now, you stay right here and I'll show you how it was done.
00:24:12Hey, you better come this way a little.
00:24:31Now, turn your back to me.
00:24:33That's it.
00:24:34Now, don't move.
00:24:37It creeps up on the outside.
00:24:39Reaches in through the bars.
00:24:47Grabs Kenny by the stroke.
00:24:50Shakes him.
00:24:51Chokes him.
00:24:53Kills him.
00:24:55Now, then.
00:24:56In getting away, he knocks the prop down.
00:25:00And the lock snaps shut.
00:25:05Gee, Mr. Macy.
00:25:06You figure that one out fine.
00:25:08Thanks.
00:25:09I hope I didn't hurt you.
00:25:14Oh, no.
00:25:15Now, let me have that magnifying glass again, will you?
00:25:17Sure.
00:25:23There's one more thing I haven't figured out yet.
00:25:25Yeah?
00:25:26What's that?
00:25:27The barrel wasn't here.
00:25:28It was over there.
00:25:30Now, here's what happened.
00:25:31When the eight stepped down, the barrel tipped over.
00:25:34Like that.
00:25:37Gee, Mr. Macy.
00:25:37I hope I didn't hurt you.
00:25:38You're pretty good at figuring things out yourself, ain't you?
00:25:44Here's your glass.
00:25:46Glad I didn't break it.
00:25:47Oh, thanks.
00:25:48Now that I got that figured out, I want to know how the eight got out of that cage.
00:25:53Perhaps can offer a slight suggestion.
00:25:56Oh, this is my father, Charlie Chan, Lieutenant Macy.
00:25:58How are you, Mr. Chan?
00:26:00You sure got a bright kid.
00:26:02He just gave me a good stare.
00:26:04Uh, sometimes suspect, uh, ambitious offspring of giving bull.
00:26:09Ha, ha.
00:26:10Oh, did you find anything new, Pop?
00:26:13Ape released purposely.
00:26:16Hal Blake, who worked animal, had two keys to cage.
00:26:20Lost one earlier tonight.
00:26:22Either Blake opened cage, or person who find lost key.
00:26:28Uh-huh.
00:26:29Where is he?
00:26:30Where is he?
00:26:31They've taken him away, lady.
00:26:32Just a minute, please.
00:26:33Who are you?
00:26:35I'm Marie Norman, Mr. Kitty's fiancé.
00:26:37I want to go to him.
00:26:38You couldn't do anything for him now, miss.
00:26:40We didn't want to tell you until after the show, Marie.
00:26:42So sorry.
00:26:44Offered deepest sympathy.
00:26:46Someone killed him.
00:26:48I know it.
00:26:49They hated him.
00:26:51They all hated him.
00:26:52What do you mean by that?
00:26:53Later, please.
00:26:54Suggest you take young lady away.
00:26:57Come, Marie.
00:27:00Well, what she said about them hating Kenny proves your point.
00:27:03That the ape was released purposely.
00:27:05We'd better round up the whole outfit and give them a grilling, Mr. Chan.
00:27:08Oh, one point more.
00:27:09I would suggest you look for threatening letters Mr. Kinney had in the inside pocket of code.
00:27:17Now, mysteriously missing.
00:27:19Excuse, please.
00:27:20Must return to family.
00:27:22We'll say good night.
00:27:23Well, thanks for the help.
00:27:25Don't mention it.
00:27:27Dig up the manager of the show and tell him I want to talk to everyone connected with the case.
00:27:31Yes, sir.
00:27:32Gee, Pop, I hate to walk out on this case.
00:27:34I can see some interesting angles.
00:27:37Contortion lady?
00:27:39Gee.
00:27:40That reminds me.
00:27:44See you later, Pop.
00:27:47Help!
00:27:48Gosh, Sue Toy, I'm sorry.
00:27:50Let me out here, you.
00:27:52Listen, please.
00:27:53I just couldn't get back any soon.
00:27:54Don't speak to me.
00:27:55I just had to put you in there safe.
00:27:56All right.
00:27:57Come drunk and eat.
00:27:58Say.
00:27:59Give me a meal.
00:28:00Give me a meal.
00:28:00Don't will I say.
00:28:05Hey, Sue Toy.
00:28:06Let me out, will you?
00:28:08Sue.
00:28:09Sue.
00:28:09Sue.
00:28:10Come back here.
00:28:12Oh, Mama.
00:28:13You have railroad tickets?
00:28:14Oh, yes.
00:28:15I can find my raincoat.
00:28:17Oh, hurry to bed, Jordan.
00:28:18Hurry up.
00:28:19Good, Daddy.
00:28:19Here's your shoes.
00:28:20Oh, thank you so much.
00:28:23You know, I think we ought to stick with this case, Pop.
00:28:26And go to the next town with the circus.
00:28:28Have desire to remain permanently in monkey cage?
00:28:36Have late visitor.
00:28:42Here I am, Mr. Chan.
00:28:43Oh, come in.
00:28:48Excuse me for coming here so late, but it's terribly important.
00:28:52Very happy to welcome distinguished little visitor.
00:28:56Oh, Mr. Chan.
00:29:01Are you going away?
00:29:02Yes.
00:29:03Tomorrow, I'm taking family to observe wonders of Grand Canyon.
00:29:07Oh, I'm so sorry.
00:29:11You are in trouble?
00:29:13Sit down.
00:29:16Mr. Macy took my husband and Mr. Gaines and some of the circus people down to police headquarters.
00:29:21Hmm.
00:29:22Distinguished lieutenant of police, act with the streamlined speed.
00:29:26And he says he's going to tie the show up until the murder of Mr. Kinney is solved.
00:29:30If he does that, the circus will just go to pieces and we'll all lose our jobs.
00:29:34That would be most unfortunate.
00:29:37It'll cost Mr. Gaines everything he's got.
00:29:40And Mr. Chan, he's been an awfully good friend to Tim and me and everyone.
00:29:44We've been with him for five years.
00:29:46And there never was any trouble until Mr. Kinney joined the show.
00:29:49How long has Mr. Kinney been partner in circus?
00:29:53Just the last two seasons.
00:29:54Mr. Gaines needed money, so he sold him a half interest.
00:29:58But Mr. Kinney didn't know how to handle circus people.
00:30:01He was only used to honky-tongs and try to run things with his fists.
00:30:05Men who seek trouble never find it far off.
00:30:09It's Mr. Gaines who's in trouble now.
00:30:11Can't you do something, Mr. Chan?
00:30:16Please.
00:30:18Unfortunately, I've already made plans for vacation with family.
00:30:23Oh, I was depending on you to help us.
00:30:28Oh, Pop, don't let them close down the circus.
00:30:31And don't let them arrest the little people.
00:30:33And the clown!
00:30:33And the elephant!
00:30:34Oh, Pop, please!
00:30:36You see, Pop, I knew we should have stayed on this case.
00:30:39Oh, Pop, come on!
00:30:40Please.
00:30:42Juries seem to rend a verdict without retiring.
00:30:46Then you'll help us, Mr. Chan?
00:30:47Final decision in the hands of Judge.
00:30:51Judge, say yes still.
00:30:54Suggest we visit police headquarters and see Lieutenant Macy.
00:30:59Oh, thanks.
00:31:05I'm going with you, Pop.
00:31:07Contradiction, please.
00:31:08You stay here.
00:31:10Help unpack.
00:31:11We had a pretty tough season, so naturally the show went into red.
00:31:16I gave Kenny notes for my share of the losses.
00:31:19Then if those notes weren't paid by the end of the season, he would have taken over your share of the show.
00:31:25He could have.
00:31:26Well, as far as I can see, every one of you might have had a reason for wanting Kenny out of the way.
00:31:31Now, some one of you had a hand in turning the ape loose.
00:31:35And until I get the answer, you're all going to stay right here.
00:31:38Well, you can't do that.
00:31:39We may be tied up here for weeks.
00:31:41This show's got to keep moving to support itself.
00:31:43It's the law, brother.
00:31:45All right, Stone.
00:31:46Take them out and have them both.
00:31:47But you...
00:31:55Get to a small-town cop who wants to show how smart he is.
00:31:58Yeah.
00:31:59All right, get going, both of you.
00:32:00Go on.
00:32:09May offer a suggestion, please.
00:32:12Go ahead.
00:32:14Frightened bird, very difficult to catch.
00:32:18What does that mean in English?
00:32:20Old English adage say, give man plenty rope, will hang self.
00:32:24Not in this case.
00:32:26I'm going to give them a few hours in the jug and I'll bet they uncork everything they know.
00:32:30Well, perhaps facts also remain caulked in the jug.
00:32:35A guilty person more apt to betray his self while engaged in everyday work at circus.
00:32:41I suppose I should join the circus as a mind reader and guess the answer.
00:32:48Very wise plan.
00:32:49Are you kidding?
00:32:52Say, that gives me an idea.
00:32:54If I let him carry on with the show, then I can study the conditions under which the crime was committed.
00:33:01Trained mind of policemen.
00:33:02Work like lightning.
00:33:04Yeah.
00:33:05Say, listen, Charlie.
00:33:07You were in on the start of this.
00:33:10Why don't you stick with me to the finish?
00:33:15Thank you so much.
00:33:17We'll return to humble family and make arrangements.
00:33:20Fine.
00:33:22Beep, beep.
00:33:24Sue.
00:33:29Sue Toy.
00:33:31You again?
00:33:33Yeah.
00:33:33I'm going along with you.
00:33:34What?
00:33:35Sure, haven't you heard?
00:33:36I'm going to help Pop solve the murder.
00:33:38Well, you can solve anything you want to, but keep away from me.
00:33:41Oh, don't be like that.
00:33:43We'll have a swell time.
00:33:44I brought along my phonograph and I got a lot of records from Shanghai.
00:33:48That's fine.
00:33:49Then you can play yourself to sleep.
00:33:50Good night.
00:33:54Ladies seem to have dropped final curtain.
00:33:57Oh, that's just her way of saying good night.
00:33:59Hmm.
00:34:00Very practical.
00:34:04There is nothing to detain you further.
00:34:07What time do you say this train pulls out?
00:34:09Midnight.
00:34:10We better get aboard.
00:34:11What are you doing in the manager's compartment?
00:34:17Waiting to see games.
00:34:19Well, wait outside.
00:34:20We don't want the smell of animals in here.
00:34:26What is it, Carol?
00:34:27Well, I'd better ride up forward tonight and keep an eye on the aid.
00:34:29That's a good idea.
00:34:30Go ahead.
00:34:31Is that Kenny's stateroom?
00:34:33Yes.
00:34:33Mine's further down the corridor.
00:34:35Hold.
00:34:36Take the bags to Mr. Kenny's room.
00:34:38You don't mind sleeping there, Mr. Chan?
00:34:39No.
00:34:40Guilty conscience only enemy to peaceful rest.
00:34:43How about your son?
00:34:44Huh?
00:34:45Oh.
00:34:46Oh, I don't mind.
00:34:47You can use this room any time you like.
00:34:49Thank you.
00:34:50This way, sir.
00:34:51You are hindered from the sideshow?
00:34:59Yes, sir.
00:35:00On the circus, we all have more than one job.
00:35:02I'm the porter on this car.
00:35:04Circus performer like a detective.
00:35:07Must be Johnny of many trades.
00:35:09Yeah, you said it.
00:35:10Bring on the baggage, please.
00:35:12Yes, sir.
00:35:13Can he keep all his papers here?
00:35:15No, he's usually shaped in the business wagon, too.
00:35:18Well, how about having a look at it?
00:35:19A lot of trouble.
00:35:21The wagon's already been loaded on the flat cars forward.
00:35:23Oh, well, we'll look at it in the morning.
00:35:29Oh, pardon me.
00:35:30It's all right.
00:35:35Dan.
00:35:37Did you tell them?
00:35:38No.
00:35:39They'll find out soon enough.
00:35:40Oh, you should have told them tonight.
00:35:41Let me handle it, will you?
00:35:43Where are you going?
00:35:44I'm riding forward on the flat cars.
00:35:47I saw them.
00:35:47I saw them.
00:36:08I saw them.
00:36:10¡Gracias por ver!
00:36:40¡Gracias por ver!
00:37:10No matter what's going on, but I'm worried.
00:37:13Well, lie down and count sheep.
00:37:16I never did like sheep, and you know it.
00:37:19Well, try elephants. You don't have to count so many.
00:37:22Think you're smart, don't you?
00:37:40I never did like sheep.
00:37:53¡Suscríbete al canal!
00:38:23¡Suscríbete al canal!
00:38:53¡Suscríbete al canal!
00:38:55¡Suscríbete al canal!
00:38:57¡Suscríbete al canal!
00:38:59¡Suscríbete al canal!
00:39:01¡Suscríbete al canal!
00:39:04¡Suscríbete al canal!
00:39:05¡Suscríbete al canal!
00:39:07¡Suscríbete al canal!
00:39:09¡Suscríbete al canal!
00:39:11¡Suscríbete al canal!
00:39:13¡Suscríbete al canal!
00:39:15¡Suscríbete al canal!
00:39:17¡Suscríbete al canal!
00:39:19¡Suscríbete al canal!
00:39:21¡Suscríbete al canal!
00:39:23¡Suscríbete al canal!
00:39:25¡Suscríbete al canal!
00:39:27¡Suscríbete al canal!
00:39:29¡Suscríbete al canal!
00:39:31¡Suscríbete al canal!
00:39:33¡Suscríbete al canal!
00:39:35¡Suscríbete al canal!
00:39:37¡Suscríbete al canal!
00:39:39¡Suscríbete al canal!
00:39:41¡Suscríbete al canal!
00:39:43¡Suscríbete al canal!
00:39:45¡Suscríbete al canal!
00:39:47¡Suscríbete al canal!
00:39:49¡Suscríbete al canal!
00:39:51¡Suscríbete al canal!
00:39:53¡Suscríbete al canal!
00:39:55¡Suscríbete al canal!
00:39:57¡Suscríbete al canal!
00:39:59¡Suscríbete al canal!
00:40:01¡Suscríbete al canal!
00:40:03¡Vamos!
00:40:33Oh, hello, Pop.
00:40:47I was just doing my daily dozen.
00:40:49Attitude proved Darwin theory correct.
00:40:53Suggest you untie human pretzel and get dressed.
00:40:57Yeah, sure.
00:40:58Pop, get me out of this, will you?
00:41:00Very wise to know a way out before going in.
00:41:08Oh, thanks, Pop.
00:41:11Where are you going?
00:41:12I'm having breakfast with little people.
00:41:16More coffee, Mr. Chan?
00:41:18Thank you.
00:41:24Another piece of toast?
00:41:28No more, thank you.
00:41:31Very excellent coffee.
00:41:33Thank you.
00:41:34Tiny's a good cook.
00:41:37Do they dunk in China, Mr. Chan?
00:41:40Please.
00:41:41Dunk.
00:41:42Dunk.
00:41:43Oh, a very ancient Chinese custom.
00:41:46Tiny, don't be so unrefined.
00:41:48I was hoping, Mr. Chan, that you'd have some new clues.
00:41:54Have several clues.
00:41:56One need explanation.
00:41:59Perhaps you can be of assistance.
00:42:01Sure, I'll be glad to help.
00:42:02You entered business wagon last night before discovery of body?
00:42:07Why, I, uh...
00:42:09You better tell Mr. Chan everything.
00:42:11He's a mind reader.
00:42:12Very easy to read mind.
00:42:14When clue like, uh...
00:42:15Rag on sore thumb.
00:42:18Marks in dust on light shade
00:42:20prove little man, on first visit,
00:42:24slide down land cord to reach floor.
00:42:26It's true.
00:42:27I did go in.
00:42:29Mr. Gaines left his keys in there after the matinee.
00:42:32So I climbed down the ventilator
00:42:34and opened the door for him.
00:42:36Uh, something important Mr. Gaines walked in wagon?
00:42:39I don't know.
00:42:40He started to open the safe,
00:42:42then Mr. Kinney came in.
00:42:44They got into an argument about business,
00:42:46so I beat him.
00:42:48But please don't tell the police.
00:42:50They suspect Mr. Gaines already.
00:42:52If they knew that,
00:42:53they'd be sure to arrest him.
00:42:55Uh, facts like photographic film
00:42:57must be exposed before developing.
00:43:00Mm.
00:43:02Uh, thank you for a very excellent breakfast.
00:43:05Don't mention it, Mr. Chen.
00:43:06Is there anything else we can do for you?
00:43:08Have desire to again visit Ape's Cage.
00:43:11We'll take you there.
00:43:12I always bring the ape a banana in the morning.
00:43:14He's crazy about them.
00:43:16No matter how mad he is,
00:43:17it always quiets him.
00:43:19Ha, ha, ha.
00:43:20Yes.
00:43:21This is Jumbo.
00:43:22He's my special fit.
00:43:24Really?
00:43:25Ha, ha, ha.
00:43:26Most fortunate animal.
00:43:31Look at the size of that fellow, Mr. Chan.
00:43:35Like Charlie Chan,
00:43:36need to reduce waistline.
00:43:38Ha, ha, ha, ha.
00:43:45How would you like to be inside,
00:43:46playing with them?
00:43:47Much prefer being outside,
00:43:50looking in.
00:43:50Ha, ha, ha, ha, ha.
00:43:54Quiet down.
00:43:56Al, I brought Caesar a banana.
00:43:59Be careful, tiny.
00:44:00Still pretty mean.
00:44:01Oh, he wouldn't hurt me.
00:44:03Will you help me out, Mr. Chan, please?
00:44:05Here, Caesar.
00:44:05Any news of missing key?
00:44:13No, sir, but Mr. Macy put this policeman here to guard the cage.
00:44:16Hey, Pop.
00:44:17Pop.
00:44:18I've been looking all over for you.
00:44:19The business wagon was broken into last night,
00:44:21and Mr. Macy wants you there right away.
00:44:23More trouble for poor Mr. Gaines.
00:44:25Uh, trouble, rain on man, already wet.
00:44:29Excuse, please.
00:44:30Excuse.
00:44:30Looks like an amateur tried to break it open.
00:44:38A regular yank would have known
00:44:39he couldn't chisel his way through a cold steel safe door.
00:44:42Any fingerprints?
00:44:45No, not a trace.
00:44:47Where was the business wagon last night?
00:44:49On the flat car.
00:44:50Yeah, and I locked it up before it was put on the car.
00:44:52Pop.
00:45:03Look.
00:45:04They filed through the hasp to get into the wagon.
00:45:07Open the safe, Gaines.
00:45:08Let's take a look.
00:45:09What do you make of it, Pop?
00:45:11Very clever job.
00:45:14And, uh, excellent bronze filings.
00:45:20Nothing's been touched.
00:45:22He didn't get into the safe.
00:45:24Well, for a quick guess, Charlie,
00:45:26I'd say that whoever was responsible for Kinney's death
00:45:29must have wanted something out of this safe.
00:45:30Quite possible.
00:45:32Here, what's this?
00:45:35Joseph Kinney, personal.
00:45:41Life insurance policy, $50,000.
00:45:44Who is beneficiary?
00:45:46It was changed last month to, uh,
00:45:49Marie Norman.
00:45:51Trapeze lady.
00:45:52Mr. Kinney's fiancée.
00:45:54Yeah.
00:45:56Well, wait a minute.
00:45:57Here's a certificate of marriage.
00:45:59What's that?
00:46:00Juarez, Mexico, May 30th, 1935.
00:46:04Joseph Kinney and Nellie Farrell.
00:46:07Say, what is this fiancée business?
00:46:10Very peculiar.
00:46:12Man already married.
00:46:14Announced engagement to trapeze lady.
00:46:16I got it.
00:46:18The Norman girl must have found out he was two-timing her
00:46:21and decided to collect the insurance.
00:46:23Too soon to count chickens until eggs are in nest.
00:46:27Who is Nellie Farrell?
00:46:29Uh, the wardrobe woman.
00:46:30Dan Farrell's sister.
00:46:32She and Kinney used to go together.
00:46:33But, uh, he threw her over for Marie Norman.
00:46:36Did you ever hear Kinney speak of being married to her?
00:46:38Never.
00:46:39If he did, he kept it to himself.
00:46:41Well, is that his signature?
00:46:44Yes, it is.
00:46:45Very strange.
00:46:47Nellie Farrell did not reveal last night
00:46:50she was wife of murdered men.
00:46:53I got it, Mr. Macy.
00:46:54Maybe this is the lucky break we're looking for.
00:46:56We'll need it if we're ever going to crack this case.
00:46:59One grain of luck is sometimes worth more than
00:47:03whole rice field of wisdom.
00:47:05Yeah.
00:47:06Say, where can I find this Nellie Farrell?
00:47:08She's probably over on the train.
00:47:10Come on, Charlie.
00:47:11Let's go have a little talk with her.
00:47:17Are you Nellie Farrell?
00:47:18No.
00:47:19She was over there reading the morning paper
00:47:20just a few minutes ago.
00:47:22Well, where'd she go?
00:47:23Who wants to know?
00:47:25Oh.
00:47:26She said she had some business in town.
00:47:28She'd be back before the show started.
00:47:30Yeah.
00:47:34Say, Pop, I just thought of something.
00:47:36I'll see you later.
00:47:36So she went to town on business.
00:47:40I wonder what that's all about.
00:47:42Perhaps we'll learn when meet with her.
00:47:46Very excellent likeness of Mr. Kinney.
00:47:49Well, we know what he looked like.
00:47:50His picture isn't going to get us anything.
00:47:52Cannot tell where part lead until reach end of road.
00:47:56Hey, let me look at that, will you?
00:48:04Say, big boy, what's the big idea?
00:48:12Here it is.
00:48:13What a break.
00:48:13Come on.
00:48:14Come on.
00:48:14We're on the right track.
00:48:38There's Nellie's brother.
00:48:39Well, let me see.
00:48:40Well, I should kiss a pig.
00:48:46There, there, dear.
00:48:47There, there.
00:48:49There, there.
00:48:57There's Nellie, too.
00:49:01They're coming this way.
00:49:02Keep your head down and we'll trail them.
00:49:08What did the lawyer say?
00:49:09There isn't a chance of a slip-up.
00:49:11I can claim everything.
00:49:29Good morning, Mr. Chan.
00:49:35How did you know it was me?
00:49:37I never forget a face.
00:49:39Don't give me away.
00:49:40I'm on a hot trail.
00:49:42You must be.
00:49:44Something's burning.
00:49:47Howdy, Sue.
00:49:48We're detectives.
00:49:50We're in disguise.
00:49:51Well, the first thing you better learn is
00:49:53how to keep your disguise up.
00:49:55Say, Pop, you find Nellie Farrell visit lawyer's office?
00:50:10Gee, how did you know?
00:50:13Very simple.
00:50:14Saw you get idea from newspaper with the clipping cut out.
00:50:17Very proud you learned tricks of trade so quickly.
00:50:22And I thought I was putting something over on you.
00:50:25But she went there, all right.
00:50:27And when she came out...
00:50:28She meet brother, Dan Farrell.
00:50:30I'm telling you.
00:50:32You're telling me.
00:50:33Very simple.
00:50:34Brother also missing from circus lot.
00:50:36Well, anyway, I followed them and listened in.
00:50:39She told them there wasn't a chance of a slip-up.
00:50:40She could claim everything.
00:50:42And then?
00:50:42And then they walked on and...
00:50:45Well, I...
00:50:46You meet contortion, lady?
00:50:48Oh, how do you do it, Pop?
00:50:51Evidence like nose on anteater.
00:50:55J-Pin belonged to lady of many angles.
00:50:59Gee, you can see through anything.
00:51:01I don't see what you need a microscope for.
00:51:04Good tools shorten labor.
00:51:06Have made very interesting discovery.
00:51:09Observe.
00:51:12What are those spots?
00:51:19Bronze filings from padlock on door of business wagon.
00:51:24Discovered in this envelope, which contained personal papers of Mr. Kinney.
00:51:28But that envelope was inside the safe.
00:51:31And the safe wasn't broken open.
00:51:33Contradiction, please.
00:51:35Bronze filings prove otherwise.
00:51:38Same person who filed lock also opened safe.
00:51:41Must have known combination.
00:51:45Then batter safe door to give appearance of unsuccessful attempt at burglary.
00:51:51It's over my head.
00:51:53Particles of bronze filings from padlock unconsciously deposited in envelope when burglar handled same.
00:52:02I get it.
00:52:03But what do you suppose they stole from the envelope?
00:52:06Mystery is still to be solved.
00:52:11Oh, I was just going to tell Mr. Chan the matinee is about to start and I thought maybe he needed something before I left.
00:52:18Oh, yeah?
00:52:19Well, get out of here.
00:52:22We'll make it snappy.
00:52:22I just caught Hulk listening outside the door.
00:52:38Inquisitive person like Bear after honey.
00:52:42Sometime find a hornet's nest.
00:52:46Circus taunting.
00:52:47Perhaps Nellie Farrell now returned.
00:52:54Yeah, that's why I came to get you.
00:52:55We'll look her up.
00:52:56Advise no mention of marriage certificate.
00:52:59Lean first move to lady.
00:53:01Oh, sure.
00:53:02Hey, Jenny.
00:53:10What about my turf?
00:53:11Right there under your nose.
00:53:13Where?
00:53:13Jenny, where are my slippers?
00:53:14I don't know.
00:53:15Yeah, but there's no shoes with this outfit.
00:53:17Look for them yourself.
00:53:18That's Nellie's job, not mine.
00:53:20Move.
00:53:22Did you think over what we talked about last night?
00:53:26Yes, Hal, but I couldn't leave Marie, especially now.
00:53:29There isn't anything you can do for her.
00:53:31Listen, I've got it fixed up for a job in Chicago.
00:53:33We'll hop the night train.
00:53:34All right, Jenny.
00:53:35Isn't Nellie Farrell back yet?
00:53:36No, and I think it's a dirty trick piling up all this work on you.
00:53:39Yeah, don't blame me if I'm late for the show.
00:53:41Jenny, haven't you found my slippers yet?
00:53:43All right, folks.
00:53:44Do the best you can.
00:53:45We'll have everything straightened out in a little while.
00:53:47Jenny, get your parade stuff racked over there.
00:53:49Make more room for this other wardrobe.
00:53:50I only got one pair of hands, Mr. Gaines.
00:53:52I'm doing the best I can.
00:53:53I know you.
00:53:57Well, Nellie?
00:54:01Why weren't you on the job?
00:54:02I don't have to answer to you anymore, Mr. Gaines.
00:54:05What do you mean by that?
00:54:06I'm just as much bought here now as you are.
00:54:09I'm Joe Kinney's widow.
00:54:10I put in my claim for his share of the show.
00:54:12What are you talking about, Nellie?
00:54:15We were married five months ago.
00:54:17Why didn't you tell me about it?
00:54:19Why, you were...
00:54:20Excuse.
00:54:23So clumsy.
00:54:25Better to sleep with foot than with tongue.
00:54:29I didn't tell you about our being married, Dan, because...
00:54:33Well, I knew you didn't like Joe Kinney,
00:54:34and I suppose he was keeping our marriage a secret because...
00:54:37he was making a play for Marie Norman.
00:54:40That's not true!
00:54:41No, you're just saying that because you hate my sister.
00:54:45You keep out of this, Lou, and I can see through your game.
00:54:48Because Joe Kinney's dead, you're trying to put something over.
00:54:50But I know he never married you, or he'd have told me.
00:54:53Why, should he?
00:54:54You were just another woman to him.
00:54:56And you thought you were so clever, taking him away from me.
00:54:59Pardon interruption, please.
00:55:01You have marriage certificate?
00:55:03No, Joe never let me have it.
00:55:06When was time of marriage?
00:55:07It was May the 30th, Decoration Day.
00:55:11We were in El Paso, and the big top blew down,
00:55:14and we couldn't go on that night,
00:55:15so Joe and I went across the border to Juarez,
00:55:17and we were married.
00:55:19Now I know you're lying.
00:55:20I'm sorry, Miss Norman, but it's the truth.
00:55:22We found the marriage certificate.
00:55:24Then it's a fake.
00:55:24No, it isn't.
00:55:25Mr. Gaines verified the signature.
00:55:27But I know where Joe was that night.
00:55:28Marie, you haven't time now.
00:55:30There's your music.
00:55:30He wasn't in Mexico, and I can prove it.
00:55:32Well, you'll get your story later, Miss Norman.
00:55:33Hurry.
00:55:36Get back to your work, folks.
00:55:37We've got a show off.
00:55:38Just a minute, please.
00:55:40Why didn't you tell us about this last night
00:55:42when your husband was killed?
00:55:44Joe and I hadn't been living together,
00:55:45so I thought I should see a lawyer
00:55:47and find out just where I stood.
00:55:49I'll take my marriage certificate.
00:55:50One moment, please.
00:55:52Certificate much safer in hands of law.
00:55:56Yeah, that's right.
00:55:58You've got nothing to worry about.
00:55:59We'll take good care of it.
00:56:00Come on, Charlie.
00:56:02Let me…
00:56:03Today…
00:56:05Barry…
00:56:06Herman…
00:56:13applying for all rights,
00:56:15and.
00:56:15And.
00:56:21Yes.
00:56:25See.
00:56:26.
00:56:27I.
00:56:28I.
00:56:29I.
00:56:30I.
00:56:30I.
00:56:31I.
00:56:31I.
00:56:31¡Gracias!
00:57:02¡Oh, somebody get her doctor! ¡Quick!
00:57:05¡Stop the band playing!
00:57:06¡Get the clowns out here and keep things going!
00:57:09Well, whatever she knew, her mouth shut now.
00:57:13Silent witness, sometimes speak loudest.
00:57:22She's still alive, but unconscious.
00:57:25We're taken to her dressing room.
00:57:27I don't see how it could have happened.
00:57:29Ed Regan is tested before every performance.
00:57:31Very strange.
00:57:34Accident most conveniently timed.
00:57:38I'll get the doctor's report.
00:57:48Suggest you place very close guard over Miss Norman.
00:57:52Might meet with another accident.
00:57:56You're right, Charlie. I'll say to it.
00:58:01Observe.
00:58:15Bullet hole in canvas over trapeze.
00:58:19I'll say to it.
00:58:49Oh, have discovered secret of perpetual agitation?
00:58:54I was only testing a machine, Pop.
00:58:56The magnifying female charms. Very ancient optical illusion.
00:59:01Look, Charlie.
00:59:02I found this gun under a wagon near the big tent.
00:59:06Now, here's the door.
00:59:07Somebody was afraid Marie Norman would squawk about the night of May 30th and try to finish her off.
00:59:12That's exactly what I thought.
00:59:13And it must have been the feral girl or maybe her brother.
00:59:16But that doesn't make sense.
00:59:20This marriage certificate's on the up and up.
00:59:23May examine document, please?
00:59:25They're exactly alike.
00:59:44That proves it's Kinney's signature.
00:59:46Sure.
00:59:46Contradiction, please.
00:59:47Even if name signed one million times, no two signatures ever exactly alike.
00:59:55Then the Norman girl was right.
00:59:56It's a fake.
00:59:57Kinney's name was traced on there from the photo.
00:59:59Well, undoubtedly correct.
01:00:01It's a cinch.
01:00:02Look.
01:00:04Farrow had planned this phony marriage racket.
01:00:06He turned the ape loose to murder Kinney and planted the certificate in the safe.
01:00:10Then when the Norman girl threatened to spoil his game, he tried to knock her off.
01:00:14That's enough for me.
01:00:15Not always wise to accept simplest solution.
01:00:19Mind, like parachute, only the function when open.
01:00:23If I can't make a case out of this, I'll pin my badge on the egg.
01:00:28Mr. Macy, I agree with you.
01:00:31Thanks.
01:00:40Who is it?
01:00:41What happened?
01:00:42So sorry.
01:00:43Unloaded gun always causes most trouble.
01:00:47How'd that rifle get here?
01:00:49Was reposing against wall?
01:00:51Well, that's funny.
01:00:52Mr. Gaines never let it out of his state room.
01:00:54Pleased to return the gun.
01:00:55Much safer in hands of owner.
01:01:04Gaines rifle.
01:01:05That takes us right back to the guy we started with.
01:01:08But he's not going to talk his way out of it this time.
01:01:10We got enough on him now to make a pitch.
01:01:11No use to hurry unless you're catching right train.
01:01:15Well, then what would you advise, Charlie?
01:01:17Wait for Miss Norman.
01:01:18She gives clue when conscious.
01:01:24Is she badly hurt, Doctor?
01:01:26Well, there are two compound rib fractures and a possible spine injury.
01:01:30I sent for the fluoroscope before I risk moving her.
01:01:32When do you think she'll regain consciousness?
01:01:34Well, that's almost impossible to say.
01:01:37If something doesn't break when she comes to, I'm going to pinch the whole show.
01:01:40Excuse me, please.
01:01:49Do you recall where Sister was the night of May 30th?
01:01:55No, I don't, Mr. Chad.
01:01:56I wasn't with her.
01:02:00Perhaps you keep book of newspaper clippings.
01:02:04Well, yes.
01:02:05May I have permission to examine, please?
01:02:10Yes.
01:02:11It's in the top tray of her trunk.
01:02:12Thank you.
01:02:35Found something, Pop?
01:03:02Telephone Police Headquarters.
01:03:06El Paso, Texas.
01:03:09Get all information concerning this shooting at Ace Casino.
01:03:14Also, description of killer.
01:03:17What's on your mind?
01:03:18Have idea for quick solution or mystery.
01:03:23Important you return with report as soon as possible.
01:03:28You can count on me.
01:03:28Thank you.
01:03:32Listen, operator, you've got to get me through.
01:03:38This is official business.
01:03:40Clear all wires.
01:03:43Yes, police headquarters.
01:03:45El Paso, Texas.
01:03:46Make it snappy.
01:03:47And reverse the charges.
01:03:52Mr. Macy, I can't stand it.
01:03:54Why don't they do something for my sister?
01:03:55Everything humanly possible is being done.
01:03:57Any change in condition?
01:04:03None.
01:04:04Perhaps we'd better take action.
01:04:07Each moment's delay increase danger.
01:04:10I'll make the necessary arrangements immediately.
01:04:12Lou, your sister's condition is quite serious.
01:04:21An emergency operation is necessary.
01:04:24We can't move her to a hospital.
01:04:25It will have to be done here without delay.
01:04:28Lieutenant Macy, will you send into town for the equipment and assistance?
01:04:31Yes.
01:04:33Don't worry, kid.
01:04:35I'll see that she gets the best of everything.
01:04:36Sergeant, drive to the hospital and see that the ambulance and equipment order of Dr. Meade gets here without delay.
01:04:46One moment, please.
01:04:48Must ask everyone's cooperation.
01:04:51Any noise or disturbance during operation may prove fatal.
01:04:56Please to remain away from tent and be quiet as possible.
01:05:01Get back to your quarters, folks.
01:05:03Harold, you and Blake look at the animal.
01:05:05John.
01:05:07Yeah.
01:05:08That's right, chief.
01:05:09The Ace Casino, night of May 30th.
01:05:12I want his description.
01:05:16Yeah.
01:05:17Yeah, I get you.
01:05:20What?
01:05:21Repeat that, please.
01:05:25Yes, we got someone here who answers that exactly.
01:05:27Don't worry, chief.
01:05:28This is Mr. Chan, junior, and I'll get your man.
01:05:31¡Gracias!
01:06:01¡Gracias!
01:06:31¡Gracias!
01:07:01¡Gracias!
01:07:03¡Gracias!
01:07:11Number one son late.
01:07:17Tim.
01:07:19Ah, stop bothering me.
01:07:21Do you suppose they'll be much longer with the operation?
01:07:24I'm worried.
01:07:25Worry I won't get you anywhere.
01:07:27Why don't you be calm like me?
01:07:29Ouch.
01:07:30See, you made me cut myself.
01:07:32I've got a funny feeling that something's going to happen.
01:07:36Oh, stop acting like a kid.
01:07:38Why don't you grow up?
01:08:00It's the egg.
01:08:10It's the egg.
01:08:12It's the egg.
01:08:14It's the egg.
01:08:15It's the egg.
01:08:16It's the egg.
01:08:18It's the egg.
01:08:20It's the egg.
01:08:21It's the egg.
01:08:22It's the egg.
01:08:23It's the egg.
01:08:24It's the egg.
01:08:25It's the egg.
01:08:26It's the egg.
01:08:27It's the egg.
01:08:28It's the egg.
01:08:29It's the egg.
01:08:30It's the egg.
01:08:31Bueno, Charly, tu plan no funcionó.
01:08:34Quero que fue, se ha ido a la guardia y le dio a la ape.
01:08:36All right, boys.
01:08:48¿Qué ha pasado?
01:08:50¿Qué es lo que significa esto?
01:08:51Necesaria decepción para proteger la vida de Miss Norman.
01:08:55La sister se ha salvado a la hospital mucho más tarde.
01:08:59Rapid recovery assured.
01:09:02Suggest you both go there immediately.
01:09:04Oh, thank you, Mr. Chan.
01:09:07Hey, Pop!
01:09:09Pop!
01:09:12Pop, I got the information you wanted.
01:09:15The description of the killer at El Paso fits Holt.
01:09:18And I just caught him letting the ape out.
01:09:20I tried to stop him, but he slugged me.
01:09:22Holt, and he's our man.
01:09:24Cover all roads out of town.
01:09:25Send out a general broadcast.
01:09:26One moment, please.
01:09:27Unnecessary to search further.
01:09:33Here is killer.
01:09:37Holt!
01:09:37Very clever scheme to establish perfect alibi.
01:09:52When committing murder, turn ape loose to give impression, real ape, guilty of crime.
01:09:58First, suspected ape was man in disguise, from clue of hairs found on windowsill at scene of crime, proved to be dead hairs, not from living ape.
01:10:16Second clue, marks outside window of business wagon, real ape, would never use barrel, would use feet to climb up to window.
01:10:28And now, report from El Paso, complete link in chain.
01:10:34Mr. Kinney and Holt, old friends, meet at gambling casino on night of May 30th.
01:10:42This clipping show, they used crooked cards, were caught cheating, and in fight that follow, Holt killed sheriff.
01:10:53Kinney protect him from police, with a job in circus as snake charmer.
01:10:58Later, men quarrel over money won at gambling.
01:11:05Kinney received strange messages threatening life.
01:11:10Send for humble self to discuss matter.
01:11:13Holt, fearing Kinney would turn him over to police, resort to murder.
01:11:19Today, when Miss Norman revealed knowledge of night of May 30th, Holt, fearing statement would incriminate him as murderer, attempt to remove her also.
01:11:34First attempt fail.
01:11:36Suspected he would strike again, so with aid of Lieutenant Macy, they'd trap.
01:11:44Death right finished to mystery.
01:11:48Yes, we cleared that up all right, Charlie.
01:11:51But it doesn't clear you two of forging that phony marriage certificate.
01:11:55Take him to headquarters.
01:11:58Charlie, you're a great guy. Put it there.
01:12:00I'll say you are.
01:12:01Thank you so much.
01:12:03Have a cigar, Mr. Chan?
01:12:04No, thank you.
01:12:06How about you, Mr. Macy?
01:12:08Oh, thanks.
01:12:10Well, Gaines, I guess you can move the show out tonight, unless Charlie here objects.
01:12:15No objections.
01:12:17But Charlie Chan likes some time to see circus as simple spectator.
01:12:22I'll attend to that, Charlie.
01:12:23You'll have a lifetime pass to this show for yourself and family.
01:12:26Now, how many shall I make it out for?
01:12:28Fourteen or...
01:12:29I think fourteen quite sufficient.
01:12:31Maybe more later.
01:12:36Later.
01:12:36Later.
01:12:37Bye.
01:12:55Bye.
01:13:00Bye.
01:13:01Bye.
01:13:01Bye.
01:13:02No, no, no, no.
01:13:32No, no, no, no.
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