00:27Thanks for watching the video
00:37Okay, okay, okay, okay
00:39How do you see our story today?
00:42Start with a brick
00:45I hope they don't find her as heavy and vulgar as he did.
00:51Today's program, despite dealing with a science fiction topic
00:54It takes place in Spain.
00:56I know this is outside the norm
00:58Since movies and novels have taught us that every decent Martian on a sightseeing trip through the
01:03Land
01:03It must make its appearance in the United States, in Great Britain
01:07Sometimes a romantic extraterrestrial lands in France
01:14And much less frequently in the Soviet Union
01:18Well, but this is about the extremely rare cases of pro-communist Venusians.
01:24Despite its extensive tourism promotion, Spain has not yet managed to attract a traveler from another planet.
01:30The author of today's script intends to fill that gap.
01:34The story idea was born when the screenwriter learned that in the port of Barcelona
01:39Waste from an atomic battery installed in Pedralbes is being discharged
01:44Did many of you not know that there were nuclear reactors in Spain?
01:48Ah, well, there are some.
01:50And if there are devices like that that go so well with science fiction stories
01:54Why can't we admit that among the thousands of Swedes, English, and Germans who invade us every year
01:59Could a little Martian sneak across our borders?
02:04The script takes place in Spain, but without specifying any particular city.
02:08If we consider Bilbao, Valencia, Barcelona and Cádiz, we will obtain the setting for our story
02:14I have mentioned these four cities because the script requires two essential things
02:19A port and the underworld
02:22Mr. Ibañez, please stick to the presentation and finish up.
02:26Then they accuse him of being a nuisance.
02:28Oh, yes, yes, yes, sorry, that's true.
02:30Well, to get down to specifics, our script today is yet another one within the science fiction genre.
02:36The story takes place in Spain around 1968
02:41And the brick
02:44And why did I pick up this brick?
02:47Ah, yes, yes, yes, it was to demonstrate that a brick can have multiple uses
02:52To build buildings, to serve as an inexpensive paperweight on a desk
02:56Or ring a bell to start a program
03:02As?
03:03Ah, well, that's very easy.
03:04So
03:05Ah, well, that's very easy!
03:33Ah, well, that's very easy.
03:36Can?
03:37Ah, well, fast me.
04:29Thanks for watching the video
04:59Thanks for watching the video
05:28Thanks for watching the video
05:50Thanks for watching the video
06:25Thanks for watching the video
06:30Thanks for watching the video
07:15Thanks for watching the video
07:30Thanks for watching the video
08:05Thanks for watching the video
08:28Thanks for watching the video
09:14Thanks for watching the video
09:14Thanks for watching the video
10:14Thanks for watching the video
10:44Thanks for watching the video
11:12Thanks for watching the video
12:42Thanks for watching the video
13:10Thanks for watching the video
14:08The squares
14:39Thanks for watching the video
15:08Good night
15:30But not?
15:32It's not dangerous.
15:34It's not dangerous at all
15:35Anyway, it's a matter of procedure.
16:07I need to check
16:07The signal gets stronger
16:11Well, I'll leave you there with your work.
16:13Oh, good night
16:14Good night
16:16If you don't need something, if you don't need something, if you don't need something, give me a voice
16:50Wow, good night
16:52No pollutas
16:52It's not dangerous.
17:00This is the voice
17:00Good night
17:08Suerido, it's not dangerous
17:09I have to see the video
17:10They don't call you to be happy.
17:11They don't call you to be happy.
17:13Hopefully
17:13I'll leave it, I didn't have something
17:43Thank you!
18:13Thank you!
18:16What? Is something wrong? Is it over yet?
18:19No.
18:21Have you done anything?
18:22Yes, yes. I don't know what it could be.
18:27Am I catching anything from the atomic thing?
18:29Yes, the meter is registering radioactivity, but not in the water, rather towards the land.
18:37It seems to be beeping louder.
18:39Yes. It's as if something radioactive is getting closer.
18:58Wait. Just a moment, please.
19:01Is it something?
19:02Yes. Just a moment.
19:08What was your name?
19:10Well, wait. I wanted to know if you... Anyway, if you were...
19:14What's wrong with you? You're very nervous.
19:17No, no. Look, I thought I knew her, that's why I called her.
19:22Yes, you may have seen me before.
19:25Did you call me just for that?
19:27Yes, yes, only for that, forgive me.
19:29In that case, good night.
19:31Good night.
19:34Wait.
19:35Yeah.
19:36And if I were to see her again, how would I get in touch with you? Do you work somewhere?
19:43Yes, I work two jobs. From 2:30 to 3:00 I'm at the Tropicana.
19:47Ah, at the Tropicana.
19:48I'm a dancer, you know?
19:51Then I usually come here to get some fresh air.
19:54Ah, I see. Thank you very much, miss.
19:57Miss?
19:57Amparito. Amparito del Real is my stage name.
20:01Well, then...
20:02But see you later then, Amparito.
20:05Until when you want.
20:19It's strange.
20:22Very strange.
20:23The fact that?
20:26No, nothing, nothing.
20:30That woman...
20:32Do you remember ever seeing her around here?
20:34No, no, I haven't noticed.
20:37Besides, there are so many of them around here at this time of day and...
20:40Ah, yes, of course, yes.
20:46Listen, do you happen to remember which ships entered the port today?
20:51No, I don't remember it, but the newspaper has to say it.
20:54Let's see.
21:11Yes, here it is.
21:20Arrival of Spanish merchant ships.
21:23Tyrrhenian Sea, Mallorca, City of Palma, Mercedes Concha and the Virgen Dolorosa.
21:34And foreigners?
21:35Foreigners.
21:37Mauro Santo, Italian, carrying Genoa's cargo.
21:42Algodonales, Italian, with diverse cargo, from Marseille.
21:47The Terfersan, German, with sand, from Antwerp.
21:58And the Krosniosiumek, well, something like that.
22:04Russian, with general cargo, from Casablanca.
22:11Russian.
22:16Is something wrong?
22:17No, no, but where will those ships be anchored?
22:22Oh, very far.
22:24That way, where that girl went.
22:28That?
22:30No, nothing.
22:31Is something wrong?
22:32No, no, no, nothing, nothing.
22:34No, it already bothered me.
22:36Nothing ever happens here.
22:38This is very quiet.
22:41But sometimes, in summer, my wife comes to sleep here.
22:45There is no place in the entire city more serene and quiet than the port.
22:52Listen, listen, if not.
22:58Silence.
23:01Total silence.
23:06Total silence.
23:07Total silence.
23:07Total silence.
23:20Total silence.
23:39Thank you!
24:02Has something happened?
24:03Nothing, just a hooligan who broke the shop window with a brick
24:07Nothing, it doesn't matter.
24:08Thank you, good night
24:46Thank you, good night
25:01Thank you, good night
25:20Thank you, good night
25:51Will you treat me to something?
25:53Yes, whatever you want, sit down
25:59Is he working tonight in Paris with Real Madrid?
26:01Yes, she has the first number of the show
26:06Has it arrived yet?
26:07Yes of course
26:10I think it's on the bar
26:15Yes, there it is.
26:18Do you want me to tell him to come to the table?
26:20Will you do me a favor?
26:21Yes, I'll bring it to you right now.
26:50Yes, a decision needs to be made here.
26:53What river is that?
26:55No, nothing, a transistor.
26:58Were you calling me?
27:00Hello, don't you remember me?
27:02We were talking at the port last night.
27:04Ah, yes.
27:06I knew I knew you from somewhere.
27:08Don't you want to sit down?
27:09No, I can't go and change for the next issue right now.
27:12But if you want, I can come to the table later.
27:15Of course, woman.
27:16See you later, then.
27:17See you later.
27:24When does he start giving out his number?
27:25Soon.
27:27Today, a whisky.
27:28Good.
27:31Listen, what's your name?
27:33Montse.
27:34Listen, Montse, I have a business proposition for you.
27:37A business?
27:38Yeah.
27:39I'll give you a thousand pesetas while Amparito dances
27:43You take me to her dressing room without anyone noticing, not even her, of course.
27:47And why do you want to go there?
27:50To look for something.
27:53Hey, this smells a little fishy to me.
27:55Do you accept or not?
27:57And what are you looking for?
27:59That's my business.
28:01Okay, but on one condition.
28:03Which?
28:04I will be with you.
28:06I want to see what you do.
28:07Perhaps what you really want is not to search, but to take something away.
28:11Well, woman, if you'll be with me.
28:17Wait a moment while I get the spot.
28:24Our grand show tonight begins with a performance by the exquisite Spanish dancer
28:29Amparito del Real, who offers them España Cañé.
28:36Come on, Campano!
28:43Come on, Campano!
28:44Come on!
28:52Come on, Bell Ringer!
28:56Come on, Bell Ringer!
29:26Thanks for watching the video.
29:27Thanks for watching the video.
30:26Thanks for watching the video.
30:44Thanks for watching the video.
30:57Thanks for watching the video.
31:48Thanks for watching the video.
33:15Thanks for watching the video.
33:19I went to the table, but I was told you were here.
33:23What did he have to talk about on the phone?
33:26Why haven't you spoken from the bar?
33:29There's one there.
33:31It was a private matter.
33:35Already.
33:36Any problem?
33:40Any problem?
33:41Yeah.
33:45A small problem.
34:06Hello.
34:08Don't you dance?
34:09Oh no, no, my dear.
34:10No, I'm waiting for the story to continue.
34:12Which?
34:13The one about Amparito and the man with the briefcase?
34:14Hey.
34:15Well, you're in trouble.
34:16Follow us until next Friday.
34:18Oh, well, well.
34:19Well, what can you do, honey?
34:20Sit down, sit down, for seven days we can...
34:23Talking, right?
34:24Talking about many things.
34:25Sit down, sit down.
34:27No?
34:28Well, what can you do, but...
34:31Until next Friday.
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