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00:00:30Come on!
00:00:55Up you go, darling!
00:00:57What's happening?
00:00:58You need to have a good breakfast.
00:01:00I don't want you to come back half-fainting in the middle of the morning.
00:01:03And I don't want you to eat those horrible churros from the neighborhood bar either.
00:01:07I guess this is just because it's my first day on the job, right?
00:01:09Of course, you don't expect us to bring you breakfast in bed every day, do you?
00:01:14But since it's the first day, if you want, I'll accompany you to Rollo Pingarrón today.
00:01:17Ah, ah, not at all. You're going to school.
00:01:19Come on, baby.
00:01:20It seems you're eager to get rid of me. What's wrong?
00:01:22Well, a little bit, yes, because it's a pain to have you at home listening to awful music
00:01:26And complaining all day. So, Ulysses, have a good day at work and earn a lot.
00:01:31money.
00:01:32Couldn't you ask for hazard pay for working in that neighborhood?
00:01:36Don't worry, Mom. Everything is going to change.
00:01:44I'm unemployed. My unemployment benefits have run out. I've lost two toes to gangrene.
00:01:48These days I live in a shack without water. I wash myself with a bucket.
00:01:52You think I have a jacuzzi at home? You're kidding me.
00:01:54It's not for pleasure, it's out of necessity.
00:01:56Shut up, damn it, I want to sleep before the big job.
00:01:59Do you think I have no pride or what? Is nobody going to understand me on this fucking bus or what?
00:02:03Go fuck yourself. Go on, go fuck yourself.
00:02:05Fuck you, man. Give me what you've got, bro.
00:02:08Come on, Charlie, please give me the knife.
00:02:10Hey, Ulysses, what a joy!
00:02:13Here. This is for your children.
00:02:14And come by when you can, Estela, so I can sort out your family life situation.
00:02:17I'm sorry, but I understand when you mess with me.
00:02:19Okay, let's see if we can get that under control soon, shall we?
00:02:22I'll try.
00:02:23Take.
00:02:24Everything's sorted now. See you later!
00:02:26Welcome back to the neighborhood!
00:02:28Careful!
00:02:29Unrollable, doctor!
00:02:31Now that he's gone, you're going to give me all the money before I even start playing.
00:02:35with the little knife.
00:02:36Okay?
00:02:36Yes, sir. Relax.
00:02:37Eight better!
00:03:03My audit at the CEP and everything is finished.
00:03:08If you don't lift a finger to help the locals, that's your problem.
00:03:13This isn't about armchair medicine.
00:03:18I haven't gone in yet, I already left you there because of Peter.
00:03:23And take care of yourself, because you're going to look great.
00:03:28You're not going to leave the neighborhood
00:03:34Mom, mom, I've already ordered the chicken and ribs, man.
00:03:38Dead, of course, dead, we're not going to get into trouble on the eve of the wedding.
00:03:40Let's kill the chickens in the stone pit, shall we?
00:03:42And the flowers?
00:03:43Yes, sugared almonds and flowers too, Mom
00:03:45We're going to have a wedding worthy of the Salazars, man.
00:03:48As we deserve
00:03:50What's wrong, doesn't he trust me or what?
00:03:52Mom, I've got everything under control and...
00:03:54Well, Natasha, who supposedly needs you at her house
00:03:56I'm not going that way, Mom.
00:03:57Natasha has to come with my two twins to my sister's wedding
00:04:00Not at all, not at all
00:04:02Mom, you tell him, Mom, you tell him
00:04:05Because I don't want any more trouble with her
00:04:06What was I missing?
00:04:07That's it, Mom
00:04:10Go on!
00:04:10Have they told you to leave me alone?
00:04:13Calm down, Don Gonzalo, you're going to hurt yourself, damn it
00:04:15Can you tell me what's going on?
00:04:16We found it in a phone booth on Cristo Street
00:04:18Speaking with a hotel in Acapulco, Mexico
00:04:20To the Navy, to that bitch who ran off with her money
00:04:23Don't talk about Marina like that!
00:04:26I've found her, Raimundo, I've found her
00:04:28She didn't want to answer her phone, but I know where she is.
00:04:30The Navy, right?
00:04:31The Navy...
00:04:33The Navy again, isn't it, Don Gonzalo?
00:04:36But how am I supposed to explain it to you, Don Gonzalo?
00:04:38It's amazing how hard it is for non-Roma people to reason, damn it.
00:04:41Why are you going out?
00:04:42So the police can arrest him and throw him in jail, or worse?
00:04:45Let them follow him, drag me into it, and involve me, Don Gonzalo.
00:04:49That's better!
00:04:50Because what they do to him, right?
00:04:52Will you shut up, you fool?
00:04:54No?
00:04:55This guy is stupid, Ceferino.
00:04:56Take her away from a little garden, because otherwise I'm going to shove it all the way up your throat.
00:05:00Salt, throw
00:05:02Pull, damn it
00:05:02Meanwhile, I'll stay here with Don Gonzalo explaining his situation to him.
00:05:06Well, it seems that in all the months he's been here
00:05:08He still hasn't found out what it is
00:05:11I can't get used to being a fugitive
00:05:13I am a free spirit
00:05:14Or for a spirit, you wouldn't believe how much it eats, you son of a bitch.
00:05:18I can't go on like this.
00:05:19The one who can't go on like this is me, Don Gonzalo.
00:05:23This isn't a daycare, damn it!
00:05:25And stop moving the chimpanzees already, damn it!
00:05:29You're welcome, Sol
00:05:30You look more handsome, huh?
00:05:31Thank you so much
00:05:34Thank you
00:05:36No...
00:05:36Yeah
00:05:37It was about time he came back
00:05:39Just a moment, just a moment
00:05:40I'm going to grab you and see him
00:05:41I was also very much looking forward to seeing you
00:05:43He's feeling better from rheumatism, right?
00:05:44Nuli, since when have I had rheumatism, damn it?
00:05:46Well, now that you mention it, it hurts here.
00:05:48Already
00:05:49And it hurts here too
00:05:50Just a second, I can't help you right now.
00:05:52As?
00:05:53No, no, no, it wasn't you, Ray
00:05:55Go check it out, okay?
00:05:57Look, I'm going to tell you this loud and clear, Uli
00:06:00I'm fed up with your dad.
00:06:02Well, now there are two of us.
00:06:04Okay, I mean, what happens now?
00:06:06What happens now?
00:06:07I can't stand a twitchy straw, Uli
00:06:09Tortínpa is talking about the Navy and Apacurpo
00:06:12He escapes every other day, Uli
00:06:13I'm not responsible for him, I'm not responsible for him.
00:06:17Son
00:06:18Get me out of here
00:06:19I can't stand the parties anymore, or the slot machines, or the lions under the table
00:06:25Well, just don't look at it and it'll go away.
00:06:27Do you think so?
00:06:28Yes
00:06:28What does a donkey know about what art is and what it isn't?
00:06:31You are so ignorant, Don Gonzalo, having studied medicine.
00:06:35Dad, please be reasonable, you're a fugitive, you're not doing much else for yourself
00:06:40Furthermore, you should be very grateful to Ray
00:07:11Come on, half, here
00:07:19What are you doing, idiot?
00:07:21Good morning, ma'am
00:07:22The door was open and the doorbell must not be working
00:07:25Already bothering people first thing in the morning
00:07:27Go away, we're not going to convert
00:07:29No, no, no, no, no, I think you're mistaken, ma'am
00:07:31One person's faith is one person's faith
00:07:33I'm saying that I think he's confused.
00:07:35If I say I'm mistaken again, we'll both be in the newspapers
00:07:38Well, what a genius, right?
00:07:39And tell your Jehovah that no matter how much he falls from the clapperboard, he won't gain more followers.
00:07:43Look, I think you should take a good look at your head because you're not very Catholic.
00:07:46It depends; everyone will leave the way they came in.
00:07:48I'm going to accuse him of trespassing.
00:07:50You've really gotten on my nerves, lady, what's wrong?
00:07:53What? What's going on? Okay, what's happening?
00:07:55But what does he do?
00:07:57What should I do?
00:07:57I'm going to call the second one
00:07:59But would you please be quiet for a moment and let people speak?
00:08:02I'm looking for Dr. Gaitán de Arzuaga; it's a personal matter.
00:08:06What does an immigrant do?
00:08:07Look, the doctor is working, he's at the medical center
00:08:10Well, that's it, and all this little show was for nothing, right?
00:08:13Are you going to give me the address for free or are you going to keep bothering me here?
00:08:16Arroyo Pingarrón Avenue, no number
00:08:20With that face, I seriously doubt the doctor can do anything for you.
00:08:24Come on, get out, get out
00:08:26What's this guy here? What? Huh?
00:08:29Not for me, okay?
00:08:31You don't know who I am
00:08:33But you'll find out soon enough.
00:08:35Great care
00:08:42Ah, finally we're doing something important
00:08:45I was able to sleep peacefully today
00:08:46How important it is to be in agreement with one's conscience from time to time
00:08:49With social awareness, stool
00:08:52Estelita sends an email from a boat
00:08:54She's on a Nile cruise with a rich boyfriend she's taken
00:08:57I'm sure he's already done the anaconda to her repeatedly.
00:08:59That's how you've messed up well
00:09:01Well, goatherd, we Sanía folks are the ones going on strike.
00:09:02She could have supported us, that's for sure.
00:09:05Well, I've made these information sheets so people know why we're on strike.
00:09:09Listen to me, because yesterday they were asking me, and I had voice problems from telling the same thing so many times.
00:09:12Careful, careful
00:09:13Well
00:09:14Look, Blanca, it's all well and good that you say we're abandoned by God.
00:09:17But we need to be clearer.
00:09:18You need to specify that we haven't received any medical supplies for two months.
00:09:21The consultation time has been reduced from five minutes to three minutes, and even to two minutes.
00:09:26Hey, and no new positions are being created for doctors and nurses.
00:09:28And they haven't sent us a replacement for Ulysses in all this time
00:09:31And what about my situation? It doesn't say anything here.
00:09:32What's yours, Juanjo?
00:09:33Come on, job insecurity.
00:09:35And overtime, which I say less of than Robinson Crusoe since I've been here.
00:09:38Okay, okay, I'll put everything in and make a copy.
00:09:41Comrade, stool
00:09:42Am I on strike too?
00:09:44Of course, you have to support us, you're one of us.
00:09:46No pay, but one more, so let's go on strike, eh, mate?
00:09:49Okay, so if they try to beat you up like yesterday, I won't even flinch.
00:09:52Tabu, if they try to beat him up, don't even move.
00:09:55But you defend us
00:09:56And what about me?
00:09:56Well, they're all very funny, aren't they?
00:09:58But let's get down to business, shall we?
00:09:59Until victory, always
00:10:00Come on, let's go
00:10:01Who's making the coffee today, huh?
00:10:20Finally, Dr. Gaitán, are you going to see us or what?
00:10:22Neither tension, nor tension
00:10:24Your pills, my pills
00:10:26Just a moment, just a moment, please
00:10:27Can you explain what's going on here?
00:10:28What, what, what?
00:10:29Well, no, no
00:10:31I'm going to see what happens
00:10:32And not right now.
00:10:32No, no, no, no, no
00:10:35No, no, no, no, no, no, no, no
00:10:35I'm not going to answer.
00:10:36I'm not going to answer.
00:10:37No, I, I, I, I
00:10:38That's enough, I just arrived
00:10:40Please
00:10:40My recipe!
00:10:41Let's see!
00:10:42Me too
00:10:42Let him go to first grade
00:10:44Me, me, me, me.
00:10:46Come on, man.
00:10:47He already has a divorce.
00:10:48You both have it now.
00:10:49But she wanted it.
00:10:50And voila, they gave it to us in three months.
00:10:52Well, that's it, now for something else entirely.
00:10:54What you need to do is enjoy being single.
00:10:57And all the years we've spent together,
00:10:59We threw them overboard in three fucking months.
00:11:01Look, I think it's good that it's so fast.
00:11:03Why are you going to be in court beating around the bush?
00:11:05That way there will be less bad blood.
00:11:06Well, I would have liked to go around in circles a bit more.
00:11:09Isaac, that partridge has already flown.
00:11:11What partridge?
00:11:12Kings, what partridge will it be?
00:11:13It was a metaphor, Isaac.
00:11:14Damn, I'm not in the mood for metaphors.
00:11:16Besides, I love her very much.
00:11:18And I'm sure she feels that way deep down too.
00:11:19She doesn't like you.
00:11:20Isaac, let's see if you understand.
00:11:22Damn it, Eduardo, how many times have I told you
00:11:23Don't you have to tell me the truth?
00:11:34Hello, do you provide services here at this house or not?
00:11:37Just a moment, just a moment, I'm coming.
00:11:38How nerve-wracking.
00:11:41Relax, tell me, what should I get you?
00:11:43I'm going to have a beer and some snacks,
00:11:46You're not very uptight about tapas here.
00:11:49Hey, you don't know me.
00:11:51I'll put some covers on you that will take the thread off.
00:11:53Well, because there are two of them, whatever.
00:11:55Today, sweetbreads.
00:11:56Sweetbread?
00:11:57Well, that's almost better than just a little beer,
00:11:59because you live off what you eat.
00:12:02Hey, beautiful, I'm looking for the health center.
00:12:04Well, you had to walk past to get in here.
00:12:06I saw a sign there,
00:12:07But it seemed to me that it was a market.
00:12:10It used to be a market.
00:12:11Hey, you don't look too well, do you?
00:12:13And he keeps going on about it.
00:12:14What's wrong with her face?
00:12:15You don't look like a beauty queen either.
00:12:17and I add my attention.
00:12:20Look, look.
00:12:23You've annoyed me.
00:12:25That's great that you get to go without paying!
00:12:28Write it down for me,
00:12:28I'm going to be coming here a lot.
00:12:30What if this were an NGO?
00:12:31That?
00:12:32Oh, beautiful!
00:12:42What's happening?
00:12:43Is no one protesting?
00:12:44And why do we have to protest?
00:12:46I don't know, because of the strike and all that, right?
00:12:49Or was it not like that?
00:12:50But everything has already been sorted out.
00:12:52Because Dr. Caitán has arrived,
00:12:54is seeing a doctor
00:12:55And everything is perfect.
00:13:00The boss!
00:13:09I smell bad.
00:13:11I'm telling you.
00:13:12The bad smell could be due to
00:13:13to a biological disorder
00:13:15or simply poor hygiene.
00:13:16Yes, bad hygiene, isn't it?
00:13:17Take the easy way out.
00:13:18No, because they are very clean.
00:13:19So you tell me.
00:13:21Let's see.
00:13:21Damn it, boss!
00:13:22What time is it!
00:13:23Sign up!
00:13:24We've missed him a lot!
00:13:26Careful, careful, careful, careful.
00:13:27Oh, oh, oh!
00:13:27I'm sorry.
00:13:29Damn, what's it like to have a bullet put in your stomach?
00:13:31It was nerve-wracking.
00:13:32Well, anywhere.
00:13:33Well, as you can see, quite unpleasant.
00:13:36Hey, can you explain what's going on?
00:13:37Are you referring to the strike?
00:13:39Yes, well, you see.
00:13:41Hey, did they give you the bullet for free?
00:13:42If I get out of here alive, I'll end up making a necklace out of all of them.
00:13:45So you're on strike, huh?
00:13:47They're going to turn on me like wild beasts, like...
00:13:50as soon as they find out you're attending to the staff.
00:13:53Hey Pelé, take this form to get some blood work and urine tests done.
00:13:57And a drop in?
00:13:58No, the excuse of being low won't fly this time.
00:13:59Come on.
00:14:00God, but it doesn't cost anything.
00:14:02Oh my God, Auntie, a low.
00:14:04Bring it here, man.
00:14:05Okay, okay, okay, okay.
00:14:07There you can stay with all the filth.
00:14:08Oh, come on...
00:14:10Stool, with all the mess out there, why continue on strike?
00:14:12Tell the next person to come in, go on.
00:14:13I'm on strike too.
00:14:16Oh, really?
00:14:17Well.
00:14:20The next one.
00:14:22He's good at it, isn't he, boss?
00:14:24Welcome.
00:14:27Where have you been?
00:14:29That?
00:14:29I've been waiting for you for so many days.
00:14:33Disgusting.
00:14:34Yes, it...
00:14:35Don't you know me?
00:14:35No.
00:14:36That I am Arabia, the little sister of the Raid.
00:14:40Ah.
00:14:42Eye!
00:14:42Big news!
00:14:43Are you going to give up the tracksuit?
00:14:44He's here, boss.
00:14:45Oh, what joy!
00:14:46Where is?
00:14:46I'm looking forward to giving her a couple of kisses and a pedicure with my ass.
00:14:49He is seeing patients.
00:14:50He just arrived and he's already messing things up.
00:14:52It's because nobody has told him we're on strike.
00:14:53I told him, but he didn't listen to me at all.
00:14:55If only I had told him...
00:14:56Good morning.
00:14:57I'm looking for...
00:14:58Make an appointment.
00:14:58And if he is dying, he goes to the hospital.
00:15:00To the emergency room.
00:15:00Yes, because he looks unwell, you know?
00:15:02And he keeps going on about it.
00:15:03Don't complain, okay?
00:15:03Don't complain, all workers have the right to strike.
00:15:06And what do I care about the strike?
00:15:08Another edge.
00:15:08Go on, take a couple of acetaminophen and drink plenty of water.
00:15:11I'm saying I need to see...
00:15:13To a doctor, how annoying, really.
00:15:14We're on strike.
00:15:15The doctor cannot see you.
00:15:17You're talking nonsense.
00:15:18I'm sure the doctor will see me.
00:15:20Yes, of course, because of her pretty face.
00:15:21But do you know who I am?
00:15:23Well no.
00:15:24Well, don't make me talk, don't make me talk.
00:15:27Okay.
00:15:27I told him.
00:15:28If you're going to ask me, then ask me.
00:15:30Who are you?
00:15:34I am the son of Dr. Gaitán de Arzuaga.
00:15:36What's happening?
00:15:43Come on, sit down, your hangover will pass.
00:15:46Yeah, what a high.
00:15:47I have never done drugs in my life.
00:15:50Where do I sit?
00:15:51There.
00:15:57Hello good.
00:15:58Hello.
00:15:58Hi there.
00:15:59You are pensioners, aren't you?
00:16:01Yes of course.
00:16:02I am JJ, the son of Dr. Gaitán.
00:16:08AND?
00:16:10Yeah, my brother, aren't you really excited that you're coming to the wedding?
00:16:12A lot of people are coming, the whole family, and he doesn't want you to miss it under any circumstances.
00:16:16Sure, sure.
00:16:17And is this you?
00:16:19No, no, no, no.
00:16:20Ah, it doesn't seem so.
00:16:21Clear.
00:16:22He's thinner.
00:16:24Uh, well.
00:16:26Hey, and what about that shooting I heard about, right?
00:16:28Yes.
00:16:29What a scare, wasn't it?
00:16:30You don't upset me like my brother did.
00:16:32Clear.
00:16:33He's going crazy for you to come to the wedding, you're coming, right?
00:16:36Yes, yes, yes, I've already told you, I'm going to the wedding, I'm going
00:16:39to go to the wedding.
00:16:40Excellent.
00:16:42Yeah, and that's it, is that why you came?
00:16:45Yes, yes, I'm leaving, I'm leaving.
00:16:48I don't want to waste any more of your time.
00:16:50Bye bye.
00:16:51Bye bye.
00:17:02Okay, calm down.
00:17:05Calm down, breathe.
00:17:08Come on, calm down, take a deep breath.
00:17:10And now tell me what's wrong.
00:17:12That I am not a virgin.
00:17:14AND?
00:17:15What do you mean, "so?"
00:17:15They're going to marry me off, everyone thinks I'm a virgin.
00:17:19Well, not being a virgin is not a crime.
00:17:20So, how old are you?
00:17:21Seventeen.
00:17:22Sit down.
00:17:22And I have the white dress and everything.
00:17:24And I lied, and my brother won't forgive me for that.
00:17:26And if the groom's family finds out, oh my god.
00:17:29Well, calm down because it's not that serious.
00:17:30Not everyone gets married a virgin these days.
00:17:32Premarital relationships have existed for many years.
00:17:34The fact that?
00:17:35But why am I talking to you about this?
00:17:37Okay, so what do you want me to do?
00:17:38I want you to sew it for me.
00:17:39The fact that?
00:17:40Doctor.
00:17:44Look, it's best if the nurse examines you.
00:17:46I'll let him know.
00:17:47Whatever you tell me.
00:17:48But he has to help me, he's practically family now.
00:17:52I was doing so well on sick leave.
00:17:56What's back?
00:17:57And how is he/she?
00:17:58He's more handsome, taller, more of a man in every way.
00:18:01That's what happens when you get a bullet in your stomach, it makes you more of a man.
00:18:04Poor thing, he ran out of glass.
00:18:05But well, thank goodness he survived.
00:18:07Oh, she wants me to have a huge scar that cures hiccups.
00:18:09I'm looking forward to seeing it.
00:18:10And where is it?
00:18:11Because we'll have to go and give him a hug and explain the situation, right?
00:18:14What's happening?
00:18:16Juanjo told you.
00:18:17Coward.
00:18:18Okay, so what's up?
00:18:19Tell us now, what?
00:18:20He's seeing patients.
00:18:22Is it Aeschylus?
00:18:23It didn't take him long to tell the strike to go to hell.
00:18:29Look, that's Dr. Gaitán.
00:18:31That.
00:18:32Oh, what's this?
00:18:33Oh really?
00:18:35But it's incredible.
00:18:37But wow, incredible, incredible.
00:18:39And that you've had surgery, you're still you.
00:18:44I'll look at her now and get the pills, okay?
00:18:46Dr. Gaitán.
00:18:47Ask me, I can't help you right now.
00:18:48But if it can't be, then you can't be, Dr. Gaitán.
00:18:50I'm so sorry, but yes, it's me.
00:18:52But you're not the doctor Gaitán I'm looking for, damn my black sorrow.
00:18:55I find a Dr. Gaitán, but he's not the one I'm looking for.
00:18:57And which Dr. Gaitán are you looking for?
00:18:59For Dr. Gonzalo Gaitán de Arzuaga.
00:19:02That's my father, I am Ulises Gaitán de Arzuaga.
00:19:05I knew it, I'd heard that Dr. Gaitán was well-connected and had a luxurious clinic.
00:19:11And this, well, how can it be no?
00:19:13And what about you?
00:19:13He's turned out a bit hippie-ish, hasn't he?
00:19:16NGO stuff and all that.
00:19:17I don't have time to help you right now.
00:19:19And where is your father?
00:19:20I don't know, I'm sorry.
00:19:21But how can he not know?
00:19:22Don't tell me I'm from a dysfunctional family.
00:19:24A what?
00:19:24Well, I need to talk to him, it's very important.
00:19:27I made a very long trip just to talk to him.
00:19:29Okay, what about?
00:19:32That's my business.
00:19:33We have an outstanding personal matter.
00:19:36Okay, so get in line because there are a lot of people looking for it.
00:19:38Hey?
00:19:39The pill thing.
00:19:42Damn it...
00:19:43Well, I'm going to stay here.
00:19:45Ready!
00:19:48This is my brother.
00:19:49The father.
00:19:50It has disappeared.
00:19:52How did he disappear?
00:19:53Yeah.
00:19:54He stole money from the clinic's partners and ran away to be with a patient.
00:19:58Now that they're back and have caught him.
00:20:01What a bastard, and he's in jail.
00:20:03He escaped and now nobody knows where he is.
00:20:05Oh, what a mess!
00:20:07I'm always late everywhere.
00:20:09Le Guinness, call me as soon as possible.
00:20:11I am Ulysses.
00:20:11A guy came by asking for Dad and I fear the worst.
00:20:14Call me as soon as you can.
00:20:14Bye bye.
00:20:16Hello.
00:20:17Hello.
00:20:18How are you?
00:20:19Good, very good.
00:20:21I had been told you had arrived, but since you hadn't notified anyone, I didn't believe it.
00:20:24But I just haven't been able to.
00:20:25It has been impossible.
00:20:25I arrived and everyone immediately wanted to see me.
00:20:28Hey, you don't need to get so worked up.
00:20:31I'm the one who should be angry.
00:20:32Oh, really?
00:20:33And why?
00:20:34Because you haven't come to see me all this time.
00:20:37Well, then...
00:20:37Goat herder!
00:20:39Champion man!
00:20:40Thank you.
00:20:41Welcome.
00:20:42Thank you.
00:20:42Look at that stain there.
00:20:43Where?
00:20:43Hence.
00:20:44What an idiot.
00:20:44Well, since we're on strike, let's have a round of beers, you and I, which you'll pay for.
00:20:48You, right?
00:20:49Okay, fine.
00:20:50Did you see?
00:20:50Blanquita!
00:20:55But hey, how's that little bump showing yet?
00:20:58I look very fat.
00:21:00No, no, no, no, no, no.
00:21:01You look gorgeous.
00:21:03You look great.
00:21:04Reyes, you have a patient in your office.
00:21:06A patient like a patient.
00:21:07Maybe you just arrived...
00:21:09Of course, nobody has explained it to you.
00:21:09We are on strike.
00:21:10Yes, yes, I've heard something about the strike.
00:21:11It's in your office, Reyes.
00:21:13Since you're a rich kid, maybe you don't understand the concept of a strike.
00:21:16Cabrero, I know perfectly well what a strike is.
00:21:17Yeah, and you couldn't care less.
00:21:19And that's how we'll never achieve anything, huh?
00:21:20No, Cabrero.
00:21:21The problem is that there are a lot of people out there who need attention.
00:21:23No, it doesn't just need attention.
00:21:25It needs good care.
00:21:27Which we cannot provide because we do not have the means.
00:21:29Already.
00:21:30And in view of that, we don't give it any attention.
00:21:32Neither good nor bad.
00:21:33We went to San Clemente, which has just opened a brand new center.
00:21:36We provide minimal services here.
00:21:37Let's see, is that patient of yours an emergency?
00:21:39In a way, yes.
00:21:41Well, if it's not a matter of life or death, you send her to San Clemente.
00:21:44And we'll have our beers later, okay?
00:21:46Okay.
00:21:47Be careful with that stain.
00:21:48Kid.
00:21:48What an idiot.
00:21:49Okay, go on, I'll see you later.
00:21:51I'm so glad you're back.
00:21:53Very happy, really.
00:21:54Me too.
00:21:55You look very beautiful.
00:21:57He's been crying all day.
00:21:59She's very hormonally out of sorts, poor thing.
00:22:01And what about you?
00:22:03Mine are perfect, thank you very much.
00:22:05Yes, I see it now.
00:22:06And what do you see?
00:22:07Why haven't you come to sleep all this time?
00:22:10You were saying something about a patient, weren't you?
00:22:12But weren't you on strike?
00:22:14Well, yes.
00:22:14But come on, since she's here we'll have to take care of her.
00:22:16Is it serious?
00:22:17It's best if she tells you herself.
00:22:19Hey, Ulysses.
00:22:21I was talking to your sister every day.
00:22:23Yes, but you don't answer my calls and I can't see her.
00:22:28Let's see.
00:22:30The important thing is to cover yourself well.
00:22:32There.
00:22:32There.
00:22:33And as soon as I find an opening, I'll go for it.
00:22:36There, without blinking.
00:22:38That's a very good observation, yes sir.
00:22:39Without batting an eye.
00:22:40Here it goes.
00:22:41Here, taking cover.
00:22:42And bang, bang.
00:22:43Here it goes.
00:22:44So, right?
00:22:47Holy shit, sorry.
00:22:48But seriously, what are you still doing here?
00:22:51But how can he forgive?
00:22:52But have you seen the crochet you gave me?
00:22:56Do you have the talent for woodworking?
00:22:58Hey, let's take care of her.
00:22:59I'm very good at crocheting.
00:23:00Yes, stool.
00:23:01Eh, eh, eh.
00:23:02We need to talk, it's very important.
00:23:04I've already told you that I don't know where my father is.
00:23:05Besides, what do you have to say to him?
00:23:06I told you it's private.
00:23:08But how can it be private if you don't know him?
00:23:09That's precisely why I need to meet him.
00:23:10Well, I'm telling you that I can't help you.
00:23:12I'm telling you I'm staying here.
00:23:13Well, let's see who this man is.
00:23:14A guy who says he knows my father, but he won't tell me anything else.
00:23:17My goodness, who is this?
00:23:18Uh, I am...
00:23:21Come on, Reyes, please.
00:23:21My God, so far away.
00:23:22Hey, Reyes, Reyes, come on in.
00:23:24Please, uh, please.
00:23:31Sidewalk!
00:23:32Okay, Arabia, please, that's enough, okay?
00:23:34Calm down, nothing's wrong.
00:23:35Yes, it's happening, I want them to operate on me.
00:23:37Many women have the surgery.
00:23:38Some undergo surgery.
00:23:39But come on, that's not covered by social security, is it?
00:23:41Well, I'll pay whatever it takes, my cousin lends me the money.
00:23:44Yes, the thing is, you're a minor and for any operation you need your family's consent.
00:23:47No, no, no, that can't be.
00:23:49I need to have surgery by the doctor.
00:23:50The king told me that my brother is having surgery for a bullet wound.
00:23:52What's happening?
00:23:53My brother is having the surgery, but I'm not.
00:23:54No, I can't do that.
00:23:56It's a surgical procedure and I'm not a plastic surgeon.
00:23:58But it's just a tiny little thing.
00:23:59No, it's not a tiny little thing.
00:24:01It is a hymen reconstruction operation.
00:24:02And like any operation, it can have its risks and not be done well.
00:24:05Look, Arabia, what you need to do is talk to your boyfriend about it.
00:24:07With my José?
00:24:08No, I can't talk to my José about it because he doesn't want any problems, not even with his parents, and that's a big deal.
00:24:12except with my brother.
00:24:13But hey, Ray isn't quite what he seems.
00:24:17No, it won't be Ray for me.
00:24:18Come on, please.
00:24:19Really.
00:24:19Of course not.
00:24:21In addition, Ulysses is going to talk to Ray and make him see reason.
00:24:23And then Ray can talk to your boyfriend's family.
00:24:26Are you really going to talk to him?
00:24:27Kings.
00:24:28Oh, yes, you are going to talk to him!
00:24:29Let's see.
00:24:30Oh, thank you, thank you!
00:24:35Thank you.
00:24:35It's very nice.
00:24:36Thank you.
00:24:36Well, I'm going to tell my Jose that I'm going to talk to my brother.
00:24:39No, listen to me.
00:24:40Bye bye!
00:24:40No!
00:24:45Are you crazy?
00:24:46How did you come up with that?
00:24:47Welcome to the neighborhood.
00:24:50Of course I understand you, buddy.
00:24:51I'm not going to understand you.
00:24:52If your bad girlfriend isn't going to travel so many kilometers to come to my sister's wedding.
00:24:56Yes, man.
00:24:57Of course I know where Huerva is, damn it.
00:24:58Huerva is in a little corner of the map, right next to Portugal, isn't it?
00:25:02Of course, damn it.
00:25:02Of course I know where it is.
00:25:04Oh, well I'll tell my mom.
00:25:05But come on, he's going to be upset, huh?
00:25:07Let's get that out of the way.
00:25:09Come on, come on.
00:25:10Bye bye.
00:25:10Bye bye.
00:25:11Another one who's not coming to the wedding, huh?
00:25:13Well, you guessed right, Ceferino.
00:25:14I don't know what the hell is going on, the family from outside doesn't want to lift a finger.
00:25:18Weird, huh?
00:25:19That?
00:25:20Back in your house, when your father was alive, a wedding was a gathering of everyone at random.
00:25:26Damn, even that cousin of your father's who went off to Romania with a lion tamer was coming.
00:25:30It's true.
00:25:31And how was the lion tamer, huh?
00:25:33And the lions.
00:25:37Go see who it is.
00:25:39That full form.
00:25:43That?
00:25:44Your mom who has come to see you.
00:25:45Get out of the way, son, you're too big.
00:25:48Doña Dolores.
00:25:49What an idiot you are, son.
00:25:51Take it now.
00:25:53Have a good one, man.
00:25:54Son of a ham.
00:25:55This is your mom on your side, son.
00:25:59You look so beautiful, Mom, daughter.
00:26:03I'm so tired of ordering flowers, son.
00:26:06And I was passing by, I said, well, I'm going to see my child.
00:26:08But I took care of that, Mom.
00:26:10Something's wrong with you.
00:26:11No, Ray, my feet hurt a lot.
00:26:13Mom, we know each other.
00:26:15I look at you and take an X-ray of what you're thinking.
00:26:17Well, yes.
00:26:19My younger brother, Manuel, says he's not coming to the wedding.
00:26:21Damn it.
00:26:22Neither do those from Huerva, Mom.
00:26:23And Camino, who is in mourning, says she's not in the mood for a party.
00:26:28Raymundo, I want Arabia to have the wedding it deserves.
00:26:30And will she have it, Mom?
00:26:31Will she have it?
00:26:32I don't know, son.
00:26:34I have something inside me that tells me people don't respect you the same way anymore.
00:26:38that they had for your father.
00:26:39Mother.
00:26:40It needs to be made very clear who is in charge of the random selections.
00:26:43Let everyone know how we do things.
00:26:47Have you done something, son?
00:26:49What am I going to do, Mom?
00:26:50Why are you telling me that?
00:26:52I swear to you, Mom, that my sister Arabia is going to have the best gypsy wedding in the whole world.
00:26:59For the Pope, may he rest in peace.
00:27:03You'd better.
00:27:04This is not a strike, this is a party.
00:27:06Everyone does whatever they want.
00:27:08And what do you want us to do?
00:27:09People need us.
00:27:10Yes, yes.
00:27:11Well, that's not how we're going to achieve anything.
00:27:12And things are going to get worse and worse, you'll see.
00:27:14So what happens?
00:27:15Nothing, just the pretty boy who seems to have come to ruin our strike.
00:27:17He could have stayed home, couldn't he?
00:27:19Cabrero, please don't be unfair.
00:27:20The poor guy arrived and found himself in the middle of all the commotion.
00:27:22Nobody had told him anything.
00:27:24And why are you defending him?
00:27:26I don't defend him.
00:27:27Besides, why do I have to give explanations to this man?
00:27:30Well.
00:27:31He has no arguments, you see?
00:27:32He has no arguments.
00:27:34Yeah?
00:27:35Ah, ah, tell me, Yasmina.
00:27:38Oh, poor thing.
00:27:40Don't worry, I was planning to stop by there.
00:27:43No, don't worry, just listen.
00:27:45Give it plenty of water and don't cover it.
00:27:47Yeah.
00:27:48I'll be there right away, bye.
00:27:51You too, Blanca, my daughter.
00:27:53Oh, goatherd, don't get all dramatic, please, I'm just as aware of everything as you are.
00:27:57But we agreed that we would provide the minimum services, right?
00:27:59And what is a baby?
00:28:00Well, something very small, there you have it, a minimal service.
00:28:04See you later.
00:28:06I see you.
00:28:07Bye bye.
00:28:09Well, we're doing great, aren't we?
00:28:16Fuck!
00:28:16And to top it all off, nobody's made coffee!
00:28:23Hey Manolo, look at that.
00:28:25How long did I want to talk?
00:28:26Man, a spark.
00:28:27Go on.
00:28:29Hey, see if you can come by my house and have my electrical outlets checked.
00:28:32My cousins ​​keep popping out all the time.
00:28:34Peaceful.
00:28:35As soon as I have time...
00:28:36Hey, that's enough!
00:28:37Well then you can say your goodbyes, Gloria.
00:28:40Because you've never found time for anything.
00:28:42What do you want?
00:28:43Will fear be enough for me?
00:28:45Put me a copanda.
00:28:46Okay, so what?
00:28:47What are you up to these days?
00:28:50What do you mean, what am I up to?
00:28:51AND?
00:28:52Don't you see it?
00:28:53I am now a bank manager.
00:28:55From the World Bank, huh?
00:28:57I'm dressed like this so I don't...
00:28:58Don't make anyone jealous.
00:29:00It doesn't bother you.
00:29:01Glory.
00:29:03Write them down for me, okay?
00:29:04I have to go.
00:29:05But, come on, don't be in such a hurry.
00:29:07All good?
00:29:09The woman, the boys.
00:29:10Yes, yes.
00:29:11Everything's fine, but I have...
00:29:13I'm in a hurry.
00:29:14If you'll excuse me...
00:29:15Come on, damn it, Lolo.
00:29:17We know each other.
00:29:19What's happening?
00:29:20What do you mean, what's going on?
00:29:21No problem.
00:29:22By?
00:29:23Because you've never been in such a hurry.
00:29:25And now suddenly it seems like your house is on fire.
00:29:29Isn't what they're telling me true?
00:29:32What have they told you?
00:29:33Well, you've been calling Portugal a lot lately.
00:29:38Jace, you and I are friends, okay?
00:29:42We'll leave the party in peace.
00:29:47Hey, Lolo, why do I have the feeling that there's something else you want to tell me?
00:29:53Alright.
00:29:54You win.
00:29:56Uncle Braulio.
00:29:58He's out of jail.
00:29:59But how?
00:30:00Hadn't he been given an 11-year sentence?
00:30:01Yes, but I've already completed more than half of it.
00:30:04Because he has not behaved well for the embassy of blood.
00:30:06It's just not right.
00:30:08They enter through one door and exit through another.
00:30:10What a shitty justice system.
00:30:11Who went to speak?
00:30:12If Don Raimundo Salazar were to rise from the dead...
00:30:16Look.
00:30:17What happened between them...
00:30:19...nobody knows.
00:30:21Or you do.
00:30:22I know what everyone knows.
00:30:23But Don Raimundo threw Uncle Braulio out as if he were a parish priest.
00:30:26But you know something else.
00:30:27I can see it in your face.
00:30:29Me too?
00:30:29What do I know?
00:30:31Besides, that happened many years ago.
00:30:36Hey, Lolo.
00:30:37Do you know this could be the last drink we have together?
00:30:43We're going to lose our friendship.
00:30:45For business.
00:30:49Hello, Lolo.
00:30:51What's wrong with him?
00:30:53Hey, boss.
00:30:54Don't tell me Uncle Braulio is back here again.
00:30:56I hope he doesn't decide to show up.
00:30:58He should have learned his lesson.
00:30:59But what happened to Rai's father?
00:31:01It's just that people say things.
00:31:02It's best not to ask, Gloria, okay?
00:31:04You don't ask.
00:31:07What's happening?
00:31:08Has Uncle Braulio been released from prison in Portugal?
00:31:09Shut up!
00:31:10And there's not a word for Raí, huh?
00:31:12I won't cut out your tongue.
00:31:14Zipper.
00:31:15Well, let's have a beer, shall we?
00:31:17Another day.
00:31:18Come on, let's see what you've bought.
00:31:19Or not?
00:31:19Look, I bought wholemeal bread.
00:31:22Wholemeal bread?
00:31:23Hey?
00:31:23This is good for winking.
00:31:25To wink.
00:31:26That?
00:31:26Do you know they're all messed up?
00:31:27Raí doesn't like them, damn it.
00:31:31Forgive me, Ulysses.
00:31:32Look, I've been thinking that the hymen can be broken in many ways, right?
00:31:35Yeah.
00:31:35Come on, we don't have to tell Raí the truth.
00:31:37Oh, no, no, no.
00:31:38We can tell him that he broke it riding a bicycle.
00:31:40But come on, even if it were true, he's not going to believe it.
00:31:42Hey, don't let her think it was you.
00:31:45Don't mess with me.
00:31:46What a name, no, you've turned white.
00:31:48It's a joke.
00:31:48Very funny.
00:31:50Hey, why didn't anyone call me to tell me about the strike?
00:31:52Because you were on sick leave, that's for the best.
00:31:55Nice excuse.
00:31:56Whether I'm on leave or not, I'm the coordinator.
00:31:57Oh, excuse me, Mr. Coordinator.
00:32:00Maybe they shot you in the head and I didn't even notice.
00:32:03Well, look, it could be because you didn't come to see me, right?
00:32:05Again?
00:32:06You haven't told me why.
00:32:07Ulysses, it's neither the time nor the place.
00:32:09It's because of Isaac.
00:32:10But don't bother me.
00:32:11It's because of Isaac.
00:32:12Oh, look.
00:32:14Okay, thanks a lot for getting me into this mess earlier.
00:32:18I sent you the photos by email.
00:32:21Well, I don't have any others, you'll have to make do.
00:32:23Yes, when I have the clinic in Mexico I will remember you.
00:32:27And I know how to repay a favor.
00:32:31Are you calling the navy again in Pacurpo, Don Gonzalo?
00:32:34Love, Raimundo, love.
00:32:36You don't know what it is.
00:32:38I don't know what love is, do I, Don Gonzalo?
00:32:40Damn it, it's driving me crazy.
00:32:43You have no idea what a mess I'm in with my sister, with the wedding she's having.
00:32:46Damn it.
00:32:47And just wait until Natacha finds out she can't go to my sister's wedding.
00:32:53What you've done is very commendable, Raimundo.
00:32:55A lot of credit.
00:32:56That's all for lunch.
00:32:57What does it include?
00:32:58Chicken.
00:32:59Again.
00:33:00What's happening?
00:33:00And what do you see in how fussy you are, Don Gonzalo?
00:33:02What's wrong with the chicken?
00:33:03Does it come with potatoes?
00:33:04And with ketchup?
00:33:05I don't like ketchup anymore.
00:33:06And get comfortable, man, because this one lives like a king.
00:33:09He's got balls, you son of a bitch, look how he lives, man.
00:33:13This bread is rotten, kid, it has bugs in it.
00:33:15No, I told you.
00:33:17Is it comprehensive?
00:33:18Comprehensive.
00:33:19Ceferino, tell me.
00:33:20Is there any news or what?
00:33:22Novelty?
00:33:24And what's new?
00:33:25What's wrong, Ceferino?
00:33:27Nothing's wrong, what's going to happen?
00:33:28I didn't tell you that everything would be the same.
00:33:30Ceferino, don't mess with me, something's going on.
00:33:32Tell me what's going on.
00:33:34What have I seen Manolo de Chispas do?
00:33:35Well, I saw Manolo from Chispas, so what's up, tell me.
00:33:37Why did he tell me something?
00:33:39Okay, so what did she say to you, son? Tell me.
00:33:41What I've told you about isn't in the house.
00:33:42That?
00:33:44That?
00:33:45What did you say?
00:33:46Who?
00:33:46You?
00:33:46I?
00:33:47And right now?
00:33:48Have I already said that?
00:33:49Did someone say something, damn it?
00:33:51Sure, sure.
00:33:52Of course it's been said?
00:33:53Clear.
00:33:55What's going on here, Ceferino?
00:33:57What is Ceferino saying, all messed up?
00:33:59Hey?
00:34:00Do you want ketchup?
00:34:02I already have it here.
00:34:03What the hell is Ceferino talking about, you idiot?
00:34:06What is he saying?
00:34:07That the bread was integrated into the bread.
00:34:10That's what he's saying, that the bread is wholemeal.
00:34:12That's what Ceferino is saying.
00:34:12What the hell are you saying, man?
00:34:14That he was in Portugal.
00:34:15What about in Portugal?
00:34:15It's already out.
00:34:17What came out?
00:34:17It's been a while, it's been a while.
00:34:18What are you talking about, son?
00:34:20That it has already left Portugal.
00:34:21But what's going on here, what's going on here?
00:34:22Well, it hasn't come out.
00:34:23But who, who is he talking about, damn it.
00:34:26Who are you talking about?
00:34:28From Uncle Brulio.
00:34:31What do we want?
00:34:33My uncle, damn it.
00:34:35My uncle, who is in jail in Portugal.
00:34:37What's happening?
00:34:37He is no longer in jail.
00:34:40It's out.
00:34:45What is drowning?
00:34:46Damn, what's wrong with you?
00:34:47What is drowning?
00:34:48What the hell, breathe?
00:34:49What is drowning?
00:34:50What is drowning?
00:34:51Alco, man!
00:34:52Please!
00:34:52Since you've been getting off.
00:34:53You've already drowned.
00:34:57Jokes.
00:35:00I can't thank you enough for taking the time to make coffee.
00:35:03Also, it's clear you have practice.
00:35:05Of course, I used to be a waiter on the Costa de la Luz.
00:35:08Where? In Conil?
00:35:09In Conil, in Barobá, in El Palma, throughout that area.
00:35:12Ah, that's why you have that street accent, right?
00:35:14Indeed.
00:35:14And that's where I put that little pot of coffee.
00:35:17And each one liked it in a different way.
00:35:19Whether it's long, whether it's short, whether it's American, whether it's with milk, whether it's without milk,
00:35:24Whether in a glass, or in a cup, or...
00:35:26Well, but you haven't boxed him.
00:35:28Well, yes.
00:35:28The thing is, in boxing, if you're not very lucky, you won't see a penny.
00:35:32And I'm lucky, really lucky, to be honest.
00:35:34Well, I don't have much.
00:35:35I know I've been lucky.
00:35:37Here I am, at the Ruber.
00:35:39That's also true, because this site is something else.
00:35:42This seems to be stuck, doesn't it?
00:35:44Like everything here.
00:35:46Oh my God.
00:35:47What's happening?
00:35:48Because it's stuck here, I've got it down to zero.
00:35:50But how is your finger going to get caught?
00:35:52I don't know, I'm hooked, that's all.
00:35:54Oh my God.
00:35:55Wait a minute.
00:35:55No, no, you have, no, no.
00:35:58I don't know, we'll have to call someone, the plumber or something, right?
00:36:01I'm on strike.
00:36:02Let's see, let's see if I can get it.
00:36:04I have three in one.
00:36:05Oh, I have a jar of Vaseline.
00:36:06Vaseline, what for?
00:36:07No, well, that's it.
00:36:08He's really messing with me, huh?
00:36:09It gives you a very apologetic excuse for water.
00:36:10Well, maybe if we hit the machine gun with a lighter.
00:36:12No, no, no.
00:36:13You're asking me for it, man, it'll definitely come out with Vaseline.
00:36:15I'm feeling dizzy.
00:36:15Man, that price can't be profitable.
00:36:17Okay, so what's going on here?
00:36:18So, what are you still doing here?
00:36:19On top of that, I still have time to help.
00:36:21He offered to make your coffee.
00:36:22My God.
00:36:23On the count of three, we'll throw everything away.
00:36:24No, no, no.
00:36:25Hey, watch out.
00:36:26Please explain what it is.
00:36:30Isaac, I'm not going to cheat.
00:36:33I'm not cheating, Lucia.
00:36:35Damn, this girl always beats me.
00:36:37It's a matter of concentration.
00:36:39Yes, I like it, champ.
00:36:41How are you, Isaac?
00:36:42You see.
00:36:44Can I have some croquettes to go?
00:36:45Of course, darling, that's settled.
00:36:47Thank you.
00:36:48Do you eat at home?
00:36:49Yes, I have to take the clothes out of the washing machine.
00:36:51And well, I was craving Gloria's croquettes.
00:36:54So that's it, then, nothing?
00:36:55Nothing left of what?
00:36:57That our divorce will last a lifetime.
00:36:59Look, Isaac, really, darling, saying it like that doesn't...
00:37:02Good.
00:37:03Write them down for me, okay?
00:37:04Leave.
00:37:05Okay, fine.
00:37:07Leave it alone, Isaac, please.
00:37:09It's not that it's beyond repair.
00:37:10Yes, yes.
00:37:10Marriage was also meant to be for life, and look at that.
00:37:15Oh my God, I'm bleeding out and dying.
00:37:18I have very bad luck.
00:37:19You only have to look at the shitty life I've had to realize that I'm a miserable wretch.
00:37:22Do you want to shut up now that it's something superficial?
00:37:25Superficial?
00:37:25How can you tell it's not your finger?
00:37:27A sketch has to have all the fingers.
00:37:29How do I make a hook now?
00:37:30Do you want to stay still?
00:37:32I had to jeopardize the alulah for you to pay attention to me.
00:37:36Okay, that's enough.
00:37:37What do you want?
00:37:39Why are you looking for my father?
00:37:40That's crazy, isn't it?
00:37:42Had I not asked this question a while ago, this bloodshed could have been avoided.
00:37:46Either you tell me right now or you're leaving.
00:37:48If you treat the family like this, I don't want to know how you treat the patients.
00:37:51What do you mean, to the family?
00:38:00I'm sorry, but I'm lost.
00:38:02Let's see.
00:38:03One of those medical conferences?
00:38:05My mother is an amazing nurse.
00:38:08The Cordoban moon, the salmorejo.
00:38:09And one thing led to another.
00:38:11I don't understand the salmorejo thing.
00:38:12Le Guinetxe, I don't know if you're aware, but this idiot says he's my brother.
00:38:16But what do you mean, "idiot"?
00:38:17Look, if you're dealing with a brother, we'll have to see how to treat him.
00:38:19We are not brothers.
00:38:21But we're nailed.
00:38:23Spot on.
00:38:23The same blood runs through our veins.
00:38:25Come on, Le Guinetxe, please tell me this isn't happening.
00:38:27Tell me this guy isn't my brother and that my father was never in Cordoba.
00:38:30After what happened with Marina, I believed everything your father told me.
00:38:33Come on, if you told me a Russian sailor had thrown himself at me, I'd believe it too.
00:38:37And what did you say your name was?
00:38:39Jerónimo Jiménez, but you can call me JJ.
00:38:42And what do you want your name to be? Stepbrother?
00:38:44By phone.
00:38:45Or better yet, don't call me.
00:38:46She has such a hard heart, huh?
00:38:49But as hard as this hard table.
00:38:51Do you think there's anything there?
00:38:51Let's not lose our tempers.
00:38:54Well, do you have a problem with everything you're saying?
00:38:59Well, that's what NS is for, right?
00:39:02Let them draw my blood and compare it to this jerk's.
00:39:04Go ahead, click here.
00:39:05Don't let them get away with anything.
00:39:07But if I'm the one who should be angry, it's me, who has lived almost 30 years like a miserable wretch.
00:39:11And now that my mother is dying and she's telling me the secret,
00:39:14It turns out that my father is a thief who has escaped from prison.
00:39:17With a capacity for synthesis.
00:39:19Have you ever seen Gonzalo?
00:39:21But what's he going to see in Papa? Please, give him a break.
00:39:23I saw him once during Holy Week.
00:39:25My mother pointed to a Nazarene and said to me,
00:39:27Look, your father is under that pointed hat.
00:39:31I get emotional during processions every time I see a pointed hood.
00:39:35Because I am very sentimental.
00:39:37Of course, I don't know if what he told me was true.
00:39:47What's up, Navia?
00:39:48Listen? What do you mean, what's wrong? Weren't you going to talk to my brother?
00:39:52Yes, but it has to be now.
00:39:53Run away, doctor! Run away!
00:39:59Jack of a kind.
00:40:03A poker of Assisi?
00:40:04I shit on your dead relatives, Don Gonzalo.
00:40:06And what great luck you Gaitáns have, damn it.
00:40:07What luck.
00:40:09I'm going to the break.
00:40:10But lift the lid, son, you're making a mess of everything.
00:40:14Hi, Ray.
00:40:15Man, Uli, so much good stuff here!
00:40:17What's happening?
00:40:18And this is my father's luxury clinic?
00:40:20Can you please be quiet for a bit?
00:40:21Arabia? What are you doing with these people?
00:40:25And who is this Papa Frita guy?
00:40:29What do you want, you idiot?
00:40:30Oh, Muhammad Ali.
00:40:32Muhammad Ali? I am not a Moor.
00:40:33I'm JJ. Come here.
00:40:34Oh, JJ.
00:40:35Don't worry. Hello, I'm the family's lawyer.
00:40:38So you're the famous Legilesche, aren't you?
00:40:40To see if it cheers up that face, son, because you look more like an undertaker than a lawyer.
00:40:44I have reason to be worried.
00:40:46And especially after seeing everything you have here.
00:40:56Son, how are you?
00:40:58Good.
00:41:02Dad, I am your son, your son from Cordoba.
00:41:05A crazy guy, right?
00:41:07Okay, let's see if we can organize this, please, legilesche.
00:41:09Take this one to my father and explain everything to him, okay?
00:41:11What do you have to explain to me?
00:41:12Dad, this is incredible.
00:41:13We nailed it.
00:41:14The same eyes, the same Artura.
00:41:15And how I wanted to meet you!
00:41:16Wow, you're so stingy!
00:41:17Please, let's go.
00:41:18Let's go out there.
00:41:20Come on, come on.
00:41:24Ray, look.
00:41:26Well, I have to tell you something that the train has been telling me.
00:41:32Sorry.
00:41:33For Pere, son.
00:41:33I'm sorry.
00:41:34Look, well, I'll get to the point.
00:41:39Of the...
00:41:39She, uh...
00:41:43How easily you talk about mushi, son, it doesn't explain anything.
00:41:48And you, if you've gotten into any trouble, I won't buy you any more shoes for two years.
00:41:55Tell me.
00:41:56Let's see.
00:41:56In Cuba they weren't taught that a strike can't be broken, huh?
00:42:00Well, yes.
00:42:01But serving people is not the same as cutting sugarcane.
00:42:04Oh, goatherd, I cannot allow patients to go without care.
00:42:07Look, Blanca, you need to wake up a bit because otherwise everyone is going to take advantage of you.
00:42:10Gentlemen, we are on strike.
00:42:12Why don't they go home?
00:42:13Ah, of course.
00:42:14You took advantage of me, didn't you?
00:42:15To get you into my house, then into my bed.
00:42:16So what now?
00:42:17Blanquita, don't get upset, okay?
00:42:18Don't call me Blanquita.
00:42:20And I get upset if I feel like it.
00:42:21But what have I done to you, Blanquita?
00:42:22I mean, Blanca, but have you seen?
00:42:23Don't drag me into this, that counter over there isn't my responsibility.
00:42:26Hey, would you accept me into the gay community?
00:42:27Of course.
00:42:29Gentlemen, we are on strike.
00:42:32Let's see if we can relax and clear everything up.
00:42:37Let's watch Arabia Salazar.
00:42:39You know what that means!
00:42:41I'm sorry.
00:42:42I'm sorry, well I'm even more sorry, daughter, I'm even more sorry.
00:42:44You know that I need people to respect me.
00:42:47Okay, let's see, Ray.
00:42:48Calm down, okay?
00:42:50Relax.
00:42:50He didn't believe that people should...
00:42:52Shut your mouth, son!
00:42:54You have absolutely no idea what I'm talking about.
00:42:56It's about my sister's honor, my family's honor, do you understand?
00:43:00You don't have a fucking clue, son.
00:43:02Oh, when Mom finds out, when Mom will find out.
00:43:04Oh, Ray, I'm so sorry.
00:43:06I feel it more, daughter, I feel it more.
00:43:08Let's see, but if it's not up to me.
00:43:09I know we're not in the Middle Ages, you understand?
00:43:11Oh, but I just feel like grabbing José Lito, cutting off his balls and shoving them in his mouth.
00:43:16No, Ray, my José treated me very well.
00:43:18We smoked some joints at the fair.
00:43:20And then he started flirting with me and I was wearing a skirt.
00:43:24Girl, girl, girl, girl, daughter, calm down, I haven't told the whole story either, I've told the details.
00:43:27Well, what's good is good.
00:43:29Can you do anything, Uli?
00:43:32No, no, no, no, no, no, no, no, no.
00:43:35I refuse, it's madness.
00:43:36I am not a plastic surgeon.
00:43:38And I have always been against all these kinds of practices.
00:43:41A practical surgeon?
00:43:43Of course I remember.
00:43:46Córdoba, the Guaralquivir.
00:43:48And what about Salmorejo?
00:43:49Salmorejo, Salmorejo, which I kept repeating to myself all night.
00:43:52A wonderful woman.
00:43:54Lucia, Maria.
00:43:56I mean, she looked like a star at that convention, with that little skirt.
00:44:03A great woman.
00:44:04What the hell are you saying?
00:44:05If you barely spoke to her, it was like, "here I catch you and here I kill you."
00:44:08Hey, if you're going to insist on ruining all my memories, poor thing, I gave her a little medal.
00:44:14Of course, she gave it to me before she died when she told me the truth.
00:44:18She could have told me earlier.
00:44:21I thought I had boxing in my blood because he told me my father was a boxer.
00:44:24And you wouldn't believe the beating I've taken because of this.
00:44:26Look, there's my brother's face.
00:44:28Are we identical or not?
00:44:30Dad, say no.
00:44:31Uli, have you told your dad yet?
00:44:33The fact that?
00:44:34Because we need a practical surgeon.
00:44:36My father hasn't practiced law for a long time, Ray.
00:44:37Aside from a food reconstruction, that...
00:44:39Well, I've never done any, but it's not that difficult.
00:44:42Dad, say no.
00:44:42That's all we needed.
00:44:43But who will give you this burial?
00:44:45Since it's like this every day, you don't get bored, do you?
00:44:49Look, Ray, I don't think I'll be able to do it.
00:44:52Furthermore, there are no conditions here.
00:44:53Don Gonzalo, with everything I'm doing for you, you tell me this?
00:44:55Dad, say no.
00:44:57Damn it, and how hard it is for you non-Roma to reason, for God's sake.
00:45:00Okay, man, okay.
00:45:02I'll sort it out myself.
00:45:04Arabia!
00:45:05I'll sort it out myself.
00:45:07Damn it, you damned father!
00:45:14And this patient of yours has nowhere to go.
00:45:16It's because it needs a slightly more personalized treatment.
00:45:19Yeah, like that firecracker Mari Reyes.
00:45:22No, Mom, this is different.
00:45:23JJ, please, can you stay still?
00:45:26The house is very nice, yes ma'am.
00:45:28Awesome.
00:45:29It's clear there's good taste here.
00:45:31And pasta.
00:45:32That's life, isn't it?
00:45:33Some did, and others didn't either.
00:45:36What's wrong with him?
00:45:36JJ, it's not polite to talk about money.
00:45:40Oh, no?
00:45:41Well, we could talk about something else, couldn't we?
00:45:44Are you going to tell me who that guy is?
00:45:47Either you tell me now, or I'll have you out on the street right now.
00:45:50It's a bit of a complicated issue, Mom.
00:45:53Oh, Mr. Zota Zota!
00:45:55No, Zota Zota no.
00:45:57JJ, Jerónimo Jiménez, at your service.
00:46:00Wait a minute, that medal?
00:46:02What's happening?
00:46:03Where did she get it?
00:46:05My mother gave it to me before she died.
00:46:07Ah!
00:46:07But I gave it to Gonzalo.
00:46:09He told me he had lost it in Cordoba.
00:46:12Oh, really?
00:46:12Yeah.
00:46:14Mother.
00:46:14What's going on here?
00:46:16Mom, you'd better sit down.
00:46:17Yes, sit down, sit down.
00:46:19Hello.
00:46:20Mom, Richie is staying for dinner.
00:46:22Hello.
00:46:22Hello.
00:46:23What's going on? Who is this?
00:46:25Hi, I'm JJ.
00:46:27AND?
00:46:31I am your brother.
00:46:33Mother!
00:46:34Mother.
00:46:42I don't see the point, Andrés.
00:46:43Overnight I have a terrible brother.
00:46:45A mother who is on edge and a story with an aunt that I don't know what it's about.
00:46:48It's all the same to me: he might give me a kiss, cut me, or leave me completely wrecked.
00:46:50And this, without a spleen.
00:46:52So, where's the fun in that?
00:46:53Well, seen that way.
00:46:55No, seen that way and in any way.
00:46:57How do you want me to see it?
00:46:59Well...
00:46:59Well, sorry, it's true, it's a real bummer.
00:47:07Dude, you're a loser, man.
00:47:09The truth is, I don't know how you've survived everything that's happened to you, man.
00:47:11Well, it won't be thanks to friends like you.
00:47:14The truth is, I couldn't take it anymore.
00:47:15I'm sorry I made you come, but I needed to vent.
00:47:17Give it all to me and go.
00:47:18Relax, that's what friends are for, man.
00:47:20Look, I just grabbed the door...
00:47:22Uli, you've gotten used to taking on all the responsibility for your family.
00:47:25What you need to do is think more about yourself, man.
00:47:26Look, just nine months ago everyone was telling me the opposite.
00:47:30Damn it.
00:47:31Take.
00:47:33What's happening?
00:47:34What am I thinking about myself?
00:47:35Will you give me a ride?
00:47:36Where to?
00:47:37Are you taking me or not?
00:47:38Yes, but without underwear.
00:47:40Yeah.
00:47:42Okay, and you'll introduce me to your brother another day, right?
00:47:44Although the truth is that I don't know if I want to meet him, because from what you say he's a bit of a show-off.
00:47:50Pingatrón, but from Córdoba.
00:47:54Jot?
00:47:56You are my son.
00:47:57Thank goodness you answered the phone.
00:47:59Son?
00:48:00Yes of course.
00:48:01Now, lots of son, lots of son.
00:48:03Wow, what a shack you have.
00:48:04And I've lived my whole life in a room without an elevator.
00:48:07Now you can blame yourself for it.
00:48:08Lolo, no, huh?
00:48:09Lolo, no.
00:48:12You have to help me, my son.
00:48:13I?
00:48:14But hey, it was you who never wanted to know anything about me.
00:48:18I'm being watched.
00:48:22They don't leave me alone for a second.
00:48:24You have to help me.
00:48:25Okay, okay, okay.
00:48:26I tell this story and nobody believes it.
00:48:28I'm your father, aren't I?
00:48:29You're my father when you feel like it, right?
00:48:32Please, my son.
00:48:33Please what?
00:48:34Please what?
00:48:35No, no, no, huh?
00:48:36I kill you.
00:48:37And the gun?
00:48:38No no.
00:48:38And the gun?
00:48:39And I don't want my family to find out?
00:48:42Really.
00:48:44What we have to put up with.
00:48:47What's wrong?
00:48:47Where's the gun?
00:48:48Where's the gun?
00:49:09Who is it?
00:49:10Ulysses.
00:49:14Oh well.
00:49:15You didn't come to see me.
00:49:16As?
00:49:17You didn't come to see me and you haven't answered any of the calls I've made to you.
00:49:21Nice apartment.
00:49:22Okay, let's see something, Ulysses.
00:49:23You come to my house at this hour to tell me that?
00:49:26Who do you think you are?
00:49:27Reyes, my life is shit.
00:49:29And you are the only thing worthwhile in it.
00:49:31These are Andrés' words, but I agree with them.
00:49:32Look, a lot of people's lives are shit and they don't go around bothering everyone at three o'clock.
00:49:36in the early hours of the morning, forgive me.
00:49:39It seems I'm not the only one who's a pain in the ass.
00:49:45Who?
00:49:47Isaac.
00:49:48Isaac, it's not a time to be calling home, do you understand?
00:49:50You're drunk.
00:49:51Yes, yes, you're drunk.
00:49:53Go home.
00:49:54You can't go up now.
00:49:55What are you saying?
00:49:56Go home, we'll talk later.
00:49:58Okay.
00:50:00Damn, it's just that...
00:50:03What did he want?
00:50:05Nothing, she's just taking the divorce very badly.
00:50:07What, so you've gotten divorced?
00:50:09Look.
00:50:09But why haven't you told me anything?
00:50:10Look, Ulysses, I've got a mess on my mind that...
00:50:13Me too?
00:50:14No, no, what's wrong with me?
00:50:15Look, I need to take control of my life, you understand?
00:50:17I need to think.
00:50:18So, now yes, now no.
00:50:19One person tells me one thing, then another person tells me another.
00:50:21I can't, do you understand?
00:50:22I can't be rich.
00:50:28Let's see.
00:50:29Do you hear me when I speak?
00:50:32I need to be alone, Ulysses.
00:50:35How long?
00:50:37I don't know.
00:50:42Okay, fine.
00:50:44Hey.
00:50:45You kiss very well.
00:50:50Good night.
00:50:51You'll see how tired we'll look tomorrow.
00:51:12Fuck.
00:51:13Jota, jota.
00:51:16Jota, jota.
00:51:18Damn, what are you doing here?
00:51:19What's wrong, don't you like the guest room or what?
00:51:21Hey?
00:51:22That?
00:51:22What are you doing here?
00:51:23Yes, yes, yes, yes, yes, yes, everything is beautiful.
00:51:26The thing is, I've never had a TV like that, and of course, I've been left here in
00:51:29Northao.
00:51:30Since you've always lived like this, you don't appreciate it.
00:51:33Look, if my mother or my sister wake up and see you like this, they'll have a fit.
00:51:36I don't think they liked me very much, did they?
00:51:38I don't know what you're surprised about.
00:51:40Well, but I think it's a matter of time, little by little, with practice.
00:51:43What do you mean by friction?
00:51:45Well, I don't know, it's a way of talking about coexistence.
00:51:47But what kind of coexistence?
00:51:48Ulysses, brother, I am alone, I have nowhere to go, I have no other family.
00:51:53It's not my fault that your father seduced my mother and then you let her go.
00:51:57Come on, I mean, I don't know, right?
00:51:59Okay, fine, we'll see.
00:52:00But if you want to stay here, you'd better find a way to make them like you.
00:52:03You'll see how I know.
00:52:06To know me is to love me.
00:52:07You'll see.
00:52:09Okay, I'm going to bed.
00:52:12See you tomorrow, brother.
00:52:14See you tomorrow.
00:52:16By the way, that shower or whatever it is you have in your room is really nice.
00:52:20You should see how comfortable he is.
00:52:22Oh, and I got you these briefs.
00:52:25You don't mind, do you?
00:52:26No.
00:52:27Of course not.
00:52:28To his older brother, Gloria.
00:52:40Hey, JJ, I was a bit confused, but you, you're not staying here, not a chance.
00:52:44come on.
00:52:53Sorry, sorry, sorry, sorry.
00:52:56Do you want to know what's going on here?
00:52:57Damn, it's closed.
00:52:58Just a moment, just a moment.
00:52:59I'll see what happens.
00:53:00One moment.
00:53:03I am Ulysses.
00:53:06A on the amount below.
00:53:08Open!
00:53:09Fujo!
00:53:11What was that a joke?
00:53:11Happens!
00:53:12The young woman will kill you someday, right?
00:53:13Please!
00:53:15Please!
00:53:17I'm sorry, comrades, but it's the only way to go on strike.
00:53:20If we don't close the doors, people come in and we end up serving them all.
00:53:24I'm not trying to interfere, okay?
00:53:25I don't care.
00:53:25And if there's trouble, I plan to say that I was forced to go on strike, but I think that's outrageous.
00:53:28We cannot organize a strike like this without anyone's support, on our own and at our own risk.
00:53:32And why not?
00:53:33Does anyone count on us?
00:53:34Well, the truth is that turning people against you isn't the best way, goat.
00:53:37We've already discussed that at home, Blanquita.
00:53:40Yes, you've already ended up sleeping on the sofa.
00:53:41Look, I don't like leaving people hanging, but this can't go on like this.
00:53:45Ulysses, what do you think?
00:53:47So, what do you think?
00:53:48Get involved, you're not the coordinator.
00:53:58Japanese-style strike.
00:54:00In other words, work more.
00:54:02Look how nice.
00:54:03Besides being prostitutes, we also provide the bed.
00:54:05Okay, we can try.
00:54:06We serve everyone at top speed.
00:54:08We referred them to the hospital and the specialist.
00:54:09And when they collapse, they'll have to do something.
00:54:11What do you think?
00:54:15Well, we have to do something.
00:54:17If you manage to get her in, we're screwed, huh?
00:54:19Okay, fine.
00:54:20Let's vote for it.
00:54:21Do you want to go on a Japanese-style strike?
00:54:22Who wants to do it?
00:54:23Come on.
00:54:24Come here, what can I tell you?
00:54:25That everyone.
00:54:27All.
00:54:29Sorry.
00:54:31Tell me, Ray.
00:54:33No, no, no, no, no.
00:54:34I can't right now.
00:54:37Okay, fine.
00:54:37Okay, please don't move it.
00:54:39I'm going there right now.
00:54:42He's been vomiting all morning and he's not speaking or saying anything.
00:54:45Ray, can you tell me what you've done to her?
00:54:46What have I done to him?
00:54:47But what can I do?
00:54:49But who do you think I am?
00:54:50Yes, that's the one I'd like to know.
00:54:52Who are you?
00:54:53Well, he doesn't have a fever.
00:54:54Ray, what exactly happened?
00:54:56Nothing has happened, nothing has happened.
00:54:57Nothing?
00:55:00That she took it to a repair shop.
00:55:02That?
00:55:03What now?
00:55:03To one of those who sew it.
00:55:05Since neither you nor your father wanted to help us, I've had to solve this myself.
00:55:08These things get sorted out, Mom.
00:55:09Girl, is that okay?
00:55:10What have you done to us, daughter?
00:55:11No, Mom, no.
00:55:12This is incredible.
00:55:14She wanted to, you know?
00:55:15She wanted it, and since I know a woman who can fix it...
00:55:16For me, my love, I already told you that I don't care.
00:55:19Of course, you don't care, Joselito, you don't care.
00:55:21But what do you want?
00:55:21What, do we want the whole neighborhood to know that Raimundo Salazar doesn't know how to keep an eye on his sister?
00:55:25Look, Ray, it's your fault, you know?
00:55:26Not to tell the truth, time.
00:55:28Lies have short legs.
00:55:29Come on, Mom, don't tell me now that it's my fault, man.
00:55:31Neither mom nor anything else.
00:55:31Please!
00:55:34Can you step outside for a moment?
00:55:35I need to examine it.
00:55:35No, I'm not leaving.
00:55:36Come on, Mom, did you speak for Dr. Gaitán?
00:55:38Ma'am, I'm a doctor.
00:55:40Come on, let's go.
00:55:43Yes, go ahead, explain it to me.
00:55:45Let's see.
00:55:46Arabia, how could you let them do that to you?
00:55:48Well, who knows what conditions they did it under.
00:55:49I need to examine you.
00:55:50It's just that I didn't get it.
00:55:52Who?
00:55:54The repairer.
00:55:55Neither my brother nor my mother know, but he didn't do anything to me.
00:56:01Because?
00:56:08This is bad news.
00:56:15Mother.
00:56:16What's happening?
00:56:18Oh, I know that face.
00:56:21You don't bring me good news.
00:56:23I didn't want to tell you, but oh well, sooner or later you're going to find out.
00:56:26About what?
00:56:27I've heard that Uncle Braulio has been released from prison.
00:56:30That evil beast.
00:56:32May misfortune befall him.
00:56:33May God grant that the day confuses you and that you cannot find your way back.
00:56:37You know this is going to complicate things even more, right?
00:56:39You know, I think the people from Huelva knew something, and that's why they started saying no.
00:56:43I was coming to the Arabian wedding.
00:56:44Yes, all that's missing is for those who come to find out about the girl's coat.
00:56:47Look, Ray, this is the first wedding we've done since your dude died.
00:56:50What do you want us to do with these beautiful things?
00:56:52I don't know, Mom, but these gifts are very nice and can't be returned.
00:56:56And I know this wedding is very important to the salacious ones, but don't pressure me.
00:56:59Ah, I'm pressuring you.
00:57:00Are you pressuring me?
00:57:00Come on, I can see you even trying to push.
00:57:01You're yelling at me, Mom.
00:57:02I scream, I scream, no, I speak like this.
00:57:04I'm not going to scream, not a chance.
00:57:06And let me tell you something else, Ray, you've earned respect.
00:57:09With a lot of work, Mom.
00:57:10Yeah?
00:57:10Well, you're going to lose it over a handkerchief.
00:57:13Excuse me for interrupting.
00:57:14You see, I don't know much about this.
00:57:16This is the first time I've encountered a case like this.
00:57:17But a handkerchief is so important.
00:57:19It's a matter of respect for traditions, my dear.
00:57:22And what the hell did we lie about?
00:57:23And that we will no longer be able to tell the truth without losing credibility, you understand?
00:57:29Well.
00:57:31Happens.
00:57:33That she is pregnant.
00:57:34Who will rule it?
00:57:36Son of a bitch, where he sets his sights, he puts the bullet, Mom.
00:57:38What joy, daughter, what joy!
00:57:40Arabia!
00:57:41Hey?
00:57:42Come on, the repairwoman noticed it as soon as she laid eyes on him.
00:57:44That?
00:57:45Oh, oh, my little girl.
00:57:47Calm down, Mommy, don't get nervous.
00:57:49Calm down, Mommy, don't get nervous.
00:57:50I'm not nervous!
00:57:52No, I'm not nervous!
00:57:53I'm not nervous!
00:57:53But look at her!
00:57:54Ray, I have a morphine.
00:57:56I've been given a meal!
00:57:57Let's see, just a second.
00:57:58Who does that with the handkerchief?
00:58:00The aduntadora, a very respectable woman and a trusted member of the family.
00:58:03But should we talk to her or not?
00:58:03Aren't you crazy?
00:58:04Don't get involved, we've already gotten involved enough.
00:58:06Okay, shut up and please, is it okay to talk to that woman or not?
00:58:08If you'd like, I can introduce you to her.
00:58:10Why, Mom?
00:58:11So that?
00:58:11So that?
00:58:11Why, kings?
00:58:12So that?
00:58:12So that?
00:58:13That's our business!
00:58:14Okay, that's enough!
00:58:16Débla, here a man of law, Ulises, like a brother to me and his assistant, Reyes.
00:58:22I'll leave you guys alone, okay?
00:58:24I'm going to change my shoes, because I can't stand the pain in my feet.
00:58:27Have a good one.
00:58:30Well, the truth is I don't really know where to begin, but the first thing is to tell him
00:58:35that we greatly respect their traditions and that we do not want to bother them.
00:58:39And now, Reyes, next?
00:58:40Come on.
00:58:42Lady.
00:58:44The point is that the handkerchief won't have any blood stains.
00:58:47Well, I'll see about that, won't I?
00:58:48I do my job very well.
00:58:50No, no, no.
00:58:50The thing is, Arabia won't be able to pass the test because it's king.
00:58:55The fact is that Arabia is not a virgin.
00:58:59Oh, here we go!
00:59:00That's it!
00:59:01But what do you have to do with all this?
00:59:04Not much.
00:59:05We just want to help Saudi Arabia and...
00:59:07Ah, I see, I see.
00:59:08Well, that's something else entirely.
00:59:09In other words, they will also know, then, that nobody gives anything for nothing.
00:59:13Hey, are you that doctor they call Doc?
00:59:16Yeah.
00:59:17Oh, why didn't a little recipe scare me?
00:59:20They won't send me to a doctor for my illness, for those nerve pains.
00:59:22I can't sleep, I can't sleep, I can't sleep.
00:59:23And when I sleep, I don't wake up.
00:59:25Of course not, because I understand what's happening here.
00:59:27Ulysses.
00:59:27Yeah.
00:59:28What do you need?
00:59:29Recipes?
00:59:29Okay, we're starting to understand each other.
00:59:31Hey, you guys talk about it here, nice and easy, and then you can tell me about it.
00:59:35I have a lot of things to do right now.
00:59:37Very good.
00:59:37But come on, this is incredible.
00:59:38How am I going to prescribe for this woman?
00:59:39But do you want to fix this or not?
00:59:41Of course I want to fix it, but things aren't like that.
00:59:43That's enough, damn it.
00:59:43I always have to break the law for no reason, and I don't like doing things wrong.
00:59:46Let's see, Ulysses.
00:59:48Arabia wants Joseph.
00:59:49They are having a baby and they don't want to harm their family.
00:59:51Are we going to throw all that away for four swimming recipes or what?
00:59:56What are you looking at?
00:59:57What will you give me if I give you the recipes?
01:00:01Well, they are a bit expensive.
01:00:03They can look authentic now, now.
01:00:06That?
01:00:07You've really taken a liking to the phone, haven't you?
01:00:08What a fright!
01:00:09You've been talking for two hours.
01:00:11What do you think this is, my house?
01:00:12You may be a man now, but my father bought this house by performing liposuction.
01:00:17Don't talk to me about your father, don't talk to me about your father.
01:00:19You!
01:00:20Have you been in my room?
01:00:21But what have you said so far?
01:00:22You've been chatting on my computer.
01:00:24I feel alone.
01:00:26I thought I was going against a proper family,
01:00:29that he was going to welcome me with open arms like in American movies, and no.
01:00:32No, I don't know if they've told you, but this house is in my name.
01:00:36And if my husband is your father, that's his problem.
01:00:38You say something to this lady, you're the one who shares my blood.
01:00:41That's impossible.
01:00:43No, daughter, you're right about that.
01:00:44If this element is your father's son, then you are his sister.
01:00:51Now that it's bad.
01:00:52I'll send it to the specialist.
01:00:53No, no, you don't have to call.
01:00:54Ma'am, this doesn't belong here.
01:00:55To the emergency room.
01:00:56Yes, yes.
01:00:56Not here, to the hospital.
01:00:58That's all.
01:00:58I'm giving him this injection.
01:00:59Next time at the hospital.
01:01:04You just pass by, that's all.
01:01:06Collapsed?
01:01:07We can't take it anymore.
01:01:09Please, can you tell Gémez's doctor?
01:01:13There are still a lot of people out there, right?
01:01:15Well, with this you'll end up in the emergency room.
01:01:18There's no need to call or ask now or anything.
01:01:21But go to the gym, okay?
01:01:22Have a specialist examine her.
01:01:26Excuse me, Cabrero.
01:01:27Excuse me, you have to come with me for a second.
01:01:29What's happening?
01:01:29Blanca has fainted.
01:01:30The Japanese-style strike, damn it.
01:01:32I knew it couldn't be that hard work.
01:01:34Relax, it's indexed, okay?
01:01:35Sorry.
01:01:39I'm going to take your attention again to see if what I've given you has raised your spirits.
01:01:41bit.
01:01:42Have you seen what you've achieved with your innovative ideas?
01:01:45Cabrero, shut up already.
01:01:46I'm fine, really, much better.
01:01:49It was just a dizzy spell.
01:01:50I didn't have a proper breakfast and then there was so much work.
01:01:52Well, now it's time to rest a little.
01:01:54I shouldn't have gone along with this nonsense.
01:01:56We haven't achieved anything.
01:01:57And on top of that, huh?
01:01:58Okay, Cabrero.
01:01:59As far as I'm concerned, the strike is over.
01:02:01We shouldn't have done this alone.
01:02:03Otherwise, we would have had to reach an agreement with other centers.
01:02:05Look, we haven't organized ourselves well.
01:02:06We have not provided the minimum services.
01:02:08You're absolutely right.
01:02:09Of course you're right.
01:02:10At least the hospital will have learned what a comb is worth.
01:02:12We have sent at least 50 patients to the emergency room today.
01:02:16The attention she receives is much better.
01:02:18Guys, it worked.
01:02:20The department has sent this step in which it commits to sending material
01:02:23and the creation of two new positions.
01:02:25Yes, one as a nurse and one as a doctor.
01:02:27In six months, of course.
01:02:28It also says that if we continue to refer patients from that emergency room,
01:02:32They're going to open a case against us that's going to be a real mess.
01:02:38Well, it's very nice.
01:02:40And you're not saying anything, Cabrero?
01:02:42You're going to buy another batch of beer to celebrate.
01:02:46Okay, let's temper the euphoria.
01:02:48We have won a battle, but the war continues, comrades.
01:02:50Oh my God, what have I gotten myself into?
01:02:52If you don't have a reason to complain, you're not happy.
01:02:54They call it social awareness.
01:02:56I think you're just a grumpy old man.
01:02:59Come on, let's go get some fresh air.
01:03:00Wow!
01:03:05Aren't you going to tell me anything?
01:03:08Well, I've got a new doctor, a new nurse.
01:03:10It's true.
01:03:12Congratulations, Mr. Coordinator.
01:03:13It's a shame you don't have a spleen.
01:03:15Are you going to discriminate against me for not having a spleen?
01:03:17Well, maybe you don't have the same benefits as a man with a spleen.
01:03:20I can't believe what you're telling me.
01:03:22Let's go, come on.
01:03:23Wait.
01:03:25Why don't we drop all this and just listen, you and I?
01:03:31You've watched a lot of soap operas during your convalescence, haven't you?
01:03:52Are they going to spend the whole night like this?
01:03:57That seems to be the case.
01:04:03Girl, come on, come with me to the choir.
01:04:05But you're saying I don't know how to dance?
01:04:06What do you mean, no?
01:04:06With that face, come on, you've definitely got talent.
01:04:08Come on, give it a try.
01:04:09Come on.
01:04:15Uli, uli.
01:04:16The king doesn't know it, but she definitely has Gypsy blood.
01:04:20What do you think?
01:04:21And am I a low-level cop in the police station?
01:04:24Why do I say that?
01:04:25Why do I say that?
01:04:26Come with me later to open a couple of hams and I'll tell you about it.
01:04:34There, there, let's go, let's go, go for it.
01:04:38Party, party!
01:04:43Party, party, party, party, party, party, party, party, party, party, party, party.
01:05:02Party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party,
01:05:02party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party,
01:05:09party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party, party,
01:05:12party, party, party, party, party, party, party, party, party, party, party, party, party, f
01:05:19Hello?
01:05:23He has to leave.
01:05:24Ulysses, I can't stand him anymore.
01:05:25I've run out of cereal.
01:05:26He walks around the house wearing those underwear with a slit in the front.
01:05:29He has to leave.
01:05:30And he looks at me with a slobbering face that disgusts me.
01:05:32He is your father's son, not ours.
01:05:35Okay, I'll tell him tomorrow.
01:05:37Now.
01:05:38I'm going to call him.
01:05:39It's not necessary.
01:05:40I'm here now.
01:05:42JJ.
01:05:43You already know the situation in this house.
01:05:46You have already seen your father, my father.
01:05:49So you have to leave tomorrow.
01:05:50Bullshit.
01:05:51And on top of that, rude.
01:05:53You have to see, girl, how gorgeous she looks in pajamas.
01:05:56Ulysses, I can't stand him anymore.
01:05:58He has to leave.
01:06:01JJ, let's see if you understand the situation.
01:06:04The three of us have nothing to do with what my father did 30 years ago in Córdoba in a
01:06:08full moon night.
01:06:10But hey, this is unfair, isn't it?
01:06:12You guys spend your whole lives sucking the goat dry.
01:06:14So you know, while you were spending your summers on the King Elizabeth sailing the seas, I had to make do with...
01:06:20my house watching vacations in more.
01:06:22And it's our fault that you haven't had luck in life.
01:06:25That hurt, huh?
01:06:27I'm going to the kitchen because you're giving me anxiety.
01:06:33What do you think, Mom?
01:06:34Why didn't I kill your father while I still could?
01:06:36Okay, I'm going to give you one last chance.
01:06:40I'm going to stay for a couple of weeks until I assimilate my identity.
01:06:44But know this: you are not good people.
01:06:47You are bad.
01:06:48If this thing is still here, I can't be held responsible for my actions, I'm telling you.
01:06:53Or am I going to stay here?
01:06:54It's amazing how much your father can annoy us.
01:07:00Throw it away.
01:07:05Thank you, son.
01:07:06Did they come looking for you?
01:07:07Everything went as planned.
01:07:09What a friend who threw you in jail.
01:07:13Did they do anything to you?
01:07:14I don't know why, but they have a lot of respect for you, and of course, I told them that he was your son.
01:07:18Thank you, my son.
01:07:20I will never forget what you have done for me.
01:07:22Do you have your passport and plane ticket?
01:07:26And I ask myself, why did I have to help you?
01:07:29Because I am your father.
01:07:31Yeah, because I'm a loser.
01:07:32You haven't done anything for me in my life.
01:07:34And all I wanted was to find my father.
01:07:36That's going to change.
01:07:37I'm going to send you money from Mexico.
01:07:39I'm going to set up a clinic there.
01:07:40Let's see if you remember.
01:07:42You've also packed a few things for the trip.
01:07:44But you're doing it.
01:07:46What are you doing?
01:07:48You gave me such a fright!
01:07:50Is that how you get into your house?
01:07:52It's yours, I put it in your name.
01:07:53The only brilliant idea I've ever had in my entire life.
01:07:57I was picking up a few things, mementos of the kids and...
01:08:00Well, I don't think that silver ashtray reminds you much of yourself.
01:08:03Okay, I'm going to leave and let you talk.
01:08:05No, you stay, my son.
01:08:09Teresa, I'm going to Mexico.
01:08:11Let's see if you can catch that bitch.
01:08:13Auntie doesn't miss a trick.
01:08:15You shut up, bastard.
01:08:16As?
01:08:17I'm sorry.
01:08:19Well, I don't believe it.
01:08:20Look, I know you've suffered a lot and I'm truly sorry.
01:08:24But you have to understand that I am someone else and I want a different life.
01:08:27And me, Gonzalo?
01:08:28What do I want?
01:08:30You'll have to answer that question yourself.
01:08:35I'm really going to leave you now, all this is making me very tired.
01:08:39But I hate you.
01:08:40Less than you think.
01:08:44Good luck.
01:08:45And tell the boys I love them.
01:08:47Already.
01:08:48And double J too?
01:08:49Ah, not that one.
01:08:50Beautiful.
01:08:52And fuck Double J, right?
01:08:54Damn, because he had a great time with a stunning woman from Cordoba, it was you.
01:08:57Hey, don't talk about your mother like that.
01:08:59Dad, do you know what you're going to do?
01:09:01Well, a new life in Mexico.
01:09:03With a fake passport and the little money we have left.
01:09:08May you be very, very, very happy, Dad.
01:09:11I swear that when I have vacation I will come to see you.
01:09:13And on top of that, they love you.
01:09:15Well, I have to go.
01:09:17I love you all.
01:09:19Me too.
01:09:20You too.
01:09:23Please, can you leave me alone with Dad?
01:09:33Dad, I've been wanting to do this for months.
01:09:38You have hurt us a lot.
01:09:40You want a new life and you don't care about anything else.
01:09:43You left us a long time ago and now you're leaving us again.
01:09:45Do you think that's fair?
01:09:46Life isn't fair, my son.
01:09:48And if you don't like it, you have to find your way somewhere else.
01:09:51You don't have to chain yourself to this house.
01:09:53Is it possible to live without a convertible?
01:09:55Yeah.
01:09:57But badly.
01:09:59I know you won't understand now, but...
01:10:02One day you will thank me for helping you become a good doctor.
01:10:15Don't get into any more trouble, okay?
01:10:18I'm very proud of you, son.
01:10:22Okay, call whenever you want.
01:10:25AND...
01:10:27Go ahead...
01:10:27Give my regards to Marina.
01:10:28Hey, you wouldn't happen to have a few euros, would you?
01:10:30Look, I have everything in dollars.
01:10:32Bye bye.
01:10:36Bye bye.
01:10:48Thank goodness we've had a good day, damn it.
01:10:50Yes, son, and you can have as much ham as you want.
01:10:52Enjoy it because it's been cut just for you.
01:10:54To your health.
01:10:56Kid, thank you all so much for coming, really, thank you so much.
01:10:58Come with me.
01:10:59Thank you.
01:11:00Thanks, man.
01:11:00Thank you for coming.
01:11:01Listen to me, then I want to hear you sing, okay?
01:11:03He sings to me, huh?
01:11:04Come this way.
01:11:04Look, Uli.
01:11:05Just a moment, I want to introduce you to my brothers, man.
01:11:07Thanks, man.
01:11:08What's up?
01:11:08Here.
01:11:09Don't tell me they aren't gorgeous.
01:11:11Yes, yes, they are very handsome.
01:11:12They all look great, don't they?
01:11:13Don't you remember, Rafa?
01:11:14Ah, of course.
01:11:15Thanks for everything, friend.
01:11:16Nothing, I did what I could.
01:11:17Ah, it's okay, man, Uli.
01:11:18At a wedding, one is more nervous than at their own.
01:11:21When are you going to get married?
01:11:22Bufo.
01:11:23It doesn't even occur to me at the moment.
01:11:29The fright.
01:11:30Reyes, you should have seen me at the wedding.
01:11:32Uli looked beautiful.
01:11:33Almost as much as my Arabia.
01:11:35Oh, I'm so nervous.
01:11:37Everything will turn out wonderfully, Arabia, you'll see.
01:11:39But yes, you should listen to her, because if she says so, it's going to turn out well.
01:11:43Okay, give me your hand.
01:11:45Oh, these things just aren't for me...
01:11:46We talked about them, okay?
01:11:47He likes to guess the things that are going to happen to you.
01:11:49Yeah.
01:11:49Let's see, bring it.
01:11:51Oh.
01:11:52What do you see?
01:11:53I see here a very tall boy, very tall, very tall.
01:11:55And very handsome, who loves you very much.
01:11:58And how many kids?
01:11:59That's right, my mom told me I was going to have at least four.
01:12:02You shut up.
01:12:04Oh, well I see three or four children here.
01:12:07And also, a follow-up.
01:12:08Oh, and prettier than a St. Louis.
01:12:11But I also have to tell you one thing, Reyes, daughter.
01:12:14Things with your prince aren't going to be that easy.
01:12:17I already know that, Dolores.
01:12:19I know that already.
01:12:21Marabia, which is very beautiful.
01:12:22Just wait until your José sees you.
01:12:24How handsome.
01:12:34Oh, what?
01:12:35You've already started, haven't you?
01:12:37Oh, cousin, I'm so nervous.
01:12:39Oh, how beautiful my little girl is.
01:12:40Mother!
01:12:41Mother!
01:12:41Look at me!
01:12:42Mother!
01:12:42My heart!
01:12:43My mom!
01:12:44Oh, you look so beautiful!
01:12:45Oh, Mom!
01:12:46Oh, my heart!
01:12:48It feels good on me, doesn't it?
01:12:49Calm down, you calm down.
01:12:51But there's no one more handsome than me.
01:12:53You are beautiful.
01:12:56Hey, now let's hope everything goes well, José.
01:12:58Don't worry about anything, okay?
01:13:00It's nothing, it's nothing, I've already fixed everything.
01:13:13Child, what are you doing with your little mouth?
01:13:15Flicos pel...
01:13:16Super valuable jalíficos.
01:13:18Go, kid!
01:13:19What kind of art does he have, son?
01:13:23Just a moment, just a moment, please.
01:13:25Just a moment, I wanted to take advantage of this...
01:13:27Shut up, shut up.
01:13:29Just a moment, I wanted to take advantage of this...
01:13:31Just to say thank you all so much for coming.
01:13:33I'm very happy.
01:13:35And Arabia, you are the most beautiful bride in Spain and the whole world.
01:13:38Ale!
01:13:39And Mom, even though I can't say it, you're the greatest mom on earth, daughter.
01:13:45Pretty!
01:13:46Ale!
01:13:47My life!
01:13:49And that's it, everyone else, thank you very much, because this day is a very important day for me.
01:14:09I didn't know Uncle Braulio had to come and bother us.
01:14:12Well, it's older than I thought, huh?
01:14:14And it's not that scary.
01:14:15Shut up, it's too loud.
01:14:25Uncle Braulio, welcome home.
01:14:28Well, nobody invited me to this wedding.
01:14:30Because we didn't know where you were either.
01:14:33Those are not excuses.
01:14:37Lolo.
01:14:39Didn't it take you long to get rid of your electrician's overalls?
01:14:42You know I owe him a lot, right?
01:14:45I can't let him down.
01:14:47Already.
01:14:47Furthermore, I am loyal to him.
01:14:52Welcome.
01:14:53A long time.
01:14:55Too much.
01:14:57He probably didn't come to the sea, that's for sure.
01:15:00Don't make me talk, boss.
01:15:02Don't make me talk.
01:15:07So what do I have to do now?
01:15:09Uh, nothing, don't worry.
01:15:11Now I've done it for you.
01:15:12But will it hurt?
01:15:13No, my love.
01:15:14Calm down.
01:15:15Think about your José, who is a very good boy.
01:15:16Everything's going to be alright, right?
01:15:17All.
01:15:18Don't worry, my love.
01:15:19Peaceful.
01:15:20What is he doing to her?
01:15:21The stained handkerchief fell under the table.
01:15:24Come on, people are waiting.
01:15:26Daughter, wait.
01:15:27Don't be in such a hurry, don't be in such a hurry.
01:15:30The key is to do it slowly and well.
01:15:32What are you doing?
01:15:33What's happening?
01:15:34That?
01:15:34What are you doing?
01:15:36You were bringing the stained handkerchief.
01:15:38But what?
01:15:38We've been fooled.
01:15:41It was already being said.
01:15:43That you are like your father.
01:15:45Let him defend us.
01:15:46Don't mess with my husband, okay?
01:15:47We already know each other, Aurora.
01:15:49I'll get involved if I feel like it.
01:15:50So much fuss about the Arabian wedding, and in the end you want to deceive us.
01:15:53Hey, what respect is anyone going to have for your son if he didn't keep his sister safe?
01:15:57Well, look, Aurora.
01:15:59Don't tarnish my family's name, okay?
01:16:00I'm going out there right now and telling everyone.
01:16:03Long live women!
01:16:27Yes, yes, yes!
01:16:31We don't know.
01:16:32This is not the first time that lies have been told, nor will it be the last.
01:16:34Come here now and shut up.
01:16:37Come here.
01:16:38We'll rehearse later, when it's your Susy's turn.
01:16:42Look, I don't understand anything, okay?
01:16:43Don't worry, I'll tell you later.
01:16:46Vargo, let's see, sir.
01:16:48How clever you are, it's...
01:16:50What are we waiting for?
01:16:51What's the board doing now with the handkerchief?
01:16:53So that?
01:16:54To rip your shirt.
01:16:55Are they going to rip my shirt? Why?
01:16:56Not you, them.
01:16:57But why are they tearing their shirts?
01:16:58How can I explain it to you?
01:17:00I'll explain it, no.
01:17:04And does this one have it?
01:17:06Are you talking to me?
01:17:07Of course.
01:17:07Tell him something bad.
01:17:08Hello, I'm Ulises Gaitán.
01:17:11Leave it.
01:17:12Dude, this is my doctor, Ulysses.
01:17:15Is this a doctor?
01:17:16You're sick.
01:17:19He says he's sick.
01:17:21If my health is at zero, dude.
01:17:23Tell him, Uli, right?
01:17:25His health is at zero.
01:17:27He's my body and gun doctor, man.
01:17:30And what about the mind?
01:17:32He's in love and he's talking nonsense, man.
01:17:36Here it is.
01:17:37Look, three roses like three bright stars.
01:17:41Olé, olé!
01:17:44Come in, nephew.
01:17:46What happens now?
01:17:47He's the oldest and he has to check if things are alright.
01:17:49But if the fly catches us...
01:17:54We're going to celebrate the nephews.
01:17:57Bye bye!
01:17:59Bye bye!
01:18:02Bye bye!
01:18:14Bye bye!
01:18:17Bye bye!
01:18:24Bye bye!
01:18:41Thank you!
01:18:57Thank you!
01:19:01Thank you!
01:19:02Thank you!
01:19:03Thank you!
01:19:04Thank you!
01:19:06Thank you!
01:19:06And this amazing armchair is perfect for relaxing the newlyweds!
01:19:09Thank you!
01:19:11Thank you!
01:19:12And I also want to mention that it works remotely.
01:19:16And also sabate.
01:19:19Thank you!
01:19:20And 60,000 euros.
01:19:22Thank you!
01:19:23That's two million crazy old things!
01:19:32Ask me now why I didn't come to see you.
01:19:34Because I called the hospital every day to find out how you were.
01:19:47Ask me.
01:19:48Ask me why I went to see you at the hospital and didn't dare to go upstairs.
01:19:50Hey?
01:19:53Because I wanted to see you every day.
01:19:55Yes, yes, yes!
01:19:57Take that, Curro!
01:19:58This is shampoo, it feels like cream for newlyweds!
01:20:01And these Istanbul cushions for you to enjoy!
01:20:05Curro, take it!
01:20:05Okay, what a bunch of jokers!
01:20:10Okay!
01:20:11Okay!
01:20:15Okay!
01:20:16Okay!
01:20:19Okay!
01:20:22Okay!
01:20:29Okay!
01:20:32Okay!
01:20:34Okay!
01:20:42Okay!
01:20:58Okay!
01:21:08Okay!
01:21:21Okay!
01:21:33Okay!
01:21:47Okay!
01:21:51Okay!
01:21:52Okay!
01:21:56Okay!
01:22:05Okay!
01:22:07Let's see, let's see, but fighting isn't such a bad solution!
01:22:10Hey?
01:22:10But why would I fight you like animals when I can do it like two gentlemen?
01:22:15Welcome to the first boxing course in Arroyo Pingarrón!
01:22:19Okay!
01:22:19Okay!
01:22:23Okay!
01:22:24Okay!
01:22:24She's here, she says it's urgent, I tell her you're... busy...
01:22:29No!
01:22:29Let it in, let it in!
01:22:30Am I interrupting something?
01:22:31Mother!
01:22:32Go on, get dressed!
01:22:34Okay!
01:22:35Reyes, I'd like to introduce you to my mother.
01:22:37Is your real name Reyes or is it like the other one?
01:22:39So you're Luli's mother, huh?
01:22:41A real machine to his son, huh?
01:22:43It will surely be inferred on the camera.
01:22:44Spout!
01:22:45But you're still working like your father, aren't you?
01:22:47Yes, something else, you know, a little bit here, a little bit there, safety on construction sites...
01:22:53From now on you're going to work for me, for 250, because I don't throw money away like my nephew.
01:22:57We are?
01:22:59Did you understand?
01:23:00No?
01:23:00Or I can explain it to you.
01:23:05What are you doing here?
01:23:06The Kings?
01:23:08She is getting dressed.
01:23:11And what about Sato?
01:23:13Sato?
01:23:14What are you doing?
01:23:15Lises!
01:23:17What's wrong with him?
01:23:18This.
01:23:19This?
01:23:20What do you mean, this?
01:23:21What's happening today? Is it International Eat Out Day?
01:23:23Because?
01:23:24Nothing, it just so happens that I also have a business lunch.
01:23:26Oh, you too?
01:23:27Yes, mine is for work, okay?
01:23:28Very good.
01:23:29Always so busy, come on.
01:23:31Well, I'm the coordinator.
01:23:32Are you going to eat?
01:23:33What does it matter?
01:23:34Oh well.
01:23:36Is...
01:23:37But have you seen?
01:23:39So, how long are they going to keep this charade going on with us?
01:23:42Let them, if they're excited about it.
01:23:43What's happening?
01:23:43What's happening?
01:23:43Thank you!

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