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00:00Still ain't seen no bubbles, right?
00:02Get out!
00:03We're going to put you on tonight as the incredible man from Atlanta!
00:11Get out!
00:12I thought you'd never ask.
00:15I would like to see you tonight.
00:17Just in case you get absent-minded again.
00:49I thought you'd never ask.
01:00I thought you'd never ask.
01:44I thought you'd never ask...
02:05I'm sorry, gentlemen, but you must stay with the group.
02:09Now, if you will look offshore, you will see an upwelling.
02:12That white water out there is the outtake of the plant's cooling system.
02:16Just beyond the breakwater is the intake pipe.
02:19The pipe is 8 feet in diameter, and the water runs at a rate of 6 feet a second.
02:25Now, if you will all follow me, I'll show you the collection basin.
02:29The collection basin is below sea level, and the water enters through gravity flow.
02:35At this end of the basin, you will see four steel screens which stop foreign objects from entering into these
02:42large pumps.
02:43It's going on two and a half minutes.
02:45It's a long run, Moxie. At least a quarter of a mile.
02:50Well, he said he could make it. Let him prove it.
02:52What if he doesn't make it?
02:55Then, Arthur, we get ourselves another swim.
03:00As the heated water leaves the building, it flows through two channels around the collection basin,
03:06and again, by gravity, returns to the sea.
03:09This generating station holds a safety record representing 10 continuous years without lost work time accidents,
03:16which the department's research shows to be a national record.
03:22Four minutes fifteen, it don't look good.
03:25He said he could make five.
03:28Look, the kid's supposed to be some kind of an Olympic champion, right?
03:31If he can't hold his breath that long, who can?
03:34Well, if he's not out in what? One minute?
03:37We'll assume that he's had it.
03:38Ah!
03:42Well, that's Henry.
03:45He over-readed himself.
03:52Remind me never shake hands with you.
04:14Mark, this was a distant swimmer in Henry Stockwood.
04:19He is dead?
04:20Drowned.
04:23A distant swimmer drowned?
04:25He wasn't just a swimmer, Mark.
04:28He was working for the government.
04:31The tone of your voice suggests he did not die accidentally.
04:34They found his body floating in the collection basin at the water and power plant.
04:46Murder is something humans do so casually, C.W.
04:50It makes me feel sad and sorry.
04:56Most of us feel that way, Mark.
04:59Believe me.
05:02If you'll come with me, I'll show you the rest of the information we have.
05:10Punch it up, please.
05:11Yes, sir.
05:14Now, this is part of Stockwood's last report.
05:17Apparently made contact with the carnival character.
05:25Moxie.
05:25Bills himself as the Magnificent.
05:27He is a midget three foot five if he is an inch.
05:30Scan to the bottom of the page, please.
05:33Up there.
05:34Where Stockwood says they offered him a third of the take
05:36for joining the caper they were planning.
05:39A caper?
05:40That is a robbery.
05:41A big one.
05:43Unfortunately, Stockwood didn't have time to go into any great detail.
05:47So now...
05:48You are requesting that I take the place of this Agent Swimmer.
05:52Washington is requesting you.
05:54And it would be a special favor.
05:56Personally, I want you to know that I don't think you owe them any special favor.
06:00C.W., you said that you are disturbed by the death of Stockwood also.
06:04It disturbs me.
06:06But the fact is, you're not a policeman.
06:08You're not even completely comfortable in this society yet.
06:16What would I have to do?
06:17Well, Washington says they've come up with a way to get you in with Moxie
06:21and whoever he's working with.
06:22Once you find out what the target is, how they're planning to take it over,
06:26you notify the police, probably through me.
06:28And that's that.
06:29That does not seem so difficult in assignment, C.W.
06:32Those men are responsible for one murder already.
06:35They need a distant swimmer, most likely underwater.
06:37Who else besides myself can make it through that part alive?
06:40No one.
06:41But it's the other things you'll have to do that bother me.
06:43How are you making it?
06:46I have.
06:46I have and it's kind of good.
06:46I have.
07:21The boss is complaining. A little shorthanded behind the main tent. Do you mind?
07:27Scuba class. Take a look.
07:32Yeah, beginners, so?
07:34Not the instructor.
07:36Come on, the man's running a business here.
07:40Some kind of a business. I've been watching.
07:51Somebody help!
07:53Jack's caught!
07:55He can't get loose!
07:57He's around! Do something!
08:12What the heck is that guy?
08:14Oh, another hero.
08:17Great. Just what they need.
08:19Oh, my God.
08:43Well, looks like our hero is down there quite a while.
08:46Well, it's been exactly one minute.
09:06Could have drowned down there by now.
09:09Yeah.
09:19Two minutes.
09:24Two and a half?
09:27Almost.
09:29Hey, what are you doing out here?
09:30I thought you came to get him to help me back at the main tent.
09:33Well, uh...
09:35Come on!
09:36Got us a little show out here, Miss Baker.
09:38Where?
09:40Not down there.
09:50That had to be three minutes.
09:52Two minutes, 58 seconds.
09:55What are you guys doing?
09:56Seeing how long they can hold their breath?
09:59Yeah, something like that.
10:01Oh.
10:03Oh, fine.
10:04Now that the free show's over,
10:05how about getting back to the one of the page, okay?
10:07Come on, you guys.
10:08Come on!
10:09All right!
10:10Come on!
10:16I want to have a talk with that guy.
10:23Hey, hey, you, uh...
10:24Hey, wait, uh...
10:25My name is Moxie.
10:26I went to Carnie over here,
10:28and I want to show you something.
10:30Your watch?
10:32Stopwatch.
10:32Got the reading?
10:35Three minutes.
10:36Almost.
10:37Do you realize how long you were down there
10:39without coming up for air?
10:40I was busy.
10:41His leg was caught on a lot of wire.
10:43Well, me and my pal, the electrical man,
10:45we were watching you, and...
10:46Who?
10:48Arthur Summerstay.
10:49The electrical man.
10:51Sticks bulbs in his mouth,
10:52and they light up.
10:53He's a sophisticated guy,
10:55but you've proven that neither of us
10:57has seen everything after all.
10:58I do not know what I have done
11:00that you think is so remarkable.
11:01What are you?
11:02Some kind of a long-distance swimmer
11:04or diver or something?
11:07You must excuse me.
11:08I'm late for unemployment.
11:09Oh, no job, huh?
11:11You want to go to work?
11:12Carnival?
11:13This is not exactly my line.
11:15Oh, well, you've got to eat.
11:17Right?
11:21Come on.
11:27Well, sir,
11:28we made contact.
11:31You're darn right I sound apprehensive.
11:33Mark Appetis will be my friend.
11:47Come this way.
11:48I've got permanent problems with the cops.
11:50The seal act is complaining.
11:52I sent dirty down the hardware store
11:53for electrical equipment,
11:54and she's not back yet.
11:56Where do you see it, Charlene?
11:57Where do you see it?
11:58Well, can you cut the big surprise stuff
12:00and just tell me what he does
12:01that's so great?
12:02Yeah, but seeing it
12:03hasn't got the same impact.
12:04You've got to see it
12:05with your own eyes.
12:06Last time I had to see something
12:07with my own eyes,
12:08I got run out of Atlanta
12:10on a rail.
12:11Yeah, but this isn't Atlanta.
12:12It's New York City, baby.
12:14That impressive, huh?
12:15Hey, like the man said,
12:16seeing is believing.
12:18Come on.
12:21Well, what do you think of that?
12:22Pretty good, huh?
12:23A guy in a tank.
12:24What's so great about that?
12:26He's been in there
12:27almost an hour.
12:29Sure he has.
12:30And no bubbles.
12:31Look.
12:32He's holding his breath.
12:33Of course there are no bubbles.
12:34So he holds his breath good.
12:36Bye.
12:36I am not holding my breath.
12:39Well, fella,
12:39it looks like we're going to have
12:40to take it to somebody else's circus.
12:42It seems like a very nice circus to me.
12:45He's hot.
12:47And you still ain't seen no bubbles.
12:49Right?
12:50Right.
12:51And it's been, uh,
12:53two minutes flat
12:54since you first laid your eyes on him.
12:56In case you're interested.
12:57Yeah?
12:58Talk to me again.
12:59What would you like me to say?
13:01This is going to make us.
13:02This is going to be bigger than Tom Thumb.
13:04No one will remember Barnum
13:05when I'm through with this.
13:06What did I tell you?
13:07Get out of there
13:08and let's talk about contracts.
13:10Get out.
13:10Uh, we're going to put you on tonight
13:12as, uh...
13:14The water-breathing man.
13:15What else?
13:16No, what we've got here is
13:18the man from Atlantis.
13:42Crawford.
13:43Crawford.
13:43C.W., it is Mark.
13:44I have been hired by the Carnival
13:46as a sideshow attraction.
13:47Moxie got you the job.
13:49Yes.
13:50He and the amazing electrical man.
13:52The electrical man.
13:54Name?
13:55Arthur Somersday.
13:57I understand he puts light bulbs
13:58in his mouth
13:59and they light up.
14:00It's not that interesting.
14:01I must ask him how he does that.
14:02Whatever it takes
14:03to get them talking
14:04about the caper.
14:06We are now going to talk
14:08about my gambling debts.
14:09But who's coming, Moxie?
14:10Yes, and I hope I can remember
14:12what you have told me
14:13about straights
14:13and royal flushes.
14:16Yes, I know how much money
14:17I owe you
14:18and how much interest
14:19is being added each day,
14:20but I need time.
14:25Yes, you could have
14:26an associate hurt me,
14:26but that would not get you
14:27your money any faster.
14:29One more week.
14:30Two would be more reasonable.
14:32I...
14:34Yes.
14:35One week.
14:36I understand.
14:43I'm grateful to you.
14:45At least I can pay them something.
14:47How much do you owe the boys?
14:49These are not boys, Moxie.
14:50They are men.
14:52That much?
14:54Have you had much experience
14:55with lady luck?
14:57Right.
14:58In fact, I've got something better.
15:00Moxie, time to get started.
15:01We've got enough paying
15:02customers on the ground.
15:03Oh, right.
15:04We'll discuss it later.
15:06Mark, break a leg.
15:09Why would he want me to do that?
15:11Oh, it's the tradition.
15:12You know, he was wishing you good luck.
15:13And Moxie, on the other hand,
15:14could have actually been
15:15suggesting you're breaking a leg.
15:17You're not fond of Moxie.
15:18Oh, I saw the two of you together
15:19and I said,
15:20Charlene, get that nice new guy
15:22out of the bad company
15:22before it's too late.
15:25But it is he
15:25that brought me to your company.
15:30I'm going to have to watch myself
15:31around you, aren't I?
15:34Watch yourself?
15:36That innocent look
15:36you put on, I think.
15:38I did not know
15:39I was putting on
15:39any kind of look.
15:41You just did it again.
15:43And I'm here to tell you
15:44it does things
15:45just the way you want them done.
15:46Where'd you learn it,
15:47kid in haylock,
15:48I'll bet, huh?
15:50You think I am from a farm.
15:53I think I'd like to hear
15:54about in detail
15:55later tonight.
15:57I'm on display
15:57later tonight.
15:59I'm asking you
16:00for a date, dummy.
16:01An appointment.
16:03A rendezvous,
16:05c'est le play,
16:05which is French
16:06for it is not political
16:07to say no to the boss.
16:17Get it, Moxie.
16:21Ladies and gentlemen,
16:23boys and girls,
16:25the Baker Traveling Carnival
16:26and Sideshow
16:27brings you
16:27one of its
16:28premier attractions.
16:29Now stand back
16:31for your own safety,
16:32take a gander
16:33at the high-voltage
16:34shenanigans of
16:35the amazing
16:36electrical band.
16:53Just an ordinary,
16:55everyday,
16:56incandescent
16:57light bulb.
16:5960 watts.
17:00But I think
17:01we can do better
17:02than that.
17:02Right?
17:03Right!
17:04And now,
17:05ladies and gentlemen,
17:05I present before you
17:07a beast
17:08of electrical wizardry
17:10with no sources
17:12of power whatsoever
17:13but one,
17:16the amazing
17:17electrical man.
17:19First,
17:20at 1,000 volts,
17:23the dome blot.
17:30Next,
17:31at 5,000 volts,
17:34the scintillating
17:34resistorium.
17:42At 15,000 volts,
17:45Jacob's Ladder.
17:53And next,
17:55I have one of my
17:56current favorites.
17:57At 50,000 volts,
18:00the Digital Disputer.
18:10Finally,
18:12the gargantua
18:13of amperes
18:14at 100,000 volts,
18:18the magnificent
18:19lightning screen.
18:27I did say
18:28magnificent.
18:42Oh, my God.
20:27Ladies and gentlemen, boys and girls, the Baker Traveling Carnival Inside show brings you
20:36the attraction you've all been waiting for, the amazing water-breathing being, the boy
20:42from the bottom of the sea, the incredible man from Atlantis.
20:56Is it a trick, illusion, or is it the real thing?
21:02Step right up, folks, and look him over.
21:03Try to find any semblance of breathing equipment.
21:06$1,000 to the first man who finds a scuba mask, any kind of gear in there besides Mark and
21:12the water.
21:13That's his first name, folks, Mark.
21:15And Mark is friendly.
21:17Mark likes to talk to people.
21:19Don't you, Mark?
21:20That is if there is something to say.
21:26Well, then let's have some of these nice people ask you some questions and we'll find out,
21:30okay?
21:30That is okay with me.
21:32You heard the man, good people?
21:34Any questions for the man from Atlantis?
21:36Step right up.
21:37Step right up.
21:38Don't be shy.
21:38Come on.
21:39Ask him some questions.
21:41Foxy?
21:42Later.
21:44It's important.
21:45It'll keep, Arthur.
21:49You, young man, you look like an intelligent sort.
21:52Do you have any questions for the man from Atlantis?
21:54Is he really from Atlantis?
21:56Don't ask me.
21:57Ask Mark.
22:02Actually, I am not absolutely certain that I am from the underwater civilization you refer
22:07to as Atlantis.
22:08I have no memory of my life beneath the sea since whatever brought me to the surface was
22:13a traumatic experience.
22:15But I've spent much of my time searching the sea for my origins.
22:19Say, one thing for the rube.
22:21He's got to be Irish to come up with a line of Blarney like that.
22:25Take a look at the looks on those faces, not to mention the look on mine.
22:32The question is how I breathe underwater.
22:36I filter oxygen from the sea.
22:56Mark, see, something's lost.
22:58Yeah.
22:59Mark, see, close the curtains.
23:01Close the curtains.
23:03Everything's all right.
23:11No cause for alarm.
23:15Listen, I'm telling you, everything's peachy.
23:18Believe me, it's just a technical problem.
23:21We'll resume in the moment.
23:23The man from Atlantis is all right.
23:26One of those auto-animated figures.
23:29No wonder he could breathe underwater.
23:34What the hell do you think you were doing?
23:36Do you know how long it takes to find someone like that for what we want?
23:39I tried to tell you.
23:40He's working for the government.
23:41Look what I found in his trailer.
23:46Break him.
23:47Hold it!
23:47Nobody breaks nothing.
23:49You've got to get in there and pull him out.
23:51That's all we need is a wall of water.
23:53Are you all right?
23:54Are you all right?
23:56It's some kind of ocean institute.
24:01You mean you killed the only swimmer we had because of this?
24:04He's coming up!
24:06Help him out!
24:12What's the matter?
24:13Are you crazy or something?
24:19He's not dead.
24:22Are you okay?
24:24Hey, are you all right?
24:26Huh?
24:27I'm all right.
24:28You know how many people you're scared in there, huh?
24:36I am sorry for that.
24:46Hey, Mark, let me explain what happened.
24:49A friend of the electrical man can do his own explaining.
24:51Well, he fell in there so he got nervous.
24:55He found what?
24:59Where did you get that?
25:01Well, we went through your things.
25:03Why?
25:05Well, we had a couple of jobs lined up for you, and one of them kind of bends along a
25:09little
25:09bit.
25:09You're not telling me he thought I was with the government?
25:13Well, this is an official looking seal for someone who's supposed to be out of work.
25:16Why did he not ask me first?
25:19Well, he's impetuous, and I think that electricity is kind of doing something to his being.
25:25I'm asking you.
25:26They offered me money to examine me.
25:28According to this...
25:30Two hundred dollars.
25:32I believe the expression is take the money and run.
25:36Break a foot.
25:37Your share is a million and a half.
25:40My share of what?
25:48Can I explain it to you inside?
25:51What do you see?
25:52What do you see?
26:03What do you see?
26:27What do you see?
26:53Hey, Mark, wait up.
26:56Hey, we had a date last night.
26:58I'm not used to being stood up.
27:00Stood up?
27:02Left in the lurch.
27:04Ignored.
27:04Especially for the likes of a midget.
27:07That has all been straightened out now.
27:09Oh, how nice.
27:11You are angry.
27:12You keel over in front of an audience worrying me sick.
27:15And then you act as though nothing were wrong.
27:18And then you run off with Moxie, and you don't even talk to me?
27:20Well, what do you think?
27:22I'm mad, yeah.
27:24Last night, all I could think of was me and what had happened
27:26to the point that I did not remember our planned meeting.
27:28And this morning, I act offensively when you justifiably pointed out to me.
27:32It occurs to me that I was and am continuing to be quite selfish.
27:35It is not right, and I apologize.
27:38Ooh.
27:40You can be disarming when you want to be, can't you?
27:44Disarming?
27:46What gets me is how well it works on me.
27:49And I've been around.
27:51A carny brat.
27:52Born in the proverbial trunk.
27:55My father used to have me cry on cue when the landlord came for the rent that we didn't have.
28:02Not to mention more than a few cops.
28:05This trunk you were born in.
28:08It goes along with the breaking of legs and the finest stuff I'm supposed to have in my veins.
28:14I wish Dad was still around sometimes.
28:17It used to be fun, not having books to balance and permits to hassle.
28:21Father is dead.
28:22Two years ago last month.
28:25Kiss an orphan.
28:26I believe I am one of those.
28:28From no farm, though.
28:30I've reconsidered that.
28:31I would like to see you tonight.
28:36I hate myself for saying this, but I'd like to see you too.
28:40Just in case you get absent-minded again.
28:47What's the matter?
28:48Never kissed a lady before?
28:50See you later, kiddo.
28:55A bank.
28:57First and fair long.
28:58According to Moxie, a lot of very wealthy people store valuables in safety deposit boxes there.
29:04It's a good neighborhood.
29:06But I can't understand what they need a swimmer for.
29:09To get in.
29:10Actually, it is a very clever plan, C.W.
29:13There's a storm drain running beneath the bank.
29:15I'm to swim through it and open the door from the inside.
29:17Turning off the alarms.
29:19And letting them in.
29:20Arthur will then use the electrical extension on his arm to burn through the locks.
29:24When?
29:24Tonight.
29:24I'll notify the authorities.
29:27And you will arrest them?
29:29The police will arrest them.
29:31After you open the door for them.
29:33It's called caught in the act.
29:36And then my assignment will be over.
29:38Right.
29:40Why?
29:42You like it here?
29:44There's someone else, C.W., back at the carnival.
29:47What, someone other than Moxie and this electrical man?
29:51Her name is Charlene.
29:52Charlene?
29:54All right.
29:54Now, how does she fit in?
29:56Oh, she is not a part of the scheme, C.W.
29:59She...
30:02We were talking earlier today.
30:04Yes?
30:05When a woman touches her lips to your lips, that is a kiss.
30:09That means she likes you, does it not?
30:12I felt funny, C.W.
30:15But nice.
30:17Very nice.
30:21He wants to know about the birds and the bees.
30:23Oh, no, C.W., I would like to know about men and women.
30:35What are you grinning about?
30:36Oh, I don't know.
30:37I was just thinking how nice it is to teach somebody something they didn't know.
30:51I, uh, believe our kid's got something going with the boss lady.
30:56Oh, really?
30:58I'm just pointing it out so we can make use of it, jerk.
31:01How's that?
31:02Call in a little extra insurance in case he suddenly gets cold feet.
31:15Mark, see, what was Mark be doing in this trail?
31:18I think he said he was sick.
31:21Well, there's nobody in here.
31:35Sorry, everyone has to have a pawn once in a while.
32:02It's one o'clock on the nose, let's get on with it.
32:04Come on, come on.
32:40There's no sign of them yet.
32:45Flood control confirms that the storm drain line runs under that bank.
32:50They'll be here.
33:02There's no sign of them.
33:03There's no sign of them.
33:07There's no sign of them.
33:26This is not the same place.
33:28The tunnel that goes beneath the bank is...
33:29We're not going for the bank.
33:31Plans have been changed, as they say.
33:34I do not like going into things I do not know about beforehand.
33:38It's more lucrative than the bank, believe me.
33:41You still do not trust me.
33:43Who do you trust in this business, anyways?
33:45What we got here is the Chadway Museum.
33:47It's designed to be, uh, what they call burglar-proof.
33:51All kinds of alarm systems.
33:53The main one's on a timer.
33:55But it can be opened from the inside, no problem.
33:58It's like the bank we discussed.
33:59It does have a storm drain running under it.
34:02Filled almost to the top with your favorite, H2O.
34:07But you can't use your scuba gear, though.
34:09Metal detectors.
34:10And as far as coming up every few yards to take a breath.
34:13Closed-circuit TV.
34:15And you gotta swim past the cameras before you can break for surface.
34:18Which will be no problem for you.
34:20Right.
34:22What are you after in this museum?
34:24Artifacts.
34:25Solid gold.
34:27One in particular.
34:29The mask of the pharaoh.
34:30We figure they want to ransom it back.
34:32What if they get stubborn about it?
34:34That's the good thing about solid gold.
34:37You can always melt it down.
34:39Same plan as the bank.
34:41Just a different building, that's all.
34:43The passage is a little narrow, but it's like the deal we had before.
34:47Not as far as I am concerned.
34:49You passing?
34:51If that means I am not going to the museum, yes.
34:54Too tough for you?
34:55Is that it?
34:57That is not the point.
34:58I will not be used by anyone.
35:01You do not trust me.
35:02I do not trust you.
35:04Well, you can trust me to do one thing.
35:07Kill Charlene Baker.
35:10Believe me.
35:12Hey.
35:14We got her.
35:18Believe me.
35:22It ought to take you five minutes tops to go through the storm drain.
35:26I figure another minute upstairs inside the museum.
35:31Maybe 30 seconds with the breaker.
35:33It's next to the panel in the room next to the doors.
35:37That's six and a half minutes.
35:40Arthur and I are giving you seven minutes.
35:44We're either in there in seven minutes,
35:47or we're on our way to do business with Charlene Baker.
35:56I will go.
36:26Arthur,
36:28when this is all over...
36:30when this is all over...
36:53that short's the alarm system the outside alarm it doesn't take care of the timer of the door
36:58and it doesn't turn off the photoelectrics around the mask
37:01shh the outside guard
37:09but i'm tired
37:37hey matt you got a man
37:45nice anyway
37:52you got a man
37:59you got a man
38:45Oh, my God.
39:13Oh, my God.
39:16Oh, my God.
39:17Oh, my God.
39:18Oh, my God.
39:19Oh, my God.
39:19Oh, my God.
39:22Oh, my God.
39:34Oh, my God.
39:51Oh, my God.
39:53Oh, my God.
39:54Oh, my God.
40:17Oh, my God.
40:42Oh, my God.
40:57Oh, my God.
40:57Oh, my God.
41:27Oh, my God.
42:00Oh, my God.
42:07Oh, my God.
42:08Oh, my God.
42:12Oh, my God.
42:14Oh, my God.
42:26Oh, my God.
42:26I'll do it.
42:28I'll do it.
42:28About time to.
42:29I'm almost out of power.
42:30Take the other side.
42:32Take the other side.
42:38Tilt it toward you.
42:39Easy.
42:49I wish we had time to get some more of this stuff.
42:56No, not yet.
42:58There was photoelectric eyes and microscopic wires.
43:08We don't know what's underneath this pedestal.
43:22Beautiful, isn't it?
43:26I do hope they'd rather ransom it back instead of letting us melt it down.
43:35I don't see anything.
43:38That is because there's nothing there.
43:40There was a pressure alarm mechanism there, you idiot!
43:43I could get him!
43:48I thought you'd never ask.
43:59You're out.
44:03Matthew!
44:06Matthew!
44:09Matthew!
44:12Matthew!
44:14Matthew!
44:36You will stay here until the police arrive.
44:48My element, Arthur?
44:50Water doesn't bother me, friend.
44:53Remember how I almost killed you in your tank?
44:55I'm gonna finish the job this time.
45:32Moxie!
45:45Mark!
45:53Are you all right?
45:56It was not a bank, CW.
46:11I knew you were naive.
46:13I knew that.
46:14It was important Moxie and Arthur be stopped.
46:16They had killed one man already.
46:18If the exhibit had been stolen, there could have been international repercussions.
46:21There you go again.
46:23But I have not left you.
46:24You're talking shop and this is supposed to be the romantic goodbye.
46:29Being romantic?
46:30I do not know how.
46:33You do all right.
46:34Maybe not with words.
46:36But you do okay.
46:37Is it proper?
46:39The last kiss?
46:41It's mandatory.
46:52Oh, you sure you want to go?
46:55CW is waiting.
46:58Uh, CW?
47:00Well, you've got a great performer here.
47:04Never.
47:04Never anyone better with our carnival.
47:08So long.
47:08Get out with me.
47:09Hey, you guys!
47:10Get a move on!
47:10We've got to be in Frisco by 5 o'clock!
47:12Come on!
47:13Get a hustle!
47:15What do you mean performer?
47:17I believe she means my act underwater, CW.
47:20Underwater?
47:27No!
47:29Never.
47:33Never.
47:38No, never.
47:40No, never.
47:46All right.
47:48No, never.
47:49No, never.
47:49Yes, never.
47:50Nor, never.
47:50No, never.
47:51I agree with you.
47:51You
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