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00:29The Church of the Church
00:30And they come to congratulate me
00:31And they are happy because my programs are starting again
00:35Indeed, a long time ago, a very long time ago
00:39He was away from the small screen.
00:41But now that my work has resumed
00:44I feel an indescribable emotion
00:47For being back with my old and beloved television cameras
00:52Back with the cheerful lads on my team
00:56The chief operator
00:58The chief operator was ready again.
01:02To pour forth torrents of its joyful light
01:05The set designer
01:08That will once again spill its multicolored palette
01:12In his sparkling sketches
01:14The cameramen
01:16That they will once again infect me with their energy and good humor
01:21Our highly skilled mixer
01:25With quick reflexes and highly skilled hands
01:28The diligent prop boys
01:31They will once again go out of their way to fill it with cheerful or tasteful details.
01:35Our sets
01:37Sound, video, and telecine operators
01:41The makeup artists, the technicians
01:42They help me
02:14Even our little pet
02:14Yes, everyone
02:16All together again
02:19Everyone is happy, I know
02:21And me too, I'm telling you.
02:22I feel a deep emotion
02:24A real heartbreak
02:26Just to know that again
02:29I will bring it back to your small screens
02:32Stories
02:33Stories
02:35May they fill you with joy
02:37Of optimism
02:38And good humor
02:40His Friday nights
02:43Thank you so much
03:24Wow, what a lot of stockings!
03:26And all made of fine wool.
03:28Are these red, huh?
03:29There are no white ones.
03:30Yes, six pairs at least.
03:32Then white
03:33They go best with a light blue dress
03:35It's the dress
03:36It can be either pink or yellow
03:38Or that this other mauve color
03:41There are at least twenty.
03:43The sky blue
03:44White stockings
03:46White water-filled skirt
03:48Light blue dress
03:49And a very wide belt
03:50Black velvet
03:51Here's one
03:53And embroidered with silver threads
03:55She's going to look gorgeous
03:57Oh yes, yes
03:58And these earrings
04:01And in the head
04:02This matching headband
04:04No, this other one with flowers is better.
04:08It's more
04:08It's more cheerful
04:11You'll see.
04:12You'll see the envy it will cause.
04:16I'll take care of combing her hair.
04:18Something simple
04:19Braids in the shape of buns
04:21No
04:22Not with buns
04:23The earrings won't suit her.
04:24Don't you think that's better?
04:26With braids crossed over the head
04:28And that way, the headband will stay in place.
04:31OK
04:32Braids crossed over the head
04:34More than one boy will sigh when he sees her
04:38Can
04:39Those are the most beautiful eyes in the village
04:41Let them be those of Maria Estanosca
04:44But body as a pink entity
04:46What a waist!
04:48What shoulders!
04:49What gentlemen
04:51What a feast!
04:53What a feast the worms are going to have!
04:58Let's begin
05:08And that stupid doctor
05:10He still maintains that Rosa also died.
05:12Of a strange weakness
05:14Strange weakness
05:15Have you noticed his throat?
05:57Have you noticed his throat?
06:09Thanks for watching the video
06:10Vadu
06:39Thanks for watching the video.
07:08Thanks for watching the video.
07:10Thanks for watching the video.
07:43Thanks for watching the video.
08:38Thanks for watching the video.
09:31Thanks for watching the video.
10:10You're with us, right?
10:12Yes of course.
10:25I cleaned them a little; they were all dusty.
10:30Thanks for watching the video.
10:41Yes, something like that.
10:42But what will they talk about today?
10:44And your mother?
10:45She's already gone to bed.
10:47Go to bed too.
10:49But you'll need help.
10:51There are a lot of people tonight.
10:53Go on, go to bed.
10:55Go to bed with your mother, I'll sleep in your room.
10:58Go on, leave.
10:59Good.
11:00Good evening, Father.
11:01See you tomorrow.
11:42Good night.
11:44Good night.
11:58Good night.
11:59Good night.
12:00Good night.
12:04Good night.
12:15Good night.
12:18Good evening, doctor.
12:19Please.
12:32This morning the old women who prepared Rosa Kasoba's body for burial discovered marks on her throat.
12:39And?
12:40My daughter had them too.
12:41And mine. Two brands like... like...
12:44Two very curious marks here, on this vein.
12:49Two small wounds.
12:51I've told you a thousand times.
12:53They may have been caused by a brooch or perhaps they made them themselves with their fingernails.
12:58But the six dead girls had them.
13:00No, not that. Rosa had them, and so did your daughter, who has the disability.
13:05But not yours.
13:06Yes, I did have them.
13:07No, they told you that I had them.
13:10After burying her, an old woman said she saw some marks on your daughter's neck.
13:14Two others echoed his sentiments.
13:16And finally, everyone in the village claimed to have seen them.
13:20But who among you dares to swear that they saw anything strange in the gorges?
13:25From Irene Zorani? From Liliana Costa, what am I from Sonia Grosha?
13:31Yes, your daughter, Gradisca.
13:33Your daughter had some minor, insignificant injuries.
13:36But of course, people talk, people imagine, they murmur.
13:42And everyone ends up believing in an absurd and stupid lie.
13:47This is Andrés Némese.
13:49He is a pastor.
13:51He lives in the village of Magda.
13:53Speaks.
13:56I was born way up north, in Pascali.
14:02There was once a plague.
14:06Well, at first everyone thought it was a plague because so many women were dying.
14:13And young men and children too.
14:17They died very weak and with marks on their necks.
14:25Yes, yes, yes.
14:26At first everyone thought it was a plague.
14:31Until they discovered that there was a burdalac in the village.
14:39Then they went to the cemetery and opened all the graves.
14:46And they found him in one of them.
14:49The burdalac was a stranger who had died in the village more than five years before.
14:58Five years.
15:01But the body was fine.
15:05As if I were still alive or as if I had just died.
15:11They drove a stake through his chest.
15:15And the blood flowed.
15:17And then they burned him.
15:19And from then on, no one died in that strange way again.
15:28Nemes, did you see all that?
15:30Did you see it with your own eyes?
15:32No, not me.
15:34My father saw him when he was young.
15:37And he told me.
15:38He told that story many times.
15:41Already.
15:42Well, I can tell you many stories like that too.
15:45Stories of burdalacs, pyros or vampires or whatever you want to call them.
15:50They run by the hundreds through all the towns and villages.
15:53Some of those stories may be made up.
15:56But others...
15:57They all are.
15:59They are legends, superstitions, lies.
16:02There are no dead who rise from their graves at night.
16:05Nor hideous beings that drink blood.
16:08Nor evil spirits that retreat before garlic, crosses or mirrors.
16:13None of that exists, believe me.
16:15Nothing.
16:16And there is no disease that can kill six boys in two months.
16:21Yeah.
16:24That...
16:24Yeah.
16:26And what is the name of that disease, doctor?
16:33Don't know.
16:34And he also doesn't know why Mr. Yolakin doesn't leave his house during the day.
16:39Nor does he know why he was never seen in church.
16:41Nor why never...
16:42Don't talk nonsense about Benig.
16:46Yolakin is an ordinary, everyday man.
16:48He is a man who reads and studies at night and sleeps in the afternoon.
16:52A man who has his own religious beliefs, but nothing more.
16:56He arrived in the village four years ago.
16:58He bought the Tijani mansion and since then no one has seen me again.
17:02He doesn't go out, he doesn't talk to any of us.
17:04That's also false.
17:06I've been to her house a hundred times and I know her well.
17:09My own daughter accompanied me on occasion, and two or three times we shared her table.
17:13No woman wants to join his service.
17:15He doesn't need her either.
17:17Yolakin has a servant.
17:19You have all seen him when he goes out to buy food or to collect his master's mail.
17:24Despite everything you tell us, doctor, we believe that there is a cursed being in the village that
17:29It threatens the lives of our children and our own.
17:32But, but, Zemeny, how is it possible that...?
17:34We believe that.
17:36And that's why...
17:40As you know, doctor, besides being a blacksmith, I take care of the cemetery and dig the graves.
17:45And that's why...
17:47Gradisca, Plohovich, and several others, seeing what was happening, decided to do what they did in the village of
17:57Nemeshek.
17:59Open the tombs?
18:01Yeah.
18:02Well, but...
18:04You only found bodies...
18:06Bodies in a state of decomposition and skeletons, right?
18:11That's how it is.
18:12Clear.
18:13Nothing normal could have been found there.
18:15Well, there was one.
18:18What was there?
18:20One night, tiredness prevented us from filling some graves.
18:25And I stayed in case a dog or some vermin approached.
18:30And?
18:31I saw him that night, doctor.
18:35I saw his friend Mr. Yolaki.
18:38You're sure?
18:39That's how it is.
18:41He strolled among the graves and stopped in front of the open pits.
18:47What else?
18:50No, nothing more.
18:52He was there for a while and...
18:54And then he walked away.
18:56Was that all?
18:59Yeah.
19:01Are those all the pieces of evidence you have against Yolaki?
19:04Yeah.
19:05Good.
19:06What do you plan to do?
19:08Nothing.
19:10So?
19:12Nothing.
19:13We will do nothing.
19:15But if any girl or boy or any of us dies from that strange disease
19:23that leaves marks on the carcanta,
19:25We will all go after your friend Mr. Yolaki.
19:28But, Zebenic, you don't expect that...
19:31We'll all go.
19:34That's what we wanted to tell you, doctor.
19:37What have we thought?
19:38that a man can be hanged for killing another man.
19:43But it's difficult,
19:46very difficult,
19:48to put a noose around the neck of an entire village.
20:21No, no, no, no, no.
20:25Thus, on the neck
20:26and very close to the throat.
20:28But, my love, how can you believe in these things?
20:30You do what I say and that's it.
20:32When your mother died, you were placed in my care.
20:34And it is my duty to take care of you.
20:36Wearing a cross seems fine to me,
20:38But this other thing...
20:39These are crushed garlic cloves,
20:40pieces of silver and...
20:41and other things I shouldn't name,
20:44but I want you to take it.
20:47My whole room stinks.
20:49Have you seen the strings of flowers Tania hung from my window?
20:51Yes, my mother has done the same.
20:53What do you mean it's the best?
20:54My father has told you a hundred times that it's nonsense.
20:58superstitions that we should not believe in.
20:59That's what he says, but I don't listen to him.
21:01Tania?
21:02He's yelling again.
21:04What branches of...
21:05I'll be back with you now.
21:10Poor Tania.
21:12If I didn't allow her to hang garlic from my window
21:14or I refused to wear these things,
21:16he would despair.
21:18Catalina.
21:19Yeah?
21:20I've come to see you
21:22Because yesterday...
21:23They met again last night.
21:26Again?
21:27Yeah.
21:28He was also your father.
21:30I'm telling you this so you can warn him.
21:31if you can send him a letter
21:33or a message.
21:36Warn him about what?
21:37Does everyone in the village think he's a monster?
21:40A cursed being?
21:43You must already know that.
21:45Besides, I don't think he cares much.
21:48But Catherine,
21:49It's just that now they've decided...
21:51Decided what?
21:55Kill him.
21:58Cebedis the blacksmith
21:59on behalf of everyone in the village
22:00he told your father
22:02what if something happened to another girl
22:04They would all go after Mr. Yolakin
22:08and they would kill him.
22:11You told me that you write to him
22:13and that he is to you...
22:15It's very important.
22:18That's why I've come to see you.
22:21Thank you, Maria.
22:23Will you send him a message?
22:26I'll go to his house.
22:28To your house?
22:31Will she go alone?
22:33Yeah.
22:35Has this happened before?
22:38And your father?
22:40What will he say?
22:43He doesn't have to find out.
22:45He has to go to Cárcoba this afternoon.
22:48A peasant woman is about to give birth.
22:52Yeah.
22:54I will go see him this afternoon.
22:56It doesn't have to be that way.
22:58It doesn't have to be that way.
23:12It doesn't have to be that way.
23:15It doesn't have to be that way.
23:18It's for entering.
23:19It doesn't have to be that way.
23:53Thanks for watching the video.
24:22Thanks for watching the video.
24:37Thanks for watching the video.
25:22Thanks for watching the video.
25:25Very well thank you.
25:27May I offer you a cup of tea?
25:29No, thank you.
25:32This way, Catalina, please. I think we'll be more comfortable in the library.
25:36Thanks for watching the video.
26:07Yes. I've been writing to you for almost six months, two or three times a week.
26:12At home I say I'm going to church or I make up a hundred stupid excuses just to get here, taking risks
26:19I want someone to see me and leave an envelope under your door.
26:21Why have you never answered me?
26:23So that?
26:26You know why. I want to. I need to leave the village, join you, live with you.
26:34But, Catalina, you hardly know me, this is the first time we've spoken alone.
26:40Sometimes, sometimes you don't need to talk to understand each other.
26:43I am a woman, not a girl.
26:47When my father and I used to come here to your house, while the three of us were having dinner,
26:51or later, when we met in this same room,
26:56You were looking at me.
26:58You looked at me in a way that made me feel, desire, and understand many things.
27:07That's why I started writing to you.
27:09Catalina, you're wrong.
27:13And the village is to blame for your mistake.
27:15Who is to blame?
27:17First, because she is old and sad, she is the reason you want to leave.
27:22And then, because she's so small, she's the reason you noticed me.
27:29I don't understand you.
27:31I am the only man in the village, more or less young, more or less cultured.
27:36You met me and saw in me the only possibility, the only solution.
27:41That's all.
27:42No, no. You looked at me every time I came to your house.
27:45You looked at me, but not like any other woman looks at you.
27:48You're not just any woman.
27:50You are young.
27:52I am too.
27:54And I live alone.
27:56That's why I ask you to excuse and understand those looks.
28:01Are you rejecting me?
28:02No, I can't accept that it's different.
28:05Because?
28:07My life has been very complicated.
28:12Very strange.
28:15Although young, I have lived too much.
28:20I'm just looking for peace.
28:22I just need peace.
28:25And here I have found her.
28:28Among my books.
28:30Within these walls.
28:32In this old, small town that you wish to escape from.
28:37No, Catalina.
28:38Understand that if I found almost happiness here, it's logical that I refuse to leave it.
28:43Well, you'll have to do it.
28:47You will have to leave the village.
28:48Because?
28:50Are you unaware of what is being said about you?
28:52Don't know.
28:53But I'm not worried.
28:55Your father and I have talked about it many times.
28:57And you were there.
28:59It's understandable that, living the life I lead, I'm judged as a strange man in the village.
29:05I don't go out because I don't want to go out.
29:06And I don't talk to anyone because I couldn't talk to anyone.
29:10That's why it's logical that stories are being created around me.
29:13And let the old women murmur.
29:16And they even cross themselves when they pass by my door.
29:20Gossip is unimportant.
29:22Of course not.
29:24But the death of six girls does have it.
29:26They say it was you.
29:28They say so.
29:29Do you believe it?
29:30You believe it too.
29:31No.
29:32But the men of the village did.
29:35Those girls died of fever and weakness.
29:38Yeah.
29:39But there were marks on their throats.
29:43Brands?
29:44Two small wounds.
29:46They think it was you.
29:47But why do they believe that?
29:50For the same reason that you make the old woman look old when you pass by your house.
29:54It's absurd.
29:56It is.
29:57The men say it, but they have no proof.
30:00If they had it, if there was anything that linked one of those girls to you, they would have killed you.
30:07Even so, without any proof, if another girl from the village falls ill or dies, they will kill you.
30:18I need to talk to those people.
30:20No.
30:21No.
30:21You must leave and take me with you.
30:22But Catalina, understand that you, for me...
30:24Please don't continue.
30:25Don't ever reject me again.
30:29Think about it, I've been writing to you for six months, begging you and humbling myself before you.
30:33Think that I have come to repeat to you face to face what I have told you a thousand times in my
30:36cards.
30:37He thinks I've come...
30:40...to offer myself to you.
30:42Don't reject me.
30:43But what you're telling me is absurd.
30:46Calm down, think that...
30:47I'll be waiting for you tonight at eleven.
30:49I'll be by my window.
30:51When you come to pick me up, I'll come down and we'll leave here.
30:54You don't know what you're saying.
30:55I know that perfectly well.
30:57It's the best thing for both of us.
30:58But Catalina...
30:58For both of us.
31:00For me, just for having you.
31:03And for you for saving your life.
31:06Because if you don't come looking for me tonight.
31:10I will speak with the men of the village tomorrow.
31:13You will speak.
31:15And what are you going to tell them?
31:18That when passing by your house...
31:21...on a large mound of earth that's there...
31:24...I found a kind of old chest.
31:27I opened it.
31:29And I found this.
31:31And what is that?
31:33Things.
31:35Memories I've been collecting of some girls from the village.
31:39A necklace by Irene Zorani.
31:41A Liliana Costa scarf here.
31:45A ring by Sonia Gorsa.
31:48And a headband by Rosa Casova.
31:53She was wearing the tiara yesterday when they prepared her for burial.
31:56As I said goodbye to her with a final farewell...
32:00...I took it with me as a souvenir.
32:04Yeah.
32:05That's what I'll say.
32:08I'll say I found all these things in the pile of dirt in front of your house.
32:15That's why...
32:17...at eleven o'clock, Yolaki.
32:20Tonight at eleven.
32:23Bye bye!
32:25Bye bye!
32:32Bye bye!
32:34Bye bye!
32:35Bye bye!
32:38Bye bye!
32:43Bye bye!
32:53Bye bye!
32:53Bye bye!
32:56Bye bye!
32:59Bye bye!
33:03Bye bye!
33:12Bye bye!
33:26Bye bye!
33:46No, no, no.
34:24No, no, no.
34:45No, no, no.
35:13Catalina?
35:17Yeah.
35:19Is something wrong?
35:21No, nothing, father.
35:24Good.
35:25Good night, daughter.
35:27Good night.
35:29Good night.
35:39Good night.
36:11Good night.
36:38Good night.
37:11Good night.
37:32Amen.
38:00Amen.
38:33Amen.
39:21Catalina! Catalina! Catalina! Catalina!
39:37Catalina! Catalina! Catalina, son!
39:42What's happening?
39:44I don't know, I don't know.
39:45Help me! Help me!
39:48Catalina!
39:49The door is locked! We have to break it down!
39:53Come on!
40:04Catalina, son! Catalina!
40:09Live! Water! A little water!
40:12Catalina! Daughter!
40:20Catalina!
40:27Catalina!
40:28What happened?
40:31I woke up.
40:33I was asleep and I woke up.
40:35But I saw him.
40:36I was able to see him.
40:38I was going to jump.
40:39I was going to jump out the window.
40:41He turned to look at me again and I saw him.
40:46Then I don't know what happened.
40:47Who did you see?
40:49Who was he?
40:53Yolak.
40:57There is no longer any doubt.
40:59Let's go to his house.
41:00Wait.
41:00I'll accompany you.
41:02Daniel.
41:03Prepare a hot broth for him and make him give me a glass of wine.
41:17Did something happen to Catalina, doctor?
41:19Yes, but it's over now.
41:20Go up if you want.
41:21Look, do me a favor.
41:22Go up and help Tania.
41:27Go with her.
41:28I'm going to prepare some things in the kitchen.
41:30Don't leave her alone.
41:36What happened to you?
41:39Nothing.
41:41I thought I saw a shadow and I screamed.
41:43And that blood?
41:45Don't know.
41:46How curious.
41:47Look, I don't have any wounds.
41:49So how did you get stained?
41:52It must be my cat's blood.
41:54Your cat?
41:56Yeah.
41:57Poor thing, look at him.
41:59There it is.
42:00He has a wound in his throat.
42:02It must have gotten into a fight with another cat or a dog and returned home injured.
42:11He is dead.
42:15I'm so sorry.
42:19If you only knew how much I loved him.
42:24The men went towards Yolaki's house.
42:27Did you warn him to be careful?
42:30Yeah.
42:31I spoke with him.
42:33If something bad happens to him, it won't be my fault.
42:37But from him.
42:40Only from him.
42:48No.
42:51I didn't believe it.
42:53They lost me, but I didn't want them to.
42:56I couldn't believe it.
42:59You're crazy.
43:01Yes, crazy.
43:03That's the only explanation.
43:07You're crazy.
43:10But...
43:12How can anyone believe such nonsense?
43:16And what are you doing here, doctor?
43:18Why am I accompanying you?
43:20Because they're right, Yolaki.
43:23I don't know if you are a monstrous being, as superstitions claim.
43:28Or if it's a man.
43:31But it doesn't matter.
43:33In either case, he is a murderer.
43:37What does it say?
43:38A murderer, Yolaki.
43:41You are wrong.
43:43And you are too, doctor.
43:45It must be a mistake.
43:47A terrible mistake!
43:48First it was Irene Zorani.
43:52Then, Liliana Costa.
43:54No.
43:54No, I haven't done anything.
43:56I have never left this house.
43:58Then, Esther Plojovic.
44:01Then, my daughter.
44:04No.
44:05I have never seen his daughter.
44:08His daughter died of a fever!
44:11Doctor.
44:13You told me that many times at dinner here in my house.
44:17Those girls died of weakness.
44:18From weakness caused by strange fevers.
44:21Then it was Sonyagot.
44:24Then Rosa Castro.
44:26Tell him, doctor.
44:28Tell him the way you told me.
44:30Those girls died of fever.
44:32Just a fever!
44:33And tonight, my daughter, Yolakin.
44:37My daughter has been his latest victim.
44:41No.
44:42No.
44:44It's not possible.
44:47It's not possible.
44:50It's not possible.
44:51It's not possible!
44:52It's not possible!
44:55I am innocent!
44:58I am innocent!
44:59I am innocent!
45:01I am innocent!
45:05It's not possible!
45:06I am innocent!
45:11I am innocent!
45:13I am innocent!
45:34It's over now, it was horrible, horrible, but it's all over now.
45:46It was just a dream, a nightmare, yes, a terrible nightmare, but now it's night, the sun has set,
46:03Now I can, now I can stop sleeping, stop dreaming.
46:15Now I can get up.