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00:10Thank you!
00:41Don Periñón of '51
00:43Ah, good, good, good
00:44Did you enjoy your dinner?
00:46Mmm! Perfect, Jean-Pierre, perfect!
00:49His flower, Don Narciso
00:50Oh, thank you, Flopet
00:51Oh, but Flopet
00:53This is not my everyday dwarf orchid.
00:56Please forgive me
00:57But today no flowers imported from Brazil have arrived
01:00Ah, don't worry, it's not important, Flopet
01:02Here, little one
01:03For you
01:04Thank you, Mr. Narciso
01:06Oh no, no, no, Costaquín, no, no, please
01:12No, no, not Vivaldi tonight, no.
01:14No, I would prefer something
01:16Something brighter, something stronger
01:18I don't know, some kind of gypsy or Gypsy air
01:20Something you feel deeply
01:23Is it possible?
01:28Ah, perfect, perfect
01:30For you, Costaquín, for you
01:31Thank you so much
01:34Good evening, gentlemen
01:36Yes, yes, you can see it now.
01:37This is my life
01:39The life of a lonely man
01:41Yes, but simple, vulgar.
01:42Of tastes and customs
01:46Simple, normal
01:54We have issued
01:55One, just one program of these new stories
01:58To avoid sleep
01:59And they've already started again.
02:01The gossip
02:02The criticisms
02:06Criticisms not made of the program itself
02:08But to me personally
02:08Yes, yes, indeed
02:10Because there are those who say
02:12There are those who spread the hateful slander
02:17That I make terrifying programs
02:18Because I like them
02:19Because I feel it
02:20Because I connect with them
02:21Because my life is a strange life
02:25And because of my preferences
02:28They are truly eerie.
02:32And no, gentlemen, no
02:33Nothing could be further from the truth
02:35I am, I repeat, a lonely man, yes
02:37But common
02:38Of simple, uncomplicated habits
02:42Vulgar
02:42Mr. Ibañez
02:43Hey?
02:44Flambéed with cognac
02:45Uh, sorry, sorry
02:46Uh, yes, yes
02:47Of course, Jean-Pierre
02:49Flambéed with cognac
02:50Okay, that's for sure.
02:50If possible
02:51Add it to the cognac
02:52A few drops of maraschino liqueur
02:53Yes sir
02:56That is
02:58Perfect
03:00Today, because it's Friday
03:01I've prepared her favorite dessert.
03:03A real gypsy arm
03:05Yes, I see it, I see it
03:06It looks great
03:09This is Costa's arm here, right?
03:11Yes sir
03:13Poor Costa here
03:14He will never be able to play Vivaldi again
03:16But it doesn't matter.
03:17I did it so badly
03:18So bad
03:19And for those who also complain
03:21That in our programs
03:23They always take place in environments
03:25Dark and gloomy
03:26Today's
03:27We will make it happen
03:28In a place of healthy recreation
03:30A place
03:31Subtly charming
03:33Full of perfumes
03:35And sweets
03:37Sweetest music
03:39Already!
03:41Already!
03:42Already!
03:43Already!
03:45Already!
03:47Already!
03:49Already!
03:49Already!
03:50Already!
03:51Already!
03:52Already!
03:53Already!
03:54Already!
03:54Already!
03:54Already!
03:55Already!
03:56Already!
03:57Already!
03:59Already!
03:59Already!
04:00Already!
04:15Already!
04:18Already!
04:20Already!
04:21Already!
04:23Already!
04:34Already!
04:36Already!
04:37Already!
04:39Already!
04:53Already!
05:23I've been looking for you for days.
05:24Already!
05:25Already!
05:27You made use of all three wishes
05:29No
05:30And how many things did you order?
05:33Two
05:35And what will the third one be?
05:47Die
05:50TO?
05:54No
05:56No
05:57No
06:05No
06:06No
06:07No
06:08No
06:08No
06:08No
06:08No
06:09No
06:37Thank you!
07:07Thank you!
07:22Thank you!
07:40Have you seen the window?
07:42Arturo, don't be a cheat.
07:44And you, son, don't let your father distract you, because that's what he wants to happen.
07:48Are you getting lost, Arturo?
07:50Well no.
07:53Yes, we'll see.
07:57Okay, but have you seen the window?
08:01Outside it's blacker than pitch.
08:03And there he goes again with the window.
08:05It's always been like this.
08:06There are no streetlights, no houses, nothing at all in front.
08:09Fields only.
08:11What did you expect to see?
08:12Even on the best summer nights, it's as dark out there as it is today.
08:15Yes, that's the downside of living so far away.
08:18I have never seen a place as out of the way, as uncomfortable and as muddy as this one.
08:22The rain will have turned the road into a swamp.
08:25You were the one who wanted us to come and live here,
08:28far from the town, from the people, from everything.
08:30Sure, that way nobody bothers us and we can live in peace.
08:33Well then, don't complain.
08:34You can't have it all.
08:36Solitude and light, peace and good paths.
08:38Okay, but you, you, Ricardo, what about you?
08:40What do you think about the weather?
08:42Have you seen the window?
08:44Mate.
08:46What were you saying about the window?
08:48Hey?
08:49No, nothing.
08:50Nothing.
08:51I was already wondering about my intense interest in getting Ricardo to stop looking at the board.
08:55My interest in the rain and the state of the road is because of Gerardo.
09:00He will also have difficulty finding the house tonight.
09:03I don't think he'll come.
09:04Yes, in his letter he announced that he would arrive today.
09:07Perhaps he stayed overnight at the village inn.
09:09Yes, maybe.
09:11Do you want me to go to the inn?
09:12No no.
09:13No.
09:13It's already very late.
09:15And it's raining a lot.
09:17We should have both gone out to wait for him at the entrance to the village.
09:21It doesn't matter, it will come.
09:23If not today, then tomorrow.
09:25There is no fear of it being lost.
09:27He's not a child.
09:29How old is Gerardo?
09:33Well, you see, my sister was twenty-one when he was born.
09:36And my sister was from '39...
09:39Thirty-five.
09:40Thirty-five years old.
09:41I'm really looking forward to meeting him.
09:43And I'm looking forward to seeing him again.
09:46He was six years old the last time I saw him.
09:49It was when I said goodbye to my sister and her husband who were leaving for India.
09:53Yes, I would be six years old.
09:55He was very cheerful and mischievous.
09:58Do you want to play another game, Dad?
10:00Can you give me a tower head start?
10:02And why would you give it to yourself?
10:04Then I don't play.
10:06I keep the index cards.
10:10Callaos.
10:12What's happening?
10:13I thought I heard the gate in the fence.
10:29Yes, it's him.
10:30It has to be him.
10:32Ricardo, stoke the fire that will come soaking you to the bone.
10:34And you prepare him a punch.
10:41Go ahead, go ahead.
10:43We were waiting for you.
10:46Because you're Gerardo, right?
10:48Yes, yes, of course I am.
10:49Luisa.
10:50Here's your nephew.
10:51Sergeant Major Gerardo Morris White.
10:54Welcome.
10:54I'm so glad to have you with us, son.
10:57I will also be at your house.
10:58At your house, Gerardo.
11:00Ricardo, come here and put that fire out.
11:03This is our son, your cousin Ricardo.
11:07I was really looking forward to meeting you.
11:09Me too.
11:10Go on, Ricardo.
11:11Take the suitcases to your cousin's bedroom.
11:14And you, take that off, you're soaking wet.
11:17Let me help you.
11:18Thank you.
11:19Because of the rain, the coachman refused to bring me here.
11:22I was afraid of getting stuck in the mud.
11:24He dropped me off at the beginning of the trail.
11:26He did the right thing.
11:27Sit down, sit down.
11:28And take off your boots.
11:29Yes, yes, he did the right thing.
11:30A month ago, a car was passing in front of the house during the storm.
11:34He put a wheel in a well and had to stay there for almost a week.
11:39Misa, why don't you go to the kitchen and make a nice hot punch for your hat?
11:44No, no, no, please, I wouldn't want to bother you.
11:46Stop talking nonsense.
11:47Go on, Mass, go on.
11:49And prepare a punch for the two of you.
11:53Are you cold too?
11:54Yes, what's happening?
11:56I just can't have it.
11:57I'll bring it to you now.
12:01Well, your letter announcing your trip made us very happy, but it surprised us.
12:07I assure you that I had lost all hope of ever seeing you again.
12:09After so many years in India, I imagined you'd have your life sorted out there and wouldn't be returning to your
12:15land.
12:15That's why I was surprised by the news of your trip.
12:19In your letter you don't tell us the reason.
12:21Perhaps the army granted you an extended leave?
12:24No, I no longer belong to the army.
12:26I've come to England to start over.
12:29Since you are the only family I have left, I dared to ask you to allow me to live with you for a while.
12:35in your house.
12:36Until I find a job and get my bearings.
12:38Man, whenever you want, Gerardo.
12:41We are not rich by any means, but what little we have, I hope you will consider as your own.
12:47Thank you.
12:47I took your suitcases out with a towel. They were soaking wet. Then I opened them and placed them on two chairs.
12:54Thank you, Gerardo.
12:55This fell from one of them.
12:57What is it, Gerardo?
13:00It's a claw.
13:02A dried-up monkey paw.
13:05Mummified.
13:08A monkey's paw?
13:10What do you have it for?
13:13To avoid any envy, I've prepared punch for everyone.
13:17We were waiting with a wonderful dinner, but as it was getting very late.
13:20The storm made us lose almost five hours.
13:22It doesn't matter.
13:24I added quite a bit of rum, sugar, and a pinch of cinnamon to the punch.
13:27But now that I think about it, haven't you had dinner?
13:29You'll have an appetite.
13:30I'm going to prepare something for you.
13:31No, no, don't bother, no.
13:33We had dinner at Vires Ford.
13:34Then?
13:34We stopped there for a while, waiting for the worst of the storm to pass.
13:38Arturo, do me a favor.
13:39You serve the punch.
13:42What do you have there?
13:44A monkey's paw.
13:45It belongs to Gerardo.
13:47Ah, yes.
13:48When Luisa came in, I asked you what you had her for.
13:50Does it do any good?
13:52It's a kind of talisman.
13:57Let me see her.
14:02Oh, how awful.
14:04Oh, take it, take it, it disgusts me.
14:06So, a talisman.
14:08But you believe in those things.
14:11Yeah.
14:11Yes, I do believe it.
14:14An old Fakir cast a spell on her there in Benares.
14:17He wanted to demonstrate that destiny governs human lives.
14:20And it brings great evils to those who dare to defy it.
14:24That holy man, that Fakir, bewitched her so that three different men could each make three wishes to her.
14:32And then he handed it to a friend of mine who was laughing, making fun of those things.
14:38Did your friend ask him for anything?
14:41Yeah.
14:42And were their wishes granted?
14:45Yeah.
14:46What did he ask for?
14:49I'm not sure which were the first two, but...
14:53The third was to die.
14:55And that's how the paw came into my hands.
14:59And why don't you ask him for three things?
15:02I've already done it.
15:03And did your request come true?
15:06Yes, it happened.
15:08Okay, so if you've already made your three wishes, why keep the paw?
15:13Don't know.
15:14I had thought about selling it, but I might not.
15:19It has already caused too many harms.
15:22And you can't ask him for anything else?
15:24No, only three.
15:27Three men can each make three requests.
15:32Now the leg can only be useful to a third man.
15:45But why are you throwing it away?
15:47It's better that it burns.
15:49That?
15:50If you don't want it, give it to me.
15:53I threw it into the fire.
15:54If you stay with her, don't blame me for what happens.
15:58But what silly things I'm hearing tonight.
16:01Gerardo, you want to make fun of us, don't you?
16:04To play a prank on us.
16:05No, I'm serious.
16:07But all that stuff you've said about the leg sounds like a story from the Arabian Nights.
16:11And how do you ask him for things?
16:14It is held in the right hand and the wish is stated aloud.
16:20Let's see.
16:21With the right hand.
16:24I ask the leg...
16:25No, no, no!
16:26No, don't do it, no.
16:28Don't make fun of these things.
16:31And keep them if you want.
16:33But if you ever ask him for something,
16:36Do it seriously
16:38and ask for sensible things.
16:42Alright.
16:45I'll do what you say.
16:47But for now, let's leave it on the mantelpiece as a decoration.
16:58Good.
16:59That's it.
17:02My mother will wash these dirty clothes for you.
17:05I feel, I don't know, embarrassed that you are being so kind to me.
17:11What nonsense.
17:12That's logical, we're your family for a reason.
17:15Yes, but I'm not used to it, you know?
17:18Think about it, since my parents died almost 20 years ago,
17:21I have lived alone, without anyone taking care of me or showing any interest in me.
17:26And gin?
17:28Well, that will help me fall asleep faster.
17:32I have to get up very early tomorrow.
17:34To go to work?
17:35Yes, I'm in a paper mill on the outskirts of Birmingham.
17:39Would you like to see it?
17:40It has the latest advancements.
17:42Machines.
17:43Many machines that do all kinds of work.
17:46They strike the tree trunks and press the wood.
17:49I'm sure you'd like to see it.
17:51Do you think I could find a job there?
17:54Yes, I think so.
17:55Do you want me to speak to the foreman?
17:57Yes, do me that favor.
17:59But keep in mind that the factory is on the outskirts of Birmingham.
18:02It's more than 20 miles from home.
18:04And you have to go back and forth every day.
18:06If we go and come back together, the journey will seem shorter.
18:09Of course, you're right.
18:10That would be great for me.
18:12It would be great for both of us.
18:14For our future travels.
18:21Trips.
18:22Always.
18:23Since I was a child I dreamed of traveling, of seeing the world.
18:27But I never managed to leave the village.
18:29You have no idea what I would give to see what lies beyond.
18:32Beyond Birmingham, beyond England, beyond the sea.
18:35For knowing India as you have known it.
18:38You're better off here.
18:39Maybe.
18:41But I would like to see those very old temples.
18:43And seeing people dressed differently.
18:45And those fakirs you mentioned below.
18:48You're better off here.
18:49Perhaps you're right.
18:52And why did you leave India?
18:54Any problems in the army?
18:56No, none of that.
18:58Any women?
18:59Neither.
19:01You grew tired of those lands and decided to return to your homeland.
19:04No, India is my homeland.
19:06Think about it, they took me there as a child.
19:10I had to leave that.
19:13Don't laugh.
19:15Through the monkey's paw that's below, above the chimney.
19:18By the leg?
19:20Yeah.
19:22Your mother laughed when I told you the story of the holy man who had bewitched her.
19:27And that makes sense.
19:29Here in England, all those beliefs and superstitions sound false.
19:33But not in India.
19:35India is a strange country where the strangest things can and do happen.
19:42But it's true that that paw granted you three wishes.
19:45Yeah.
19:47And what did you ask him for?
19:49Things.
19:51Things that should not be desired or possessed.
19:54Sacred things.
19:56Sacred?
19:57Yeah.
19:58In India, many temples contain treasures belonging to different gods.
20:04And dancers.
20:06Virgin girls guarding those treasures.
20:10Both things, gold and women, are sacred.
20:14And he is protected not only by priests, but by nagas.
20:18What are nagas?
20:19A species of demons that, according to legend, have human faces and snake bodies.
20:25And indeed, there are often many snakes around those temples.
20:30Especially those that rise up in the jungle, in southern India.
20:35Yeah.
20:36There I saw hundreds of daicas among old stones.
20:40And small, blackish, very poisonous snakes.
20:43And rattlesnakes and king cobras.
20:46But none of them would have a human head.
20:48No, no, of course not.
20:51None.
20:54Yes, my first two requests were to own something I had seen.
21:00Something I had deeply desired.
21:03And the paw granted it to me.
21:06But then things started happening to me, such horrible things,
21:11My third wish was that everything would go back to the way it was.
21:17But I don't think I succeeded.
21:19That they haven't forgiven me.
21:22I don't understand you.
21:27There's something, Ricardo.
21:29Something that follows me, that relentlessly pursues me.
21:34Something that keeps me from sleeping.
21:36It won't let me live anymore.
21:39Something.
21:40Yeah.
21:41He is not a man.
21:43It is not a human being.
21:45Not even an animal.
21:47Is...
21:48It's something vague.
21:50That's why I left India.
21:53Believing that in this way I would get rid of that strange persecution.
21:56But on the ship I felt his presence again.
22:00But what is it?
22:02I don't know, I already told you.
22:04Sometimes it's...
22:05It's the feeling of not being alone, you know?
22:09That someone, somewhere, is watching me.
22:13And they are also noises like hissing.
22:16And like pellets rattling inside a paper bag.
22:20How odd.
22:22No, it isn't, no.
22:23Because those are the noises snakes make when they are about to attack.
22:28Sometimes...
22:30Exhaustion is getting the better of me.
22:33And I fall asleep.
22:34But then...
22:36Something cold and damp.
22:38Something sticky that touches my neck or hand.
22:42It makes me wake up startled.
22:44AND...
22:44That I can no longer fall asleep.
22:48But not...
22:50I can't take it anymore.
22:52Can't.
22:54I must not keep running away.
22:59Well...
23:00You'll see that none of that will happen to you here at home.
23:03Hopefully.
23:05Of course not.
23:07Those are strange things.
23:09Things that, as you yourself have said, happen there in India.
23:12But not here.
23:13And these are things that happen because you're alone.
23:16But...
23:16Loneliness...
23:18It makes your brain work too hard.
23:20Yeah.
23:21Maybe.
23:23Of course.
23:24But now you are no longer alone.
23:26Now you have us.
23:28To your family.
23:31I'll leave you now, it's very late.
23:35Welcome home.
23:36And that you are scarce.
23:37Thank you, Ricardo.
23:40See you tomorrow.
23:43See you tomorrow.
23:43Can't.
23:49Can't.
23:52Can't.
24:07Thank you!
24:36Thank you!
25:23Thank you!
25:43Thank you!
26:15Thank you!
26:53Thank you!
27:23Thank you!
27:32Thank you!
27:34Thank you!
27:34Thank you!
27:36Thank you!
27:37Thank you!
27:38Thank you!
27:40Thank you!
27:40Yes, yes, of course, I understand him.
27:42But you should consider that it's the logical thing to do.
27:44The thing is, our last savings were gone when my nephew was buried.
27:48Well, mortgage some property.
27:50Or sell something.
27:51The house we live in does not belong to us.
27:54We pay rent.
27:55Dear sir,
27:57His nephew was granted a loan of... at our Bombay branch
28:03125 pounds.
28:04Plus the cost of a ticket from India to Liverpool.
28:07That makes a total of 150 pounds.
28:11It's not just money that is inherited.
28:13Sometimes, as in this case,
28:15What is inherited are debts.
28:17Wasn't Gerardo Morris White his nephew?
28:19Yes of course.
28:22Well, if you are his closest relative,
28:24It is your responsibility to make these payments.
28:28They told me no.
28:30Things aren't going very well at the factory.
28:33And also,
28:35They don't want to set a precedent
28:36to advance money on account of a salary.
28:40Besides,
28:41150 pounds is almost what you earn in a year.
28:44For your brooch,
28:44Screw and my watch,
28:45They would give us at most 20 or 25 pounds.
28:49Have you spoken to the reverend?
28:51Yeah.
28:52But of course,
28:53He can only give me advice.
28:55Let us not give up,
28:56Let us not lose faith.
28:59The truth is, we are alone.
29:01We can turn to nothing and no one.
29:07Father.
29:08Yeah.
29:09And the farpa?
29:12And?
29:13The farpa.
29:14The monkey's paw that Gerardo brought from India.
29:23Here it is.
29:26Why don't we ask Him for what we need?
29:30Are you serious?
29:33What does it cost us to try?
29:35Gerardo assured us that the duck would grant any request made of it.
29:38Up to three things.
29:41Would it be that easy?
29:44Ask him for it.
29:45What's wrong with that?
29:46What was it supposed to be done?
29:49Hold the paw in your right hand
29:51and make a request out loud.
29:54Ask him for it.
29:55Ask for what we need.
29:58What nonsense.
29:59Ask him for it.
30:00If you don't do it, I'll do it.
30:04Well, then...
30:07Desire...
30:09I wish you to grant us 150 pounds.
30:15I'm going.
30:17Father, what's happening?
30:20That it moved.
30:21As?
30:23Yes, it has moved.
30:24The moment I asked for that, it twisted in my hand like...
30:29like a spider.
30:32Was it your imagination?
30:34No, it wasn't.
30:36Well, I don't see the money anywhere.
30:39And I don't think I'll ever see it.
30:42Seeks.
30:43Look in your pockets.
30:44That?
30:44Ah, yes.
30:47The handkerchief.
30:48The pipe.
30:51Four pence.
30:53AND...
30:54AND...
31:01And nothing more.
31:03And what did you expect to find?
31:08I think it would be best if we went to bed.
31:10It's already very late.
31:13We will try to find a solution tomorrow.
31:16Besides, Arturo, who's to say there isn't a strange chest containing 150 pounds hidden in our bed?
31:25Don't go to bed late, son, you have to get up early.
31:28One pipe and I'll go to bed right away.
31:31Good evening, Father.
31:33See you tomorrow.
32:00It's a shame that apple compote is so cheap.
32:03Because we still have 12 or 13 jars left in the pantry.
32:08Well, perhaps some apple compote enthusiast will come along and offer us 150 pounds for all of it.
32:15We still have.
32:16Stop playing pranks.
32:18I repeat, that paw moved in my hand.
32:21Your fantasies.
32:22I'm telling you, it moved.
32:23What idea?
32:25Of course, you and your son are alike.
32:28Who in this day and age can believe that there is anything capable of making our wishes come true?
32:33And why not?
32:34Because all of that is a load of...
32:38What's wrong?
32:39That man who is out there.
32:42And you see?
32:44And he has passed by the house three times.
32:47Does he want something from us?
32:49Oh, really?
32:50And now he's coming straight towards the door.
32:52Who will it be?
32:53I don't know.
33:07What desired?
33:08Mr. White's house.
33:10Yes, this is it.
33:11I am from the Herbert Collins company.
33:12The paper mill.
33:14The factory where Ricardo works.
33:16Forward.
33:16Come in, please come in.
33:19This gentleman is from the factory where Ricardo works.
33:21Ah, yes.
33:23Please take a seat.
33:25Please take a seat.
33:30Our son is not at home.
33:32It's in the factory.
33:33He doesn't leave until six.
33:34Yes, I know.
33:35I was ordered to come and see them.
33:40So that?
33:42Has something happened to Ricardo?
33:46Please speak.
33:47Honey, don't get like that.
33:48There is no reason for it.
33:51I'm sure this gentleman doesn't bring us bad news.
33:54It must be for another reason.
33:56That's not true.
33:58It's a very delicate situation and a very painful duty for me, but...
34:02It is our duty to inform you that...
34:06He is injured.
34:07Is that true?
34:09There was an accident and he is injured.
34:14No.
34:30He suffered a lot.
34:31No, not that.
34:32It was instantaneous.
34:34He was caught in one of the wood-pressing machines.
34:38The head and...
34:39and part of the trunk.
34:43Already.
34:45The company has entrusted me to convey their sincere condolences for this great loss.
34:52I must also tell you that...
34:55that the company declines all responsibility,
34:58but considering the services provided by their son, they wish to give him a sum as compensation.
35:10How much?
35:17One hundred and fifty pounds.
35:19No.
35:19No.
35:32No.
35:36No.
36:05Thanks for watching the video.
36:35Thanks for watching the video.
36:37Thanks for watching the video.
37:10Thanks for watching the video.
37:48What's wrong?
37:51Arturo, how did we think of this before? How come you didn't think of it?
38:24That?
38:50What could happen to us?
38:55That's what we must do, ask that he be brought back to life.
38:58It's a horrible wish!
38:59Order it!
38:59Mass, we must not attack!
39:01Order it!
39:13Ask Him to bring my son back to life.
39:59Ask Him to bring my son back to life.
40:26You've been standing by the window for over an hour.
40:28Please, let's go up.
40:31Do you understand that it's absurd to believe that such a thing is possible?
40:40Please ask that my son be brought back to life.
40:50Subscribe to the channel!
40:51Even more so!
41:00Please ask that my son be brought back to life.
41:03Even more so!
41:04Even more so!
41:31Thanks for watching the video.
42:01Thanks for watching the video.
42:31Thanks for watching the video.
42:43Thank you.
43:21Thanks for watching the video.
43:30Thanks for watching the video.
44:02Thanks for watching the video.
44:52Thank you.