- hace 2 días
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:02¡Gracias!
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00:02:08¡Gracias!
00:02:10¡Gracias!
00:02:12¡Gracias!
00:02:14Is there anything wrong, Miss?
00:02:16Isla, what's the matter?
00:02:18I'm so sorry, but my nerves are going to pieces.
00:02:20Why were you following me?
00:02:22Following you, Miss?
00:02:24Yes, following me.
00:02:26Miss Crane asked you a question.
00:02:28I'm afraid the young lady's imagination is getting the better of her, my lord.
00:02:30Don't be impertinent.
00:02:32Someone's put a bolt on the outside of my bedroom door.
00:02:34What for?
00:02:36You mean you can be made prisoner in your own room?
00:02:38Yes.
00:02:40Do you know anything about this?
00:02:42Very queer, my lord. Answer my question.
00:02:44I can only repeat.
00:02:46Very queer, my lord.
00:02:48The insolence of you two men is becoming intolerable.
00:02:50Willy.
00:02:52Yes, mother.
00:02:54I want to talk to you.
00:02:56And to you too, Isla.
00:02:58I thought I heard someone scream.
00:03:00Yes, mother, you did. It was Isla. No wonder.
00:03:02You ought to control yourself.
00:03:04I'm sorry, Lady Lebanon, but there's a limit.
00:03:06Can't you explain?
00:03:08Well, it's this house. I don't know what it is, but there's something about it that's unnerving, that's terrifying.
00:03:12Isla, you're disappointing me. You're just being hysterical.
00:03:14Oh, but I'm not.
00:03:16So we're insolent, are we?
00:03:18Well, I think Isla's perfectly right, mother. This whole place is like a tomb or a condemned cell.
00:03:22Don't talk nonsense. I can't be one. If Isla sticks it.
00:03:24If you had a mother and two young sisters dependent on your employer for a monthly allowance,
00:03:26you would do precisely what Isla is doing.
00:03:28Isla is doing.
00:03:30I don't know what is.
00:03:31Can't you explain?
00:03:32Can't you explain?
00:03:33Well, it's this house.
00:03:34I don't know what it is, but there's something about it that's unnerving, that's terrifying.
00:03:37Isla, you're disappointing me. You're just being hysterical.
00:03:39Oh, but I'm not.
00:03:41So we're insolent, are we?
00:03:43Well, I think Isla's perfectly right, mother.
00:03:45Will you please be quiet?
00:03:47Someone has put a bolt on the outside of Isla's bedroom door.
00:03:50Will you put yourself in her place?
00:03:52If I were in her place, I should take no notice of it.
00:03:55Was that bolt put there on your instructions, Lady Lebanon?
00:03:58No, it was not.
00:04:01Oh, my God.
00:04:03Oh, my God.
00:04:06Oh, my God.
00:04:08Oh, my God.
00:04:10Oh, my God.
00:04:11Oh, my God.
00:04:12Oh, my God.
00:04:13Oh, my God.
00:04:14Oh, my God.
00:04:15Let us go.
00:04:16Mr. Ferribee.
00:04:18You can show him in, Gilder.
00:04:20Yes, affect you.
00:04:21Who on earth is Ferribee?
00:04:22An architect from London.
00:04:23He's come to inspect the priori with a view to restoration work.
00:04:26About time, too.
00:04:31How d'you do, Mr. Ferribee?
00:04:32How d'you do?
00:04:32This is my secretary, Miss Crane...my son.
00:04:34I D'you do, Miss Crane?
00:04:36I D'you do.
00:04:37How's the day?
00:04:38Take off?
00:04:39Well, very badly.
00:04:39Good, that's two of us. How about a round?
00:04:41Mr. Ferribean is here on a professional visit.
00:04:42¡Suscríbete al canal!
00:05:12¡Suscríbete al canal!
00:05:42¡Suscríbete al canal!
00:05:44¡Suscríbete al canal!
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00:05:48¡Suscríbete al canal!
00:05:50¡Suscríbete al canal!
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00:06:00¡Suscríbete al canal!
00:06:04¡Suscríbete al canal!
00:06:06¡Suscríbete al canal!
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00:06:10¡Suscríbete al canal!
00:06:12¡Suscríbete al canal!
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00:06:16¡Suscríbete al canal!
00:06:18¡Suscríbete al canal!
00:06:20¡Suscríbete al canal!
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00:06:26¡Suscríbete al canal!
00:06:56¡Suscríbete al canal!
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00:07:00¡Suscríbete al canal!
00:07:02¡Suscríbete al canal!
00:07:04¡Suscríbete al canal!
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00:07:10¡Suscríbete al canal!
00:07:12¡Suscríbete al canal!
00:07:14¡Suscríbete al canal!
00:07:16¡Suscríbete al canal!
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00:07:20¡Suscríbete al canal!
00:07:22¡Suscríbete al canal!
00:07:24Pero...
00:07:54¿Qué pasa?
00:07:56¿Qué pasa?
00:07:58Carver, tell us to have been sending one of the auto-vac in my car.
00:08:00The auto-vac, did you say, sir?
00:08:02Yes, tell him to get it right at once.
00:08:04Certainly, Dr. Everschamp.
00:08:06Her ladyship is in the library.
00:08:10Isla is in every way a good match.
00:08:12She's no money, but that doesn't matter.
00:08:14She's of the same blood, and that's all that counts.
00:08:24Mr. Everschamp, you asked me to come down to tell me you want him to marry Isla.
00:08:28I had to leave a very sick patient.
00:08:30You have no patience.
00:08:31I doubt whether there's anyone in London foolish enough to employ you.
00:08:34You employ me?
00:08:40Hello.
00:08:42That door handle's rather unique, isn't it?
00:08:44Yes.
00:08:45That's the old Lord Lebanon's room.
00:08:47He died in there after a very long illness.
00:08:49It's locked.
00:08:50It's been locked ever since he died.
00:08:51Lady Lebanon will never allow it to be opened.
00:08:53Before I get through, I may have to have a look inside.
00:08:59Why doesn't he get a chauffeur to do his own dirty work?
00:09:01I'm afraid I don't know.
00:09:03What a gentleman, eh?
00:09:04And what a doctor.
00:09:05If a ladyship knew as much as I know, he wouldn't last five minutes in this place.
00:09:09Indian army, eh?
00:09:11I could tell you a few things about the Indian army.
00:09:23Well done.
00:09:24Good afternoon, my Lord.
00:09:25Do you want your car?
00:09:29¡Suscríbete al canal!
00:09:59All right, Gildo.
00:10:04Stud must go.
00:10:05He's been repeating village gossip.
00:10:06Yes, the sooner he goes, the better, I should say.
00:10:09Well, I'll be getting back.
00:10:10I want you to stay.
00:10:11No, I've rather an important appointment.
00:10:12I want you to stay.
00:10:14I've had a room prepared for you.
00:10:17Very well, if you insist.
00:10:18By the way, this marriage, what's Ayla got to say about it?
00:10:21I haven't spoken to her yet.
00:10:26By the way, did you ever meet Stud in India?
00:10:28Yes. He was stationed at Delhi.
00:10:30Delhi? When?
00:10:31I don't know, but from what I've heard, he's told people he knew you, though.
00:10:37If her ladyship knew as much as I know, she wouldn't let him inside the house.
00:10:41Why, what do you know about him?
00:10:42At the right time, I'll have a few words to say.
00:10:48Did you know him in India?
00:10:49Oh, I knew him all right.
00:10:51Oh, good Lord, here he comes.
00:10:53I'm off.
00:10:53Goodbye.
00:10:57Well, Stud, my car finished?
00:10:59No, it isn't.
00:11:00I'm afraid it won't be until the morning.
00:11:01I'm going to dance.
00:11:03Who gave you permission?
00:11:04I don't need permission.
00:11:05It's my night off.
00:11:07I think you'd better start looking for another job, Stud.
00:11:10Oh, and who are you to tell me to look for another job?
00:11:12And what sort of job, Doctor?
00:11:14Signing other people's names on checks?
00:11:16If I get another job, it'll be an honest job.
00:11:19It won't be robbing a brother officer.
00:11:20You can take that from me.
00:11:21What the devil are you talking about?
00:11:22Are you off your head?
00:11:23You know what I'm talking about, all right?
00:11:25And whatever job I take, I shan't be pinched for it or go up for trial for it
00:11:28or be kicked out of the army for it.
00:11:29You keep your filthy mouth shut.
00:11:31I'll keep my mouth shut until I choose to open it.
00:11:33Your costume is very striking, Stud, as I may say so.
00:11:49Oh, do you think so, Miss Crane?
00:11:50I brought her back from India with me.
00:11:52I think your wife looks perfectly exquisite, Mr Tilling.
00:11:56Yes.
00:11:56And you made it yourself.
00:11:58How very clever of you are.
00:12:00Swiss, isn't it?
00:12:01No doubt she was supposed to be.
00:12:04Oh, dear, dear, dear, what is the matter with me, of course?
00:12:30Thank you, Miss Crane.
00:12:31Thank you, Stud.
00:12:35Well, that was very jolly.
00:12:37And now we are going to have a gentleman's excuse me dance.
00:12:42Excuse me.
00:12:43Excuse me.
00:12:43May I have this dance, please?
00:13:04Yes, certainly.
00:13:05May I have this dance, please?
00:13:10Do you mind, Jim?
00:13:12Of course he doesn't mind.
00:13:14Why does one come to a dance?
00:13:15To dance, surely?
00:13:20Bless me, I promised to help with the refreshments.
00:13:22And here I stand listening to your talk.
00:13:24Who knows your old man's as happy as ever?
00:13:30He's so jealous.
00:13:32He frightens me.
00:13:33Him?
00:13:34You should worry.
00:13:35It's all very fine for you.
00:13:37You don't have to live with me.
00:13:38And neither will you much longer.
00:13:44Excuse me.
00:13:45Excuse me.
00:13:46I'm afraid this is called a gentleman's excuse me dance.
00:13:48Oh, is he?
00:13:49Thank you.
00:13:53After this dance, I'm going out the back for a smoke.
00:13:55Come out as quickly as you can.
00:13:57What, Jim, yeah?
00:13:58I can't.
00:13:59You must.
00:13:59It's most important.
00:14:00Only for a minute.
00:14:00I've got to talk to you.
00:14:02Excuse me.
00:14:03Excuse me.
00:14:07So this is nightlife in Marks Thornsson.
00:14:10You're not bored, are you?
00:14:11Not a bit.
00:14:12It's grand.
00:14:12Excuse me.
00:14:13Yes.
00:14:15Come.
00:14:18Excuse me.
00:14:26Do you think the vicar in mind if I chuck that fellow out?
00:14:28He's quite within his rights, you know.
00:14:30He's got the technique of a horsefly.
00:14:39There she goes.
00:14:40There she goes.
00:14:41I said she'd follow him out.
00:14:45Do you still feel the same about coming away with me?
00:14:47Of course I do.
00:14:50Excuse me.
00:14:53What do you say this dance is called?
00:14:55A gentleman's excuse me.
00:14:57Well, I hope I'm a gentleman, but if he goes on much longer,
00:14:59it's going to bring out the beast in me.
00:15:01Excuse me.
00:15:03Ah, excuse us.
00:15:06I must go now.
00:15:07He mustn't see us here together.
00:15:09All right.
00:15:09Same place tomorrow night, eight o'clock.
00:15:11That's right.
00:15:17Yes, I'm going to find this work very interesting.
00:15:33That is, if Lady Lebanon approves my suggestions.
00:15:35Oh, I'm sure she will.
00:15:37It's good to know you're on my side, anyway.
00:15:38There are footmen here.
00:15:44Yes, I remember.
00:15:45One of them opened the door to me.
00:15:47Not very much like footmen, are they?
00:15:48Oh, you don't know how they terrify me.
00:15:50Ever since I came here.
00:15:54That ghastly sound, what was it?
00:15:55I don't know.
00:15:56It came from over there.
00:15:57I'll go and see what's the matter.
00:15:58I'm coming with you.
00:15:59I'll get a torch.
00:15:59Mr. Kennedy!
00:16:28Mr. Kennedy!
00:16:29He's been strangled with his scarf.
00:16:53What puzzles me is he was strangled with a scarf that came from India.
00:16:57Well, there's one crumb of comfort, Totty.
00:16:59Your brains are on the job.
00:17:00Well, as a matter of fact, this Mark's Priory business is perfectly simple to me.
00:17:03Really?
00:17:04You must be quite a genius.
00:17:05Funny nobody's ever noticed it.
00:17:07There's a lot of jealousy going on in this building.
00:17:10Come in.
00:17:10Oh, take this to the records, please.
00:17:14Thank you, sir.
00:17:14Well, come on, Totty.
00:17:16Let's have the deductions of your mastermind.
00:17:18It doesn't require a mastermind to work this one out.
00:17:21Stud's carrying on with the wife of Tilly.
00:17:23Lady Watson's name's head gamekeeper.
00:17:25Tilly is a quarrelsome sort of cuss.
00:17:27Very jealous of his wife, so he strangles Stud.
00:17:30Well, go on.
00:17:31What do you mean, go on?
00:17:32That's all there is to it.
00:17:33Is that so?
00:17:34Well, if it's as simple as all that, why haven't the local police disposed of the case?
00:17:38Search me.
00:17:38No, Totty.
00:17:39There's a lot more in this than meets the eye.
00:17:42Hello?
00:17:42Car's waiting, sir.
00:17:43Right-o.
00:17:44Go on, Totty.
00:17:45I still think Tilling's our man.
00:17:47He'd have used his hands, not an Indian scarf.
00:17:49Oh, well, we'll see.
00:17:50When I get down there, I'm going to keep my ears open.
00:17:52Of course you'll keep your ears open.
00:17:54Nature's made them that way.
00:17:58I understand that the scarf used to kill Stud was handed to you by Mr. Faraby?
00:18:03Yes.
00:18:04And you lost it?
00:18:06I've already explained to about six police officers that I put it in the top left-hand drawer of my bureau.
00:18:10Immediately after, Mr. Faraby and Miss Crane have found the body.
00:18:13A short time afterwards, yes.
00:18:14And yet when the local police arrived, less than 20 minutes later, it had gone.
00:18:19Yes.
00:18:20But how?
00:18:21You were the detective, Mr. Tanner, not I.
00:18:24I don't want to mince words, Lady Lebanon, but your explanation, to say the least, is most unsatisfactory.
00:18:29It is my explanation, nevertheless.
00:18:31That scarf was an extremely valuable clue.
00:18:35Is there anything else you want to ask me?
00:18:38I'm rather anxious to meet Dr. Amersham.
00:18:40Is he likely to be here today?
00:18:41Why, he wasn't here at the time of the crime.
00:18:43He left for London after dinner.
00:18:44Just the same, I'd like to see him.
00:18:48That is Lord Lebanon.
00:18:50Plays rather well, if I may say so.
00:18:52May I meet him?
00:18:55Come this way.
00:18:56This gentleman is from Scotland Yard.
00:19:10Oh, how do you do, officer?
00:19:15That is right, isn't it, officer?
00:19:17I'm Chief Inspector Tanner, Lord Lebanon.
00:19:19Good morning.
00:19:20I beg your pardon, Inspector.
00:19:21Good morning.
00:19:21This is an absolutely dreadful business.
00:19:24He was such a decent fellow.
00:19:25Well, I hope to goodness you find out who the murderer is.
00:19:28I hope so, too.
00:19:29Well, if I can be of the slightest assistance in any way, don't hesitate to let me know.
00:19:33Thank you.
00:19:33Is it possible for me to see the gentleman that found the body, Mr...
00:19:36Why, it better be, of course.
00:19:37Oh, he'll be about to play somewhere.
00:19:38My son will look after you, if you'll excuse me, Mr. Tanner.
00:19:41Certainly.
00:19:41This way, Inspector.
00:19:43Shouldn't be difficult to find him.
00:19:44He must be around the place somewhere.
00:19:47Exchange?
00:19:48Give me Barclay 5555 and quickly, please.
00:19:57Hello.
00:19:58Is that you?
00:19:59Men from Scotland Yard are here.
00:20:01Scotland Yard?
00:20:03It's imperative you should come down this evening.
00:20:06Oh, very well.
00:20:07I'll be there.
00:20:07He was lying here, face downwards.
00:20:12And the scarf, you say, had a little metal tag in one corner?
00:20:14That's right, and some words in Hindustani in another corner.
00:20:16The maker's name, I imagine.
00:20:17I don't think we can gain anything by remaining here.
00:20:21Oh, Isla.
00:20:24Oh, this is Chief Inspector Tanner of Scotland Yard.
00:20:27Miss Crane, my mother's secretary.
00:20:29How do you do?
00:20:30It's about poor Studs death, isn't it?
00:20:32Yes, I suppose you can throw no light on the matter?
00:20:34No, how could I?
00:20:35It's all been a terrible shock to her, as you can imagine.
00:20:39Yes, I quite understand.
00:20:40Oh, excuse me.
00:20:41Would you mind if I have a word in private, Mr. Tanner?
00:20:43No, of course not.
00:20:46Inspector, did my mother by any chance tell you that Dr. Amersham wasn't here when the crime was committed?
00:20:51She said he dined here and left for London early.
00:20:53Why will she persist in saying that?
00:20:54Why, isn't it true?
00:20:56No.
00:20:57Dr. Amersham spent the night here.
00:20:58Are you certain of that, Lord Leberman?
00:21:00Absolutely.
00:21:01You see, I saw him driving off this morning at about seven o'clock.
00:21:04I say, you won't tell anybody I told you, will you?
00:21:07You were bound to find out sooner or later, weren't you?
00:21:13What's the matter?
00:21:14He's been asking questions.
00:21:15Mr. Tanner.
00:21:16The police officer?
00:21:17What questions did he ask?
00:21:19Did he say anything about Amersham?
00:21:21Oh, he didn't mention his name.
00:21:23You must pull yourself together, Isla.
00:21:24Yes, but it's all so dreadful.
00:21:26Oh.
00:21:26Oh.
00:21:30Well, I appreciate your help very much, Lord Leberman.
00:21:37Good afternoon.
00:21:37Cheerio, Inspector.
00:21:38Good afternoon, my lord.
00:21:39Oh, goodbye.
00:21:40Charmed, I'm sure.
00:21:40Have I got one?
00:21:41Yes.
00:21:42Oh, quite.
00:21:44He liked that.
00:21:45I got away with the aristocracy.
00:21:47Now I had to handle them.
00:21:47They're much more interested in your handling of the servants.
00:21:50There's enough in there to fill Wembley Stadium.
00:21:51You've got no information out of them, of course.
00:21:53Not a sausage.
00:21:54But there's an interesting thing that Buckner told me.
00:21:55None of the servants are allowed in the main part of the house after eight o'clock at night.
00:21:59There's two footmen tag over.
00:22:01Hmm.
00:22:02That's certainly interesting.
00:22:04Ferrabi's positive.
00:22:05He saw them in the grounds just before he heard the scream.
00:22:07You mean the footmen?
00:22:08Yes.
00:22:08What have they got to say for themselves?
00:22:10Oh, they admitted it.
00:22:10Said they were out for a bit of fresh air.
00:22:12Saw nothing, heard nothing.
00:22:14Rum blokes.
00:22:14But I don't think they were spruced.
00:22:15Why?
00:22:16Because I'm sure Tillin's our man.
00:22:18Well, I'm not.
00:22:18Anyhow, we've got to see him now.
00:22:20Did Stud ever hint to you that he had an enemy?
00:22:23Somebody who might do him an injury?
00:22:24No, he didn't.
00:22:25Well, let me put it like this.
00:22:27Did Stud, to your knowledge, before his death, do anything to incur the displeasure of someone else?
00:22:32Not that I know of.
00:22:34You and your husband quarrelled on the way back from the dance, didn't you?
00:22:36Yes.
00:22:37About Stud?
00:22:38Yes.
00:22:39You ever threatened to kill him?
00:22:40Oh, he was in a temper.
00:22:41I expect we both said things we didn't mean.
00:22:44Stud was a friend of yours, wasn't he?
00:22:48Did you hear my question?
00:22:49I asked you if Stud was a friend of yours.
00:22:51I was going to run away with him.
00:22:53That's the truth.
00:22:56What are you doing here?
00:22:58We're from Scotland Yard.
00:23:00What are you asking my wife?
00:23:03Questions.
00:23:04I now propose to ask you some.
00:23:06What do you know about the murder of Arthur Stud?
00:23:08Only what I read in the papers.
00:23:09Can you account for your movements on the night of the crime?
00:23:17Well?
00:23:17Well, I went to the dance at the institute with my wife and came home with her.
00:23:24Did you quarrel with her on the way back?
00:23:26We had some words, yes.
00:23:27What about?
00:23:29It was about her friendship with Stud, wasn't it?
00:23:32Yes.
00:23:33Did you go out again?
00:23:34After you came back from the dance, I mean.
00:23:36I did.
00:23:36Where?
00:23:37Hampstead Woods.
00:23:38Well, at that time of night, why?
00:23:40There's been a lot of poaching there lately.
00:23:42I see.
00:23:42And you saw or heard nothing unusual?
00:23:45No.
00:23:45You'd every reason to dislike Stud, hadn't you?
00:23:50He was trying to steal my wife.
00:23:52I'm glad he's dead.
00:23:55That'll be all for now.
00:24:00You haven't seen the last of us, so you mean to give.
00:24:03Well, did you write that?
00:24:21Great, sir.
00:24:21It's terrific.
00:24:23But aren't you glad that you're you and not me?
00:24:25How do you mean?
00:24:26Well, you can lead a normal life, marry whom you please.
00:24:29Well, can't you?
00:24:31No.
00:24:32Because, unfortunately, I'm Lord Lebanon.
00:24:35If I was someone else, I could play in a dance band.
00:24:38Yes, I know.
00:24:38It's bad luck.
00:24:40Condemned to a life of boredom.
00:24:42To marry someone, produce children.
00:24:46The line.
00:24:48I hate the word.
00:24:50It's rather a revolting thought, don't you think?
00:24:52To have to sire children.
00:24:53Not much difference between me and a Derby winner.
00:24:55Have another drink.
00:24:56No, thanks.
00:24:57I must go.
00:24:57I'd be lucked out of the White Hart.
00:24:58I hope you're comfortable.
00:24:59Oh, yes.
00:25:00It's a nice old pub.
00:25:00Fine.
00:25:04Well, I hope you haven't been bored.
00:25:06Not a bit.
00:25:06It's been grand.
00:25:07I'll come and see you off.
00:25:08Don't you bother.
00:25:08My car's just outside.
00:25:09Good night.
00:25:10Cheerio.
00:25:11See you in the morning.
00:25:13Oh, hello, mother.
00:25:16Didn't see you sitting all alone there.
00:25:21Now, why that fierce look, mother?
00:25:23Quite a lot of money is missing from my cash box.
00:25:25Two hundred pounds.
00:25:26Do you know anything about it?
00:25:28Yes.
00:25:28As a matter of fact, I took it.
00:25:30You took it.
00:25:32Why?
00:25:33I sent it to poor Stud's sister.
00:25:35She's his only living relative.
00:25:36I felt fearfully sorry for her.
00:25:38You couldn't have taken the money without asking me.
00:25:41Well, dash it all, mother.
00:25:42It is my money.
00:25:45Have you spoken to Isla?
00:25:46No, not yet.
00:25:47I haven't had a chance.
00:25:47Then I beg of you to do so without further delay.
00:25:49You understand?
00:25:50All right.
00:25:50Amersham?
00:25:56I expect so.
00:25:56He's coming here tonight.
00:25:57Right.
00:25:58Well, I'm off to bed.
00:25:58Good.
00:25:59Remember what I said about Isla.
00:26:01Don't worry me, mother.
00:26:02I'm off to bed.
00:26:11I'm off to bed.
00:26:11I'm off to bed.
00:26:12No, no, no.
00:26:42No, no, no.
00:27:12No, no, no.
00:27:42No, no, no.
00:27:43Who was it?
00:27:44Nobody you know, my lord.
00:27:45Is there anything I can do for you?
00:27:46Yes.
00:27:47Give me a drink.
00:27:48Something long and cold.
00:27:49I feel as if I'd been doped.
00:27:51There was something in that whiskey you gave me tonight, wasn't there, Gilda?
00:27:53There was.
00:27:54I know nothing about it.
00:27:55Where's my mother?
00:27:56Where's my mother?
00:27:57In her room.
00:27:58Oh, what did happen?
00:27:59I'm afraid to come and have a look.
00:28:02Unlock this door, somebody.
00:28:05Please unlock this door.
00:28:06What was all that noise?
00:28:07What's been happening?
00:28:08Why has Miss Crane's door been bolted?
00:28:09And why hasn't the boat been removed?
00:28:10So they can't see, my lord.
00:28:11Please see that it is done first thing in the morning or there'll be trouble.
00:28:14I'm going downstairs.
00:28:15Oh, please, can I come with you?
00:28:16Of course, my dear.
00:28:17Come along.
00:28:18Why sacred aunt.
00:28:19Who did this?
00:28:20Someone who doesn't like Dr. Amisham very much.
00:28:22Dr. Amisham?
00:28:23He looks as if a lunatic had been let loose.
00:28:25Yes, sir.
00:28:26He behaved like one anyway.
00:28:27What happened to him?
00:28:28What happened to him?
00:28:29Yes!
00:28:30No, this is the only thing that is done first thing in the morning or there'll be trouble.
00:28:31I'm going downstairs.
00:28:32Oh, please, can I come with you?
00:28:33Of course, my dear.
00:28:34Come along.
00:28:35Why sacred aunt.
00:28:37Who did this?
00:28:38Someone who doesn't like Dr. Amisham very much.
00:28:39Dr. Amisham?
00:28:40Dr. Amisham?
00:28:41He looks as if a lunatic had been let loose.
00:28:44Yes, sir.
00:28:45He behaved like one anyway.
00:28:46¿Qué ha pasado, Amersham?
00:28:48Nos dejamos para london tres minutos atrás.
00:28:51¿Qué es hora de volver a london?
00:28:53A la mañana.
00:28:53Muy bien.
00:28:56Bueno, sí, se ve la vida.
00:28:58Y la muerte.
00:29:12¿Es Dr. Amersham aquí?
00:29:14¿Es he expecting you, sir?
00:29:15I hope not.
00:29:16It's just a little personal matter.
00:29:19Oh, will you come this way, sir, please?
00:29:25I'll tell the doctor you're here, sir.
00:29:38Well, Mr. Tanner,
00:29:40have they managed to discover anything about this wretched business?
00:29:42Nothing very important.
00:29:43I wonder whether you could help us in any way.
00:29:45Oh, won't you sit down?
00:29:46Thank you.
00:29:48No, I don't suppose I can help you very much.
00:29:50This man, Stud, wasn't a particularly attractive person.
00:29:53In fact, I had to pull him up on several occasions.
00:29:55He was rather impertinent in his manner,
00:29:57not a particularly good chauffeur.
00:29:59Were you at Mark's Priory when the murder was committed?
00:30:01Does this mean I'm a suspect?
00:30:03Oh, no, doctor.
00:30:04I'm merely paying a routine call in the course of my inquiries.
00:30:07I see.
00:30:08And what was it you asked?
00:30:09If you were at Mark's Priory when Stud met his death.
00:30:14Come, doctor, surely you can remember what you were doing that night?
00:30:17Of course.
00:30:17I dined with Lady Lebanon.
00:30:18How stupid of me.
00:30:19But then I'm there so often it's impossible to remember exactly it.
00:30:22What time did you leave for London?
00:30:24Well, to the best of my recollection,
00:30:26I must have left the Priory about half past ten.
00:30:29Lady Lebanon puts it a bit rather earlier than that.
00:30:32Does she?
00:30:33Oh, well, no doubt she's right.
00:30:33I couldn't swear to the exact time.
00:30:36At any rate, it was before the crime was committed.
00:30:38Oh, yes.
00:30:39At least I gather that it happened just before midnight.
00:30:42I've been informed that you did not leave for London that night.
00:30:44What?
00:30:45In fact, you were seen driving away from the Priory early the following morning.
00:30:48Seven or eight hours after the murder.
00:30:49Who told you that?
00:30:50I'm asking the questions, Dr. Amisham.
00:30:53You still adhere to your story?
00:30:55Mr. Turner, I'm not accustomed to having my word question.
00:30:58If you choose to disbelieve me, well...
00:31:00Oh, no, no, not at all, doctor, not at all.
00:31:03That's a very interesting piece.
00:31:05Yes.
00:31:06I picked it up in India.
00:31:07In Delhi?
00:31:09No, Calcutta.
00:31:10Were you out there long?
00:31:12For some six or seven years.
00:31:13I was in the medical service.
00:31:14Dreadful job.
00:31:15I resigned.
00:31:16Stud's somewhat uneventful history shows that he soldiered in India for a time.
00:31:20Did you ever run across it?
00:31:21My dear sir, have you any idea of the size of India and the number of troops stationed down?
00:31:25It's also said that it's a very small world.
00:31:28Well, Mr. Turner, if there's anything else you think I can do to help, I'm sure you won't hesitate to call me up.
00:31:32Thank you, doctor.
00:31:33Oh, by the way, if I'm not being too inquisitive, what's your connection with Marks Priory?
00:31:37A friend of the family, I presume?
00:31:39Yes, I knew the father of the present Lord Lebanon very well, and as a matter of fact, I'm writing a book on heraldry at the moment with Lady Lebanon.
00:31:46And I were being a bit of an authority.
00:31:48Well, goodbye, doctor.
00:31:49Goodbye.
00:31:49I don't bother.
00:31:50I'll see myself.
00:31:50I say I'm not disturbing you, am I?
00:32:05No, no, of course not.
00:32:06Well, Lady Lebanon has left some checks on her desk, she wants you to sign.
00:32:09All right.
00:32:11I say, Isla.
00:32:12Yes?
00:32:13Isla.
00:32:13Has Mother, by any chance, spoken to you about us?
00:32:20About us?
00:32:21Mm-hmm.
00:32:22Yes, she did.
00:32:23Well, what do you think?
00:32:25It rather shook you, I expect, didn't it?
00:32:27I suppose it was a great compliment.
00:32:31You don't really think it's a good idea, do you?
00:32:34I mean, I'm awfully fond of you and all that.
00:32:36Oh, thanks.
00:32:38I can consider myself sacked, eh?
00:32:40Well, don't you think you'd rather sacked yourself?
00:32:43We understand each other, don't we?
00:32:46Yes, I think we do.
00:32:47I say, what about Mother?
00:32:49You know what she is.
00:32:50Well, now, look, suppose we leave things just as they are for the moment.
00:32:53Marvellous idea.
00:32:54We leave things just as they are.
00:32:58Isla.
00:32:58Yes?
00:32:59You're a supporter.
00:33:01So are you.
00:33:02You going out or coming in?
00:33:03I was just going to Horsham to do some shopping.
00:33:05Well, take my car.
00:33:07Oh, thank you very much, but Mr. Flederby said he'd take me.
00:33:11Ah-ha.
00:33:11What do you mean, ah-ha?
00:33:12Ah-ha-ha-ha.
00:33:14Now you're being silly.
00:33:30Where does Madam wish to go?
00:33:31Horsham, please.
00:33:32As good as there.
00:33:33What's the secret of Mark's Priory?
00:33:56That sounds like the title of a detective story with Mr. Tanner as the hero.
00:34:02Is he very clever, do you think?
00:34:04Tanner?
00:34:04Sure, he's one of the best men at the yard.
00:34:06I wonder who he suspects.
00:34:07Oh, everybody, I should imagine.
00:34:09Ding, da, da, da.
00:34:13What a brilliant pianist Lord Lebanon is.
00:34:15Oh, yes, isn't he?
00:34:17Bet you we marry some girl with no ear for music.
00:34:19Lady Lebanon wants me to marry him.
00:34:22Oh, look out, look where you're going.
00:34:25My congratulations.
00:34:26On what?
00:34:27Well, on your forthcoming marriage to Lord Lebanon.
00:34:30Oh, I said Lady Lebanon wants me to marry him.
00:34:33And?
00:34:34Well, I don't want to.
00:34:35I'm glad.
00:34:37I hoped you would be.
00:34:38Oh.
00:35:08¡Gracias!
00:35:38¡Gracias!
00:36:08¡Gracias!
00:36:17¡Gracias!
00:36:18Well, well, well, this is interesting.
00:36:20What is?
00:36:21He's got £20,000 odd to his credit
00:36:23at the Metropolitan and County Bank.
00:36:24Oh, that's better than a white browner here
00:36:26with a bloater.
00:36:27Let's have a look
00:36:28One thousand, ten thousand,
00:36:3115 thousand.
00:36:33¡Suscríbete al canal!
00:37:03My bank account tells a very different story.
00:37:05It's your son's banking account, and he very obligingly assigns any cheques you put before him.
00:37:12The trouble with you is that you've always wanted to handle my son's money, and I've always stood in the way.
00:37:17And I shall continue to stand in the way. Is that quite clear?
00:37:27Where are you going?
00:37:29Back to town.
00:37:29You're staying here, otherwise there'll be no cheque for you tomorrow.
00:37:32All right. We'll see about that.
00:38:02What's the matter? Where's Gilda?
00:38:05I don't know. In his room, I suppose.
00:38:06No, he's not. He's just gone out, and Brooks was with him. I saw him in my bedroom window.
00:38:09Oh, it's not going to happen again. It mustn't happen again.
00:38:12I heard from you.
00:38:23To me.
00:38:23I know.
00:38:31I saw you.
00:38:31I thought I was coming.
00:38:32¡Suscríbete al canal!
00:39:02¡Gracias!
00:41:32¡Suscríbete al canal!
00:41:34¡Suscríbete al canal!
00:41:36¡Suscríbete al canal!
00:41:38¡Suscríbete al canal!
00:41:40¡Suscríbete al canal!
00:41:42¡Suscríbete al canal!
00:41:44¡Suscríbete al canal!
00:41:46¡Suscríbete al canal!
00:41:48¡Suscríbete al canal!
00:41:50¡Suscríbete al canal!
00:41:52¡Suscríbete al canal!
00:41:54¡Suscríbete al canal!
00:41:56¡Suscríbete al canal!
00:41:58¡Suscríbete al canal!
00:42:00¡Suscríbete al canal!
00:42:02¡Suscríbete al canal!
00:42:04¡Suscríbete al canal!
00:42:06I wasn't listening.
00:42:07Who told you to come up?
00:42:08Copper downstairs.
00:42:15Have that man followed, Toddy.
00:42:20Well?
00:42:22See, I'm not quite so foolish after all.
00:42:24I thought I got away this morning without them knowing, but Gilda isn't so easy to slip.
00:42:28How long has the spying been going on?
00:42:29Oh, for a long time now.
00:42:31Does Lady Lebanon know?
00:42:32I'm not sure.
00:42:33Amersham certainly does.
00:42:34Where is Amersham now?
00:42:36Well, he was at Mark's Prairie last night, but he came up to town.
00:42:39At least so Mother said at breakfast this morning.
00:42:42No, sure, Inspector.
00:42:43Good luck.
00:42:44Good morning, and thank you for coming, my Lord.
00:42:46Good morning, my Lord.
00:42:47Good morning.
00:42:48Good morning, Mr. Tittow.
00:42:51Tittow.
00:42:52I've put a man on that footman fellow.
00:42:54Here.
00:42:55He's a cool customer, ain't he?
00:42:57And a dangerous one.
00:42:58I don't underrate the gentleman.
00:42:59What do you think about little old Amersham?
00:43:01Strangling girls in bungalows.
00:43:02What do you think?
00:43:03Well, we've got enough evidence to pinch him, haven't we?
00:43:05When you've learnt your business as a detective officer,
00:43:07which will be somewhere about the year 1990,
00:43:10you'll discover there's always sufficient evidence to pinch people,
00:43:13but generally not quite sufficient evidence to convict them.
00:43:16In other words, we don't pinch him?
00:43:17No, we haven't got to that stage yet,
00:43:18but I don't think we're far off.
00:43:21Hello?
00:43:22Lecture's waiting, sir.
00:43:23All right.
00:43:24I can't find that lecture.
00:43:25I'd forgotten all about it.
00:43:26I'm anxious to pay Amersham another visit.
00:43:28Why don't you tell him to go and run away and play?
00:43:42I must apologise to you men
00:43:43for again inflicting myself upon you as a lecturer,
00:43:46but you must blame the enforced absence of Superintendent Jarvis.
00:43:48Now, last week I spoke to you about detective work on broad lines.
00:43:52Today I'm going to talk to you about the Marks Priory case,
00:43:55which, as you know, is engaging my attention at the moment.
00:43:57I'll first draw a rough sketch map of the Priory.
00:43:59I say, I hope I'm not too terribly late.
00:44:09As a matter of fact, you're pointfully late.
00:44:11That's a bit grim, isn't it?
00:44:12But honestly, I could...
00:44:13Night.
00:44:14Shethestone Hall.
00:44:16Pronounced Chumley, I suppose.
00:44:18Sit down.
00:44:25Marks Priory is the seat of the Lebanons,
00:44:27a very old family that settled in England during the Crusades.
00:44:31The present Lord Levin is a young man of 25, 26,
00:44:35who lives at the Priory with his mother,
00:44:37a typical English aristocrat of the old school.
00:44:40On the night of the 18th,
00:44:41there was a fancy dress dance
00:44:42at the village institute of Marks Thornton,
00:44:44some two or three miles from the Priory.
00:44:47Stud the chauffeur went to this dance
00:44:49in the costume of an Indian servant.
00:44:51There was also present a man named Tilling,
00:44:53a gamekeeper on the Lebanon estate,
00:44:55and his wife.
00:44:56Tilling was jealous of the murdered man,
00:44:58and not without cause.
00:45:00Let me now bring some other interesting characters
00:45:02onto the stage.
00:45:04Dr. Lester Charles Amersham.
00:45:06Dr. Amersham.
00:45:07Well, there you are.
00:45:08Dr. Amersham, please stand for the moment.
00:45:10Sergeant!
00:45:16Yes, sir?
00:45:17You've been following me, I hope?
00:45:19Oh, yes, sir.
00:45:20Well, what did I say?
00:45:22What's that, sir?
00:45:23What did I just say?
00:45:26Oh, you said, sir, that...
00:45:27Well, I couldn't say it as well as you did, sir.
00:45:30You.
00:45:31208.
00:45:32What do you deduce for my review of the case?
00:45:35Well, that a rough guess...
00:45:36I don't want a rough guess.
00:45:38I want deduction, sound reasoning.
00:45:40Well, it's all so frightfully involved, isn't it, sir?
00:45:43As you say, it's all so frightfully involved.
00:45:47Sit down, you twerp.
00:45:50You, 30.
00:45:52What's your opinion?
00:45:53I think the evidence points clearly to the doctor, Amersham.
00:45:56We agree with you.
00:45:57I expect to charge him within the next 24 hours.
00:46:00All along the line, Lady Levenon...
00:46:02Not while I'm lecturing, please!
00:46:04An important message, sir.
00:46:06Give it to the sergeant there.
00:46:10As I was saying, for some reason, Lady Levenon...
00:46:12has been doing her utmost to shield Amersham.
00:46:15Now, I should like to have your theories...
00:46:16as to why a woman of this type...
00:46:18should want to protect a scoundrel like Amersham.
00:46:20Excuse me, sir.
00:46:20What is it?
00:46:21Whereabouts is the garage?
00:46:24Just there.
00:46:25Why?
00:46:25I gather you've no doubt that Amersham murdered Stud.
00:46:28Not the slightest doubt.
00:46:29Why?
00:46:30Oh, I was just wondering.
00:46:31Who murdered Amersham?
00:46:32What are you talking about?
00:46:33What do you mean?
00:46:35Amersham was found half an hour ago in that garage.
00:46:38Strangled.
00:46:47And here we are.
00:46:48Right back to where we started.
00:46:49For the first time, I'm beat.
00:46:51I admit it.
00:46:51I'm beat.
00:46:52Then the outlook is bleak.
00:46:53Just as we were going to put the baselets on Amersham.
00:46:55Not a match.
00:46:56Yes.
00:46:59Well, let's review the case briefly and see where we get.
00:47:02I'll tell you where we get.
00:47:03Deeper in the sugar.
00:47:04Here, there's something fishy about those footmen.
00:47:06If they're footmen, I'm gandy.
00:47:08We can't ascribe any motive to them.
00:47:10Whereas Lady Lebanon...
00:47:11What, her?
00:47:12Amersham had a hold on her.
00:47:13Yes.
00:47:14And what about that room she won't open?
00:47:15Oh, you're getting somewhere.
00:47:17Why is she so terrified of anybody seeing inside it?
00:47:20So it looks as though we've got a pinch of female Lady Aristocrat, eh?
00:47:23Before I left the yard, I cabled India.
00:47:26The reply is to be brought to me at Mark's Priory as soon as it comes.
00:47:28Or soon.
00:47:29I've got an idea, Toddy, that the solution to the Mark's Priory mystery
00:47:31will be found either in that reply or in the locked room or both.
00:47:35And or the bathroom here, there or anywhere.
00:47:37What was he strangled with, I wonder?
00:47:50And what's become of him?
00:47:51We've made a careful search but found nothing.
00:47:53It's a tack some yards away and dragged in here.
00:47:55You can see, look.
00:47:56Well, Doctor?
00:47:57Been dead over 12 hours.
00:47:59And I'm not prepared to give the exact time.
00:48:00Oh, that's near enough at the moment.
00:48:02Can the body be moved now?
00:48:03Oh, yes, Doctor.
00:48:04I shall be in the house if you want me.
00:48:05Right.
00:48:05Oh, Toddy.
00:48:07Yes.
00:48:07You'd better see the coroner's officer.
00:48:09You can't get that wrong, can you?
00:48:35What do you want?
00:48:43Those detectives are here again.
00:48:45Mr. Tanner.
00:48:46Why should that worry you?
00:48:47I can't stay here any longer, Lady Leberlin.
00:48:49I-I can't.
00:48:54Come here.
00:49:00I sent your mother her quarterly check last Monday.
00:49:02I had such a charming letter from her.
00:49:05Two girls are at school and so happy.
00:49:07She said how wonderful it was to feel safe and secure
00:49:09after the bad time she'd been having.
00:49:11Oh, please, don't.
00:49:13Now, pull yourself together.
00:49:14And be sensible.
00:49:15Mother, you know I don't like being disturbed when I'm trying to work.
00:49:39I want to know why you went to Scotland Yard this morning.
00:49:42There are things going on in this house that are getting on my nerves.
00:49:45Besides, I wanted to go and I went.
00:49:47If there's anything for the police to find out,
00:49:48they'll find it out without your help.
00:49:49I say, what do you think about Amersham?
00:49:52I'm not going to discuss him with you.
00:49:54Did you say anything about him?
00:49:56No.
00:49:57Nothing in particular.
00:49:59You're staying here tonight, Amersham, her ladyship says,
00:50:02or else there's no check for you tomorrow.
00:50:04Very quarrelsome they were.
00:50:05Lady Leberlin knew that you overheard them.
00:50:07She knew all right.
00:50:08You should have seen the look she gave me.
00:50:10And this morning she discharged you.
00:50:11Yes, gave me a month's wages at nine o'clock.
00:50:14Very anxious to be rid of me, she was.
00:50:15All right, let alone.
00:50:16I wish to heavens I'd never left India.
00:50:21You are not to go to London without asking me.
00:50:24And you are not to speak to the police
00:50:26about anything that happens in this house.
00:50:27Do you understand?
00:50:29Why did Gildo follow me?
00:50:31He did so on my instructions.
00:50:34Is that sufficient?
00:50:35Just a minute, I want to talk to you.
00:50:49You have an account at the London Accounties Bank, haven't you, Gildo?
00:50:53Very clever of you to find out.
00:50:55Yes, I have.
00:50:56Unusual, isn't it, for a footman to have an account at a London bank?
00:50:58Oh, some of us are very thrifty.
00:51:00A very substantial balance, I hope.
00:51:02Three or four thousand pounds.
00:51:04I've speculated rather wisely.
00:51:10I want you to.
00:51:13Did you hear anything last night?
00:51:15No shouts or screams or anything?
00:51:17No, sir.
00:51:18The night the chauffeur stud was murdered, did you hear anything then?
00:51:21No, sir.
00:51:22If you remember, I told you so when you were here at the time.
00:51:25Hmm.
00:51:27Oh, pardon me, sir.
00:51:29I believe I saw you talking to her ladyship's maid, Jackson.
00:51:32And I believe I saw you listening.
00:51:35She was discharged this morning, sir.
00:51:36So anything she may have told you was most likely spiteful and untrue.
00:51:41Thank you for the tip.
00:51:42I'd like to see Lady Lebanon now.
00:51:44Very good, sir.
00:51:45I will tell her ladyship.
00:51:49Will your inquiries be finished today?
00:51:51I don't think so.
00:51:52Then I'll order a room for you at the White Hart.
00:51:54Thank you.
00:51:54I've already ordered the rooms.
00:51:56Perhaps I might look over the house.
00:51:58Of course.
00:51:59But I understood the man was killed in the garage.
00:52:02The man?
00:52:03Dr. Anisham.
00:52:03He was killed outside the garage and dragged inside afterwards.
00:52:08Something burning?
00:52:14Oh, I forgot.
00:52:16It's silk.
00:52:17I was making a doll's dress for the bazaar.
00:52:18I found the cuttings on my desk and I burnt them.
00:52:20They weren't cuttings.
00:52:25It was all for peace.
00:52:26The scarf that killed Stud, which you say was lost, had in one corner a little metal tag.
00:52:30Mr. Fellerby was quite positive about that.
00:52:32You remember?
00:52:33I do not.
00:52:34Then perhaps this will refresh your memory.
00:52:36This tag that I've just picked out of the fire.
00:52:38Well?
00:52:39It conveys nothing to me.
00:52:40It would have conveyed quite a good deal to Dr. Anisham.
00:52:43I don't understand you.
00:52:47I found several such scarves in Anisham's desk when I searched it yesterday.
00:52:52You know, Lady Leberham, I'm not quite without intelligence.
00:52:55Why do you insist on telling me such obvious lies?
00:52:56Why don't you arrest me?
00:53:00I'm not going to arrest you.
00:53:02You want to ask me questions.
00:53:05I'm afraid I'm not going to be very much help to you.
00:53:09I'm hoping you will be.
00:53:11I should not only ask you questions, Lady Leberham,
00:53:13but I should tell you one or two facts of which you believe and hope that I'm ignorant.
00:53:17That amuses you.
00:53:18Don't grudge me a little amusement in the middle of this horrible day.
00:53:21I understand there's a room upstairs which is always kept locked on your strict instructions.
00:53:25The lumber room.
00:53:26On the first floor.
00:53:27One of the best positions of the house.
00:53:28That's a queer place for a lumber room.
00:53:30That room is never opened.
00:53:31Still, I'd like to see it open.
00:53:37Mr. Tanner, I'll tell you the truth.
00:53:40My husband died in that room.
00:53:41It has never been opened since.
00:53:42I should still like to see it open.
00:53:44I'm afraid you can't.
00:53:45I'm sorry, but I must insist.
00:53:48Be reasonable, Mr. Tanner.
00:53:49What is there in that room that could interest you except a few pictures?
00:53:54I should have thought the scope of your inquiry lay outside this house.
00:53:57You realize I can get a search warrant?
00:53:58That would be an outrageous thing to do.
00:54:00No magistrate in the county would grant you such a thing.
00:54:02I'm doing a little measuring up.
00:54:20Yes.
00:54:21Have you ever seen inside here?
00:54:22No, not since the old chap died.
00:54:25There's three feet I can't account for between this room and the next.
00:54:27Is that so?
00:54:29Now, I wonder what that means.
00:54:32I've told you everything I know.
00:54:34When did you last see Dr. Amersham alive?
00:54:36Last evening.
00:54:37I don't know exactly when.
00:54:38He was here at 11 o'clock last night.
00:54:40Probably until within a few minutes of his death.
00:54:42You've been questioning my servants?
00:54:43I've been questioning a number of people.
00:54:44I think you should have come to me first.
00:54:46Well, I have come to you.
00:54:46And you can't tell me what time you last saw Dr. Amersham alive.
00:54:49Here's a man murdered.
00:54:50Rather an impressive fact.
00:54:51I don't follow you.
00:54:53Supposing you had a friend who soon after you saw him met with a fatal accident.
00:54:57Wouldn't you say immediately why I was speaking to him only an hour before?
00:55:00Dr. Amersham was not a friend.
00:55:02He was rather a self-willed man who saw no one's point of view but his own.
00:55:05So the fact that he was murdered within a hundred yards of this room really doesn't matter.
00:55:10Isn't that a little insolent, Mr. Tanner?
00:55:13Yes, I...
00:55:14I suppose it is.
00:55:16But doesn't it strike you, Lady Lebanon, that your own attitude is somewhat peculiar?
00:55:19I won't say arrogant.
00:55:23Why was Dr. Amersham here last night?
00:55:25He came to see me.
00:55:25As a doctor?
00:55:26Yes.
00:55:27At your request?
00:55:28No, he just dropped in.
00:55:29At 11 o'clock last night?
00:55:30I had a touch of neuritis in my arm.
00:55:32But you didn't send for him?
00:55:33No.
00:55:34He just guessed you had neuritis.
00:55:36How long was your husband, the late Lord Lebanon, ill before he died?
00:55:41Fifteen years.
00:55:42Who attended him?
00:55:44Dr. Amersham.
00:55:45Although he was ill for such a long time, he died rather suddenly, didn't he?
00:55:48Yes, he did.
00:55:49I have here a copy of the certificate.
00:55:51It's signed by Lester Charles Amersham.
00:55:54Well, what of it?
00:55:55During his illness, you administered his affairs, you and Dr. Amersham.
00:55:59Yes.
00:56:01Why did you marry again?
00:56:10That is not true.
00:56:12Why did you marry again at Petersfield Parish Church?
00:56:14And why did you marry Lester Charles Amersham?
00:56:23Who told you?
00:56:24Somerset House.
00:56:25Why did you marry Amersham three months after your husband died?
00:56:28And why did you keep the marriage a secret?
00:56:30He forced me into marriage.
00:56:32Dr. Amersham was an adventurer of the lowest kind.
00:56:35He was a penniless doctor in the Indian Army.
00:56:36He forced me into marriage.
00:56:37Well, you know you can't blackmail people unless you know somebody to their detriment.
00:56:42I shall not tell you.
00:56:47Had you broken the law?
00:56:49I know that he had.
00:56:50He was a thief and a forger.
00:56:51He'd been kicked out of the Army.
00:56:53To revert to your first husband, Mrs. Amersham.
00:56:57I shall be glad if you will call me Lady Lebanon.
00:56:59Who saw the late Lord Lebanon after his death?
00:57:02Dr. Amersham.
00:57:03Did you?
00:57:03No.
00:57:04Anybody else?
00:57:05Gilder and Brooks.
00:57:05Nobody else?
00:57:07No, they did everything.
00:57:08No outside I was called in.
00:57:09I see.
00:57:10And Dr. Amersham signed the certificate.
00:57:13This morning my interest in this case was purely academic.
00:57:15Except for my interest in Dr. Amersham.
00:57:18Now I'm very much interested in you and in this house.
00:57:21And in that room which you say has never opened.
00:57:26Have you got the key?
00:57:29I have an idea.
00:57:30I may be wrong.
00:57:31But Dr. Amersham's holdover you had something to do with that room.
00:57:33No.
00:57:34It had something to do with my past.
00:57:38It took an effort to say that and it's not true.
00:57:40You know you're one of those people one reads about.
00:57:43Blood proud.
00:57:44By the way, you must be a Lebanon yourself.
00:57:48How clever of you to have guessed that.
00:57:52My husband was my cousin.
00:57:53I go back in the direct line to the fourth baron.
00:58:00Before there was a history of England, there was a history of the Lebanons.
00:58:03And it must go on.
00:58:06It would be wicked if the line were to be broken.
00:58:08Well, what have you got?
00:58:13Yeah.
00:58:13This will take some beating.
00:58:14Huh?
00:58:14Full house.
00:58:16Ladies on the roof.
00:58:19Well, I am glad you fellows are staying the night.
00:58:22I'm afraid my mother's not quite so glad though.
00:58:24No, she didn't seem to be.
00:58:25And I'll tell you somebody else who's absolutely sick about your staying.
00:58:28There's a fact.
00:58:28What do you want, Gilder?
00:58:32I'm only going to answer the door, my lord.
00:58:36How I hate those fellows.
00:58:38Why don't you get rid of them?
00:58:39Oh, I do.
00:58:40Regularly.
00:58:40Six times a week.
00:58:42But they're still here.
00:58:43Inspector Tanner here.
00:58:47Not in earthly.
00:58:48I'm thrown in.
00:58:49I'm afraid, eh?
00:58:49I made half a crown.
00:58:50Half a crown?
00:58:51Well, what do you do?
00:58:52To you, sir.
00:58:53I'll take your hand.
00:58:54That means goodbye to my winnings.
00:58:56Here.
00:58:57Is that the reply from India?
00:58:58I beg your pardon.
00:59:01Well, Inspector.
00:59:02Is the news grave or gay?
00:59:05Any nearer solution?
00:59:07Five bob.
00:59:08Three gentlemen will be coming down from London in the morning.
00:59:11I think they'll help me to clear things up.
00:59:14I want you to return to the yard at once with the important message.
00:59:16Very good, sir.
00:59:17Do you want anything to eat?
00:59:18No, thank you, sir.
00:59:19All right, I shan't be lost.
00:59:26I've got it.
00:59:28Got what, my lord?
00:59:28Ta-dam!
00:59:31Ta-da-dum-dum-dum-dum-dum-dum-dum.
00:59:33Ta-da-dum-dum-dum.
00:59:36What's the matter with him?
00:59:37That's what's called inspiration.
00:59:38Oh, is that what it is?
00:59:40Well, he ought to take something for it.
00:59:41Take this message to Superintendent Lawson at once.
00:59:43It's very urgent.
00:59:44All right, sir.
00:59:44I'll see you at the door.
00:59:46Show me a minute, Tory.
00:59:46There's a short cut to the main road.
00:59:48Turn left at the lodge gates, then first right, that cuts out the village.
00:59:50Gracias, señor.
00:59:55Bueno, buenas noches.
00:59:56Buenas noches, señor.
01:00:17¡Helphi! ¡Helphi!
01:00:20¿Ahí haces?
01:00:22No, I'm all right, sir.
01:00:24What's the matter?
01:00:24In there.
01:00:25Quick, toddy.
01:00:25Here, take this.
01:00:28¿Sure you're all right?
01:00:29Only just, sir.
01:00:29Bueno, now, get off at once.
01:00:30I'll be quick, all right, sir.
01:00:31Don't you worry.
01:00:31I'll send you to stop here than me.
01:00:50No, no, no, no, no, no.
01:01:20No, no, no, no, no, no.
01:01:50No, no, no, no, no, no, no, no.
01:01:52And there's his lordship, playing the piano as happy as you like.
01:01:55He's missed a bit of fun tonight, hasn't he?
01:01:57I've had some cases in my life, but this one beats them all.
01:02:02Here, you.
01:02:08Hello, what's been happening to you?
01:02:09No, no, no, no, no, no, no, no, no.
01:02:39I'm afraid to hold you as accessories and take you down to the station, tonight.
01:02:43If I've said anything I shouldn't have said, I beg your pardon, sir.
01:02:51That's giving him something to think about.
01:03:02Is there anything wrong, miss?
01:03:03Come down here, you.
01:03:10What's the matter with the young lady?
01:03:12I don't know what you mean, sir.
01:03:13I heard somebody cry out, so I came to see what was wrong.
01:03:16Is there anything the matter, miss?
01:03:20Something brushed past me in the passage.
01:03:23Would you please see me to my room?
01:03:29Gilda, get me a scotch and soda, will you?
01:03:31You gentlemen care to join me?
01:03:34Thank you, my lord.
01:03:37How's the music coming along?
01:03:38Oh, all right.
01:03:39I haven't quite got it yet.
01:03:40I thought I'd come out for a drink and a breather.
01:03:42But I won't go to bed till I do get it,
01:03:44even if I have to sit up all night at that piano.
01:03:46Well, speaking for myself, my lord, I hope you do.
01:03:48It sounds nice and cheerful.
01:03:49And I'm partial to a little jazz now and again.
01:03:51Jazz?
01:03:52Thank you.
01:03:53That much, my lord.
01:03:53Gilda, how often have I told you to ring the siphon and the canter?
01:03:59Sorry, my lord.
01:04:04Well, Mr Tanner, are we going to have any fun and games tonight?
01:04:08There are 40 men in the grounds.
01:04:10All trained, skilled men from Scotland Yard.
01:04:13They arrived by tender about five minutes ago.
01:04:15This house is surrounded.
01:04:17There'll be no murder at Mark's Priory tonight.
01:04:1940 men?
01:04:20What organisation?
01:04:21I should have said 36.
01:04:22I was kind of the chauffeur's.
01:04:24Well, that's marvellous and very comforting.
01:04:26Cheers.
01:04:28Oh, right.
01:04:28Good luck.
01:04:32Taste that.
01:04:37What is it?
01:04:38I've tasted stuff like that before.
01:04:40Bitter?
01:04:40Yes.
01:04:41Does yours taste bitter?
01:04:42No, mine was all right.
01:04:44Mine's okay.
01:04:52There's something on tonight.
01:04:58They want me out of the way.
01:05:00I wonder what they're going to do to you.
01:05:02What?
01:05:03They won't do anything to us.
01:05:04Don't be so sure.
01:05:06Amersham was confident that nothing would happen to him.
01:05:08Yes, but...
01:05:09Don't worry.
01:05:10It's me they want.
01:05:18Isla, open the door.
01:05:19I want to talk to you.
01:05:27Is anything the matter?
01:05:28Isla, I want you to marry my son.
01:05:31Anything may happen tonight.
01:05:33I may be...
01:05:33I want you to marry him tomorrow morning.
01:05:36But I can't.
01:05:36It's quite impossible.
01:05:37Yes, it can be arranged.
01:05:41Listen, Isla.
01:05:43He's the last of the Lebanons.
01:05:45Do you realise that?
01:05:47The last link in the chain.
01:05:50A weak link.
01:05:52Have you forgotten that you're a Lebanon yourself?
01:05:55Whatever happens, your children must bear the name.
01:05:58Oh, please don't ask me to do it.
01:05:59Please don't.
01:06:01If you find your life within impossible,
01:06:03I shall be very understanding.
01:06:08Oh, no, I can't do it.
01:06:09I can't possibly do it.
01:06:11Young Faraby,
01:06:12I told you I should be very understanding.
01:06:16Don't you realise what a wonderful thing you'll be doing?
01:06:18The family will gain a new strength.
01:06:21The Lebanon women have always been greater than the men.
01:06:24Yes, but why do you insist that I marry him?
01:06:25There must be hundreds of girls who'll be only two...
01:06:27What's that?
01:06:31It's Gilda.
01:06:32Those men are getting out of hand.
01:06:35I may not be able to keep them in control after tonight.
01:06:45Well?
01:06:45There are 40 new men coming down by tender from Scotland Yard.
01:06:48They're in the ground somewhere.
01:06:49If only we could get rid of them.
01:06:50Brooks is getting restless.
01:06:51Says he's going to turn it in.
01:06:53The detectives are frightening him.
01:06:54Do they frighten you?
01:06:55No, nothing frightens me.
01:06:56I'm in it now and I'll see it through.
01:06:57Tell Brooks there's a thousand pounds for him.
01:06:59If only we can get this business through without discovery.
01:07:03It was as though a bull had been let loose.
01:07:06The furniture was all smashed up.
01:07:08It was just as though there'd been a real wild party.
01:07:11Yes, I heard about it.
01:07:12Amersham was in it.
01:07:13And those two footmen.
01:07:15I'd hate to think that mother had anything to do with it.
01:07:17As a matter of fact, I can't imagine her in an undignified situation.
01:07:20No, neither can I.
01:07:21Oh, well.
01:07:22I think I'll go along and finish my symphony.
01:07:24I thought it was a rhapsody.
01:07:25It may turn out to be either.
01:07:27Whichever way it is, I'll finish it tonight or bust.
01:07:30Cheerio.
01:07:30What about those 40 men in the ground?
01:07:35How about their grub?
01:07:36There are not 40 men or women or children in the ground.
01:07:39How will you keep your big mouth shut?
01:07:41Well, what's the idea?
01:07:41The idea, Totty, is that I want all the murders of tonight to be committed inside this house.
01:07:46Well, how many do you expect?
01:07:47I think you'll be the first.
01:07:49What?
01:07:50Ah, you're pulling more leg.
01:07:56Yes?
01:07:57The gun's gone from my drawer, all right?
01:07:58You're damn for not to keep it in a safer place.
01:08:00Why don't you carry it on here?
01:08:01I'd give a whole lot to be out of this.
01:08:02There's something that happens tonight.
01:08:03You'll see if I'm not right.
01:08:04Did he drink that stuff?
01:08:05Of course he didn't drink it.
01:08:06You made it too strong.
01:08:07I told you he'd taste it.
01:08:08Okay.
01:08:10Ah, the brothers Mick and Mark.
01:08:13Anything I can do for you?
01:08:14Thanks.
01:08:17I suppose you'll be up all night.
01:08:19Well, if you're up all night, sir, I shall be up all night.
01:08:22Well, well, now, won't that be nice?
01:08:30Well, then, I'll be back to you.
01:08:35Well, I'll be back to you.
01:08:36Thank you.
01:08:37Well, then, I'll be back to you.
01:08:38Thanks, sir.
01:08:39Thanks.
01:08:39Well, then, I'll see you next week.
01:08:42Gracias.
01:09:12Gracias.
01:09:42Gracias.
01:10:12Gracias.
01:10:42Gracias.
01:10:48That was very brave of you.
01:10:49Tanner shouldn't have asked you to do it.
01:10:50I can't believe it was him.
01:11:03Keep away from me.
01:11:04Keep away.
01:11:06You clear out and stay out.
01:11:08I want to talk to Tanner.
01:11:09All right, Toddy. Do as Lord Lemonham wishes.
01:11:16I am clever, you know.
01:11:18You must admit that.
01:11:20Yes, you are.
01:11:25No further.
01:11:28I made those records in London.
01:11:31Four of them.
01:11:34That fooled you.
01:11:36Brooks and Guild have a puzzle, too.
01:11:38They couldn't make it out at all.
01:11:40Oh, I fooled them in lots of ways.
01:11:43Won't you sit down?
01:11:45Sit down.
01:11:51I say, don't you think it's about time this line was wiped out?
01:11:57The line? I don't understand you.
01:11:59I don't understand you.
01:12:00What do you mean?
01:12:01Well, this sort of thing has been going on for I don't know how many years.
01:12:05You ask Mother.
01:12:07She's got all their dates and their names.
01:12:10We Lebanons have always been like this.
01:12:13Father was like that.
01:12:15He was 15 years in that room upstairs.
01:12:17Mad as a damned hatter.
01:12:18Yes.
01:12:19He was clever, too.
01:12:20He could get in and out of that room just as he liked.
01:12:22Through the concealed door in the front of the house.
01:12:23So you've found out about it, have you?
01:12:25Brooks and Guild don't know about it.
01:12:26Have you told them?
01:12:27No.
01:12:28They looked after my father, too, you know.
01:12:29Just like me.
01:12:30Yes, I guess that.
01:12:31But he never strangled anybody.
01:12:33You know the first time I saw it done?
01:12:36It was in Delhi.
01:12:38Quite a little fellow came up behind a big man.
01:12:40He put a cloth round his neck.
01:12:42By God, he was dead.
01:12:44He was dead.
01:12:46He was dead.
01:12:48He was dead.
01:12:50He was dead.
01:12:52He was dead.
01:12:54He was dead.
01:12:56He was dead.
01:12:58He was dead.
01:13:00Fascinating.
01:13:05I tried it on a girl.
01:13:08An Indian girl.
01:13:10She went out like that.
01:13:12Oh, it's wonderful when people die quickly.
01:13:24They've got lots of these.
01:13:26They brought them home from India.
01:13:27Amersham took some away from me, but he didn't know I'd got plenty more.
01:13:32I'm not a big fellow, but I'm very strong.
01:13:35Feel my arms.
01:13:40Of course, there was an awful fuss about the Indian girl.
01:13:43Amersham had to go out to India to bring me home.
01:13:45Take your hands out of your pockets.
01:13:46Do you mind if I smoke a cigar?
01:13:48Oh no, of course not.
01:13:50Please do.
01:13:52You know that room Mother didn't want you to see?
01:13:55It's all padded.
01:13:57Rubber cushions round the walls.
01:13:59I have to go there sometimes when I realise things.
01:14:00When you get a little tiresome.
01:14:02I know what I'm saying.
01:14:04When I realise things.
01:14:06Don't touch me.
01:14:08Sit down.
01:14:10I only wanted a light.
01:14:13Oh yes.
01:14:15I only wanted a light.
01:14:17Oh yes.
01:14:19I only wanted a light.
01:14:34Oh yes.
01:14:48Are you friend or foe?
01:15:01Why what a question.
01:15:02Of course I'm a friend.
01:15:06What about those three men who are coming down tomorrow?
01:15:09They're coming down to see me.
01:15:10That's not true.
01:15:12They're coming to see me.
01:15:13To certify me.
01:15:15I know.
01:15:18And I'll fool them.
01:15:19As I fooled you.
01:15:21And Amersham.
01:15:22And all the clever people.
01:15:30I think it's about time the whole line was wiped out.
01:15:34All their shields and escutcheons.
01:15:37Carry on the line.
01:15:38Isn't it ridiculous?
01:15:39Yes, isn't it?
01:15:42You don't like me, do you?
01:15:45Yes, I do.
01:15:47I've been a very good friend of yours.
01:15:50I was nice to you at Scotland Yard, wasn't I?
01:15:52Oh yes, of course you were.
01:15:56It was clever of me, wasn't it?
01:15:57I mean, it's the last thing you would have expected.
01:16:00I killed Amersham and then slipped away before they could find him.
01:16:04Yes, that was a stroke.
01:16:05Isla looked awfully like that Indian girl tonight.
01:16:09I came up behind her and I nearly got her.
01:16:12You heard her scream, didn't you?
01:16:14Why did you?
01:16:15And why were you so unkind a stud?
01:16:18Oh, I'm awfully sorry about him.
01:16:24He was such a decent fellow.
01:16:28He was dressed like an Indian.
01:16:30I had to.
01:16:32I nearly got Amersham the other night.
01:16:34By God, he was scared.
01:16:35He was scared.
01:16:43You're afraid?
01:16:45No.
01:16:46Oh, yes you are.
01:16:48I always frighten people.
01:16:50You're not frightening me.
01:16:52Now be a good lad and give her that gun.
01:16:54Why do you want to fool about with a thing like that?
01:16:56There are lots of things I could do with it.
01:16:58I could fool everybody.
01:16:59I could fool mother.
01:17:01And you.
01:17:07What are you doing?
01:17:08Give me the devolver.
01:17:09No, I won't.
01:17:13Give it to me, I say.
01:17:15I've always wanted a pistol.
01:17:16You know, I've asked one dozens of times.
01:17:18Put it away.
01:17:29Well?
01:17:47My God, what a tragedy.
01:17:54A thousand years of being great.
01:17:57Gone out.
01:18:00Like a candle in the wind.
01:18:27the chances of being.
01:18:28It's a late-night.
01:18:29How's it coming?
01:18:30Let's start.
01:18:31The time is really difficult.
01:18:33That's how it changed.
01:18:34I love you.
01:18:35I love you.
01:18:37How's it going?
01:18:38It's all.
01:18:40It's good news!
01:18:42I love you.
01:18:44With the time is really difficult.
01:18:46I love you, too.
01:18:48Bye!
01:18:50I love you.
01:18:52Oh, G Weekend!
01:18:53I love you.
01:18:54I love you, too.
01:18:55I love you.
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