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00:00:45Welcome to Stories to Keep You Awake.
00:00:47And welcome, Luisa. Don't you remember something? You, our dear Mesa Camilla, and me.
00:00:53I remember the presentations we used to do of my favorite horrors.
00:00:56Hello good evening.
00:00:57Tonight's story is more of a suspense story than a horror story, and it's science fiction.
00:01:02You told me that this was one of the two scripts that were going to be repeated, to be remade.
00:01:07those old stories that keep you up at night.
00:01:09Yes, indeed. But of those two scripts that we're going to remake, that will be remade,
00:01:15As people in the film industry say,
00:01:17only one belonged to Stories to Keep You Awake.
00:01:21I don't understand him.
00:01:22Yes, it's very simple. The one that belonged to Stories to Keep You Awake is called The Case of Mr. Valdemar.
00:01:26However, this other one aired in Spain much earlier, mind you, long before the old series was even born.
00:01:34Stories to keep you awake.
00:01:35Before?
00:01:35Yes, yes.
00:01:36So which series does it belong to?
00:01:37Well, it belonged to a series called Tomorrow May Be True, which aired in 1964.
00:01:45So you don't have to do the calculations and you don't get a headache.
00:01:49No more and no less than 18 years have passed between the day this same script was broadcast and
00:01:53We'll see tonight and today.
00:01:55And what's the title now?
00:01:56Now it's titled The End Began Yesterday. The thing is, of course, I've changed it, I've put it in the
00:02:01day.
00:02:02I've changed so many things, so many that I even changed the title.
00:02:05Formerly known as H. Newman, MD.
00:02:08Does your father work?
00:02:10No, no, no. Dad worked on this same script 18 years ago, but not now.
00:02:15And why hasn't he been included now too?
00:02:17No, it's not that I didn't count on him. It's that my own father, when I suggested we work together, said,
00:02:22Well, look, son, no, the years don't pass in vain, I prefer not to do it.
00:02:25He has not done so, and his role is being played today by Manuel Tejada.
00:02:28But his dad does wonders with characterizations.
00:02:31Yes, I really think it works wonders.
00:02:33But I'm going to tell you something my father told me, and he knows a lot about this.
00:02:38And in makeup you can add hair, you can add noses, you can add wrinkles,
00:02:43You can add teeth, you can add years, you can add as many years as you want.
00:02:48What can't be done are miracles.
00:02:51And in makeup, what can't be done are miracles or taking years off.
00:02:55Do you understand?
00:02:56I think Dad is one of the last actors who masters that difficult craft of characterization.
00:03:04She started putting things on her face many, many years ago.
00:03:06He was thirteen, thirteen, twelve or thirteen, more or less, he started in the United States following the Long Channel school.
00:03:13Speaking of characterizations, I have some photos of Dad, would you like to see them?
00:03:16Yes, I love it.
00:03:17You'll see how good they are.
00:03:18Look, for example, at this one.
00:03:19This is from the history of frivolity.
00:03:21She is with our dear Irene Gutiérrez Cava.
00:03:23I asked him to do a crazy Viking characterization, it looks like something out of a comic book, a cartoon.
00:03:31And so he did.
00:03:32Isn't that good?
00:03:32It's a shame they won't be bringing this program back.
00:03:34Well, they'll put it in someday, they'll put it in someday.
00:03:36The problem, and the bad thing, is that it was done in black and white.
00:03:39I said it should be done in color, they didn't want to do it, they were so stubborn, and now we have it in
00:03:43black and white.
00:03:44This other one belongs to a horror series that didn't get released here in Spain.
00:03:49He plays a man who has had acid spilled on him and only has the...
00:03:53nerves.
00:03:54But notice one detail, notice what she's wearing in her eye, it's not a contact lens, but something like
00:03:58half an eggshell.
00:03:59Dad has tremendous patience for that.
00:04:02I don't know, I couldn't wear that.
00:04:03It's sensational.
00:04:05Yes, I certainly think so.
00:04:06Turn the page.
00:04:09Here she plays a lady, a strange lady who is both corny, funny, mysterious and strange.
00:04:17Well, it's a lot of fun.
00:04:19It's fun here, but turn the page, turn it and it's not so fun here, see?
00:04:24Here he is being Hitler, but a slightly older Hitler, a Hitler in 1949 or 50, a Hitler
00:04:30with a few more years, a Hitler with more features and more weight.
00:04:38Of course, his father is phenomenal at doing characterizations.
00:04:41Yes, I believe it.
00:04:42And haven't you learned from him?
00:04:43No, no, no, no. He wanted to teach me, I wanted to learn, but I couldn't learn, I didn't know how to learn.
00:04:49I have a little bit left, just enough to talk and exchange impressions with the makeup artists, but nothing more.
00:04:55In this role he plays Galdós' grandfather.
00:04:57It's a very interesting characterization, a mix of prophet and guru, isn't it?
00:05:02He looks like a nice person here.
00:05:04Yes, here it is, but turn the page.
00:05:06That's it. Look, he doesn't look like a nice person here, does he?
00:05:09Now, this belongs to a series that is also not made in Spain, it's called The Cursed Doll and it's inspired
00:05:15in a novel by Gaston Leroux.
00:05:18It's a novel, and one day it will be published in Spain, of course.
00:05:20He's unrecognizable.
00:05:21Yes, I believe it, Dad is good at this face thing.
00:05:25But enough with the photos of Dad, otherwise it's going to look like family self-promotion.
00:05:30And let's move on to today's program.
00:05:32It's, as I was saying, a science fiction topic.
00:05:34And in television, as in film, these topics are very difficult to address, especially when there is no...
00:05:40a large production backing, with great resources.
00:05:43Why do you say it's very difficult?
00:05:45Well, because these science fiction themes, especially when they border on suspense or horror, are always almost, almost,
00:05:54almost making a fool of himself.
00:05:56And in horror, in suspense, as I've said many times, provoking laughter, a smile, or a guffaw is
00:06:03the worst of failures.
00:06:04And do you believe in aliens, flying saucers, and all that stuff?
00:06:09Yes, I do believe it, and I have my reasons for believing it.
00:06:16Reasons? What are they?
00:06:18Well, you see, I've been one of the few or one of the many who have seen a flying saucer.
00:06:24I saw him in Barcelona in 1971, at the Brooks pass; I was driving from Barcelona to Madrid.
00:06:30And there I saw him, I stopped the car and got out to see him.
00:06:32And then, indeed, ABC reported the news, and it was also detected by the radars at the airports of Barcelona and...
00:06:40Palma de Mallorca.
00:06:42And also, I think, I'm not sure and I don't know if I ever will be, I think I know a
00:06:52to be, to a being that was not born on this planet.
00:06:55But are you serious?
00:06:59Yes, seriously, of course.
00:07:01And precisely because of these two experiences, I have written the script, the script that tonight will be
00:07:07You see.
00:07:08A script that maybe not today, maybe not today, but perhaps tomorrow, tomorrow it could be, right?
00:07:15With aliens and everything?
00:07:17Yes, yes, miss, yes, with aliens and everything.
00:07:20And this other photo?
00:07:21Ah, well look, this is one of the most difficult characterizations of my father.
00:07:28I don't understand.
00:07:29Very easy, why?
00:07:30Because here is your father, just as we see him every day, normal.
00:07:34Yes, just like they think my father is.
00:07:41That's why I'm telling you about the difficult and subtle characterization, but the thing is, Dad, Dad isn't like that.
00:07:49Chicho, son.
00:07:50Yes, yes, it's almost over, Dad, but just a moment.
00:07:52I'm going to find you so we can go see my grandchildren.
00:07:54Ah, well, well, but come closer, come closer, allow me to introduce you, my father, Luis Armentero.
00:08:00Nice to meet you, miss.
00:08:01But that's just how her dad is.
00:08:02Yes, of course, yes, what happens is that they say he was born, they say he was born in Asturias, but no.
00:08:08His dish landed in Zama del Angreo, and of course, he has to dress up as Ibañezmenta so as not to attract attention.
00:08:14attention.
00:08:15We can leave whenever you want, Dad.
00:08:16Hope you all enjoy the program, see you next week, Luis.
00:08:20Bye bye.
00:08:21Let's go, Dad.
00:08:21Come on, Chicho.
00:08:23You have no idea how much I want to see Pepa and Alejandro.
00:08:26Yes, I believe it.
00:08:26Hey, did you bring the car?
00:08:28No, I brought the utility dish.
00:08:29Which is for the best, because with these traffic jams, everything becomes impossible.
00:08:33Going from here to Madrid is now possible.
00:08:45No, no, no, no, no, no.
00:09:26Did you need something, professor?
00:09:34Teacher.
00:09:37Teacher.
00:09:38Teacher.
00:09:40No.
00:09:48Oh.
00:10:16Thanks for watching the video
00:10:27Thanks for watching the video
00:11:16Thanks for watching the video
00:11:18Thanks for watching the video
00:11:44Thanks for watching the video
00:12:12Thanks for watching the video
00:12:41Thanks for watching the video
00:13:09Thanks for watching the video
00:14:39Thanks for watching the video
00:15:09See you tomorrow, gentlemen, you may leave.
00:15:11Thanks for watching the video
00:15:41Thanks for watching the video
00:16:11Thanks for watching the video
00:16:39Thanks for watching the video
00:19:39I'm going to talk to the video
00:20:40I use this as a pretext
00:21:17Thanks for watching the video
00:21:36Thanks for watching the video
00:21:58I'm not asking you to answer me.
00:22:00Except that I can be heard
00:22:03Thanks for watching the video
00:22:59Original music
00:23:16Thanks for watching the video
00:23:32No, it's not about
00:23:59This is not cheap philosophy.
00:24:04And a waterfall
00:24:04And a waterfall
00:24:05And a waterfall
00:24:09Well, an organ
00:24:10An immense organ
00:24:12No, it's not about six months
00:24:14No, it's not about three weeks
00:24:21No, it's not about three weeks
00:24:28And a waterfall
00:24:31And a waterfall
00:24:41No, no, no, no
00:24:42And I haven't had the waterfall done.
00:24:42Did it go backwards? Yes. Well, don't make those faces, it's not that strange.
00:24:54I think the best thing is for you to listen to it and tell me if it's useful to you.
00:25:36The music composed by Alesio was a success.
00:25:40But even before taking it to the dance, it became a kind of new anthem for the university.
00:25:48Hundreds of copies were made, and its rhythms could be heard everywhere and at all times.
00:26:38The music was composed by Alesio.
00:27:06The music was composed by Alesio.
00:27:10If I were tested on that, I'd get top marks.
00:27:13I'm telling you no, Rosa. I've always liked Alesio.
00:27:16You like him now because he's a real man.
00:27:18And because thanks to his music he has become the university's superstar.
00:27:22No, Rosa. I always liked him. From the first moment I saw him. And then that night, when he said all those things
00:27:29Such beautiful things about water, I think...
00:27:34I think I fell in love with him.
00:27:37Look, I already gave you my advice. Now, if you don't want to listen to me...
00:27:40But please understand, Rosa. Tonight's the dance. And for me, if he doesn't go, it's as if no one is there.
00:27:48Why don't you call him and ask him to come over?
00:27:51It's already too late and Bruno has been downstairs waiting for me for over half an hour.
00:27:55I'll say it to you one last time.
00:27:57You do your hair. You put on a sheer blouse. Or I don't know, one of my dresses.
00:28:02You go to the boys' building. You go up the stairs...
00:28:05And now that time is prohibited. Besides, there's always a doorman on duty.
00:28:08Ah, after ten o'clock the doorman only watches over his bottle of wine in Landini's bar.
00:28:12Besides, he already knows his door. So you don't even run the risk of going to the wrong room.
00:28:21Do you really think I should do it?
00:28:23Of course. You go up to her room. You tell her you want to go to the dance and that you don't have anyone to go with you.
00:28:28Take it. That's it.
00:28:30You don't say he's a real gentleman. Well, he can't refuse.
00:28:33What? Have you ever done it?
00:28:36Thousands of times.
00:28:38Did you go to the boys' building at night?
00:28:39Of course.
00:28:40And did you go into any of their rooms?
00:28:42Look, with the many years I've been here.
00:28:45And did they take you to the dance?
00:28:48No.
00:28:49Because?
00:28:50Because I was looking for other things, you understand, Andrea?
00:28:54Okay, never mind. See you soon, and listen to me, okay?
00:29:03Come on!
00:29:11Come on!
00:29:40Thanks for watching the video.
00:30:10Thanks for watching the video.
00:30:41Thanks for watching the video.
00:31:10Thanks for watching the video.
00:31:41Thank you.
00:32:37Thank you.
00:36:39Thank you.
00:38:40Thank you.
00:38:41Thank you.
00:38:46Thank you.
00:38:47Thank you.
00:38:47Thank you.
00:38:51Thank you.
00:38:53Thank you.
00:38:54Thank you.
00:38:56Thank you.
00:38:58Thank you.
00:39:00Thank you.
00:39:32Thank you.
00:39:33Thank you.
00:39:36Thank you.
00:39:37Thank you.
00:39:38The food?
00:39:39Thank you.
00:39:40Thank you.
00:39:41I've never seen you eat.
00:39:44I've been watching you closely for several days now.
00:39:46And I've noticed that, among other details, which makes me think you're a man...
00:39:52a very strange man.
00:39:55Strange? Because you didn't see me eat?
00:39:58Ana, a ham sandwich and a coffee with milk, please.
00:40:01Let's see if that makes your suspicion disappear.
00:40:05Excuse me, Ana, do you want something for yourself?
00:40:07No.
00:40:08I'm sorry, your sleep worries me too.
00:40:13My dream?
00:40:16You never sleep.
00:40:18And how can you know that?
00:40:22From my window I can see yours.
00:40:25Some nights I wake up and look out.
00:40:27And your bedroom is the only one lit.
00:40:30Yes, I read late and sometimes I fall asleep with the light on.
00:40:35What's so strange about that?
00:40:39And the noises, Alessio?
00:40:42The noises?
00:40:44You know that Bruno and I go out together.
00:40:47During the night I went three times to his bedroom, which is next to yours.
00:40:51Wow, that's great.
00:40:55I walked past your door and could hear them.
00:40:59Listen to what?
00:41:03Strange noises.
00:41:05Something like...
00:41:07...like the breathing of an immense, gelatinous being.
00:41:14Oh, what an imagination, Rosa!
00:41:16I suppose you don't suspect that at night I receive a visit from a...
00:41:20...thank you.
00:41:21...asthmatic jellyfish.
00:41:23Thank you so much.
00:41:24What you heard was probably the operation of one of my electronic gadgets.
00:41:29I make music with them.
00:41:31Don't you remember?
00:41:32Okay, but also, what's with all the interest?
00:41:35Are you being paid to spy on me?
00:41:37No.
00:41:39So why do you do it?
00:41:42By Andrea.
00:41:44I know that she came to see you the night she died.
00:41:46He could also hear her scream.
00:41:49And recognize her voice.
00:41:54As I told you, Alesio later told me that he had had that conversation.
00:42:00After Andrea's death, Rosa lived alone in her bedroom in the building designated for girls.
00:42:07There he used to read until very late at night.
00:42:49Alesio told me about the night.
00:43:02Alesio told me about the night.
00:43:45Alesio told me about the night.
00:44:02Alesio told me about the night.
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00:46:15The exams and the diploma ceremony made people forget Rosa's death.
00:46:20who was found dead in her bed, also due to a heart attack.
00:46:27Alesio, of course, brilliantly obtained his degree.
00:46:32The rest of the students, even those who had failed, were enjoying the joy of the upcoming holidays.
00:46:39So to Sweden, no less.
00:46:41That's right, professor. Life is meant to be lived.
00:46:44Stockholm, Swedish women, Bergman's landscapes, Swedish women, the cold North Sea, Swedish women.
00:46:51And what if, between Swedish girls, you gave a quick review of histology, huh?
00:46:54It would be an unforgivable sin.
00:47:02And so?
00:47:03One of Alesio's gadgets. You know he's into weird music.
00:47:07Noises like this have been going on all day.
00:47:09Okay, I'm going to say goodbye to him and congratulate him on his doctorate.
00:47:13Happy holidays, guys.
00:47:14Goodbye, professor.
00:47:15Until next year.
00:47:16And have fun, professor.
00:47:17Thank God.
00:47:23See you next year, professor.
00:47:25Goodbye, guys. Happy holidays.
00:47:41Bye bye.
00:47:51Alesio?
00:47:52Yeah?
00:47:54Who is it?
00:47:55Professor Ferraro.
00:47:57Just a moment, professor. I'm taking a shower.
00:48:01I'll be right out.
00:48:02Okay, don't worry, I'll wait for you.
00:48:04I'm in no hurry.
00:48:12I'm in no hurry.
00:48:45Forgive me for making you wait, professor.
00:48:49That's what I saw, gentlemen.
00:48:52A claw that could be described as the leg of a huge insect.
00:49:00I didn't say anything to anyone. I knew they wouldn't believe me.
00:49:04For a while, I even doubted myself.
00:49:08And I even began to think that I had had visions or suffered a distressing nightmare.
00:49:14Until finally I started putting two and two together and confirming my suspicions.
00:49:20I spent those holidays and the entire following year visiting and writing to national and foreign universities.
00:49:27With your permission.
00:49:37Here are all the reports on that work.
00:49:43Two years ago, at almost every university in the world, a man in his thirties, apparently gifted, took
00:49:53A whole career in just nine months.
00:49:55In Japan, Germany, South Africa, North America, Russia, Venezuela.
00:50:02At each university, a different man and a different career.
00:50:07The coincidence isn't too strange, gentlemen.
00:50:10That's why I decided to visit Alessio.
00:50:13Or rather, to Dr. Alessio.
00:50:16In just one year, as you can see, Marco Alessio managed to stand out as one of the most sought-after doctors.
00:50:24from Rome.
00:50:25I went to see him at his office last Friday.
00:50:31Doctor, Professor Ferraro, from the University of Padua.
00:50:34Ah, yes, please let him in.
00:50:36Go ahead, professor.
00:50:37Forward.
00:50:39How are you?
00:50:40Fine, thanks.
00:50:42Well, I trust that your visit will not be to consult me professionally.
00:50:46Although I don't think you look very well.
00:50:49Perhaps too many worries, or perhaps divine punishment for giving humanity a new batch of quacks every year.
00:50:58Do you smoke, professor?
00:51:00Yes, thanks.
00:51:02Okay, I'm listening.
00:51:04Does it bring you anything related to the university?
00:51:07Believe me, even though I only stayed there for nine months, I have wonderful memories of my life.
00:51:13as a student.
00:51:14I know you have made a lot of progress, doctor.
00:51:18Fortunately.
00:51:19And it has a large clientele.
00:51:22That's right, but there's no fear that it will put other colleagues out of work.
00:51:34Forgive me for insisting, professor.
00:51:36Is your visit simply a friendly visit or does it bring you something special?
00:51:40Yes, I've come for something very special.
00:51:45Okay, you tell me.
00:51:47I've come to talk to you about...
00:51:49his hand.
00:51:51My hand?
00:51:53His hand, yes.
00:51:55The last day you stayed at the university, the day I went to visit you to say goodbye
00:52:01And congratulate him on his doctorate, remember?
00:52:04Yes, yes, yes.
00:52:06Well, that day, before leaving the bathroom, you picked up a robe that was on a chair and I could
00:52:14see his hand.
00:52:17And what's so special about that?
00:52:19At this moment you can see my two hands and I don't think there's anything extraordinary about them.
00:52:24I'm referring to your real hands, doctor.
00:52:32Okay, fine, I admit that what you saw was one of my arms, of which there are four, for your information.
00:52:39information.
00:52:40So what, professor?
00:52:43I don't understand.
00:52:44Yes that's fine.
00:52:46I admit that what you saw was one of my arms.
00:52:50Is that enough for you?
00:52:52Does this restore his peace of mind?
00:52:55You are making fun of me.
00:52:56No.
00:52:58I'm serious.
00:52:59What do you plan to do now?
00:53:00Should we go out into the street and shout that Dr. Alesio is not a human being, but a stranger, a monster, an alien?
00:53:07Who would believe you, professor?
00:53:10Because I am willing, I assure you, to undergo tests, x-rays, medical examinations.
00:53:16He doesn't understand.
00:53:18You see what I want you to see.
00:53:21On the other hand, it is a fairly common phenomenon.
00:53:24You call it collective hypnosis.
00:53:28And what is his purpose in doing so?
00:53:30So as not to scare them.
00:53:32Your sense of aesthetics is still in its infancy, professor.
00:53:36Our form, one of the most beautiful in the universe, would cause panic among men.
00:53:43What have you come here to do?
00:53:45Colonize.
00:53:47Do not destroy.
00:53:49Colonize.
00:53:50Civilize.
00:53:52To help them, as Egypt did with Greece, Greece with Rome, or Rome with the barbarians.
00:53:58How do you imagine a race superior to humans invading a planet?
00:54:03By destroying it?
00:54:04Destroying everything through infernal bombardments from fantastic flying saucers?
00:54:09No.
00:54:10That's for science fiction comics.
00:54:15You base your society on dependency, and that's enough for us.
00:54:21On this planet, every man depends on a superior, just like in the office or in the army.
00:54:27If we manage to infiltrate and place ourselves in their key positions, becoming the main doctors, the financiers, the owners of
00:54:38large companies,
00:54:41With just that, we will have you in our power.
00:54:45Without bloodshed, without wars, without crimes.
00:54:49No crimes?
00:54:51Did you kill Andrea Fontana?
00:54:53No, please. It was an accident.
00:54:56It's my fault, of course.
00:54:58He was distracted and saw me in the same way that you accidentally saw one of my arms.
00:55:03He saw me and his heart gave out.
00:55:06And Rosa Lipi.
00:55:08He knew too much.
00:55:09The same as you, professor.
00:55:11But you will remain silent.
00:55:13Rosa was a very impulsive girl and didn't know how to keep her mouth shut.
00:55:18He spoke to me shortly before his death.
00:55:20He told me he knew Andrea had been in my bedroom.
00:55:24That's why I was forced to stop its vital functions.
00:55:30Won't they achieve what they set out to do?
00:55:32Of course, professor.
00:55:35For you, the end has already begun.
00:55:39The end?
00:55:42It started yesterday.
00:55:44Shall we make a bet?
00:55:46Who's going to stop us?
00:55:47You?
00:55:49Try it.
00:55:50Speak up, accuse me, tell what you know.
00:55:52Nobody will believe him.
00:55:54You can't be that strong.
00:55:56Otherwise, they wouldn't have to resort to deception.
00:56:00What do you call deception, professor?
00:56:02Do you want to achieve top rankings in everything?
00:56:04But it's the same policy you practice.
00:56:07Are you humans obsessed with dominating, with climbing the ladder, even if it means using friends or colleagues as stepping stones?
00:56:16Or have I already deceived myself into using hypnosis to avoid showing ourselves as we truly are?
00:56:23Apply a little psychology, professor, and judge your own world.
00:56:27What would humanity do if one fine morning it saw beings like us disembark from one of our ships?
00:56:33Panic would dominate the world.
00:56:35There would be mass suicides.
00:56:39Don't you believe me?
00:56:41No.
00:56:45See for yourself.
00:56:49Tell me honestly.
00:56:51What effect does it have on him to see me as I am?
00:57:28While recovering in Santa Clara Hospital, I decided to talk to the Minister of Defense.
00:57:34General Masetti met with me and called this meeting.
00:57:39That's all.
00:57:42Now it's your turn.
00:57:45It's up to you to decide whether or not to believe my story.
00:57:53General Escalise.
00:57:58I believe we must act immediately.
00:58:01Of course, everything must be done in absolute secrecy.
00:58:03Otherwise, panic could spread among the population.
00:58:08Thank you, general.
00:58:09Thank you, professor.
00:58:11Brusso, you should contact the governments of all countries immediately through foreign affairs.
00:58:16Don't you think that if the United Nations were informed...
00:58:19We need to communicate directly with governments and their militaries.
00:58:23And consider it from now on as a top military secret.
00:58:27Excuse me for interrupting, General.
00:58:28Yeah.
00:58:29Don't you think the professor should retire?
00:58:31Of course.
00:58:33Go with him, Masetti.
00:58:35You need to undergo a period of rest, professor.
00:58:37I don't know how his nerves were able to hold him up for so long.
00:58:40Oh, one more thing.
00:58:42Don't talk to anyone about this.
00:58:44If this were to become known, the panic could cause catastrophes.
00:58:49We will stay in continuous communication with you.
00:58:52Thank you, gentlemen.
00:58:53Much obliged.
00:58:58Urgently, Brousseau.
00:59:00Let the world's universities provide us with the whereabouts of all those men.
00:59:04According to what Professor Ferraro said.
00:59:06Most likely, they are infinitely like superheroes to us in every way.
00:59:10Therefore, our best weapon is the element of surprise.
00:59:14We need to be prepared.
00:59:15Since the danger...
00:59:23Lupi.
00:59:24Lock the door.
00:59:27Remember that Alesio, due to carelessness, was caught twice.
00:59:36Good.
00:59:38We can stop talking like humans now.
00:59:41AND...
00:59:42Oh, God, God...
00:59:43Stem.
00:59:48Yes, God, God!
00:59:49A mysteriousCs, the light?
00:59:55To God's happiness?
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