- hace 5 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00¡Gracias!
00:30¡Gracias!
01:00¡Gracias!
01:30¡Gracias!
02:00¡Gracias!
02:21¡Gracias!
02:28¡Gracias!
02:29¿Está bien aquí o es que es un rumor?
02:31En Chicago.
02:32En Illinois.
02:33Oh, I mean, I'm sorry.
02:35Here's your party, Mr. Sears.
02:37Well, it's sure good to have you back, Ted.
02:38I bet it was exciting.
02:39Thanks, kids.
02:40The old homestead doesn't look a day old.
02:42Hiya, big fella.
02:43Hey, look at Drake.
02:44See you later.
02:45For three shifts.
02:46Still the prettiest girl in the office.
02:47We've got a date coming up, don't forget.
02:49Come on, Ted.
02:50Hello, babe.
02:51See you later, Ted.
02:52Okay, honey.
02:53Say, listen, where's the rest of the game?
02:54The Blakes and Cleveland covering that stripe.
02:55Hogan just left for Miami.
02:57And Charlie.
02:58Good old Charlie.
03:01What's the matter?
03:02There isn't anything wrong, is there?
03:03Oh, no, Mr. Sears is quite well.
03:08Charlie!
03:09Well, how was my favorite cameraman?
03:12Hiya, Rat.
03:13That's the old pal.
03:14I knew you'd miss me.
03:15Like I miss flea powder with coffee.
03:17Oh, now, is that nice after all I've done for you?
03:20Sure.
03:21I'll never forget what you did for me,
03:22double-crossing me out on that little trip to Spain.
03:24Well, it was all for your own good, Charlie.
03:25You might have gotten yourself shot or something.
03:27And think of the loss of the newsreel business.
03:29The best cameraman that ever photographed a baby show.
03:32Oh, but this is my favorite secretary.
03:33Hiya, Claire.
03:34Well, hello, Ted.
03:35I'm glad to see you back.
03:36Oh, I feel great.
03:37Is the, uh, boss in?
03:39Oh, yes.
03:40I mean, you've been looking forward to this.
03:42Oh.
03:43Now, Mr. Sears, you are on the phone.
03:44Cheyenne calling.
03:45Watch phone's in.
03:46Have him grab the next plane to Frisco.
03:47The tone war is over.
03:48Tone's starting over.
03:49Hey, what comes off there?
03:50Who does overhead think he is?
03:52Mr. Lane?
03:53Just what do you think you're supposed to be doing
03:54down on that forest fire?
03:55Shooting rabbits or shooting film?
03:57Oh, it was too hot for you.
03:59Wait a minute.
04:01Yeah?
04:02Bill?
04:03What do you want?
04:04Well, get this.
04:05It's gonna be too hot for you around this office
04:07if you come back without that fire.
04:09Hello.
04:10Is that you, Senator?
04:11What can I do for you?
04:12Tomorrow?
04:13Your little daughter?
04:14You know, that's real cupboard.
04:15I'll have one of our best men there.
04:16Much obliged, Senator.
04:17Well, congratulations, old boy.
04:18I knew you had it in you.
04:19Yes, sir, Kelly.
04:20And nobody wishes you any more luck than your old pal, Teddy.
04:22Thanks.
04:23I knew you'd feel that way.
04:24Well, I do.
04:25Two o'clock tomorrow, young.
04:26Something big?
04:27The biggest baby parade ever held in Asbury Park.
04:28What?
04:29Baby parade?
04:30And be sure you include the Senator's baby daughter.
04:31Oh, have a heart, Charlie.
04:32That's not my kind of stuff.
04:33What do I know about you?
04:34You know?
04:35That's not my kind of stuff.
04:36That's not my kind of stuff.
04:37What do I know about you?
04:38That's not my kind of stuff.
04:39What do I know about you?
04:40Well, congratulations, old boy.
04:41I knew you had it in you.
04:42Yes, sir, Kelly.
04:43And nobody wishes you any more luck than your old pal, Teddy.
04:45Thanks.
04:46I knew you'd feel that way.
04:47Well, I do.
04:48Two o'clock tomorrow, young.
04:49Something big?
04:50Well, I can't be sure you include the Senator's baby daughter.
04:52Oh, have a heart, Charlie.
04:53That's not my kind of stuff.
04:54What do I know about babies?
04:56Well, I can learn.
04:57Certainly not too late for you.
04:58Listen, sweetheart.
04:59If you think because you're sitting on the driving seat,
05:01you're going to ride me all over the place.
05:02Well, you can't take it, huh?
05:03I can take it as fast as you can dish it out.
05:04You want to make something out of it?
05:06Hello, J.B.
05:08Hi, Mr. Willen.
05:10So you're back.
05:11I trust you enjoyed your vacation?
05:14Yes, sir.
05:15No, sir.
05:16I mean...
05:17Splendid.
05:18Like the one I just saw in the protection room, Mr. Sears,
05:20we'll all be taking a vacation.
05:21Permanently.
05:22I thought it was up to standard, J.B.
05:24That's the trouble.
05:25Rodeos, parades, bathing beauties.
05:27Baby.
05:28Yes, sir, Mr. Willen.
05:29No, just how you feel about it.
05:30Charlie's done the best he could.
05:31The public is fed up looking at the same thing over and over again.
05:33What we need is headline news.
05:35Where do you see my war stuff?
05:36I don't have to wait.
05:37I've seen it.
05:38Oh, you couldn't have.
05:39It hasn't been developed yet.
05:40I haven't even seen it myself.
05:41Take a look at these.
05:44You ought to recognize them.
05:46Why a reporter?
05:47Well, what of it?
05:48Yes, five days ago.
05:49While you were still over there congratulating yourself,
05:52those photographs are on the front page of every newspaper in the country.
05:55By the time our film reaches the theaters, we'd be lucky if the war isn't over.
05:58Why a reporter still is a newsreel.
06:00Newspaper.
06:01Why a reporter?
06:02And that.
06:03I think you was beginning to hurt.
06:05The latest news report coming to you directly from the Associated Press.
06:09That's what you're up against?
06:11People all over the country listening to it.
06:13Sometimes while it's happening.
06:14Well, we're losing contracts.
06:16The winner of the $100,000 prize in the Sweepstake Lottery today was Miss Martha Millicent Jones of Dubuque, Iowa.
06:21Other American winners were Myrtle Harper, Brooklyn, New York, $40,000.
06:25Arthur Halligan, Brainerd, Minnesota, $15,000.
06:28James Corrigan, Los Angeles, $10,000.
06:30Bessie Martin of Seattle, $5,000.
06:32Preston Carter, Detroit, $5,000.
06:34And those are the winners in the Sweepstake Lottery.
06:37This concludes our afternoon broadcast of the Radio News.
06:40Shucks.
06:42Oh, I didn't really think I'd win.
06:44I never do.
06:50Nancy?
06:51Yes, Aunt Jane?
06:52Can you let me have a dollar?
06:54Sure, certainly.
06:55Just bought five yards of that material we were looking at.
06:58And when I looked in my bag, I found I'd left my money home.
07:03Oh, dear.
07:04Oh.
07:07Nancy.
07:08Gambling again.
07:09Oh, it isn't really gambling, Aunt Jane.
07:12It's for charity.
07:13Oh, charity fiddlesticks.
07:15What will the school board think?
07:17You couldn't teach anymore.
07:18I don't care what they think.
07:20I don't care if it is gambling.
07:21I'm sorry I didn't win.
07:23Those other people thinking you'd be somebody now.
07:26Go places and do things.
07:27They won't have to go on taking in borders and making over last year's clothes and teaching school.
07:32Nancy, are you?
07:33Well, so would you be if that was all you had to look forward to.
07:36But you don't have to teach school after we're married, Nancy.
07:38Don't upset her, Andrew.
07:40She isn't herself.
07:41I'm sick of being myself.
07:43I want to be somebody else.
07:45Well, who do you want to be, Nancy?
07:47Oh, somebody who doesn't have to be a hypocrite for a lot of narrow-minded people who try to run your life for you.
07:53Gosh, I never knew you felt that way about it.
07:55If I have to stay in this town forever, I'll die.
07:59You're coming home with me.
08:01What you need is a good dose of sulfur and luances.
08:04Morning, Miss Jones.
08:05Morning, Mr. Pettimal.
08:07Oh, Miss Nancy.
08:09You better take this letter while you're here.
08:12Oh, thank you.
08:26You read it, Aunt Jane.
08:28What is it? Something you're afraid of?
08:30What does it say?
08:32Oh, my reading glasses.
08:34Andrew, you read it.
08:36Supreme Television Corporation, New York City.
08:41Dear Miss Jones, I am happy to inform you that your slogan, Television, Your Eyes and Ears of the Future,
08:46has been awarded first prize in our national contest.
08:50Gosh.
08:51What is it?
08:52What did you win?
08:54New York.
08:55Huh?
08:56For a whole week with all my business days.
08:58Don't you understand, Aunt Jane?
09:00A trip I've waited for all my life.
09:02Alone?
09:03She won't have to be alone if I can arrange to go with her.
09:05Oh, no, Andy.
09:06I want this just to be my holiday.
09:08Nancy.
09:13Aren't you going to kiss me?
09:14It's the new postcard.
09:28Hey, snap it, kid. This train only stops here a few minutes.
09:30A sweepstake winner.
09:31How it feels to win a hundred grand?
09:32If I had my choice about shooting her.
09:33Wouldn't be with a camera, I know.
09:34What two bucks did you lose on that gamble?
09:35Don't you know the other guy always wins?
09:36Oh, you're not kidding me, Ted.
09:37Seriously, he's giving you a ride.
09:38With two blocks of waterfront on fire and he suckers you into an assignment like this?
09:39Ah, maybe he's right this time.
09:40Personality in the news.
09:41What personality has a waterfront got?
09:42Anybody can shoot a fire.
09:43Anybody except us.
09:44Well, at least Charlie's tip on this one is exclusive.
09:45Hey, bud.
09:46Ha-ha.
09:47Exclusive.
09:48Uh, bud.
09:49Uh, don't you think that car is parked in the wrong place there?
09:50No.
09:51No.
09:52No.
09:53No.
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09:59No, no.
10:00No.
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10:02No.
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10:07No.
10:08No.
10:09No.
10:10No.
10:11No.
10:12No.
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10:15No.
10:16No.
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10:18No.
10:19No.
10:20No.
10:21No.
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10:35No.
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10:38No.
10:39No.
10:40No.
10:41No.
10:42No.
10:43No.
10:44No.
10:45No.
10:46¡Gracias por ver el video!
11:16¡Gracias por ver el video!
11:46¡Gracias por ver el video!
12:16¡Gracias por ver el video!
12:18¡Gracias!
12:20¡Gracias por ver el video!
12:52¡Gracias por ver el video!
12:54¡Gracias por ver el video!
12:56¡Gracias por ver el video!
12:58¡Gracias por ver el video!
13:00¡Gracias por ver el video!
13:02¡Gracias por ver el video!
13:04¡Gracias por ver el video!
13:08¡Gracias por ver el video!
13:10¡Gracias por ver el video!
13:12¡Gracias por ver el video!
13:14¡Gracias por ver el video!
13:16¡Gracias por ver el video!
13:18¡Gracias por ver el video!
13:20¡Gracias por ver el video!
13:22¡Gracias por ver el video!
13:24¡Gracias por ver el video!
13:26¡Gracias por ver el video!
13:28¡Gracias por ver el video!
13:42¡Gracias por ver el video!
13:44¡Gracias!
14:14I bet $5.00 on a horse yesterday and found out later I could have bought them for $6.50.
14:20She says she's not the winner.
14:22But I'm not Charlie McCarthy.
14:24What is this, a newsreel office or the Bureau of Missing Persons?
14:26Yes, Mr. Sears. I'm sorry, Mr. Sears.
14:30Mr. Sears is busy.
14:31Well, then, may I see Mr. Young?
14:33Oh, Ted Young?
14:34Oh, I'm sorry. He's out on an assignment.
14:37Oh, but I must find him. It's very important.
14:39Well, you might try the glove department of the champ's training camp.
14:42Well, that's what I came to tell you. I'm not Millicent Jones. My name's Nancy.
14:46And I never won anything in my life until the Supreme Company's television contest.
14:50Television contest?
14:52Your eyes and ears are the future.
14:54That's the slogan that won me this trip to New York.
14:57When you stopped me on the train, of course I thought you knew who I was.
15:00You thought with 50,000 contests going on every day, you had to think that was news.
15:06Well, do you know what you've done?
15:08You did it. I didn't.
15:09How should I know you thought I was somebody else?
15:11Why, this is going to make worldwide the laughing stock of the newsreel business.
15:14They're going to have to call that film back from every theater in the country.
15:17Well, why did you think I came here? To pay you a social visit?
15:20Did you flatter yourself that you were so irresistible?
15:23Well, you're not.
15:24Who said anything about that?
15:26I'm glad I'm not who you thought I was.
15:27I'm glad I haven't any money, you fortune hunter.
15:31Oh, that's what you think about me.
15:32Yes, that's what I think about you.
15:33Okay, okay. Have it your own way.
15:36Hey, driver.
15:37Pull up over there and stop, will you?
15:38Okay.
15:38Wait for me here.
15:45Yes, sir.
15:46Is that a phone, Dad?
15:47Yeah, have you got a nickel?
15:51You can go on, driver.
15:52Hello? Hello?
15:55Charlie?
15:56Say, something's happened.
15:59What?
16:00What?
16:19What do you think of that?
16:20And they're off.
16:25Pretty many, everybody, hijack in the lake, they can eat.
16:28Approaching the first turn, pretty many hijack away from the field with hijack in the lake.
16:32It's hijack in my life, he doesn't trade down the next stretch.
16:35It's hijack, pretty many, he's playing in the lake, he doesn't watch.
16:38Larkspur is racing into the potential.
16:40They're coming from the home straight with hijack in the front of the air.
16:42And here comes Larkspur, look at him go, he's passing the wall like he's standing still.
16:47He's out of front by three inches, now only five, six, and with a terrific burst of speed, Larkspur wins by 10,000.
16:54Save a hundred feet of that and better use it to end the reel.
16:57Hello, sweetheart.
16:58Where have you been?
16:59I tried to tell you on the telephone, but you were too busy shooting off that big mouth of yours to listen to me.
17:04What? Why are you?
17:06You'd better get busy and call back to fill in that sweepstake winner because I shot the wrong winner.
17:11Yeah.
17:12The minute she saw herself on the screen, she drove up here to tell me all about it.
17:16She's pretty burned up, Charlie.
17:17And I don't blame her, it was your fault.
17:19My fault?
17:20Why, you devil-crosser?
17:22Go ahead, yell your head off.
17:24I don't need to listen to you.
17:26I don't, they nailed all these things.
17:27Who got the tip to set me up there on that phony?
17:30You did.
17:30Won't be any laughing matter to the old man if that girl sues you for your shirt.
17:34If you don't think she's got a swell case, sweetheart, ask your lawyer.
17:39I guess that's about all, Charlie, except to say I know how much you're going to miss me when I tell you...
17:43You're fired.
17:44I resign.
17:46I'll have you blackballed in every newsreel in this town.
17:49I'll, I'll...
17:52Do you realize what the guy's done?
17:55Why do you know that, that, that, that girl, why, why, why, why, why, why, she can sue us for our shirts.
18:00So I just heard from Ted.
18:02If I know where I could get my hands on that guy, I'd, I'd...
18:06That's what I mean, Mr. Pellers.
18:15That's what they're looking at right now in half the theaters in the country.
18:18The World Series played on a mechanical board, a pretty poor substitute for the real thing, I'd say.
18:23No doubt, young man, but I feel...
18:24Then why are they doing it?
18:24I'll tell you why.
18:25Because they don't want to wait a week or so to see it in the newsreel.
18:28Why, we're living in an age of speed when the things that happen today are forgotten tomorrow.
18:33That's why I'm here, Mr. Wallers, because you've got the speed and I've got the answer.
18:36Television, newsreel, how's that sound to you?
18:38Well...
18:39I knew you, Sid.
18:40Why, we'll revolutionize the business.
18:41With your equipment and my experience, nothing can stop us.
18:43Nothing, whatever, young man, except that it won't work.
18:46Well, what's the matter with it?
18:47They're waiting for you in the laboratory, Mr. Wallers.
18:49If you'll excuse me, I haven't time to discuss it now.
18:51Mr. Wallers.
19:21Thanks.
19:30Why aren't you out covering the series, young?
19:32They tell me the Giants aren't doing so well.
19:34They've got nothing on me.
19:35Hotel Weldon?
19:49I'd like to speak to Miss Jones.
19:51Nancy Jones.
19:52Indeed.
19:53I'm afraid you can't.
19:54She's not here.
19:55Where did she go?
19:57But, Miss Jones, if you'll just listen to me...
19:59I have listened to you, and I don't like it.
20:01And stop following me.
20:09What do you think you're doing?
20:12As manager of this hotel, Miss Jones, I'm sure you will understand.
20:16I have to protect our dignified reputation from, uh...
20:19from unfortunate notoriety.
20:22Under the circumstances I...
20:22Do you think that I'm a...
20:25Come back here.
20:36Now you can tell it to this gentleman.
20:37His newsreel is to blame for all this.
20:39No, no, no, please, Miss Jones.
20:40After all, mistakes can happen, you know.
20:43And can be very costly.
20:44Costly?
20:45In a case of this sort, where our reputation is at stake,
20:48we have but one course of action.
20:49No, no, no, no, wait a minute.
20:50Uh, Miss Jones, your attorney mustn't be too hasty.
20:52By who?
20:53I realize this has been a trying experience for everyone concerned.
20:56Now, we must have talked this over quietly.
20:58There is nothing to talk over.
21:00I regret the necessity, Miss Jones,
21:02but I shall expect you to find other accommodation.
21:05But I'm not who you think I am.
21:06Good day.
21:10Oh, so it's funny, is it?
21:12Being mistaken for somebody else.
21:14In vito, but if I had called an attorney,
21:16would serve your wife.
21:17Yes, of course.
21:18No, Miss Jones, please.
21:19Now, you must be calm.
21:20Oh, how would you like it?
21:22Looking forward to it all your life.
21:23Waiting for the champs, dreaming, planning for it.
21:26A holiday like, like this.
21:27No, I'm sure it isn't as bad as all that, Miss Jones.
21:30You're excited.
21:31We're both excited.
21:32I'm not excited.
21:33What do you want?
21:34Kathy, I went to the station as soon as I found out.
21:37I wouldn't let a thing like this happen to you.
21:39You got a lot of nerve coming here after the jam
21:41you got this little girl in, too.
21:42Why didn't you tell me who she was
21:43when I had you on the phone?
21:44Ah, you were too busy with that monologue of yours.
21:46I'll tell you why I didn't give you the tip off about you.
21:48Because I fired him for that fight ball and fall.
21:50It's all he had on his mind, putting me on the spot,
21:52even if you had to be the goat.
21:54Oh, that's a lying answer.
21:55You've got to believe me.
21:55Yes, or you can double-cross her the way you did me.
21:57Get out of here, Steers.
21:58Come on, be it.
21:59Yes, get out.
22:00You heard the lady.
22:01Both of you.
22:01Huh?
22:02Get out.
22:02Get out.
22:03Get out.
22:03Get out.
22:03Get out.
22:04Get out.
22:04Get out.
22:05Get out.
22:05Get out.
22:07Get out.
22:07Get out.
22:08Get out.
22:08Get out.
22:09Get out.
22:09Get out.
22:10Get out.
22:10Get out.
22:11Get out.
22:12Get out.
22:12So I'm a double-crosser, am I?
22:17That's what I said.
22:25Oh.
22:29Are you hurt?
22:30I didn't know Charlie had it in him.
22:33Oh, I'm...
22:34Oh, you forgot your hat.
22:39Oh, thanks.
22:40Wait a minute.
22:41Hey.
22:42Hey.
22:43Oh.
22:44Well...
22:45Water, Chuck.
22:46She must have dropped it.
22:47No, no, no.
22:48I'll take it to the lady.
22:49I know it's well worth it.
22:50Thanks.
22:51Oh, you...
22:52You dropped your water, Chuck, out there, and I found it.
22:54The manager told me to bring it to you.
22:56Oh, no.
22:57He told me to hide it from you.
22:58Oh, no.
22:59He told me to hide it from you.
23:00Oh, no.
23:01He told me to hide it from you.
23:02Oh.
23:03Oh.
23:04You don't believe me.
23:06You don't believe everything that guy said about me, do you?
23:11Why, I wouldn't cause you any harm.
23:13I guess you just can't help it.
23:15You're not going away, are you?
23:16Don't you think it's a good idea while I'm still in one piece?
23:19Oh, I know it hasn't been much fun for you, but...
23:21I wanted to tell you something.
23:23Ever since you walked out on me back there on that road,
23:25I'm glad you're not that sweepstakes winner.
23:27I'm glad you're nobody except Nancy Jones,
23:29because if you were somebody else,
23:31I wouldn't have met you.
23:33Well, that hasn't brought either of us much luck.
23:36It did me.
23:38You lost your job, and so will I,
23:40as soon as that school board sees my picture.
23:42You don't have anything to worry about.
23:44Not when we've got a proposition so hot
23:45it's going to burn the newsreel film out of existence,
23:47your eyes and ears of the future.
23:49That's what you gave to me.
23:50It's going to turn the newsreel business upside down, too.
23:53Television?
23:54Bullseye.
23:55Why, Ted, I...
23:56Oh, say that again.
23:57Say what?
23:58What you just said, what you just called me.
23:59You never said that to me before.
24:01Wouldn't you better keep your mind on television, Mr. Young?
24:05Yeah, yes, maybe you're right.
24:08We'll go to our rooms later.
24:10Right now, we want to surprise my niece.
24:13Lady, nothing would surprise your niece right now.
24:17We shouldn't have let her come here alone in the first place, Miss Jones.
24:20There was something very funny about the way Nancy was acting when she left.
24:24I noticed.
24:25She hasn't been eating right lately.
24:27I hope that's all it was.
24:29Anyway, I feel better now that we're here.
24:33Ah, everybody I talked to said the time wasn't ready for it yet.
24:36But they couldn't broadcast television more than 50, 60 miles.
24:38So what?
24:39That's their tough luck.
24:41Somebody's going to do it.
24:42Well, why didn't you go to the Supreme Company?
24:44They're going to be the first to put television sets on the market anyway.
24:47And Mr. Powell, the man who picked my slogan.
24:49After that boner I pulled on his slogan with her, I didn't exactly expect a cordial reception.
24:55Well, does he have to know?
24:59Thanks.
25:03Probably Simon will agree back again.
25:07Nancy.
25:08Oh, Aunt Jane.
25:10Why...
25:11Hello, Nancy.
25:12Well, why didn't you let me...
25:14Andrew thought it'd be better to surprise you.
25:16It seems such a...
25:18Oh, this is...
25:19This is Mr. Young.
25:21My Aunt Jane.
25:22This is Andrew.
25:23Mr. Porter.
25:25Oh, why, how are you?
25:27How do you do?
25:28I'm...
25:29Oh...
25:30Oh, Mr. Young's in the newsreel business.
25:32Well, that is, he was.
25:34You see, he's the cameraman who interviewed me at the train.
25:37Oh, yes.
25:38And my niece, Ryder.
25:39Uh, Mr. Young was just leaving.
25:43Oh, that's right.
25:47Well, I'll just say good day.
25:48It's nice to have seen you.
25:50Bye, Aunt Jane.
25:51Bye, Andy.
25:52Andrew.
25:58Oh, I'm so glad you came.
26:00So am I.
26:01Nancy, if you weren't my niece, and I didn't know you...
26:05Oh, don't be silly, Aunt Jane.
26:07Mr. Young's a perfectly respectable gentleman.
26:10Oh, Bob a chair, Andy.
26:11He just happened to be calling on me while I was...
26:14Unpacking a few things.
26:16Yes.
26:17Well, you could pack them right up again.
26:18Because we're going home.
26:20Oh, but Aunt Jane, you and Andy haven't seen anything of New York.
26:23We've seen enough, if you ask me.
26:24No, Andrew.
26:25Oh, so that's why you came.
26:27To spy on me.
26:28Nancy.
26:29He never said that.
26:30Oh, he doesn't have to say it, Aunt Jane.
26:31He's thinking it.
26:32What do you expect me to think when I find you entertaining a strange man in your room?
26:36I wasn't entertaining him.
26:37Well, he didn't look bored to me.
26:39Andrew.
26:40Oh, darling.
26:41I don't think you or Andrew could ever understand.
26:43Five hundred shares, Supreme Television.
26:54certainly is going up.
26:56Didn't you read that story this morning?
26:58¡Suscríbete al canal!
27:28¡Suscríbete al canal!
27:58¡Suscríbete al canal!
28:00¡Suscríbete al canal!
28:02¡Suscríbete al canal!
28:04¡Suscríbete al canal!
28:06¡Suscríbete al canal!
28:08¡Suscríbete al canal!
28:40¡Suscríbete al canal!
28:42¡Suscríbete al canal!
28:44¡Suscríbete al canal!
28:46¡Suscríbete al canal!
28:48¡Suscríbete al canal!
28:50¡Suscríbete al canal!
28:52¡Suscríbete al canal!
28:54¡Suscríbete al canal!
28:56¡Suscríbete al canal!
28:58¡Suscríbete al canal!
29:00¡Suscríbete al canal!
29:02¡Suscríbete al canal!
29:04¡Suscríbete al canal!
29:06¡Suscríbete al canal!
29:08¡Suscríbete al canal!
29:10¡Suscríbete al canal!
29:12¡Suscríbete al canal!
29:14¡Suscríbete al canal!
29:16Y esto es el océano del Pacífico, y esto representa las montañas de rocky montañas.
29:29Ahora, ¿cómo puedes transmitirlo de ahí a ahí, cuando no puedes descargar la montaña?
29:37¿Por qué no?
29:39¿Qué pasa con un aeroplaneo de aquí a ahí?
29:43¿Puede que eso ya se descarga un total de la montaña, desde ahí?
29:52A poco más allá de la montaña.
29:55Es todo lo que puedo decir de ahora, señor Poplarsk.
29:57Yo no puedo permitir que se revelen los secretos de ingeniería de nuestra que Virginia.
30:01Você solo tiene que tener que concluir.
30:04Gostar.
30:06Climb un poco más allá.
30:08Un poco más.
30:13Un poco más.
30:18Ya.
30:22Ahora lo veo.
30:25Muchas gracias, Mr. Young.
30:28¿Puedo decir algo?
30:30Justo con un contrato con ese ámbito mundial,
30:33y ahora qué pasa?
30:35Televisión.
30:36Marcos.
30:39Me han ayudado a conocer mucho, Mr. Young.
30:40Te daré una gran gracia, Mr. Young.
30:42Gracias.
30:44Si.
30:45Si, si.
30:46Si, si.
30:47Bienvenido con mi.
30:48Buenas tardes.
30:49Buenas tardes.
30:51¿Puedo decirle algo?
30:53Si le preguntarán de los medios,
30:54¿Puedo saber qué es lo que quería?
30:56Puedo decirle algo.
30:59¿Cómo es mi favorita?
31:00¿Cómo se dice, ¿no?
31:01Sí.
31:02¿Cómo se dice, ¿no?
31:03No tengo lunch.
31:04No, and remember, no Andrews.
31:06Goodbye, Mr. Sears.
31:08Goodbye, Miss Jones.
31:10Charming girl, a little impulsive at times,
31:12but you know how women are,
31:14or don't you?
31:16Well, Ted, old boy, congratulations.
31:18Thanks, Charlie. I didn't know you'd feel that way about it.
31:20I thought you were a little sour on your old pal.
31:22What, me?
31:24Now, about this television proposition,
31:26Ted, old boy, I've just had a long talk
31:28with J.B. He was a little skeptical
31:30at first. You know how he is. He's brought up
31:32in the old school, always difficult for him
31:34to see something new. But then,
31:36after I sold him on you, Ted, old boy,
31:38he saw the light. Of course,
31:40we'd like to have a practical demonstration first.
31:42Sure. Say,
31:44that's swell of you, Charlie. I always knew
31:46you'd put it over, Ted. I've been waiting
31:48to put it over ever since I last saw you.
31:50Catch, catch, Charlie.
32:02Okay, Mike. I guess this setup ought to be all right.
32:06I'm counting on you with the controls.
32:08This demonstration means everything to me.
32:10Boy, television's yours a break for me.
32:12No more cameras alone,
32:14a film can't to lug around.
32:16A chump could work this out, Fit.
32:18Then I don't have to worry about anything, huh?
32:20No. Hey, hey, hey, hey.
32:22Hey, hey, hey, hey. What's the matter?
32:24You're my favorite cameraman, aren't you? Huh?
32:26Outside of Charlie.
32:28I'd like to see his little face
32:30when this box starts to work.
32:32Well, I got a strand, kid.
32:34Just got time to make it. Now, don't forget to switch your angles
32:36and change your focus when she makes the landing, and
32:38good luck.
32:40Mr. Powell can't be disturbed, and Mr. Young
32:42isn't in his office. I'm not leaving here
32:44till I get Miss Jones' return ticket.
32:46I'm sorry, sir, if there's been a mistake.
32:48If Mr. Young thinks he's gonna pull a fast one on me,
32:50she's looking for a lot of trouble. You folks brought her here,
32:52and I'm here to see that she gets back home.
32:54Now, you find out about that ticket, because she's leaving
32:56today.
32:58Hey! Just a minute, Mr. Young.
33:02Well, well, well, well, if it isn't any.
33:04How are you, Andrew? Fine. I came to see you...
33:06Oh, of course. Miss Jones has told you all about
33:08the demonstration we're having.
33:10Well, Andrew, it's a pleasure to have you here
33:12as one of our guests. In years to come,
33:14you can look back on this day as one of the biggest
33:16moments of your life. Is that so?
33:18Well, and you were one of the first men privileged
33:20to spend time and distance in the twinkling of a lie.
33:22Yes, sir, Andrew.
33:24You were about to witness for the first time in history
33:26a broadcast on newsreel television.
33:30Well, that ought to be quite an experience.
33:36What's that? You'll see for yourself, gentlemen,
33:38in a few minutes. Hello, J.P.
33:40I meet Mr. Horton, a friend of Miss Nancy Jones.
33:42How do you do?
33:44Yes?
33:46She's coming in. We're ready when you are.
33:48Yes, sir.
33:52Gentlemen, the D-46 is arriving at the airport.
33:54Now, Mr. Willard, if you'll sit over there,
33:56you boys go in the front here.
33:58I'll have it rolling in a moment.
34:00Okay, Mike!
34:02Let's go!
34:08Sit tight, sweetheart. Here we go.
34:12Sit tight, sweetheart. Here we go.
34:14Great Scott.
34:32Didn't I tell you, J.P.?
34:34Great Scott.
34:36Didn't I tell you, J.P.?
34:38I wish like you guys would be going on a river to eat.
34:52Ha, ha, ha, ha.
34:54Watch that while it's happening. It's terrific.
35:10It certainly is.
35:14I still can't believe my eyes.
35:16Maybe it's the glasses you're wearing.
35:20look!
35:22Good boy.
35:42Well, gentlemen, there you have it.
35:44Oh, they have it, not yet, Mr. Powell.
35:46What? Bring you a checkbook, Jim.
35:48O-Andrew...
35:49No mind anything Mr. Young says, that's just his way
35:53It certainly was a thrill, Mr. Young, and I want to thank you
35:56Don't try to tell me now about it, old man, I know just how you feel
35:58Experience you'll never forget
36:00You just take my advice and put some money in television stock
36:02When you get back in that little radio shop
36:03Yeah, but that's what I'm trying to say
36:04You see, Mr. Young, about Nancy, her train ticket back home
36:07Her ticket?
36:09Oh, didn't she tell you she's not going home?
36:11Oh, yes, she is
36:12Excuse me, I thought you knew you, you'd better ask her about it
36:15You want it on the phone, Mr. Young
36:16Tell him I'll catch it in Powell's office
36:18Well, it was a pleasure, and goodbye, Andrew, and, uh, goodbye
36:22Hello
36:28Oh, gee, kid, it was great
36:31Came over like a million bucks
36:33Ted, you never saw anything like it in your life
36:35It was awful
36:36What?
36:37Are you nuts?
36:38I tell you it was great
36:39What?
36:43What?
36:46Are you crazy?
36:48See, I couldn't believe it
36:50What's the world we're living in, J.P.?
36:52Yes, and a lot you've done about it
36:53Okay, kid
36:54Get in here as quick as you can
36:56Ted, old boy, I'm proud of you
36:58You are?
36:59Who gave him his start in this business, you or I?
37:02My boy, we've just seen a miracle
37:03Miracle?
37:04Yeah
37:05I'll say it was
37:07Well, wait a minute, old man
37:11J.P.'s got a proposition for you
37:13Save it
37:14Young
37:15Look here, Powell
37:16He can't do that to me
37:17Where's his loyalty?
37:18I came here prepared to do business with you
37:20And I can meet any other offer you have
37:22I can meet any other offer you
37:23I can meet any other offer you
37:24I can meet any other offer you
37:25I can meet any other offer you
37:26I can meet any other offer you
37:27I can meet any other offer you
37:28I can meet any other offer you
37:29I can meet any other offer you
37:30I can meet any other offer you
37:31I can meet any other offer you
37:32I can meet any other offer you
37:33I can meet any other offer you
37:34I can meet any other offer you
37:35I can meet any other offer you
37:36I can meet any other offer you
37:37I can meet any other offer you
37:38I can meet any other offer you
37:39I can meet any other offer you
37:40I can meet any other offer you
37:41I can meet any other offer you
37:42Gracias.
38:12Gracias.
38:42Gracias.
38:43Gracias.
38:44Gracias.
38:46What?
38:47Your whole crooked outfit blew up with it.
38:48Now, wait a minute, young.
38:49We're in this together.
38:50We'll see it happen right after I shut off the transmission.
38:53Will we?
38:54They're gonna hear the truth now.
39:15I've talked to my associate, gentlemen.
39:28He's willing that I should handle the financial arrangements.
39:31Good.
39:32That's more like it.
39:33It'll take some time to iron out the details of the contract.
39:36But in the meantime, if you care to sign this agreement, I'm ready to stop all other negotiations
39:41and grant you exclusive rights to the Supreme Television.
39:44Consideration of the sum?
39:45Of course.
39:46If the proposition is too big for your firm to handle, there's no need of taking up any
39:51more of your time.
39:52Of all, Paul.
39:53Nothing of the sort.
39:54Well, Wyatt, this is solid to the Bank of England.
40:13Thank you, Mr. Willett.
40:14Congratulations.
40:15With Worldwide and Supreme Television joining their resources, we'll dominate the new amusement
40:20era.
40:21Mr. Powell, you couldn't tie up with a better organization.
40:23I'll say goodbye to Mr. Young.
40:25He's busy with a long-distance call.
40:27Until tomorrow, Paul.
40:28Good day, sir.
40:29Yes.
40:30Goodbye, Mr. Sears.
40:31Goodbye.
40:32Later.
40:33Thank you.
40:35Good night.
40:36Bye.
40:37Bye-bye.
40:38Be myself, my friend.
40:39I'm going to have a lot of experience with a walk.
40:41Good evening, Mr.
40:43¡Suscríbete al canal!
41:13¡Suscríbete al canal!
41:43¡Suscríbete al canal!
41:45¡Suscríbete al canal!
41:51¡Suscríbete al canal!
41:53¡Suscríbete al canal!
41:55¡Suscríbete al canal!
41:57¡Suscríbete al canal!
41:59¡Suscríbete al canal!
42:01¡Suscríbete al canal!
42:03¡Suscríbete al canal!
42:07¡Suscríbete al canal!
42:09¡Gracias!
42:39¡Gracias!
42:47¡Operator!
42:53¡Operator!
43:01¡All right, you two!
43:03See what's in those bags, Joe.
43:05Yeah, I got all those guests.
43:07Fightin' over the doorway.
43:09No, I was just trying to get you guys on a telephone.
43:13Just a minute, lady. The office is closed.
43:15Oh, but I must see Mr. Young.
43:17We'd like to see him ourselves.
43:19Well, then I'll see Mr. Powell.
43:21You can't go in there.
43:23We just read about the Zeppelin, officer. They're crooks.
43:25I'm here to tell the authorities about it.
43:29Smooth workers, those boys.
43:31Might have got away with it, too, if the brakes had been with them.
43:33Might have. What about that ten grand they got away with?
43:35And two hundred of mine.
43:37Where is he?
43:39You're the eyes and ears of the future.
43:41You tell us, Miss Jones.
43:43But was your playmate in such a hurry that he forgot to tell you?
43:45He... ran away?
43:47Well, he's not hiding under the carpet.
43:49What did I tell you?
43:50Oh, there must be some mistake.
43:51He couldn't have done this.
43:52Oh, but Nancy...
43:53I don't care what you say about him.
43:54I don't believe it.
43:55So was you pretty solid on himself, didn't he, Miss Jones?
43:57I'm surprised after that other trouble he got you into.
44:00Ah, she's not the only one he sold.
44:01What about me?
44:02I know, he's a heel to start with, then he turns around and he sells me all over again.
44:06Yeah, but I never thought he'd deal a card this way, using a nice kid like you to front for him.
44:11Yes, this is Johnson.
44:16Oh, you, Chief.
44:18What?
44:20Okay.
44:22They caught him with Powell, trying to make their getaway.
44:26I'm sorry, kid.
44:28Oh, Andy.
44:30Our vacation's over.
44:41Gives a fella an appetite just thinking about it.
44:56About what, Andrew?
44:58Sitting across the table from Nancy like this?
45:01Every morning.
45:08Oh, dear.
45:09No, you stay here.
45:11You'll only make her worse.
45:23Come in.
45:25Telegram for Miss Jones.
45:26She'll be right back.
45:27I'll take it.
45:29Yes.
45:39Are you sure that telegram was delivered?
45:47Yeah, but I've been waiting.
45:49Okay.
45:50Well, that's that.
45:52Walked out on you, huh?
45:53What do you expect you to do?
45:54Go ahead.
45:55Rub it in.
45:56I've got it coming to me.
45:57What are you going to do now?
45:58I don't know.
45:59Nothing much matter.
46:00How about an assignment?
46:01Okay, skip it.
46:02I'm not giving assignments anymore.
46:03I'm taking them.
46:04I'm back to where I started, carrying a camera.
46:05Well, you didn't have that coming to you.
46:06You think the old man was going to give me a bonus for steering him into your pony set up?
46:08I'm sorry.
46:09Skip it.
46:10I always wanted to go to China.
46:11China?
46:12You?
46:13In half an hour.
46:14Sure.
46:16I'm not taking it.
46:17No, no, no, no.
46:18No, no.
46:19I've got it coming to me.
46:20I've got it coming to me.
46:21Well, what are you going to do now?
46:22I don't know.
46:23Nothing much matter.
46:24How about an assignment?
46:25Okay, skip it.
46:26I'm not giving assignments anymore.
46:27I'm taking them.
46:28I'm back to where I started, carrying a camera.
46:29Well, you didn't have that coming to you.
46:30You think the old man was going to give me a bonus for steering him into your pony set up?
46:32No, I'm sorry.
46:33Skip it.
46:34I always wanted to go to China.
46:36China?
46:37You?
46:39¿Qué es lo que pasa con eso?
46:41Oh, escucha, Charlie.
46:43No son los que no son los que se hacen de fuego.
46:45Eso es la guerra.
46:47Si, si deciden o no.
46:49Listen, tú no quieres ser uno de esos inocentes, ¿no?
46:54Sí, tú eres tan malo para que te salas, Charlie.
46:57Me parece que me recuerda la última vez que usted dijo eso.
47:00Just antes de que me llevara a llevar a España.
47:04¿Recuerdas eso?
47:05Sí.
47:06Perdón por eso, Charlie.
47:08No, I'm sorry for a lot of things.
47:10Maybe we've both been a couple of chumps.
47:13Thanks.
47:13It's contagious hanging around you.
47:16Hey, listen, it's terribly hot in here.
47:22I'm going to open that window.
47:23Where are you?
47:39Come on, Charlie, come on.
47:49Now pull yourself together.
47:51Come on.
47:51Come on, I've got to get you out of here, Charlie.
47:53Yeah, sure, that's right.
47:56What's your hurry, mister?
47:57I've got to go to China.
47:58Oh, cut out the kitty, old man.
48:00Who's the guy that threw that bottle?
48:02Oh, he didn't mean it, officer.
48:03Honest.
48:03It was just an accident.
48:04Isn't that right, Charles?
48:05What are you talking about?
48:06Come on, Billy, you're going with me.
48:08What is this?
48:09Don't start a war.
48:09It'll just make it worse for you.
48:11You said it, mister.
48:11Come on.
48:12Come on, Merit.
48:13What is this?
48:13Frame up and tell you I've got to go to China.
48:16Sure, we'll both go.
48:18You can't.
48:20You double call, sir.
48:21Don't be too rough on him, officer.
48:23It isn't his fault.
48:43It just goes a little higher in the mountain.
48:46That's all.
48:46Yes, yes, Mr. Willett.
48:52I know all about that demonstration.
48:55It's unfortunate that Young had to be the victim of an unscrupulous promoter.
48:58But it's important, Mr. Willett, that we locate him at once.
49:01And I might add, it's important to you.
49:04But, but how?
49:06Are you sure?
49:09Well, of course I'll try to find him, Mr. Walters.
49:12Yes, I'll let you know at once.
49:15Did you hear that?
49:16Mr. Walters says it's going to work.
49:18I don't understand.
49:20Neither do I, but if it's good enough for National Radio Vision, it's good enough for me.
49:23He says the young idiot stumbled on the answer to the one thing that stopped his own engineers.
49:28And he's going to buy out young.
49:32Yes?
49:33Police station?
49:34What is it?
49:37Sears?
49:38No, he didn't kill nobody.
49:39What's that?
49:40Just an old-fashioned drunk.
49:42We called you to check up on his story.
49:45Huh?
49:45He wants to know why you're not on your way to China.
49:49What have I been trying to tell you?
49:50I was praying.
49:51Let me talk to him.
49:52Well, little do you no good.
49:53You've been fired.
49:54Hello, Mr. Willett.
49:56Mr. Willett.
49:58I told you.
50:00Selegraph, almost.
50:02This is Sears.
50:03Worldwide.
50:03I want to send a wire.
50:04Care of the common airliner.
50:05That's it.
50:06To Ted Jones.
50:09Darling, I love you.
50:11Nothing else matters.
50:17Nancy!
50:17Hey, listen.
50:24Where's Sheldon?
50:26Well, the next train stop.
50:27We pass right over it.
50:28I've got to get off.
50:29Don't you understand?
50:29I've got to get off there.
50:30Sorry, we don't stop until Kansas City.
50:32I've got to get off there.
51:02Oh, John, look!
51:14Great Scott, what do you think of that?
51:17You better stop.
51:30Are you all right, mister?
51:31Oh, perfect.
51:33My first three-point landing.
51:38John!
51:39John!
51:40There's a crane coming!
51:41Help!
51:42John!
51:51Oh, John, I've never been so frightened in my whole life.
51:54Nothing to be so fidgety about, Emma.
51:56Everything's all right.
51:58All right, all the more!
52:17Oh, boy!
52:28Nancy!
52:29Where?
52:29How did you get here?
52:31Tell me I came as fast as I can.
52:33Oh, you'll never know what that wire meant to me.
52:35I thought I'd lost you for good.
52:36My wire?
52:37Yeah, that nothing else matters except us.
52:40That's all that does matter, isn't it, Nancy?
52:42Well, I don't know.
52:43Yes?
52:44Nancy!
52:46Nancy!
52:47Oh, don't pay any attention to him.
52:49He's just walking home.
52:51But I never sent you a wire.
52:53Oh, who did?
52:54Oh, I get it.
52:59Good old Charlie.
53:00These exclusive deals of the conflict in the Orient are brought to you by television.
53:18We're in the thick of it here, folks, fighting all around as bombing planes overhead.
53:22It's no picnic, and I want to tell you, you're mighty lucky not to be here.
53:25And now, the magic carpet of television takes us to another part of the world where the
53:30beauty and pulpritude of all countries is gathered to match its charms in this year's
53:34quest for Miss Universe.
53:36Eyes and ears.
53:40Eyes and ears?
53:41Where are they?
53:43Come on.
53:43I think you've seen enough.
53:46Hey.
53:48Besides, the picture's over.
53:55I think you've seen enough.
54:17Bye.
54:18Bye.
54:19Bye.
54:20Bye.
54:22Bye.
54:23Bye.
54:23Gracias por ver el video.