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00:00Who are you?
00:00His brother.
00:01Nobody said nothing about him having no twin brother.
00:04As a matter of fact, we come to talk to you about a job.
00:08You know, one nice thing about kicking off,
00:10I don't have to look at your ugly puss anymore.
00:13Hey, fellas.
00:15What's going on?
00:17Well, how did you know about me?
00:19I mean, that we look so much alike.
00:21I felt the pain where you were stabbed.
00:23Where have you been?
00:24What did you find?
00:26Hey!
00:28A park!
00:46A park!
01:03A park!
01:06A park!
01:45I'm telling you, Mr. Washburn, you didn't see anything.
01:48Don't you tell me what I saw, Billy Jones.
01:51Luke Hollister gunned down my Charlie,
01:53and nothing you or Clint Hollister can say is ever going to change that.
01:57Now, all I'm saying is it was awful dark out there, that's all.
02:00I don't care how dark it was.
02:02And we do have a witness say you were pretty well into your cups last night.
02:05Get off my lambs!
02:10You pulling a gun on me, Artemis?
02:12Forcing me to defend myself?
02:14Yeah, you'd like that, wouldn't you, Billy?
02:16Clint Hollister'd like it, too.
02:18That ain't the way it's going to happen, Billy boy.
02:21I'm going to testify against Luke.
02:23Luke is going to swing.
02:26Look at them veins stand out in your head.
02:28A man like you's got to be careful one of them don't bust.
02:30Well, I'll bust.
02:33Ain't worth it, Pa.
02:35Not on this scum.
02:36You ain't got a chance.
02:39That's what I've been trying to tell your old man, Bettina.
02:41A man like him, sees red all the time, ought to be careful.
02:45He's liable to trip over something and break his full neck.
02:48I think my father invited you to leave.
02:51Yes, he did.
02:59You were looking right pretty today, Miss Bettina.
03:02Yeah.
03:13Give somebody a little free advice, and this is the thanks you get.
03:17Get out of here.
03:18For you, darling, anything.
03:25You know, Pa,
03:28there was one thing he was right about.
03:29This ain't the first time that you flew off the handle.
03:33Bettina, look out!
03:40Oh, my God!
03:47Mom?
03:53All that trouble for one little kid?
03:56We got to do this again sometime.
03:57That's nice.
03:58Very nice.
04:15Let him rest.
04:20Mark, sit down.
04:24Can you describe the pain?
04:27Sharp.
04:28Tearing.
04:29Like you were stabbed?
04:32It throbs, Elizabeth.
04:34More and more since we started on this new heading.
04:37The heading has nothing to do with the way you're feeling.
04:39You feel strong enough to go to sickbay now?
04:41It does have something to do with it, Elizabeth.
04:44I'm sure of it.
04:45Shift course.
04:47West, 90 degrees.
04:48Mark.
04:49Elizabeth, I want to make the experiment.
04:53I want to make the experiment.
04:55Chomo.
04:55A new heading, please.
04:57Yes, sir.
05:01Mark.
05:02I want to make the experiment.
05:02The answer is out there, Elizabeth.
05:04I know it.
05:04There's nothing out there.
05:06Water.
05:07Nothing.
05:07My instincts tell me otherwise.
05:10Activate our lock, please.
05:12As medical officer of this ship, I...
05:17You can go.
05:19I do not know for sure.
05:22But I must find out.
05:52I will not know for sure.
05:56Let's go.
06:26Let's go.
06:55Let's go.
07:01C.W. on the line.
07:04C.W.?
07:05Elizabeth.
07:06Mark is ill?
07:07We don't know that for sure.
07:09Where is he?
07:10In sickbay?
07:11Oh, look, that volcano isn't going critical.
07:13I have that from Charlie Singer at the Maritime Research Institute.
07:16As far as I'm concerned, you can turn the cetacean 180 degrees and come directly home.
07:21Mark's not in sickbay, C.W.
07:25He's out in the ocean.
07:27Out of the ship?
07:28Well, we're monitoring him.
07:30Dr. Merrill, he's gone.
07:33What do you mean he's gone?
07:35Well, one minute there was a bleep, and the next minute, well, it was like he was snuffed out like
07:39a light.
07:41Scan, it's got to be an electronic malfunction.
07:44Double-check the circuits.
07:45Elizabeth?
07:46C.W., don't worry.
07:48We'll pick him up again.
07:49It's just a malfunction, that's all.
07:50We'll pick him up again.
08:20We'll pick him up again.
08:49Not one step closer, you hear me, Billy?
08:52Now, not one step closer.
08:53I mean it.
08:53My name is not Billy.
08:55It is Mark.
08:57Sure.
08:59You mistake me for someone else.
09:01Someone I look like.
09:03Someone you look like.
09:04Billy, I don't know what you're trying to prove, coming here all naked like that, but it just ain't gonna...
09:11Your shoulder.
09:14It couldn't have healed this quick.
09:15It just couldn't have.
09:16I did something to my shoulder?
09:18It was slice to the bone.
09:20I did the slice in myself.
09:23To Billy.
09:26You're not him, are you?
09:29Well, then who are you?
09:32His brother.
09:33Nobody said nothing about him having no twin brother.
09:36No one said anything like that to me either.
09:39But it does make sense.
09:40Explains why I'm here.
09:42You know this Billy.
09:44You can take me to him.
09:45Take you to him?
09:46I wouldn't take nothing but a rattlesnake to him.
09:50He has done something wrong?
09:52Well, you've been hiding, boy.
09:53I mean, everybody's heard of Billy Jones.
09:57You haven't, have you?
09:58If he is my brother and can tell me where I was born.
10:01Where you were born?
10:02Everybody knows where they were born, at least.
10:04Now you see why I must talk to this Billy.
10:07Yeah.
10:09But he'll lie to you, probably.
10:13Come on.
10:15Ranch house is over there.
10:17You can't go to town as naked as a jaybird.
10:24I do not have any money.
10:25Sure, boy.
10:26These ain't going to be the kind of clothes you'd want to pay for.
10:28I told you what happened the next time you come on this property, Billy boy.
10:32Ha, this ain't Billy.
10:33This is Mark.
10:34It'll make no difference whose name's on the tombstone.
10:45Well, one thing it isn't.
10:46An equipment malfunction.
10:49Well, what else could it be?
10:51Mark couldn't have just gone poof in the middle of the ocean?
10:54Scanners check out.
10:55Sonar's working perfectly.
10:57Coaxial grid systems in line.
11:01Maybe he just went out of a search area.
11:03I could lay a spiral pattern in from the coordinates we had him last fixed at.
11:07No, I promised him we'd maintain position.
11:09That's exactly what we're going to do.
11:11If it ain't a trick.
11:13If he ain't Billy.
11:15Pa, no cut heals that fast.
11:20What makes you think any brother of Billy Jones would be any less of a skunk?
11:24Mr. Washburn and I have never met my brother.
11:27I do not even know if he is my brother.
11:28That is what I'm here to find out.
11:30Look, let me give you some advice, stranger.
11:34Why don't you just go back where you come from?
11:37Nobody wants Billy Jones for a relative.
11:39What has he done?
11:41Everyone here says he is so evil.
11:43Why is that so?
11:43He's a hired gun.
11:44Clint Hollister brought him in to...
11:46Intimidate people.
11:47To let that murdering kid of his go.
11:50That's what.
11:51Clint Hollister.
11:52Big shot cattleman.
11:54Drives a herd through here once a year.
11:56This year he put Luke in charge.
11:58That's Clint's son.
12:00Yeah, Luke's one of them spoiled, rich kids.
12:03Instead of walking around somebody, he'd rather walk right straight through them.
12:07Pa's talking about my brother Charlie.
12:09Luke shot him in the back.
12:15You really don't know.
12:22Looks good.
12:27Almost as good as it used to look on Charlie.
12:31Billy did not kill your brother.
12:34Luke did.
12:36I know that.
12:38Look, I ain't saying that Billy ain't likable.
12:42But he is a hired gun.
12:45Clint Hollister wants his son out of jail.
12:48And it's for Luke.
12:52Billy ain't sunk that low yet.
12:58You really think you could talk to him, Billy Jones?
13:08When he discovers he is not alone in the world.
13:12When we see each other, perhaps for the first time since birth.
13:15Billy's son.
13:17Yes.
13:23I don't think reforming a low life like Billy Jones is going to be all that easy.
13:39Can you sit on a horse?
13:43Come on.
13:44Let's go.
13:44Let's go.
13:51Here you go, Billy.
13:52I mean, Mark.
13:54Virgil.
13:55Oh, now, Miss Bettina, you don't want to go messing with tradition, do you?
14:00Tradition?
14:01Yeah, just put your left foot here in the stair.
14:03Easy, boy.
14:04That's what's hanging down from the saddle.
14:06Pa, you can't let him get...
14:08Easy.
14:10Easy, fella.
14:13If he, uh...
14:14If he easy, fella, if he should go too fast for you,
14:17you just pull back on the reins and you holler,
14:20Whoa!
14:21You got that.
14:22These are the reins?
14:23Yeah, that's right.
14:24Yeah.
14:25Ha-ha.
14:27Woo-hoo!
14:29Woo-hoo!
14:30Get him, boy!
14:31Get him, cowboy!
14:33Woo-hoo!
14:34Woo-hoo!
14:35Woo-hoo!
14:36Woo-hoo!
14:37Woo-hoo!
14:38Oh, Mark!
14:40Mark, you all right?
14:42You all right, son?
14:44I think I understand what you mean by tradition.
14:47Now, nobody's ever stayed up on old dark eyes.
14:50Virgil, go get old Sam for him.
14:52That will not be necessary.
14:55Mark, you don't have to prove anything.
14:57This is an excellent horse.
14:59I'm sure we will be quite good friends
15:00once we are appropriately introduced.
15:28What's he saying to him?
15:30Now, if he thinks he's going to get anywhere talking to animals, he's wrong.
15:46He ain't bucking no more.
15:48What in the world did you say to that animal, boy?
15:52I suspected that what would work on dolphins would not be too far wrong for a horse.
16:00With dolphins?
16:10Billy would be in a nearby town?
16:12Lands in, down the road.
16:16Hey, you watch out.
16:17He doesn't leave you as naked as I found you.
16:28What's the matter, Billy?
16:31I thought your life doesn't often water.
16:35Well, I do, hon.
16:37Makes me feel good.
16:38Sort of, I don't know, soothes me.
16:41And how come you splashed up all of a sudden like that?
16:48Well, I don't know.
16:50Dream, I guess.
16:53Bad dream?
16:54Now, big, fat, stupid one.
16:58Me seeing me gallop into town.
17:01Big deal, huh?
17:04Well, now that you're wide awake again, Billy.
17:08Not now, Carla, please.
17:10What's the matter?
17:12I don't know.
17:14Just a feeling, I guess.
17:16Oh, Billy, is it Clint looking over your shoulder?
17:19You're afraid he's gonna come busting through that door all of a sudden, aren't you?
17:22That I can handle.
17:25No, it ain't that.
17:26I don't know.
17:27Maybe I've been hiring myself out too long, that's all.
17:30Oh, that's pretty sad talk for a kid in the legend business.
17:33Well, maybe all the excitement's getting gone.
17:36Maybe that's it.
17:38I mean, I can predict every move, every reaction of someone.
17:41From a young, punk kid out to make a name for himself,
17:44to a big, old, fat sheriff who just wants to be left alone.
17:48For instance.
17:54What do you want to bet?
17:55That Clint Hollister is gonna want me to burn out the editor of this paper tonight.
18:01Carla, you in there?
18:03Right there, Clint.
18:11You wouldn't be with somebody in there, would you, Carla?
18:14Now, who would I be with, huh?
18:15Not the window, he's probably got blank watching from outside.
18:19Then it's out the same way you came in.
18:30My gun.
18:40Carla, what's taking you so long?
18:44The girl's gotta get decent, doesn't she?
18:47You ought to be flattered, sweetheart.
18:49I'm attracted to you enough to be jealous.
19:06So.
19:09So?
19:18What's the matter, you man?
19:20A headache?
19:20Too tired or what?
19:22Tonight it'd be more romantic.
19:28I'll write a drink then.
19:30You know how much I adore your company.
19:33I'll write down in five minutes.
19:40a wedding.
19:41You are a treasure.
20:05Let's go.
21:06Very heartwarming, will you?
21:08It just so happens I got work for you to do in town tonight.
21:10Mr. Hollister.
21:12Mr. Hollister.
21:14Performal.
21:15A lot of character, don't you think?
21:17I do not think anyone in town really knows my character.
21:20Well, it's not really a character that concerns me, though, eh?
21:24We've got this newspaper editor to take you first.
21:27In the office down the street?
21:29Daily Sentinel.
21:30That's the boy Dwayne Metcalf.
21:33He thinks he's the Horace Greeley of Land's End.
21:37He doesn't seem to care for me going around town
21:39suggesting that Luke might be getting a raw deal if he got hanged.
21:43You wish me to speak to this editor Metcalf?
21:46Wish to speak to...
21:48Billy boy, I want you to burn the man out.
21:52Destroy his establishment?
21:54Did you see the headlines of this morning's edition?
21:57Calling my only son a vicious, rabid animal,
22:00telling everybody he ought to be put out of his misery?
22:05And I wonder if Metcalf has any kids.
22:08I wonder if he ever held him up over his shoulders when they were babies,
22:11set a broken arm,
22:13or told him what to say with his first girl.
22:18Look,
22:19I don't care if Metcalf is in his place or not when you do it, Billy.
22:25I just want to see the sky get orange tonight.
22:29Real, bright orange.
22:38Lordy, lordy, lordy.
22:46Now, which one of us Billys is going to do that job on Editor Metcalf?
22:50You?
22:52Or me?
23:20It's like looking in a mirror.
23:23Who are you?
23:24My name is Mark Harris.
23:28You come looking for me, you say?
23:31Well, how did you know about me?
23:33I mean, that we look so much alike.
23:35I felt the pain where you were stabbed.
23:38Oh, yeah, the pain.
23:41Every now and then, in odd places,
23:44you feel it also.
23:46Hey, you talk funny.
23:47You know that, don't you?
23:49English is not my native language.
23:51Nor is it yours, is it?
23:55Would you not like to know about your past?
24:01Who you are?
24:03Where you come from?
24:05Why are you, why are we,
24:07different from all the rest?
24:08Who says I'm different?
24:10We are.
24:12You know we are.
24:15Water people.
24:16Water breathers.
24:19Are we alone in the universe?
24:21Somewhere there are others like us.
24:23Where?
24:27I do not know.
24:28I was hoping you could tell me.
24:33Do you have any memory of your childhood?
24:36Of home?
24:37Of growing up?
24:39Of your people?
24:41What do you know of your past?
24:43What do you know of your past?
24:46Waking up on a beach?
24:48Not knowing where I was?
24:50Or who I was?
24:51Later figuring out I'd been beaten and rolled up there?
24:55Of picking the first name that come to me.
24:58And learning how to use a gun.
25:00Who cares about the past anyway?
25:02I'm more interested in what's happening in the future and right now.
25:04Do you understand that?
25:06This man you work for.
25:08Clint Hollister?
25:09He pays well.
25:10You are not like him.
25:12You can tell that by looking at me, can you?
25:15Well, he's got no holds on me, okay?
25:17Something better comes along, that's fine too.
25:19That's right.
25:20There are other things you can turn to.
25:22Oh, yeah.
25:23Like what?
25:24I am associated with a foundation to study the oceans.
25:27We work off a submersible.
25:29Off a what?
25:31A vessel that travels underwater.
25:33It brought me to Land's End.
25:35Oh, yeah?
25:38Well, where is it now?
25:40Less than a mile off the shore.
25:42Well, Marky boy, that covers a whole lot of territory.
25:44It is not far.
25:45Off the beach.
25:46Where the inlet runs.
25:48Yeah.
25:49Yeah, I know where that spot is.
25:51Of course, it is several hundred feet underwater.
25:54Yeah.
25:55You said water breathers?
25:57Without water, we cannot survive.
25:59Well, anyway, I'd sure like to see that boat of yours.
26:03You would be welcome.
26:04I will take you.
26:07Alone.
26:10Why?
26:11Because a man can get real tired of places like this.
26:14And this line of work.
26:26Well, what good are webbed hands to a gunfighter?
26:30Well, they took you for Billy Jones in this town.
26:32They'll sure take me for Mark Harris on that boat of yours.
26:36You didn't come ashore dressed in beds like that, did you?
26:39I have swimming trunks.
26:42Well, I'd sure like to see myself in them swim trunks.
26:47Up in the loft, Billy Jones.
26:54I've got a man-sized underwater object approaching the ship.
27:00It's a man, all right.
27:02Can you give us a visual?
27:04Camera six on the monitor now.
27:09Mark.
27:10Mark.
27:11Voice channel operating.
27:13Mark, do you read?
27:17Are you coming in?
27:21Answer me, please.
27:25What is it?
27:26What's wrong?
27:28Head for the airlock.
27:30Under the ship.
27:49Mark, what's wrong?
27:52Are you all right?
27:53Good to have you back.
27:55Oh, Mark.
27:57Where have you been?
27:59Where'd you find?
28:02Well, I almost forgot what I was out there looking for.
28:07What about you?
28:10Oh.
28:12Well, we want to hear all about it after you've had a rest, hmm?
28:17Hmm.
28:19Tree?
28:24Did you find what you were looking for?
28:26Mm-hmm.
28:27Are you going to tell us about it?
28:29Yeah, sure.
28:31Sure.
28:54Stone's nicht.
29:04See.
29:05Oh.
29:07Oh.
29:08Uh.
29:11Bob?
29:12Oh.
29:13Oh.
29:14Oh.
29:15Oh.
29:15Oh.
29:15Oh.
29:15Oh.
29:16Oh.
29:18Oh.
29:20Oh.
29:26Oh, my God.
30:12Oh, my God.
30:17Oh, I've been looking for you, Billy.
30:21I kind of thought you'd be out this way.
30:23Get in.
30:24Are you going past the Washburn Ranch to the ocean?
30:27You want to go there?
30:28Sure, any place you say.
30:29Hey.
30:37Ooh.
30:38We know each other quite well, it seems.
30:41Well.
30:41Well enough for me.
30:43Maybe too well for Clint.
30:45Get here.
30:45Let's go.
30:47Let's go.
30:47Let's go.
30:47Let's go.
30:48Let's go.
30:53Let's go.
31:00Let's go.
31:04Let's go.
31:19it's all very strange ever since he came back the way he came back elizabeth he hurt himself when
31:26he was out there a gash on his shoulder where he said he felt that pain mm-hmm it's all
31:32backwards
31:33the pain first and then a wound hi there this is some underwater boat you've got lady but there is
31:44not one single gun on board now what would you do if you were attacked who would attack us don't
31:54matter who mark is that you who said that CW on the radio phone I don't see nobody on the
32:09phone mark
32:10what's wrong with you can he hear me of course well hi CW wherever you are whoever you are mark
32:23Elizabeth and I are both concerned about you well I'm worried about you too and her running around
32:32here on a defenseless boat mark dr. Miro what'd you do to him he's all shrunk up CW I think
32:44you'd better
32:44set a course for home now setting course yes sir oh no all right how do you work this thing
32:59now you
33:00want me to activate the airlock sir that's right red and make it snappy mark you can't go back outside
33:06Elizabeth mark what's going on in there pretty dr. Meryl hmm mark Harris is a lucky man dr. Meryl
33:22Elizabeth will somebody speak to me
33:31ah
33:38hmm
33:43yeah
33:44yeah
33:45a
33:45yeah
33:45yeah
33:45yeah
33:45yeah
33:46Let's go.
34:18Oh, night.
34:20Oh, night.
34:22I'd love to tell you where I've just been and what I just saw.
34:27Even you wouldn't believe me.
34:53Hey, Clint.
34:56What are you doing this far out here?
34:57I didn't know you were one for saltwater baths.
35:03Hey, fellas.
35:05What's going on?
35:21What are you doing this far out here?
35:33I do not know if you will ever see Billy again.
35:35Huh?
35:36You should know, sir, that whatever Billy is, Clint Hollister is worse.
35:40You saying Billy held him down some?
35:42Without Billy, there is no telling what Clint might do.
35:45I wish there was some way I could help you.
35:47This ain't your fight, son.
35:48No, but I do wish you well.
35:51Goodbye.
35:52Goodbye, Mark.
36:19I don't see no marks.
36:23Sure ain't nothing better for a pulled muscle, though, than some liniment.
36:29Too bad it smells so awful.
36:32It is not a pulled muscle, Bettina.
36:35Billy has been hurt.
36:37You really think you can feel everything that he does?
36:40When we are in the same area, yes.
36:57It's virgin.
37:01Well, I can't say Billy don't deserve it.
37:05Deserve what, Mr. Washburn?
37:07Well, I was out rounding up strays, and they was at Billy, out by the drawer.
37:11Hollister's turned on him.
37:13Thinks Billy's been sneaking up to see Miss Carla behind his back.
37:16He was whooping him something fierce, from what I could see.
37:19Burge, you better tell them where they said they was taking him.
37:21Up the ridge, there's a big tree up there.
37:24They're going to hang him?
37:26Mark, there's more to it than just hanging Billy.
37:32Hollister was talking to Blake Slate about going directly back to town afterwards,
37:36and busting Luke loose.
37:38A jailbreak?
37:39If he had to level the whole town, he said.
37:42Oh, Pa.
37:45Burge, watch your place.
37:47You're going to have some company up that ridge.
38:11Honey, you and Mark, get up behind them rocks up there.
38:13I'll get up here in the back of these bushes.
38:28Oh, hey.
38:30A little surprise necktie party just for me?
38:32Well, you shouldn't have, Clint.
38:37Fell for that hard, did you?
38:39You shut your mouth.
38:41Oh, a man of your money?
38:43I guess it's true what people say about class coming out.
38:46All right, Billy boy.
38:47This is for Carla, and for the job you didn't do on that editor, Metcalf.
38:51It's too late.
38:52If we rush in, they'll slap the horse out from underneath him.
38:54You really feel everything he feels.
38:59Are you a good shot, Bettina?
39:02The rope?
39:04You must try it.
39:05It's the only chance we have.
39:18There'll be no last words for you.
39:19You've set it up already.
39:20You know, one nice thing about kicking off, I don't have to look at your ugly puss anymore.
39:28Get out of there, Foster.
39:29We got you surrounded.
39:31Throw those guns down.
39:33How many think they are?
39:34It doesn't matter.
39:36We're not going to be trapped here for sure.
39:37We still got to get my son out of jail.
39:51That's coming, how can they shot them all?
39:53Where is Billy?
39:54He's over there.
40:03my hands we gotta warn the sheriff at land's end that poor boy's got trouble coming you're in no
40:09condition oh gotta go brother mark ain't nobody tries to make a dead giraffe out of me and gets
40:15away with it ought to be you of course you ain't strong enough after that whooping if there is
40:21water around I don't need no drink brother a lot of water ease with us here we go well at
40:46least we
40:46have to worry about bathing for about a week congratulations brother I'm wet now what
41:00how do you feel I feel wet how do you expect
41:06hey that's crazy that's wild no more pain no no more we're ready to go to town
41:27thanks for the shower Marky boy
41:42oh
41:42oh
41:42oh
41:42oh
41:42oh
41:42oh
41:42oh
41:52Oh
42:23Is it worth it to you I gotta look at it this way brother mark you're gonna be leaving I'm
42:29gonna be sticking around
42:30I think it's a good idea make it legal from here on in
43:04And don't sweat it friend we're on your side
43:09As a matter of fact we come to talk to you about a job
43:19We're coming to get you Luke we're gonna get you out
43:29Billy boy I never thought I'd see the day and it's time we left
43:55Well after what you did to the door at the jail I know you can make it but not too
43:59sure about me
44:00You can make it this kind of thing going a lot where you come from
44:05Come and see for yourself. Oh
44:08No, one look at that boat of yours was enough for me, but you're welcome to stay here if you
44:12want
44:17Yeah after you
44:27I'll be sure I had your confidence
44:28You do
44:30How about it?
44:31We come out of this in one piece we a team
44:34We are a team
44:37But you in your world and I in mine
44:40Yeah, that's what I figured
44:42Yeah, man
44:42Go home
44:49Yeah, come
44:56Umm
45:00Go
45:01Go ahead
45:02Uh
45:02Go home
45:05Yeah, come on
45:08harder
45:08Go on
45:08year
45:09,
45:09today
45:10Do
45:31It is very quiet.
45:35There's only one left.
45:37Hollister.
45:39And he's mine.
45:45All right, Billy.
45:47Hollister!
46:03Hollister!
46:07Hollister!
46:08Hollister!
46:11Hollister!
46:17Billy?
46:18Are you sure?
46:20I warned you, you try that one more time.
46:23And?
46:24I'll help you.
46:29Good thing you're not sticking around, brother.
46:31If she's not going to be able to tell us apart...
46:43How's your shoulder?
46:45Fine, Elizabeth.
46:47I found the cause of my pain and it no longer disturbs me.
46:52Mark, what happened to you out there?
46:55When you came back, you were acting very strange.
46:59That was not me.
47:00You mean you were not yourself, I can understand that.
47:04No, that is not what I meant.
47:05Maybe you just don't remember how you were.
47:10What did you find me like?
47:13Well, not quite yourself.
47:17A typical symptom of insipidate hysteria
47:20in which you actually produced surface manifestations
47:23of an inner pain you were feeling.
47:26We can talk more about this later if you're willing.
47:49That's a complexity of proof.
47:49If you like.
47:59We can talk more about this when you were looking at it.
48:00You'll see.
48:01We'll be watching.
48:01Amen.
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