- 6 months ago
First broadcast 27th January 1984.
Oz finds love with a tasty German girl by the name of Uli after Wayne makes him out as being a rich tycoon's son.
Jimmy Nail - Oz Osborne
Timothy Spall - Barry Taylor
Tim Healy - Dennis Patterson
Christopher Fairbank - Albert Moxey
Kevin Whately - Neville Hope
Gary Holton - Wayne Norris
Pat Roach - Bomber Busbridge
Maya Woolfe - Uli
Oona Kirsch - Heidi
Peter Birch - Herr Ulrich
Ray Knight - Barman
Kevork Malikyan - Kemal
Lutfi Oguz - Chem
Tony Alleff - Turkish Worker
Oz finds love with a tasty German girl by the name of Uli after Wayne makes him out as being a rich tycoon's son.
Jimmy Nail - Oz Osborne
Timothy Spall - Barry Taylor
Tim Healy - Dennis Patterson
Christopher Fairbank - Albert Moxey
Kevin Whately - Neville Hope
Gary Holton - Wayne Norris
Pat Roach - Bomber Busbridge
Maya Woolfe - Uli
Oona Kirsch - Heidi
Peter Birch - Herr Ulrich
Ray Knight - Barman
Kevork Malikyan - Kemal
Lutfi Oguz - Chem
Tony Alleff - Turkish Worker
Category
📺
TVTranscript
00:00I used all my options, worked off my dues
00:14Played all the cards, now there's nothing to lose
00:19Don't want tomorrow to be like today
00:23That's why I'm breaking away
00:26I'm not trying to run, I'm trying to hide
00:32Walk out the wind if I'm losing my pride
00:36Won't let tomorrow be like today
00:40That's why I'm breaking away
00:43Ooh, breaking away
00:48Got to find a better way
00:52Till the good times roll about today
00:58I'll be the same
01:03I'm broke out and I'm lazy
01:12And I'm ragged but I'm real
01:15And I ain't never been nobody's pride and joy
01:21Oh, you can take a boy out of the country
01:26And I ain't never been nobody's pride and joy
01:30Oh, excuse me, is that a toenail?
01:33Where?
01:34What, will I bloody your ups up?
01:36Hey, that piss poor design, he's cut us, lad
01:38Oz, look, do you have to cut them all out of the floor?
01:42No
01:42Mere in Deutschland, mate in hand
01:45Oz, Oz, when you were a small child, right
01:50Did your mother never take...
01:51Never had a mother, you see, never had a mother, did I?
01:54See?
01:54Sorry, Oz, I...
01:55God, she's got a mother
01:57Eh?
01:58Right now she'll be in the back bar and mold her arms
02:01On the Newcastle brown heel
02:03That's a lie
02:04She's never drank brown heel for years for health reasons
02:07She had to go on to Bosco label Bally Wings
02:09Look, continue the shitting newspaper or something
02:13What for?
02:14Look, because they've all got to live here, Oz, and we don't want your townhouse all over the place
02:19Well, they're made by the bad spirits there, aren't they?
02:21Look, look, look, look, look, look, look, look
02:24Look, look, look, look, look, look
02:24Look, look, look, look, look, look
02:26Stop getting out of the body, will you?
02:28I'm not, I'm not, I'm not, I'm not getting at him
02:31I'm not, not personally, Oz, not, not personally
02:33No, no, it's just the state of this place, right
02:36Do you know that?
02:37It's like a bleeding cause, eh?
02:39Think of what?
02:40It's what Wayne calls a toilet
02:41It's what Wayne what?
02:44Look, that's not on your mid-space, is it?
02:47Oh, bollocks
02:48I'll just let them grow up
02:49Hey, where?
02:50Can I borrow your thingy?
02:52Think I'll be needing it myself, man?
02:54No, man, you watch its name on your walkabout
02:56Hey, hey, if that's the best thing you've got on your horizon
03:00Dennis, I think I can offer you something a bit better
03:03Think what?
03:03Five foot six
03:05Blue eyes, blonde hair
03:08Legs up to a armpit
03:09You're not trying to fix Dennis up for one of your slags, are you?
03:12Slags, nothing
03:13My one's got a nice respectable friend, right?
03:16Yeah, and she fancies something a bit mature and interesting
03:20Oh, you're crappy
03:21Yeah, and I thought you'd, Dennis
03:23Anyway, I'm going to meet him down at Tivoli
03:25Well, no, thanks
03:26Not because of that dagmar, is it?
03:29What?
03:29Oh, just I heard, like, you know, you were having a sea with that dagmar
03:33Oh, no, no, hey
03:35Hey, you don't want to believe what you hear around here, Moxie
03:38No, it's just that me and Neville have decided to have a go at learning German tonight, see?
03:42She speaks perfect English as well
03:44I've checked for some other time, maybe
03:46See, I've got to teach yourself cassette, man
03:48Yeah
03:49Eh, danke schön here, Norris
03:50Das ist sehr nett von Ihnen
03:52You surprise me, Dennis
03:54I never thought you'd fly the white flag in the language world
03:57Fly the what?
03:58Well, you're even apt to go and crawl into there, man
04:00Let them talk English
04:02Can't take a shower
04:05It's broken here
04:08Oz
04:10Oh, no, it's that German shampoo, man
04:16It's got all my follicles loose
04:18Well, I suppose I'd better put in a bit of overtime, eh
04:21Take the pair of them on myself, like
04:23Wait a minute
04:24Mature
04:25In restin'
04:26What about this?
04:29Tonight I'm gonna love someone
04:32What do they call her?
04:34Er, I don't think she's your type, Buzz
04:36Oh, aye
04:37Hey, hey, don't take Ambridge
04:40It's just that I don't think you'd fancy her, you know
04:43She's a bit at market
04:45Well, that's all right, man
04:46I'm just the sort of bloke the upmarket tods can for, man
04:49You're not a bit rough
04:50Hey, Dennis
04:51Dennis
04:51Yeah
04:52Remember that man addressing the dry cleaners in South Gosworth?
04:56Oh, she was no duchess, was she?
04:58I don't know
04:59She had a very refined accent
05:01And she wore pearls
05:02Had a good time with her
05:04Another one short of coat, hangers
05:05Go on, man
05:06Go on, go on
05:07Take him with you
05:07Get the rest of Mr Jones
05:08Get the price cleaned up
05:09She's a bit small for you, Oz
05:11That's it
05:11I'm a bit small
05:12Well, you were just sent to us five months, six
05:15Yes
05:15Er, I was exaggerating, weren't I?
05:17Oh, well
05:18Come on, come on, come on
05:20Take your seat, I can come with you
05:21Hey, up, up, up
05:22Harry
05:23Harry
05:23Harry
05:24Harry
05:24Harry
05:25Harry
05:25Harry
05:26Harry
05:26Harry
05:27Harry
05:27Harry
05:28Harry
05:28Harry
05:29Harry
05:29Harry
05:30Harry
05:30Harry
05:31Harry
05:32Harry
05:33Harry
05:34Harry
05:35Harry
05:37Harry
05:38Harry
05:39Harry
05:40Harry
05:41Harry
05:42Harry
05:43Harry
05:45Harry
05:47Harry
05:49Harry
05:50Harry
05:51Harry
05:52Harry
05:53Harry
05:54Harry
05:55Harry
05:56Harry
05:57Harry
05:58Harry
05:59Harry
06:01Harry
06:03What's that loves, eh? He doesn't look rich. No, no, no, he does his best to be like one of the lads, Oz. See, his father earns the business we'll work for, you know? And, uh, Oz takes over when the old man retires, you know? In the meantime, he's got to work as a common brick man.
06:33Just, uh, just for three months as he learns the business from all sides, like, you know.
06:39Wow, right. Cheers, girls. It was dry as a boot.
06:44Ben was telling us about your father.
06:47Oh, that bugger.
06:49Oh, that bugger. Oh, aye. Good bloke, me old man. Started from nothing, you know, and built an empire. Isn't that right, Wayne?
07:00Yeah, yeah, that's right. I was just telling the girls, you know, one day it'll all be yours.
07:07Oh, yeah, there's, uh, there's my Calpines and Wimpies, and then there's Oz-Born and Son, that's us.
07:14In the meantime, you are just one of the boys.
07:17Look again, Ped, one of the men.
07:19Yeah, well, yeah. I'm not sure I've kicked this up yet, aren't I?
07:27I didn't think you had that sort of problem on us.
07:29No, no, man, you're not one of the tarp and a boot, man, the string and the bird along, man.
07:33Look, you're all right, mate. It's just a matter of, uh, establishing your credibility, you know?
07:38The rest is down to your personal magnetism, isn't it, son?
07:40I don't know why you've got to cut out so soon, mate.
07:45Well, it's back for the best, son. Divide and rule, that's what I always say.
07:48See, I've been spending so much time on your case, I've been neglecting the lovely idea, haven't I?
07:53Well, look, you'll have to learn there's a couple of hundred.
07:55I thought Nev gave you 50.
07:57He did, he did, but it's not going to last long in this place, at these places, is it?
08:00I mean, this already looks sophisticated, I mean, to make one stick.
08:04Well, here's the cut of 100, right?
08:06Great, right.
08:06Now, if that runs out, use your American Express gold card, all right?
08:09Oh, yes.
08:10Never leave the hut without it, do I?
08:13All right, girls.
08:14Great, girls!
08:16Yay!
08:16Ready for another drinkies?
08:18Yeah? Get them in, with.
08:19Yeah?
08:28Yeah?
08:28Guten tag, mein Herr.
08:32Was?
08:34Guten tag, mein Herr.
08:35Guten tag, benzine, bitte.
08:39Wie viel benzine?
08:40Dreisig liter, bitte?
08:4330.
08:43Is that 30?
08:44Aye.
08:44Great.
08:45Hey, that sounds really German, that does, you know?
08:49You know, I really admire you two for taking an opportunity for educational advancement,
08:53you know.
08:54You know, when you get back to England, you could have another string to your back.
08:58Yeah, I'd be able to order petrol on the M1 in German.
09:02Wollen Sie ein Trink, Nev?
09:03Ah, yeah, das ist ein gut idea.
09:06What's that mean?
09:07We'll go to the club for a drink.
09:09You coming, Barry?
09:10No, no, no, thanks.
09:11I'd better get through this, aren't you?
09:13Well, permanent press seems to have lost its meaning these days.
09:17Moxie?
09:18I'd like to, you know, but I'm skint.
09:20Oh, don't worry about that, Moxman.
09:22Oz paid us back that 50, you owed us.
09:24Oh, great.
09:25Oh, no!
09:27What's the matter?
09:28Well, he must have took it back again.
09:30Well, he's got an important date, hasn't he?
09:31Down at Tivilly.
09:32He never asked, though.
09:34It makes me mad.
09:35He takes advantage of a good night, you never, if you ask me.
09:39Do a bloke like Oz a favour and he walks all over you.
09:41Can you see the footprints up me face?
09:44Well, look, you can't do anything about it tonight, no?
09:46I can't, I will.
09:48There's a principle involved here.
09:49He's tried this on once too often.
09:57Where do you see it went?
09:59Er, down at Tivilly it was.
10:00Right, I'm off down there.
10:02Auf Wiedersehen, mein friend.
10:04Bollocks.
10:06Strange quirk of you at this, isn't it?
10:08Yeah.
10:09I mean,
10:11who'd have thought that me
10:13who's always hated crowds?
10:15You always hated what?
10:17Er,
10:18crowds,
10:19crowds,
10:20traffic.
10:21I've always,
10:22they're like the countryside,
10:23you know.
10:24Oh, I too.
10:26But you were saying about fate.
10:30Yeah, well,
10:32I mean,
10:32who would have thought
10:32that I'd be expanding the family empire
10:35here in Germany?
10:37Where will you live?
10:39Well, in the hood, you see.
10:40We couldn't get any decent hostel accommodation
10:42because it could...
10:43Oh, right.
10:44Where will I live?
10:45Erm,
10:46well,
10:47in the mountains,
10:49over a river,
10:50you know.
10:51A small castle
10:52would just about do it.
10:54After all,
10:55I'm all alone.
10:58Where do you live, Ollie?
10:59Oh,
11:00please,
11:01I'd rather not talk about me.
11:03Yeah,
11:04you're not married,
11:04are you?
11:06Divorced.
11:07Oh,
11:07right,
11:08aye.
11:09Dennis is getting a divorce.
11:12That's Dennis,
11:12one of the lads
11:13who works for us,
11:14you know.
11:15Oh,
11:15it's costing him a fortune
11:16in maintenance.
11:17I try to be independent
11:18with money.
11:19Uh-huh.
11:19I have my own job.
11:21Have you?
11:21As a beauty consultant.
11:23Oh,
11:23right,
11:24right.
11:24Well,
11:24that's a canny job,
11:25isn't it?
11:25Hey,
11:26listen,
11:26you'll have to do me
11:27two-and-a-l
11:27something.
11:29It's hard to be independent
11:30with a jealous boyfriend.
11:32Boyfriend?
11:34What,
11:35is he,
11:35er,
11:36big bloke,
11:37is he?
11:38Yes,
11:39but he's not so important
11:41as you are.
11:42I've wanted to leave him
11:43for a long time,
11:44but,
11:45er,
11:45he's very possessive.
11:47Well,
11:47you know,
11:47I can be very possessive
11:49when I have to be.
11:50I can be.
11:51When the need arises,
11:52I can...
11:52I want a word with you.
11:54Oh,
11:55excuse me,
11:56pet,
11:56er,
11:57I just want a quick word
11:58with the chief here.
11:59Oh,
11:59is this one of your men?
12:01Er,
12:01yeah,
12:02one of the lads,
12:02that's,
12:03that's about it.
12:03So you're in us's company,
12:05huh?
12:05Oh,
12:05dear knight.
12:07Yeah,
12:08look,
12:08er,
12:09hello,
12:09you're up to us,
12:10and,
12:10er,
12:10listen,
12:11er,
12:11world 50,
12:12do you?
12:13Oh,
12:13thanks to us.
12:14You're a gentleman.
12:16I know,
12:16I know,
12:17but,
12:17you know,
12:18there's no need to tell
12:19everybody about it,
12:20man.
12:21Right,
12:21er,
12:22goodnight,
12:23miss.
12:24Now,
12:24don't be late in the morning,
12:25will you?
12:25It's young and daft,
12:28you know.
12:29Cheers.
12:32Beer's lads.
12:33My shout now.
12:34No,
12:34no pump.
12:35I'll get them in.
12:36Ours just paid us back.
12:37Paige?
12:38Never.
12:39Like a lamb?
12:41What,
12:41I love Williams then?
12:42Seems it's a special occasion.
12:44Aye.
12:44Actually,
12:44I think he was just trying to impress
12:46that lass he was with.
12:47And,
12:47er,
12:48two beers as well,
12:49isn't it?
12:49Yeah,
12:49yeah.
12:50What,
12:50what you like,
12:51eh?
12:51Very tasty,
12:53actually.
12:54Aye,
12:54you missed something there,
12:55then.
12:56Do you know,
12:57ma?
12:57Does he behave himself like?
13:00Seem to be.
13:02No,
13:02the funny thing was,
13:03er,
13:03her kind of attitude to him.
13:06The way she looked at him,
13:07like.
13:08All of her quiver
13:08we'd lost,
13:09was she?
13:10No,
13:10but,
13:10er,
13:11sort of affectionate.
13:13As if she liked
13:14being with him.
13:14You know,
13:19the older I get,
13:21the lesser I understand women.
13:23I don't know what they want,
13:24who they want it from.
13:26I don't know,
13:27but,
13:28certainly wouldn't think
13:29they'd want it from ours.
13:38Hey,
13:39you were home early last night,
13:40weren't you?
13:41Nah,
13:41well,
13:41didn't expect to come,
13:42I'm a told then.
13:43I hate to admit it,
13:44mate.
13:44I think that was
13:45better than me last night.
13:46Never.
13:47Nah.
13:52God was one,
13:53you know.
13:57Oh,
13:57aren't you the worry now.
14:00Just when I signed on
14:01to be a man.
14:05Have we,
14:05eh,
14:06had all the gory details yet then?
14:08Not a word.
14:09But he seems
14:10unnaturally cheerful.
14:11Aye.
14:12You know,
14:13I've never noticed it
14:14before,
14:14but,
14:15eh,
14:15what a kind of job
14:17a German brick is.
14:19They're all firm,
14:21all the edges
14:21nice and square,
14:22every one the same.
14:24Perfect,
14:24really.
14:25This is serious.
14:26Well,
14:28I suppose it is a bit more
14:30symmetrical,
14:31eh?
14:31Do you not think
14:33the British brick's
14:34got more character?
14:37I don't really.
14:38I've come to respect
14:39the German brick.
14:41Gentlemen,
14:42the evidence is overwhelming.
14:43Oz is in love.
14:44What are you talking about?
14:47Hey,
14:47ever since we came out here,
14:49you've been bad-mouthed
14:50in everything German.
14:52Now all of a sudden,
14:53you're getting all poetic
14:53about the bricks.
14:55Ah,
14:55well,
14:55sometimes,
14:56Dennis,
14:56you know,
14:57certain things happen
14:58that make you see
14:59other things
14:59in a different light.
15:02What,
15:02like Uli,
15:03you mean?
15:03Tell us about it,
15:04then.
15:04Don't give us in suspense.
15:07Listen,
15:07whatever passed
15:08between Uli and me
15:09is our affair.
15:11Our affair now,
15:12is it,
15:13eh?
15:15I thought it was
15:16on the cards
15:17when I seen them.
15:18Aye.
15:18Now,
15:18listen,
15:19I'd just like to put
15:19the lid on this,
15:20if you don't mind,
15:21eh?
15:21Because,
15:21I mean,
15:21there's some relationships
15:22you don't want
15:23all the lads
15:23yapping about,
15:24you know?
15:25I mean,
15:25there's some relationships
15:26that you'd like
15:27to be kept
15:27private and confidential.
15:30I mean,
15:30I thought you would
15:31understand that,
15:32Dennis.
15:32You're the one
15:32to thump
15:33and that dog more.
15:34Ha!
15:34Hey!
15:35Hey!
15:35Hey!
15:36Hey!
15:36Hey!
15:36Hey!
15:37Hey!
15:37Hey!
15:37Hey!
15:39Hey!
15:56No,
15:57it doesn't have
15:57to be a castle.
15:59I mean,
16:00just somewhere
16:01with a bit of space,
16:02that's all.
16:03You know,
16:04a bit of room
16:04to breathe,
16:05enough room
16:06to have a sauna.
16:09and a pool table.
16:11And my house
16:12isn't so large.
16:14And it's in the suburbs
16:15more than the county.
16:17Yeah,
16:17but it is your own house,
16:18isn't it?
16:19Well,
16:19of course.
16:20Oh,
16:21yeah,
16:21of course,
16:21of course.
16:22No,
16:22but,
16:23as I say,
16:23you see,
16:23when I take over
16:24the business...
16:25When will that be?
16:27Well,
16:27er,
16:28November.
16:29It's me dad's birthday.
16:30And,
16:31er,
16:32he'll hand over
16:32to me then,
16:33you see.
16:34No,
16:35but,
16:35as I say,
16:36when I take over
16:37the business,
16:37I'm not going
16:38to have a lot
16:38of time
16:38to mess around
16:39looking for
16:40accommodation.
16:41But you will
16:42have a secretary
16:43and an assistant.
16:44Yeah,
16:45yeah,
16:45but,
16:45I mean,
16:46they're going
16:46to be stretched
16:47to the limit
16:47organising things.
16:49I mean,
16:50I don't like
16:51to really put
16:52on to them.
16:53I can see you
16:54as somebody
16:54who really needs
16:56looking after.
16:58Yeah,
16:59yeah,
16:59I suppose
17:00that's me,
17:00isn't it?
17:01Poor little rich boy.
17:02So,
17:06where'd you learn
17:07to do that then,
17:08Bob?
17:08Oh,
17:08he picked up
17:09a lot of tricks
17:09in Maytime,
17:10Bill.
17:11Here we are.
17:12Oh,
17:13you're a mate,
17:14Bob.
17:14Cheers.
17:15Thanks a lot.
17:16That's his time.
17:16I'm grossed beer
17:17for a champion
17:18because we don't
17:18want that one to do it.
17:22Hey,
17:26that's a cunning
17:26jumper, man.
17:27Hey,
17:27I tell you what,
17:28we can hang it on
17:28the wall,
17:29eh,
17:29when he's not wearing it.
17:30It's very decorative.
17:31I know you can.
17:33Oh,
17:33cover up that stain
17:34for the night moxie,
17:35pewter.
17:36Barry.
17:37Hey,
17:37this is for best,
17:38this.
17:39Where'd you get it,
17:40Oz?
17:40There was a present,
17:41didn't you?
17:42Yeah,
17:43she must think
17:43a lot of you,
17:44eh?
17:44Oh,
17:45aye,
17:45see,
17:46I've just realised now,
17:47the character accent's here.
17:49As far as she knows,
17:49I could be talking
17:50the same as her queen mother.
17:53Must be pretty thick
17:54if she thinks you're
17:54the queen mother.
17:56Hey,
17:57shut your face,
17:57you.
17:57That's my fiancé,
17:58your tantamood.
17:59Queen mother?
18:00Eh?
18:01Fiancé?
18:02Oh,
18:02that's what you call
18:03somebody I'm going to marry,
18:04isn't it?
18:04What are you talking about,
18:06man?
18:06You're already married.
18:07Aye,
18:08in England,
18:08can't hold that against us here.
18:09What are you going to do about it,
18:14then?
18:15About what?
18:17Oz.
18:18Yeah.
18:19Note.
18:20Oh,
18:20come on,
18:21Dan,
18:21you've known him the longest.
18:22I've known him long enough
18:23to realise he's a lost course.
18:25Look,
18:25he doesn't listen to a thing,
18:26I see.
18:27Eh?
18:27Why waste me breath?
18:29Got to hell in a handbasket
18:30for all that,
18:31yeah?
18:32This isn't like you,
18:33Dan.
18:33Oh,
18:34I'm learning fast,
18:34kid,
18:35you know.
18:35I mean,
18:35ever since we got out here,
18:36I've been wet nursing that bugger,
18:38right?
18:38We all have.
18:39If he gets into problems,
18:40we have to get him out of them.
18:42Gets into debt,
18:43we have to cough up.
18:44Aye,
18:44but there's other people
18:45to consider this time
18:46as well as Oz.
18:47There's his missus
18:48and this other lass.
18:49That's still not our business,
18:50Neville.
18:50Look,
18:50if Oz decides to commit bigamy,
18:52that's his business.
18:54First time I want to hear about it,
18:55it's in the news of the world,
18:56mate.
18:58Oh,
18:59dear,
18:59mate,
18:59what a miserable pair.
19:01Cheer up,
19:01man,
19:01it may never happen.
19:05You all right there now?
19:14Look a bit down in the dumps,
19:15mate.
19:15Feeling a bit homesick or what?
19:17Don't you ever get homesick,
19:18Moxie?
19:19Not where I come from,
19:20mate.
19:21Two up,
19:22two down in Dodge City
19:23with me mother and her latest.
19:25When he's not on the piss,
19:26he's either beating up the kids
19:27or molesting me sister.
19:30How different,
19:32how very different
19:33from the home life
19:34of our own dear queen.
19:37I've never lived
19:38anywhere as bad as this.
19:41See,
19:41Neville?
19:43Coming round to your
19:44inexorable logic,
19:45my point of view.
19:46Huh?
19:47My arguments
19:48have been working
19:49on your unconscious.
19:51What arguments?
19:52For a well-considered
19:54programme of redecoration
19:55for this pig hole.
19:57What's that got to do
19:58with me being homesick?
20:00Well,
20:00then you wouldn't be
20:01homesick,
20:01would you,
20:02Neville?
20:03Instead of this place
20:04being like a concentration
20:05camp,
20:06be more like a home.
20:09Not where they'll
20:10render it,
20:11wouldn't.
20:12Anyway,
20:12I don't want it
20:12to be more like a home.
20:14I want to be homesick.
20:16I enjoy this body.
20:17I certainly don't
20:18want to get fun
20:19of this place,
20:19do I?
20:20Do you know
20:21what you are,
20:21Neville?
20:22You're a masochist.
20:24What?
20:25It means you're
20:26somebody who enjoys
20:26pain and discomfort,
20:28Neville.
20:28Pain and discomfort.
20:32Oh,
20:33two words
20:35which could well
20:35sum up the quality
20:36of life in this place,
20:37you know,
20:38fellas.
20:39That's what's at stake
20:40here, you know,
20:40really quality of life.
20:42Quality of beer,
20:43that's what I care about.
20:44Oh, you are concerned
20:45about standards,
20:46then.
20:47Listen, fellas,
20:48I've been doing
20:49some calculations,
20:49right?
20:50And I've found out
20:56that each one of us
20:58individually
20:58spends 100 hours
21:00a week in this pig hole.
21:02100 hours?
21:03That's a life take.
21:04Most of the time
21:05you're asleep, man.
21:06Makes no difference,
21:07Dennis,
21:07because even then
21:08your subconscious
21:09is being seeped into
21:11by the depressing
21:11atmosphere.
21:13Oh,
21:13it oozes into you
21:14by osmosis.
21:16I think he's got
21:17a point there.
21:18Now, hold on a minute.
21:20Let me get this
21:20straight, right?
21:22You're on about
21:22decorating the art?
21:23Correct.
21:24Yeah.
21:24Well, let me ask you
21:25two questions.
21:26Right, one,
21:27where are we going
21:28to get the paint?
21:29Two, who's going
21:29to do the work?
21:30And what are the
21:31overgrouping furors
21:32going to say about it,
21:32eh?
21:33That's three questions.
21:35Well, that's all
21:35the more reason,
21:36isn't it?
21:36Look, it would all
21:37be done on a
21:37democratic basis,
21:38right?
21:39A, we would share
21:40the cost,
21:41B, we would share
21:41the work,
21:42and C, I can't see
21:43the overgrouping
21:44of furors
21:44objecting to any
21:45improvements around here.
21:46Wait a minute.
21:48I need that money
21:49for my spare room.
21:51Sod the cost.
21:51What about the work?
21:52You're asking us
21:53to come in from
21:53our day's grafting
21:54and start all over again.
21:56Come on, look.
21:57This place isn't
21:57that big, is it?
21:59How much work
22:00would it be
22:00between the lot of us?
22:01Couple of evenings
22:02a week, that's all.
22:03Ah, no, count me out,
22:04Barry, because,
22:05see, I'm out
22:06every night, aren't I?
22:07No, you're not.
22:08You're not out tonight.
22:09Yeah, well, tonight's
22:09an exception.
22:10You weren't out
22:11on Tuesday.
22:12Well, that was
22:12another exception,
22:13all right?
22:13You were here on Monday
22:14as well.
22:15You've got a lot
22:15of exceptions,
22:16you know why.
22:16No, I like to
22:17pace myself, thank you.
22:18Yeah, why are you
22:19pacing yourself?
22:20You can give us
22:20harm with the painting.
22:22Who's side you are?
22:23Thanking you, Muxer.
22:24I mean, it's not
22:24the worst idea.
22:25I've heard it'll
22:26break in the place.
22:27Aye, aye, aye,
22:28but it still leaves
22:28who's going to pay
22:29for it, though,
22:29doesn't it?
22:30Not so much
22:31for our resourcing
22:31us if he has to
22:32pay for paint,
22:32is it?
22:33What are you
22:34getting at, Bomber?
22:35Under the side
22:35of the site.
22:36They've already
22:37started painting.
22:38Well, I get the
22:38picture, and you
22:39reckon a bit of that
22:40paint could stroll
22:41on over the hat,
22:42eh?
22:42That's right,
22:43my auntie.
22:43Never get away
22:44with it, no.
22:45Got security on it.
22:46Only to stop
22:47at leaving the site.
22:49Yeah, hasn't
22:50occurred to him
22:51someone would be
22:51daft enough to
22:52use it on the site,
22:53has it?
22:54Look at that.
22:55Are we on, bet?
22:56Aye, aye, you
22:57can help me in.
23:00Aye, well, if it's
23:01free, I suppose so.
23:02Something to do,
23:02isn't it?
23:04Wait.
23:05Yeah, well, I mean,
23:06seeing as we're
23:07not paying for it,
23:08I suppose it's
23:08all right, yeah, yeah.
23:11Could lead to
23:13trouble, you know.
23:16Stealing materials
23:17from our place of
23:18work is dishonest.
23:19Oh, how are we,
23:20Barry?
23:20It was your idea
23:21in the first place.
23:22The quality of life,
23:23Barry.
23:24Do you want it,
23:25or don't you?
23:27On the other hand,
23:28I mean, we wouldn't
23:30really be stealing it,
23:31would we?
23:31I mean, we wouldn't
23:33be, like, you know,
23:34removing it.
23:37Oh, no, no,
23:37we'd be taking that
23:40paint and...
23:41What?
23:43A redistribution,
23:45it's.
23:45And redistribution
23:46cannot be construed
23:47as theft.
23:48Oh, no,
23:48not in the proper
23:49sense, no.
23:51Is he in or not?
23:54Aye, I think so.
24:02How are the lads?
24:04That's enough,
24:05there's no run,
24:05that's all work.
24:06Huh?
24:07What's the panic like?
24:08Well, you know,
24:08the addict's a start.
24:09I don't mean
24:10doesn't do to lag
24:10behind, is it?
24:12Oh, yeah.
24:13Guten Tag,
24:14how are you?
24:14Wie geht's?
24:16Mir geht's ganz gut,
24:17Osborne.
24:18Und ich bin sehr beeindruckt,
24:20dass Sie Deutsch
24:20zu sprechen versuchen.
24:22Pardon?
24:23He says he's very
24:25impressed us
24:26that you're
24:26trying to learn German.
24:28Aye, well,
24:29just a few words
24:30I haven't got
24:31that for yet.
24:32Yeah, but you're
24:32trying, Osborne,
24:33that's good.
24:34Also, you're now
24:35starting back
24:35to work quickly.
24:37In Germany,
24:38just because we
24:38have a break
24:39does not mean
24:40we always take it.
24:41That's great,
24:43that is,
24:43isn't it, eh?
24:44We're on a legitimate
24:45break.
24:46He makes it look
24:46as if what's driving.
24:48Don't creep around
24:48the Germans, then.
24:49Ah, no, man,
24:50look,
24:50since I've been
24:51seeing Ullibummer,
24:52I've seen things
24:53in a different light.
24:54I mean,
24:55I now realise
24:55it takes all sorts
24:56to make the world.
24:57I mean,
24:58the average German's
24:59all right,
24:59compared to them
25:01Turks.
25:01Oh, it's, uh,
25:02it's good to know
25:03he hasn't changed
25:03that much,
25:04Bummer, eh?
25:04What's wrong
25:05with the Abdull,
25:05then?
25:06Look,
25:06they account for
25:07half the crime
25:07in German cities.
25:08Or cobblers.
25:10Have a look
25:10around, man.
25:11The only dirty
25:11parts in this town
25:12are the parts
25:13where the Abdulls live.
25:14That's not their fault,
25:15man.
25:15They're over here
25:16in a sweated labour.
25:17They get the worst
25:18housing,
25:19the lowest wages.
25:20They're unclean
25:21in the habits, Dennis.
25:26Darling,
25:26Paddy.
25:31So you're, uh,
25:32still pretty keen
25:33on this ully,
25:34then, I know,
25:34is there?
25:35Have you seen that?
25:36Sure.
25:37I'm not saying
25:38she's not unattractive,
25:39but, uh,
25:40you are a married man,
25:41huh?
25:41Oh, how are you,
25:42Nev, man?
25:43We got married
25:44too young,
25:45man.
25:45We've stuck in hood
25:45for eight years.
25:46That's long enough.
25:48I mean, let's face it,
25:49me and Marjorie's
25:50not exactly
25:50Charles and Diana,
25:51is we?
25:52No.
25:53I mean,
25:53I don't kid myself.
25:55Marjorie's a bit
25:55fleety.
25:56She's still seen
25:57that bloke
25:57from the breweries,
25:58you know.
25:59Well, you should've
25:59put a stop
26:00to that long time
26:01of course.
26:01What?
26:01Have you seen
26:02the size of him?
26:03He left
26:03some barrels
26:04up with one hand,
26:05man.
26:05Well, I like pink.
26:14Oh, never mind.
26:15I went to Brenner
26:16with me was
26:16on our honeymoon
26:17and the hotel room
26:18was pink.
26:19Why don't I live
26:19in a pink room?
26:20It's not a man's
26:20colour.
26:21What are the
26:21erics and the
26:22abdos gonna think
26:22if they find out
26:23us lot are living
26:24in a pink shed?
26:25They're doing my
26:25reputation a lot
26:26about home.
26:27You look all green,
26:27isn't it?
26:28No.
26:29It's soothing,
26:30it's green.
26:31We used to have
26:32an Oden Hill bathroom.
26:33That lovely shade
26:35sounds like a bloody
26:36council estate.
26:37What's wrong with that?
26:39You're one of the
26:39privileged living
26:40on a council estate.
26:41Listen, look,
26:42I think we've got to
26:43settle this
26:44by a democratic mate.
26:45Right.
26:45How's this?
26:46Each bloke can have
26:47the bit round his bed
26:47the colour he likes.
26:49Right.
26:49I'll have my bit pink.
26:51Wait a minute.
26:52When I wakes up,
26:53I look straight at
26:53that bit of wall
26:54behind your bed.
26:54I'll be seeing pink.
26:56And that'll make
26:56him see red,
26:57won't it?
26:57Oh, yeah, man.
26:59Look, man,
27:00we can't have the hood
27:01decorated in stripes.
27:02That's balmy, man.
27:03What's spoken, Dennis?
27:04We've got to agree
27:05on one decent colour.
27:06I have actually
27:07worked out a way
27:08of doing it.
27:09Right, look.
27:09No, no, listen, look.
27:11I've got a list
27:12of colours, right?
27:13Now, I've got
27:14a colour for first
27:15choice and a colour
27:16for second, right?
27:17Now, each colour
27:18gets two points
27:19of first choice
27:21and one for second, right?
27:23No, no, no.
27:24We used this method
27:25when we elected
27:26the chairman
27:26of the West Bromwich
27:27and District
27:28Sunday Methodist
27:28Table Tennis League.
27:30Ah, well, Barry,
27:31it's tried and tested
27:32then, isn't it?
27:33Huh?
27:34Yeah.
27:41Oh, hey, come here,
27:42Barry.
27:43The suspense
27:43is killing us.
27:44Can we be a bit
27:45patient, Muxy?
27:46Apparently,
27:47the poles
27:47are predicting purple.
27:49Aye, well,
27:50the poles
27:50don't have to live
27:51in our hood,
27:51do they?
27:51Have your attention,
27:52please, for the moment.
27:55I is returning
27:56officer for the
27:57B-Campion.
27:58Look out, Muxy,
27:59officer.
28:00Come on, come on.
28:01Get on with it.
28:01All right, all right.
28:03The votes is cast
28:05are as follows.
28:07The winner is
28:08yellow.
28:10Yellow?
28:10By one point.
28:13Who voted yellow?
28:14I don't like yellow.
28:16Me neither.
28:17It's not a man's colour.
28:17It's a fiddle.
28:19I demands a recount.
28:20Figures don't lie, you know.
28:21So whose first choice
28:22was it, then, eh?
28:24Nobody's.
28:25Well, then who
28:25couldn't win?
28:27Because those two
28:28people had the
28:28same first choice.
28:30So, so everybody's
28:31first choice
28:31only got two points?
28:33That's right.
28:34And yellow
28:34got three second places.
28:36Well, that's a
28:37smashing system,
28:38that is, buddy,
28:38isn't it?
28:39Eh, everybody
28:40gets what nobody
28:41wants.
28:42That's democracy,
28:43Dennis.
28:44Oh, I guess
28:45don't talk,
28:46fellas.
28:46You put his
28:47shout out.
28:49Are you late,
28:49then?
28:50Oh,
28:51you're late, then?
28:52Right.
28:52Shots.
28:56On your head, then?
28:57No!
29:04Whoa!
29:12Oh, shit, son.
29:13What's going on, huh?
29:14It slipped out of me, son.
29:15Yeah?
29:16Yeah.
29:16I couldn't help it.
29:17I'm fine, fine.
29:18Have an accident?
29:19Yeah.
29:20Yeah.
29:21They're total blot.
29:29Thanks, mate.
29:31I don't think this place
29:32buries the crime, eh?
29:34You know, if a job's worth
29:34doing, it's worth doing.
29:36Could have got cards,
29:37you know.
29:37It's going to have to be
29:38a bloody sight more
29:39slippery than that
29:39when we get the paint.
29:40Yeah, but we'll do that
29:42on the cover of darkness,
29:43won't we, Moxie?
29:52What's this, then?
29:53It's the work roster.
29:55See, it's two of us
29:56every night, right?
29:58Tonight, it's me and Mox, right?
30:00And tomorrow, day two,
30:02it's Neville and Mike.
30:03All right, all right.
30:03I can read.
30:04As long as I'm not on tonight.
30:06Because tonight,
30:07Bummer's going to get
30:07his weary muscles relaxed
30:08with a good massage.
30:10Hey, Bummer,
30:11you're not getting fed up
30:12with that massage parlor.
30:14Oh, I don't got a one, Dennis.
30:15I circulate myself.
30:17One of the German lads
30:18is taking me over to
30:18Crayfield tonight.
30:19Makes a change.
30:20So, er,
30:21how do you know
30:22I'm free tomorrow night,
30:23then, eh?
30:23Well, aren't you?
30:25As a matter of fact,
30:25I am, yeah.
30:26Well, that could have been
30:27a very false assumption,
30:28hadn't I, couldn't it, eh?
30:29You couldn't swap
30:29with somebody else, couldn't you?
30:31Look, I've written down
30:32the bottom here, right?
30:33Provisions for alternative arrangements.
30:36But who's that?
30:36Watch it!
30:38What, we're going to put up
30:39with the smell of that, aren't we?
30:40Well, before you'd be
30:41having your hoolie, didn't we, eh?
30:43Give her a few tips on
30:44how to behave
30:44with the British upper classes.
30:46Oh, she can't see us.
30:47Deletha's got to go and see her mum.
30:49Oh, I can just imagine it
30:50as it happens, Oz.
30:51Mother, I'm going out
30:52with this rich British tycoon
30:54and pretending to be
30:55a poor slob of a brickie.
30:56Well, that was your idea, lad.
30:58Oh, he's just jealous of ours.
31:01Well, you can't have
31:02blim up all that, Bomber,
31:03can you, eh?
31:05Oh.
31:06What do you think?
31:07Oh, he likes it.
31:09Eh, I'm not jealous
31:10of the rollicking,
31:11you're going to get
31:11when she tumbles you, squire.
31:13Right.
31:14Bomber's away.
31:15Hey, Bomber,
31:16I'd be in the pub
31:17over the road
31:18when I'd drop in there
31:19in the way back, eh?
31:20I might do, Dan.
31:21Give your first-hand account.
31:23Oh, first-hand.
31:25Going to be one of me
31:25witty evenings.
31:28Which nights will you be
31:29saying you're intended, Oz?
31:30Because I've got to fit you
31:31into the roster, I'm sorry.
31:33No, no, just leave me off that
31:35because I can't see me
31:36being in here much longer.
31:37What do you mean, then?
31:38Well, I mean,
31:39me and Ollie will be
31:40moving in together.
31:41Is this after
31:42the royal wedding?
31:43Soon as possible, really.
31:45Is that what she wants?
31:47Aye.
31:47Well, she's pretty keen
31:50on moving to England,
31:51you know, but, er,
31:52I'll have to talk her
31:53out of that one.
31:54I know, you're right there,
31:55Oz, you know.
31:56Might blow your cover, eh?
31:58I mean, you canna see
31:58a lass like that
31:59in the high-rising
32:00gear, Ted, can you?
32:01I'd steer well clear
32:02of Gateshead
32:03if I were you, son.
32:04Well, now, myn herren,
32:22good evening.
32:23Ah, you English.
32:26The English are always
32:28welcome here.
32:29I will get someone
32:30to take, er,
32:30good care of you.
32:34Have we met before,
32:42my dear?
32:43I do not think so.
32:44My name is Ollie.
32:48He does look relaxed.
32:50Don't you make a par of good,
32:51is it, sunshine?
32:52Can I have one of you, chief?
32:54Yeah.
32:55Stars around?
32:57No, he's, er,
32:58he's over the hood
32:59helping with the decorating.
33:00Ah, lying on his bed
33:01criticising.
33:02Ah, he's very good
33:03at interior decor, Arrows.
33:05Ha, ha, ha.
33:08What's the matter, Bob?
33:12It's a bit awkward.
33:14I think this should go
33:14no further.
33:17What?
33:19I met Uli tonight.
33:20Uli?
33:21What, Ozzy's Uli?
33:22I thought you'd went
33:22to a massage parlour, eh?
33:23Well, I did.
33:24That's the point.
33:25Never.
33:27She works there.
33:29Head gold,
33:29by the looks of it.
33:30I believe it.
33:31I met her through that ID,
33:32you know.
33:33What, is she in that game as well?
33:34No, no, no, no.
33:35She works on the
33:36cosmetic counter at Miller's.
33:37She does.
33:38Well, at least I hope she does.
33:41Certainly smells like it.
33:44Are you sure
33:45it was her, Bob?
33:46Her name was Uli
33:47and I recognised her
33:48from the photograph.
33:49So, she's not
33:50a beauty consultant?
33:52What do you think
33:52she does round there, son, eh?
33:54Facials?
33:55It gets worse.
33:57According to my matey-deater
33:58who took me there,
34:00her boyfriend's
34:00a bloke at Owen's place.
34:02Nasty piece of work,
34:03he looks.
34:04So she'll hate to him.
34:06He extol them, doesn't he?
34:08Yeah, I'll call it
34:09poetic justice, myself.
34:11Who are we going to tell him?
34:15I suppose I'll have to, eh?
34:18Well, Oz might be
34:19very upset, you know.
34:20Emotionally.
34:22It's a sobering fault,
34:23isn't it?
34:26Go!
34:34Right, Oz!
34:35Good job, man!
34:37Hey, Oz!
34:37D-d-d-d!
34:39D-d-d!
34:40I'm sorry, man!
34:42Yeah, he's there.
34:46Hey, everyone, look, look!
34:48Look here, look!
34:49I've got something to show you, look!
34:52Oh, I'll see you later, lad.
34:54We'll be back, we'll be back.
34:56Let's carry on a boat in an hour.
34:57I'm a few minutes.
34:58I'll make your time, lad.
35:00Hey, Oz,
35:01can I have a word, mate?
35:02Well, I'm gonna move...
35:03Yeah, it's private, man.
35:04Come here.
35:04Huh?
35:06What?
35:07Yeah.
35:11Ooh, I like so.
35:13Hey, you're not gonna put that up in here, are you?
35:18Why not?
35:20What's Brenda gonna think?
35:21Well, she won't see it, will she, eh?
35:23I'm surprised at you, though, Barry.
35:26I wouldn't have thought that was in your taste, son.
35:28Oh, no, I bought it for the technique, Wayne.
35:31To be quite honest,
35:33I didn't really notice the subject.
35:35Do you know,
35:36you're the only geezer I know that could say that,
35:38and I believe them.
35:39Oh, thank you, Wayne.
35:41That wasn't a compliment, Barry.
35:43Well, I thought it was.
35:45What's it for?
35:46It's a very good question, Moxie.
35:49What is art for?
35:52Yeah, essentially,
35:53I think it's to make our life more rich and fulfilled,
35:56you know.
35:57Tell you what,
35:57I also keep that draft out from over me bed.
35:59Must have set you back a few, Bob.
36:0150 marks?
36:02Pretend it.
36:03For a real art painting,
36:04I don't believe it.
36:05No, it's not an art painting.
36:07No, it's, um...
36:07It's a new reproduction process.
36:12Oh, no,
36:13if this wasn't original,
36:14you know,
36:15it'd be,
36:16phew,
36:17it'd be priceless.
36:19Looks real enough to me.
36:21Well,
36:21that's the new process.
36:23Yeah.
36:25Yeah,
36:25the fellow I got it from
36:26was telling me all about it.
36:27It,
36:28it,
36:29no,
36:29it's the biggest breakthrough
36:30in synthetic oil painting reproduction
36:33there's ever been.
36:35Oh,
36:36all right,
36:36we believe you.
36:37Yeah,
36:38you know,
36:38see,
36:38what they do is,
36:39right,
36:39they start with a photograph,
36:41right,
36:42but that doesn't give you the,
36:43you know,
36:43like,
36:43like,
36:44the depth that you need
36:45to create the real impression of oils.
36:48So,
36:48then what they do
36:49is they photograph it,
36:51right,
36:51from two,
36:52two other angles.
36:54Oh,
36:55they're minutely different.
36:57Now,
36:58the real skill you see
37:00comes
37:01in the combination
37:03of those three
37:04photographs,
37:05right?
37:07Scientifically,
37:08it's
37:08something that...
37:10Look, mate,
37:13if it's any consolation to you,
37:15there's only me
37:15who never knows about this.
37:18And Bomber,
37:18of course.
37:18And, uh,
37:21Wayne...
37:22Well,
37:22that's all the friggin'
37:23what,
37:23isn't it?
37:24Well,
37:24none of us
37:24have sort of shouted
37:25from the rooftop,
37:26have we?
37:28She's made a right fool
37:29of me,
37:29hasn't she?
37:31Well,
37:31she's had a bit of help
37:32from you,
37:32Oz.
37:32Still,
37:35nice last word then,
37:36you know.
37:38I mean,
37:38not just looks,
37:39you know,
37:39clothes,
37:41department,
37:42that sort of thing.
37:43Cut above where I'm,
37:44you stay.
37:46Well,
37:46maybe it's all
37:47for the best,
37:47man.
37:48I mean,
37:48you know,
37:48considering your
37:49home circumstances.
37:54I'll just put it
37:55out of your mind,
37:56man.
37:58It's not that easy,
37:59though.
38:00No.
38:01If you do have
38:02about in on 3 o'clock,
38:04listen.
38:06So what's true,
38:07huh?
38:08How did you find me here?
38:10Never mind,
38:10I'll get you a coat on,
38:11I want to talk to you.
38:12I cannot,
38:13perhaps later.
38:14Later,
38:15I think the sooner,
38:15the better,
38:16do you not?
38:18Good evening.
38:19Evening.
38:20Ah,
38:21you English.
38:22English are always
38:23welcome here.
38:24The gentleman
38:25is not staying.
38:27Is that not so?
38:28Well,
38:29apparently not.
38:30But listen,
38:30we've got to have a talk.
38:31I mean,
38:32there's things to be said,
38:33isn't there?
38:33Look,
38:33I'll be in the Tivoli
38:34tomorrow,
38:35Neda.
38:35I'll be in the Tivoli
38:36tomorrow,
38:37Neda.
38:37Ne demek istiyor?
38:40Bu akşam Tivoli barında
38:41seni görmek istiyor.
38:43Konuş bakalım.
38:44This is nichts.
38:45Nichts!
38:47Nichts!
38:48Utanmadan benim arkamdan
38:49geyser görüyorsun,
38:50deÄŸil mi?
38:51Gidip yabancı
38:51gerçekle görüşüp,
38:52iÅŸler buluyorsun
38:53arkamdan.
38:53Utanmaz seni!
38:54Gidip yabancı
38:59Gidip yabancı
39:00Well done.
39:01The old magic's still there,
39:03you know.
39:03What do you think,
39:12Nev?
39:13I think we're all
39:14going to get caught.
39:15I think it's a touch
39:17too high meself.
39:20I better
39:21I lengthen the string.
39:24Shush, shush, shush.
39:25I hear them
39:26coming along
39:26the other way.
39:27I guess hope
39:28nobody else can.
39:34Shh.
39:35What is it?
39:36You turks.
39:36Get here, Dom.
39:45Hey, it's all right.
39:47They're playing cards.
39:50How'd you get them all?
39:52Well done, lads.
39:53All according to plan.
39:54Aye, perfect.
39:56Needs...
39:57Needs a karma thing
39:58like this, deÄŸil mi?
39:59Needs nerves of steel.
40:00Oh, yeah.
40:01You handled yourself
40:02very well, son,
40:02hanging round the hut.
40:04Still an accessory,
40:05Wayne.
40:05Sound like a bloody
40:06handbag, deÄŸil mi?
40:06Hey, I did the padlock,
40:08Nev.
40:08The old magic's still there.
40:10Is this the right colour?
40:12That's never yellow.
40:13That looks more like grey.
40:14Battleship grey?
40:15I don't think
40:16anybody vibes you for grey.
40:17Well, I'm not having grey.
40:19Reminds me of prison.
40:28Bully?
40:31What, you?
40:32You English bastard.
40:36Hey, you've got your
40:37English,
40:38you've got to
40:39get out of the
40:40English.
40:41You've got to
40:41get out of the
40:42English.
40:42You've got to
40:43get out of the
40:44I've got to
41:12Wow,
41:13Ha, ha, ha!
41:18What are you really laughing at?
41:20He's got a big bloody knife, man. He's gonna try and kill us.
41:28He's gonna save you later.
41:30What are you talking about, man? He's one of them.
41:32Aye.
41:33Well, whatever he's said, he's made them change their mind.
41:35I reckon you owe them a bit of an apology.
41:38We've been running them down.
41:40Someone give us a cluff, will ya?
41:43Fair do's us. I reckon you ought to go round here in the morning and say thanks, son.
41:46Oh, I tell them a bouquet of flowers like the little note.
41:49Listen, mates, one of them abdos tries to stick it out in me guts, right?
41:52And another one stops them. That makes it even-steven, as far as I'm concerned.
41:56Right back...
41:57Don't step into making it work!
42:04Well, I haven't pushed it!
42:10I haven't pushed it!
42:12I haven't turned this to yours, it's a big joke!
42:17Hey! What's so funny, eh?
42:20I've pushed it!
42:22Hey!
42:23Hey!
42:24Hey!
42:25Hey!
42:26Hey!
42:27Hey!
42:28Hey!
42:29Hey!
42:30Hey!
42:31Hey!
42:32Hey!
42:33Hey!
42:34Hey!
42:35Hey!
42:36Hey!
42:37Hey!
42:38Hey!
42:39Hey!
42:40Hey!
42:41Hey!
42:42Hey!
42:43Hey!
42:44Hey!
42:45Why...
42:46Why you laugh?
42:47To us!
42:48This man's saying, him taking my woman, I cutting him.
42:51So, what's a so...?
42:52What?
42:53What you lads say?
42:55What?
42:56I's saying, no cutting him.
42:58He's a friend working together.
42:59But he says, no, him taking my woman, I cutting him.
43:02Very mad!
43:03very mad how did you change his mind i think quick he's not taking your room
43:14he's loving this man he's not taking any woman he have nothing with women
43:18what is he talking about nothing but a woman this man very ingenious
43:31so he laugh and go away
43:38hey hey dennis here what the one about here
43:41oh it's the seed you're beating yeah yeah but how said you were a puffer
44:11hey look like you could do with that cheers cheers bill he do that here did he
44:26i'm a surprise bloody maniac he come after me with a knife you know yes he told me
44:33did he tell you about what the uh what the turk said oh yeah well i suppose only trying to help you
44:41know what a bloody cheek though well i didn't tell him that i know better look i'm sorry i lied to you
44:51i want to explain you were my only chance to get out to go to england where he could hurt me
44:58he must have been pretty desperate to pick a bloke like me but you were nice and kind yeah and rich
45:05oh no that had nothing to do with it really well of course
45:14because uh i wasn't true you know no
45:21well you weren't the only one that sort of made things out to be uh you know a little bit different
45:27of what they were this now i'm not any tycoon son me dad hasn't even got a business no no no
45:37my old man was a layabout and a drunk he buggered off when i was a bear
45:42last thing i saw of him was uh hunting around the house for a pair of socks prior to pissing up
45:48the persian gulp on an oil tanker see i spun that whole yarn just to try and impress you you know
45:59kept it all going just to keep you well i feel better that you also didn't tell the truth
46:09well you might as well know the lot i'm married as well you're married officially only in england mind
46:19you know but i mean you've got somebody as well haven't you i mean you've got this kamal bloke
46:25yes i have kamal right look only i mean the main thing is you've got to give this bloke the elbow
46:34haven't you you've got to give him the heave ho the push the shove you know leave the bugger you know
46:40i mean try to pack it back and try a new town it's difficult i know i know but i thought maybe you
46:50know when this is all blown over i thought maybe we could pick it up where we left off maybe huh
46:57but uh you know kamal is a bad man and i don't want any more trouble for you
47:02no you don't cause me any more trouble you don't cause you any more trouble either he's only one
47:07man you know yes but he has two brothers and they're all bad people yes but i've got six mates
47:13and if we count the whole building site that's nearly a hundred i don't think the kamal brothers
47:18will want to mess with that lot being in the building business you know it's easy for us to
47:22see how flimsy this construction is isn't that right lads yeah oh yeah it's definitely jerry built
47:30we could sneeze if you fall down what i'm saying is you see we're just as good at demolition
47:35as we are construction you are threatening me aye that's the word listen you lay one more finger on
47:45that girl right and he'll hit you so hard your family will feel it back in istanbul
47:50she might try munching she said that's near munich apparently she's got a friend there you know
48:02oh well maybe it's all for the best hours oh maybe he's maybe he's not no
48:08oh i had to put that paint back in her fumes from it are affecting me sinuses oh shut you up will
48:21you man you sniveling little git there's people in here's got more important things than none of that
48:25that means you know hold on yeah you won't have any more problems in that department soon yeah we've
48:34got a little surprise for you i know barry before we might cheer you up some oh i will says
48:38yes
48:52working on the side from morning to night that's living all right that's living all right
48:58then a pint with the boys and a buffer of noise that's living all right that's living all right
49:05working on day four bins of pay they're blowing all on saturday night
49:13and you kiss the danes but you don't ask their names that's living all right
49:21working in the sun kicking snaps on the front that's living all right
49:28then a night in the town spreading it around that's living all right
49:36working all day
49:43still you keep a little here just to keep you in beer that's living all right
49:50yeah you play the game then it's happy to say that's living all right
49:55that's living all right
50:17all right
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