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00:28Thank you!
00:57Thank you!
01:00And in singing we must not disturb with programs like ours
01:04But of course, tonight brings another chapter of stories to keep you awake at night.
01:08And under that title, a script that's too rosy can't be justified.
01:14What to do then?
01:16After much thought, we have decided to offer you a program without terror.
01:21But it has to do with terror
01:24The fact that?
01:27A biography
01:30Yes, the life of a man who was heavily criticized
01:36He was accused of being morbid and gruesome.
01:41Because of the things it offered to its audience, to its readers
01:48The life of a man who is undoubtedly a foundation, a seed
01:56Undisputed figure, undisputed master
02:00From the literary genres of fantasy and horror
02:03I'm referring to Edgar Allan Poe
02:08In these same stories to keep you awake, we offered you some scripts based on Poe's tales.
02:16For example, the heart of the ator gave rise to our latest watch
02:25Our barrel was based on the Montillado barrel
02:28Our agreement in your case, Mr. Valdemar
02:34Well then, and that's all.
02:35I sincerely hope tonight's program doesn't disappoint you.
02:38And that, on the contrary, they are interested
02:41And even if we're a little lucky
02:43Thank you
02:45Well, and given the dates
02:47To all of you
02:49Happy New Year!
02:51Thank you
03:00Thank you!
03:03Thank you!
03:06Thank you!
03:20Thank you!
03:48Thank you!
03:57Thank you!
03:59Thank you!
04:03Thank you!
04:08Thank you!
04:38Subscribe to the channel!
05:06Subscribe to the channel!
05:08Is this it?
05:37Subscribe to the channel!
05:40With your permission, sir. The reverend has just identified the man who passed away last night.
05:44Good.
05:51His name is Reverend.
05:54Griswold.
05:55Rufus Griswold.
05:56Did you know the deceased?
05:57Yeah.
05:59He was my personal enemy.
06:01Can you give me the information to fill out the registration form?
06:04Of course.
06:10Name and surname.
06:11Edgar Allan Poe.
06:17Age?
06:19Forty years, approximately.
06:25Married?
06:26Widower.
06:29Profession.
06:31He practiced egocentrism.
06:33He envied everyone.
06:35I asked him about his profession.
06:37I'm talking about her.
06:39In addition, when those occupations allowed, he dedicated himself to writing.
06:44How did he die?
06:47They found him lying in the street and brought him to us.
06:50When he regained consciousness, he fell into an attack of delirium tremens, from which he did not emerge until his death.
06:57He had to be tied to his bed.
06:59He howled in terror, believing he saw deformed and strange beings chasing him.
07:04Ghosts.
07:05Unburied corpses.
07:07Monsters.
07:10A victim of alcohol.
07:12And of himself.
07:14I met him in Philadelphia, where he was running Graham Magazine.
07:49Go ahead, Reverend!
07:51Forward!
07:53Gentlemen, I have the pleasure of introducing you to Reverend Rufus Grisbult.
07:58Author of the first ontologies of poets and prose writers in our country.
08:01The reverend will honor us by contributing his original work to the newspaper.
08:06Mr. Mortinson, from layout.
08:09Mr. Stumer, police.
08:12Mr. Ferguson, politics.
08:15Please excuse me for a moment.
08:17I take your article to Mr. Poe and return to our director to present it to him.
08:38I've told Lidia a thousand times that I don't want an imperial and a treasure.
08:41It's my parasitic point that I ask for what others have written.
08:44No, no, no.
08:45If you don't believe it, I'll tell you myself.
08:46But who does she think she is because she wears it up to her neck?
08:50Go to hell!
08:50I'm coming back! I'm coming back! Come here!
08:54Reverend Grishwood.
08:56I personally replied to three of his letters that his articles were more illustrious and reverend imbecilities.
09:02Go back to your office!
09:03I advise you to leave the last one and dedicate yourself to your anthologies.
09:06Well!
09:06In other words, it is based on what others have written.
09:09Well!
09:09But not his originals in my newspaper.
09:12I'm talking, Mr. Grazano!
09:14I.
09:15Edgar Allan Poe, the editor of this newspaper.
09:17And you forget that I am the owner.
09:20Because I'm the one who pays his salary.
09:22The one who feeds him!
09:23But who feeds whom?
09:26When I started running it, this newspaper printed three thousand copies that were only good for household use.
09:33And now, thanks to me, forty thousand copies a day have allowed you to buy a house.
09:38That his children study at a school so that when they grow up they don't resemble their father.
09:43And you still dare to tell me that you feed me.
09:46Don't listen to him, Reverend.
09:47He's a drunk.
09:48Don't listen to him, Reverend.
09:49He's an idiot.
09:50I'm warning you that you're risking your job.
09:52No, no, no.
09:53You are the one who loses the best director you could have.
09:55And you know it.
09:57Also, don't threaten me so much, Grazano.
09:58I don't need it from you or your newspaper.
10:00Nor from the salary he pays me at the end of the month.
10:03The family that lives in my house is the family of Edgar Allan Poe.
10:07Do you understand?
10:08And that name has more than enough credibility that they don't need anything.
10:14Good afternoon.
10:33The family that lives in my house is the family of Edgar Allan Poe.
10:39That name already has more than enough credibility; they don't need anything else.
10:47So that they might need something.
10:54What are you doing here?
10:55I heard you arrive.
10:58What's happening?
11:00The doctor is with Virginia.
11:02He asks if we can light the fireplace.
11:05It's very cold.
11:07Turn it on.
11:08There is no firewood.
11:11Nor with what to buy it.
11:14Well.
11:16We'll see.
11:23How are you, Mr. Poe?
11:25How is Virginia, doctor?
11:27He remains determined not to believe me.
11:29But the thing is...
11:30It just can't be.
11:31Because?
11:32Because he's only 18 years old.
11:34Because she's not pale and thin just for that reason.
11:37Doctor,
11:38I understand a lot about that disease.
11:41What do you mean by understanding, Mr. Poe?
11:44My brother died of tuberculosis.
11:46I bet my mother died spitting blood on a stage
11:49while she sang and showed her legs
11:51so that we wouldn't go hungry.
11:53Because my grandparents and my cousins...
11:55Do you think all cases are the same, Mr. Poe?
11:58But that can't be, doctor.
12:00She grew up healthy and strong.
12:02A pot at home likes to laugh, run, and sing.
12:05but...
12:06But she's practically a child.
12:08Hacking cough,
12:09cold sweat,
12:10high fever
12:11and has four bobitos in a row.
12:14There can be no doubt whatsoever.
12:15A vein that breaks in the throat can also cause this.
12:18She likes to speak loudly and sing.
12:20There is no doubt, Mr. Poe.
12:23His wife needs fresh air,
12:26food,
12:27repose.
12:28Well,
12:30You, who claim to know about the disease, should already know this.
12:33Fresh air,
12:34food,
12:35repose.
12:38Good evening, Mr. Poe.
12:40Good evening, doctor.
12:59How is my little wife?
13:02My little sister,
13:03my little lover.
13:05Edgar,
13:06Dr. Matthews didn't find me to be entirely well.
13:09Dr. Matthews has only a few years left to live
13:12and envy the young.
13:14But I'm afraid, Edgar.
13:16He told me I had a chest problem.
13:18Ah, Virginia.
13:20You know that everyone in my house
13:22They died of tuberculosis.
13:24All.
13:26I know the disease well.
13:28It's a cold, slimy ghost.
13:30which goes hand in hand with lack of rest,
13:33due to the lack of food,
13:35which goes hand in hand with living in enclosed environments,
13:38of excesses,
13:41of alcohol.
13:43It's a ghost that flees
13:45of the light,
13:46of the sun,
13:48of clean air.
13:50And you grew up in the countryside.
13:52And you are healthy and strong, do you understand?
13:56If it were about living,
13:58There would be no doubt.
13:59But you...
14:02And the blood, Edgar?
14:05A vein that you want in your throat,
14:08a small injury to the stomach,
14:09Ana, don't worry, okay?
14:12Go to work.
14:13What are you going to write?
14:15Well, uh...
14:16A thousand things.
14:17Stories, poems, articles, reviews.
14:21I'm full of ideas.
14:23Ideas that will bring us fame and money.
14:27It's been a while since you've read anything from me.
14:29The thing is...
14:30It's because I write so much
14:32I'm afraid I'll overwhelm you if I read everything.
14:37Edgar.
14:38That?
14:41I'm afraid.
14:43That?
14:49To die.
14:51Oh, what nonsense.
14:54Oh, no, no, no.
14:54Don't worry, okay?
14:56Rest.
14:58Rest.
14:59You have to go.
14:59Enco.
15:12No.
15:15Nemo.
15:18No.
15:23Come Gel.
15:52Subscribe to the channel!
16:22Subscribe to the channel!
16:53Subscribe to the channel!
16:56My whole family died of tuberculosis.
16:59My mother, my brothers, my grandparents, my cousins, my...
17:08It is a cold, viscous ghost that goes hand in hand with food shortages,
17:15from lack of sleep,
17:17that goes hand in hand with alcohol.
17:20From alcohol!
17:23From alcohol!
17:28From alcohol!
17:30From alcohol!
17:31Hair love! Hair love! Hair love!
17:41Edgar, is something wrong?
17:44No, no. Nothing, nothing, darling. Nothing.
17:49Do you write?
17:51Yes, of course, yes. I write.
17:57I write.
18:18I write.
18:21Good morning, Mr. Graham.
18:23Good morning. What did you want, then?
18:26Mr. Graham, I came... I came to beg you to... to please...
18:42...please refrain from publishing any of my articles again.
18:47This morning I received a call from the New York Herald to...
18:51...to offer me the newspaper's address.
18:55Do you understand?
18:55The newspaper's management to me.
18:59I'll send someone to pick up my things later.
19:02Goodbye, Mr. Graham.
19:05Bye bye.
19:07Puey.
19:09And come back here from time to time.
19:13Here?
19:15Anymore.
19:17No.
19:19Anymore.
19:22Anymore.
19:24What did I write that was so strange?
19:28Anymore.
19:30Two words that will resonate in the ears of all men who have a shred of sensitivity.
19:36It's like I was right, Virginia.
19:39I did well to say goodbye to Graham, and I felt compelled to dip my pen in...
19:43...in filth, to... to write only filth.
19:46I was right to tell them to keep their...
19:49...the miserable little salary they gave me and to regain my independence.
19:54You'll see, Virginia.
19:56There will be a newspaper in which this poem is not published.
19:59They will pay 500 for him...
20:01...one thousand dollars.
20:02Every newspaper in the United States.
20:04Every newspaper in the world.
20:07And what title did you give it?
20:09The Crow.
20:11I'll take it to the editor of the Herald tomorrow.
20:14Okay, now...
20:15...now listen to it.
20:19Once upon a time, on a cold midnight, when I was tired and sad, I was examining rare tomes of forgotten sciences...
20:27...I suddenly heard someone knocking or calling softly.
20:31"He's definitely a visitor," I told myself.
20:33That's all...
20:35...and nothing more.
20:38I opened the door...
20:40...and with a gentle stir...
20:42...then a majestic raven entered, with the bearing of an old nobleman...
20:47...it perched on a bust of shovels.
20:51With his grave demeanor...
20:53...the ugly bird...
20:54...turned my sadness into a smile.
20:58And I told him...
21:02...despite your flayed crest...
21:05...you're not a coward...
21:07...grim, spectral raven that wanders the edge of the night...
21:11...and maybe even have a name like me.
21:14And the raven said...
21:17...anymore.
21:20I certainly thought...
21:21...those are the only words he knows, having learned them from an unfortunate master...
21:25...whom fatal disaster pursues...
21:27...and whose song...
21:29...it has that sad refrain.
21:33Anymore.
21:35I placed an armchair in front of the bird...
21:38...and sunk in a velvet dumbwaiter...
21:40...I spoke to the raven.
21:43I am alone.
21:45Even she has left.
21:47Only you accompany me, old crow.
21:50But soon...
21:52...the same life...
21:53...will bring life back to me.
21:56And the raven said...
21:59...anymore.
22:02"You wretch!" I shouted.
22:03To be born of evil!
22:05If the devil sends you...
22:07...or the storm reddens my desolate shore today...
22:10...you should know that everything...
22:11...everything for me will be reborn tomorrow.
22:15And the raven said...
22:18...anymore.
22:21Go away now, you filthy scoundrel!
22:23Night and storm return!
22:25Don't leave a black feather as a token of your visit to my house!
22:29And the raven said...
22:33...anymore.
22:37The crow today...
22:40...motionless, follows a pose...
22:42...on the bust of Pallas not far from...
22:44...from the door of my room.
22:47AND...
22:48...I try to get up from my armchair.
22:52I'll try.
22:53But the crow is looking at me...
22:56...to see its beak and it says...
23:01...anymore.
23:05I don't think it's a bad idea.
23:07Please, Mr. Graham.
23:09It is pedantic, gloomy, absurd.
23:12Anyway, I'd like to publish it.
23:15How much can we pay Poe for this?
23:18If you want to pay him something...
23:20...well, I don't know...
23:22...all the more...
23:24...five dollars.
23:27How many newspapers will publish it?
23:29Many, dozens, hundreds of newspapers.
23:33Congratulations, Poe.
23:34That will also bring him a good sum of money.
23:37No, no, no, don't believe it, doctor.
23:39I've been offered a lot of money, but...
23:41...due to exclusivity...
23:43...and I have refused.
23:44I preferred that the poem be published practically...
23:47...in all the newspapers of the Union...
23:49...so that it reaches everyone, everywhere...
23:51...and let it serve as...
23:52...promotion.
23:55But, Edgar...
23:56...if you are already very well known.
23:58Yes, but...
23:59...I need advertising for my new magazine.
24:01A new magazine?
24:03Yes, doctor, yes.
24:04I've decided to publish a literary magazine...
24:07...to become independent, to not depend on newspaper editors...
24:09...and from cretinous landlords.
24:11Not to feel bound by the vulgarity of the masses...
24:13...nor for commercial interests.
24:15It's its own magazine...
24:17...where I will give a platform to the best writers in the country...
24:20...where I will give freedom...
24:21...to the best writers in the country.
24:23I hope it's a success, Poes.
24:27Good evening, Virginia.
24:29Good evening, doctor.
24:39It is necessary.
24:41It is essential to get her out of here.
24:44It needs a place with a temperate climate and food.
24:47Yes, yes, yes.
24:47Yes, I know, yes.
24:49But...
24:50...now everything will be alright.
24:51With the new magazine, then, everything will be alright.
24:54Yes, but before it starts being published...
24:56...well, I'm counting on the subscribers, you understand.
24:58Thousands upon thousands of people who love good literature will subscribe...
25:02...and they have to pay in advance.
25:04Very soon, starting tomorrow...
25:06...prosperity will enter this house.
25:10It will be the best literary magazine published to date.
25:14It will contain the most intelligent and impartial criticism...
25:17...the sharpest articles, the best and newest stories and poems.
25:22What else?
25:25No.
25:27Nothing else.
25:29Stock quotes?
25:32It is a literary magazine.
25:36What is your name?
25:38Poe.
25:39Edgar Allan Poe.
25:41Am...
25:41...I will be the director.
25:44Already.
25:45How much does the subscription cost?
25:49One dollar...
25:50...for six months.
25:52Payable upon subscription.
25:56Not me.
25:58But my daughters might be interested.
26:01A literary magazine.
26:04Of course, it will feature serialized novels.
26:08No.
26:10It will not feature serialized novels.
26:12Not that either.
26:15Then I'm sorry.
26:17I'm not interested.
26:27I'm sorry.
26:29But the man is not here.
26:31Maybe tomorrow.
26:33The man has left.
26:34And it is not known when he will return.
26:38Good.
26:40Thank you.
26:41Teresa.
26:42Come here a moment, please.
26:56This whole literature thing has become fashionable.
26:59Even my wife has taken up writing poetry.
27:01That's ok.
27:02Let her write the verses.
27:04I will recite it to you later, in private.
27:09What did I say its name was?
27:10Poe.
27:11Edgar Allan Poe.
27:13Forgive me, Poe.
27:15But please understand that this is not the most appropriate place to talk about serious matters.
27:19Why doesn't he come to my office?
27:21I've been trying to see him there for several days.
27:23His secretary told me this afternoon...
27:25...that perhaps she would find her here with her friends...
27:28...that might interest us through my magazine.
27:32Gentlemen, the Champal tournament.
27:34Sorry.
27:42Forgive me, but now is not the right time.
27:45But it's impossible to see him in his office.
27:48It's a literary magazine that costs only one...
27:52...one dollar for a six-month subscription.
27:55Tomorrow.
27:56I beg you.
27:58Is...
27:59...is...
28:00...dollar...
28:02...only...
28:04...dollar...
28:05...dollar...
28:27...dollar...
28:35A gin, please
28:42Forgive me, sir
28:44Aren't you Mr. Poe?
28:48Edgar Allan Poe
28:50What's happening?
28:54No, nothing, it's just...
28:55It is an honor and a privilege for me to meet you.
29:02I have a photograph of him in the notebook where I paste all the stories he has published.
29:07That's why I recognized him
29:11I write too, you know?
29:13Well, I'm trying to do it.
29:15His poems, his articles, and his stories, above all
29:19They encourage and discourage me at the same time
29:22How is that?
29:23Yes, they encourage me to write like you
29:27And they discourage me because I think that
29:31Neither I nor anyone else will ever be able to do it like you do.
29:36Up to now, literature has served
29:38So that men may laugh or cry or think
29:44But you...
29:45You are the first to make men terrified
29:50Yeah
29:52You have shown that horror can also be literature
29:54And at the same time achieve high quality
30:00Terror
30:04Children are the beings they fear the most
30:07They get scared more
30:09That's why men need terror
30:13Enough to scare you
30:15And to feel like children again
30:21Have you read the heart of the Torah?
30:24I believe it.
30:25It's one of my favorites.
30:26And the fall of the Uncher house
30:28And the Red Death
30:29And the well and the pendulum
30:31And Ligella?
30:32Yes, and Berenice
30:33And what about the case of Mr. Valdemar?
30:34Yes, and Montillado's barrel.
30:35And the black cat?
30:39No no
30:40That one no
30:42Where was it published?
30:44No
30:46Of course not
30:47You can't know him
30:51It has not yet been published
30:55It will see the light
30:57In a new magazine
30:59It will be a great literary magazine
31:04Where the best writers in the country will collaborate
31:07I
31:08I myself will be its director
31:10Can I subscribe?
31:16Of course
31:23Your name?
31:24Emilio Sheldon
31:29Address?
31:305 Boston Street
31:34Good
31:35That's all
31:40How much does the subscription cost?
31:46Nothing
31:50Nothing, kid
31:53It's worthless
32:02The new literary magazine
32:04It was one of Poe's many crazy and sterile dreams
32:08The first issue was never even printed
32:11Poe to live
32:13He continued writing stories
32:15She dipped the pen in ink
32:17And the brain in alcohol
32:20Perhaps that's why
32:22The stories were always about
32:24Morbid, unpleasant matters
32:28Stories that the public itself had to reject
32:31Terrifying stories
32:34Without any artistic value
32:36Without any artistic or moral value
32:36Where death, madness, and horror
32:40They were in charge of the main roles
32:43Alone with his shadows
32:46Your bottle
32:47And his hallucinations
32:50Poe wrote
32:56Some
32:57Stories from the last issue
32:58Some
32:59Stories
33:14Thank you.
33:39Thank you.
34:02Thank you.
34:36Thank you.
35:05Thank you.
35:06What's happening?
35:08Honey, tell your daughter to stop.
35:12Edgar.
35:14That?
35:17Today marks two months since we buried Virginia.
35:22His cough will never bother you again.
35:38Sorry, no... I didn't know what I was saying.
35:43Lie down.
35:46Alright.
35:49Until tonight.
36:08He will never bother me again.
36:15Anymore.
36:17Anymore.
36:31It's curious, but what he wrote during those days was what brought Poe to fame.
36:37His horror stories and verses were admired throughout the country, to the point that the president
36:44granted him an audience in order to get to know him and to approve the grant for the literary magazine with the
36:51that Poe always dreamed of and of which he would be the director.
36:55I didn't have any money.
36:57He had no money, but he did have a great chance of finally getting out of his disastrous situation.
37:06Encouraged by the prospect of a better future, he gave up drinking and resolved to live an honorable and dignified life.
37:15under their responsibility.
37:17It seems the president has heard very good things about you.
37:19Do you think they will grant the subsidy?
37:21Of course.
37:22Finally, my magazine. Finally, writing for the sake of writing and not out of the anguish of trying to stave off hunger.
37:30Man, for half a dollar they could have rented a better franc.
37:34What they expect from you is not the brilliance of your figure, but of your brain.
37:38Try to make a good impression on them.
37:40Be kind and witty.
37:43When you want to, you know how to be it.
37:45Kind and witty.
37:47And a teetotaler.
37:48However, he insists, do not drink more than two glasses of water.
37:53Okay, I'll leave you now.
37:58Hurry up, they're expecting you at eight.
38:00No, no, yes, I'm almost there.
38:10Well, we'll be kind, bright, and witty.
38:15We'll have to say a few fair, intelligent, and funny phrases.
38:19So why am I so nervous?
38:29My nonsense.
38:32Okay, let's see.
38:34When the president addresses me, the first thing will be...
38:39Is...
38:41What if I can't think of anything?
38:44What if I get overwhelmed?
38:45And do I deliver it with those clever phrases that seem to be the secret of the axis?
38:52Well...
38:52Well...
38:53But what am I worried about?
38:54Speaking to four stupid idiots?
38:57Ah, that's right.
39:02But...
39:03But...
39:04Why am I even trembling?
39:09Perhaps a little...
39:10No.
39:14Better not.
39:17Brilliant and abstinent.
39:19Brilliant and abstinent.
39:23Because?
39:24It was imposed on you.
39:35I assure you that since I read the diamond-encrusted one, I don't go down to the cellar.
39:39My husband makes fun of me, but I don't go down.
39:42I'm extremely curious to meet him.
39:45He says that in addition to being a great writer, he is a very distinguished man.
39:47With great intelligence and brilliance.
39:51Undoubtedly, Mr. President, he is one of our best writers.
39:55His style is bold, violent, but magnificent and original.
40:00Your Excellency will see how Poe manages to make...
40:03Mr. Alan Poe.
40:15Ladies, gentlemen...
40:17Mr. President.
40:19Here's Alan Poe.
40:23The man who has to say brilliant things to her.
40:28Witty phrases.
40:30They told me it had to be this way.
40:34That she had to act that way.
40:37Brightly.
40:40Intelligently.
40:42Captivating them.
40:44Astonishing them.
40:46Amazing them with the unparalleled wisdom of my mind.
40:49OK?
40:50What do you want to hear?
40:52Come on?
40:53Say it.
40:55I can recite the beautiful verses.
41:00Strange stories.
41:03Tell the stories that will make you shudder with terror.
41:08Yeah.
41:09That will make you shudder with terror.
41:13I can tell extraordinary stories where death, madness, and dreams are intertwined.
41:25Have you heard me recite The Raven?
41:31Once upon a time, on a cold midnight, when tired and sad, I was examining rare tomes of forgotten sciences.
41:42I suddenly heard someone calling softly.
41:46Shut up already.
41:48Give me another drink, Luis.
41:51Give me the coin.
41:55Take this and get out.
41:58Thank you.
42:00Thanks my friend.
42:04Just like the Davia.
42:06For a coin, an oriental legend.
42:10For a drink, a story.
42:14Terrifying.
42:15No, tell us the one about the widow who wanted to get married and on her wedding night...
42:20That other one, the flower girl, who wasn't wearing underwear.
42:35Ahahah!
42:43Cosimo!
42:51Ahahahah!
42:52Ahahahah!
42:58Okay, are you going to tell us that story, yes or no?
43:02Sing and dance, that's what you're paid for.
43:04No, let him tell stories
43:07It tastes like some very funny things
43:10Come on, start, let's go
43:18Anymore
43:23Anymore
43:24If you've always told us stories
43:26I'm either laughing or trembling
43:28Weren't you the one who wrote scary stories?
43:30I was writing
43:31But you write
43:41Anymore
43:47Anymore
44:02Anymore
44:22Anymore
44:35And that's where my story ends.
44:37Yours begins, doctor.
44:39Mine is quite short, I've already told you.
44:41An attack of delirium tremens
44:43The agony
44:45And the end
44:46The end of a man who could have been famous
44:50But it will be forgotten in a couple of years.
44:53Okay, doctor.
44:55Good afternoon
44:56Good afternoon, Reverend
45:23Good afternoon, Reverend
45:55Thank you!
46:26Thank you!
46:45Thank you!

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