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00:28Thanks for watching the video
00:58Thanks for watching the video
01:03During winter in big cities
01:06The asphalt sleeps sweetly, peacefully, gently
01:13But during the summer the asphalt comes to life
01:21It turns into a dark, slimy monster
01:25He plays at being a giant fly swatter
01:28Or rather, a huge, dark manhunter
01:34The relentless sun
01:38Cleanse the streets of human beings
01:40And only those forced by circumstances travel along them
01:53From one of these forced walkers
01:57Tell our story
02:01Indeed
02:03The great buildings gaze out through the windows of their eyes
02:07Like Mr. XX
02:11In any major city of any era
02:14It happens at siesta time
02:16His daily commute is at least 5 kilometers.
02:21As prescribed by a doctor
02:48Thank you!
02:50Thank you!
03:05Thank you!
03:31Thank you!
04:02Thank you!
04:09Thank you!
04:11Thank you!
04:12Thank you!
04:13Good heavens!
04:15What a silly thing to say!
04:20Thank you!
04:32Thank you!
04:51Thank you!
04:52Thank you!
04:54Thank you!
04:55We are dedors.
05:01Thank you!
05:03Thank you, I trust you!
05:05He couldn't help me. See what situation I'm in.
05:09We have to eat!
05:29Please!
05:32Mister!
05:33Oh, lady!
05:36Please!
05:38The one playing the piano!
05:42You can look out the window!
05:45The one with the piano!
05:52Thank God.
05:54Little one, would you do me a favor?
05:57Can you hear me?
05:59Tell your parents to look out.
06:01Hey?
06:04Yeah?
06:05Let them peek out
06:07to your parents
06:09or your uncle
06:11or any elderly person
06:14Or perhaps he's alone?
06:17Or maybe he's alone.
06:18I don't mind.
06:20The poet said
06:21that children are
06:22sweet little wrapped birds
06:24in the plumage of kindness.
06:27that you are like one of them,
06:28You're like one of them, aren't you?
06:29Of course!
06:30Tell me, handsome,
06:33Would you like to be a Boy Scout?
06:36Hey?
06:37In your uniform
06:38and your little hat
06:40and your flag
06:41and your dick.
06:43Have you opened up?
06:44That I was a good Boy Scout?
06:46Of course!
06:48We used to sing that song about...
06:50How beautiful, how beautiful!
06:53How wonderful it is to explore!
06:55And how beautiful, and how beautiful,
06:57And how wonderful it is to help!
06:59Help, help, help!
07:01Chimpón!
07:06Never go to bed
07:07without having done a good deed!
07:10Never go to bed
07:12Look, Regín,
07:15I need help.
07:17See?
07:17Do you see this son?
07:19I'm stuck, stuck.
07:22stuck, stuck on...
07:23on the asphalt.
07:25Would you like to notify an elderly person?
07:27Can you help me get out of here?
07:31Clear!
07:32Clear!
07:33Clear!
07:33Of course!
07:34Of course you want to!
07:36What do you want!
07:37What do you want!
07:37That...
07:38How beautiful, how beautiful!
07:40How wonderful it is to explore!
07:41And how beautiful, how beautiful!
07:43And how wonderful it is to help!
07:45Help, help, help!
07:47Chimpón!
07:47What do you think?
07:53That's very ugly.
07:55That's rude.
07:57A good boy doesn't do that.
07:59No, sir.
08:00No.
08:01Ah!
08:01Notify someone in the house immediately.
08:02or I'll get angry.
08:04Come on!
08:05Fast!
08:13That's what I like to hear.
08:15Be obedient.
08:17Very good.
08:19Very good.
08:23What's happening?
08:25What's happening?
08:26Is there no one at your house?
08:32Look, little one.
08:34I need help.
08:37I'm trapped.
08:39Trapped.
08:39See?
08:40See?
08:41Stuck to the asphalt.
08:44Please.
08:45Tell...
08:47To any elderly person.
08:49Oh!
08:50Oh!
08:51Oh!
08:51How beautiful, and how beautiful it is to help!
08:54Help, help, help...
09:00SONSE!
09:02An old man was stuck to the street.
09:08Invest with a peg leg
09:11Sugar, the street, an old man got stuck.
09:16Out!
09:17Out! Out! Get out of here! Out! Out! Out! Out! Out!
09:22Go away! Sweet little birds of kindness! Vulture birds!
09:53For example...
09:54Out!
09:58Oh! Oh! Oh! Oh! Oh! Oh! Come here! Come here, little dog! Little dog!
10:05Excuse me! Excuse me—! Little dog... Little dog! How pretty, pretty!
10:09Beautiful, come here. What's your name?
10:13You look like you should be called
10:15Obdulia.
10:16Obdulia?
10:17Come here. Obdulia!
10:19Come here, come here, Bonito.
10:22Oh, how wonderful! Obdulia, come here, my love!
10:24Come, come.
10:27How is your owner?
10:28Do you have an owner?
10:30Could you give him a message?
10:32Come, come, Obdulia.
10:33Come here, my love.
10:35Could you give your master a message?
10:39Could you
10:39give him a message
10:41to your master?
10:44Rin Tin Tin,
10:45Yes, I could do that.
10:47Rin Tin Tin Saved Men
10:49about to drown.
10:50He alerted the Royal Canadian Mounted Police.
10:53Oh, Rin Tin Tin!
10:56What are you doing?
11:00Why are you smelling me?
11:02No, no, no.
11:04What are you trying to do?
11:05No, no, not that, okay?
11:06No, no, Rin Tin Tin would be incapable.
11:09No, no, no, no.
11:10After the misfortune, the humiliation,
11:11No, no, out.
11:12Out, out, out, out.
11:13Get out of here, get out.
11:15Out, out!
11:16Out, out!
11:17Get out of here!
11:17Out!
11:18Out!
11:19Get out, Chucho!
11:19Out!
11:20Out!
11:32The asphalt.
11:36The asphalt.
11:38The asphalt.
11:40The symbol of progress.
11:43The hallmark of modern cities.
11:46Damn all cities!
11:49No, we shouldn't curse.
11:51I must, I must beg.
11:54Beg them to get me out of here.
11:56To pray for someone to pass by.
11:58Someone come in.
12:00Someone come in.
12:03There are people.
12:05There are people.
12:06There are a lot of people.
12:07Many people come from here.
12:09Coming.
12:10Coming.
12:11Coming.
12:12Coming.
12:13Sirs!
12:14Sirs!
12:14Oh, gentlemen!
12:15Welcome!
12:16Gentlemen, please!
12:17Please get me out of here!
12:19Sirs!
12:19Sirs!
12:20Sirs!
12:21I got stuck!
12:23Sirs!
12:23Sirs!
12:23Please listen to me!
12:25Sirs!
12:26Sirs!
12:26Please come downstairs!
12:27I can't breathe and I'm sinking into the asphalt!
12:29Sirs!
12:30Don't make fun of the children!
12:31The dogs!
12:32Let them remain silent!
12:34Oh!
12:46Durke!
12:47What did you say?
12:48I didn't send it!
12:50Excuse me, sir, but...
12:51It's in Ingrado, maybe!
12:52No, no, no!
12:53He wasn't wrong!
12:54The Platforms!
12:55Torruc!
12:56I can go to the channel!
12:57Oh, a casino mountain!
12:59No, no, no, sir!
13:00No no!
13:00He's not wrong either!
13:01I fought in the war in North Africa, on the side of the English.
13:07But you're not English.
13:09No, of course not!
13:11I am from Ribadeo de Caraballo, in the province of Lugo.
13:16Already in Spain.
13:19But I did my service in Africa, under Montgomery, as a volunteer piper.
13:26A Rommel shell took my bagpipes away.
13:31And the arm.
13:34Now all I have left are the memories and this medal.
13:43And you?
13:44What about me...
13:45Where did he lose his feet?
13:50On the asphalt.
13:51And how?
13:52No, no, no.
13:53I didn't lose them, no, no.
13:55The thing is, the asphalt softened with the heat.
13:58When I went to cross paths with you, I saw you standing close and now I'm slowly sinking.
14:04That's outrageous!
14:05Well, let's see if I can help you.
14:07Lord, Lord.
14:09A.
14:10A.
14:10Two.
14:11And three.
14:12Three.
14:13Three.
14:14Three.
14:15Three.
14:16No, no, no.
14:17No, no, no, no.
14:19Three.
14:19Three.
14:20Three.
14:21No no.
14:25It's impossible.
14:27Impossible, yes, but...
14:28It's very close and I, without strength, without an arm and without bagpipes, am useless.
14:36Please call a guard.
14:39In these new and remote neighborhoods, and at this time of day, it's hard to find one.
14:45But then, then, call.
14:51Well, I think that between you and me we could figure it out.
14:56Yes, but I'm not going to leave this alone.
14:59Okay, then, I'll call the police.
15:03You'd better call the fire department.
15:05Oh, yes, of course.
15:06You're right.
15:08What number?
15:09I don't remember.
15:10Please call for information.
15:11It's 002.
15:19Zero?
15:27One right side up and two wrong side up.
15:29Start a conversation.
15:31One right side up and two wrong side up.
15:33Yes, yes, exactly.
15:35It's very simple.
15:35And you'll see that it looks really cute on you.
15:38As?
15:40With Gertrude?
15:41I can't believe you.
15:42But a cow has thrown you out.
15:44Oh girl, I don't know what's wrong with that woman.
15:47Yes, sweetie, yes.
15:48The thing is, she's a show-off and lives only to be up-to-date.
15:51But of course, sometimes he gets too clever.
15:54Don't you remember two summers ago when the miniskirt became fashionable?
15:57Well, that's a real cutie.
15:59Instead of wearing it above her knee, she wore it above her navel.
16:03And of course, he pulled off the coup.
16:07Just a moment, please.
16:10Hey, well, I'm telling you, okay?
16:12One right side up and two wrong side up.
16:14Start a conversation.
16:27Ma'am, please, ma'am.
16:30Lady.
16:31Please, ma'am.
16:33Mom, look, look.
16:34Lady.
16:36Please, ma'am.
16:37Oh girl, don't give any signals.
16:38Can't you see he's a dwarf?
16:40Zero.
16:43Zero.
16:45Two.
16:48Oh, girl, well I don't know what you like.
16:50I think it's a great dance.
16:52I can't believe you.
16:54Haven't you learned it yet?
16:56As?
16:57Of course I'm loose, very loose.
16:59In all the good dance clubs, they have installed individual booths for dancing the old busa.
17:05Hey, but be careful, okay?
17:07Look what happened to Enriqueta, who went dancing with Pocholo, her boyfriend.
17:11They each went into their individual cabin.
17:14Enriqueta was dancing, dancing away.
17:16And when it was over, Pocholo had been out with Gertrudis for more than half an hour.
17:20Yes, yes, the one with the miniskirt.
17:23Miss.
17:25Miss, please, yes.
17:26Say yes, miss.
17:27Miss.
17:28Miss, I...
17:29He should be ashamed of himself for messing with girls when he's so old.
17:35And deformed.
17:39Miss.
17:40Miss, please listen.
17:42Miss.
17:43Miss.
17:44Miss.
17:57Miss.
18:13Miss.
18:23Miss, please listen.
18:27Miss, please listen.
18:28Miss, please listen.
18:29Miss, please listen.
18:30Miss, please listen.
18:30Miss, please listen.
18:32Miss, please listen.
18:33Miss, please listen.
18:33Miss, please listen.
18:34Miss, please listen.
18:35Miss, please listen.
18:37Miss, please listen.
18:37Miss, please listen.
18:38Miss, please listen.
18:38Miss, please listen.
18:38Miss, please listen.
18:39Miss, please listen.
18:40Miss, please listen.
18:43Miss, please listen.
18:53Zero, zero, two
18:57Well, Carlota says she's getting married in December.
18:59But of course, as you'll understand
19:01Oh girl, wait a minute, that's awful!
19:03In the afternoons, there's no stopping them.
19:07Information
19:09Yeah
19:10Romberos?
19:111111
19:19Who called us?
19:20I, sir
19:21Who is the person who was injured?
19:23This man is so short?
19:24I'm not short, it's just that it makes me feel like I'm sinking.
19:26Ah, of course!
19:27That sinks into the asphalt
19:28I already told him before, on the phone
19:31Let's see, let's see
19:33Let's see
19:35Let's see
19:37Let's see
19:40And if we pull you up
19:42With my boys or with the crane
19:44There is a danger that his legs may detach.
19:47Furthermore, this is not our doing.
19:49There is no fire, no water, no victim
19:52Let a crew of municipal workers come.
19:54And break up the asphalt
19:56Look, who do we need to notify?
19:58I don't know
19:59Go to the town hall
20:06It's called mitosis
20:07The type of cell division
20:09In which the nucleus undergoes a series of processes before dividing
20:13Countless single-celled organisms
20:15They reproduce by mitosis
20:16Each of them is divided into two
20:19Those two in four
20:20And so on
20:22That's why microbial infection is so dangerous.
20:25Since the number of microorganisms is constantly increasing
20:28It doubles
20:29It doubles
20:31Currently
20:32We are suffering from an epidemic of bodies
20:35Far more dangerous than microbes
20:37Because its reproduction takes place
20:39Not in duplicate, but in triplicate
20:42I'm referring to the forms
20:58One of those pink ones
21:00Request for consultation
21:03In triplicate
21:05One green
21:06Certificate and background
21:09In triplicate
21:11One yellow
21:13Justification for the different requests
21:16In triplicate
21:17But that man
21:20It's sinking deeper and deeper.
21:22We need to hurry.
21:24Don't worry
21:25Everything is planned
21:27A blue
21:28Request for urgent processing
21:31In triplicate
21:43Water
21:45Water, please
21:48A little water
21:52Water
21:55Water, please
21:58Ah
21:59You
22:00Please
22:02A little water
22:03A little water
22:05Please
22:07Please
22:08Water
22:10Ask for water
22:11You should see the things these cripples invent.
22:14To inspire pity and beg for alms
22:16Maybe it's true that you have it, huh?
22:18No way.
22:19Don't you see that evening is falling?
22:21And is it fresh?
22:22If it were midday
22:25In triplicate
22:28In triplicate
22:29In triplicate
22:31In triplicate
22:33Oh, yes
22:35But that man
22:37It will sink deeper and deeper.
22:40Triplicate
22:42Triplicate
22:44Triplicate
22:46Circle
22:47Circle
22:48Circle
22:50Circle
22:51Circle
22:52Circle
22:54Circle
22:55Circle
22:56Circle
22:57Circle
23:20Circle
23:21And that one over there?
23:24He must be an invalid.
23:26If he doesn't move, we'll wet him.
23:28That's his problem. You keep going.
23:31Our duty is to water the streets.
23:46Thank you.
23:48Thank you.
23:59But, dear sir, you have clearly not understood.
24:05Everything must be in order.
24:08I go through these forms, but not this other one.
24:12The seals are those used during the Second Empire, more than 80 years ago.
24:17The process was initiated by my paternal grandfather.
24:22But, dear sir, you know that everything changes.
24:25And the stamps too.
24:27It is absolutely impossible for me to grant this authorization.
24:48Triplicate, triplicate, triplicate, triplicate.
24:58Please, triple copy, triple copy.
25:16Please get me out of here.
25:20Please, get me out.
25:22Get me out.
25:23Please get me out.
25:26Please get me out.
25:28Please get me out of here.
25:30What is it?
25:31Don't get involved.
25:33Don't look.
25:34It must be some kind of political protest.
25:37Get me out.
25:37In the East.
25:39They burn.
25:40He may be buried here.
25:44Please, get me out.
25:47Get me out.
25:50Please get me out.
25:52Get me out of here.
25:54Please.
25:54How awful!
25:56How awful!
25:58Notice that one.
25:59Begging for alms and dressed better than you and me.
26:06Let's continue.
26:08Get me out.
26:11Please get me out.
26:14Get me out.
26:16Get me out.
26:18Get me out of here, please.
26:21Get out of here!
26:22And that one?
26:22Go on, don't look at him.
26:24It must be an advertisement.
26:26And we already have enough ads on TV.
26:37Why would he have gotten into a car?
26:39And what do I know?
26:41And then they say that we young people are the only ones who cause trouble.
26:51Get me out.
26:53Get me out.
26:54Please get me out.
26:56Get me out.
26:57Get me out.
26:58Please.
26:59Get me out.
27:02Get me out.
27:06But what you're asking for is absurd.
27:08It's the opposite of normal.
27:10People criticize us for the potholes, and you want us to open one in a newly paved street?
27:16But there's a man there, a man who is sinking.
27:22I understand. I'll look into it and we'll try to sort it out. Come back tomorrow.
27:28Like tomorrow?
27:29Of course. It's already 7:30. We all have the right to rest, don't you think?
27:58Please. Please don't kiss me.
28:04Understand. It's time to go and rest.
28:13Are you hungry or thirsty?
28:19No. Not anymore. Thank you.
28:24You'll see. You'll see it won't sink any further. Anyway, that's what I hope.
28:33Let's hope not.
28:36Do you need anything?
28:40Company.
28:43Love.
28:44I don't understand.
28:47It doesn't matter.
28:56See you tomorrow.
29:01Bye bye.
29:03Love.
29:04Love.
29:13Love.
29:15Love.
29:18Love.
29:20Love.
29:22Love.
29:24Love.
29:28Love.
29:28Love.
29:29Love.
29:30Love.
29:30Love.
29:31Love.
29:31Love.
29:32Love.
29:39Thank you!
30:06I am very lonely
30:08Don't leave me
30:12Don't leave me, please.
30:16Please
30:18Don't leave me
30:22I am alone
30:24Very alone
30:28Very alone
30:32Don't leave me
30:35Please
30:38I am alone
30:39This must be
30:40So how do we fix it?
30:42I am alone
30:43It's very easy
30:44It is poured onto the asphalt and then passed through the roller
30:49Go find her yourself
30:50Don't leave me
30:52Don't leave me
30:54Please
30:56I am very lonely
30:57And that voice?
31:00I'm not saying anything.
31:01Don't leave me
31:04No, neither do I.
31:06Don't leave me
31:06It would be the referee's ergor
31:08Yes, sure.
31:13Don't leave me
31:14Don't leave me
31:18Don't leave me
31:50Thanks for watching the video.
32:20Thanks for watching the video.
32:50Thanks for watching the video.
33:20Thanks for watching the video.
33:50Thanks for watching the video.
33:59Thanks for watching the video.