- hace 3 meses
Basil Fawlty's puritanical streak comes out when a young couple he suspects of not being married tries to book a double room. He's ready to give them rooms on separate floors until Sybil steps in. It turns out that the couple know Polly but when he sees her coming out of their room - she was trying on a dress her friend had brought her for the wedding they would be attending - Basil begins to think everyone has gone mad. All that's left is for another guest, Mrs. Peignoir, to get tipsy and make a pass at him. For Manuel, it's his birthday and a night of celebrating takes its toll.
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00:00The End
00:29So, it's warm tonight, isn't it, Voldy?
00:33It certainly is, yes.
00:34Oh, very warm.
00:35Oh, can I get you another one?
00:36What?
00:37Oh, well, why not indeed.
00:39Well, it reminds me of somebody machine-gunning a seal.
00:45No, no, my wife's lying.
00:47Ah, good evening, Mrs. Fenwar.
00:51Good evening.
00:52Thank you for your map.
00:54It was so useful.
00:55I must congratulate you.
00:57I had no idea how charming talk he was.
01:01Ah, enchanté.
01:02May I ask, did you find anything of interest?
01:04Hmm, a few pieces I like very much.
01:06And one.
01:07Oh, I had to have it.
01:09Ah, formidable.
01:11I'm so pleased.
01:12May I introduce, Sir Major Goen, our longest-standing resident, Mrs. Penwar?
01:16How do you do, Major?
01:17How do you do, madam?
01:18Mrs. Penwar is an antique dealer.
01:20She's down here for a few days, sniffing around for dainty relics.
01:23Ah!
01:23Please don't alarm yourself.
01:27It's only my wife laughing.
01:28I'm afraid her local finishing school was bombed.
01:31Oh, dear.
01:32No, no, not really.
01:32Just a thought.
01:33Well, now, what can I get you?
01:35Do you have any Ricard?
01:37I'm sorry?
01:37Any Ricard?
01:39Ah, we're just out of it, I think.
01:41Just a sherry, then.
01:42But, of course.
01:43Tell me, are you, by any chance, French at all?
01:47Yes, I am.
01:49Good Lord!
01:53Enjoying yourself, dear?
01:55We haven't put any nuts in the bell, have we?
01:58Well, I haven't.
01:58I don't know about you.
01:59Ah, well, I'll do it, then, shall I?
02:01That would be the simplest solution, dear.
02:03Well, where's Manuel?
02:04We've given him the evening off, dear.
02:06It's his birthday.
02:07I mean, how old is he?
02:08Two and a half?
02:09I...
02:09Excuse me.
02:14There are no nuts here, Sybil.
02:15No nuts!
02:18You find them in the kitchen.
02:20Oh, will I?
02:22Well, if you can bear to tear yourself away from Mrs. Payne, why you will.
02:25Do go on.
02:28In 1980, actually.
02:31Did you ever see that film, How to Murder Your Wife?
02:33How to murder your wife?
02:35Yeah, it's awfully good.
02:35I saw it six times.
02:38Very funny.
02:42Are you all right, Mr. Fossey?
02:43What?
02:43Yes, yes, thank you very much.
02:44Are you all right?
02:45Yes, yes.
02:46Good, good.
02:46Well, we're all all right, then.
02:50Must be the heat.
02:51Yes, and he's getting taller, isn't he?
02:53I don't think he's very well, dear.
02:55I think we ought to take care of him.
02:57Hello.
02:57Hello.
02:58I think I left it over here, sir.
03:00Hang on.
03:04Ah, here it is.
03:06See you tonight.
03:07Mm.
03:07Come on.
03:09Shh.
03:10Shh.
03:12Oh.
03:12Yes?
03:15A signal for tonight, is it?
03:17Mr. Fauci, may I introduce Richard Turner?
03:19I'm sorry?
03:20He's a friend of mine.
03:21Oh, you know each other, do you?
03:22Just passing through, are you?
03:24There you go.
03:25See you tonight.
03:25Oh, we've opened a library, have we?
03:27Oh, nice.
03:28Please don't leave on my account, Mr. Turnip.
03:31I'm sorry.
03:31I'm here for you, Polly.
03:32We were just saying goodbye.
03:33I mean, what sort of a place do you think this is?
03:35A massage parlour?
03:36I mean, we are running a nice, respectable hike.
03:39I'm sorry, did I say something funny?
03:41No, I was just looking for...
03:42No, no, obviously I was saying something frightfully comic.
03:44No, it's just the heat.
03:45Oh, well, so long as I amuse the staff, I mean, that's all I'm here for.
03:48Ah.
03:49I'll just take these in, shall I?
03:50One other thing, Polly.
03:50I'm afraid we've abandoned the idea of the topless afternoon teas,
03:53so if you wouldn't mind a changing before you go in where people may be trying to eat.
03:57I was going to.
03:58And, Polly, would you come back here, please?
04:00I'm on form tonight.
04:01Yes, Mr. Paul.
04:02I know these kind of drawings are considered decent at art school.
04:05Would you please not leave them lying around on display at the reception?
04:07I'll put them away when I've got some clothes on.
04:10I mean, bit!
04:20Hello, faulty titties.
04:23Yes, yes.
04:25Oh, it's you, Audrey, yes.
04:28Oh, he's left you again, has he?
04:29Oh, dear.
04:31Oh, dear.
04:32Oh, sad.
04:33Hmm.
04:33Yes.
04:34Oh, good evening, Major.
04:36Yes, I'll be with you in just one moment.
04:37Yes, will I get a call?
04:38Hmm.
04:39Yes, well, keep your pecker up.
04:40Bye.
04:41Oh, dreadful.
04:44Oh, stop it, Alan.
04:47Alan, tell us.
04:51Hello.
04:52We've booked a room.
04:53Have you?
04:54Yes, a double one.
04:55The name is...
04:55One moment, please.
04:57It's a nice suit.
04:59What?
05:00I thought you said something.
05:01No.
05:01No.
05:03Are you all right?
05:05Yes, thank you.
05:06Ah!
05:09Are we ready?
05:10I think we are, yeah.
05:11What band have you name, please?
05:12What band have you name, please?
05:12Yes, it's Bruce.
05:14Mr and Mrs Bruce.
05:15That's right.
05:15Is it a double bed?
05:17I beg your pardon?
05:18Has our room got a double bed?
05:21A double bed?
05:22Yes.
05:23Well, we've only got one double bed.
05:24I mean, you want that?
05:25Oh, very much indeed, yeah.
05:26Well, I'll have to put you in number 12, then.
05:28All right.
05:29Well, I mean, why...
05:30Oh, never mind.
05:31Yes.
05:31All right.
05:31Has it got a breeze?
05:34Has it got a breeze?
05:35Oh, is it airy?
05:37Well, there's air in it.
05:38I mean, what...
05:39I think there's a letter for me.
05:42What?
05:42There's a letter for me there.
05:43No, there isn't.
05:44Yes.
05:45Gene Wilson.
05:48Gene Wilson, is this you?
05:49Mm-hmm.
05:51Now, what's going on here?
05:53Well, I can't give you a double room, then.
05:55Oh, Lord.
05:55It's against the law.
05:56What law?
05:57The law of England.
05:58Nothing to do with me.
05:59Nothing to do with you?
06:00Nothing at all.
06:01I can give you two singles if you like, but...
06:03Look, should we go somewhere else?
06:04Excuse me.
06:06Well, there's my key.
06:08And now I'm off to paint the town red.
06:11Thank you so much.
06:12Well, perhaps I'll see you later this evening?
06:14Yes, my wife and I will be up till quite late tonight, thank you.
06:18I don't believe a word.
06:19Excuse me.
06:20We'll have two singles, then, if that's all right with the police.
06:23Two singles?
06:24Of course, certainly.
06:25Now, um...
06:26Next to each other.
06:27Next to each other.
06:28Oh, dear, we can't do that.
06:29What a shame.
06:30Good evening.
06:31Good evening.
06:32A double, is it?
06:33We'd like a double.
06:34Two singles, dear.
06:35Not married.
06:36Now, um...
06:37What?
06:38Nothing, dear.
06:39I'm dealing with it.
06:40Well, 17 and 18 are free.
06:42You'd have to share a bar.
06:43No.
06:43Oh, Audrey called.
06:45I'll handle it.
06:46George is left her again.
06:47Oh, no.
06:48Now, we've got one on the first floor and one right up at the top.
06:51Shall I deal with this, Basil?
06:52I'm dealing with it, dear.
06:53No, dear, that's all right.
06:54Now, you wanted two singles.
06:55I said I'd deal with it.
06:56Do you mind sharing your bathroom?
06:58Look, I was here first.
06:59Well, it's my turn now, then.
07:02I fought the Korean War, you know.
07:03I killed four men.
07:04He was in the catering corps.
07:09He used to poison them.
07:14Yes?
07:15Who is it?
07:16It's Manuel.
07:16What do you want?
07:17Can I go now?
07:19I thought you'd gone.
07:20Okay.
07:21I thought you'd gone.
07:23No, no.
07:23I turned it off.
07:25What?
07:26It was about so high.
07:28No, no.
07:28I said I thought a creduto.
07:30It doesn't matter.
07:31Okay.
07:31It doesn't matter.
07:33Oh, you think I'd gone?
07:34Yes.
07:35No, no.
07:35I go now.
07:36Wonderful.
07:37What?
07:37It's okay?
07:38It's okay.
07:41Yes?
07:42Before I go.
07:44Is it?
07:45It's my birthday.
07:47Yes, I know.
07:48I want to thank you for beautiful presents.
07:51Oh, yes.
07:51And for your much kindness to me since I come here.
07:55Not at all my pleasure.
07:56Since coming here from Spain, leaving my mother.
07:59Outside.
08:00Okay.
08:00Outside.
08:04Since coming here from Spain, leaving my five brothers and four sisters.
08:12Can I have it, Basil?
08:14What, dear?
08:14I want that key.
08:15I've only got the key to room 12, dear.
08:16That's the one.
08:17Now, look here, Sybil.
08:18Basil.
08:19If you were my size, seems coming...
08:23Now, where?
08:25Number 12, please.
08:28Basil.
08:35Jean.
08:35Hello, Paul.
08:36What are you doing here?
08:38Oh, dear.
08:38Well, we couldn't get in at the Belle View.
08:40Oh, no.
08:41Hello, Alan.
08:42It'll be fun.
08:43My parents arrive tomorrow.
08:44What, here?
08:45Hmm.
08:46Well, I warned you.
08:46Yes, we've already met the famous faulty.
08:48Shh.
08:49I'm not supposed to hobnob.
08:50Oh, dear.
08:50Oh, I like your outfit.
08:52I'll give you the pattern.
08:55Are you going to be at Fiona's wedding?
08:57I can't.
08:58But I'll be at the reception of my very own Jean Wilson creation.
09:01I want you to try that on later.
09:02Okay.
09:03How's that gorgeous step-on?
09:04Oh, I haven't seen him for a month.
09:05He's been in Singapore.
09:07Oh, blast.
09:08I forgot to get those batteries for my electric razor.
09:11Is there anywhere still open, Paul?
09:12Well, you might find a chemist.
09:13Yeah, well, I'd better have a look.
09:14Hmm.
09:15Won't be long.
09:16Is Richard coming tonight?
09:17Hmm.
09:18We'll be along about ten.
09:19Great.
09:19Hello again.
09:26Well?
09:27Have you managed to get it all sorted out with your wife?
09:29All I wouldn't know about that is, is there something you want?
09:30Ah, yes.
09:31Look, I know it's a bit late, but do you know if there's a chemist still open?
09:35I mean, huh?
09:37Do you know if there's a chemist still open?
09:39I suppose you think this is funny, do you?
09:42Funny?
09:43Ha, ha, ha.
09:45No.
09:46No, I really want to know.
09:47Oh, do you?
09:47Well, I don't.
09:48So far as I know, all the chemists are shut.
09:50You'll just have to wait till tomorrow.
09:51Sorry.
09:53Bit of a blow, I imagine.
09:55What?
09:55Nothing, you heard.
09:57Is it all?
09:58Well?
09:59Yes.
10:00I don't suppose you've got a...
10:01Now, look!
10:03Just don't push your luck.
10:04I have a breaking point, you know.
10:06Well, I only want some batteries.
10:10I don't believe it.
10:12What?
10:12Batteries, eh?
10:13You know something?
10:14You disgust me.
10:16I know what people like you get up to,
10:18and I think it's disgusting.
10:20What are you talking about?
10:22I want some batteries for my electric razor.
10:23I want to shave.
10:24Oh, yes?
10:25Yes, I'm shaved today.
10:26Look, see?
10:27Electric razor, huh?
10:27Right.
10:29Well, that's what I was referring to
10:30when I said it was disgusting.
10:31It is, of course, disgusting
10:32that you haven't shaved.
10:34But to understand what I mean,
10:35sometimes I don't shave either,
10:36and that's disgusting, too.
10:37So I'll have my razor sent up to your room straight away.
10:39Thank you so much.
10:40Good night.
10:40Good night.
11:10hello Audrey any news oh dear he hasn't oh I know he doesn't deserve you order
11:34he really doesn't exactly I know you have I know I know oh I know what was that Audrey oh why is she telling you then I understand you I really do I can't stand it anymore I don't clean the roof or something
12:04oh there's a front doorbell somebody's got back late yes yes I expect they got to get their passkey I know
12:11somebody better go and let them in yeah I'll go then shall I yes I agree right I'll go then I mean you know who that is don't you I mean that's your pair the karma sutra set good evening welcome to Basil's faulty knocking shops limited
12:24no dear it's only Basil
12:27I'm coming I'm coming
12:31I mean I suppose you know what time it is
12:37oh Mr. Faulty I'm so sorry
12:41oh no it's only a quarter past eleven
12:43oh I thought you were part of your bed
12:46oh no not at all I had a few little jobs to do
12:48oh you're so kind oh well I had just a lovely evening did you I'm very nice
12:55I saw some friends I hadn't seen for years I had a little bit too much to drink I'm afraid
13:02oh I mean what's life for if one can't get a bit uh
13:04blotto
13:05well hardly blotto
13:06oh Mr. Faulty you're so charming
13:11well one does one's best
13:12I hope Mrs. Faulty appreciates how lucky she is
13:17well I think probably not in fact but oh sorry
13:19oh I'm sorry sorry I'm very good
13:21what ah let me out
13:22oh sorry I'm sorry
13:26haha there you are
13:28okay I'm awfully sorry
13:29no it's quite extraordinary
13:30the front doorbell went and Mr. Memo to Tokyo
13:32then I thought to myself
13:33oh I expect that'll be Alan and uh so down I go
13:35and lobehold it's not you at all
13:37it's Mrs. Penoir
13:38have you met Alan and uh this is Mrs. Penoir
13:40ah she's an antique dealer you know I mean she deals in antiques
13:42she's not frankly old or anything
13:44ah so I know her in just 10 seconds
13:46I mean hardly five
13:46I mean hardly time to say good evening
13:48in she comes
13:49drops her thing
13:49down I go
13:50down she goes
13:51oh there you are
13:52bless my soul
13:53is going golly is that the time
13:54my goodness I was thinking it was a quarter past 10
13:56my god
13:57well I better get to bed
13:58I can't stand around talking all night
13:59I can't get an early night
14:00bye
14:01sorry
14:02are you alright
14:10yes I am
14:11good night
14:12good night
14:13do you know just to make that call
14:16mmm don't be too long
14:17oh
14:22well
14:25hmm
14:27who was it
14:28oh it was your uh your pair
14:29huh
14:30good night
14:33oh and that uh that woman uh
14:40Mrs. Penoir
14:43uh yes something like that
14:44how's Audrey?
14:54she's in a terrible state
14:56ah good
14:56good
14:57someone at the door
15:01Sybil
15:01why are you shouting Basil?
15:04what's I shouting?
15:05sorry Sybil
15:05um
15:06well I'd better go and see who that is then Sybil
15:08ha ha
15:08I expected some cue
15:09forgot to get the guests for their door
15:11or something like that
15:11some innocent explanation
15:13are you ready Sybil?
15:14I'm ready
15:15right well I'll just see where that is then Sybil
15:17all right Sybil
15:18oh
15:20hello
15:21hello
15:25hello
15:26ha
15:27holly
15:28holly
15:29oh oh
15:30oh so sorry Mr. Faldi
15:32oh poor Mr. Faldi
15:34are you all right?
15:35no I'm dying but don't get out of bed
15:37I hurt you
15:38and you're so wonderful to me
15:39give me such beautiful presents
15:41thank you
15:42you're drunk Manuel
15:43no no no
15:44no it's beautiful
15:45it's my first one
15:46oh
15:48oh
15:49oh poor Mr. Faldi
15:50so sorry please
15:51Mr. Faldi
15:52I love you
15:53I love you
15:54you're so kind to me
15:55you're so good to me
15:56I love you
15:57I love you
15:58Basil I'm trying to read in here
15:59since I come here from Spain
16:01leaving my five mothers
16:03and four aunties
16:04with a not right
16:06yes
16:07ha ha
16:08ha ha
16:09ha ha
16:10ha ha
16:11ha ha
16:12ha ha
16:13hey
16:14maintenant
16:15un peu de café
16:16ah oui s'il vous plait
16:17café au lait
16:18café what?
16:19au lait
16:20ah au lait
16:21there we are
16:41well I'll probably have one later
16:46oh very funny
16:47oh good
16:48oh Mr Forty I forget the window in my bedroom I can't open it could you
16:53oh certainly I'll pop up and fix it
16:54certainly
16:55thank you so much
17:12it's terrible
17:14go to the kitchen
17:15I cannot
17:16no no no
17:18come on
17:18please I die here
17:20sorry Magnus
17:22we've been all working awfully hard recently
17:24you know I can manage thank you
17:27no no please
17:28oh no Mr
17:29oh no
17:30it's disgusting
17:33I beg your pardon
17:34nothing
17:35I thought you said something
17:36no no no
17:37carry on
17:37get on with your meals
17:47thank you Mr Lloyd and this is just for tonight isn't it
17:53that's right
17:54will you be taking lunch
17:55oh we won't have time I'm afraid
17:56we've got this wedding at half past two
17:57oh
17:58I wonder could I make a call
18:00oh please use that phone
18:01would it be possible to have some sandwiches sent up to the room
18:03certainly here's the key
18:05I'll have your bags brought up in a moment
18:07thank you
18:07would you like coffee with the sandwiches
18:09yes please
18:10mum
18:12hello darling
18:14hello hello
18:15hello Rachel
18:16oh where's Philip
18:17did he have a good trip
18:17marvellous he's upstairs
18:19oh
18:19could I speak to Mrs Bryce please
18:22I'll see you in a moment
18:22I'm just going to finish my breakfast
18:24right hola
18:24there they are
18:27where's the key
18:28he's already taken it up
18:30oh right
18:31um
18:32it's Rachel Lloyd here
18:33how's everything
18:34I'm going to take your cases upstairs
18:36yes I know
18:37darling it's beautiful
18:41thank you
18:42oh
18:43oh
18:45oh
18:46civil
18:51civil
18:52hello
18:58hello
18:59it's Mrs Lloyd isn't it
19:00that's right
19:01how do you do
19:0140 barrel 40
19:03how do you do
19:03oh pretty well really
19:04can't complain
19:05yes well we had this door knocked through recently
19:08made a rather good job of it
19:10don't you think
19:10yes yes it's very nice
19:12yes marvellous
19:13it's changed our lives really
19:14you know we used to happen to do the hundred yards through there and back again
19:17but now we can just sort of open it and uh
19:18oh dear
19:19this isn't working as much as it usually does
19:21ah
19:21go right in
19:22go right in
19:24just like that marvellous really
19:26that's all the simple but effective
19:27would you like to have a try
19:28well I
19:29I'd love to one day but I think just now I'd better get upstairs so I'll see you later
19:34are you alright
19:39I've got a bit of trouble with the old leg I'd better just sit down here just for a bit of shrapnel
19:43Corian war still in there
19:44can't they get it out
19:46no no too deep too deep
19:48well this is the kitchen as you can see
19:50what I think
19:51the kitchen yes we had it passed about five years ago we've got a few uh a few cracks up there now
19:56oh don't worry about him just having a lie down
20:02spanish from barcelona you know sort of siesta but he's fine
20:06it was his birthday yesterday
20:10anyway we've got a few cracks up there now but nothing serious so as I say it's not the Sistine Chapel
20:16we're very happy with it
20:17are you sure he's all right
20:19oh yes yes he's fine yes
20:21but he's groaning
20:22is he is he
20:23can't you hear him
20:24so yes listen I just remembered I left your cases just outside your room by mistake
20:29um uh would you mind if I went up and put them inside now unless there's anything else
20:33you'd like to
20:33don't you think perhaps we should
20:34no no no don't worry about that my wife will do with that
20:37Sybil so if you'd like to uh
20:39come on come along
20:40come in
20:43your sandwiches mr lloyd
20:46polly hello how are you fantastic oh it's great to see you you're still gorgeous
20:54oh dear dear dear dear dear
20:57is anything the matter
21:07mrs lloyd can i have a way with you you are yes well there's something that i need to explain
21:16well uh could we go now oh really is it absolutely necessary i'm afraid it is
21:21mrs lloyd i'm so sorry but this is um much nicer room than the one we've given you
21:38what i'm sorry i was just saying that this room is so much nicer than yours and i wanted to bring
21:43to bring you in here now and share it to you and apologize in case you found out about it later and
21:47got rather cross
21:48and the point is what the point is if it turns out you don't like that room um then we can always
21:56move you in here but i don't think it's worth doing until you've definitely decided that you
21:59don't like that one as much as this one and then we can sort of sit down around table sort of discuss
22:03you know kind of chew it over and uh and it would be a piece of cake bob's your uncle okay
22:13fine oh sorry thank you thank you very much i wonder where you were darling
22:27darling darling are you all right this room is exactly the same as the one that you can
22:38oh genius absolutely smashing bit tight across the bust oh i love it lower lower lower you sure
22:47can i pick it up tonight yeah lower lower lower oh that's it that's it oh that is amazing
22:54oh hey baby have you been taking lessons oh so i'll see you tonight huh
23:15hey that's absolutely fantastic
23:22oh no no no no no no no no no no no no no no no no no no no no no oh holly i want to see you at reception in one minute in your hat and coat
23:43i'm sorry i want to see you at reception in one minute in your hat and coat
23:45i'm sorry i want to see you at reception in one minute in your hat and coat
23:48will they fit you no
23:50they're going what they're going
23:55i'm sorry but you have to go we made a mistake all these rooms are taken
24:05hello she was sitting on him five minutes later i found him lying on the floor underneath the waiter
24:12i'm sorry but there you are got together have you yes yes i might have guessed right now
24:18yes i see of course we're a bit behind the time zone here in talkie
24:21well i'm sorry but you have to go we made a mistake all these rooms are taken i'm so sorry
24:26rooms are taken I'm so sorry well actually I'm not sorry I mean you come in here just like that
24:32and well well to be perfectly blunt you have a very good time at our expense I mean I think you
24:36know what I mean I mean you have a very very good time haven't you well not here you don't oh no
24:41thank you and good night well that's taking care of that Basil what is going on why did you tell
24:56Polly to get her hat and coat because she's going along with the Lloyd's and that pair you let in
24:59I've never seen anything like it in my life my god so what are you on about why are they leaving I'll
25:04tell you exactly why they're leaving first of all I go up there and I find that that girl in his arms
25:07in Lloyd's arms five minutes later polly's in there what girl that that girl she's his daughter what
25:13she's mr. Lloyd's stepdaughter they're all one family
25:26oh what about Polly she was at school with Jean she's known them all for years for years huh
25:39four years what have I done what have you done I told them to leave you've told them to leave
25:46but how was I supposed to know why didn't you tell me you're halfwit why didn't they tell me you can't
25:51blame me for this go and tell them they can stay why don't you go and tell them I didn't tell them
25:55to go oh no no I suppose it's all my fault isn't it go and tell no no I won't you will no no I won't
26:01oh yes oh yes I will right yes that's right leave it to me let me get you out of it that's all I'm
26:05good for isn't it that's all faulty limited other people's messes cleared up by appointment to my
26:09wife Sybil I mean what am I gonna say tell them you made a mistake oh brilliant brilliant is that
26:17what made Britain great and food fully a meal of the state well very nice very nice take them off get
26:28back to work I'm so sorry I made a mistake I'm so sorry I'm sorry I'm so sorry but my wife has made a
26:37mistake I don't know how she did but she did she's made a complete pudding of the whole thing
26:41as usual it'll be perfect all right you say I saw it all and I'm frankly sorry but you know what
26:45women are like they got one brain between a lot of them well not all of them but I mean
26:48some of them have so please do stay and see you all later on thank you so much
26:52so I'm just saying please do stay my wife made a most dreadful mistake
26:58yes I think she probably did
27:01beautiful day ah evening major papers arrived yet oh yes sorry there's a late I didn't get here till
27:14five have to have a word with them again well where's your lady wife this evening oh she's
27:19spending the night at Audrey's you know George has walked out on her again so she's in the usual state
27:22sterling must have upset her a bit well yes she makes her song and dance about it well you you
27:28don't like Audrey very much do you dreadful woman dreadful well I I think it's very decent of your wife
27:33to go around there and to listen to all that rubbish couldn't do without a major she's a fine woman
27:40mrs. Fawlty no no I wouldn't say that no no lie hi major ah good evening sorry no no don't switch it
27:57off I love Chopin oh really ah there's your key oh it's so romantic yes yes exactly are you romantic
28:07mr. Fawlty ah no good God no well I think you are I think beneath that English exterior throbs up
28:15passion that would make Lord Byron look like a tobacconist oh no way no sorry oh don't look so bashful
28:24I won't try and sit on you again oh
28:33and where's your charming wife this evening oh she's uh she's spending the night with a friend
28:37hmm oh a girl a lady friend when the cat's away huh oh hardly no too much to do oh well
28:45when we oh mr. Fawlty yes did you fix my window oh oh if you could please it's so hot tonight yes yes
28:54okay right there we are now you're so strong oh well I'm sure you are too if you put your mind to it
29:13your wife shouldn't leave you with strange women oh well I wouldn't call you that strange
29:18mr. Fawlty you're so charming oh only a little oh well isn't it wonderful yes it's nice isn't it
29:26I shall sleep au naturel tonight good idea right not so much fun on your own oh well one could always
29:35pretend oh twins from the old legs better go and lie down good night good night damn strapple
29:55who is it uh mr. Fawlty
29:58hello I'm so sorry but I have to leave early tomorrow
30:05could I have a call at seven o'clock please oh marvelous is that all absolutely seven o'clock please don't go yet
30:10I think you've forgotten something did I damn well your recorder oh thank you
30:19you left it in my room no thank you so much you left it in my room so you could come and get it didn't you
30:26I'm not having you knocking on my door in the middle of the night
30:35you're not even good night
30:40look go to your room I won't ask you again open the door listen I can't my wife has just got back
31:09unexpectedly she's in the bathroom what dear I think you'll find it on the second shelf civil
31:15darling let me in basil you'll meet somebody else sooner or later
31:20try to control yourself where do you think you are Paris let me in
31:25shut up will you you silly tart go away my wife will hear us this is your wife
31:32oh what a terrible dream
31:40there's a burglar downstairs George got back did he there's a burglar downstairs what a burglar quick
31:54there's a burglar
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32:26we've been to a wedding
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