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00:00:15Thanks for watching the video.
00:00:48Thanks for watching the video.
00:01:00Tomato.
00:01:01Come.
00:01:02Tomato.
00:01:04Tomato.
00:01:33Did you know?
00:01:34To make something like that possible.
00:01:36I'll tell you.
00:01:39Because this rock...
00:01:41...it has a healing energy.
00:01:45As a healer?
00:01:50Sergio.
00:01:52What are you thinking about?
00:01:54I'm not the kind of agent who makes his family travel to give them depressing news.
00:02:01I only deliver wonderful news.
00:02:06Little brother.
00:02:08I'm getting married.
00:02:11Again.
00:02:13It's the fourth time and you're head over heels in love.
00:02:17I think you're going.
00:02:18Don't tell me.
00:02:19Did you just meet her?
00:02:19Sergio.
00:02:21Almost.
00:02:23Don't you think it's a gift?
00:02:25I think it's unlikely.
00:02:25I think it's unlikely.
00:02:27Sergio.
00:02:27Happiness belongs to those who love.
00:02:30Being loved is just a consolation prize for cowards.
00:02:32So, the true nature of love lies in the active part of wanting like a dog.
00:02:42And I'm that age.
00:02:45Don't you think it's wonderful?
00:02:49I'm happy for you, brother.
00:02:54Thank you.
00:02:56But first of all, today you and I are going to celebrate my bachelor party.
00:03:02Together?
00:03:04Have you brought any summer clothes or are you just going in this librarian outfit?
00:03:10Go buy something.
00:03:11I have to go see the Dutch woman.
00:03:14Do you have to buy one?
00:03:16Something like that.
00:03:46I've already thought about it.
00:03:48The answer is no.
00:03:50Please lower your voice.
00:03:52I don't want to wait until the robbery is over and let this wave of passion pass.
00:03:56I've only asked him to give me some time to do things right.
00:04:00But who knows what will happen when I stop working for my husband?
00:04:03Maybe, maybe I'm no longer interested in you.
00:04:08Or maybe you're no longer interested in me.
00:04:11Or maybe...
00:04:13He is dead from three gunshot wounds.
00:04:17Or perhaps, against all odds.
00:04:22We can be Farids.
00:04:34Am I interrupting something?
00:04:40I wish you had come in two seconds ago.
00:04:45This man...
00:04:47He tried to kiss me.
00:04:57Honey, please don't be alone.
00:05:14Honey, please don't be alone.
00:05:37Look me in the eyes.
00:05:40Tell me you haven't notified my wife.
00:05:42I haven't even tried.
00:05:45You have my word.
00:05:53I know he's telling the truth.
00:05:58We're not having a good run.
00:06:02She's trying to hide it, but I can tell.
00:06:04I notice everything.
00:06:08All.
00:06:10And you are here...
00:06:12And he has earned our trust, our friendship.
00:06:15And of course, that makes him the perfect bait to fuel this fantasy.
00:06:22In any case, I know when a man is lying to me.
00:06:28Now then,
00:06:30if he even thinks about laying a hand on my wife.
00:06:35If he touches her, if he breathes the same air as her.
00:06:41I swear to God,
00:06:44that he will not leave this palace because I saw him buried with the twins in the crypt.
00:06:49Alive.
00:06:52But I'm going to leave a little hole.
00:06:56Tiny.
00:06:57So I can breathe for a few days
00:06:59and have plenty of time to repent.
00:07:03Can you hear me?
00:07:09Very good.
00:07:11Very good.
00:07:24First cocktail.
00:07:26Sex on the beach.
00:07:30Okay, so tell me.
00:07:31Who is she?
00:07:33Her name is Candela.
00:07:35Charm of life.
00:07:36And what does he do for a living?
00:07:37The thief.
00:07:39We've already designed a plan together,
00:07:41But don't worry, don't fret.
00:07:43because it's a fake robbery.
00:07:45What do you mean it's a fake robbery?
00:07:46An aristocrat, an insufferable fellow.
00:07:49Well, the thing is, I'm going to steal a painting for him.
00:07:51I would say yes,
00:07:52But I'm not going to do it.
00:07:54Have you become a deal you're not going to keep?
00:07:55Don't think it's for lack of ideas, okay?
00:07:57On the contrary, Sergio.
00:07:58Stealing a work of art is the easiest thing in the world.
00:08:01Where are you?
00:08:03Good afternoon.
00:08:04Hello.
00:08:04How are you?
00:08:07Rob the Bank of Spain.
00:08:09That is complicated.
00:08:10It's not about whether it's easy or difficult,
00:08:12It's about the fact that you've given your word,
00:08:13which is the only thing a man truly has.
00:08:15Values, Andrés, values.
00:08:16Sergio.
00:08:17Whose?
00:08:21That man is going to want to kill
00:08:22when you open your safe
00:08:23and see that the fantasy of the painting
00:08:25It's nothing more than a smokescreen
00:08:26to steal all his money.
00:08:31Andrés, that man might be an aristocrat.
00:08:33But with what you're telling me
00:08:34He is also a criminal.
00:08:35Do you want to spend your whole life
00:08:37thinking that every door that opens in your path
00:08:38It's the image of a hitman who has come to kill you.
00:08:41The only way to guarantee your safety
00:08:42is to ensure that in the end
00:08:44He has something to gain.
00:08:45and something you specifically lose
00:08:47and that which he has to lose
00:08:48if he decides to take revenge on you
00:08:49is much more serious than that
00:08:51that can win.
00:08:53either we both win
00:08:54or we both lose.
00:08:55But to do that you must comply
00:08:56this part of the deal.
00:08:58You're absolutely right.
00:08:59And in the end
00:09:00design a plan and then not carry it out,
00:09:02That's not very stimulating.
00:09:04This is much better.
00:09:06Steal that painting.
00:09:08I'm going to steal the lady in the ermine.
00:09:11Eleonardo?
00:09:13How are you going to...?
00:09:15How are you going to do it?
00:09:43How are you going to do it?
00:09:46No.
00:10:22Why now?
00:10:24Because there are no limits to cross.
00:10:28Because I have set her husband to kill me.
00:10:29I prefer that he does it after kissing me.
00:10:34And because now that I've kissed you, I don't plan to stop.
00:10:43Ma'am, you sent Duque to get your keys.
00:10:45She left them in the bathroom.
00:10:47Well, I haven't seen them.
00:10:51If I find them, I'll download them for you later.
00:10:55He wants them now.
00:10:57He knows how nervous he gets.
00:10:59I'm getting dressed.
00:11:01I said I'd take them down for you when I'm done.
00:11:08Do you want me to have the service to throw the car away?
00:11:13There's no need.
00:11:15Can I do it myself?
00:11:17Thank you.
00:11:24Because?
00:11:37There's no need.
00:11:39There's no need.
00:11:45There's no need.
00:11:58Keila, I can't talk now.
00:12:00Yes, yes, one minute, one minute, it's important.
00:12:05Has something happened?
00:12:06No, not yet.
00:12:07But it will happen
00:12:08I arrived an hour early for an appointment
00:12:10A date? With Bruce?
00:12:12With Bruce and with another, with Claudio, my lover
00:12:14But now it looks like we're going to be a trio.
00:12:17And I, well, I don't know, I've made a list of pros and cons for each one.
00:12:21But I only see good things in both of them.
00:12:23So no, this is a very good system
00:12:26Excuse me, another Margarita with more tequila, please.
00:12:29Keila, are you okay?
00:12:31A little tipsy
00:12:33Okay, Cameron
00:12:36You, when you hooked up with Jimmy
00:12:38Did you have any doubts?
00:12:40So, you knew if you wanted Jimmy or Roy?
00:12:44I knew it perfectly well.
00:12:46To Roy
00:12:49I was head over heels in love with him
00:12:52Then Jimmy arrived
00:12:53All that damn stuff
00:12:54Go downstairs to talk to him
00:12:55With a knot in my stomach
00:12:57And I thought that emotion was
00:13:00Because I was going to see the love of my life again.
00:13:02But I screwed up
00:13:04I lost my mind
00:13:06We went from bar to bar
00:13:07He invited me to a concert
00:13:09I got into a turbine
00:13:11It was after having sex on the beach that I realized
00:13:14That emotion
00:13:15That knot in my stomach
00:13:17It wasn't because I wanted to see Jimmy again.
00:13:21It was because I realized that the most important person in my life was Roy
00:13:26And you know what?
00:13:28When I got home
00:13:30Loving him so much
00:13:34I wasn't able to tell him
00:13:39All I did was blame him for everything.
00:13:42But don't tell him.
00:13:43So, if you think Roy is the love of your life
00:13:46You don't have to say that.
00:13:50I don't know, maybe when I talk to him again.
00:13:52Okay
00:13:54But come back soon.
00:13:55Hey?
00:13:56Okay
00:13:59What do I have to leave behind?
00:14:26Man, do you want us to have a three-way relationship?
00:14:32I don't know?
00:14:34This is a bit too much for me.
00:14:36I'm getting into a relationship with two people.
00:14:38Imagine a three-way relationship
00:14:39I've always had virtual ones.
00:14:41Because I'm not good at short distances
00:14:42What will you tell me?
00:14:43You're really good at them.
00:14:45But I'm not good at them.
00:14:47Well, I don't know you very well either.
00:14:49But this seems to me the strangest situation I've ever experienced.
00:14:53It's a strange situation
00:14:55In which you enter as a lover
00:14:56You might leave here compromised.
00:15:00And the three of us getting married in Vegas
00:15:02Well, before we get into the problems
00:15:07Please let me say something
00:15:09Because I believe that
00:15:11Well, I think I'm embarking on a life moving forward.
00:15:13Pretty crazy
00:15:14And not
00:15:15And it's not fair.
00:15:19Kayla, I
00:15:21I have argued that all of this is
00:15:22It's because of love.
00:15:24By
00:15:25Out of generosity
00:15:26Because this is contemporary
00:15:27To believe more than one person
00:15:31But it's a lie
00:15:32Roy has opened my eyes
00:15:33What I really have is
00:15:36It's fear.
00:15:36Fear because it's the first time
00:15:38I want someone like that.
00:15:39So
00:15:39So beastly
00:15:42And this absurd idea
00:15:43From one relationship to three
00:15:45That nails it, laughing at the one I'm holding onto.
00:15:49Because we all know that he
00:15:51It is the story that
00:15:52It arrives like a hurricane
00:15:53And I am
00:15:56I'm the one who's erasing himself
00:16:00So make a decision
00:16:06I'm going to leave
00:16:15Mr. Maritas
00:16:16But tonight
00:16:19Tonight we're going to say goodbye the way we deserve.
00:16:21The three
00:16:23And no sad things or long faces
00:16:26It's going to be a party!
00:16:30Here's to the shortest trio in history
00:16:44What do you think?
00:16:46He's brilliant, brother.
00:16:51What is it for?
00:16:55What is it for?
00:17:04And now
00:17:05Work is over
00:17:06And the party begins
00:17:07This is a bachelor party.
00:17:09Hey
00:17:09What kind of music is this?
00:17:12I think they call it flamencoche
00:17:14Do you remember the Guatemalans?
00:17:16What is he with his mom's aunts?
00:17:17Six voices?
00:17:20No
00:17:21Please
00:17:22We're going to show these apprentices
00:17:25How's this Californian style thing going?
00:17:27Please
00:17:28Please
00:17:28Please
00:17:29Please
00:17:44You're not going to be me
00:17:47You got me rockin' and runnin'
00:17:49Rockin' and ridin'
00:17:51Barbaran
00:17:51Beard
00:17:53Barbaran
00:17:54Went to a dance
00:17:55Looking for romance
00:17:57SW
00:17:57Barbaran
00:17:58SW
00:17:58Before I take a chance
00:17:59Barbaran
00:18:02Take my hand
00:18:05You got me runnin' and runnin'
00:18:07Rockin' and ridin'
00:18:09Barbaran
00:18:09Barbaran
00:18:18Barbaran
00:18:19Take my hand
00:18:24Barbaran
00:18:26You got me rockin' and runnin'
00:18:28Rockin' and ridin'
00:18:30Barbaran
00:18:30Barbaran
00:18:33Barbaran
00:18:34Barbaran
00:18:36Barbaran
00:19:06Thank you!
00:19:07Thank you!
00:19:12Thank you!
00:19:14Thank you!
00:19:14Thank you!
00:19:16Well...
00:19:17I'm going there now.
00:19:19It's been an epic night.
00:19:22Clavius.
00:19:24A pleasure.
00:19:27Kila.
00:19:35See you.
00:20:00Do you remember Captain Hook?
00:20:02When he stabs Peter Pan with the sword on the ship's passageway to push him towards the sharks.
00:20:09Yeah.
00:20:10And you feel like Peter Pan on the edge of the catwalk.
00:20:15And if I've come this far, it's because...
00:20:17Because it's a miracle to find someone as wonderful as you.
00:20:23And I've had an epiphany.
00:20:27You've realized that you love him, haven't you?
00:20:29No.
00:20:34This is the ending I've known from the beginning.
00:20:38I am the intruder in this story.
00:20:40It's been a beautiful story.
00:20:50Everyone deserves to have a wonderful life.
00:20:53To realize how brutal their love story is.
00:21:03You should probably run after him.
00:21:05No.
00:21:08No.
00:21:18No.
00:21:20No.
00:21:22No.
00:21:23No.
00:21:24No.
00:21:40No.
00:21:41No.
00:21:42No.
00:21:43No.
00:21:44No.
00:21:49No.
00:21:50No.
00:21:57No.
00:21:58No.
00:21:59No.
00:22:02No.
00:22:04No.
00:22:05No.
00:22:05Ah!
00:22:41No, no, no.
00:23:17No, no, no.
00:23:39No, no, no.
00:24:13No, no, no.
00:24:35In the end, he was right. It's a stash of diamonds.
00:24:37I put a mobile phone inside the bag.
00:24:39Thus, even if the merchandise is moved, we would have the stash located.
00:24:42You see.
00:24:42Sometimes doing what you're told isn't enough.
00:24:45Bye.
00:24:49All good?
00:24:54I've got the checkmate move for that cretin duke.
00:25:00No, no, no.
00:25:09No, no, no.
00:25:38Subscribe to the channel!
00:25:44Good night.
00:25:45Good night.
00:25:47Are you OK?
00:25:51You look a little dizzy.
00:25:53The storm. I'm not having a very good night.
00:25:57Your friend Cristina called me.
00:25:59How are you?
00:26:01Good. Well, as good as you can be after you poisoned her.
00:26:08And now you're going to tell me what you're doing here.
00:26:14I am a thief.
00:26:17I'm signing up for luxury yachts.
00:26:18Passengers often carry jewelry and valuables.
00:26:21Bright.
00:26:23Do you work alone?
00:26:25I don't need anyone else to do what I do.
00:26:29Let's do one thing.
00:26:32We're going to consider three versions of why you're here.
00:26:35Sit down.
00:26:48The first is that you're a lone thief who came here to steal jewels and ended up making a
00:26:54hole in his bed looking for rice.
00:26:56Give me that phone.
00:27:03The second is that you are an undercover police officer who has come here looking for information from some informant.
00:27:10But anyway, I'll rule that one out.
00:27:13Unlock my phone.
00:27:17And why are you ruling it out?
00:27:19Because no police officer is stupid enough to put a hole in a boat.
00:27:23And the third...
00:27:27It's because he belongs to a gang.
00:27:29A band that, for whatever reason, has information about what we have on board.
00:27:33And that he's paid you to do the dirty work.
00:27:36A band with planet names.
00:27:46Captain.
00:27:47They need him on the bridge.
00:27:49Oh.
00:27:50We're going to have to postpone it.
00:27:54Look at me.
00:27:55When I get back, I want you to give me the real names of your band.
00:27:58Because otherwise, I expect irreversible hypothermia.
00:28:01You can't imagine the number of sailors who fall into the sea.
00:28:04Crazy.
00:28:15Colleagues, my friends, good morning.
00:28:20Are you tanned?
00:28:22Yes, you see, I've been reflecting a bit on the beach and there's a change of plans.
00:28:27We're going to steal the lady in the ermine.
00:28:31Why's that?
00:28:33Because it is the perfect safe passage to live in peace for the rest of our days.
00:28:37You'll see.
00:28:41What is it?
00:28:42The shady business that the Duke hides on his yachts and with which he makes those mountains of dirty money
00:28:47It is diamond smuggling.
00:28:49Cameron has revealed it.
00:28:51Diamonds.
00:28:52Rough diamonds directly from the African coast.
00:28:55Smuggling precious stones is one of the most profitable criminal activities in the world.
00:29:00Tons of diamonds stolen by the workers themselves are sold on the black market from the mines of Botswana and Sierra Leone.
00:29:06A rough stone for which the Duke pays 100 or 200 dollars, once polished in Holland, can
00:29:10It could cost up to 75,000 euros.
00:29:12Nothing less.
00:29:13And since traffickers are usually ruthless with those who betray them, we're going to carry out that task.
00:29:18Sorry, the camera crashed with the money already.
00:29:21No, we'll steal it then.
00:29:22That too.
00:29:30I think those days preparing the theft of the Lady in the Ermine were the happiest of my life.
00:29:36With that sweet energy that love gives you, with the striking beauty of Seville, and with friends.
00:29:43Calculating every setback down to the millimeter to prepare the greatest spectacle ever seen in the history of robbery
00:29:51art.
00:30:19Calculating to the millimeter.
00:30:27Calculating to the millimeter.
00:30:35Calculating to the millimeter.
00:30:37Calculating to the millimeter.
00:30:41Calculating to the millimeter.
00:30:41Calculating to the millimeter.
00:30:42Calculating to the millimeter.
00:30:42Calculating to the millimeter.
00:30:42Calculating to the millimeter.
00:30:43Calculating to the millimeter.
00:30:43Calculating to the millimeter.
00:30:45Calculating to the millimeter.
00:30:48Calculating to the millimeter.
00:30:51Come on!
00:31:21The solution to open the last door of the vault.
00:31:26Reviewing the information captured by the ground radar, we found a small notch in that door.
00:31:30It's a crack about 5 centimeters in diameter. I saw it myself.
00:31:36We thought it might be a biometric scanner print, but in that case the indentation would have to be made of silicon
00:31:40and aluminum, and this one is made of steel.
00:31:42We are convinced that it opens with an electromagnet.
00:31:45It makes perfect sense. And it fits with the twisted personality of the eccentric duke, always oscillating between the complex and
00:31:53the simple.
00:31:54Exactly. And I've seen her. She always carries it with her, along with her keys.
00:32:00So we need someone to take it off her.
00:32:03Out of his own pocket, without hardly enjoying it, in a brilliant exercise of prestidigitation.
00:32:09No. No, absolutely not. This time I don't intend to mix business with pleasure.
00:32:21I'll talk to her.
00:32:24Ready? Well, here's the key.
00:32:27I gave the duke a hug to wish him a happy trip and took it out of his pocket.
00:32:32And are you sure she hasn't noticed you stole them?
00:32:35I didn't steal them. I swapped them for another pair.
00:32:58Where is my hand cream?
00:33:23With your permission, Mr. Duke.
00:33:24Pass it to me.
00:33:27Wait.
00:33:29I have a concern that...
00:33:32I don't trust the people you've brought to the palace.
00:33:37And forgive me, but he sits her at his table and goes down with them to sing in the stables.
00:33:43You should remember who I called you, sir.
00:33:46They are thieves.
00:33:47No, friends.
00:33:48What are you trying to tell me, Santos?
00:33:50I have a feeling they're not going to steal the lady in the ermine.
00:33:55They are going to rob you.
00:34:01And you?
00:34:03What do you think?
00:34:07I go into that library every day and see what they're doing.
00:34:11I think that's how they're going to rob the lady with the ermine.
00:34:21Where are you going?
00:34:22Where are our guests?
00:34:23In the library.
00:34:30I can't take it anymore.
00:34:31Álvaro, what's going on?
00:34:33There are 24 hours left until the robbery and they haven't told me anything.
00:34:37Nothing!
00:34:38What is troubling you, Mr. Duke?
00:34:39Perhaps we don't have enough talent to execute that robbery with the brilliance it deserves.
00:34:50How accurate you are, Isi!
00:34:52Yes, that's exactly it.
00:34:55Because it would be unforgivable if it wasn't the heist of the century.
00:34:59Are you following me?
00:35:00I want him to be talked about for decades in Seville.
00:35:03I want it, I want it, to be a double-page spread in the damn Washington Post.
00:35:07I want them to open their news broadcast in the Philippines with the lady in the ermine.
00:35:11He doesn't know how you understand him, Mr. Duke.
00:35:15In that case, sit back and enjoy.
00:35:22This is the armored truck that will transport the lady with the ermine.
00:35:26Its walls are made of steel, 35 millimeters thick.
00:35:29Bet me, Mr. Duke.
00:35:31How would you open this truck?
00:35:41Two of them will do it with thermal lances.
00:35:44That would take us approximately nine minutes.
00:35:48In the city center, around noon, we can only be there for a few seconds.
00:35:51How exciting!
00:35:53How will they do it?
00:35:57We'll do it using their own keys.
00:36:01Will they be at the airport with binoculars when they open the truck to put her in?
00:36:05First of all, it would be very naive of us to put all our eggs in one basket, wouldn't it?
00:36:09Looking through binoculars.
00:36:10And secondly, a tarpaulin is always put up precisely to prevent that kind of trickery.
00:36:15Bruce.
00:36:21So how will they do it, for God's sake?
00:36:23There's a perfect moment when that truck opens.
00:36:2748 hours earlier, on the hangar floor.
00:36:30Everything is checked to ensure it is in order and fully fueled.
00:36:33But by that time we already had four cameras installed to see from every imaginable angle that...
00:36:41the password.
00:36:50Is...
00:36:53It's brutal.
00:36:55Oh, look at that, darling.
00:36:57They look like Boy Scouts posing with their teacher.
00:37:01And they are the most brilliant group of criminal minds in this country.
00:37:08Where will they carry out the robbery?
00:37:10On the Triana bridge.
00:37:11The Triana Bridge.
00:37:14Please.
00:37:16Tell me I can be in one of those rooftop bars watching my magnum opus unfold live.
00:37:22Of course not.
00:37:23He has to go as far away as possible.
00:37:25Go to the countryside with some friends who can testify for you.
00:37:28And above all, do not do any internet searches related to the lady with the ermine.
00:37:32If you are ever on the suspect list,
00:37:34These precautions can guarantee his innocence.
00:37:37God forbid.
00:37:38Look, look.
00:37:44But tell me how they're going to steal it.
00:37:50Kamián, the formán has joined the highway.
00:37:52Go to your position.
00:37:55We're looking into it.
00:37:55We have him behind us.
00:38:02Operation Swarm is underway.
00:38:06What is Operation Swarm?
00:38:08It consists of something as simple as fitting the armored truck in.
00:38:10with a car bubble that we ourselves will have created.
00:38:19It's a complicated logistics operation.
00:38:21You will need at least 19 vehicles.
00:38:23You have trustworthy people to drive them.
00:38:25Absolutely trustworthy.
00:38:27My future wife.
00:38:31I'm already behind the van, buddy.
00:38:33And my new in-laws.
00:38:42In position.
00:38:44We're all in other positions now.
00:38:46Closing the convoy.
00:38:48That truck will be the center of our entourage.
00:38:51Like the Virgin Mary in a procession.
00:38:53But they'll just think they're stuck in a Monday traffic jam.
00:38:57Created by a watermelon truck.
00:39:00Nothing could be further from a sophisticated art theft
00:39:04than a truckload of watermelons, watermelons.
00:39:08Where are you going to do it?
00:39:09On the Triana bridge, complete duplicity.
00:39:19The Triana Bridge.
00:39:21And you've chosen a bridge so you can control the only two access points.
00:39:25Exact.
00:39:26And since we don't want any tragedies during the operation,
00:39:28The first thing will be to block the pedestrian and bicycle lanes.
00:39:32This way...
00:39:36...that we will create a controlled corridor for our convoy.
00:39:40Our entourage will soon be arriving at the site of the operation.
00:39:44And at this moment the illusionist act will begin.
00:39:48I love magic.
00:39:52Are you ready, Roy?
00:39:53Forward.
00:39:54Our show will begin with a tragic American
00:39:57that will capture the attention of our beloved audience.
00:39:59A tire blowout.
00:40:03Let's fly.
00:40:14Once we have the parapet trucks,
00:40:16Our symphony of braking will begin.
00:40:38The cars will carry these loads hidden,
00:40:40very similar to the special effects they use in movies.
00:40:43These are the sensors.
00:40:45A little tap and...
00:40:49We will enclose the armored vehicle in an opaque zone
00:40:52and we'll keep blowing smoke.
00:40:54And pedestrians on sidewalks will witness the tragic spectacle of an accident.
00:40:59But what we will actually do is constantly shift their attention from one point to another.
00:41:05To prevent them from thinking.
00:41:14While those retinas go from explosion to explosion,
00:41:19None of them will notice that in that cloud of smoke, in the middle of the bridge,
00:41:24The biggest art heist in history is about to take place.
00:41:31They are exact replicas of an explosive device.
00:41:35It's impressive.
00:41:39Those gentlemen aren't going to risk opening the door and having the fuse go off in their face.
00:41:44None of them look like Arnold Schwarzenegger.
00:41:46Neither Roberto Cornejo nor Blas Mencía.
00:41:49They look like would-be heroes with amputations from plastic explosives.
00:41:52in defense of Renaissance art.
00:41:58Thank you!
00:42:09Thank you!
00:42:26The dimensions of the frame with the stand
00:42:28They are 59 centimeters high by 45 centimeters wide.
00:42:32So we've created our own mode of transportation.
00:42:38Let's take the lady out of the child.
00:42:40But in a pizza box?
00:42:42That's right, with a rider.
00:42:45How brilliant!
00:43:02And now comes the true brilliance of this heist.
00:43:06When the Armenian lady is already crossing Seville on a delivery motorcycle,
00:43:10Outlaws will begin to blow up the van with thermal lances.
00:43:17We will cut the steel at 3,500 degrees.
00:43:20And when we've already completed part of the work,
00:43:22The sirens will begin to sound in the adjacent streets.
00:43:26We're leaving!
00:43:32Everything meticulously controlled to make it look like a chaotic escape.
00:43:38And when the police arrive at this chaos, they will struggle to understand what is happening.
00:43:50And suddenly, with their backs still floating on the bridge, they will begin to connect the dots.
00:43:551.79, attempted robbery.
00:44:00Explosive, explosive!
00:44:02We're out, man!
00:44:11When they finally open the door of the armored truck.
00:44:18They breathe a sigh of relief.
00:44:22Because there will be the Lady of Arminius in her intact security packaging.
00:44:27A perfect copy of the Lady of the Arminius.
00:44:29That's why it was so hard to see the Dutchman.
00:44:31Correct.
00:44:37With that copy, we will have made the change.
00:44:52It's a masterful copy.
00:44:54The best that can be created on this earth without being Leonardo da Vinci.
00:44:59We manufactured everything.
00:45:00The packing tape, the bulletproof glass, the aluminum support
00:45:04and even the work's identification codes.
00:45:07The numbering of these codes is generated randomly as soon as the artwork leaves the museum.
00:45:11And how can you have those printed stickers if the painting hasn't even left Poland yet?
00:45:16The program has some vulnerabilities that we have taken advantage of to modify it without leaving a trace.
00:45:25It's perfect!
00:45:26And they'll think it was a failed robbery attempt.
00:45:29And they will believe it for a long time.
00:45:34The plan seems brilliant to me, but...
00:45:38Where could the true Lady of the Arminius be?
00:45:42Walking around Seville in a department store bag.
00:45:47The last place they would look for the loot from a robbery that no one knows has been committed.
00:46:09Wicker baskets for the edulis vultures, which are absolutely lovely with their...
00:46:15Breaking news from Seville reports an attempted robbery in broad daylight.
00:46:20Triana bridge.
00:46:21The robbers' target was Leonardo da Vinci's famous painting, the Lady with the Arminius.
00:46:26Which will be installed soon in the Sevillian capital.
00:46:29For the moment in that atmosphere of God, yes, a parishioner of chaos on the Triana bridge.
00:46:33What did he tell me?
00:46:45Can you hear me?
00:46:46It's mine.
00:46:48Congratulations, sir.
00:46:49For the moment you confront me.
00:46:51With your mediocrity.
00:46:54And your loser mentality.
00:46:56I was just trying to be prudent, sir.
00:46:59Bye bye.
00:47:01Bye bye.
00:47:07You go ahead. I'm leaving now.
00:47:13And at the same time that the duke himself disconnected Santos, our attack dog,
00:47:17Fate meant that a single loose end could make us dead men.
00:47:22I see that she has brought her own bag.
00:47:46When am I coming here?
00:48:01Are you going to tell me something?
00:48:06Well, that's it, just a little more tequila.
00:48:14Well?
00:48:20I don't have any fucking band.
00:48:23And even if I did have it, I'd never tell you.
00:48:38How are we doing?
00:48:41There is nobody within 42 miles.
00:48:46Well, that means you're not going to be lucky enough to cross paths with any ships.
00:48:49And the more you swim, the worse it will get because you'll get more tired.
00:48:53You'll lose more heat.
00:48:54The nearest coast is Algeria.
00:48:56370 miles away.
00:49:02Give me something.
00:49:07Who wants to betray my boss?
00:49:10Or who wants to rob us?
00:49:13Give me a little bit.
00:49:15So we can defend ourselves, damn it.
00:49:18Is that a dip?
00:49:27My boss's name is Carlos.
00:49:30Carlos?
00:49:32Which Carlos?
00:49:34The one with the big balls.
00:49:39You're a brat with more arrogance than sense.
00:49:42I'm going to get out of the water.
00:49:45I don't know how, I was clinging to a fucking cop.
00:49:50Resisting everything.
00:49:52And I swear we'll see each other again.
00:50:03We will report your disappearance at dawn.
00:50:08I was just having a lucky day.
00:50:10I don't know.
00:50:39No, no, no.
00:50:41No, no, no.
00:51:13No, no, no.
00:51:41No, no, no.
00:52:11No no.
00:52:16No no.
00:52:55No, no, no.
00:53:01No no.
00:53:02No no.
00:53:09No no.
00:53:43No no.
00:54:11No no.
00:54:14No no.
00:54:49No no.
00:55:14No no.
00:55:19No no.
00:55:47No no.
00:55:53No no.
00:56:21No no.
00:56:27No no.
00:56:56No no.
00:57:00No no.
00:57:01No no.
00:57:04No no.
00:57:06No no.
00:57:28No, no, no.
00:57:32No, no, no.
00:58:02No, no, no.
00:58:30No no.
00:58:53No no.
00:58:56No, no, no.
00:59:25No, no, no.
01:00:12No, no, no.
01:00:53No no.
01:00:55No, no, no.
01:01:25No, no, no.
01:01:54No, no, no, no.
01:02:46No, no, no.
01:03:07No, no, no.
01:03:50No, no, no.
01:03:54No, no, no.
01:04:26No, no, no, no.
01:04:43No, no, no, no.
01:05:10No, no, no, no, no, no.
01:05:36No, no, no.
01:06:06No, no, no, no.
01:06:27No, no, no, no.
01:06:59No, no, no, no, no.
01:07:27No, no, no, no.
01:07:57No, no, no.
01:08:42No, no, no, no, no.
01:08:58No, no, no, no, no, no.
01:09:39No, no, no, no, no, no, no, no.
01:09:51No, no, no, no, no.
01:10:47No, no, no, no, no, no, no, no, no.
01:10:51No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:11:00no, no, no.
01:11:45Thank you!
01:12:03Thank you!
01:12:21What do you want me to say?
01:12:22What you're thinking.
01:12:24I should never have let the girl infiltrate.
01:12:28That it leads her to the brink of death for having an arm-wrestling match with an eccentric egotist who is the same
01:12:33that I.
01:12:34Now I have one dead and two burned on my conscience, and those are your red lines and your difference.
01:12:39with me.
01:12:41I can bear a death in my conscience, but you cannot.
01:12:45Don't think you're the center of the universe.
01:12:49We are each where we choose to be.
01:12:54Miros, Roy.
01:12:59Even Camero.
01:13:03Everyone made a choice.
01:13:05I could be in Marbella myself, opening those safety deposit boxes and eating the nougat by myself.
01:13:14But I will keep more memories of these days in Seville than of my entire life at university.
01:13:23Some.
01:13:26From a pain.
01:13:31Immeasurable.
01:13:33But that's what being alive is all about.
01:13:36And something I also know now.
01:13:42Live without looking back.
01:13:44Thank you.
01:14:01Hey, what...
01:14:03If you want, we can steal those boxes from Marbella, okay? I don't like them that much either.
01:14:07Christmas.
01:14:07Clear.
01:14:08I've already developed a taste for the surprise diamond.
01:14:10First, I also have to ask you...
01:14:12Nothing, just a little bit of leeway.
01:14:13The weeks.
01:14:15I want to invite you to the wedding.
01:14:20going in shape.
01:14:25Time stood still
01:14:27Just like a photograph
01:14:53Subscribe to the channel!
01:15:17Subscribe to the channel!
01:15:44Subscribe to the channel!
01:15:59The day you were at the hotel with Camil, I thought you had something in your jacket pocket.
01:16:06Call me crazy, but I think they were panties.
01:16:08The ones in the pocket were old; she brought them to me as a souvenir from our...
01:16:11...Tona Paris.
01:16:18What's the matter?
01:16:19You're acting a little strange.
01:16:21Well, I just don't like weddings.
01:16:22Neither wedding figurines, nor wedding cakes.
01:16:25Well, I really feel like I'm getting closer to the cake at this wedding.
01:16:37Do weddings make you sad too?
01:16:39It's the emotion.
01:16:45You're Paris's friend, aren't you?
01:16:49Go.
01:16:50It's life to me.
01:16:52Did I feel it?
01:16:53I felt.
01:17:03Where is the Lady of the Arminius now?
01:17:05A magician never reveals his secrets.
01:17:07But I'll give you a hint.
01:17:09If in the near future you see that the Lady of the Arminius is selling for significantly less than its price,
01:17:13He begins to suspect something.
01:17:14And what is its price?
01:17:16Never less than $400 million.
01:18:13Arminio is being sold well below its price,
01:18:27Arminio is being sold well below its price,
01:18:54Arminio is being sold well below its price,
01:18:55At a medium price below its value,
01:19:42Thanks for watching the video.
01:20:12Thanks for watching the video.
01:20:15Thanks for watching the video.
01:20:45Thanks for watching the video.
01:21:15Thanks for watching the video.
01:21:45Thanks for watching the video.
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