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00:01:00Why are you dressed up like that, Bernardo?
00:01:02And I am not Bernardo.
00:01:03I am the most excellent Duke of Tomelloso and Peláez.
00:01:06He had a satur vision, an epiphany.
00:01:09Marry a rich woman and live off the investment.
00:01:12That's not an epiphany, Bernardo.
00:01:15That's your Spanish dream.
00:01:21The person who taught me everything isn't with me every day.
00:01:24I haven't just come to say goodbye to you.
00:01:27I'm going to make you my heir.
00:01:30Will you marry me?
00:01:32Yes I want.
00:01:44Receive this alliance as a sign of my love and faithfulness to you.
00:01:48Halt in the name of her majesty!
00:01:50What are you going to do to us?
00:01:51We are going to kill the king of Portugal.
00:01:53And you succeed.
00:01:55From this moment on we are alone.
00:01:57If they know our route, they also know our destination.
00:02:00You will be executed.
00:02:12A Portuguese emissary has arrived.
00:02:14Apparently, he has come to demand a ransom for some Spanish prisoners.
00:02:18They are alive.
00:02:20And do whatever it takes to save them.
00:02:23We'll get out of here.
00:02:25I don't know those men he has prisoners.
00:02:28Those men you did not send will be executed.
00:02:32If they must die, let them die.
00:02:36If you confess that Philip of Austria sent you, you will be free.
00:02:41I'll tell you who sent us.
00:02:44Don't do it!
00:02:49I want you to release two of the Spanish prisoners.
00:02:52Hernán Mejías and Gonzalo de Montalvo.
00:02:55Kill Philip IV.
00:02:57I will do that.
00:02:58I will only be able to free one.
00:03:00The man I choose will save lives.
00:03:02You're finished!
00:03:03If anyone follows us, the king will die.
00:03:11That is.
00:03:13I'm going to stuff this pig with gunpowder.
00:03:16The king and his advisors already have a menu for tonight.
00:03:19Nobody has seen Gonzalo and Saturno at the camp.
00:03:22So where is it?
00:03:23Don't know.
00:03:25But I'm going to look for Gonzalo.
00:03:26And am I coming with you too?
00:03:27What would happen if one of us was injured in this cell?
00:03:32They wouldn't let him die.
00:03:33And the person who gets out of this cell can escape and try to save the rest.
00:03:38I will do it.
00:03:40You?
00:03:40Yes, me.
00:03:42The normal one.
00:03:43The least amazing of all of you.
00:03:46Satu!
00:03:47No!
00:03:49The king survived the assassination attempt.
00:03:52Hernán and Gonzalo are dead.
00:03:56When I came to make you, I never thought that I would also have to die.
00:04:00I would rather die alone than by your side.
00:04:03Sorry for the delay.
00:04:04Come on, but I won't know how hard it was to remove the bullets.
00:04:06No!
00:04:17So far, I haven't counted on Faro, I'm not stopping.
00:04:19Daisy.
00:04:21Lighthouse.
00:04:22We've all returned safe and sound.
00:04:27My stroke was nice, but no.
00:04:29It wasn't much, but...
00:04:31I haven't been able to find a gift that is worthy of you.
00:04:34Something so special that it will change your life.
00:04:49It's him.
00:04:51He is the man you have fallen in love with.
00:04:53Gonzalo.
00:04:55Answer!
00:05:15Bye.
00:05:19Bye.
00:05:24Bye.
00:05:29Bye.
00:05:36No, no, no, no.
00:06:09We have to find it somehow.
00:06:11A local man has seen a man in the cave of the cross. He says he has been living there for some time.
00:06:15Come on.
00:06:16Yeah.
00:06:16Come on!
00:06:27Over there! Over there!
00:06:55Today is going to be the happiest day of my life.
00:06:58Look, every time it comes to you, I'll imagine you with her.
00:07:03Don't look for me.
00:07:07Up to my balls.
00:07:10With all due respect, let's go, but I'm...
00:07:13I'm sick of hiking in the mountains.
00:07:16Oh!
00:07:16I don't want you to come see me every day, Sato.
00:07:19No, and don't think it's a tasty dish.
00:07:21Seeing you locked up here in these caves is unbearable for me.
00:07:25And if you don't believe me, just look at how I've ended up.
00:07:28Between the nerves and the lice, my beard hairs have fallen out and I've had to
00:07:32shave your head.
00:07:35But when will this punishment end, master?
00:07:38I mean, you've been crammed in here for two months since your non-wedding?
00:07:42I need to think.
00:07:45No, I understand.
00:07:47Heartbreak hurts like having your guts ripped out through your mouth, or...
00:07:52I'm not here just to think about her, Sato.
00:07:56Oh, well, are you new here?
00:07:59I'm also thinking about Cristina.
00:08:02And in my mother.
00:08:05In their deaths.
00:08:14Every decision I've made in this life has caused pain to someone.
00:08:24I love it, happy life only happens in fairy tales.
00:08:28Real life, the one you and I breathe, that's...
00:08:32One blow on top of another.
00:08:36I've done everything wrong.
00:08:39I wish I could go back and change the past.
00:08:45But he can't.
00:08:48And even if I could, I'd screw it up again, love.
00:08:51Because before you are a hero, you are human.
00:08:55And that is our sign.
00:08:58So all I can do is suck it up and move forward.
00:09:08So, why don't we go back?
00:09:10Hey, master?
00:09:15It's time to go back, isn't it?
00:09:40Have they given any sign of life?
00:09:41No, Your Majesty.
00:09:42After so much time, I think they will never recover.
00:09:46Maybe I'll give him a bloodletting.
00:09:48Do whatever it takes.
00:09:50I'll go look for the leeches.
00:10:01What's happening?
00:10:26No no.
00:10:34No no.
00:11:04No no.
00:11:33No no.
00:11:43Cardinal has recovered.
00:11:47It's a miracle.
00:11:53A miracle, yes.
00:12:02Any news about Gonzalo?
00:12:05He has a footman outside his front door day and night.
00:12:08If he comes back, we'll know.
00:12:12She will never forgive him.
00:12:22Do you know what this is?
00:12:41Do you know what this is?
00:12:47Come on, if you want, I'll fill you in on the injustices you've missed in recent months.
00:12:51He doesn't care what happened.
00:12:55What do you mean he doesn't care?
00:12:58There have always been injustices and there always will be, Satur.
00:13:01Nothing will ever change.
00:13:03But what's wrong with him?
00:13:05Oh, God, you...
00:13:08You are not you.
00:13:11You have changed.
00:13:14And even her gaze is...
00:13:15It's different.
00:13:21You are not you.
00:13:42What are you doing?
00:13:45What are you trying to do?
00:13:47What's mine is mine.
00:13:50You will never touch her again.
00:14:02Why did you change your will?
00:14:05What has happened to the castle of San Esteban and its lands?
00:14:08That's none of your business.
00:14:10You gave it to the Duchess of Valfermoso.
00:14:14I told you it's none of your business.
00:14:18And yours?
00:14:20Tell him.
00:14:22Tell him you're going to leave him a ruined kingdom
00:14:24to satisfy your lovers.
00:14:29They are my possessions.
00:14:32And until I die,
00:14:33I will be able to use them as I wish.
00:14:37Everything is and will be our son's.
00:14:39And if his own father is unable to protect him,
00:14:42I will go to the Pope or to God.
00:14:48You doubt my love for him.
00:14:50Love,
00:14:52You have never loved anyone.
00:14:55Only yourself.
00:15:11Only yourself.
00:15:14Only yourself.
00:15:15Only yourself.
00:15:33Majesty.
00:15:40I am here to make myself available for whatever you need.
00:15:46It's bleeding me dry.
00:15:48I'm glad to have him back.
00:15:50Thank you.
00:15:52The new governor of Yucatán
00:15:54He awaits orders to depart for the Americas.
00:15:58He is in the throne room.
00:16:00Alright.
00:16:01We'll talk later.
00:16:12Here it is!
00:16:26Here it is!
00:20:35Oh, parrot, you're going to kill me.
00:20:46Well, it wasn't that hard to get here. I didn't get lost even once.
00:20:50How could you come here alone from so far away?
00:20:53You could have been mugged on any road.
00:21:01I travel faster alone.
00:21:03And your luggage?
00:21:04I carry with me what I need.
00:21:06And all your dresses?
00:21:08Tell me at least what you brought back that the ambassador gave you.
00:21:12That's the first one I threw away.
00:21:14Did you throw it away?
00:21:16But it cost a fortune to have this gemstone.
00:21:20I'll see you at the villa.
00:21:32Cipri!
00:21:37What's wrong with you now? You're shouting all day long.
00:21:39What do you have to do to help me, Cipri? They've arrested him, they've arrested him.
00:21:41Who?
00:21:42Poplar!
00:21:43I want to see him in the dungeons, but they haven't even let me in.
00:21:46And what is that?
00:21:48They've been putting that thing together for a while.
00:21:50I think they're going to bring someone to justice.
00:21:54They've been riding for a while.
00:22:20What have you done?
00:22:21Nothing, Cipri, we haven't done anything.
00:22:33What are you going to do to me?
00:22:36Hey?
00:22:37Answer me, you're going to kill me.
00:22:45Mother, what's happening?
00:22:52What are you going to do to my son?
00:22:54Let it go!
00:22:55Let it go!
00:22:56Let it go!
00:22:57Let it go!
00:23:00What do you want your son to see, like his father being killed?
00:23:02We're born!
00:23:07This is an injustice!
00:23:09Killer!
00:23:22Does anyone else have anything to say?
00:23:24Well, everyone out.
00:23:26Come on!
00:23:29Hernán
00:23:33Hernán
00:23:34Hernán
00:23:36Let go of my son.
00:23:38Please let him go.
00:23:45What are you going to do to him?
00:23:54He will be your executioner.
00:23:58Son of a...
00:24:00Let him go!
00:24:02Hernán!
00:24:07Hernán!
00:24:09Let him go!
00:24:15Where?
00:24:16Where?
00:24:16We have searched every damned square, dungeon and barracks in the town.
00:24:24Perhaps if he rests a little, he'll be able to tomorrow...
00:24:26No, you don't understand.
00:24:27There will be no tomorrow.
00:24:29I know Hernán.
00:24:31It's kill or be killed.
00:24:41Gonzalo is the only thing in my life that isn't rotten.
00:24:49I don't want to lose him.
00:24:54Lady.
00:24:56They are preparing an execution in San Felipe.
00:24:58It's the teacher's.
00:25:10This can't be.
00:25:11This is...
00:25:12This is...
00:25:19This can't be.
00:25:27This is going to be a disaster.
00:25:30Stop, stop.
00:25:32There are girls in my village who milk cows with more grace.
00:25:38That?
00:25:39Let's see.
00:25:40What do you have to put in your mouths?
00:25:42Hand, milk.
00:25:43I want more filth.
00:25:45Don't listen to him.
00:25:47It's a beautiful number.
00:25:49But...
00:25:50And what are you doing there, in her life?
00:25:52You're going to hurt yourself before the opening.
00:25:58I don't know.
00:26:00What if we change the color of the curtains?
00:26:02No, no, no, no.
00:26:03Now nothing changes.
00:26:04There's not enough time.
00:26:08It looks spectacular.
00:26:09Don't you think so?
00:26:11Already.
00:26:12You've spent every last penny you had.
00:26:16I don't understand how you risk everything for this business.
00:26:22Because I don't want to depend on anyone ever again.
00:26:26So, do we keep going or stop?
00:26:29If I have to do everything myself.
00:26:31Let's see.
00:26:32It's not that difficult, damn it.
00:26:34Let's see.
00:26:38Bring the molten lead.
00:26:56Oh my God, he's a living hell, they're going to throw him on top of it.
00:26:59My God.
00:27:16When I tell you, you will pull the rope.
00:27:21That now the lead and everything will be over.
00:27:38Bring the lead.
00:27:54Take it.
00:27:59Tell me to do it, you'll both die.
00:28:05Promise me he will be saved.
00:28:08If you do what I tell you, you will be saved.
00:28:20Take it, son.
00:28:23Listen to me, Alonso.
00:28:25You have to live.
00:28:27Grab the rope.
00:28:30Do it for me.
00:28:47Fernández.
00:28:49Please.
00:28:57Please.
00:28:59No.
00:29:00Let me through.
00:29:06Listen to me.
00:29:07Please.
00:29:10I will do everything you ask.
00:29:13All
00:29:16Let him go
00:29:19It will be just the two of us.
00:29:20Forever
00:29:24Forgive him
00:29:26Please
00:29:28Please, Erna
00:29:31Take her away
00:29:31No! No! No!
00:29:33No no!
00:29:40Do whatever you want to me.
00:29:42It's my fault
00:29:45It's my fault, Erna
00:29:47Please don't kill him
00:29:49Don't kill him
00:29:50Get her out of here! Get her out!
00:29:53No no!
00:29:55Don't do it!
00:29:57Erna!
00:29:59Erna!
00:30:01No!
00:30:03No!
00:30:05No!
00:30:17Let's put an end to this
00:30:22Do it!
00:30:24Alonso!
00:30:25Do it!
00:30:30Do it!
00:30:45Do it!
00:31:00Alonso!
00:31:05No, no, no, no.
00:31:38No no.
00:32:05What got you a stuffed bun to help you regain your strength?
00:32:11Because what a night, right?
00:32:15You have to see the twisted mind that... that... that... that... that... that is his brother.
00:32:19He is a sadist and a murderer.
00:32:23He has done what is expected of him.
00:32:25No.
00:32:25No, not what is expected of him.
00:32:28That the anger he felt was... it was all because of jealousy.
00:32:31I thought that... that... that I was going to cut off his bell and... his uvulas.
00:32:38Has Alonso gotten up yet?
00:32:39No.
00:32:40No, the little boy is sleeping.
00:32:42It doesn't surprise me after such an ordeal.
00:32:45And you, my love, if I may, should do the same.
00:32:51Everything my son suffered last night was because of me.
00:32:55For you.
00:32:56No, not because of you, love.
00:32:58That story is older than red wine.
00:33:01Two men reunite and a woman... ruins everything.
00:33:05No.
00:33:06Lucrecia is not to blame for this.
00:33:08Love, whatever you want, but next time you get involved with someone, choose better.
00:33:15Look at the mess you've made.
00:33:17One mistake can ruin many lives.
00:33:23Well, next time you need it, just let me know.
00:33:26And I take him to see Rosita, the breast pump.
00:33:29That woman has a knack for sleight of hand, it drives you crazy.
00:33:32What a woman.
00:33:35Satur!
00:33:37Prepare my horse.
00:33:39Come and bring justice to an innocent person.
00:33:42And that mood?
00:33:45If you've always had a saving grace, I'm feeling great.
00:33:49I'm tired, Satur.
00:33:52But why hasn't he slept a wink?
00:33:55Why don't you skip over this innocent man, eh, master?
00:33:58Nobody's going to hold it against him anyway.
00:34:01No, Satur.
00:34:02I'm tired of myself, of my life, of everything.
00:34:04But it sounds like it's his shadowy self speaking.
00:34:09I can't take it anymore.
00:34:11Maybe what he needs is something that excites him.
00:34:15Why doesn't he return to Cocris?
00:34:17He still doesn't know who his father is.
00:34:20I don't care about my origins.
00:34:21And I don't care who my father is.
00:34:25Prepare my horse.
00:34:30No no.
00:34:35No.
00:34:37No.
00:34:38No.
00:35:46What are you doing?
00:37:04Mother!
00:37:28Subscribe to the channel!
00:37:35Let's go!
00:37:51I love.
00:37:55Love, say something, speak, for God's sake.
00:38:02I can't go on like this, Satan.
00:38:05But what happened to him?
00:38:08What happened to him?
00:38:08I had never seen her like that, so out of it, she almost got ripped in two.
00:38:13Hey?
00:38:21I can't go on.
00:38:22No, no, no, no.
00:38:24I'm not going to start with the same old thing again, no.
00:38:26Every corner of this village reminds me of who I used to be, Satan.
00:38:29Everything I did wrong.
00:38:30But what is he talking about?
00:38:34To start over.
00:38:36But are you referring to...?
00:38:38Start over somewhere else, Satan.
00:38:43To leave all this behind forever.
00:38:45Wait, wait, wait, wait, wait, wait.
00:38:48Wait, I need my time too, wait.
00:38:51Wait, we only have these left here.
00:38:59Well, then…
00:39:00Well, yes, if you see it that clearly, and if I don't love him...
00:39:05But I, at least, need a month to move, pack up the stuff…
00:39:09No, Satan.
00:39:10We're leaving today.
00:39:16How about today?
00:39:20Love, today, you say.
00:39:37A man gave me this for the teacher.
00:39:42Hey!
00:39:45Hey!
00:40:19A painting.
00:40:28AND...
00:40:29Hey!
00:40:32I wish I knew how to read.
00:40:38So what now?
00:40:45Why do I always have to run into you when I come to this house?
00:40:50I don't know, ma'am.
00:40:52I live here.
00:40:53Is the teacher there?
00:40:55She's not here, ma'am.
00:40:59Well...
00:41:01I will say that the Marchioness of Santillana has come to inquire about her health and that I have brought her something for
00:41:08Get well soon.
00:41:10Cheese with paprika from Tietar, pickled oysters, honey and cinnamon puff pastries that give vigor, Mother's biscuits
00:41:20Bernardas, Mallorcan oil and a little jasmine from Grase for after the bath.
00:41:29Well, uh...
00:41:30Excellent.
00:41:32Although bathing here is something that happens very rarely.
00:41:35But we're big cheese fans.
00:41:37...
00:42:06Thank you!
00:42:26What a character!
00:42:48Okay, let's get organized, Saturn. This one's for the big daggers. This one's for the little stars, and this one's for the...
00:42:58small daggers.
00:42:59What are you doing talking to yourself, Saturn?
00:43:02Well, just getting the move organized. Although I already told you...
00:43:07...that this move seems a bit rushed to me.
00:43:10Sometimes it's best not to overthink things.
00:43:14Yes, but we're not playing Brisca.
00:43:16That a life change requires... thought.
00:43:20As long as we're together, we'll be alright.
00:43:25Have I done it already, Aloncillo?
00:43:29Not yet.
00:43:36Come on, think about it. We have your school here, we have stability. If we leave, we'll be left with nothing.
00:43:42When I left this village alone, I was just a kid. And I survived. I'm going to do it again, Saturn.
00:43:46We're screwed. You were young then.
00:43:51He had no one under his charge.
00:43:53Now we even have gray hair...
00:43:56I'll look for a job as a teacher. And if not, I'll look for work as a waiter or a liveried soldier.
00:44:00I will not allow this family to go hungry.
00:44:05When you talk about family, do you also include Cipriano?
00:44:09Yes, too. If he wants, there's a place for him.
00:44:13And the Chinese guy? What do we do with him?
00:44:17We'll leave it at the miller's until we find a house in our new home.
00:44:21Very good.
00:44:22No, that seems fine to me. That kid had traveled more than Marco Polo.
00:44:27We'll come back for him later.
00:44:31And one little thing... nothing important that's been on my mind.
00:44:37Come on, damn it, let's go, he hasn't given anything away.
00:44:44To the south.
00:44:45To the south.
00:44:47And if he had already decided, why didn't he tell me before?
00:44:51Saturn, I'm consulting you about it now.
00:44:53What do you think?
00:44:55To the south.
00:44:58I think it's a brilliant idea, man.
00:45:01What, what, what, what weather, what food, what, what joy of living.
00:45:05Olé, olé and olé!
00:45:06Ha ha ha!
00:45:07And if not, we'll go to Seville.
00:45:10Seville seems like an excellent idea to me.
00:45:12Me too.
00:45:13One thing, Saturn.
00:45:15Nobody can know where we're going.
00:45:17No, no, no, no.
00:45:21AND...
00:45:22Thank you for your support.
00:45:23Nothing.
00:45:25You know what I'm telling you?
00:45:27I hope BZ enjoyed the Red Eagle very much.
00:45:30And it has been very good that you have delivered justice in the south.
00:45:32What do they need?
00:45:56They really need it!
00:46:14Why does she dress as a man?
00:46:16I don't go to the theater.
00:46:19Help me bandage my breasts.
00:46:23So where does it go?
00:46:24To a costume party?
00:46:26I'm going to celebrate that Gonzalo is alive.
00:46:31Margarita, far away.
00:46:33And the commissioner...
00:46:35Okay, help me get dressed.
00:46:38That sounds perfect to me, but she still hasn't told me where she's going.
00:46:43At the inauguration of the delightful.
00:46:47Only men are allowed in there.
00:46:50And I will enter as one of them.
00:46:53And even if I arrive late, wake me up tomorrow so we can go to the San Felipe market.
00:46:57I'm going to make myself look like I'm bumping into someone.
00:46:59Don Gonzalo.
00:47:03I need a shirt.
00:47:04Find one in my size.
00:47:06I don't care who I take it from, I just hope it's clean.
00:47:17Hernán.
00:47:19I don't have time for you.
00:47:20Wait.
00:47:25I just wanted to thank you for what you did yesterday.
00:47:28It was very noble to forgive Gonzalo.
00:47:32I will never forget it.
00:47:36You have no idea how much I regret it.
00:47:44I know it's rushed, but you should tell me something.
00:47:52I was born here.
00:47:56And I thought I would spend my life in this house.
00:48:00You're a grown man now, Alonso.
00:48:03You can make your own decisions.
00:48:17I'm not going to leave you alone, father.
00:48:21A house is just stones.
00:48:28I was afraid you wouldn't want to come.
00:48:30Would you have left without me?
00:48:32Of course not.
00:48:39So why did you ask me?
00:48:41Well.
00:48:43I wanted you to feel like you could decide.
00:48:48And the house?
00:48:53We sell it.
00:49:00I'll miss all of this.
00:49:03Growing up is learning to say goodbye, son.
00:49:08Someday you'll understand.
00:49:31Where are we going to live in Seville?
00:49:34Until we find a good home, we will live in an inn.
00:49:37If they don't like us, he says it could be years before they accept outsiders.
00:49:42We will adapt, Cipri, as many before us have done.
00:49:45There's nothing to worry about.
00:49:50What's up, Cipri?
00:49:51Why are you stopping?
00:49:53And will the water there be good?
00:49:57I don't know, I...
00:49:59What the hell do you care about water now, Cipriano?
00:50:02I don't know, just in case I've poured a couple of skins of jarama, hoping it's good water.
00:50:05So drink and shut up.
00:50:07I'll throw you off a cliff, dogs.
00:50:09It's because I've never lived outside our neighborhood.
00:50:13Neither do I.
00:50:14Beginnings are never easy.
00:50:16But we have each other.
00:50:19We will get through this.
00:50:22Sato, have you spoken to the priest of San Felipe?
00:50:26Yes, let's go, yes.
00:50:28And he says he'll send us the money when he sells the house.
00:50:31Good.
00:50:32And he also left a message.
00:50:34Message for whom?
00:50:36Well, that's the signal, Margarita.
00:50:38In case he comes back seeking forgiveness, so he knows where we are.
00:50:54What's up, Cipri?
00:50:56Why are you stopping?
00:50:57Ah, you'll have another little question, won't you?
00:50:59No, it just came to me as a memory.
00:51:02I think I've forgotten something at home.
00:51:04But what could you possibly forget if you've even brought the fireplace?
00:51:07What are you going to forget?
00:51:08I don't know, but you're hanging around me.
00:51:10It won't be anything, Cipri.
00:51:12Let's continue.
00:51:13Maybe it was important.
00:51:16What a trip!
00:51:18What a trip we have ahead of us!
00:51:20Ai!
00:51:49Thank you!
00:51:53Bad blood, I'm glad to see it.
00:51:58Perhaps you'd like to join me tonight.
00:52:01Celebrate the opening of a men's entertainment lounge.
00:52:04No, I prefer to organize my own celebrations.
00:52:09So what brings him to my bedroom?
00:52:12Majesty,
00:52:15Have you thought about the future of the kingdom?
00:52:20But am I dead?
00:52:24The future is in good hands, mine.
00:52:27And then it will be in my son Carlos's and so on by the grace of God.
00:52:32Could there be anyone better than his son Charles to reign?
00:52:41No, there's nobody here.
00:52:43Prince Charles is in very poor health.
00:52:48He may be the last king of his family.
00:52:52Prince Charles was a great monarch.
00:52:56And so I have arranged it.
00:53:01What if there was another perfect heir?
00:53:07Someone of his own blood?
00:53:13Destiny is already written.
00:53:19History cannot be changed.
00:53:50Prince Charles is a great monarch.
00:54:35Welcome to Galeitosa!
00:54:37A toast to Anaís!
00:54:39For Anaís!
00:54:49Excuse me, sir.
00:54:52Fernan Mejías.
00:54:54The commissioner of the town.
00:54:56I've been told that you are in the law.
00:54:59He has been well informed.
00:55:02Nice place.
00:55:03There's one similar to Havana, but this one surpasses it.
00:55:06It's a beautiful city.
00:55:08The sunset from the port is incomparable.
00:55:11I can see that you know her well.
00:55:13I lived there for several years.
00:55:16May I offer some advice?
00:55:19This business is going to stir up a lot of envy in this town.
00:55:23He's going to need protection.
00:55:25And I can give it to you.
00:55:28Oh.
00:55:29I see that this is a business visit.
00:55:32Do you want your money in cash?
00:55:35I offer to negotiate a discount.
00:55:37Are you referring to one of my girls?
00:55:40I was referring to you.
00:55:47No.
00:55:49Then the cash.
00:55:51I'll stop by tomorrow to discuss the price.
00:55:54You are very busy today.
00:55:57With your permission.
00:56:03This place is going to be a success.
00:56:05Even if it's just for the owner.
00:56:06She is the most beautiful woman I have ever seen in my life.
00:56:09That?
00:56:10The most beautiful?
00:56:12That whore is no more beautiful than me.
00:56:14Lucrecia, what are you doing here?
00:56:15And what do you do?
00:56:16You drool more than a horse.
00:56:19Lucrecia.
00:56:21I'm sorry.
00:56:22Ladies are not allowed in this establishment.
00:56:27You're right.
00:56:29I don't see any.
00:56:33Hernán?
00:56:35Lucrecia.
00:56:40Lucrecia.
00:56:57What's Seville like, Satur?
00:56:59Seville?
00:57:02Seville is a bachelor's paradise, Aloncillo.
00:57:04Women with more curves than Sierra Morena.
00:57:07There are some buttocks...
00:57:08Seville is one of the most important cities in Europe.
00:57:12There is the port of the Indies.
00:57:14Ships from all over the world come and go, trading in fabrics, medicines, cotton...
00:57:19Yes, and I also think they have a gold tower and a silver one.
00:57:23I'm sorry to disappoint you, Satur, but those are just their names.
00:57:26The walls are not full of ingots.
00:57:28Oh well, whatever.
00:57:30What's happening?
00:57:31I'm only thinking about our new Casamo.
00:57:33It seems you're already seeing it.
00:57:34With streams of light flooding in, the entire white facade...
00:57:37and a patio where you can clap your hands.
00:57:39Olé!
00:57:45What does this guy say?
00:57:48What are you mulling over, Cipriano? What could it be?
00:57:51I still can't remember what I've forgotten.
00:57:53And it was important.
00:57:54Oh, God!
00:57:56Please make him see reason, get rid of this obsession that this man has.
00:58:00The papers!
00:58:01That's what I forgot!
00:58:02Cipri, what are you talking about?
00:58:03A leather wallet has arrived for you, Gonzalo.
00:58:05Inside there was a stack of sheets of paper.
00:58:07Would they be debts?
00:58:08From everything that has disappeared in recent years to all the shopkeepers in the village.
00:58:12I need to go back for those papers, Gonzalo.
00:58:14It is my responsibility as a servant.
00:58:18We are one day's journey away.
00:58:20If it's important, I wouldn't forgive myself.
00:58:22I'm coming back.
00:58:23Cipri, whatever it is, whatever you have left behind is part of our old life.
00:58:26You don't need to come back.
00:58:28And besides, they would be debts, I'm saying.
00:58:32Perhaps you are right.
00:58:36It wouldn't be important.
00:58:40I'm telling you, yes, it was important.
00:58:42The wallet was made of fine leather and inside there was a painting.
00:58:44A painting.
00:58:48I'm going back for those papers, Gonzalo.
00:58:50It is my responsibility as a servant.
00:58:55Okay, Cipri.
00:58:57Alonso will accompany you.
00:58:59See you in Seville.
00:59:00At the Grey Roe Deer Inn.
00:59:03Saturío, we will go ahead to get everything ready.
00:59:05Be careful.
00:59:06Let's see.
00:59:12The bitch who gave Cipriano the papers has been left behind.
00:59:16And now you, as in the end, are nothing.
00:59:21It's no big deal.
00:59:25Burn.
00:59:29Who lives here?
00:59:32So what?
00:59:33If we are going to use it as a storage area.
00:59:39Will it work?
00:59:42It also has a stable.
00:59:44We can hang the girls' underwear here, that way we won't attract attention.
00:59:51Ugh, now the furniture isn't even good for firewood.
00:59:55We kept it.
00:59:58So we'll keep it.
01:00:01Come on, do your thing.
01:00:05Flora, we'll take this wardrobe.
01:00:09But let's see, Anaís, that piece of furniture will clash terribly with our decor.
01:00:14That's neither French nor anything like it.
01:00:18With a few adjustments it will be perfect.
01:00:35As soon as you see him coming down, you walk away.
01:00:37I want to be alone with him.
01:00:39Understood?
01:00:56What do you mean, sold?
01:00:58What does it mean?
01:00:59It says the same thing there, that the house has been sold.
01:01:04And what about those who lived in it?
01:01:05They're gone, I don't know anything.
01:01:08Where to?
01:01:10To another city, I think.
01:01:13To begin a new life.
01:01:20What is matter?
01:01:25No?
01:01:46Well, this is going to be our home until we find a new house.
01:01:51What do you think?
01:01:52What do you want me to think?
01:01:55I think I slept for three months on a shelf, or in a closet, or in the Alhambra.
01:02:02We've already taken the hardest step.
01:02:04Now all we can do is adapt.
01:02:06Give it to me, give it to me, give it to me.
01:02:09Give me your eagle suit on the sword.
01:02:14Yes, this will be his bed and this one for the little boy.
01:02:17And Cipriano and I were on the ground.
01:02:19You don't have to, Saturn. We'll take turns.
01:02:22No, no, no. Gentlemen to bed. Believers at attention.
01:02:26Oh, by the way, I've spoken to the innkeeper and for three maravedís he'll let Sarifreir in here.
01:02:32No, we'll go down to the inn.
01:02:34But you've seen the prices. No, no, no.
01:02:37The hen will give us eggs.
01:02:40And a goat could fit in that corner.
01:02:42Saturn, you're not going to put a goat here.
01:02:44And the milk? Who's going to give us the milk?
01:02:47Clear?
01:02:49Also, I saw one there, kind of lost by the Arenal gate.
01:02:53That's what I'm going to do tonight, you'll see.
01:03:15Rat, watch out.
01:03:29Fuck.
01:03:30This car carries a whole house.
01:03:34Well, that makes our month.
01:03:43Okay, okay, okay. I'll keep this one.
01:03:45The entire lot is for sale.
01:03:52Saturno Garcia.
01:03:54Well, look, this guy's lost his shirt.
01:03:58Okay, so how are we going to divide things up, Trini?
01:04:00What did you call me?
01:04:04Trini.
01:04:05For you, Trinidad Pérez de la Calzada.
01:04:07You haven't yet earned the right to call me Trini.
01:04:09We are?
01:04:13Go on, take the cart to Trina.
01:04:37It's hard to leave the past behind, Sato.
01:04:44But we will achieve it.
01:04:47Even the worst of the worst deserve a second chance.
01:04:51I don't say anything to nice people like you.
01:04:55Thank you.
01:04:58And when do you start working, Red Eagle?
01:05:02You'll see the chronicles.
01:05:03Because here, what they don't know, they make up.
01:05:05No?
01:05:06And they improve it.
01:05:10Sato.
01:05:11And the car?
01:05:13Why is the car parked there in front of the inn?
01:05:14No, it's not there.
01:05:16What do you mean it's not there?
01:05:19The mother who gave birth to me.
01:05:20Did they steal our car?
01:05:24They've taken the car with all our things.
01:05:26Come on.
01:05:37He has left the village.
01:05:38Because of you.
01:05:43Who?
01:05:44He, Gonzalo.
01:05:46He sold his house and left.
01:05:48It has disappeared.
01:05:50It has disappeared.
01:05:51Better.
01:05:52He went to her house and there was nothing there.
01:05:54Nothing!
01:05:57Escaped from you.
01:05:58And your jealousy.
01:06:01You almost made his son kill him.
01:06:03You threw it in.
01:06:15Don't talk to me about him anymore.
01:06:18Never.
01:06:23You are a despicable being.
01:06:34Now you'll know how much it hurts to lose someone.
01:06:47Here's a car brand, Sato.
01:06:50There.
01:06:52And there, and there, and beyond, and beneath that dung.
01:06:57There are car brands everywhere.
01:06:59It must be because everyone here gets around by car.
01:07:01No, Sato.
01:07:03This brand is recent and comes from the inn.
01:07:06It might be ours.
01:07:09Now we're really going to start from scratch.
01:07:12I can already picture myself at the gates of the Macarena, begging with a little plate.
01:07:15No.
01:07:16The innkeeper told us to look in the woods.
01:07:19There are bandits robbing in the area.
01:07:21But come on, what's up with Andalusia?
01:07:23There are more bandits than clouds here.
01:07:26Who knows where ours are.
01:07:33We had everything we needed.
01:07:37They're just things, Sato.
01:07:38No.
01:07:39No, it was our clothes, our food, the good crockery.
01:07:43What little we had, we had right there.
01:07:46Now, more than emigrants, we are vagrants.
01:07:53Don't worry.
01:07:55We'll replace everything as soon as I get a salary.
01:07:58And when will that be?
01:08:00No, tell me, when will it be?
01:08:07What a pain.
01:08:11I'm poor again, but this time with my family.
01:08:25Sato, don't get discouraged.
01:08:27You have traveled halfway around the world and survived.
01:08:30That's exactly why.
01:08:32Because I have lived in filth.
01:08:34And I know that when you have nothing, nobody helps you.
01:08:37The lower you are, the more they step on you.
01:08:44I'm going to get our things back.
01:08:46And how?
01:08:49Do you know where those miserable brains are now?
01:08:53No, he's probably already sold everything.
01:08:57It's about taking what they sent your father and galloping off.
01:09:06I can't believe we're gone.
01:09:09You'll see that you'll soon forget about it.
01:09:11As soon as you get a girlfriend.
01:09:17Where is that small piece of furniture?
01:09:20The furniture?
01:09:22I was right here.
01:09:24You will have put it in the car.
01:09:26No, that one stayed here.
01:09:28Right here, right here.
01:09:29I put my wallet with all the papers in here.
01:09:34So what do we do?
01:09:36Well, look for it.
01:09:37No, I'm not going to do the documents again.
01:09:46Commissioner.
01:09:50Where is your father?
01:10:14Where is your father?
01:10:24Give him a message.
01:10:26If I see him again in the village,
01:10:28Nothing will free him from death.
01:10:35Did you understand?
01:10:51Look, it seems to me that you're not understanding me.
01:10:54What I'm offering you is the possibility of changing cars.
01:10:58The one you have is worthy of a song.
01:11:01I ran into your horse the other day and it was embarrassed
01:11:04having to pull such an old cart.
01:11:06The one I'm offering you is new.
01:11:09But I hadn't planned on changing cars.
01:11:12But it's not just a car.
01:11:13What I'm selling you is...
01:11:14Well, selling.
01:11:16I'm practically giving you a whole shipment of furniture,
01:11:21of dishes, of clothes.
01:11:22Yes, listen.
01:11:23So that when you show up at your house with that load of Castilian furniture,
01:11:27Your wife will be over the moon for a week.
01:11:30not to mention how it's going to leave you flat.
01:11:36So I'm offering it to you because you're my best customer.
01:11:38But they're practically snatching it out of my hands.
01:11:40So hurry up and make your decision.
01:11:42Because my bass teeth are getting like guap pasa.
01:11:46Okay, fine, deal.
01:11:48Very good.
01:11:48See you in Triana, at the Venta del Carraca.
01:11:51And it brings parme, eh?
01:11:53Okay.
01:12:00Flat tire!
01:12:05I've already sold the car.
01:12:06So take it where you always do.
01:12:08I'm going to take advantage of being here to finish giving myself a few steams.
01:12:12Okay?
01:12:12Very good.
01:12:13Come on.
01:12:18We have asked all the shipowners in the port.
01:12:21We've always made agreements in the street.
01:12:24This is like climbing to the top of the Giralda to see it from above.
01:12:27Don't bring me to these cute bathrooms anymore.
01:12:29Satur, in places like this, all kinds of deals are closed.
01:12:33Maybe the person who stole our car will try to sell it to us here.
01:12:35It's hot, and so humid.
01:12:37Between what he does, what's in here is going to give a dog a hard time.
01:12:40Excuse me.
01:12:42Excuse me.
01:12:43We have just arrived in Seville and we need to buy a car and household items.
01:12:48We don't have much money, so...
01:12:50We wouldn't mind getting it, say, in a less-than-legal market.
01:12:54Do you know who I could talk to?
01:12:56Sorry, I'm from Soria.
01:12:59From Soria?
01:13:01Yeah.
01:13:04This is so bad it's ridiculous.
01:13:06We've come across the only person from Soria in all of Andalusia.
01:13:10I'm going to keep looking for Satur.
01:13:13I'm so burned out that I can't even get the words out.
01:13:16Come on, we're the only ones who are dressed.
01:13:20Why don't we take a bath like this?
01:13:25You should see the spite the commissioner has developed towards your father.
01:13:28I don't know how I managed to do the guard duty.
01:13:30It's best not to tell him anything about that, the poor guy has enough worries already.
01:13:36He should have waited outside.
01:13:37Let's see, Cipri, I'm not a child anymore.
01:13:39Well, it's not a matter of age.
01:13:42Honest men do not set foot in these places.
01:13:52I'm sorry, but it's closed now.
01:13:54Do you want to come back later?
01:13:56No.
01:13:57No, we didn't come here to...
01:14:02Vera, the unemployment office told us that you bought the teacher's house.
01:14:06And the thing is, we left some very important papers in a cupboard...
01:14:12A wardrobe?
01:14:13So, little one.
01:14:15That's it.
01:14:18Do you mind if we look?
01:14:20No, no, of course not.
01:14:20It's just a moment.
01:14:21Yes, yes.
01:14:28Nothing.
01:14:29There is nothing.
01:14:30Flora.
01:14:32These gentlemen say that there were some papers here.
01:14:35You wouldn't believe the work that wardrobe is giving us.
01:14:38Please, ma'am, if you know anything...
01:14:40Well, if it was important, they can say goodbye now.
01:14:43I threw everything in the trash, in the alley.
01:14:48Thank you.
01:14:57Let's see if a soak will cure this suffocation.
01:15:01This means I don't have myself.
01:15:08Damn, it's hot.
01:15:10Don't mess with me, hot water too.
01:15:13With the life we had so well set up in the villa.
01:15:18Yes, we had our ups and downs.
01:15:20But at least we had some stability, damn it.
01:15:23Don't tell me any more.
01:15:24You are here because of a woman's whim.
01:15:27No.
01:15:28No, please excuse me.
01:15:29Not a woman, not my master's.
01:15:32That I've handled myself well in the village.
01:15:35But they shouldn't be bought here.
01:15:37That's the basic requirement for a servant.
01:15:40Well, look, kid, listen, it's very easy.
01:15:42Meat at the Hispalis market.
01:15:45Fish at the Torneo fish market.
01:15:47And the wine at the Mojama inn.
01:15:49Everything else is stale, rotten, or watered down.
01:15:55Instead of with the Mojama, the sale of the Tournament, the Hispalis fish market.
01:16:01Thank you so much.
01:16:02You have to see how we Spaniards are, always helping each other.
01:16:07Very good.
01:16:08I leave you.
01:16:08I have to finish the business deals, okay?
01:16:16Did you hide anything, love?
01:16:19Nothing, it's everything.
01:16:20Nobody knows anything.
01:16:24I heard he needs a car.
01:16:27That's how it is?
01:16:28Well, I have one, which arrived this morning.
01:16:31It comes with a shipment of furniture and clothing.
01:16:35The mother who gave birth to me in that car of ours.
01:16:38Wheel!
01:16:43The other car!
01:16:45The other car, son!
01:16:46Bring it here, Sato.
01:16:49Where is the car?
01:16:52The other car!
01:16:54Where?
01:16:56Where is the car?
01:17:00Mite! Mite!
01:17:02Look at my photo!
01:17:04Adriana!
01:17:05Adriana!
01:17:32No!
01:17:35No!
01:17:44I have it.
01:17:49Now for Seville.
01:18:07This is the real Sierra Morena; everything else is just a rocky outcrop.
01:18:13Hey, they're taking too long. If they don't come, what then?
01:18:16If they don't come, no problem, we'll go to Marchena, there are more buyers than water jugs.
01:18:21Chena? Chena, do you know what Marchena is doing now?
01:18:24He's not going, he's busy looking at things, you know?
01:18:36Oh well.
01:18:53They sing from Siní, no!
01:18:59Because they come from the first first first first first first first first first first first Accup deixachaけて Steelers!
01:19:14Already!
01:19:15You're all set, please!
01:19:16It was a time!
01:19:16Bení, come there, Esquilio!
01:19:17Ah!
01:19:18Livi!
01:19:18Bye bye!
01:19:53Bye bye!
01:20:24Bye bye!
01:20:50Bye bye!
01:21:23Bye bye!
01:21:25Who are you?
01:21:27The red eagle.
01:21:28Who?
01:21:46What do you mean they're already here, they've arrived?
01:21:48Satur, let me be the one to give you the news about my new job.
01:21:58At last!
01:21:59I have the papers.
01:22:01What's all this doing here?
01:22:02No, no, no.
01:22:03Don't ask, Cipriano.
01:22:05Take.
01:22:07Where have you gone?
01:22:08Did she come crawling here or what?
01:22:10I hope it's good news.
01:22:14I'm going to help Alonso with the horses.
01:22:16And give the knot three turns!
01:22:17And if he approaches anyone, hit him with the water jug; he's next to the mare.
01:22:21Can you hear me?
01:22:22That?
01:22:23Go on, go with Alonso.
01:22:29No, no, no, no, no.
01:22:30What are you doing?
01:22:30No no.
01:22:31You can't look at the numbers on an empty stomach.
01:22:33First the food.
01:22:34Hey?
01:22:35Satur, if they are debts, the sooner we know them the better.
01:22:43If you see any account that... that gets out of hand, it means...
01:22:47The same goes for the non-wedding party... things have gotten out of hand.
01:22:51You don't have to justify yourself.
01:23:01They are not debts for everything.
01:23:07Concel?
01:23:17What is this?
01:23:31Auntie, look at the same thing as...
01:23:34That?
01:23:38Do you owe us for everything?
01:23:41Phones te...
01:23:42That?
01:23:43Yes belly.ib
01:23:49What did I do?
01:23:58What's happening?
01:24:08It can't be, master.
01:24:11Now you finally know who he is.
01:24:15Are you the king's son?
01:24:30The only one of your descendants who has survived is Irene, whom I took under my guardianship.
01:24:38He was wrong.
01:24:40They are alive.
01:24:41What is this?
01:24:42The annulment of your marriage to Irene.
01:24:45And who told you I want to break up my marriage?
01:24:47No, I'm happily married to her niece.
01:24:49Irene is your sister.
01:24:53I'm looking for someone in the village.
01:24:54Whom?
01:24:55To the Red Eagle.
01:24:56Sometimes it's in the forests and sometimes it's on the rooftops.
01:24:59He appears and disappears; it's impossible to find him.
01:25:02No, here it is.
01:25:03I've come to inform you of something.
01:25:05Your son who is alive.
01:25:07Does anyone else know?
01:25:08No, no, no, just me.
01:25:10Well, and his son, of course.
01:25:12Why do you need my help?
01:25:14It's because of my brother.
01:25:16He disappeared a long time ago.
01:25:21Who am I?
01:25:23Emilio Montalvo.
01:25:24My uncle Emilio.
01:25:26This is my daughter Remedio.
01:25:27And as you can see, she is pregnant.
01:25:29What did you say?
01:25:30We've made her a grandmother.
01:25:31That his son, the marquis, is the father.
01:25:33I'm not interested in anything about you.
01:25:36This is Irene, our sister.
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