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00:00:15On Monday, July 21, 1958, around noon, the police received a report that inside
00:00:23from the Jusfer store, at number 19 on Alcalde Sainz de Balanda street, had appeared
00:00:29The body of a man, Félix López Robledo. He was one of the owners of that store, dedicated
00:00:43to pawn and accessory businesses. Someone had shot him twice at point-blank range.
00:01:03on the back of the neck. Inspector Hinojosa of the criminal investigation brigade was in charge
00:01:09of this case. And following his instructions, that same day, hours later, towards the
00:01:157, the police forced entry into the home of the other owner of the Jusfer store, the partner
00:01:21of Félix, Emilio Fernández Díez, on the fourth floor left of number 57 of the neighbor
00:01:28Lope de Rueda street.
00:01:48There in the bathroom he found Emilio, also murdered with a shot to the back of the head.
00:01:53Fernández Díez, to the maid, Paulina Ramos Serrano, dead on her bed, with a stab wound
00:02:01in the heart, and to Emilio's wife, María de los Desamparados Alonso Bravo, in the bedroom
00:02:07main, killed by a gunshot to the head.
00:02:10Four dead.
00:02:17Four dead.
00:02:23Four dead.
00:02:26Two men and two women. And apparently, Emilio Fernández Díez's wife was pregnant.
00:02:31of a few months.
00:02:33Autopsy will tell us.
00:02:38Four dead and no leads. None!
00:02:45Only the conviction that it is the same killer and the certainty that it is a man.
00:02:51That stab wound that broke the maid's heart could only have been inflicted by a man.
00:02:59And I'd also bet that the killer is a customer of the Jufa store.
00:03:03A pawn shop, a loan business. Probably with harsh and usurious rates.
00:03:08A dissatisfied customer, then.
00:03:10But he seems very unhappy, don't you think?
00:03:18Well, since the store has a filing system and a ledger and receipts...
00:03:22Have you seen that file?
00:03:23It will take us weeks to contact all customers.
00:03:26So what? But you have to start somewhere, right? I say!
00:03:28But...
00:03:28Come on, damn it, move it, it'll be too late later! Let's go!
00:03:32Come on!
00:03:38And good luck.
00:03:41Using the file is like groping in the dark.
00:03:44I know!
00:03:47But it's all we have.
00:03:49We have nothing, no traces, nothing.
00:03:52The call?
00:03:53Yeah man, tie that fly by its tail, don't mess with me.
00:03:58We have nothing!
00:04:06Only four dead.
00:04:10And a lot of blood.
00:04:13Lots of blood.
00:04:15A lot.
00:04:23How many dry cleaners are there in Madrid?
00:04:26How many what?
00:04:28Dry cleaners?
00:04:30Many, I don't know, two hundred or three hundred.
00:04:33By?
00:04:35No, not at all.
00:04:36Nothing.
00:04:43So, today is Monday...
00:04:46...and our man started killing on Saturday night.
00:04:51Saturday.
00:04:55What happened Saturday night in Madrid?
00:04:57Like what?
00:04:58What happened?
00:04:58Yes, that's what people did wherever they went.
00:05:00Perhaps there was a farce in the sales.
00:05:02I'll tell you now.
00:05:07This is Saturday.
00:05:11Let's see.
00:05:14Cinemas, theaters, various shows.
00:05:17Yeah.
00:05:18There was a night bull run at the sales.
00:05:21The firefighter bullfighter and all that.
00:05:25And a street party in Buenavista, at the end of Narváez.
00:05:28With fireworks?
00:05:29I guess so.
00:05:31That's why nobody heard the shots on Lope de Rueda street.
00:05:35A 765 pistol makes noise.
00:05:38And it's summer.
00:05:39And the windows are open.
00:05:41What else?
00:05:43What else?
00:05:45Municipal Band Concert in El Retiro Park.
00:05:48Shall I read you the program?
00:05:52Edmont Overture.
00:05:54The Little Barber of Lavapiés.
00:05:57Habanera.
00:06:23The Municipal Band in El Retiro.
00:06:26The Barberillo of the Municipal Band in El Retiro.
00:07:04Thank you!
00:07:35Thank you!
00:08:04Thank you!
00:08:18Thank you!
00:08:48Thank you!
00:09:06Thank you!
00:09:09Thank you!
00:10:01Thank you!
00:10:16Thank you!
00:10:28Thank you!
00:10:36Thank you!
00:10:39Thank you!
00:10:51Thank you!
00:11:21Thank you!
00:11:48Thank you!
00:11:51Thank you!
00:11:59Thank you!
00:12:05Thank you!
00:12:19Thank you!
00:12:22Thank you!
00:12:24Thank you!
00:12:47Thank you!
00:12:54Thank you!
00:12:55Thank you!
00:13:05Thank you!
00:13:17Thank you!
00:13:18Thank you!
00:13:35Thank you!
00:13:55Thank you!
00:13:56Thank you!
00:13:57Thank you!
00:14:09Thank you!
00:14:41Thank you!
00:14:42Thank you!
00:14:44Thank you!
00:15:00Thank you!
00:15:02Thank you!
00:15:12Thank you!
00:15:42Thank you!
00:16:11Thank you!
00:16:16Thank you!
00:16:17Thank you!
00:16:17Thank you!
00:16:18Thank you!
00:16:18Good evening, ma'am.
00:16:19Please don't worry.
00:16:20My name is Rafael Aguado,
00:16:21But I'm a tax inspector.
00:16:22And I'm waiting for her husband.
00:16:23Isn't Emilio here?
00:16:24No, ma'am.
00:16:25He went to the store with a colleague of mine.
00:16:27Another inspector.
00:16:28But he'll be right back.
00:16:29Paulina.
00:16:29The maid isn't there either.
00:16:31She went out with them.
00:16:33You'll see, ma'am.
00:16:34At the Tax Office
00:16:35We're on the trail of an international band
00:16:37who is involved in the trafficking of stolen jewelry.
00:16:40They often pawn them
00:16:41so as not to be caught red-handed, as they say.
00:16:45A shelter is much easier to hide, you understand?
00:16:47Since we have the description of the parts,
00:16:50We have come to check if the jewels, some of them,
00:16:53could be found among the store's stock.
00:16:56Yes, I know it's late, we know,
00:16:58But we must be on permanent guard against crime.
00:17:01Her husband, with whom we had previously arranged an appointment...
00:17:04He hadn't told me anything.
00:17:05Don't be surprised, ma'am.
00:17:07In these matters, absolute discretion is essential.
00:17:10Please, we let her husband know.
00:17:12And Don Emilio, who is a true gentleman,
00:17:14has faithfully followed our instructions.
00:17:18And why did the maid have to...
00:17:19Paulina went on her husband's orders.
00:17:21to pick up the shop keys at Don's house...
00:17:24Mr. Félix López Robledo, your husband's business partner, right?
00:17:28Who lives at Fernán González street, 73 ground floor right.
00:17:31Yes, yes, I know.
00:17:33Forgive me, because seeing you like this...
00:17:34I understand your distress, ma'am.
00:17:36But Don Emilio thought it much more prudent,
00:17:39since you were arriving,
00:17:40that I should wait for her at home to tell her what was happening.
00:17:44And just imagine, if you arrive and find no one,
00:17:47neither her husband, nor the maid,
00:17:49You would have been alarmed, and rightly so, you understand.
00:17:51Yes, yes, now I'm right, I was scared at first, excuse me.
00:17:57You have been very kind to stay here.
00:18:03But please come in, we're here as...
00:18:06like two idiots.
00:18:08Please come in.
00:18:09Thank you.
00:18:11Sit down.
00:18:12Please wait a moment.
00:18:15I'm going to leave this here.
00:18:16It's an instant.
00:18:24He's the goalkeeper.
00:18:24Since Paulina isn't here, she comes to collect the trash.
00:18:26Ah, but don't worry, ma'am.
00:18:28No, I'll give it.
00:18:29Please move aside, for God's sake.
00:18:30That's a woman's thing.
00:18:31Well, the truth is, you're not going to lose your rings, ma'am.
00:18:33Oh, what things does it have?
00:18:35Take out the trash.
00:18:36I make it often at home to help my mom.
00:18:38when the girl isn't there.
00:18:39Oh, don't even think about it.
00:18:40Quite, quita, quita.
00:18:44Good evening, ma'am.
00:18:45Hello, Pedro. Good evening.
00:18:46See you tomorrow.
00:18:47See you tomorrow.
00:18:52But please come into the small room.
00:18:53Don't stay in the kitchen.
00:18:56After you, ma'am.
00:18:57Thank you.
00:19:22Please don't be alarmed, ma'am.
00:19:25Don't be scared.
00:19:26Please don't shout.
00:19:28I would like to explain.
00:19:30You see, it's just that...
00:19:31I need the letter.
00:19:33Do you get me?
00:19:36The ring too, of course, but...
00:19:38But above all, the letter.
00:19:39I swear on my mother's life.
00:19:41I need it.
00:19:42It's so hard to understand that I need the letter now.
00:19:46I bet you understand.
00:19:48It's just a letter, but it's very important to me.
00:19:51And her husband has refused to understand.
00:19:54He refused to understand.
00:19:56And it's so easy.
00:19:58But Emilio refused.
00:20:01What's more...
00:20:02He didn't pay any attention to me.
00:20:05He treated me badly.
00:20:07He treated me badly.
00:20:10I don't deserve to be treated badly.
00:20:13Neither Emilio nor anyone else.
00:20:15Understand.
00:20:17I...
00:20:17I didn't want to.
00:20:18But I had to do it, didn't I?
00:20:20I had no other choice.
00:20:22And I'm sorry.
00:20:25I'm really sorry, but...
00:20:27But what could I do?
00:20:29Hey?
00:20:31But...
00:20:32But...
00:20:32What could I do?
00:20:34Hey?
00:20:35Tell me, what could I do?
00:20:44What else can I do now?
00:21:05What else can I do, rằng?
00:21:07What else can he do?
00:21:16What else can he do?
00:21:25What else can he do?
00:21:42Thank you!
00:22:14Thank you!
00:22:55Thank you!
00:23:25Thank you!
00:23:55Thank you!
00:24:09Thank you!
00:24:53Thank you!
00:24:54Thank you!
00:24:56Pesci...
00:24:57Idiot!
00:24:58Idiot!
00:24:59Pesci, you pig!
00:25:30Oh, please!
00:26:00Oh, please!
00:26:05Oh!
00:26:53Oh, please!
00:27:27Oh, please!
00:27:38Oh, please!
00:28:09Oh, please!
00:28:46Oh, please!
00:29:02Oh, please!
00:29:30Oh, please!
00:30:54Oh, please!
00:31:54Oh, please!
00:31:57Oh, please!
00:32:11Oh, please!
00:32:45Oh!
00:33:05Oh, please!
00:33:27Oh, please!
00:33:30Oh, please!
00:33:38Oh, please!
00:34:08Oh, please!
00:34:19Oh, please!
00:34:53Oh, please!
00:35:02Oh, please!
00:35:13Oh, please!
00:35:35Oh, please!
00:35:39And please!
00:36:26And please!
00:36:55A recital
00:37:16And please!
00:37:48And please!
00:37:51Oh, please!
00:37:59Oh, please!
00:38:44And please!
00:38:50And please!
00:39:21And please!
00:39:26Oh, please!
00:39:41Oh, please!
00:40:06Oh, please!
00:40:18Oh, please!
00:40:19She hasn't gotten rid of it yet!
00:40:20I already told him I don't want that gun in my boarding house.
00:40:23If not, I'm very sorry.
00:40:25You will have to find other accommodation
00:40:29Other?
00:40:29No
00:40:30And he was never to be seen again.
00:40:32Doña Julita
00:40:33Dr. Balmaceda
00:40:34I'm serious.
00:40:36I don't want that gun in my house!
00:40:38This is the last time I'm telling you!
00:40:40Good night!
00:41:28Ana Julita
00:41:58Thank you!
00:42:28Thank you!
00:42:57Thank you!
00:43:27Thank you!
00:43:57Thank you!
00:44:27Thank you!
00:44:58Thank you!
00:45:27Thank you!
00:45:37Thank you!
00:45:38Thank you!
00:45:38Mr. López Robledo, Mr. Félix?
00:45:41Yes, from whom?
00:45:42From a store customer.
00:45:44Are you his wife?
00:45:45Yes, but...
00:45:46Nice to meet you, ma'am!
00:45:48Thank you!
00:45:48I was going to tell him that Felix isn't home.
00:45:51Why don't you call the store?
00:45:53It will have opened by now.
00:45:54That's precisely why I dared to bother him at his house.
00:45:57I'm calling her from a public phone.
00:45:59The store is closed and no one is answering the phone.
00:46:02Isn't that strange?
00:46:03No, I don't think so.
00:46:04It will have been delayed.
00:46:06Just wait a little while, you'll see.
00:46:08He won't have passed it.
00:46:09Because?
00:46:10I don't know, something.
00:46:13Hey, I'm sure you have a duplicate of the key.
00:46:15Why don't you go to the store and check if anything's wrong?
00:46:17Look, ma'am, it's the best.
00:46:19Go there right now and open the door for me.
00:46:22I need to collect something I pawned and I have the money.
00:46:25Okay, go ahead, please, I beg you.
00:46:29No, it's just that I'm not fixed up.
00:46:31Well, you can do that in a jiffy.
00:46:33You can't imagine what a favor you'd be doing me.
00:46:36You'll be going, right?
00:46:38Well, I don't know.
00:46:39If I stop there now, well, I don't know.
00:46:43Why not wait a little longer?
00:46:45My husband will arrive soon, you'll see.
00:46:48Who told me this?
00:46:50Who told me this?
00:47:26He left me a little more.
00:47:39Oh my!
00:47:41My husband arrived and fixed you.
00:47:42My husband arrived at my husband.
00:48:15Thank you!
00:48:45Thank you!
00:49:00Thank you!
00:49:14Thank you!
00:49:26Julian, we have a visitor. Mr. Morris.
00:49:28Yes, sir, the same one. I hope he doesn't come asking us for money.
00:49:32And you, Cándido, not a penny, eh? Do you have any money left?
00:49:35No, you always get your money back. It just takes a while.
00:49:40Hey family, how's it going? How's life?
00:49:42Go to hell, Mr. Morris! And I can see you, you're a show-off.
00:49:45What other choice did we have?
00:49:47You already know about the ladies' restroom, my friend.
00:49:51Well, that's me.
00:49:52Come on, you innocent fool, just a little bit.
00:49:57Hey, how do you put up with your brother keeping you here in this locomotive in this heat?
00:50:02You see, there's a reason they called me candid.
00:50:05Well, what can we offer you?
00:50:07Well, you see, last night I was out partying at the red Moor and all that.
00:50:12I had a fight with some gringos.
00:50:14Some shit from the Torrejón base.
00:50:17Totally, we got into hell.
00:50:19I grabbed one and put my nose to his neck.
00:50:22You can now.
00:50:23Didn't you say you were a black belt?
00:50:24Damn, how she was bleeding.
00:50:26He dressed me in a tacky suit.
00:50:27And this is a suit I'm loyal to.
00:50:30And you certainly have a wardrobe.
00:50:33Yes, but I love this one very much.
00:50:35You're going to make it like new, aren't you?
00:50:37When do you need it?
00:50:39For the day before yesterday.
00:50:41Could it be tomorrow?
00:50:42Whenever you say, Mr. Morris.
00:50:45Tomorrow, well, tomorrow.
00:50:46Come by at this time and you'll have it here.
00:50:48I already know that.
00:50:49But clean, you understand?
00:50:52Hey, can I leave this briefcase here?
00:50:55Do I have any outstanding debts?
00:50:56No.
00:50:57Better than ever.
00:50:58Advance payment.
00:50:59And if there's anything left over, you can have a few beers on me.
00:51:02Thank you.
00:51:02Can I use the phone?
00:51:03Go ahead, you know where you are.
00:51:05Thank you.
00:51:06Thank you.
00:51:07Thank you.
00:51:25Can I use the phone?
00:51:39Say.
00:51:41Can we put Felix?
00:51:44Dismissed.
00:51:56Yeah.
00:51:57Yeah.
00:52:11I would like to speak with Felix.
00:52:15He is currently busy with some clients.
00:52:20What can we offer you?
00:52:22Nothing special.
00:52:23I'll call again later.
00:52:27Who was he?
00:52:28I don't know, I'm not sure, but that voice...
00:52:31Did you recognize her?
00:52:32I think so.
00:52:34Do you think that's the man who called me this morning?
00:52:38The one who wanted me to come to the store.
00:52:42You can now say that you were born today.
00:52:45If he had come at this hour, there would have been one more dead body.
00:52:48His.
00:53:02Okay, family, let's see if you don't botch that suit for me, I'll tell you a secret.
00:53:08That's my official uniform for seducing bad girls.
00:53:14See you tomorrow, you fool.
00:53:15Bye bye.
00:53:17You'll find me here at eleven o'clock sharp.
00:53:19OK.
00:53:20See you tomorrow.
00:53:20Bye bye.
00:53:29Fuck.
00:53:30This Mr. Mori must have fought with the entire Seventh Cavalry.
00:53:34Look.
00:53:43This Mr. Mori.
00:54:12Thanks for watching the video.
00:54:27What's wrong now?
00:54:29I'm about to pee.
00:54:30I've been out there for three hours and I can't stand it anymore.
00:54:33Fuck.
00:54:35Okay, take off your hat and follow me.
00:54:51You're a real piece of work.
00:54:52How much does the powder cost?
00:54:54Be quiet and pretend nothing's wrong.
00:54:55If the netre sees us, I'll kill him.
00:54:58And the priest goes and says to him,
00:55:00My daughter, you're screwed.
00:55:07Excellent!
00:55:08My daughter, you're screwed.
00:55:14Hey, that kid won't ruin our night, will he?
00:55:17No, he's a gentleman.
00:55:21I knew him in his prime.
00:55:23There he is, as you can see.
00:55:25He's been wasting his time partying and with women.
00:55:28and in living like God,
00:55:29about ten million pesetas in a couple of years.
00:55:33Come on.
00:55:36Very good, very good, very good.
00:55:37Hey, you guys know the one about the colonel.
00:55:40Taxi!
00:55:41Okay, okay.
00:55:43What a surprise!
00:55:44Have a drink.
00:55:45Hey Manolo, a whisky for my friend.
00:55:46Are you going to despise it?
00:55:47No, it's not contempt.
00:55:49It's because I've spent so much time away staring...
00:55:51You're worried about your career, that's normal.
00:55:53Come on, let's not say anything.
00:55:54Have a drink.
00:55:55No, thank you, really.
00:55:56What do you mean, no?
00:55:56Drink this whiskey.
00:55:57Drink this whiskey.
00:55:58And come with me.
00:55:59Come.
00:56:01How are my girls doing?
00:56:04How are my girls?
00:56:05Boring, rich.
00:56:06They are also concerned about their careers.
00:56:09Look, look at their funeral faces.
00:56:12I'll wake up right now.
00:56:13Let's go, beautiful ladies, let's go.
00:56:15And where are we going?
00:56:16Wherever you want, my love.
00:56:17I have nothing to do until eleven tomorrow.
00:56:19From now on I don't plan to leave your side.
00:56:22Come.
00:56:23Come here, I'm going to explain what we're going to do.
00:56:28How awful you are!
00:56:32Portillo Dry Cleaners.
00:56:34Nothing.
00:56:36Caballero Dry Cleaners.
00:56:37No news.
00:56:39Zamora Dry Cleaners.
00:56:40Nothing.
00:56:42Moral Dry Cleaners.
00:56:44Nothing.
00:56:45La Rosaleda Dry Cleaners.
00:56:47Nothing.
00:56:48Trujillo Dry Cleaners.
00:56:50No news.
00:56:56Slow down, you're killing me, you're ruining my youth.
00:57:01I wish I could have been unfaithful to you, without repaying you with betrayal.
00:57:08You are like a thorn that has been prickling my heart.
00:57:14Gently, you're making me bleed, you're killing me with passion.
00:57:19I who suffer for my own pleasure, this cruel parting that your love gives me.
00:57:26See you tomorrow, good night.
00:57:28See you tomorrow.
00:57:29Hey, isn't this guy going to run out of steam?
00:57:31This one's got a long lifespan.
00:57:33He is capable of partying without sleeping.
00:57:36What is not in the writings.
00:57:38I don't know what you are.
00:57:38Hello, I'd like to as well.
00:57:40Do you want another one?
00:57:41All I want is to go to sleep.
00:57:42If it weren't for what she had given me.
00:57:44Logical, of course.
00:57:46See you tomorrow.
00:57:46See you tomorrow.
00:57:48Hey, Mr. José María, I'm sorry, we have to go.
00:57:52Come on, what are you saying?
00:57:53I have to close now.
00:57:55Okay, then close it.
00:57:56But I'm not closing.
00:57:57Neither you nor him.
00:58:00You're coming with me to continue the party.
00:58:02Look, here we have the supplies.
00:58:05Get your engines warmed up.
00:58:06And I'm taking my girls with me.
00:58:09Right?
00:58:10Right?
00:58:11Let's see if we can find a good bed for the three of us.
00:58:17Another district.
00:58:21La Latina.
00:58:23Olympia Dry Cleaners.
00:58:25Nothing.
00:58:25Clover Dry Cleaners.
00:58:27No news.
00:58:28Los Rosales Dry Cleaners.
00:58:30Nothing.
00:58:30Come to you, ink, ink, come to be.
00:58:33Come be, ink, ink, come be.
00:58:37I don't know what he gave me.
00:58:40Already the dry terva, my mother, the third, I lost the dry one.
00:58:46It's going to fall and the sky.
00:58:49Hey!
00:58:51Hey!
00:58:53Maria, let's go now.
00:58:54We are very tired.
00:58:55We are very tired.
00:58:56Another day, man, let's go now.
00:58:58We are very tired.
00:58:59Another day, okay, okay, okay.
00:59:00Leave now, leave now.
00:59:01I do it every day, every night.
00:59:03I do it every day, every night.
00:59:04When we're having a party, you want to leave.
00:59:06Not another day, let's go.
00:59:07We'll sing to him more another day.
00:59:08How are you? Is it okay?
00:59:09Okay, okay, your honor.
00:59:11Let's go.
00:59:12Come on.
00:59:14Come on.
00:59:16Okay, let's have a drink and go.
00:59:18Let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go.
00:59:26Please, let's go, let's go, let's go, let's go.
00:59:37Let's go!
00:59:38Let's go!
00:59:45Let's go!
00:59:55Let's go!
01:00:03Let's go!
01:00:15Amen.
01:00:55Let's go!
01:01:17Let's go!
01:01:20Let's go!
01:01:28Let's go!
01:01:35Let's go!
01:01:36Police!
01:01:37Don't move!
01:01:40José María Manuel Pablo de la Cruz Jarabo Pérez Morris
01:01:44Age 35 years
01:01:47Born in Madrid
01:01:48Spanish nationality
01:01:50Son of José María and Teresa
01:01:53Marital status: married
01:01:55Wife's name
01:01:56María Luz Martín Álvarez
01:01:58American wife's nationality
01:02:01Profession: merchant
01:02:03Home
01:02:04Escosura Street 21 Madrid
01:02:31Nothing, right?
01:02:33No, sir, no
01:02:34And we've been with him for over ten hours.
01:02:36It's very sturdy and can withstand anything thrown at it.
01:02:37He hasn't opened his mouth even once.
01:02:45According to all the data you have been able to read
01:02:47In the file of this gentleman
01:02:51It's as clear as day.
01:02:52Mr. Morris here
01:02:54It's nothing more than a common sausage.
01:02:56A pimp with a bad temper
01:03:00And a fat-bitch con artist
01:03:02However, he is very brave with women.
01:03:04Three complaints of mistreatment of prostitutes
01:03:07Naturally cheap
01:03:08Five misappropriations
01:03:11That is, five sausages
01:03:13And blackmail of an elderly and respectable lady
01:03:18And to top it all off this disgusting cake
01:03:22Four murders, shot in the back and betrayed.
01:03:24Of two men and two women
01:03:26All defenseless
01:03:29What I'm telling you
01:03:30You fucking idiot
01:03:32I'm a cretin, not a pimp, not a crook.
01:03:34I haven't killed anyone
01:03:35I'm not going to tell you anything.
01:03:36I am a gentleman, a gentleman
01:03:38Can you hear me?
01:03:39A gentleman!
01:03:41So enough with the insults
01:03:44I won't tolerate that from anyone.
01:03:47All I want is to be left alone to sleep.
01:03:50I'm very tired and
01:03:52I don't feel well.
01:03:54Look, that is true.
01:03:55He looks like he's been vomiting.
01:03:56Didn't you say he was a tough guy?
01:03:59A piece of shit
01:04:04And he's had all night to sleep in the cell
01:04:07And you guys haven't slept a wink for more than 24 hours.
01:04:12And you see, Mr. Morris
01:04:14Dr. Balmaseda
01:04:16Mr. Mendoza
01:04:18You see?
01:04:20So fresh
01:04:25Let's have a little cup of coffee, guys
01:04:27He won't mind being alone for a while
01:04:30TRUE?
01:04:32No, don't go
01:04:34Please don't leave
01:04:35I will speak
01:04:38Yeah
01:04:41I will speak
01:04:57I will tell you the whole truth
01:05:01But on one condition
01:05:02Or rather, three
01:05:05Namely?
01:05:08One who can take off my handcuffs
01:05:12Two
01:05:13Morphine
01:05:18I need to prick myself
01:05:20No
01:05:21I can take more
01:05:24And the third one?
01:05:28This guard should leave.
01:05:31His feet smell a lot
01:05:44The
01:06:14Thank you!
01:06:16The food was great, but my particular dessert was wonderful.
01:06:23You can serve the coffees and drinks to these friends now, just for me, and my nice glass of Rémi.
01:06:30Martaño.
01:06:34We can continue. Where were we?
01:06:38High school diploma from the Colegio Nuestra Señora del Pilar in Madrid.
01:06:41After our liberation crusade, two courses in Law at the Central University.
01:06:45In 1942 she moved to Puerto Rico with her mother, who was Puerto Rican and came from a prestigious and wealthy local family.
01:06:53He then lived in the United States, married an American citizen, is now divorced from her, and has one son...
01:07:00I bet you can't guess where my son is now? At West Point. He's a cadet at West Point. What's he doing?
01:07:06seems?
01:07:10Enters the AMPA drug trafficking ring, arrested, sentenced to five years.
01:07:14He entered Springfield Prison in May 1946. He served three years of his sentence.
01:07:20Then, in May 1949, an incident involving serious injuries to third parties in a public establishment resulted in his expulsion.
01:07:28of the United States.
01:07:29He arrived in Madrid in 1950 with a lot of money.
01:07:33You bet. About ten million pesetas. I thought they'd never run out.
01:07:39But they're over.
01:07:41Continuous partying, women, luxury, gambling, extravagance.
01:07:49Which would be the correct expression?
01:07:52A wasted life?
01:07:54Very corny. Excuse me, Inspector.
01:07:57But it looks good.
01:07:58Life, simply.
01:08:00And as they say, "what's done is done."
01:08:02No, don't say anything, inspector.
01:08:04I know they're going to take it away from me.
01:08:05And completely.
01:08:07And I also know that I deserve it.
01:08:11Another glass of cognac?
01:08:12With your permission, Mr. Inspector, I will help myself.
01:08:15The antholot friends.
01:08:16They told me, but you couldn't read it.
01:08:19How can you treat a murderous pimp like this?
01:08:22To a scoundrel who is nothing more than a son of a bitch.
01:08:32But here, who the hell gave you the green light at this funeral?
01:08:34I have carte blanche to do things my way.
01:08:36Do you understand?
01:08:37And the only way that guy will talk is like this.
01:08:40So don't mess with my work with your moral scruples.
01:08:44Look, since that guy shuts down completely and won't talk,
01:08:46You're going to hear from me, okay?
01:08:48Where are you going around here?
01:08:50I've been told to bring this, sir.
01:08:52But this isn't the place, man.
01:08:54The reds are at the bottom.
01:08:55To the political-social brigade.
01:08:59I'm sorry I messed things up for you.
01:09:02He no longer sent my monthly allowance to my family from Puerto Rico.
01:09:06For the first time in my life, I was short of money.
01:09:11I had been in a relationship with Emilio and Félix for several years.
01:09:13and they always scammed me out of the jewelry I pawned.
01:09:18In '56 I met Beril.
01:09:22Beril Martin Jones.
01:09:26We fell in love.
01:09:29Beril was going to separate from her husband and we were going to get married, but we no longer had any money.
01:09:34Then we pawned a Beryl ring.
01:09:36They only gave me 4,000 pesetas when it was worth more than 100,000.
01:09:39To perform it, I only had to pay back 6,500.
01:09:44In the end.
01:09:47Have you seen a doctor?
01:09:48Yes, thanks.
01:09:50He put a very tight bandage on me.
01:09:52There are no broken ribs, just a severe bruise.
01:09:57Posco, all work, huh?
01:09:58Black belt.
01:10:02You've read The Three Musketeers, right?
01:10:04That thing about the queen's augers.
01:10:07Well, the same thing happened with Beril's husband and the ring.
01:10:10I had to rescue the jewel because Beril's husband was threatening her with a huge scandal.
01:10:15So I got the 6,500 they were demanding and went for the ring.
01:10:20They didn't give it to me.
01:10:21They told me they would only give it to me if Beril came with me or if I brought them an authorization from her.
01:10:28Beril had returned to England and sent me a letter.
01:10:32The authorization they were asking for?
01:10:35Not quite.
01:10:39It was a love letter.
01:10:42He told me that it was absolutely essential for his good name to recover his ring.
01:10:47That I would do everything in my power to return it to her.
01:10:51And more.
01:10:53Words of a woman in love.
01:10:57Intimacies.
01:11:01I showed them the letter.
01:11:03Then they asked me for 200% of what I had to give them.
01:11:06That is, 13,000 pesetas.
01:11:07And they told me that if I didn't settle the matter within 5 days, they were prepared to sell the
01:11:13jewel.
01:11:13I was able to convince them not to sell it.
01:11:15But as a guarantee, they demanded Beril's letter.
01:11:21And I had to give it to her.
01:11:24From then on, things went from bad to worse.
01:11:28They constantly threatened to send a copy of the letter to Beril's husband through the English embassy.
01:11:33The three musketeers were four, and I was only one.
01:11:36But since I'm a man and I'm Spanish, one of the few serious things one can be in this
01:11:41world,
01:11:43I made the decision to acquire the jewel and the letter.
01:11:51You already know the rest.
01:11:56I've lost.
01:11:58And I'm willing to pay.
01:12:04How I wish I could tell Beril,
01:12:08Spain and I are like that, ma'am.
01:12:12On February 10, 1959,
01:12:15the fifth section of the Provincial Court of Madrid
01:12:18He handed down a sentence in the case against Jarabo.
01:12:21Judgment ratified by the Second Chamber of the Supreme Court on May 20, 1959.
01:12:29It says so.
01:12:29We failed to condemn, and we condemned.
01:12:33to José María Manuel Pablo de la Cruz Jarabo Pérez Morris
01:12:37as the responsible party in the capacity of author
01:12:39of a robbery crime resulting in the death of Emilio Fernández Díez
01:12:44with an aggravating circumstance,
01:12:46of another crime of the same nature against Félix López Robledo
01:12:51with two aggravating circumstances
01:12:53and two murder charges
01:12:55qualified by treachery in the person of Paulina Ramos Serrano
01:12:59and Doña María de los Desamparados Alonso Bravo
01:13:02with an aggravating circumstance
01:13:05to the death penalty for each of the four crimes.
01:13:52Thank you!
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