El síndrome de Ulises - 2x08 - Cuenta pendiente - Parte 2 - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver El síndrome de Ulises - 2x08 - Cuenta pendiente - Parte 2 - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

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00:01:00What kind of fiancé wants a health certificate for a 15-year-old girl?

00:01:03I need help.

00:01:05Already.

00:01:06When I was in Bolivia I worked with an NGO that does very interesting work with young people and music.

00:01:12Anything else?

00:01:14No, nothing more.

00:01:15Well, out the door.

00:01:17Ulises, you have to deny Tarik the medical certificate.

00:01:20I don't think that will solve anything.

00:01:21Uncle Braulio made a lot of money with the racing.

00:01:24Now that you mention it, why would I sell it to the race organizers?

00:01:27I'll organize it and I'll keep the money.

00:01:31Well, your father didn't like it at all when your uncle did that to the dogs.

00:01:34Okay, but my uncle was my father and my father was my uncle and I was all mixed up and

00:01:38I didn't know anything.

00:01:38Claudia took Yamila with her.

00:01:40Claudia!

00:01:41Claudia?

00:01:41Yeah.

00:01:42Who, Claudia?

00:01:43I don't think it's a bad idea for you to take charge of the betting issue, JJ.

00:01:47Because we already nailed it in boxing.

00:01:50However, you can't yell at the dogs here.

00:01:53But the owners did.

00:01:55Come on, girl!

00:01:56Come on, run!

00:01:57Run there!

00:01:58Come on, girl!

00:02:00That dog sure runs fast.

00:02:03Is something wrong?

00:02:04I have an apartment.

00:02:08It's not going well; he had the certificate on the right and didn't see it.

00:02:12I don't accept less than 50 euros.

00:02:14Because this isn't going to be just any race, it's going to be the race of the century.

00:02:18I think it's because someone hasn't stolen it.

00:02:20Who's going to steal the dog?

00:02:21Everyone's been looking for the dog, come on!

00:02:23Shrimp!

00:02:23In two minutes.

00:02:25Shrimp, run!

00:02:29This is the first time I've had breakfast at the casino.

00:02:31Yes, the croissants were delicious, Ulises.

00:02:34By the way, you're the luckiest woman I've ever seen.

00:02:38Blackjack isn't just about luck, King.

00:02:40You have to know how to play.

00:02:41But roulette is indeed a matter of luck, and a little more and you could break the bank.

00:02:44Instead, you didn't even take five minutes to lose all your chips.

00:02:47It's already known.

00:02:48Unlucky in the game, lucky, you don't die.

00:02:52What are you doing?

00:02:53I can't take it anymore.

00:02:55Wouldn't you walk barefoot in the street?

00:02:56No?

00:02:56Because there's glass, there's a lot of junk, you could get stabbed by something.

00:02:59Well, I have a doctor nearby in case something happens to me.

00:03:02Do you always do what you want?

00:03:03Almost always.

00:03:05Okay, so what?

00:03:07Are we going to get married or not?

00:03:09As?

00:03:09Are we going to get married or not, Ulysses?

00:03:11Just to know.

00:03:13Well, I don't know.

00:03:14I've never thought about leaving the marriage.

00:03:18Hey, it's just that...

00:03:20That?

00:03:23No, no, no, no, Ray.

00:03:25I can't right now, really.

00:03:26No, is it really urgent?

00:03:29No, for you everything is an emergency.

00:03:31Look, if you're not dying, you can wait.

00:03:34Ray, seriously, I have an emergency right now.

00:03:38What are you doing?

00:03:41Ray, I have to go, I have an emergency.

00:03:43A crazy woman I'm going to have to admit.

00:04:14I'm ready to go into the fountain with you and come out with you.

00:04:30Damn, J.J., what are you doing here? What's going on? Did you sleep with me?

00:04:32You've spent all night like a madman calling the nurse.

00:04:36I came to see you and...

00:04:38Hey, this bed is made of latex, right?

00:04:40J.J., you told me you were going to be here for two weeks and two months have passed.

00:04:43It's because you never plan to leave.

00:04:45Oh yes, I thought you had grown a little fond of me.

00:04:48Yes, darling, yes, very much so.

00:04:50But if you leave, all the better.

00:04:52No, man, in the end I'll have to run for it again like last time.

00:04:56I'm watching it.

00:04:58What? Did he say something to me?

00:05:00Nothing, nothing, I just love you very much, little brother.

00:05:02Even if you don't hold it against me.

00:05:29I didn't put you in the snake and they're over now.

00:05:33Don't do it at home.

00:05:44Don't mess around and it's over.

00:05:55You're not going to leave the neighborhood

00:05:59I dreamed about Ulysses again

00:06:02I dream about my cure every night

00:06:04I know, I'm obsessed.

00:06:06I don't want to be a single mother

00:06:08Now Isaac won't talk to me, he's acting all high and mighty and says he's using me.

00:06:11I thought it wouldn't hurt, but it hurts, a lot.

00:06:14This is the first time I don't know what to do with what I feel

00:06:17One thing is clear, it's the first time I've felt anything

00:06:19I can't go to sleep, I just can't get used to it.

00:06:22I would fall asleep to the sound of his breathing.

00:06:26Girls, I'm going to make a radical change in my life

00:06:28But truly radical

00:06:30Oh really?

00:06:31What's wrong, Blanca?

00:06:32Oh, girls

00:06:33Oh, it's the child.

00:06:34Are you sure?

00:06:36No, I don't know.

00:06:38Naca, seriously, you've had me on tenterhooks for two weeks now.

00:06:42Damn, every time the kid kicks you, it doesn't mean he wants to get out.

00:06:44I know.

00:06:47Can anyone tell me why I fell in love with a goatherd?

00:06:52It seems as if the earth has swallowed him up.

00:06:54But come on

00:06:55Have you looked in the houses downstairs?

00:06:57And what about the ones upstairs?

00:06:58We've been searching up and down the whole neighborhood

00:07:00And absolutely nothing?

00:07:01In the neighborhood, outside the neighborhood, in the countryside, behind the field, under the cars

00:07:04So here I am, in a fenced-in area

00:07:06Okay, so what the hell do we do now without the dog?

00:07:09Everyone there is ready for the race and we don't even have the shrimp!

00:07:12That's Uncle Braulio's doing.

00:07:14Damn, God

00:07:16Even dead and everything

00:07:17Don't stop them because they're annoying

00:07:19Say that, damn it, it's awful.

00:07:21Is anything known yet, or not?

00:07:23Nothing is known, JJ

00:07:25Suddenly it's as if the dog has vanished into thin air

00:07:27Pussy

00:07:28Damn, vaporized?

00:07:30You guys have some serious security here, huh?

00:07:32You walk right in, like you own the place, all the way to the kitchen.

00:07:35JJ is right about that.

00:07:36Why the hell do I have you two fries for anymore?

00:07:38Right now?

00:07:39Hey?

00:07:39Right now?

00:07:40To go after that damn bitch?

00:07:42Shut up, you're going to put your foot in it.

00:07:44Ray

00:07:46My coworker told me that he was told they saw a guy with a dog.

00:07:49With the dog?

00:07:50No, with a dog.

00:07:51With a dog

00:07:51Dog in English

00:07:52A guy with a strange appearance

00:07:54But let's see, but how strange

00:07:56Explain yourself, Zeferi, it's not a favor, man

00:07:57How should I know?

00:07:58He only told me that he had a scar on his face

00:08:00And that's not much.

00:08:01Because he has a dark scar on his face and looks strange.

00:08:04There is very much in this neighborhood

00:08:05And?

00:08:07A lot

00:08:08Ah, very good.

00:08:08So you're already looking for that bastard with the scar on his face.

00:08:11That's why he had to suspend his career.

00:08:14Returning betting money

00:08:15Well, that doesn't give rise to a root.

00:08:16What credibility will you have in the neighborhood if you fail the race?

00:08:19Well, I don't know, JJ

00:08:20But if we don't have the dog, there can't be a race.

00:08:22That's true

00:08:23Find another greyhound and that's that, damn it.

00:08:26That, and let the type of basin we've given them know.

00:08:28Cat with hare and everything goes to hell

00:08:30Okay, so what the hell do you propose, JJ?

00:08:32Hey?

00:08:33So what the hell do you propose, JJ?

00:08:36I'll think of something.

00:08:37Well, start thinking fast, JJ

00:08:39We don't have much time left.

00:08:41What did you call me, JJ?

00:08:43JJ in English

00:08:44Ah, well I like my JJ

00:08:46Hey, I hadn't thought of that before.

00:08:51And while you're at it, please make yourselves comfortable this way.

00:08:53What do you think?

00:08:54Very difficult

00:08:55Please stick to the walls

00:08:57Don't stand here in the middle, clear the corridors for me

00:09:00Enrique Riquelme

00:09:01Look, there's a place for you.

00:09:02As long as you have the instruments in their cases

00:09:05Stick to the walls

00:09:06Cabulete, what are all these people doing here?

00:09:08Oh, what do I know? Father Jesus brought them all.

00:09:10Ah, very good.

00:09:11Hey, hey

00:09:12Aren't you going to do anything for your brother?

00:09:14Stepbrother

00:09:14Okay, okay, whatever.

00:09:15You're not going to do anything for him, are you?

00:09:17I don't think I can do much.

00:09:18Damn, for a friend I have, you know?

00:09:20I have few friends.

00:09:21We had formed a beautiful friendship

00:09:23Cabulete, I'm keeping him

00:09:24I think I do much more for him than he does for me.

00:09:26He's thinking about me, come on, huh?

00:09:27No, good

00:09:29The truth is, you're right.

00:09:31Wake

00:09:32Estela, Estela

00:09:34I didn't know they were coming so soon either.

00:09:36Well, their concert in France was cancelled and they've brought their trip forward, but that's okay.

00:09:40Furthermore, you only need to perform a basic check-up on them.

00:09:43Well, we'd have to make vaccines, do some complete tests, and so on.

00:09:46Okay, okay, okay, okay

00:09:47Despite your explanations, I think I've understood.

00:09:49Some Bolivians are going to give a concert and before they leave for Bolivia we have to give them all a shout-out

00:09:53Yeah

00:09:53You're so clever, Uli.

00:09:54Uh, one moment

00:09:56You should have warned me sooner

00:09:58Ah, it's just that...

00:09:58You're right, he's the coordinator of the health center

00:10:01Forgive me, Jesus

00:10:02But now he's told her.

00:10:02Estela, please make sure that all the children are looked after by Blanca, okay?

00:10:05Already

00:10:06That's all there is to it.

00:10:06Stop, let's go

00:10:09Do you enjoy making me look bad, or is it pure coincidence?

00:10:13By?

00:10:14Wake

00:10:15Wake

00:10:21Kings

00:10:22I need to ask you something about a patient.

00:10:24Yes, it doesn't take long.

00:10:25Tariq, I saw that you were on my patient list this morning

00:10:27In the emergency room they told me that my family doctor had to come here

00:10:31Inésito my high

00:10:33Tariq, you were very lucky, you know?

00:10:35If the crane arm hits you directly, I don't know what to say.

00:10:37We'll have to pick you up with tongs.

00:10:38What happened to the crane?

00:10:40An accident, that's all.

00:10:42Already

00:10:43And your daughter?

00:10:47He will return to Pakistan tomorrow

00:10:48In the end you're going to lose her, Tariq

00:10:50Excuse me, what's it to you?

00:10:51That's you, man, don't interfere in my life, okay?

00:10:54Okay, okay, fine

00:10:54Please wait for my consultation

00:10:56And don't leave without me seeing you.

00:10:58What did you want, Ulysses?

00:11:01This story has not been updated since 2005.

00:11:04Let's see

00:11:04By the way, I dreamt about you.

00:11:06But if his wife left the neighborhood more than a year ago, Ulises

00:11:09What? A nightmare?

00:11:10Not quite

00:11:12So it doesn't need updating?

00:11:13Well, I don't dream about you anymore.

00:11:14Come on, I don't even feel like it, of course.

00:11:16Yeah, me neither.

00:11:17Come on, it's only been tonight.

00:11:19And besides, it has been very little.

00:11:21So, the story of his hali is just going in the trash, right?

00:11:23Yeah

00:11:23Like our love story

00:11:25All the trash

00:11:29Throw everything in the trash

00:11:46You have the bitch

00:11:48Who told you that?

00:11:49Don't mess with me, okay?

00:11:50Either you give it back to the bitch or I won't have any money to pay you

00:11:53Are you one of the atheists? Or are you? Are you a little nervous?

00:11:55Don't touch me, don't touch me

00:11:57They're going to get angry with me now, Jerónimo, man

00:12:00Give me the money, it's working now

00:12:01But what money?

00:12:02Give me the shrimp or there's no race

00:12:04And if there's no career, there's no money.

00:12:05Don't mess with me, Jota, Jota

00:12:07Are you going to give me the betting money now?

00:12:08But I already told you the other day.

00:12:10I want all the money

00:12:11I took my leg because I don't trust you

00:12:13How can we trust them?

00:12:14The last time I trusted you, I fell apart in a few years.

00:12:17How do you remember, Jota?

00:12:19I don't have the money

00:12:21How do you ask your boss?

00:12:22Well, you don't know who my boss is, Nestor.

00:12:26No, but I know what you're like.

00:12:29Again with the little knife

00:12:31The money

00:12:33I'm going back to the dog

00:12:35The nights of such ego that I spent because of you

00:12:38He has a score to settle with me.

00:12:39Your whole fucking life, you bastard

00:12:44If you're going to tell me the truth, I'll ask you

00:12:46If you're going to tell me a load of nonsense, I'm leaving.

00:12:49You have the dog and you want money from betting

00:12:51Well yes

00:12:54So the dog disappeared

00:12:57Damn, this is a full-blown kidnapping.

00:12:59Look, I came here to do another one

00:13:01That she wanted to change her life

00:13:02What are you going to do?

00:13:05Very good question

00:13:06But you have the answer.

00:13:08Man, I'm remembering right now

00:13:10From a movie I saw at the neighborhood open-air cinema

00:13:13I think Churnorri was taking

00:13:14What time is Churnorri?

00:13:15Ni Churnorri, movie art stool

00:13:17For the love of God

00:13:18Well, the movie I saw

00:13:20The protagonists deceived the kidnappers

00:13:23That's what I'm telling you.

00:13:27Reyes has changed his bandage

00:13:29All that remains is for me to renew his sick leave.

00:13:30I don't want to be discharged.

00:13:31Tarik can't work like this

00:13:32Yes, I can

00:13:33My machine has been stopped since I had the accident

00:13:36I have to go to work

00:13:36Okay, okay, okay

00:13:37OK

00:13:38I'm going to ask you some questions about pain.

00:13:39Wait here for me for a minute

00:13:41I don't have time

00:13:42It's not time

00:13:42Sit down

00:13:43Just a minute, okay?

00:14:01You can see anything, Tarik

00:14:02That?

00:14:03He sees nothing

00:14:04It has no side vision

00:14:05What are you saying?

00:14:06Please, Tarik, stop pretending

00:14:07He doesn't look like he's faking it.

00:14:08He's lying!

00:14:09No!

00:14:10Tarik, let me examine it

00:14:12Please

00:14:14Go, hurry!

00:14:21Have you noticed any discomfort in your eye?

00:14:23Stabbing pains, tearing

00:14:24Yes, it hurts and sometimes it makes me cry

00:14:27Tarik needs to go to the ophthalmologist to have eye pressure tests and a visual field test.

00:14:31You know what you have

00:14:33I would say it's glaucoma

00:14:34I've lost my sight, I know.

00:14:36My father is going blind

00:14:38And I too will go blind

00:14:39You understand me?

00:14:40Lack of vision was the cause of the accident, Tarik

00:14:42My impression doesn't know.

00:14:43Please don't say it

00:14:44I don't want to lose my job

00:14:46I want to work

00:14:46I'm leaving now, you know?

00:14:47That's why he's marrying off his daughter.

00:14:49I want to give them a good future

00:14:50I can't give it to him

00:14:52The Iqbal will work

00:14:53And she

00:14:54She is a girl

00:14:55She's my little girl

00:14:57I don't want to lose my job because of that.

00:14:59You understand me?

00:15:01Yeah

00:15:01Now I understand everything

00:15:10Kidnapped dog

00:15:11Seven thousand euros in twenty euro bills

00:15:14Or fifty

00:15:15Half in fifty-euro notes and the other half in twenty-euro notes

00:15:19And without marking

00:15:21And new banknotes

00:15:22And new banknotes

00:15:23And used, used

00:15:24AND...

00:15:25No, that doesn't matter to you.

00:15:27Can you hear her?

00:15:28That's your bitch

00:15:29If they don't pay, he's going to suffer terribly.

00:15:31Drugs, but with more pain.

00:15:37Can't you see how sad the dog is?

00:15:39If they don't pay, they have no guts, no heart, nothing.

00:15:45That's it, that's it

00:15:46Calm down, they're going to pay

00:15:51Let's see, please, that beer we ordered

00:15:54What's wrong, Gloria, with the beer we ordered?

00:15:57I'll take them away!

00:15:59Certe

00:16:00I need to talk to you

00:16:03Yeah

00:16:03Come on

00:16:06Le Guinet, don't be childish

00:16:09We can resolve our differences

00:16:12If you want me to apologize, I ask you

00:16:15We can be friends

00:16:17Furthermore, I want you to continue being the family's lawyer.

00:16:21Alfonso, either you answer the phone or I swear...

00:16:26It's from the bank

00:16:27They gave it to me to sign the certificate, but I don't want to sign it.

00:16:30But they grab it and shove it under the door

00:16:32I don't plan to open it.

00:16:36What I don't know

00:16:37It doesn't exist.

00:16:38Well, it's identical to the others.

00:16:40Then don't open it.

00:16:44Me, my dear

00:16:45Another requirement

00:16:47The bank says that if she doesn't pay the installments on the new mortgage, they will mark her as a defaulter.

00:16:55Amaranta

00:16:56We have never received this letter

00:17:01Understood?

00:17:01You cannot close your eyes to what is happening

00:17:04If I can

00:17:05He can't

00:17:06So, what do I do?

00:17:08The solution was Guinet

00:17:14But, my dear

00:17:14I'm the antenna

00:17:16I just wouldn't have been able to stand being with myself

00:17:18A man as boring as that

00:17:23I swear I'm going to get more and send it to you.

00:17:28Thank you for helping me

00:17:29I couldn't have done it without you.

00:17:31I have a different future.

00:17:32I don't have to go to Pakistan to marry anyone

00:17:36That's what my father wants

00:17:37Not what I want

00:17:39Yeah

00:17:42Hello

00:17:42Okay, the bus leaves in a couple of hours.

00:17:44Abdala will be there

00:17:46He will be waiting for you at the station.

00:17:47What will you do when my father wants to find me?

00:17:49Well, we'll tell him we know where you are.

00:17:51But you won't come back until I break off the engagement.

00:17:54I hope he changes his mind soon

00:17:56Everything will be alright

00:18:01Take care, beautiful

00:18:15Thank you is too small a word for you.

00:18:17It's not much.

00:18:19I don't need any more.

00:18:20You're the bravest person I know.

00:18:25I'm sorry

00:18:27I don't feel it

00:18:29Can we do it again?

00:18:32Claudia

00:18:34Look, I've been at the flea market and I've already thought of you.

00:18:39Hello, huh?

00:18:40Hello

00:18:44I saw him

00:18:45What a son of a bitch

00:18:47I've never trusted him

00:18:48Since he was the doctor's brother

00:18:50He was gritting his teeth and doing his best.

00:18:51We have to be clumsy, huh?

00:18:52Calling the king from the bar

00:18:54Doing that pantomime

00:18:55If I heard the shrimp bark

00:18:56I know your small voice business, damn it

00:18:57If I tell you who it was that was barking

00:19:00Okay, so, back to what we were saying

00:19:02The type of pulque is already here

00:19:04We have to find the bitch, no matter what.

00:19:06Because the race has to happen, no matter what.

00:19:09Yay, yay!

00:19:11Come here, get out

00:19:12Come

00:19:15Are you stupid or are you pretending?

00:19:17Is this a trick question or what?

00:19:19Is he going to kill me?

00:19:20Don't give me any ideas, okay?

00:19:21Don't give me ideas

00:19:23Come on, let's go

00:19:24Look, damn it!

00:19:27Our love affair with trash

00:19:29Very good

00:19:30That's what I'm going to do.

00:19:30Get it out of my head and start thinking about other things

00:19:32I've apologized more than a thousand times, can you believe it?

00:19:34Besides, I have the perfect girl.

00:19:35Beautiful, friendly, fun

00:19:37Come on, the kind that drive you crazy, but...

00:19:38I admit that I've behaved like a teenager, haven't I?

00:19:40And me, like an idiot?

00:19:41But I love her

00:19:41But of course, it's possible that I don't realize what's right in front of me.

00:19:44She is the mother of my son

00:19:45I am blind

00:19:46And not only for that reason, I love her

00:19:47Oh, so Leonor put me on a plane to...

00:19:49I love her for many other reasons.

00:19:50An airplane?

00:19:51What did a plane do to you?

00:19:53Tell me, it's my favorite sexual fantasy

00:19:55Cabrero, I only remember the first part

00:19:58What is he saying?

00:20:01Blanca, Blanca

00:20:03Kings, Kings

00:20:05One moment

00:20:08Do you really think our love story has to go to waste?

00:20:10Please, Ulysses

00:20:11You're always going to be avoiding me

00:20:13Are you going to keep asking me stupid questions?

00:20:16You know what?

00:20:17That?

00:20:18I've always wanted to leave here, although sometimes I've forgotten.

00:20:21But other times I think I'm going to run away and never look back.

00:20:24You'd be wise not to look back.

00:20:26Because there will be no one, Ulysses

00:20:32This is for kids.

00:20:34No

00:20:35This is more serious.

00:20:39Ask me for whatever you want

00:20:40Whatever you want

00:20:41So you can see that I'm willing to do anything for you.

00:20:43And for our child

00:20:53All I want is for us to be okay

00:20:56Together, quietly, that's all

00:20:58That's all

00:20:59That's what I want too, for us to be together and at peace.

00:21:01Hey?

00:21:02I love you

00:21:04I've just gotten so used to our little cabin and the orange juice you bring me in the mornings

00:21:10And to the clean, ironed clothes and the pork rinds, the clean house

00:21:15And you have no idea the hell I've been through these past few days away from home, my love.

00:21:18But that's why you're coming back to us.

00:21:20But what happens now?

00:21:22Oh, no

00:21:22If what you want is comfort, go back to your mother.

00:21:24But what have I done now?

00:21:26You just keep putting your foot in it.

00:21:28White

00:21:29White

00:21:31It's not my fault that the iron is so good

00:21:34Ah! Ah!

00:21:36Ah!

00:21:37The dog kidnapped her in Richa

00:21:39Again with Richa?

00:21:41I'm telling you the truth!

00:21:42Ah!

00:21:43Yes, at least 15 times, come on

00:21:45I've seen a lot of police movies, you know?

00:21:47And when someone repeats the same thing so many times, it's because it's a lie.

00:21:51Shut up, breaded one!

00:21:53This one is happy, no, take him to Elfavo

00:21:57Look

00:21:59Jota Jota

00:22:01I'm going to trust you

00:22:02Because you are my brother's brother

00:22:05Is my brother your brother?

00:22:06No

00:22:07Your brother is much more than a brother to me

00:22:11I'm going to give you all the money from the bets, okay?

00:22:14So you can get the dog back, you know?

00:22:17Now that's true

00:22:18You're going to have to manage on your own.

00:22:20Ah! Ah!

00:22:21With the gamblers

00:22:23You're going to have to look for money everywhere.

00:22:27Bastard!

00:22:27So I can pay him

00:22:28This is impossible, I don't have time.

00:22:30Well then I'll cut off one of your ears and call Luli to harass you.

00:22:34Ah!

00:22:37Okay, then I accept

00:22:38Oh, you accept?

00:22:40Good

00:22:42Okay, Jota Jota

00:22:43You'll have a score to settle with me for life for saving you from this.

00:22:48Another outstanding debt? Where am I supposed to go from here?

00:22:51I knew you were a bad guy, damn it

00:22:52Luli is such a good person, and what a terrible brother he's got!

00:23:09When did you start feeling unwell?

00:23:11On the plane, he began to sweat and feel dizzy.

00:23:14Do you belong to the choir?

00:23:15Yes, I'm an organizer and Flor is my daughter and she sings.

00:23:19You have a fever

00:23:20What's wrong, doctor?

00:23:21Don't worry, he's in good hands.

00:23:23Come on, beautiful, I'm going to examine you.

00:23:26Does anything hurt?

00:23:28The head, but I want to sing

00:23:30If you're not well, you won't be able to sing

00:23:32Let me see.

00:23:34Flor, you have a swelling here.

00:23:36Could you have been bitten by a bug?

00:23:38I don't know

00:23:39No, of course it can be

00:23:40Where we live there are many insects

00:23:43Nothing's wrong with me, Mom.

00:23:45My head just hurts a little.

00:23:46I want to sing

00:23:47We'll see about that, young lady

00:23:49Okay, look, without moving your head, follow the light

00:23:51Flor was so excited to come to Europe

00:23:54It wasn't just about singing

00:23:56I also wanted to see my dad

00:23:57Oh, really?

00:23:58Does your dad live here?

00:23:59Yeah

00:24:04You are my friend, you can't abandon me in this.

00:24:06I'll pass, don't drag me into this.

00:24:08Oh, well, I didn't say it because of the dog, it was you.

00:24:13Thank you

00:24:14Come with me to pay the ransom

00:24:16I cannot abandon my job

00:24:18I'm here, busy, organizing the boats

00:24:21Juanqueta, are we in this together or not?

00:24:24Not me, not me, no, don't drag me into your messes

00:24:26That I haven't done more

00:24:27I only barked a little

00:24:28Well, you're the only friend I have here.

00:24:34No, Jota, no

00:24:36Throw it away, don't let me know I cry easily

00:24:40You are the only friend I've ever had in my life

00:24:48Come on, go ahead, go ahead, go ahead before I change my mind

00:24:51Come on, let's go, let's go, let's go

00:24:53I am not Ulysses, I just want to talk to you

00:24:56Bye

00:24:57Ulises, one of the Bolivian girls, is sick

00:24:59What's wrong with him?

00:25:00He's been bitten by a mosquito, I don't know what he has yet

00:25:01But she has a very high fever, we need to monitor it.

00:25:03And perform a complete serology test.

00:25:04Will she need to be admitted?

00:25:05Yes, I'm calling the hospital to send us an ambulance.

00:25:09Hey Juanjo, please hang up one of the posters for me, okay?

00:25:12I don't have time to organize the concert for this afternoon

00:25:14And call your friends like that to make things bigger, right?

00:25:16Estela, one of the Bolivian girls, has become ill

00:25:18I think it's something infectious.

00:25:19And will he be able to sing it?

00:25:21I don't know, but I don't think it's the most urgent thing right now.

00:25:23It's true, it's true, poor little girl

00:25:25We need to call Father Jesus because he is in charge of hosting the group in the houses of the neighborhood.

00:25:30Hey, is something wrong?

00:25:31Why me?

00:25:32I don't know, you seem a little sad, you haven't given me a kiss

00:25:35Besides, it's been a long time since I've laughed at you.

00:25:37Yes, but it's because I'm getting older and losing personality.

00:25:45Hey, Pedro Jordán de Urríez

00:25:58It just can't be

00:25:59It just can't be

00:26:00I've been chosen! I've been chosen!

00:26:03You're all invited!

00:26:05Claudia!

00:26:06Hug me!

00:26:07Claudia, what's wrong?

00:26:08I earned my mortgage with milk tongues

00:26:10Really?

00:26:12It could change my life!

00:26:15I can believe it!

00:26:16So many things I'm going to do from now on

00:26:18Hey, girl, why don't you buy us a beer?

00:26:21Of course! That's done!

00:26:22Gloria, can you give me the milk bits?

00:26:24Let's see if I get lucky.

00:26:25I'm the one with the pretty girl I still have mortgaged, is that okay?

00:26:28Oh! How cool, right?

00:26:32Hey, you!

00:26:33Jumina isn't home, you know where my daughter is.

00:26:35He's not at my house

00:26:36You know everything

00:26:37You're putting strange things into my daughter's head

00:26:39Wait a minute, okay?

00:26:40If she says she doesn't know where she is, she doesn't know where she is.

00:26:43Look, guys, I want to know where my daughter is.

00:26:45Camila will not return to Pakistan to get married

00:26:48Claudia

00:26:50Uh, well

00:26:51Oh, yeah, I've already heard it.

00:26:53What's wrong, my daughter?

00:26:55You're going to be interrupted

00:26:57Okay?

00:27:06Why is the ambulance taking so long today?

00:27:08I've already called three times.

00:27:09I'm going to be okay, right?

00:27:10Of course

00:27:11Flor will get better very quickly with the treatment

00:27:13You'll see

00:27:14I would like to see my dad

00:27:16And where could Father Jesus have gone?

00:27:18Call him again

00:27:19Yes, yes, yes, I'm calling him.

00:27:20But he will be holding a press conference about the concert.

00:27:22Or I don't know, by bribing the mayor

00:27:24Or who knows, maybe taking pictures with some homeless person

00:27:27Or falling in love with some naive girl

00:27:28Cristela, please

00:27:29Okay

00:27:30Do you know that too?

00:27:32What? Excuse me? What do I need to know?

00:27:33About his dad

00:27:35Call him again, I want him to be with me

00:27:37Why don't you give us the girl's father's phone number so we can call him?

00:27:40Ah, because I don't know him, well, not that I know of.

00:27:42Of course he knows him

00:27:43What name, no?

00:27:44Yes

00:27:44No?

00:27:46But who is he?

00:27:49Jesus

00:27:51Father Jesus is your dad

00:27:55As?

00:27:56He is her biological father.

00:27:59But he's a priest, isn't he?

00:28:02I know

00:28:03He already was when I met him in Bolivia

00:28:06The ambulance is here.

00:28:07What does the ambulance matter to him?

00:28:09What's wrong with her?

00:28:10Let them come, let them come and get the girl

00:28:15Please, doctor

00:28:16I'm not going to give her Viagra, I don't know how to tell her.

00:28:20Juli, are you finished?

00:28:21Yeah

00:28:21Because I think I'm going to die any minute now.

00:28:24What's wrong, Estela?

00:28:26Nothing

00:28:27I'm drowning

00:28:28I'm drowning and...

00:28:30Oh, my heart aches

00:28:32And a little bit of pride

00:28:33No, my pride hurts me a lot.

00:28:35It hurts a lot

00:28:36Estela, you're trembling

00:28:37Please try to breathe more slowly

00:28:40I don't know whether to ask you for something to die or to kill

00:28:43Estela, can you explain what you're talking about?

00:28:45I'm the dumbest woman in the history of humankind.

00:28:48With so much before and after Christ

00:28:51Either you relax or I swear I'm going to inject you with a muscle relaxant.

00:28:54Don't prick me, just prick it.

00:28:56No, too bad I didn't say it

00:28:59Calm down

00:29:01I'll try.

00:29:02I'll try.

00:29:04I need to process it

00:29:06I need to process it

00:29:07I need to process it

00:29:08I need to process it

00:29:11Juli, please tell me I don't deserve this

00:29:13I have been bad

00:29:14But tell me I don't deserve it

00:29:19Whatever it is

00:29:20That made you react like this

00:29:21No, you don't deserve it.

00:29:23You don't deserve it

00:29:25No

00:29:28Thanks, Juli

00:29:30I have a fever, right?

00:29:32Give me some pills

00:29:33Give me something

00:29:36Yeah

00:29:37What's wrong with you?

00:29:40He must have put the bag away safely there, right?

00:29:41That which cannot be seen

00:29:42Can't you see I've put daisies on top of it?

00:29:45Daisies and this is mantanilla

00:29:46These are daisies

00:29:48The kind where you do want to or don't want to

00:29:49Yes, the informal "tú" is romantic.

00:29:52Romantic...

00:29:52Here it comes, here it comes

00:30:00And who is that?

00:30:01This is my assistant, what's up?

00:30:02He's got nothing.

00:30:04Without fail

00:30:05There's the little knife, son

00:30:07You're always there with that little knife pointing

00:30:09Let's see

00:30:10Gardener

00:30:13Look

00:30:14There he is, gardener

00:30:15Very good

00:30:16Repácilo

00:30:16No, not at all.

00:30:18They'll take your bag there to the swing set.

00:30:20And now he hands me the bitch

00:30:22Little eye of a potato chip, huh?

00:30:24All yours

00:30:24To the little dog

00:30:25I hope it goes well for you with this.

00:30:27Hello

00:30:28Ah!

00:30:31The mother who gave birth to me

00:30:32What has he done to the dog?

00:30:32That the dog was not aggressive

00:30:34Well, there's nothing I can do about it.

00:30:35I like bugs more than people.

00:30:37Didn't you see that I got bitten on the finger?

00:30:40Well done, Xuxa

00:30:41Well done, Xuxa

00:30:42If I lose my finger now, what happens?

00:30:43I mean, you're like you have no blood or anything at all

00:30:45It's hurting a lot, damn it

00:30:47He stuck the morals in me

00:30:48And the pre-moral ones

00:30:49And we insisted and everything, damn it

00:30:51How weak it was

00:30:52What do you mean, "weak"?

00:30:53What do you mean, "weak"?

00:30:53Go on, throw it away already

00:30:54And the police are coming.

00:30:56And it's going to catch you

00:30:57No, that...

00:31:01Jota, J

00:31:02Thanks for everything

00:31:05Go on, pull, pull, pull

00:31:07Go on

00:31:13Go on, you idiot

00:31:15Come on, run, let's go

00:31:22Hello

00:31:26Hello

00:31:27Could you answer my messages?

00:31:28I was just telling Yamila about her father

00:31:31And what have you come here for?

00:31:32Well, Ulysses, who called me

00:31:34But he's busy

00:31:36Claudia, I know it's none of my business.

00:31:38But maybe what you're doing isn't right

00:31:40Since when do you decide what's right or wrong for me?

00:31:42Well, I don't know, that man almost punched you in the face earlier.

00:31:45I don't think going around hiding minors is right.

00:31:47Did I ask for your opinion?

00:31:49No

00:31:49Well, leave me alone.

00:31:51Claudia, you used to be funnier, huh?

00:31:53You too

00:31:55Well, look

00:31:55I have to go downtown to buy leather to make some pendants.

00:31:58If you want, we can have a few beers afterwards and talk.

00:32:00I won't go with you.

00:32:01Already

00:32:02Neither downtown nor anywhere else

00:32:04It's over, Richie.

00:32:06As?

00:32:07It's over

00:32:09Very good

00:32:10And I have to take it as cool

00:32:12Okay, well look

00:32:13I have little pride, but I have it, and I'm not going to beg you.

00:32:16So, you yourself with your charisma

00:32:32Wake

00:32:34Estela, calm down

00:32:35Calm down and stop with the tactics already, for God's sake.

00:32:37Richie, please don't tell me to calm down

00:32:39I'm getting more worked up

00:32:41The thing is

00:32:43Let's see

00:32:44He leaves me alone

00:32:45Because his vocation is much more important than I am.

00:32:48And she has a daughter who is a preteen.

00:32:51It's not fair

00:32:52It's not fair

00:32:53However you look at it

00:32:54It's not fair

00:32:56It isn't

00:32:57Diana, how are you?

00:32:58If it were a bomb

00:32:59There would have been a port a while ago already

00:33:01Hey, Father Jesus is talking to Blanca

00:33:03And she told me that as soon as she finishes she'll come up to talk to you.

00:33:06Very good, very good

00:33:07Well, fantastic, fantastic

00:33:09I'll kill him, Estela!

00:33:10Honey, the more indifferent you seem, the better.

00:33:12Oh, of course.

00:33:13You're right

00:33:14You're right

00:33:15I kill him, I kill him, I kill him, I kill him!

00:33:21Thank you, Reyes

00:33:22I feel so good

00:33:24Hey, if you're going to kill him, I'm warning him.

00:33:26And let's see if he stays, eh?

00:33:28That

00:33:30Dear

00:33:31Do you want me to go with you?

00:33:32No, of course not

00:33:33No, no, no, no

00:33:34I want to kill him myself.

00:33:36Damn, Estela

00:33:37When you talk like that you scare me, queen

00:33:39That...

00:33:39I hope

00:33:40That he feels the same

00:33:42Wake

00:33:42He doesn't deserve you.

00:33:43Honey, he doesn't deserve you

00:33:45Do you understand?

00:33:46I know.

00:33:47Yes, I know.

00:33:51Kings

00:33:52Tell me I look beautiful

00:33:54Very pretty

00:33:55And I'm going to get him super horny before I kill him

00:33:58Wake

00:33:59Very pretty

00:34:00But very, very pretty

00:34:02And sexy too

00:34:03You're always going to be envious, aren't you?

00:34:06As?

00:34:08Oh, Kings

00:34:09You know how to cheer me up and calm me down

00:34:12Thank you

00:34:13Here I come

00:34:19Chagas disease was one of the possible

00:34:21Yes, I know her well from when she worked in South America.

00:34:24But hey, thank goodness they caught it in time.

00:34:26The thing is, that disease can remain dormant for years.

00:34:29And subsequently develop very serious neurological and cardiovascular symptoms

00:34:33Blanca, thank you for everything

00:34:34Don't worry, that's my job.

00:34:36He'll be alright, won't he?

00:34:37Clear

00:34:38Of course, of course he'll be alright

00:34:39Have no doubt about it.

00:34:40Okay

00:34:42Thank you

00:34:44Jesus?

00:34:45Yeah

00:34:48Look, I'm Cuban

00:34:49Raised in the deepest atheism

00:34:51But I was taught to respect religions and religious people.

00:34:53AND?

00:34:54Do you think what you're doing is right?

00:34:59Blanca, we are all sinners

00:35:01Yes, but Estela needs someone who truly loves her.

00:35:03I know, I know

00:35:04And I've come to explain everything to you.

00:35:08Thank you

00:35:15Claudia, that's enough.

00:35:16You're going to tell me right now where Yamila is.

00:35:18No

00:35:19You keep getting yourself into trouble

00:35:20If the rest of us have to deal with all your problems

00:35:22It's for a just cause

00:35:24But let's see, Claudia

00:35:25Tariq has glaucoma

00:35:27He has a very narrow field of vision in his right eye.

00:35:29And he can even go blind

00:35:30He will no longer be able to use the crane

00:35:33Yamila's marriage in Pakistan was to secure her future.

00:35:35I didn't know

00:35:36Well, now you know.

00:35:38So you're going to tell me where he is right now

00:35:40Or else I'll call the police, and you know I'm not joking.

00:35:42And I'm going to catch a bus to Cadiz in half an hour.

00:35:45Hey?

00:35:48Wait

00:35:50Leonor

00:35:51No, no, no, no, listen to me Tommy

00:35:53I can't right now, you've caught me at a bad time.

00:35:56What do you mean, "in an emergency"?

00:35:57Well, then call SAMUR (the emergency medical service).

00:35:59But what about the airfield?

00:36:00That's a long way off.

00:36:02That...

00:36:03Leonor

00:36:04Okay, okay, okay, okay, okay

00:36:05Very good, very good, okay

00:36:06Well, I'll take a taxi

00:36:07Okay, I'm on my way.

00:36:08Bye

00:36:09Claudia

00:36:10Call Yamila and stop you from taking the bus

00:36:11And tell him the whole truth

00:36:14Ulysses

00:36:16That?

00:36:16That Richie left

00:36:18Well, I'm very sorry

00:36:19But come on, he'll be much better off without you

00:36:21I have to go

00:36:29Okay, okay, I can tell you what happened

00:36:31I don't know exactly where babies come from, Jesus.

00:36:34It was a long time ago

00:36:35Yeah, yeah, yeah

00:36:36How old is the girl?

00:36:37Eight, well, nine more months

00:36:38Wow, what a simple calculation!

00:36:40Get out of my office!

00:36:41If you want to listen, I want to tell you everything.

00:36:44How about everything?

00:36:45Jesus

00:36:46Do they have more children?

00:36:47No, man, no, of course not

00:36:48Oh, of course not!

00:36:49No, that's not the right answer.

00:36:50Get out of my office and out of my life!

00:36:52Okay, okay

00:36:54I suppose it would be better if we talked another time.

00:36:55I'm going to the hospital to see my daughter

00:36:57No, Jesus

00:36:57No, no, no, don't come back

00:36:59Don't come back because

00:37:00How do I find a gun downtown?

00:37:02And I swear I'm going to find her.

00:37:03My hand will not tremble

00:37:05Listen to me, I will return

00:37:06Of course I'll be back

00:37:07And if you weren't so selfish

00:37:10You would realize that what's really important now is my daughter.

00:37:13Not what happens between us

00:37:22We've given it to Richard with cheese.

00:37:24Yes, it's mole, eh

00:37:26Oh, go to Burete, I love you more than my life

00:37:28Everything has turned out so well for us

00:37:29Now we're going to call two prostitutes tonight.

00:37:31And we're going to get really drunk to celebrate!

00:37:33And are we going to buy a little bit of fly wing?

00:37:35But you hadn't stopped giving yourself away already

00:37:37Well, it's okay to do it this once.

00:37:39Okay, fine, that's also true.

00:37:46I curse the mother who gave me birth

00:37:48What is this?

00:37:48Oh, I started it, I swear on my dead body

00:37:50I got a little confused with the bags

00:37:52What a mess, what the hell?

00:37:54How difficult was it?

00:37:55It was a matter of swapping one backpack for the other.

00:37:56Okay? What do you want?

00:37:57I didn't do it on purpose, okay?

00:37:59I honestly don't know whether to kill you right now.

00:38:00Or I ran away and you didn't stop, you buntucuitao

00:38:03What the hell is that!

00:38:04What the hell is that!

00:38:10That's great!

00:38:17All good?

00:38:18Very good

00:38:19Enrique is well

00:38:20Here's the bitch

00:38:21Chana and Salva

00:38:22From here

00:38:23Let's see what you've done to him

00:38:24Fuck!

00:38:26This bitch...

00:38:27This bitch is sad, damn it

00:38:28No way, he must have Tocormo syndrome

00:38:31Or maybe he'll miss his kidnappers or something like that

00:38:34Clear!

00:38:34Stop talking nonsense already, damn it!

00:38:37Come on, let's go

00:38:37Come with Uncle Jonathan

00:38:38I'm going to give you a bubble bath

00:38:40You're going to shit yourself

00:38:45Damn, I want to tell you something

00:38:49The thing is, I won't be able to get my betting money back.

00:38:51I'm telling you this in case you want to underline it.

00:38:53But I could have left you here, but no, right?

00:38:55Look, JJ

00:38:56I've treated you well

00:38:58Well, I'd say very good.

00:38:59And I'm convinced that you're going to come out on top in this.

00:39:01Because it's in your blood.

00:39:03That?

00:39:04Look how your dad got the money from all the partners.

00:39:07No?

00:39:08And wisdom

00:39:10It's something inherited from the Popes.

00:39:17Look, JJ

00:39:18We're going to give you more time.

00:39:20If you win the shrimp

00:39:21The money you have to get is for us.

00:39:24But if you lose

00:39:25You're going to have all of Arroyo Pingarrón

00:39:28Behind your ass

00:39:30Did you understand me?

00:39:38Oh!

00:39:39What the hell am I?

00:39:40What am I?

00:39:42What am I?

00:39:42Have you seen the mess you've gotten me into?

00:39:44Okay, it wasn't on purpose.

00:39:45It wasn't intentional.

00:39:46I no longer know if you're my friend or what you are

00:39:47What's happening?

00:39:48You don't love me anymore?

00:39:49Don't know

00:39:51Now that you're not a weather vane anymore

00:39:53Now neither coke, nor red, nor whore

00:39:55Not even your own mother

00:40:04Twin

00:40:06Very sorry

00:40:08Father, what I want is for him to get better.

00:40:10And I can work

00:40:12I will study and work at night

00:40:14It won't be that difficult for me to find a job.

00:40:16I'm sorry for everything that's happened

00:40:17Gemila stays

00:40:18That's what's important.

00:40:20Claudia, I want to talk to you

00:40:22How are you?

00:40:23Okay, father

00:40:26Yes tell me

00:40:28Claudia

00:40:30I want to be with you

00:40:32We're friends, right?

00:40:34Yes, we're friends, but

00:40:36I want to be with you more

00:40:39Know?

00:40:40I am shy

00:40:41Do you know what I mean?

00:40:43Do you want to be my girlfriend?

00:40:47I like you a lot, but I'm sorry, it can't be.

00:40:50But...

00:40:50I'm sorry, no.

00:40:54Gloria, I understand that you don't love me, okay?

00:40:56I really don't understand.

00:40:57Yes, I'm a mess.

00:40:58Besides, you

00:41:00You're my disaster

00:41:24But anyway, can you tell me what's going on?

00:41:25Why all the urgency?

00:41:26Are you feeling unwell?

00:41:27Not me, my father

00:41:28What do you mean, your father?

00:41:29It cannot be moved

00:41:30What's wrong with him?

00:41:31It's there, in the small plane

00:41:33Leonor, why didn't you call the Samur?

00:41:34Well, why not?

00:41:35See it with your own eyes

00:41:36You'll understand it much better

00:41:37What I don't understand is how much the taxi cost me to get here.

00:41:40Ah!

00:41:41No, no, no, no

00:41:42Yes, yes, yes, yes

00:41:44Thank goodness you came

00:41:47Homer, Almudena, Almudena, Homer

00:41:48Please

00:41:49That?

00:41:50Nice to meet you

00:41:50Ulysses

00:41:51I'm hooked

00:41:53The fact that?

00:41:53The back

00:41:55Of course they're naked

00:41:57I already know that.

00:41:58My father has the same tastes as me.

00:41:59Because my family, like all of us, are modern.

00:42:01The problem is that he doesn't understand why I have an open relationship with my mother.

00:42:05What mother?

00:42:05My mother doesn't know either.

00:42:06Well, what do I know?

00:42:08And what about me?

00:42:09Well, Homer, you can do something

00:42:11Okay

00:42:15Williams

00:42:18It's going to be complicated.

00:42:20Go away, you hand.

00:42:21On the matter

00:42:33Jota, forgive me

00:42:34It was the backpack mix-up and the blunder

00:42:37In the movie I saw, everything looked perfect on him.

00:42:39Call now, it's not like a movie or anything.

00:42:41The story you've concocted for me

00:42:43If I had the money, I'd give it to you.

00:42:45I have two options

00:42:48Or disappear off the map

00:42:50Or disappear off the map

00:42:52But if they are both the same

00:42:54He's not thinking of doing anything foolish.

00:42:56Robbing a bank or something, right?

00:42:58Man, Ray's not going to come at me with any nonsense.

00:43:00And the truth is, I don't have much faith in my crocheting.

00:43:03And well, between against one

00:43:05No, don't worry.

00:43:06And how relaxed I am since I quit drugs

00:43:10No bad vibes

00:43:11No shady dealings

00:43:13Nor having to fend for myself

00:43:14Nothing.

00:43:14I'm so glad to work in a public institution

00:43:18But if you're here out of charity

00:43:20Well, not out of charity

00:43:21But it's a public institution, isn't it?

00:43:23You want to ruin my sleep

00:43:25I don't have a plan B

00:43:26The thing is, I didn't want to use it.

00:43:29Actually, it was plan A.

00:43:30That was my goal when I arrived here.

00:43:33And I feel very sorry for you.

00:43:36But I have no choice but to use it, bench

00:43:39I have no other choice.

00:43:45Thank you

00:43:46At least I can move around

00:43:47You should go see your doctor

00:43:49You may need more injections

00:43:50Lower back pain doesn't heal just like that

00:43:52I know

00:43:54Listen, Homer

00:43:54Then, be as discreet as you can be.

00:43:59I understand

00:43:59You know, these things end up as jokes at embassy parties.

00:44:03Don't worry

00:44:04Besides, it's been a long time since I've been to any embassy party.

00:44:07I don't care what people say about me, but I don't like it when my wife and daughter...

00:44:11are on everyone's lips

00:44:12Already

00:44:13Well, what he needs to do now is take care of himself.

00:44:15And not doing that type of exercise so often

00:44:18No, the lower back pain is that it recurs.

00:44:20I know

00:44:21But that won't stop me.

00:44:23You'll understand me when you're my age.

00:44:25Well, thanks, Homer.

00:44:26Ulysses

00:44:27That?

00:44:28Dad, don't be a pain.

00:44:29Man, I'm very grateful.

00:44:32Has Mudena already left?

00:44:34I asked him for a taxi

00:44:35And Mom?

00:44:37He knows nothing

00:44:38What I do?

00:44:39Well, goodbye, Homer

00:44:40See you soon

00:44:43Ulysses

00:44:44Ulysses

00:44:46Your father's a bit frivolous, isn't he?

00:44:49Come on, he can afford it, but...

00:44:51Is something wrong?

00:44:52Me?

00:44:53No, nothing

00:44:54That...

00:44:55See you soon, okay?

00:44:57Come on

00:44:59Hey...

00:44:59Is...

00:45:00Hey, Leonor

00:45:01That...

00:45:01So, you're being frivolous...

00:45:02Well, look, he keeps calling me Homer, listen

00:45:05Okay, come on, come on, come on

00:45:08Come on

00:45:08Nothing is going to go right for me.

00:45:09Fuck

00:45:11Yes, yes

00:45:11There's a concert this afternoon in downtown Sal

00:45:14We raised funds for an NGO based in Bolivia

00:45:16Are you in?

00:45:17No, no, no

00:45:18I need air

00:45:19I'm going to the greyhounds

00:45:20Yes, I understand.

00:45:21But you know, almost nothing ever happens in the neighborhood.

00:45:24And this afternoon, just this afternoon

00:45:26The race and the concert at the same time, man

00:45:28A lot, a lot

00:45:29Look, I'm going to donate a little bit to the Bolivians.

00:45:32Hey, baby

00:45:33Oh, you don't know that thanks to the tabs on the milk bristles

00:45:36I've managed to get rid of the mortgage on the house

00:45:39That's luck.

00:45:40I'm telling you

00:45:41You're invited, come on over

00:45:42Thank you, Gloria

00:45:43Air

00:45:45What's wrong, idiot?

00:45:48It's the Olo

00:45:48What's up, boss?

00:45:49What do you say?

00:45:51Nothing, I just want you to know that...

00:45:54Not all that glitters is gold

00:45:56Don't drive me crazy with proverbs and get to the point

00:45:58You called me for a reason.

00:46:00It's about the dog.

00:46:01The bitch?

00:46:02Yeah

00:46:03What's wrong with the dog?

00:46:04Well, that...

00:46:06I lied to you, boss

00:46:07That the shrimp hasn't won a race in its entire life

00:46:10She's neither a champion nor anything else.

00:46:12You're kidding me.

00:46:13Yes, I've seen her run, and we've even timed her together.

00:46:15Yes, in training

00:46:17But when the race is real

00:46:19With all the people in front

00:46:20It's falling apart

00:46:21Well, it's always happened to him.

00:46:23He has what's called stage fright.

00:46:25And you're telling me this now?

00:46:27What game is Manolo playing?

00:46:28If all this spills, it's going to make you sick.

00:46:30And I'm going to help him.

00:46:32I want you to know that, in addition, I bet against her

00:46:36I'm not proud

00:46:37No

00:46:38But things are really bad.

00:46:40And I can't get ahead, damn it.

00:46:42And I want to stop using electrical outlets.

00:46:44Manolo, don't give me any excuses.

00:46:46The dog of Cuenca

00:46:47He has already won several medals

00:46:49She's going to eat it up.

00:46:51Listen to me.

00:46:52And bet against the shrimp

00:46:54Pray that he doesn't say anything about what you just told me.

00:46:57You're crazy, Lolo

00:47:05Leonor

00:47:06Leonor

00:47:07That's enough, are you going to say something, please?

00:47:09Nothing, it just made me a little embarrassed

00:47:10Seeing my father in those conditions

00:47:12But I had to help him

00:47:13Yes, I understand perfectly.

00:47:14But surely that's all it is.

00:47:15Clear

00:47:17Let's see, Leonor

00:47:19This is very rare

00:47:20You don't look me in the eyes, you don't smile, you don't joke with me

00:47:23Well, I hadn't noticed.

00:47:24I don't know, everyone has better days and worse days, right?

00:47:26Leonor, I know you a little, there's something more

00:47:28You're a fortune teller, as well as a doctor.

00:47:29Okay, are you going to tell me what's wrong?

00:47:31Well, yes, look, I'm going to tell you.

00:47:34Leonor, the frivolous

00:47:35She's fallen in love with you like a complete idiot

00:47:39What do you think?

00:47:43Well, is that so bad that it makes you so sad?

00:47:46Suffering is not part of my plans, Ulysses.

00:47:48Love is suffering

00:47:49Well, maybe I feel something for you too.

00:47:51You don't have to suffer

00:47:54Okay, tell me how you feel

00:47:58Well, I don't know, but I like you.

00:48:00Anything more explicit?

00:48:02A lot

00:48:03I like you a lot

00:48:05Do you want her?

00:48:06That?

00:48:07You love Reyes.

00:48:08That's not true

00:48:09Yes it is

00:48:10Isn't it?

00:48:10Yeah

00:48:11Leonor!

00:48:14Tell me you love me

00:48:20You can't tell me you love me because you don't love me.

00:48:36Leonor

00:48:38Leonor, please listen to me

00:48:59You can't tell me you appeared to me like a rat in the garden, because that's what rats are for.

00:49:02They are about to arrive

00:49:03Please, I haven't been notified.

00:49:05But I do.

00:49:07I haven't seen a rat in this house for...

00:49:10I think never

00:49:11Well, now there's a plague of rats the size of rabbits in the housing development

00:49:14So come on out and take a walk.

00:49:16Don't let him touch me

00:49:18But rat poison is very dangerous.

00:49:20Yeah, so why do you want to stay?

00:49:22Because I stay, I open the door for them, I let them into the house, and then I leave.

00:49:25Honestly, Jojo, I don't understand this sudden interest in helping out in this house

00:49:30No, because I'm a very good person and also because I see her so lonely, well...

00:49:36Well, look, yes

00:49:38Yes, I feel lonely

00:49:40Yes, my husband is leaving me and...

00:49:43My son has a girlfriend and my daughter is nowhere to be seen...

00:49:47Leineche isn't talking to me and...

00:49:49Jota, Jota, I don't know what's happening to me, I feel like my world is falling apart and that...

00:49:53I don't know if I was in the middle of the ocean, surrounded by water and...

00:49:58Come on, to the street, to the street, to the street

00:50:00Okay, I'm coming, I'm coming, I'm coming

00:50:04Amaranza

00:50:08Poor thing

00:50:15Hey

00:50:17They can come whenever they want

00:50:24Girls, girls, girls

00:50:26I already have the tickets for the Caribbean

00:50:28Blanca, I'm going to your land

00:50:30And why is that, Gloria?

00:50:31Well, nothing, tongue, tongue of the milk colds

00:50:33I've managed to get rid of the mortgage.

00:50:35I'm going to start living my life with my daughter

00:50:38Oh, congratulations!

00:50:39Oh

00:50:40What's wrong, honey?

00:50:41Oh no, I don't know

00:50:42A...

00:50:43Contraction

00:50:44Blanca, I'm fed up with your contraction

00:50:46I'm telling you, not until Cabrero has his driver's license.

00:50:49I'm not calling an ambulance

00:50:50Hey

00:50:51Oh, while you're at it, bring me another little wine.

00:50:53You're drinking too much

00:50:54Mmm, nonsense

00:50:55Glory

00:50:56How much do you have to drink to forget about Father Jesus?

00:50:58What's wrong with you and Father Jesus?

00:51:00Gloria, don't be a gossip.

00:51:01What do you expect me to be if I'm stuck here all day long?

00:51:06Hello, Goat

00:51:07Hello, Gloria

00:51:07Hey, get me a beer

00:51:09Propose to me

00:51:09Oh, oh, oh, oh

00:51:10Here comes Cabrero

00:51:11Don't look at a single word of my contractions

00:51:14But how long are you going to keep doing this with Cabrero?

00:51:16Please

00:51:17It's not a cure

00:51:18She has no daughters in Bolivia

00:51:20I think he's the perfect man

00:51:22Hello

00:51:24We have already served all Bolivians

00:51:26Except for the girl with Chagas disease

00:51:28None of them have even the slightest cold

00:51:31Gloria, please, that wine

00:51:33Goatherd

00:51:33You can't trust anyone, can you?

00:51:35Estela, darling

00:51:36You've never trusted anyone.

00:51:38It's true

00:51:39Well, I ended up falling for the least suitable one.

00:51:41I'm sorry to tell you, but I love seeing you like this, okay?

00:51:44Confused

00:51:46Dislocated

00:51:47Off-center

00:51:48Why don't you tell that priest to go to hell and come with me, huh, Morena?

00:51:51Hey, don't tell me twice, I think it's a great idea

00:51:54Hey, kid

00:51:55And what are you saying there, huh?

00:51:57Well, at least I've managed to get you to listen to me.

00:52:02I've managed to get you to listen to him.

00:52:04And I've managed to become unhappy.

00:52:06Stop, stop, stop, stop, stop, stop, stop, stop, stop

00:52:07I'm tired of hearing you talk about Father Jesus, his daughter, and your unhappiness.

00:52:11I'm going to be a mother soon and I'm alone

00:52:13And what am I going to do when this kid gets out of here, huh?

00:52:16Selfish

00:52:25Ulysses

00:52:26Can you come here for a second, please?

00:52:28Clear

00:52:31Look

00:52:33This can't go out like this.

00:52:35I think the same

00:52:36This situation is absurd

00:52:37He's right.

00:52:38It's not good for either of us, Ulysses.

00:52:39I completely agree

00:52:40What's more, I don't know how we got here

00:52:43Neither do I, but we've arrived

00:52:44Yeah

00:52:45But I can't take it anymore.

00:52:47It's just that seeing you every morning makes me feel something inside.

00:52:49What is it that...

00:52:50Can't

00:52:51Can't

00:52:53I swear, the same thing happens to me in the mornings.

00:52:55Yeah?

00:52:56Yeah

00:52:56Well, it's decided.

00:53:00I'm going to request a transfer, Ulysses.

00:53:03That?

00:53:04I'm leaving

00:53:05I'm leaving here

00:53:06But where are you going?

00:53:07Well, I don't know, but...

00:53:09Perhaps it's time to leave here

00:53:10There are a lot of worlds out there, I don't know

00:53:12But hey, you're from this world

00:53:13And?

00:53:14You want to leave this world too, don't you?

00:53:16Yes, but it's not the same

00:53:17Well, it doesn't matter, because it's already perfectly clear.

00:53:21You'll soon stop seeing me

00:53:25Laquita, what's wrong?

00:53:26Another contraction?

00:53:26Leave me alone, leave me alone

00:53:28Hey

00:53:33I don't understand anything.

00:53:39There won't be any problem, I'm telling you.

00:53:42Your dog is guaranteed to win.

00:53:44As soon as the shrimp sees all these people

00:53:46It's falling apart

00:53:47Come on, go on

00:53:48Relax, okay?

00:53:52Oops!

00:53:53Oops!

00:53:55Long live Barbon Raffi!

00:53:59Come on, shrimp, daughter, come on

00:54:01Come on, let's go outside, handsome, let's go

00:54:03There we are

00:54:05What a beautiful day, a cat race is going by

00:54:09Oh, look!

00:54:11Here, you idiot!

00:54:14What a beautiful day!

00:54:15Enjoy, okay?

00:54:16Enjoy, everyone!

00:54:22Where has that damn Gaitán gone?

00:54:25Where could he have gone?

00:54:27It's about to arrive

00:54:27It has to be about to arrive

00:54:29She didn't just run away, did she?

00:54:31I already told you no

00:54:32Okay, whatever.

00:54:33This is something to celebrate, right?

00:54:35This day is for everyone to enjoy here.

00:54:38Oh, my little girl, the most beautiful thing there is!

00:54:40Oh, my little shrimp girl!

00:54:42I already told you

00:54:43If you win the race this afternoon

00:54:45Then I can open new avenues for negotiation

00:54:47And I'm going to give you a good male.

00:54:50So that you can enjoy it

00:54:52Oh, my child!

00:54:54Oh, how beautiful, how beautiful she is!

00:55:02I told you, shrimp

00:55:03If you don't win the race

00:55:05You're going to have a really bad accident, okay?

00:55:07There it is

00:55:07Come on, let's have a drink

00:55:10There

00:55:10This turned out great, huh?

00:55:12It looks amazing, doesn't it?

00:55:15Waiter, give us three small red wines coming right up

00:55:17Are you happy, darling?

00:55:19It's beautiful, I love it

00:55:20Nothing, I'm really glad you liked it, okay?

00:55:24Nothing

00:55:24Goodbye and thank you very much

00:55:26Thank you.

00:55:27That's how bargains are

00:55:28Take it or leave it

00:55:30Wow!

00:55:31You can go out the door now.

00:55:32Thank you

00:55:33Because this is your home

00:55:34You already know that this is your front door

00:55:46Ah, he's got the money now!

00:55:48Ah!

00:55:49Ha, ha!

00:55:50You call yourself before going into any place, I mean, right?

00:55:53You owe us an explanation.

00:55:54I?

00:55:55There's a man outside asking if this is the house that was for sale.

00:55:58Some people are seriously crazy.

00:56:00Amaranta, grab it!

00:56:01Where did you get this money, you bastard?

00:56:03Where are you going, people, with this money?

00:56:05Where do you get it from?

00:56:05Where are you going, crazy people?

00:56:06Ha, ha!

00:56:07Enough is enough

00:56:09Something's happening here.

00:56:10And I'm not stupid.

00:56:12I'll tell you what's happening.

00:56:14What's happening to you?

00:56:16Digineche?

00:56:17I thought you'd have more pride.

00:56:19There's a couple out there who say they've paid a deposit on the house.

00:56:22Well, you shouldn't believe everything you're told.

00:56:24Have you sold the house?

00:56:26No

00:56:27What do you mean, no?

00:56:28She's put it up for sale at a ridiculous price.

00:56:30They've told me everything

00:56:31And that thing there is the deposit slip for the purchase.

00:56:32I don't have to give explanations about anything.

00:56:34So come on

00:56:39And you know what the worst part is?

00:56:40I know Blanca is right.

00:56:42At my age I'm still immature

00:56:44Well, do something, goatherd

00:56:45What do you want?

00:56:45Let it ripen like that, like a banana.

00:56:47No, I want you to stop complaining

00:56:49This is not as easy as it seems

00:56:50The fact that?

00:56:51Make coffee

00:56:51I'm going to tell you something that he hasn't told anyone.

00:56:54Do you know the truth?

00:56:55Man, of course

00:56:56You're about to become a father and you're terrified.

00:56:59Well, no, that's it.

00:57:00I'm terrified.

00:57:01Only?

00:57:01Well, look, I'm excited too, aren't I?

00:57:03But...

00:57:04No, no, it was about the coffee, about whether I wanted it alone

00:57:05Well, yes

00:57:06And with a few drops of responsibility

00:57:08Well, goatherd, I don't have that.

00:57:11But...

00:57:11Okay, that's enough.

00:57:13Can I ask you something?

00:57:15But don't expect me to give you advice.

00:57:16How did you see Reyes and me?

00:57:18Kings and you

00:57:19Water and oil

00:57:20Water and oil?

00:57:21You are young

00:57:22You're the second nicest guy in this center

00:57:24She is your nurse

00:57:25And it's normal that there was some sexual tension.

00:57:28Don't you think Reyes has been the woman of my life?

00:57:32It was the dust of your life

00:57:33Cabrero, please

00:57:34That?

00:57:35Okay, and Leonor

00:57:36How do you see me with Leonor?

00:57:37Oil and vinegar

00:57:38Ideal for any salad

00:57:39You are the vinegar

00:57:40Thank you so much

00:57:41No, you match perfectly

00:57:42She is the whiskey

00:57:43And you are the London Rocks

00:57:45She is the whiskey

00:57:46And I am the London Rocks

00:57:48And don't let me keep talking nonsense.

00:57:50Goatherd

00:57:51You're completely insane.

00:57:53Thank you very much.

00:57:53Where are you going?

00:57:54To do one very important thing

00:57:55I'll be back for the concert, okay?

00:57:57Poetry

00:57:57To women

00:57:59Poetry

00:57:59Thank you

00:58:07Let go, we'll see

00:58:07Rinco!

00:58:09This is a...

00:58:10Silence already, damn it!

00:58:12I told you so.

00:58:13I told you so.

00:58:13I don't want to use the boogie board

00:58:15With nothing

00:58:15Have no doubt.

00:58:16He'll come for you, Jerome.

00:58:18You shut up, Lluvino

00:58:21Jojo

00:58:21This is a performance, isn't it?

00:58:23Teresa

00:58:23I was just about to apologize

00:58:25I've behaved like a real...

00:58:26Spurned gentleman

00:58:28I understand you

00:58:28If you want, I can continue carrying

00:58:30Things that happen in this house, huh?

00:58:32Wanna

00:58:33I want you to put this monster in.

00:58:35In jail

00:58:35But how can you do this to him?

00:58:37To your father's family?

00:58:38You are not a...

00:58:39A Gaitán

00:58:40You're nobody

00:58:41What are you doing?

00:58:42Like fools, like fools

00:58:43I've grown fond of him

00:58:44I who have taken you in this house

00:58:45Like a son

00:58:46No, let's not exaggerate, okay?

00:58:48Let's not exaggerate either.

00:58:49I'm leaving now.

00:58:50And I would be grateful.

00:58:51That they wouldn't look for me

00:58:53Are you going back to Cordoba?

00:58:55From where I never had

00:58:56That having gone out

00:58:58Little Teresa

00:58:59I'm going to tell you something

00:59:01Which I think is very bad.

00:59:02Don't tell me anything

00:59:02But come on

00:59:03That I am not your husband's son

00:59:05Hey?

00:59:09I knew he was hiding something

00:59:11Stupid

00:59:12What are you going to watch, you gossip?

00:59:13Shut up already, okay?

00:59:14And what about salmorejo?

00:59:15And what about the student from Cordoba?

00:59:16And what about the nurse?

00:59:17Hey?

00:59:18All of this had to happen, right?

00:59:20A drunk guy

00:59:22She told me her story

00:59:22At a bar counter

00:59:24And I won

00:59:25The little medal

00:59:25To the letters

00:59:26Leguineche

00:59:27Tell me that all this

00:59:27What are you saying?

00:59:28It's a lie.

00:59:29If now

00:59:29When I'm saying

00:59:30The truth

00:59:32I found myself in trouble

00:59:33With a few problems

00:59:34And I came to see if I could get it out

00:59:35Some slices

00:59:36But come on

00:59:36That I have

00:59:37To my father

00:59:37And to my mother

00:59:38They can't even stand the sight of me.

00:59:39But the blood of the bagpipers

00:59:41I don't wear

00:59:41We will send you

00:59:42And give it to him

00:59:44Now there's a little something, huh?

00:59:46I have a score to settle.

00:59:47With Raizal Azai

00:59:48Then I'll disappear.

00:59:49Forever

00:59:50We'll show you

00:59:51For illegal sales

00:59:52From the house

00:59:52Just so you know

00:59:53If the house

00:59:54The bank was going to take it from you.

00:59:55I find out about everything.

00:59:56Although it may not seem like it

01:00:01Yeah

01:00:02Good luck!

01:00:06Are you a lady?

01:00:07From head to toe

01:00:16Pull, pull

01:00:16Pull up

01:00:17No, no, no

01:00:18I'm getting myself out

01:00:18I'm taking out the

01:00:19Pull up

01:00:21Who is it?

01:00:22Be quiet!

01:00:24Scattered all over the stage

01:00:26I want you to look your best

01:00:27And also to Leliana and Pedro

01:00:29They've left you prices

01:00:30Feeling calmer?

01:00:31Yes, but as soon as this is over

01:00:33I'm going straight to the hospital.

01:00:34Good

01:00:34White

01:00:36How's the girl?

01:00:37Good

01:00:37Okay, we've been told

01:00:38It's progressing very well.

01:00:39Yes, she's sad.

01:00:40Not to sing, but...

01:00:42Okay, Blanca

01:00:42Thank you so much for everything

01:00:44Yes, doctor

01:00:45You have behaved very well

01:00:46With us

01:00:47Don't worry

01:00:48I'm just doing my job.

01:00:49Well, I'm going to do mine.

01:00:51Permission

01:00:51I'm going with you.

01:00:52Don't lose sight of the instruments

01:00:54And there are a lot of mussels here.

01:00:56Like at airports

01:00:56Things fly

01:00:57Hey, Estela, we can...

01:00:59Father Jesus

01:01:00I have a lot of things to do.

01:01:01Estela, you can't avoid me

01:01:02All the time

01:01:04Uh, yeah

01:01:04Yes, of course I can

01:01:06Listen to me

01:01:06Do you want to listen?

01:01:09I have spoken with peace

01:01:10It has upset me a lot

01:01:11I wanted her to tell you about my daughter.

01:01:13But I took responsibility for her

01:01:15The thing is, I didn't want to.

01:01:17No, I don't want to stray from my path

01:01:19No

01:01:20You don't want your superiors to find out

01:01:22But you know, Jesus?

01:01:23The boss surely already knows.

01:01:25Estela, it was a very difficult story for me

01:01:27And I don't want it to happen again in my new parish.

01:01:30Ah, your daughter is in the hospital

01:01:32And all you care about is your reputation

01:01:34Come on

01:01:35You don't want to be selfish

01:01:36It wasn't exactly like that.

01:01:37Okay, but you're a much worse person than I thought.

01:01:40Listen to me, listen to me

01:01:50Oh, what lovely gifts, gentlemen!

01:01:53Look at the ballot!

01:01:54He's crying!

01:01:57How beautiful, huh!

01:01:58It's in the state of a place, gentlemen!

01:02:03Jose!

01:02:03They weren't coming, they weren't coming!

01:02:05They didn't know what to do anymore!

01:02:06I think I've had a few minor problems

01:02:08But important

01:02:08But anyway, everything's sorted now.

01:02:11Thank goodness

01:02:13Otherwise, they'll lynch us here.

01:02:15First here, then...

01:02:16Well, what's it to me?

01:02:18Oh my god, little box, dude

01:02:22At last

01:02:23That?

01:02:25Mr. Williams

01:02:26Ulysses?

01:02:27Oh well, it doesn't matter.

01:02:27I'm trying to locate his daughter.

01:02:29I'm not answering my phone

01:02:30Had you arranged to meet her?

01:02:31Not quite

01:02:32It has just taken off

01:02:33He told me he needed to fly more than ever.

01:02:35I noticed she was acting a little strange

01:02:37The truth is that what I have to tell you

01:02:39It's important.

01:02:40What have you done to him, huh, Homer?

01:02:42Is it really urgent?

01:02:44Well...

01:02:44I don't know him.

01:02:46It will land when it runs out of fuel.

01:02:48This cannot wait.

01:02:49Couldn't I talk to her through that radio?

01:02:52Of course

01:02:52Here it is

01:02:53Is what you have to tell him really that urgent?

01:02:57Well, a little.

01:02:57Thank you

01:02:58Here?

01:03:01Leonor?

01:03:02Ulysses

01:03:04Leonor?

01:03:05Ulysses

01:03:05What are you doing here?

01:03:06What happened?

01:03:08Well

01:03:09The truth is, I don't really know where to begin.

01:03:10But...

01:03:12I've come for you

01:03:14Well, that...

01:03:14Maybe I'm not what you expected

01:03:17And I can't look you in the eyes

01:03:18And to tell you clearly that I love you

01:03:20But...

01:03:20Please let me try

01:03:23Okay

01:03:25But stop talking on the radio equipment

01:03:26I don't want you to make a fool of yourself anymore.

01:03:28The tower is listening to you...

01:03:32Okay

01:03:32So, see you tonight?

01:03:34I'm watching you right now.

01:03:38Come on, I'm not pretending.

01:03:39Do you want to see me in person tonight, yes or no?

01:03:41Only if you go to the source with me

01:03:44Made

01:03:51What's happening?

01:03:55What's happening?

01:04:03Good afternoon

01:04:05And welcome to all

01:04:08I'm going to introduce you to some guys who are very interesting.

01:04:12The choir and orchestra of San Ignacio de Mojos in the Bolivian Amazon

01:04:21Thank you so much for coming

01:04:23I hope you enjoy the music

01:04:25And above all, that in the end you be a little generous.

01:04:29When you have

01:04:47Wake

01:04:48Wake

01:04:48Shh!

01:04:49Really?

01:04:51Don't you look like you're about to give birth, Blanca?

01:04:53Well, I've broken the water pipe, look.

01:04:55Ugh, how disgusting!

01:04:57Oh, why didn't you tell me sooner!

01:04:58Because I'm giving you time to finish presenting it

01:05:10Oh, my little girl is about to come out!

01:05:12Okay, fine, I'll let the goatherd know and...

01:05:18And to cut my candles

01:05:19An ambulance is not needed.

01:05:21I've had the van ready for two weeks now.

01:05:23It's going to be faster now.

01:05:23Take it away, take it away

01:05:24Take it away

01:05:25Take it away, take it away

01:05:25Calm down, calm down

01:05:26Calm down, breathe, breathe

01:05:27Oh, my little daughter, the beloved one chooses, I'm afraid

01:05:29No, I'm not looking.

01:05:29Lean on it, lean on it

01:05:30No

01:05:31Wait

01:05:32Wait a minute, the tobacco, my tobacco

01:05:33Goat herder, goat herder, please!

01:05:34Come on, fruit!

01:05:36Let's go!

01:05:36Come on!

01:05:37Coming to smoke!

01:05:38Come on, let's go!

01:05:41Breathe

01:05:47Breathe

01:05:49Good afternoon

01:05:51What a joyful day, son.

01:06:08Take good care of her, she's my champion, the shrimp, the very best.

01:06:14What a joyful day, holy shit, enjoy it, eh?

01:06:17No, no, thank you, thank you, please pass.

01:06:24Tell me that I'm more excited about the shrimp feast than about any of my children's communion.

01:06:28I'm going to give him a bubble bath when I'm done, he's going to enjoy it.

01:06:34What a day we've had, damn it, go on a race.

01:06:39I'm already convinced of victory and everything.

01:06:42It's beautiful.

01:06:43Give me a big whiskey now, I'm disheveled.

01:06:50Don't ask me how I did it, because you won't believe it.

01:06:54How did you do it?

01:06:55Go away.

01:06:59Green money, king?

01:07:00Very good, another one, another one.

01:07:01Okay, I understand.

01:07:12What are you doing?

01:07:13You are the best friend I've ever had in my life.

01:07:15What's wrong with you?

01:07:16What have you been drinking?

01:07:17You'll soon understand why I'm telling you this.

01:07:19Well, I know, but I'm already acting like a faggot here in front of people who embarrass me.

01:07:23But you faggot, you're my friend and I love you.

01:07:47Sir, what happens now?

01:07:50Look, do you want to relax, sir, please?

01:07:52We're in the middle of the concert.

01:07:58Let's see, Cabrero hasn't arrived at the hospital yet.

01:08:01They tried to take a shortcut to get there faster, but it was on streets closed off because of the race.

01:08:05dogs.

01:08:05Shit!

01:08:06Where is Cabrero?

01:08:07She's with Blanca, she's gone into labor.

01:08:08Listen, they've had a breakdown.

01:08:10What do we do?

01:08:10Tell them where they are, exactly where they are.

01:08:13Goatherd.

01:08:14Cabrero, please don't cry.

01:08:19Lucena crossing.

01:08:20Okay, perfect.

01:08:21Come on over there, okay?

01:08:23Ulysses, come on, grab the briefcase, run.

01:08:25Wait a minute, let's see.

01:08:26It's not better to call Samuel.

01:08:27That?

01:08:27No, you guys are going to get there before the street vendor.

01:08:30And besides, it's not our first birth, is it?

01:08:31No, but it's Blanca.

01:08:32Ulysses, grab the briefcase, let's go.

01:08:35No, not this way, no, this way!

01:08:44Hello, boss.

01:08:45And what are you doing here?

01:08:47I'm too fond of the dog.

01:08:49Look, it's the same as losing everything.

01:08:51What I want is for him to win.

01:08:52You are a belete.

01:08:53Look, look, please, look at what a piece of shit.

01:08:56How beautiful.

01:08:57I shit on the milk in my shrimp.

01:08:58What's beautiful about her is that she has a certain charm.

01:09:00It has a bow, it has a bow, it has a goblin.

01:09:02How beautiful, how beautiful!

01:09:09The wall is coming.

01:09:10I can't take it anymore.

01:09:11Don't worry, you can't stop me here.

01:09:15Goatherd!

01:09:16Goatherd!

01:09:20Come on, very quickly, quickly.

01:09:22I think it's taking a long time, but...

01:09:23Damn, it's not the same as for a woman

01:09:25who knows nothing about the woman in your life.

01:09:27Who is it?

01:09:27Sure, then, okay, sure.

01:09:28Be quiet!

01:09:29Shut up already!

01:09:29I've forgotten everything.

01:09:30Come on, let's go!

01:09:32Oh, king!

01:09:33Good thing it's here!

01:09:39Breathe!

01:09:40Breathe!

01:09:45Let the race begin!

01:09:52The ringleader is here, goatherd!

01:09:53Come on, you're going to stick your little head out!

01:09:54I don't want to look, damn it!

01:10:01Push!

01:10:01Come on, let him come!

01:10:04Aux,áhá!

01:10:05Aux,áhá!

01:10:07Aux,áhá!

01:10:26Aux,áhá!

01:10:56What do you want?

01:10:57And Jota?

01:10:58And what do I know, man?

01:11:00Okay, okay, okay!

01:11:01Okay, okay, okay!

01:11:03Okay, okay, okay!

01:11:07It seems he was a goat herder.

01:11:11He is my son.

01:11:13He doesn't have my skin or my nose.

01:11:15Well, his nose still has to grow.

01:11:17In a good way.

01:11:19No mulattos have emerged.

01:11:20Yes, like your dad.

01:11:23Oh my God, have you ever seen such a handsome boy?

01:11:25Well no.

01:11:25What will this beauty be called?

01:11:27Chuck Berry.

01:11:28No, man.

01:11:29Christopher, like his father.

01:11:30None of that, I don't like your name.

01:11:38What's going on? Why are you all staring at me?

01:11:40Ulysses.

01:11:41It's going to be called Ulysses.

01:11:43Look how nice.

01:11:44I just don't know.

01:11:46The thing is, I've never really liked my name.

01:11:48Me neither, but I think it's fantastic.

01:11:51Thus it will bear the name of a hero.

01:11:52And we're not going to baptize him, but he'll be his godfather, right?

01:11:56About something?

01:11:58Well, thank you, thank you.

01:12:01And please, call an ambulance now.

01:12:03And start saving money for the crib.

01:12:05And since you're the godfather, open a savings account for when I go to university.

01:12:09Not before, because I don't want him to turn into a snob.

01:12:11Ulysses.

01:12:14What's he doing here?

01:12:16Wait, Ulysses.

01:12:22Blanca just had a baby goat.

01:12:25Ah, well I'm very glad.

01:12:27Hey, weren't you at the greyhound race?

01:12:28Yes, I'm from there.

01:12:29So, how's it going?

01:12:30Well, the truth is I don't know.

01:12:32Is something wrong?

01:12:38Ulysses, I have always loved you like a brother.

01:12:40Already.

01:12:41Okay, okay, okay, okay.

01:12:42But don't squeeze me so hard.

01:12:44Can someone tell me what this is all about?

01:12:46Well, that's why I wanted to tell you.

01:12:48Very well, that's it.

01:12:50You certainly have a great sense of taste, don't you?

01:12:53And what's so strange about you?

01:12:54You're a bit stuck-up, but you're a great guy.

01:12:58Go on, go with the kings.

01:13:00I'm going to continue on my path.

01:13:02Okay, but if you're going to be late getting home, please call my mother.

01:13:04You know he worries if he doesn't know where you are.

01:13:10Goodbye, brother.

01:13:12Bye bye.

01:13:18Hey, are you sure you're okay?

01:13:43I work in the afternoon and at night, I work every day, all morning long.

01:13:48But don't tell me I'd hide my paw and that little bit.

01:13:54Dad, don't leave us without a home.

01:13:58I work crazy at the door, but please come here.

01:14:03I'm telling you, Dad, don't leave us without a home.

01:14:08I work like crazy at the door, but the mother and daughter have nothing left to eat.

01:14:23You like me?

01:14:23I loved it.

01:14:24I really like the Baroque style.

01:14:26Ah.

01:14:26The columns, the cathedrals, all of that.

01:14:27Oh, sorry, I'm getting carried away...

01:14:28The court, the court.

01:14:31Well, the bus is outside and I'm going to the hospital.

01:14:34Okay, we'll talk later.

01:14:35Thank you.

01:14:37Fantastic.

01:14:38Next time, better.

01:14:40Thank you.

01:14:41That's great, the concert went well, didn't it, Jesus?

01:14:43If we had had more time, we surely would have raised more funds.

01:14:47How is the girl?

01:14:48Okay, okay.

01:14:50Sometimes I don't have the words to tell you...

01:14:53No, Jesus, no.

01:14:54Don't say anything because, you know what?

01:14:56If it's an apology, I'm capable of believing it and getting my hopes up again and, well, starting over.

01:15:04Don't hold a grudge against me.

01:15:07That's my business, Jesus.

01:15:10Will it hurt?

01:15:13Look, of course I'll tell him, and there's no problem with that.

01:15:15Juanjo, please, no, get me the bishop's number, I mean, I need it right now because I'm going to tell him

01:15:19to everyone that Father Jesus is Father.

01:15:21Yes, but not father, father, but father of fucking.

01:15:24Because she has a daughter who abandoned me, and I hold grudges.

01:15:28Estela, please, this is no laughing matter.

01:15:30What's wrong? Don't scare me.

01:15:31It's Legneche, ask for Ulysses.

01:15:33Leonor has had an accident in her small plane.

01:15:35Oh, that's worse than what happened with the priest.

01:15:37Is she alive or dead?

01:15:38Oh, I haven't asked him that.

01:15:39Well, ask, it's the boy, ask.

01:15:41Legneche! Legneche!

01:15:58He has never seen Blanca so happy.

01:16:00Well, Cabrero was drooling over his little colatito.

01:16:02Man.

01:16:05Ulysses.

01:16:08We make peace.

01:16:10That seems fine to me.

01:16:12Our war is very tiring.

01:16:14Yeah.

01:16:20Are you sure you're leaving?

01:16:21Yeah.

01:16:22I need it.

01:16:24Don't do it for me, okay?

01:16:25No, no, no.

01:16:26No, no, I'm doing it for myself.

01:16:27It's been a very, very, very strange year.

01:16:30I need to sort out my thoughts a little, you know?

01:16:32Already.

01:16:33A change is always good from time to time, isn't it?

01:16:36Yeah.

01:16:39I want to leave, Ulysses.

01:16:42And you?

01:16:44Do you know what I would really like?

01:16:46That?

01:16:49Really?

01:17:04Honestly, I'd like to have a little more peace and quiet.

01:17:10Because since I came to this neighborhood, it's like I've spent the whole day running.

01:17:13I like it for you, I did it for him.

01:17:21Every time before, I had done it wrong.

01:17:59They didn't wear the snake and everything ended.

01:18:04If it doesn't hit the broad side of a barb, that's your problem.

01:18:09This isn't about armchair medicine.

01:18:14I haven't brought anything yet that's in Petereira

01:18:20Ulysses, be careful, you're going to end up with a mess.

01:18:25You're not going to leave the neighborhood

01:18:30Ulysses, be careful, you're going to end up with a mess.

01:18:35You're not going to leave the neighborhood

01:19:05Music

01:19:07Ulysses, be careful, you're going to end up with a mess.

01:19:13You're not going to leave the neighborhood

01:19:18You're not going to leave the neighborhood

01:19:42Ulysses, be careful, you're going to end up with a mess.

01:19:48You're not going to leave the neighborhood

01:19:50You're not leaving the neighborhood

01:19:51Be careful, or you'll end up looking like a fool.

01:19:52Thanks for watching the video

El síndrome de Ulises - 2x08 - Cuenta pendiente - Parte 2 - HD 1080

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