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00:00We're very interested in your business, Asier, but we don't want anyone to find out.
00:04You keep these keys to the holiday apartments I manage and give them to the tourists.
00:08Are you guys snorting sawdust off the floor, or what?
00:10Yes, Sabino, because of these apartments the neighborhood is changing.
00:15I'm going to call the archaña.
00:17You should call the mayor and have him ban tourist apartments.
00:19How annoying are the old people who reject the collaboratories, especially those who are Chinese-made.
00:22I don't know how he hasn't thrown me out on the street.
00:25Well, maybe they can't fire you because your contract is watertight.
00:29It turns out that Carmen is making a list of the people she is going to fire.
00:34I've seen Carmen's list and there are four of us on it.
00:37Oh my God.
00:37Give me one of the strongest liquors, the whole bottle of it.
00:43I know of an organic olive oil mill where I can film a report for the website.
00:47I'll do it for free, and if it goes well, give me a chance.
00:51Okay.
00:51Take!
00:52Shit.
00:53This man looks a lot like Benito.
00:55It is.
00:56Benito, look, Jumea, he is alive and he is a nobleman.
00:58I'm not leaving here until I've completed my workday.
01:00And so one day after another after another until you give me what is mine.
01:05For the day to count as worked, you have to sweep and collect 100 olive trees.
01:15We want them to pay for the books.
01:16He's earned it.
01:17With the elections two weeks away, it's not a good idea to give me that image, Dad.
01:20We have to pay him.
01:21I am going to introduce myself to Cardinal Fidel Castro.
01:23We know perfectly well the list you're making for Mr. Juan Tú.
01:28The travel list.
01:29Yes, from the trip to my father's office.
01:32The trip to go to China with all expenses paid to take an acupuncture course.
01:38CANIMENSUO!
01:39Now I really need a translator.
01:41What did I tell you?
01:42Basically, you're fired for being drunk and for attacking the principal.
01:45What a little girl!
01:46Basically, you're fired for being drunk and for acupuncture.
02:18Hey, you know, I'm kind of excited about it.
02:20The thing is, I had never collected signatures before.
02:22Well, my first time was when I campaigned for the Quechua women to go to Eurovision.
02:27I've tried to talk to Mr. Juan, but as soon as I bring up the subject, he shuts down completely.
02:31of the great wall.
02:32I have no problem participating, but I don't know why I have to give you 20 euros.
02:36Kid for the lawyer.
02:38Which lawyer?
02:39The one I have to...
02:40Look, honestly, I don't even have the energy to make that joke.
02:43I forgive you because you are Iris and because you are cooperating.
02:46Man!
02:48The Northern Recipe Finders!
02:50Water, I've been passing through Hernani and I can't breathe because of the lack of humidity.
02:54What is it?
02:54The lack of humidity is because you don't stop to talk to Antonio Banderas, you puppet.
02:58What's up? How are you?
02:59We are collecting signatures.
03:00Hey, don't run away, we have to sign because we have to confront Don Juan.
03:05It's a piece of shit.
03:07Cieso either signs or doesn't sign, those are the two options we have, right?
03:14You always have such a penetrating gaze, don't you? Like a suspect.
03:17Okay, okay, okay.
03:18Why don't we go and prepare for tomorrow's presentation of the staff and the new clinical equipment?
03:23What? What?
03:24Come on, come on, come on.
03:26Come on, what are you doing here?
03:28You've been fired, haven't you?
03:28No? We've come to find you.
03:30We put your things in the van that Pachi lent us.
03:33The crew was almost complete again.
03:36We're going home.
03:37Well, that's my intention, but in a few days, you know?
03:39We are collecting signatures to see if this Juan guy will readmit us.
03:44Readmission?
03:45Never!
03:46The press is coming tomorrow; the scandals are over.
03:49Out!
03:50You've heard it before.
03:51There is no readmission.
03:53Say goodbye to these guys and tonight, with a bit of luck, a game of muso in the calla.
03:57I have nothing to lose here.
03:58Wash it.
03:59Come on.
04:00Listen, Mr. Juan, just so you know, this bar is ours.
04:05And we decide who comes in and who goes out.
04:07True, true.
04:09But I can put another bar in my clinic.
04:13Ose, go ask for signatures on the fucking street, huh?
04:16Out, out!
04:17Come on, little leader, huh?
04:19Water!
04:20Come on, let's go.
04:21Come on.
04:22We need to talk to Carmen.
04:24Because she is the one who needs us the most and the one who can help us the most when we finally decide to poison her.
04:29Mr. Juan.
04:32It's plan B.
04:35Plan C?
04:37Okay, okay.
04:39Plan Z.
04:51What's happening?
04:54What's happening?
05:01Sorry.
05:03He didn't know I had arrived.
05:04I'm very sorry, but we don't need a translator.
05:08I am your new assistant and responsible for nursing control.
05:12Think of me as the Chinese version of Dolores.
05:14No, no, no, not for me...
05:15No, no, not because they bought me at the Chinese store and that makes me worse, but because of my eyes.
05:20Oh dear, oh dear, oh dear!
05:22I'm sorry, I'm sorry.
05:23No, but...
05:23It was for you, it was meant to be drunk, not used to decorate your pants.
05:27Did I stain it?
05:27Yes, yes, I got a little stained, but it's okay.
05:29Calm down, woman.
05:30First of all, speak to me informally.
05:33And relax, it's your first day of work, you're a little nervous.
05:36Normal.
05:38You pick up your things and come to my office.
05:41We'll start working.
05:42I arrived four hours ago.
05:46But where are my papers?
05:50Organized and classified.
05:52Since I didn't know if you preferred alphabetical or numerical order, I arranged them by color gradient.
05:58But it's wonderful.
06:07Hey, Juli!
06:11Oh, what are you doing here, translator?
06:14I'm Jean, the new nursing coordinator.
06:18Nice to meet you.
06:19Likewise.
06:22Zumbadona.
06:23Pain!
06:26I'm going back to my post.
06:27Nice to meet you.
06:32This little smile is what replaces me.
06:35How well does it do?
06:37Jean?
06:38So what does it matter how Dolores does it?
06:40He'll never do it like you.
06:41I knew it.
06:42If they bring her in without experience, she's almost certainly not going to catch on or even give me any gossip.
06:46Tell me, does he do it that badly?
06:49Well, the word "bad" isn't exactly right.
06:52Fatal, horrible, regrettable, shamefully denied.
06:57I knew I was practically irreplaceable, but I'd love to hear the same thing from my best friend.
07:02I love it.
07:03Dolores, how I miss you! This isn't the same without you.
07:06Well, let's meet this afternoon.
07:07This afternoon, I can't this afternoon.
07:09I have things to do with the children and help Jean.
07:12Well, a quick coffee right now.
07:15Oh, look, Jean just threw away a coffee and brought me another Jean coffee.
07:20Daughter, you sound like a Christmas carol, Jean, Jean, Jean.
07:24Come on, I'm sure we'll find a slot another time.
07:36Okay, very good. Unanimously. Revolution Park will be closed for one month.
07:43Mayor, you're corrupt! We want you to give us an app about your...
07:47What the hell!
07:52Vote Benjumea! The enriching change.
07:55Let's make Castro Fidel great again!
07:58Vote Benjumea! The enriching change.
08:01Let's make Castro Fidel great again!
08:05Madam, madam, take a cap. Madam, take it, take it, it's free.
08:08May all old people enjoy what is free.
08:09Vote Benjumea!
08:13Are you crazy?
08:15We here aren't interested in what's in your head.
08:18Neither your ideas, nor your hair gel.
08:21We live in a democracy. My brother needs to turn off the elections.
08:26Thank you, Pamoplina.
08:27Man, the corrupt one shows his face!
08:29We want explanations, Epifanio, because in the EU they don't tell you how much he earns.
08:34My...
08:35My salary...
08:37Well, I uploaded it last year, but anyway...
08:41No, no, you can't do this.
08:43Ladies and gentlemen, you are seeing it.
08:45They are attacking democracy.
08:47Vote Arche del Centro!
08:49I'm back, Jimena!
08:50I'm back!
08:52You can't campaign for putting up posters tomorrow.
08:56That's what the electoral law says.
08:59Colleagues, I am a worker just like you.
09:02You saw me break my back in the armory.
09:05Out!
09:05Get out of here!
09:17Get out now!
09:18Get out of here!
09:18Get out of here!
09:21Get out of here!
09:22Get out of here!
09:22Get out of here!
09:23It feels so strange to meet with you without the babies.
09:26Ah, that's right!
09:28Today I gave them money so they could go drinking with their friends.
09:32That freshness is what has made your piece about the organic olive mill go so well.
09:37good on the web.
09:37What's up, am I the Rubius of olive oil?
09:40It hasn't gone so well either.
09:41I see.
09:42Okay, Luis, so what's next? Should I record another report or...?
09:45No, no, no.
09:46We really like how you communicate, Iñaki.
09:48That's why we want you to record recipes at home.
09:52To make it more authentic.
09:54Yeah.
09:54Also more spontaneous.
09:55And cheaper.
09:57Also.
09:58You're a genius, Iñaki.
09:59Already.
09:59If it works, if the internet loves you, I have something big in mind for you.
10:05Don't worry, Luis, I'm going to do it perfectly well.
10:08I have two children, remember?
10:09I'm not bad at getting views.
10:13I'd better not make that joke in the recording, right?
10:15Better not.
10:16Already.
10:20This is mine and I'm taking it.
10:22I had a very nice guard here that he gave to myself.
10:27Oh!
10:28This is not mine.
10:30But I'll take it.
10:33What is this guardaporbo?
10:36How was your day, little one?
10:38You miss Dolores and the others a lot, don't you?
10:40Well yes.
10:41I'm not going to miss him.
10:42I miss him so much.
10:43But I feel terrible telling you this, Iñaki.
10:46But Jim is a machine.
10:48It works wonderfully.
10:49Phenomenal.
10:50Phenomenal.
10:50A machine.
10:52Carmen?
10:52Yeah.
10:53Just a moment.
10:54I'll leave you now, people are coming.
10:57Bye.
10:58Do you have a second to review the medical schedule before printing it?
11:01Yes, let's go.
11:03Come on.
11:04Did I do that?
11:05Because Dolores was not capable.
11:08No.
11:09There are so many things I have to tell you about Dolores.
11:20This new girl doesn't know what I'm capable of.
11:24Water me.
11:27This isn't mine either.
11:28No.
11:29I'll take it.
11:34My God.
11:35Now I know why the neuronavigator costs so much.
11:37Because you also have to turn off the bubble wrap that surrounds it.
11:42Slowly.
11:43Slowly.
11:43To be very delicate.
11:47Sorry.
11:50Miss.
11:51Miss.
11:52Back again.
11:53God puts security guards throughout the hospital.
11:56It never works.
11:57It's like a cigarette butt.
11:58Moth, moth.
11:59A cigarette butt is something else.
12:03What are you doing here?
12:05Come on, go away because of the recession.
12:06It's not smoking.
12:07The new one is doing a bad job of making sure Carmen doesn't miss us.
12:10It's not the same that I'm wandering around here all day.
12:12It will not help with readmission.
12:14Strip!
12:14That's true, but I warn you that I can't run because I have a pulled muscle in my back gluteus.
12:18And the one I'm with is a kid.
12:20What are you telling me, Dolores?
12:21Come on, shoot.
12:22I'm playing dumb.
12:23I tell him that I haven't seen where you've gone because I've received a phone call.
12:26Strip!
12:29Come on!
12:30Come on!
12:37Come on!
12:38Come on!
12:40Hello!
12:43Okay, okay, okay, okay, okay.
12:49He's already had trouble falling asleep.
12:51He looks like his father.
12:53Well...
12:53I inherited my mother's temperament...
12:55Take it away, take it away.
12:58Hey, Iñaki, what am I thinking?
13:00It's a bit of a drag living like this, isn't it?
13:03Seem to you?
13:04Yes, but you yourself said we'd take it one step at a time, right?
13:08Take it easy.
13:08Yes, yes.
13:09We said it would be much better, of course.
13:13Yeah.
13:15It just so happens that now that Coldo has gone to San Sebastián and all that,
13:19The house has become a little sad.
13:21I say this for John's sake, because he notices it.
13:23Very sad, yes, the beech tree notices it too, doesn't it?
13:26And then all the time, come on, gadget up, come on, gadget down, come on.
13:31Hey, and speaking of gadgets, what are you...?
13:34What if I bring the utensils?
13:36I'm saying this for the children's sake.
13:38Yes, yes, yes, John is going to be so happy.
13:40Yes, well I'm not going to tell you how the beech tree is going to get.
13:49And speaking of children, José is still in the next room and look how he's been feeling
13:54No job and all that...
13:55I haven't told you anything.
13:57That?
13:57José is going to live with Irene.
13:59They were signing the lease today.
14:01So long live the newlyweds, right?
14:02Long live the newlyweds!
14:03Long live the newlyweds!
14:12Hey, and ask around, buddy.
14:13The landlord found out that we were evicted from the clinic and doesn't want to rent us an apartment.
14:17But, let's see, the landlord found out, but how did he find out?
14:23Already.
14:24Well, I'm very honest.
14:26Yes, yes.
14:27Carmen, do you mind if she stays here for a little while while we find something?
14:31Well.
14:32Do you see it?
14:32They said okay.
14:33I won't need the pain, as you thought.
14:35Okay, that's enough with the bouts of honesty, okay?
14:38They're going to kick us out of my mother's house.
14:40Again?
14:41We haven't told you anything, but Iñaki and I are thinking about living together again.
14:46Yeah.
14:46Olé!
14:47Well, what great news, right?
14:49Congratulations.
14:50Olé, really!
14:51It's great to see the four of you together, just hanging out, isn't it?
14:54We can make a reality show.
14:55Yeah, that's not it either.
14:57But hey, look, I have an idea.
14:58Since Coldo's house is empty, I could talk to him about, I don't know.
15:02So we can stay there for free?
15:04No, look, what a great idea, mate.
15:05Well, thank you very much.
15:06The thing is, I'm not paying here anymore either.
15:09Come on now, José, for God's sake.
15:11If I had to pay you back with what you help me with.
15:14Oh, that's great, it's done.
15:16Okay, so when can we go in?
15:19Where?
15:21Then I'm the one who's clueless, you know?
15:23That?
15:23Shut the key, darling.
15:25Ah, yes, yes, of course.
15:27Well, let's inaugurate the apartment properly.
15:29Come on, I'll give you a ride.
15:30Come on, climb up here like you're a koala from Granada.
15:32Come on, let's fix it.
15:33Come on, come on.
15:33Oh, well then!
15:35Oops!
15:35Oh my God, darling!
15:38Don't worry, we'll take the toll road.
15:40Look at them, look at them.
15:41Okay, well then, I'll bring my things tomorrow, right?
15:43Yeah.
15:44Hey, honey, you've never held me like a Granada koala.
15:48As?
15:49You've never caught me?
15:50As?
15:52But no, Cris.
15:53As?
15:54No, Cris.
16:17Best friend.
16:18So what are you going to do?
16:19Not working at the clinic won't stop me from spending eight hours with my Carmen.
16:23As before, let's go.
16:25Oh, I have to go.
16:27A kiss, Dolores.
16:29Hey, Ibai!
16:30They're going to give him a five-day contract.
16:32So, in addition to consultation, you will be able to operate.
16:34Ah, that's great.
16:37That way I won't need another job.
16:39We recently renovated the facilities.
16:42As a scanner, neuronavigator, robotic arm, everything at the level of a neurosurgeon of your caliber.
16:51Can I think about it for a bit?
16:53Hey!
16:54Oh, come on!
16:54What are you doing here?
16:55Wow!
16:56Look, Ibai, my crew.
16:58Well, we've come to have a drink with the prodigal son, who has returned to stay.
17:03Because looking at brains doesn't just make zombies hungry.
17:06Okay, when you've decided whether you want a contract extension, let me know.
17:09Yes, escaricasco, Ibai, escaricasco.
17:12Big news!
17:13Hey?
17:13I know we're going to pay for a steak to celebrate!
17:16Yes, well yes, yes.
17:17Well, no, no, because, of course, I'm also keeping an eye on Sevilla, right?
17:23Seville?
17:24Yes, man, then Dolores and the rest of the team who are there fighting their all to see if we can
17:28They readmitted me to the clinic, right?
17:29But who wants to go to Seville with 40 degrees Celsius and 400 days of sunshine a year?
17:34Yes, unbearable.
17:36I don't sweat just thinking about it, but it's true that you get used to being on a terrace pretty quickly, huh?
17:42No, no, happiness is something you carry within, like we do here.
17:46No, man, yes, man, yes, of course, of course.
17:48No, no, I'm doing this for them, okay?
17:51You know? So as not to leave them stranded, right?
17:53Look, a Basque never abandons anyone, that's just how it is, right?
17:58Okay, I'm going to the bathroom and maybe we'll go for tapas later.
18:06Tapas.
18:07Terrace!
18:08This one is strange, it seems to me that he has homesickness from Seville.
18:10Let's see if it's going to turn into a mess.
18:12Well, I don't plan on losing another member of the crew.
18:14We're going to re-establish him, so he'll stop thinking about going back down there.
18:19Lolai, lolai!
18:26Oh, I don't know, why doesn't Piedad like to recycle videos?
18:30It relaxes me.
18:32But do you know what relaxes me?
18:34Blow on my cracks!
18:35Please, can we recycle the planet, help the planet without having to swear so much?
18:40Chocholoco?
18:41Look how elegant she's become!
18:43Come on!
18:46Hey, if that's how it goes, someone else will mess me up in the genre.
18:50That's the ethical thing about it, she's going to stay awake until you drop to 50 kilos and I
18:54in 20.
18:57Did it work?
18:59Yes, yes, yes.
19:02My heart is going to jump out of my mouth.
19:04Like when I had a husband and I'd see you on the street.
19:06How beautiful, what style!
19:08Tommy! Tommy, Tommy, Tommy!
19:10Tommy, please! Help me!
19:12Oh, Dolores! What's wrong? What's wrong?
19:14I'm getting a bad feeling.
19:15A fit of rage?
19:17Arrechucho, I don't know, what is that? Isn't it contagious?
19:19No, no, no, no, no, no, no, no, no? It attacks the heart!
19:21Does it attack the heart?
19:22Yeah.
19:22Isn't it?
19:23You have tachycardia.
19:24Yes, yes, yes, yes, yes, look, look, look, look.
19:26Here, this is better.
19:28Yes, yes.
19:28Okay, breathe normally.
19:30Yes, yes.
19:31Let's go inside, I'll run some tests for you.
19:32Yes, yes, yes, a little bit of everything, a little bit of everything.
19:34I need a long-term inpatient facility.
19:37Yes, yes, yes, there are many days, there are many days.
19:41Man!
19:41Oh, good morning!
19:44What are you doing here?
19:45Well, there's a queue to see the room you rent, isn't there?
19:47But there are no rooms for rent here?
19:49No, look. There are more people here than at a concert; she's really come alive.
19:52Look, I haven't told Cari yet.
19:53Since we have less money than a penguin, I said
19:55I put an ad on the internet and we rent out the room we have available.
19:58Oh, okay! Oh my God!
19:59And even these people? Oh, there are many more!
20:02The thing is, they took their turn and took advantage of it.
20:03Let's go down for breakfast. Let's go!
20:05Okay, so we're going to go through them one by one.
20:08And the little bit of money...
20:10You're going in the beech tree, Dad!
20:11Oh, it's deep!
20:14Hey, José!
20:15What's happening?
20:17First day in your own place and you had a little party, right?
20:20No, it was because of these people what I did.
20:21These people, I...
20:22I don't know these people at all.
20:25Oh, people!
20:26Have mercy! Yes!
20:28Have mercy, eh!
20:32The rabbit from the...
20:34Loles!
20:34Dear friends, dear families...
20:38No!
20:39No!
20:40No!
20:40I'm not Carlos Arguiñano!
20:41I am Iñaki Irazabalbeitia Galarza!
20:43And this is Put a Basque in your life and put him in the kitchen.
20:46Today's recipe.
20:48Hake Basque style, but with an Andalusian touch.
20:51Let's start by coating the hake slices in flour.
20:55Well, since John is asleep, I'm going for a walk with the Aya.
20:58Very good.
20:59Iñaki was going to do a live video for a newspaper.
21:04I think I've left my phone behind.
21:05Oh, really?
21:06Well, I've heard it vibrate.
21:08That's what, dude, huh.
21:09Tell me, Dolores.
21:11What, what, what, speak more slowly? I can't understand you.
21:15As?
21:16They are being admitted to the hospital.
21:22Amma, no.
21:23Amma.
21:24Amma, please, I'm live.
21:26I'm live.
21:27I'm live, live.
21:28Ah, like that.
21:29Jógala.
21:30Oh, that's one, sorry.
21:34Well, it's such a simple recipe that even a child could make it.
21:38Look, I'd like to introduce you to my new assistant.
21:40The Aya.
21:41Hello hello.
21:49Sabino, the foreigners.
21:51But I told them that the rental of the curb was without breakfast.
21:57No, no, no.
21:58No, no, no, no, no, Bresfas.
21:58No, Bresfas.
22:01No, Bresfas.
22:02They're going to see them.
22:07What is it? What are you doing?
22:08Oh, well, looking at coffee stains they come out fine, but cider stains...
22:13Very good.
22:14We've prepared such a Basque day for Coldo that if the people from the river did it, they'd end up calling themselves the ones from...
22:19the estuary.
22:20And will he consider returning to Seville to sign the contract?
22:27What? What's the plan?
22:30Fitness?
22:32Who was your brother-in-law's gastronomic society affiliated with?
22:34What kind of idiot is this? Should I start a gastronomic society for you just to post this stuff?
22:38Well, well, well, look who's come.
22:41Note that we do fitness here, not miracles.
22:45Come on, let's go eat some panchinetas, I'm sure we've missed that, haven't we, Coldo?
22:50Pilates?
22:51Panchineta.
23:02What's going on, Cabelsot?
23:04Only the locals know about this pastry shop.
23:06Hey! Watch out!
23:08Have you seen what color?
23:10Fluorescent.
23:13This cream comes in a jar.
23:14I told you.
23:15Gentrification is destroying everything that's ours.
23:18And where do we take him now?
23:20Relax.
23:21I have an idea.
23:22Guas.
23:24Guas.
23:30Artichokes.
23:30From a boat.
23:31Why by boat?
23:32Because it's not the season.
23:33But they're just as delicious.
23:34And they smell...
23:40No.
23:42This is not it.
23:50Damn, come on now, how timely.
23:54Love.
23:55Love, change the girl, will you?
23:59Come on, with your mom.
24:02Change it, okay?
24:03Okay.
24:04I'm back.
24:12Next up is going to be hammering...
24:15Crush some garlic cloves to make a sofrito.
24:19What's up with "breathe," please?
24:29You want to cook with the light up too, huh?
24:32Okay, to sauté those garlic cloves, alright?
24:35Important.
24:36Olive oil, but always extra virgin.
24:41Good heavens, good heavens, now.
24:44A single drop will be enough.
24:46There.
24:49And well, he follows us.
24:54Damn, the hake.
24:55Come on, John, come on, John, come on, John.
24:57Damn, damn, damn.
25:00Damn, damn, damn.
25:15And this is what happens if we leave the hake in the oven for too long.
25:19But don't worry, okay?
25:21It's going to be just as good.
25:23If we remove the black parts.
25:30Yes, John, John, please.
25:33Hey?
25:42But, Dolores, darling, what happened to you?
25:44What did you tell me, Tommy?
25:45What are you doing here under observation?
25:47Oh, I want the stress of Mr. Ward not wanting to readmit us.
25:52Clear.
25:52But at least you're here with me.
25:54All the time you stay until you go home, right?
25:56Eight hours, right?
25:57Well.
25:59Oh, Carmen, I'm very ill.
26:02Carmen?
26:03Yeah.
26:03When you can, I have to give you something.
26:06Yeah.
26:08Would you mind bringing it here?
26:10No, no, I prefer that you come.
26:13I'll give it to you.
26:13Okay.
26:14Well then, Dolores.
26:17I'll be right back.
26:18So much secrecy, so much secrecy because I'm bringing it to you here because I'm feeling really bad.
26:22It's personal.
26:24A gift.
26:26She doesn't need anyone to give her anything.
26:28Because I've already given him gifts for his birthday, his saint's day, and his driver's license anniversary.
26:33It's true, it's true.
26:35Dolores, please, darling, just a moment.
26:38Come on, stay put, I'll be right back.
26:40Oh, Carmely, please don't leave me.
26:41I am feeling really bad, I feel completely lost.
26:44Nothing will happen to you here.
26:45Oh.
26:45Seriously, leave me alone, Dolores, please, darling, little girl.
26:48Dolores, I'll be right back, please.
26:50Don't worry, everything is fine.
26:59Ah!
27:16For tonight's presentation.
27:18And I'm sorry I stained the others.
27:20But, please, but they are beautiful.
27:23You shouldn't have bothered, woman, huh.
27:25Thank you so much.
27:27Nothing.
27:33Carmen, it's wrong!
27:35Ah!
27:36Oh!
27:37Oh!
27:37Oh!
27:38The neuro-denier!
27:39But Dolores, what are you doing here?
27:42You weren't sick.
27:43Oh, you're bad, but jealous, Carmen, jealous.
27:44Very sorry.
27:45Oh my God!
27:46Oh my God!
27:47Do you know how much these pains cost?
27:49And do you know what it's like to be replaced by a new best friend?
27:52Damn!
27:53She is much younger, more hardworking, and hasn't just broken a huge, expensive contraption.
27:58You'll never want to work with me again.
28:02And I miss him terribly.
28:04No one will replace you.
28:07Get those silly ideas out of your head.
28:11Now we need to think about how to solve this.
28:14Because if Mr. Juan finds out, you and I are going to lose our minds.
28:18Don't worry.
28:20My cousin studied electronics, I'll call him right now.
28:22And he puts the cables on very well.
28:30Dad, I've realized something.
28:32I am not a communist leader.
28:33What's wrong with that?
28:33Come on, do a little work, man. You're here to serve.
28:36Come on.
28:37Here we are, Cristobalín.
28:38Watching your stepbrother's cooking video.
28:42Did you know it's gone viral?
28:43I've already received it 17 times via WhatsApp.
28:47Look, look.
28:48He's going to be more visible than the black guy with the endless voice.
28:51Why am I going there? Why am I jumping the bar?
28:53Go away, go fry yourself.
28:55Look, I'm going to put it on again.
28:56I realize something else.
28:57That town needs a mayor who is like them.
28:59But why don't you just forget about that mayor?
29:02And that way you and the townspeople save yourselves a headache.
29:06No, he's not renting anything.
29:08We didn't just stay there for one night.
29:10What is he talking about...
29:11She says that a neighbor told her that she saw us move.
29:15Should we go or should I take Cordo's apartment away?
29:17My God, my life.
29:19My God.
29:21I need to see Carmen urgently.
29:23We'll talk later.
29:24We'll talk later.
29:25No.
29:27We're leaving now.
29:28I'll find something.
29:29It won't be the first time I don't know where I'm going to sleep tonight.
29:31But please don't take away Cordo's apartment.
29:33Okay?
29:34The one with the most flavor is good.
29:41Kid, you're the flute-wielding dog the people need.
29:44What is he talking about?
29:44Don't you need a house?
29:46Yes, but so what?
29:47Well, I have one for you in a small town.
29:49Plus, it's free, free, free.
29:51Are you interested?
29:53Did he say free?
29:57Hey, we've got a flat!
30:02Well, I...
30:03I think I'd better leave it at that, don't you?
30:04That...
30:05I'm more dangerous with DIY projects than a gregary singing in the rain.
30:08Okay, okay.
30:09I want to cause panic.
30:10I'm sure we'll find a solution before the press arrives.
30:13I just called technical support and they said it won't be fixed for another four days.
30:17Well, the important thing is that Juan doesn't find out.
30:21That...
30:22That...
30:22I ate!
30:23Then come see them in my office.
30:25Runs.
30:33That...
30:34Just?
30:35I'm going to turn myself in.
30:36I just don't want this to affect you two.
30:38No, not at all.
30:39I'll take care of Mr. Juan.
30:40You from the device.
30:44Man!
30:45Man!
30:46What about doors?
30:47The one that cries is closed to prevent people from entering and tampering with the machines.
30:51I invite you to lunch.
30:53I'll be happy, Mr. Benjumea.
30:56Oh, Dolores!
30:57Sure, I think so.
30:58The seed will not fall again.
30:59Don't worry.
31:00None of the new ones are going to prevent us from having our jobs or our opportunities for advancement.
31:05Dolores, please stop making that face.
31:07Mr. Juan has already left.
31:09I've seen a device like that somewhere else.
31:14In the game of skittles, the ball is thrown and you have to remove all the ones that fly out of the circle.
31:19These sports are...
31:21Different.
31:22And you don't have any unique ones in the south.
31:24I don't know.
31:24I can assure you that it won't.
31:26I already know, you know?
31:27My father really liked this.
31:29Look!
31:30A lot, a lot, a lot.
31:32Nothing for me.
31:33I'm going home.
31:40I'd see!
31:42Forgive me, Dolores.
31:42She set it just for when I call her, huh?
31:45I didn't fail, huh?
31:47I didn't feel like cleaning it anymore.
31:49Dolores, quickly.
31:49New products.
31:51Stop, stop, stop.
31:52But how do you expect me to take a neuronavigator from here, from the hospital, and stick it down there?
31:57Sorry.
31:58Let's see, Cordoba.
31:59We would only need it for the presentation.
32:01You download it, we'll do the demonstration.
32:03Then you upload it and you'll have it in your office tomorrow.
32:05Please, please, please.
32:07That's the only way we have to keep them from finding out.
32:09Mr. Juan finds out about all this and Dolores never works with me again.
32:13Hey, you jerk, you can't do this to me.
32:14What does she say? I'll never work with Carmen again.
32:16I am not a person.
32:19Carmen...
32:20Come on, count me in.
32:22I'll call Sabino right now, ask for that big van, put the thing in, and show up there.
32:26in a ticking time.
32:27Don't worry.
32:32I already told you I had a big idea if your video recipe was a hit.
32:36Look, I think it's great.
32:38This way I leave my children at home and finally disconnect from so many kids.
32:41Disconnect?
32:43Don't mess with me.
32:45Programs with children?
32:47Clear.
32:48Are yours?
32:49Mini chefs?
32:50The mini chefs.
32:51Yes, yes, yes.
32:52Very good.
32:52We're definitely called Guay del Paraguay.
32:56But what if your restaurant doesn't have a single star?
33:00Besides, your dish is rubbish.
33:02What is a mess?
33:03A disgrace!
33:05A disgrace!
33:06A disgrace!
33:08A disgrace!
33:08A disgrace!
33:09Silence!
33:13A mess on my plate?
33:16What's wrong, girl?
33:18You know everything about cooking, right?
33:20Hey?
33:21Do you know everything about cooking?
33:22Very good.
33:28Clean up that rapeseed for me right now.
33:31A piece of junk.
33:32A piece of junk.
33:35If you want to be professional chefs, behave like professional chefs.
33:39Kids.
33:41No, no, no, no.
33:42Girl, forgive me.
33:43No, I didn't mean that, girl.
33:44Please, child.
33:47I don't even know his name, damn it.
33:49Okay.
33:50We cut it for the sandwich.
33:56Are you going to Seville?
33:58No no.
33:59No no.
33:59You're going to tell that to...
34:01She's already hung up on me.
34:03What a disaster!
34:04We haven't been able to get him to stay even for a day.
34:06But...
34:06Who wants to live in a city full of touristy chicken-blowing businesses and fly-on-the-rides?
34:11We need to act now.
34:13To be the maquis against gentrification.
34:15With prices like they are these days, we'll have to go live in the mountains.
34:18I have the flooring app.
34:21That?
34:22To use it.
34:24But outside.
34:25Out, out.
34:27And how's that going?
34:28Because we could teach them a lesson so that word gets around
34:31And so they will think long and hard about whether or not to rent.
34:34Yeah.
34:42But how many floors?
34:44There isn't as much of an offer in the dating section.
34:48Come on, go for it.
34:49I want to put a face to the uprooted and ragged people who are ruining the neighborhood.
34:53Let's see.
34:56But that's the attic of the Calla.
34:58That?
35:00Look, another one who wants to rent the attic.
35:03Oh, how wonderful!
35:03He wants to rent for today.
35:05For today?
35:06Yes, yes.
35:06Well, ask them for 20 euros more.
35:07Clear.
35:08For booking less than 12 hours in advance.
35:10But I'm coming, please.
35:12Those are the rules.
35:13Okay.
35:16And how do we collect the keys?
35:19I don't know.
35:20We can make a call with a hidden caller ID.
35:23and we can ask them to leave the key under the doormat.
35:26Yeah.
35:27And what about the voice?
35:29Does anyone know how to type accents?
35:31I'll address you from Asturian.
35:33Here it goes.
35:34I went for Sidiña and the paques escaped me.
35:38That?
35:39What do you think?
35:40That's more Basque than the lacemaker.
35:42Well, I nailed Catalan too.
35:43Let's see.
35:44Escort.
35:45We're tired of the barceloneta.
35:49What do you think?
35:51It's a shame that Coldo left.
35:53Because he, the Andalusian, would have done it perfectly.
35:55It's more from there than from here now.
35:56Hence.
35:56I don't dare.
35:57I'm not getting involved in that.
36:00There it is.
36:01No problem.
36:02They left the key in a safe for us.
36:04And I have the key.
36:05When?
36:08What do you think, Cari?
36:09Okay, man.
36:10It's not my dream house.
36:12But it's true that I'm excited about the idea of us making this a beautiful place together.
36:16But I want to see the bedroom.
36:18Okay?
36:18Let's not take any chances either.
36:20So, what, do we keep it?
36:21Yes, yes, yes.
36:22I knew you would like it.
36:24You'll keep it, right?
36:25Okay, let's talk about the pussy.
36:28But you told yourself it was free.
36:30You're really in a bad mood, aren't you, old man?
36:32What are they trying to take advantage of? Is someone trying to take advantage of you?
36:35Yeah, I'm not going to ask you for money, okay?
36:38No, I'm going to ask you a small favor to get Armazara back.
36:40Whatever it takes, brother.
36:42I want you to become the mayor of this town.
36:46Mayor?
36:55Well, the truth is that I've always liked this apartment.
36:57I think they rent it too cheaply.
37:00We need to teach them a lesson that will make the newspapers.
37:02We're going to wreck their floor.
37:04Come on!
37:04No, no, stop, stop, stop.
37:06Well, that's not it either, is it?
37:08The apartment belongs to Iñaki.
37:09Well, it worked for the taxi drivers, didn't it?
37:11Stop, stop, stop.
37:13That?
37:14We'll find a middle ground, okay?
37:15Pachi?
37:16How about we use your van for another move?
37:22Iñaki.
37:25Iñaki.
37:25Thank you.
37:26I need you, just like before, okay?
37:27Giving them hell.
37:28No, no, no, no.
37:29Look, what happened earlier with the girl was an accident, okay?
37:32Also, I don't know what will happen to his parents.
37:34But they asked me to.
37:36If you can make their child cry, their Instagram followers will increase.
37:40Clear.
37:40I prefer to make the program for a different kind of family, you know?
37:44The normal ones and all that.
37:45Ah.
37:46You know what?
37:48I need a judge.
37:49Little bastard.
37:50If it's you, great.
37:51And if not, I'll find someone else.
37:53And you won't get paid.
37:56We recorded.
37:59Prepared.
37:59Silence, please.
38:00Five.
38:03Five.
38:04And action.
38:06And welcome back to Today the Kids Cook.
38:09Kid, your turn.
38:10Child.
38:13Remember that today we had to cook monkfish with potatoes.
38:17Oh, look at that, magnificent presentation, huh?
38:19It looks really good.
38:21Let's try it.
38:23Let's see.
38:30Not bad, huh?
38:32Not bad.
38:35But let me tell you something.
38:38It has too much chili pepper.
38:40AND...
38:42Although the presentation of the nuts is also good.
38:45Look.
38:47The hazelnuts are unpeeled.
38:53Tell me something, okay?
38:56Would you really eat this?
38:59Yeah?
39:00Oh, oh, oh, oh, oh, oh.
39:01What do we have here?
39:02We don't have a child here.
39:04We have a raccoon.
39:06Just go with the flow, okay?
39:07It's all a joke.
39:08A raccoon.
39:09Yes, yes, yes.
39:10Because here you eat everything, right?
39:12Hey?
39:12You can eat a few more almonds here.
39:14Tri, tri, tri, tri, tri.
39:15Look how beautiful it is.
39:17We finished with some walnuts.
39:19Because you eat everything, right?
39:21The raccoon chef.
39:23Raccoon.
39:23It's all a lie, really, believe me.
39:26Raccoon.
39:27Raccoon.
39:28Raccoon.
39:29Raccoon.
39:30Raccoon.
39:31Raccoon.
39:32Raccoon.
39:33That's not my name.
39:34My name is me.
39:35That?
39:41I can't do this.
39:42He could be my son.
39:44John.
39:45John, come here.
39:50Forgive me.
39:53Guys, do you know what the only thing you have to do in the kitchen is?
39:56Have fun, have lots of fun.
39:58The kitchen is for you to have a good time.
40:01And above all, it's not a place for an adult to come and bully people.
40:06Sorry.
40:07Sorry.
40:08So, if someone treats you badly, or if someone asks you to treat someone badly,
40:16Do you know what we have to tell him?
40:18Goodbye fish.
40:20And now, my chefs, take off your aprons and go.
40:29Subscribe!
40:35Subscribe!
40:44Subscribe!
40:49Subscribe!
40:52It's about to be presented!
40:54You're not going, stop!
40:55Where is Neuro casing?
40:57Where are the Neuro-Americans?
40:58They're testing it!
40:59They're testing it!
41:02First they're cleaning it!
41:04Then to try it out.
41:06Above all, to avoid any surprises.
41:13I hope nobody enters my office
41:15They will see the broken neuronavigator.
41:17Oh my God!
41:21Do you know that in Spanish prisons
41:23Do they serve potato omelet?
41:24As?
41:24I love it and...
41:26Well, what if everything goes wrong?
41:28I should be here already!
41:29Yes, yes!
41:30They were supposed to be entering through the door.
41:32I'm going to check out where they're going.
41:49Oh!
41:51Thank you so much for coming out so quickly, Jim, to answer.
41:54Yes of course.
41:55That's what I was getting at.
41:58Yeah?
42:00No.
42:01The director cannot come on.
42:04Which technical service?
42:10We begin with the turn of words from the last post-ca-trofidel.
42:18Before the elections.
42:20And well, now if there is any fellow neighbor who has any concerns, who wants to say something, well now is the time
42:26moment.
42:27Well, I ask for the...
42:29Okay, let's go.
42:33The microphone.
42:37Hello, can you hear me?
42:39Yes, yes.
42:41Greetings to everyone in the post-cra community.
42:43Well, I would like to ask a question to the mayor who is here.
42:47How is it that you've been in power for 30 years and no one has ever done anything to you...
42:55...audiometry?
42:56Eternal.
42:57An external audit.
43:06Man.
43:07Man.
43:08Seen this way, perhaps the time has come...
43:11Don't answer.
43:12No.
43:14Of...
43:14You're not from the town, you have no right to ask.
43:18Well, I'll take a mile, because...
43:21...I am running for mayor.
43:22Which, by the way, I take this opportunity to say.
43:24Vote for José Gregorio, your friendly mayor.
43:27Well, look, if you're going to run for mayor, it's better to listen to your proposals than to the current mayor.
43:32That.
43:35The...
43:36...my proposal to...
43:40Oh, well, the proposal isn't...
43:43No...
43:43I...
43:43Well, I...
43:44I've always seen the world of the mayor's office and the mayor himself as...
43:49...like a coach, right?
43:51Of...
43:52...that they have to play attacking football, especially at home.
43:55I mean, he has to make a nice game for the inhabitants, right?
43:59And it can't be with the same system of play for 30 years.
44:02And if he promises something, he has to deliver by the end of the season.
44:05And ladies and gentlemen, if I promise goals, you're going to see goals here!
44:15Oh dear, this is what it is, mayoral race, another candidate, I'm overtaking him on the right, the other one on the
44:19left...
44:19This is getting out of hand, isn't it?
44:21Oh no, the program is suspended due to technical reasons.
44:26Uh, well...
44:26Uh, well...
44:27By...
44:28For technical reasons, huh?
44:29Run away, run away, run away!
44:30That in an hour I would tie myself up with posters, your corrupt and arrogant face with my velvety one.
44:35Nobody calls me corrupt like that.
44:40Goodbye, corrupt man.
44:54Cocoa.
44:55Very good.
44:55Yes sir.
44:56Perfect for the skewer.
44:57I'll pay for whatever he's drinking if you serve him rat poison stew as a snack.
45:02Thank you, thank you, but not again.
45:04It gave me some heartburn.
45:05Because of your apartments and your tourists, we've lost our friend Koldo Mec...
45:09He was a great Basque, and gentrification has taken him away.
45:14Poor thing, but if he was run over by a Segway, it's not my fault, okay?
45:19I manage electric scooters.
45:21He had to go to Seville, rejecting a contract to stay here.
45:25Let's see, let's see, Koldo is coming back tonight.
45:28He's gone to take some gadget to Carmen.
45:32Sabino, come up, we've been robbed.
45:35Damn, what a bad time, right?
45:36I'm coming, darling.
45:42They've even taken the marble countertop from the bathroom.
45:45You wouldn't believe how heavy it was.
45:48I mean, if it was marble...
45:50The theft must be reported.
45:52The website surely covers something.
45:55Which website?
45:59They were not thieves.
46:00Oh, no?
46:01So what has it been?
46:04My aunt has a website and has set up a furniture sale.
46:08That's enough, Begoña.
46:10We know you are renting the attic.
46:12How could you do this to San Sebastián?
46:16Business is not going well.
46:17We have to do something.
46:18If we don't want Iñaki to have to close the street.
46:20If you want to get the furniture back,
46:22You're already telling Iñaki where you get the money.
46:26Hello, Aunt Bego.
46:27Hello, Uncle Sabino.
46:29Hey, crew.
46:30Apa, Iñaki.
46:31No, it was your aunt, she had something to tell you.
46:36Yeah.
46:37Do you remember when I told you we were looking for a way to make some more money?
46:42Yes, the idea that occurred to Uncle Sabino.
46:45Yeah.
46:48You see, we've been renting out the attic as a holiday apartment.
46:53Renting the attic?
46:57Ah...
46:57Well, well, that's a good idea.
46:59I hadn't thought of that.
47:00There is one thing.
47:01Hey, does that make money?
47:02And the problem is that in the city...
47:04That would be really useful, you know?
47:06Things are a bit rough here in Seville with work and all.
47:09This Iñaki needs the money.
47:12The crew is more important than the neighborhood.
47:14Hello, I'm Asier.
47:16Delighted.
47:16One little thing.
47:17Have you thought about renovating the street and opening a Pokeramen sushi place?
47:21As?
47:22Why not?
47:23It's very good as it is, it's very, it's fantastic.
47:29Okay, that's fine, me.
47:30I can't get her admitted or take her to the hospital.
47:32That?
47:32These are orders from Mr. Ua.
47:34But look, Juan Manuel, we're not stealing it, we're bringing it here.
47:37for the presentation.
47:38I said no.
47:40Hey...
47:41Don't touch.
47:42This is worth a fortune, man.
47:43It's a neuro-navigator, and that's all there is to it.
47:45I don't care.
47:45Still.
47:47Let it go.
47:49You let it go.
47:49Look, I was one of the first in line for the sales 25 years ago, you're not going to take that away from me.
47:53You now.
47:53Shut me up! Shut me up!
47:56These are the reflections of a mother.
47:59Do you see? We're here with the director, Juanmi.
48:02Don't worry, Juan Manuel, I'll take care of it.
48:06Sure. Here you go, take this, this stuff is heavy.
48:08No, don't touch it! It costs money... Okay, fine, take it, take it.
48:11No, take it. No, leave me alone. No, copy from there.
48:20What's up, Juanmi?
48:22What's up, Juanmi?
48:23You shut me up! You shut me up!
48:25You shut me up! You shut me up!
48:28Good morning, my God.
48:31They haven't seen us.
48:33We've been spared.
48:34What do we do?
48:35Carmen, we need to tell Mr. Juan to widen the elevators because this place is very small.
48:39What are you saying?
48:39Careful!
48:39Hi, Leo!
48:42It's not my fault that this is a teacher, guys, in the Cardasia nets.
48:45Okay, guys, let's leave everything for you.
48:46But what do we do?!
48:47We're going down!
48:48What if they've already come down to look for you?
48:49Well, let's go up!
48:50Ah, but we're here now!
48:51Where?
48:52Well, let's go up!
49:06Oh!
49:06Oh!
49:07Eye!
49:07It's worth a fortune, Carmen!
49:08I'll help you, it's very heavy.
49:10Careful!
49:10Come on, let's go, let's go, let's go!
49:11There are no superiors in sight.
49:13There you go, good afternoon.
49:13No, no, no, there's nobody here.
49:15Careful!
49:15Come on, no, run.
49:18Ah, they fall there!
49:24Haven't you seen? Haven't you seen?
49:26Impossible.
49:27Man, he has very slanted eyes.
49:29You know that gives you another periphery, it encompasses more,
49:31But no, no, no, I don't think so.
49:33That's it.
49:36Which?
49:37Which one, what do I do?
49:38Strain it, strain it, as if I had a rule.
49:40You, Norma, Norma.
49:42Yes, Mr. Juan.
49:44Juan just went down to the cafeteria for a little while.
49:46to order some snacks.
49:48Yeah?
49:51Yes, because, well, since we're running a little behind schedule,
49:54Well, I said it to reward him.
49:57Yes, before the presentation, let's meet in your office.
50:01Okay, great, perfect, I see it now.
50:04And how was I right in what I told him?
50:08Perfect, they're going to my office.
50:11Run and carry and enter the machine.
50:12Which machine?
50:13Ah, uh, the neuronavigator is...
50:16Come on, come on.
50:16Yes, Mr. Juan.
50:18Um, do you have any particular cravings?
50:21No.
50:23Tell Dolores and Kodo to come.
50:25I'll be watching them on camera.
50:31Yes, I know, what's your face like?
50:32What's happening?
50:33That?
50:40That it's my fault.
50:42I broke the machine because I'm jealous of friendship.
50:45No not at all.
50:46She says that because she doesn't work here anymore and there's nothing I can do about it.
50:49It's my fault.
50:51Why haven't I said anything?
50:54Why haven't I said anything?
50:54Well, because, Mr. Juan, I didn't want to worry them.
50:57I knew how important the machine, the presentation, and the cost were to you, didn't I?
51:02Very sorry.
51:03What a huge disappointment, Carmen.
51:06A lie disqualifies her from being a director.
51:09And I have already demonstrated my abilities as he asked me to.
51:12Are you going to extend my extension?
51:13Hello, the new girl who's into sex.
51:15This has more dramatic twists than the Luis Miguel series.
51:17How handsome.
51:18But hey, sir, you can't put this creepy, snitching social climber in charge.
51:26That creeping climb.
51:28To be my daughter!
51:31As?
51:34Oh my god, if I told this at work, nobody would believe me.
51:37Thank goodness I don't have a job.
51:38I haven't said anything because my favoritism isn't well-received.
51:41That's why I asked her to prove that the only thing that matters is being a clinic.
51:47And that's why I told him as soon as I found out?
51:51Mr. Juan, you're forgetting something.
51:53You cannot fire me because of my contract.
51:58TRUE?
51:58Yeah.
52:00But I can degrade you.
52:02Jim, you're the new clinic director.
52:05Carmen, from now on, you will be a nurse.
52:10Home!
52:21Home!
52:31Vote for José, who always keeps his word.
52:34Well, that's it, Cari, because we're engaged.
52:37Okay, look, vote for me and if you're not satisfied, I'll give you your vote back.
52:44Vote Benjumea, because we Cristóbals have always been very good at evangelizing savages.
52:55Here comes Epi, get ready to call Santa Claus.
52:57Don't put up any more posters that are being glued on.
53:00As you can see, he's old, fat, bearded, and very red. Can you think of another nickname?
53:02Neighbors, as you know, I have always wanted the best for this town.
53:09That's why I've thought that the time for generational change has arrived.
53:15Same legacy, new blood.
53:18I present to you your future mayor.
53:23TRUE?
53:23You won't kill him! Applause!
53:31Thank you, thank you very much to my colleagues.
53:36I hope it's a clean campaign.
53:39I am an Evanesto, I am as virgin as the oil from our beloved Almazara.
53:45Come on!
53:47Long live Catrofidal!
53:48Viva!
53:53It's not enough for you to just be in the neighborhood; it goes all over Guibuzcoa.
53:56We've been invaded by blondes, damn it.
53:58I'm going to live in the countryside, okay?
54:00Caserío, if you have never had a caserío, if your family is from Extremadura.
54:07Parents are such a pain!
54:10It's obvious you have your hands on your phone, unlike us.
54:13We need a golden bachelor for Jim.
54:16I believe that the best thing for the Almazara is for private ownership of these lands to return.
54:20Because the richer the neighborhood, the bigger the better.
54:23We can't agree on any of the three birds and who has the most right to enter you.
54:26So, you choose.
54:28Neither chacolí nor chacolá.
54:30Didn't you want it to be empty?
54:31Well, it's not being served here today.
54:33Little one, I can see you've had enough suffering here.
54:35I'm not going to make you feel like you're at a parents' party, okay?
54:37I'll be right there.
54:38There's your drink, huh?
54:39Although some of us have already moved on to Álvaro's homemade brandy.
54:43Yes, that's where my offer comes from.
54:46Yes, yes, it's cool.
54:51The way I looked, the campaign was over.
54:52Let's see!
54:53Hey!
54:53What was it?
54:55What's happening?
54:57I miss people who do normal things like you guys.
55:00I have to go.
55:01Iñaki, things are getting ugly, really ugly, huh?
55:04My mobile phone, for God's sake, I have all my videos on it.
55:07Respect me, people!
55:08Enough of this nonsense!
55:09Oops!
55:10He has a gun!
55:11Thank you!
55:11Ahhh!