- hace 13 horas
Reparto: Groucho Marx, Harpo Marx, Chico Marx, Donald MacBride, Frank Albertson, Lucille Ball, Ann Miller, Cliff Dunstan, Charles Halton
Dirección: William A. Seiter
Sinopsis: Gordon Miller, un productor de teatro de tres al cuarto, quiere estrenar la obra de un joven autor novel, pero necesita encontrar un capitalista que la financie antes de iniciar los preparativos de la función. Mientras tanto, se ha instalado, con los 22 miembros de su compañía, en el hotel que regenta su cuñado. Cuando se descubre que debe una suma considerable al hotel, lo amenazan con desalojarlo, pero Miller, con la complicidad de sus fieles Harry Binelli y Faker Englund, se las ingeniará para evitarlo y, además, conseguirá, por fin, estrenar la obra.
Dirección: William A. Seiter
Sinopsis: Gordon Miller, un productor de teatro de tres al cuarto, quiere estrenar la obra de un joven autor novel, pero necesita encontrar un capitalista que la financie antes de iniciar los preparativos de la función. Mientras tanto, se ha instalado, con los 22 miembros de su compañía, en el hotel que regenta su cuñado. Cuando se descubre que debe una suma considerable al hotel, lo amenazan con desalojarlo, pero Miller, con la complicidad de sus fieles Harry Binelli y Faker Englund, se las ingeniará para evitarlo y, además, conseguirá, por fin, estrenar la obra.
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CortometrajesTranscripción
00:00:13Thank you!
00:00:42Thank you!
00:01:13Thank you!
00:01:21What's wrong with you? Do people no longer respect other people's privacy?
00:01:24Hey, the bill, Mr. Miller.
00:01:26Oh, the bill.
00:01:27And what is it for?
00:01:29She'll have to pay for it someday.
00:01:31What an absurd custom. Here you go.
00:01:33Thank you.
00:01:33Don't rush into anything. Wait until you get paid.
00:01:35Mr. Miller, I have seen all the rehearsals that your company has done in Simón Oveno's apartment.
00:01:41And I would like to play that role of a Polish miner.
00:01:46And I advise you to continue being a waiter.
00:01:49Most actors would give their lives to be able to smell food as closely as you do.
00:01:54Mr. Miller, I'm on the phone. Please come here.
00:01:56Some creator.
00:01:58Hello?
00:01:59Oh, it's Cristín. Hi, doll. How are you?
00:02:03I'll be a little late.
00:02:05I can't leave until Mr. Freeman leaves.
00:02:08What would be unpleasant?
00:02:09Okay, come to rehearsal whenever you can, and don't forget that I'm going to make you a big star.
00:02:13And I expect a lot from this, at the very least jail time.
00:02:15Okay. See you later.
00:02:19Just a moment, Mr. Businessman.
00:02:20I'm going to read you what the Russian critic Jakabovich wrote about my performance in Theophany.
00:02:25An actor from the Moscow Art Theatre achieves unprecedented success.
00:02:30Alexander Smirnova in the role of Teofania.
00:02:33Very interesting. When did he write that?
00:02:34Hours before he was killed.
00:02:37Teofania is a great play.
00:02:39It's something extraordinary.
00:02:41In the second act, more than three hundred peasants come out, all dancing the kazaski.
00:02:56Excuse me, Mr. Gribble.
00:03:00I want to talk to you, Gordon.
00:03:02Also, I don't like talking to a hotel manager while I'm digesting my food.
00:03:06Gordon, this can't go on.
00:03:07If you're referring to the menu you served me, you're right.
00:03:09I'm an idiot. I should never have let you into this hotel.
00:03:12I agree you're stupid, but don't worry.
00:03:14I'll pay you as soon as I find a funder for my show.
00:03:16You can't just pull money out of thin air, for crying out loud.
00:03:20At least I can't.
00:03:31Gordon, I'm in a big bind.
00:03:33Mr. Wagner, the inspector, is downstairs in the office checking the books.
00:03:37And why is Wagner getting involved in this? Why should he write music?
00:03:40The bad thing is that it will discover your account.
00:03:43Twelve hundred dollars of credit to a person who has never seen a hundred dollar bill in their life.
00:03:47What explanation can I give him?
00:03:48And if he finds out you're my brother-in-law, I'll lose my job.
00:03:52It was a business deal, wasn't it?
00:03:54In return for you trusting me, and twenty-two of my actors,
00:03:57I offered you a part in the show.
00:03:59Don't forget that you asked me for the exclusive rights to this location.
00:04:02Do you mean you and Flossy forced me to ask for it?
00:04:06Be a gentleman, don't drag your wife's name into this.
00:04:09Imagine you are talking about the woman you love.
00:04:12And he also thinks that that woman is my half-sister.
00:04:16Hello, boss!
00:04:18What a rehearsal!
00:04:19It's wonderful.
00:04:20Oh, really, Vinelli?
00:04:21Yes, boss, something wonderful.
00:04:22I still think the work is horrible.
00:04:24But the rehearsals are incredibly distracting.
00:04:27Hey, let's talk about the kitchen, please.
00:04:29Wait a minute, Vinelli.
00:04:30No more eating here for free.
00:04:31So it's pointless to stay here.
00:04:33I'll have to go.
00:04:34And I will be forced to hold your luggage, Gordon.
00:04:36Okay, I'll leave my luggage with you.
00:04:38I'll leave with only the clothes on my back.
00:04:39Hey, Vinelli?
00:04:39Put on three of my suits.
00:04:41I didn't expect this from you.
00:04:42Is it room 1922?
00:04:44Faker?
00:04:45Here we go again.
00:04:47Come down and give us a hand.
00:04:48Gordon.
00:04:48Do you think it's a good idea to put 23 artists on the street in a single day?
00:04:52Of course.
00:04:52Besides, you can't, because all their expenses are charged to my account.
00:04:55I am solely responsible.
00:04:57So as soon as I'm gone, everyone will re-register with their names.
00:05:00And from today, instead of one large bill, you'll have 22 small ones.
00:05:03Say.
00:05:04Joe, this is for you.
00:05:08Hello?
00:05:11Yes, Mr. Wagner, right downstairs.
00:05:13Danger is in the air.
00:05:1517 years of experience in the hospitality industry only to fall victim to a freeloading relative.
00:05:34This only confirms my fears.
00:05:36This hotel is not very comfortable.
00:05:37I'm afraid you're right.
00:05:39Can you put me up for the night?
00:05:41Yes, but you'll have to sleep in the closet.
00:05:44And why not on the ground?
00:05:45I sleep on the floor.
00:05:47So what's wrong with the bed?
00:05:48It became embedded in the wall.
00:05:52Come on, Faker, give us a hand.
00:05:57I see you've come prepared.
00:05:58No, what happens is that he hates shirts.
00:06:00You don't talk to them, okay?
00:06:05Couldn't he give me a place to stay for the night?
00:06:08At the Metropol?
00:06:08I don't recommend it.
00:06:10There are more fleas there than in a zoo.
00:06:13Good.
00:06:13I'll have no choice but to hang myself from a hanger in your closet.
00:06:17Sure, you'll be much better off there.
00:06:18Plus, that way you don't ruin your ironing.
00:06:22However, he will have a bed, won't he?
00:06:26Yes, but she shares it with seven others.
00:06:28And naturally that forces them to sleep standing up.
00:06:42Running away again?
00:06:43Hello, beautiful.
00:06:44Hello.
00:06:44Well, then you can't leave.
00:06:45I found a capitalist and he's coming here.
00:06:47But are there any left?
00:06:48He is an investment agent named Jenkins.
00:06:50He came to the office to talk to Fremont, but he talked to me instead.
00:06:52And he has the money to finance the project.
00:06:54Did he wear a straitjacket?
00:06:56I talked him out of seeing Fremont.
00:06:58And I spoke very highly of you, Gordon.
00:06:59I gave him a copy of Salve and you have a good time, which he will now be reading.
00:07:03And why did you arrange the appointment here?
00:07:05Because if I stay, I might end up without actors.
00:07:08And if not, without a capitalist?
00:07:10You have to wait for the white horse.
00:07:12And that's it, open the door for him.
00:07:14Bundle up in case there's a draft.
00:07:17Take.
00:07:21One moment.
00:07:28Mr. Gordon Miller?
00:07:29In front of you.
00:07:30My name is Davis.
00:07:32Davis?
00:07:32Yes, the author of Hail and have a good time.
00:07:36Oh, this is a surprise.
00:07:38Perhaps I should have announced my arrival earlier, of course.
00:07:41No, why bother?
00:07:42Excuse the appearance of the room.
00:07:43We were cleaning.
00:07:45I hope I'm not intruding.
00:07:46Here, we all are.
00:07:48Let me introduce you to Miss Marlow, the leading actress in your play.
00:07:51Mr. Binnelli, my assistant.
00:07:52And Mr. England, the gray brain of the organization.
00:07:55This will give you an idea of what the organization is like.
00:07:59Good.
00:08:00I'd better go and register.
00:08:02Does he also intend to stay here?
00:08:05Yes, but before filling out the registration form, I want to tell you something in confidence.
00:08:09I don't have a penny, Mr. Miller.
00:08:12Oh.
00:08:14I trust the advance payment.
00:08:16Of course, I could advance you that money.
00:08:18That amount means so little to me.
00:08:20But I advise you to go back home and study for a degree while I send for you.
00:08:25But I've left home.
00:08:27There is nothing left that ties me to my family.
00:08:29But if I were to return, I would be welcomed.
00:08:32My parents seemed very happy when I left.
00:08:34They pretended so as not to upset him.
00:08:36At this moment, the two of them will be sitting crying in front of the fireplace.
00:08:39But what if we don't have a chimney?
00:08:41They don't have a chimney?
00:08:43So, where do you dry your socks?
00:08:47What time does the next bus leave for Osuigo?
00:08:50Excuse me, Miss Marlon, but...
00:08:51I assure you that you will thank me for it for the rest of your life.
00:08:53Appreciate their advice for what it's worth, but...
00:08:55It leaves at nine.
00:08:55If you hurry, you can still catch it.
00:08:57And if it doesn't arrive, keep running.
00:08:58We will help you unload your luggage.
00:09:00Davis, his entire future may depend on this decision.
00:09:02Just a moment, just a moment.
00:09:04I don't want to seem like this, but the truth is I can't go back home anymore.
00:09:08Don't you know how to go alone?
00:09:09Yes, the thing is, if they no longer believe in my work, I would like them to tell me.
00:09:12Who's talking about believing?
00:09:13I know Mordon Freeman would buy it.
00:09:15Have a cover letter for him.
00:09:17Freeman?
00:09:18Haven't you heard of him?
00:09:20Unless I'm very much mistaken, what you really want is to go back home, right?
00:09:23I've already said it.
00:09:24Well, we shouldn't force his will, he could become neurotic.
00:09:27And speaking of that advance, what you really need is a bed and food, right?
00:09:32Yeah.
00:09:32Well, your problem is solved.
00:09:34He will live with us here.
00:09:35Oh, no.
00:09:36No, no, no, not one more word.
00:09:37You are my guest.
00:09:38You are at home.
00:09:40May I live with you?
00:09:42It doesn't come from one.
00:09:43Oh, thank you.
00:09:44Thank you so much.
00:09:48By the way, my friend Davis, if you happen to have any money on you, you'd better give it to me and I'll give it to you.
00:09:53I will keep it.
00:09:53There are a lot of scoundrels around here.
00:09:55I have 75 cents.
00:09:56And with 75 cents you dare to ask us for an advance?
00:09:59Ah, he's a joker.
00:10:01Okay, friend, if you'll excuse me, I'd like to freshen up a bit.
00:10:04Over there.
00:10:04Yes, yes, go ahead.
00:10:05We're already clean, you know?
00:10:07Ah, there's only one solution.
00:10:08Ask Mr. Freeman for an advance on my salary.
00:10:12You know what?
00:10:13I still have soot in my ears from that long train journey.
00:10:17Save it for fuel.
00:10:18Summer is coming in harsh.
00:10:24Are we already experiencing clostomamania?
00:10:26You should be ashamed of stealing from a stranger, Faker.
00:10:32It seems to be being renovated.
00:10:34He didn't keep the photo.
00:10:35You should see what a stint in jail does to you, huh?
00:10:38I feel like I'm doing a striptease.
00:10:42Have a good time.
00:10:44The author!
00:10:45The author!
00:10:46The author!
00:10:48Tell me, on behalf of whom?
00:10:51Don't hang up.
00:10:52Do you know any police officers?
00:10:53What is your license plate number?
00:10:55Hello?
00:10:57You don't say.
00:10:58But, officer, that's doing things treacherously.
00:11:06Okay, what else can we do?
00:11:10That's all we needed.
00:11:11They're going to evict me for non-payment.
00:11:13For lack of payment, huh?
00:11:15Alright.
00:11:15I'm going to pawn the typewriter.
00:11:17I won't allow it.
00:11:18Davis will understand.
00:11:20What does it matter, Davis?
00:11:20I'm going to pawn it myself.
00:11:22I need it more urgently than you do.
00:11:23They're going to present me with a ballot
00:11:24And that represents the passport to go out on the street.
00:11:26Hold on, man.
00:11:27I can't waste a single minute.
00:11:29If I don't hurry,
00:11:29That police officer will show up there.
00:11:31and he'll put the wardrobe on the sidewalk.
00:11:34This bathroom is impressive.
00:11:36I'd never lived in a hotel before, you know?
00:11:40She was looking for her underwear
00:11:42in case he wanted to move.
00:11:43Thank you.
00:11:44Okay, I'll go down and register him.
00:11:45If anyone asks for me, I'll be right back.
00:11:53Hey, is that the agency you ever get paid by?
00:11:58Well, I'm Leo Davis, from Oswigo.
00:12:02No, no, it's just that I live here now at the Camino Blanco Hotel,
00:12:05room 920.
00:12:07Yes, yes, that's it.
00:12:10I'm a little late with my payment.
00:12:12of the typewriter
00:12:13And it seems they've returned it to you, haven't they?
00:12:16Okay, then send me an agent here
00:12:18and I will be very happy to settle it for you.
00:12:21Forward.
00:12:23Okay, I'll wait for you.
00:12:25Bye bye.
00:12:28Oh, oh, excuse me,
00:12:31I thought this was Mr. Miller's room.
00:12:33Yes it is.
00:12:34Mr. Miller will be back shortly.
00:12:36Are you an actress?
00:12:37No, I'm Miss Manny,
00:12:39the manager's secretary.
00:12:40Oh, good.
00:12:41What do you want me to say to Mr. Miller?
00:12:43Well, that's it.
00:12:45That is to say,
00:12:47No, no, it's nothing important.
00:12:48Uh, excuse me, miss,
00:12:50What did you say your name was?
00:12:52Manny, Gilda Manny.
00:12:54I met someone named Manny back in Oswigo.
00:12:57Oscar Manny?
00:12:58Yes, he gave me piano lessons.
00:13:01Well, he's my uncle.
00:13:02Your uncle?
00:13:03Wow, what a coincidence!
00:13:07Don't you want to take a seat?
00:13:09Thank you.
00:13:14Would you like a chocolate bar?
00:13:17I bought them on the train.
00:13:18Thank you.
00:13:19One thousand two hundred dollars.
00:13:22Gribble doesn't quite understand what's happening here.
00:13:24And has that Miller flown?
00:13:26I have been informed, Mr. Wagner.
00:13:27When did he leave?
00:13:29Well, I don't know exactly.
00:13:34I just want to know one thing, Mr. Gribble.
00:13:37What is a head good for besides combing your hair?
00:13:40But Mr. Wagner, I've already explained that...
00:13:41Our credit limit is five hundred dollars.
00:13:44Miller has deceived me.
00:13:44Every day he would show me telegrams that his capitalists sent him.
00:13:48I never suspected he would escape.
00:13:50He's a scoundrel.
00:13:51I assure you that if I catch him, I will have him arrested.
00:13:53Sorry, Gribble.
00:13:55But I will have to charge you for everything that exceeds the limit.
00:13:58And that's seven hundred dollars.
00:14:00I protest, Mr. Wagner.
00:14:01Gribble.
00:14:02I've come here to bring order to this hotel.
00:14:06If I succeed, there's a vice-presidential position waiting for me.
00:14:10And I won't let anything stand in my way.
00:14:13I will go up to room nine hundred and twenty myself.
00:14:18I had almost forgotten why I came here.
00:14:20But since you are the author, perhaps it would be the same to ask you.
00:14:24You see, it's about...
00:14:25He is an actor.
00:14:28One that you like?
00:14:30Oh yes, it's wonderful.
00:14:32When do you say so?
00:14:34He is a waiter at the hotel.
00:14:36He was a big star at the Moscow Art Theatre.
00:14:40At the Art Theatre?
00:14:42The father could do it in a salve and you'll have a good time.
00:14:44The poor man is so desperate that I want to help him.
00:14:48Could you do something for him?
00:14:50I don't associate Gilda with a middle-aged man.
00:14:53Well, I don't see that...
00:14:55Oh, no, no, no, it's nothing like that.
00:14:58It's just a favor I'm doing him.
00:15:01Oh, I see.
00:15:02Well, I would love to please her.
00:15:04Whenever you say so, I'll do the test.
00:15:06He doesn't need to say anything more.
00:15:07And who knows, maybe I'll discover a great actor.
00:15:09Oh, you have no idea how happy that makes me.
00:15:14Okay, I think I'd better go.
00:15:17Thanks for everything.
00:15:19Also because of the chocolate bars.
00:15:20If you'd like, I could give that actor a screen test right now.
00:15:23I would like to meet you and have you present.
00:15:26How kind of you.
00:15:27Come with me.
00:15:28With all my heart.
00:15:32It's downstairs, waiting for us on the mezzanine.
00:15:34Magnificent!
00:15:50I don't understand anything, Gribble.
00:15:52Did they house that Davis guy without cleaning this up?
00:15:54That's what the janitor says.
00:15:56The more I delve into the matter, the less I understand it.
00:15:59But there is one thing I am sure of.
00:16:02Very strange things are happening at this hotel.
00:16:05But here I am.
00:16:06If I were given a chance to investigate...
00:16:08Investigate?
00:16:09You let that scoundrel come here with 23 people
00:16:13which I haven't even been able to find.
00:16:15And still...
00:16:21Are you Mr. Davis?
00:16:23No.
00:16:24Mr. Miller, perhaps?
00:16:26No, he's not right, huh?
00:16:28For God's sake, Gribble, they've brought in another man.
00:16:30The total now stands at 24.
00:16:32There must be a mistake.
00:16:32You are the mistake.
00:16:33Who lives here?
00:16:35Hey?
00:16:35I will answer.
00:16:37I won't stop until I find out everything.
00:16:40Oh, man, it was such a struggle to get him through the revolving door.
00:16:43Don't speak to me.
00:16:44What's happening?
00:16:46As?
00:16:47In the dining room?
00:16:48I'm going down right now.
00:16:49Stay here and keep watch.
00:16:51I'll be right back.
00:16:51Mr. Wagner.
00:16:52There are 23 people having dinner who are covering the entire expense.
00:16:55to Mr. Miller's account.
00:16:59For God's sake!
00:17:01He's crazy.
00:17:03I thought Gordon was going to be longer.
00:17:05Yes, but the world turns so many times.
00:17:08We are waiting for a capitalist and we cannot leave here.
00:17:10And they're making me pay $700 off Gordon's account.
00:17:13That scoundrel.
00:17:14Kiss me, Joe.
00:17:14Christian, bring me a capitalist.
00:17:16Capitalist, I'm sick of hearing that word.
00:17:19And you still dare to register that Davis?
00:17:21Is anyone asking for me?
00:17:23Are you Davis?
00:17:24Leave it to my show.
00:17:25Do you have money?
00:17:26No, I don't have it.
00:17:27Oh, are you from the agency that you eventually get paid by?
00:17:30I am the manager of this hotel.
00:17:31And you should know one thing.
00:17:32There is a $1,200 charge against this room.
00:17:35And if you stay there, I'll charge half to your account.
00:17:37But seriously, what kind of hotel is this that only accepts sign-ups?
00:17:41Are they already planning to charge around $600?
00:17:43Don't listen to him, man.
00:17:45Ignore him.
00:17:45He's crazy.
00:17:46No, I'm not crazy.
00:17:46Oh, Gordon, you've never had a penny and you never will.
00:17:49You'll only ruin me.
00:17:50Oh, give it a try.
00:17:51It's the least Wagner can do for his brother-in-law.
00:17:53Nobody has given him a say in this matter.
00:17:55Yes, change.
00:17:57Oh, Mr. Jenkins.
00:17:58Yes, please come up.
00:18:00Joe, we're saved.
00:18:01My white horse is reaching the finish line.
00:18:04Go downstairs and tell Wagner that if he doesn't behave,
00:18:06I will buy this hotel and I will make him a bellboy.
00:18:08Or no, even worse, I'll make him a customer.
00:18:10Does that white horse really exist?
00:18:11He's galloping up the stairs.
00:18:13Come on, leave us alone for 15 minutes.
00:18:15Wagner told me not to move from here, I don't know what to do.
00:18:17Marry someone.
00:18:20Wow, why has she become so sad?
00:18:22Well, because I'm a little disappointed.
00:18:25You told me in a letter that you were a great businessman.
00:18:27And I am, I am a great businessman who never risks his money on a project.
00:18:31Everyone was so kind, so friendly.
00:18:34I had the impression that I had just moved into some kind of club.
00:18:37Listen, everyone acts this way.
00:18:39Every business owner has a capitalist.
00:18:42If a businessman puts his money in, it's immediately obvious that he's a crook.
00:18:46Shh, money.
00:18:52Mr. Jenkins, I presume.
00:18:54Yes, Mr. Miller.
00:18:55Please come in.
00:18:56I'd like to introduce you to Mr. Vinelli, my treasurer.
00:18:58Nice to meet you, Mr. Jenkins.
00:18:59Mr. Davis, my author.
00:19:00Pleased to meet you, gentlemen.
00:19:02It's a pleasure to meet you, Mr. Jenkins.
00:19:03I had never seen a white horse before.
00:19:05Please sit down, Mr. Jenkins.
00:19:09Thank you.
00:19:10Miss Marlow will have told you the reason that brings me here.
00:19:13TRUE.
00:19:14I see that you have brought a copy of my work.
00:19:16It's extraordinary, isn't it?
00:19:17He'll say it.
00:19:18I really liked his work.
00:19:20I represent an extremely rich man.
00:19:23No doubt everyone knows him, but I won't say his name.
00:19:25Who is it? What's their name?
00:19:27You see, there's a young girl involved.
00:19:29Yes, a young woman who wants to play a role.
00:19:32How do you know?
00:19:33They are always linked to capitalists.
00:19:36Okay, my client is willing to contribute $15,000.
00:19:41$15,000?
00:19:43Well, I think that...
00:19:44Perhaps we can manage with that amount.
00:19:47It's not excessive, but it's okay.
00:19:48True, saving a little bit here, a little bit there, can help us.
00:19:52Mr. Davis won't mind writing a little note for that young lady.
00:19:55I will not change a single line of the work.
00:19:58Shakespeare never changed a single line.
00:20:00Why didn't I see $1,200?
00:20:01And she won't have to change anything. That young woman can become one of the miners.
00:20:06How can a woman act like a man?
00:20:08Davis, please don't steer the conversation into thorny territory.
00:20:11I only produce moral works.
00:20:13I will sign the contract if you have it ready and I will give you the check, say, tomorrow morning at 10.
00:20:18Let's say whatever you want, in your office tomorrow at 10.
00:20:21And why not here?
00:20:22Do you mean here... here?
00:20:25Yes, I'd prefer it not be in my office.
00:20:28Therein lies the danger of advertising, and you will understand that my client is not interested in that.
00:20:33Oh.
00:20:36Oh.
00:20:38Okay, then, see you tomorrow. At 10 o'clock sharp.
00:20:41And couldn't it be tonight?
00:20:43No, that can't be. See you tomorrow at 10.
00:20:46It has been a pleasure meeting you and your treasurer.
00:20:49See you tomorrow.
00:20:50Goodbye, and don't regret it.
00:20:52Stop it when cars are crossing the street!
00:20:53Oh, white horse! Oh, white horse! Oh, white horse!
00:20:58We did it, Joe!
00:21:00We have the money for the project.
00:21:01We've found a capitalist, $15,000.
00:21:04I can't believe it.
00:21:04Ha! I'll have the check tomorrow at 10.
00:21:07And couldn't you get something on account?
00:21:08That could have ruined everything.
00:21:10Oh, well, it was essential. Wagner is furious.
00:21:12Gordon, the whole company is out on the street. They've been kicked out of the mess hall.
00:21:16If I lose my actors, I will sue Wagner.
00:21:17And if I lose my capitalist, I'll kill him.
00:21:19Gordon, where are you going? Don't do anything, I'm afraid of you.
00:21:22Actors have to sleep somewhere.
00:21:24Could you let them use the ballroom for one night?
00:21:25But suppose Wagner goes there and discovers them.
00:21:27So everyone starts dancing and that's it.
00:21:30Okay, lock them up in there.
00:21:33Tell me the keys.
00:21:34Above all, they should keep quiet.
00:21:34I'll tell him.
00:21:35Let them dance barefoot.
00:21:37I'm leaving here right now.
00:21:39He can't do that.
00:21:40I don't want to lose my clothes. They're all I have.
00:21:50Who is that?
00:21:52Have they brought in anyone else?
00:21:54None of that. Let me introduce you to Mr. Miller.
00:21:56Oh, oh!
00:21:58So it hasn't flown in the end.
00:22:00Mr. Wagner, I beg you to reopen the rooms on the 19th floor.
00:22:03They are my guests and I am responsible for their accounts.
00:22:06And who will answer for you, Miller?
00:22:08Davis?
00:22:08I vouch for Davis.
00:22:13And who for you?
00:22:15I, Davis.
00:22:17Griebel, they are mocking you to your face.
00:22:20Nobody makes fun of us here.
00:22:21Everyone says what they feel.
00:22:26Miller, I ask that you pay a reasonable portion of your debt.
00:22:29I will pay you the full amount tomorrow.
00:22:30Tomorrow will be too late.
00:22:32I want a share today.
00:22:33You have a theater downstairs that you haven't been able to rent out in three years.
00:22:37This is your opportunity.
00:22:38Wait until tomorrow and...
00:22:39I'm not interested in waiting.
00:22:40Miller, I'll give you 20 minutes to settle my account.
00:22:43Otherwise...
00:22:44Will you pay for it?
00:22:45So he still has a sense of humor for jokes, huh?
00:22:48Very good.
00:22:50And forget the trick of locking yourself in here.
00:22:53I will force him to leave.
00:22:54I'll send the painters, the fumigators.
00:22:57I should have sent them weeks ago.
00:22:59Come on, Griebel.
00:23:03I'm going to clean this hotel of parasites.
00:23:05Even if it means leaving the rooms empty.
00:23:09They don't know me now.
00:23:20You have no idea how much he reminds me of my father.
00:23:36What's wrong with you?
00:23:41No!
00:23:42What's wrong with him now?
00:23:43What an injustice!
00:23:44He's being kicked out of the boarding house just because he owes six months' rent.
00:23:48Humanity is unhinged.
00:23:53I bet he's decided to stay here.
00:23:55Winner and placed.
00:23:56But how?
00:23:57Four in one room?
00:23:58Not counting painters and fumigators.
00:24:00But we must keep this room until ten o'clock tomorrow or catastrophe will occur.
00:24:05We'll have to sleep in shifts.
00:24:07Yes, I'm on the night shift.
00:24:08Okay, you'll sleep the night shift, I'll sleep the day shift, and everyone else will sleep the rest.
00:24:11weather.
00:24:12Okay, I'll pack my things and leave.
00:24:21One moment.
00:24:23What if one of them got sick?
00:24:25Great idea.
00:24:26A sick person cannot be fired.
00:24:27It's against the law.
00:24:28Do you remember my appendicitis at the Astro and my mumps at the Plaza?
00:24:31Oh, those were the days!
00:24:32Why didn't I think of that before?
00:24:35Pinelli, go to bed.
00:24:36No, I'm no good.
00:24:37I am not registered.
00:24:38Baker!
00:24:39Go to bed.
00:24:40No, not him.
00:24:41It is not registered either.
00:24:57Davis, is something wrong?
00:24:58You look very unwell.
00:25:00Well, I'm fine.
00:25:01Do you believe that?
00:25:02What is this?
00:25:02They've gone mad.
00:25:03What are they trying to do to me?
00:25:04Or is he faking illness?
00:25:05Or we lose the room.
00:25:07No no.
00:25:07No, don't betray us.
00:25:08Yes, I am in very good health.
00:25:09He has a contagious disease.
00:25:10Measles.
00:25:11But yes, I already passed it.
00:25:12It's a relapse, Faker.
00:25:13Go get the iodine and paint it to your liking.
00:25:15Wait a minute, let me give my opinion.
00:25:16There's no time for that.
00:25:18We've already given our opinion for you.
00:25:27And couldn't he be sick even with his clothes on?
00:25:30Leave me alone.
00:25:31What are they going to do to me?
00:25:33Make them bigger.
00:25:34This doesn't look like measles, man.
00:25:36They look like freckles.
00:25:38Please.
00:25:40Will you leave me alone?
00:25:41Still.
00:25:42Still.
00:25:43Stay still.
00:25:55Oh, how wonderful.
00:25:57You're a second Picasso.
00:26:01Put this on him.
00:26:02Meanwhile, I'm going to see if there are any Moors on the coast.
00:26:08Room 920.
00:26:09Throw them out immediately.
00:26:10Don't worry.
00:26:11It's just a matter of a minute.
00:26:12I am not willing to be mocked.
00:26:14Alarm!
00:26:21I'm not going in here.
00:26:22Sure, let's go.
00:26:23What's wrong with them?
00:26:25Measles!
00:26:29For God's sake!
00:26:48I am very weak.
00:26:49If I don't eat something right away, I'll faint any minute.
00:26:52We are just as hungry as you are.
00:26:54Yes, but you're used to it.
00:26:56In contrast, I had never gone hungry until I found them.
00:27:00It's nothing more than willpower.
00:27:02It's a matter of setting your mind to it.
00:27:03I can set my mind to it, but apparently my stomach hasn't.
00:27:08What if we played cards to distract ourselves from the hunger?
00:27:11No, I can only distract him by thinking about food.
00:27:24If only we had something left to pawn.
00:27:36What do you say about that moose?
00:27:37No, I will not allow it.
00:27:39I killed him with my own hands.
00:27:41I ate him up to his neck, but you shall not eat his horns.
00:27:44They are my trophy.
00:27:48If I could redeem my watch, I could pawn it again.
00:27:54I am so hungry that I can see nothing but food in front of my eyes.
00:27:58Same as me.
00:28:01Right now I'm looking at hamburgers.
00:28:03If you can get a pair, save one for me.
00:28:08And to think that my mother is the best cook in Oshuigo.
00:28:11Okay, don't continue.
00:28:13They touched my heart.
00:28:18With the kitchen.
00:28:19Use some trick or they won't pay any attention to you.
00:28:22Listen.
00:28:24This is Dr. Glass.
00:28:26Dr. Glass, the hotel doctor.
00:28:29The patient from 920 is very weak.
00:28:32You must eat a lot and in quantity.
00:28:35She has the tapeworm.
00:28:36The solitary one?
00:28:40Ah, very good.
00:28:43He says to go down to register the tapeworm.
00:28:49Two hours ago I was told that Faker was coming here with a turkey he won in a raffle.
00:28:54Maybe they're roasting him.
00:28:56And we didn't say that he had won it, but that he was going to win it.
00:28:59Because if you participate in the raffle, you have as many chances as anyone else.
00:29:02You have done nothing but take advantage of me.
00:29:05They pawned the silver frame of my mother's portrait.
00:29:08My roller skates were stolen, and the only 60 cents I had were taken from my pocket while I was sleeping.
00:29:14I have to support 22 people somehow.
00:29:16I had just arrived and they had already pawned my typewriter.
00:29:19Which, by the way, wasn't even mine.
00:29:21I still owe part of the amount.
00:29:23They could even take me to jail.
00:29:28What's wrong with him?
00:29:29Is your head spinning?
00:29:34Did he eat something that made him sick?
00:29:37Get into this bed quickly!
00:29:38Quickly!
00:29:39Run, run!
00:29:45How are you, Mr. Businessman?
00:29:48Hello, Mr. Smirnov.
00:29:50Oh!
00:29:51I'm so sorry!
00:29:53Are you feeling unwell, Mr. Davis?
00:29:56I promised Mr. Smirnov that we would audition him for the role of the father.
00:29:59Thank you, Mr. Davis!
00:30:02Vinelli?
00:30:04Perhaps Sasha can be of use to us.
00:30:07Well, yes, maybe so.
00:30:10Walk over there, Sasha.
00:30:14One turn.
00:30:18What do you think, Vinelli?
00:30:19That sounds good to me.
00:30:22I could eat it raw.
00:30:25Sasha, could you get us some food from the hotel?
00:30:28There are orders not to serve them.
00:30:30Therefore, if you were to make the mistake of taking a meal to the wrong room...
00:30:34...serve them food from another room?
00:30:36We have a formidable role for you.
00:30:39A formidable role?
00:30:40Yes, but it's so formidable that unless Davis can eat something, it's going to be impossible for him to write it.
00:30:45It doesn't matter if I go hungry, Sasha.
00:30:47But to let a great American author starve to death is to get your hands dirty with blood.
00:30:51And his job requires clean hands, right?
00:30:55Well, I just left a service in the elevator.
00:30:58I have to take him upstairs, dog.
00:31:01The opportunity you are offering me is so great, so great.
00:31:05So much so that it could take him to Hollywood.
00:31:08Hollywood!
00:31:09Oh, gentlemen, gentlemen, your words sound like heavenly music to me.
00:31:14But what if Mr. Wagner finds out about this?
00:31:17Think of the other Russians who made their fortunes this way.
00:31:20Gregory Tekowski?
00:31:22Charlotov.
00:31:23Robert Taylorevich?
00:31:25Three years enslaved in the kitchen.
00:31:28I haven't had the courage before, but now I do, and I'm doing it.
00:31:31For art!
00:31:33For art!
00:31:38There's an artist!
00:31:40I certainly believe it is.
00:31:41I've seen him carry twelve plates at once.
00:31:48Good morning.
00:31:50I am looking for Mr. Leo Davis.
00:31:52And who is looking for you?
00:31:53I am Timothy Hoggar and I represent the agency that insists on getting paid someday.
00:32:00Come in, Mr. Hoggar, come in.
00:32:02It's a pleasure to meet a stubborn person.
00:32:03And tell us, have you been arguing for many years?
00:32:05Yes, I believe it, since I was a child, insisting, insisting, only to end up not getting paid.
00:32:09Well, where is Mr. Davis?
00:32:12No, Mr. Davis is not here.
00:32:15Oh, how long will it take for him to return?
00:32:18I have some bad news for you, Mr. Hoggar.
00:32:20I fear he will never return.
00:32:22Oh, he's gone, huh?
00:32:25They've taken it away.
00:32:26Oh, is he sick?
00:32:29Worse than that, he went crazy.
00:32:31Oh, poor boy.
00:32:34I'm sorry to hear about this.
00:32:37But I understood that he had arrived from Osuigo just yesterday.
00:32:41No, he had escaped from Osuigo.
00:32:44Poor boy.
00:32:48Well, the thing is, he owed us 40 dollars for a typewriter, and I've been asked to...
00:32:53the coppers.
00:32:54I'm afraid he'll never achieve it.
00:32:56He destroyed all the money he had.
00:32:58That?
00:32:59Then he's crazy, there's no doubt about it.
00:33:05So, I have no other choice but to bring my typewriter?
00:33:09He took her with him.
00:33:11To the mental asylum?
00:33:13He likes to hear the sound of the keys.
00:33:18Well, I'd never gone to collect money from a mental hospital before, but...
00:33:22Orders are orders.
00:33:25Hey?
00:33:26Hey?
00:33:28Which one did they take him to?
00:33:29To motherhood.
00:33:34How to motherhood?
00:33:35Didn't they tell me he's crazy?
00:33:38That's why, if he weren't crazy, he wouldn't have gone to the maternity ward, right?
00:33:42You can't go wrong.
00:33:43When he sees someone who isn't a mother, it's him.
00:33:45Oh, by the way, don't talk about this with the hotel manager.
00:33:51Oh no, no, no, no, no, no, no, don't worry.
00:33:54I won't tell him anything.
00:33:55Good morning, gentlemen.
00:33:56Good morning.
00:33:57Good morning.
00:34:00They shouldn't have told him such a monstrous thing.
00:34:03Why not?
00:34:03A madman cannot be prosecuted.
00:34:05But you can write to my mother.
00:34:06And?
00:34:07His mother already knows he's not crazy.
00:34:09Well, I don't know anymore if I am or not.
00:34:11Mr. Griebel tells me I owe $600.
00:34:14Everyone at the hotel thinks I have tapeworms.
00:34:17And that man leaves convinced that I'm crazy.
00:34:20Did you get the turkey?
00:34:30He won the raffle.
00:34:31Meal!
00:34:32Be careful, don't let it escape.
00:34:33Close the door!
00:34:34Meal!
00:34:37Leave it to me!
00:34:51Well, we didn't have cutlery either.
00:34:54Gentlemen, I bring you your banquet.
00:34:58Meal!
00:35:03Oh!
00:35:12Okay, I'll go get more plates.
00:35:18Close the door properly!
00:35:20Close the door properly!
00:35:29Close the door properly!
00:36:00Thank you!
00:36:31Thank you!
00:36:53Well, I'm sorry I fooled the Russian like a Chinese person.
00:36:56But we can't fire the one who plays the role of father
00:36:58He's been rehearsing for seven days now without getting paid.
00:37:01So he promised you the paper just so you would bring him food
00:37:04That's not exactly it.
00:37:06When I made him the offer, he was prepared to honor it.
00:37:10But now that I've eaten, I see things in a very different light.
00:37:18Say
00:37:19For you, Davis
00:37:21Hello?
00:37:23Hello, Gilda
00:37:26No, I'm not really sick
00:37:30I can't explain it to him now.
00:37:33Okay, we'll meet in the lobby
00:37:37Oh yes, I'd love that
00:37:39Until now
00:37:41What are you going to do?
00:37:43I'm going to meet the woman I love
00:37:45But his duty is to be sick in bed.
00:37:48The only thing that will sustain this farce is having a sick person in the room.
00:37:52He doesn't want his play to be performed
00:37:54Listen to me, they have starved me to death and robbed me.
00:37:56And I played along because I believed I was obligated for the good of my work
00:38:00But there is one thing more important than any work
00:38:02True love
00:38:04That only happens once in a lifetime
00:38:06And then there's no getting rid of it.
00:38:09I said I'm leaving.
00:38:11And I will tear to pieces anyone who tries to stop me.
00:38:13Out
00:38:14Who turns you on?
00:38:15Yesterday we wanted her to go back home, but she refused to leave.
00:38:18Today we want you to stay, and you don't want to.
00:38:20Make up your mind once and for all
00:38:21I've already made my decision.
00:38:24Love
00:38:25He speaks just like a character from his work.
00:38:28That's true, but I like love.
00:38:30I like it too
00:38:31But everything in its own time.
00:38:32Anytime. Me.
00:38:35And you, Faker
00:38:35What do you say to that?
00:38:37Have you ever been in love?
00:38:45I like them a little older
00:38:48I will go
00:38:52Hello, Cristín
00:38:53Hello
00:38:56What a surprise!
00:38:57Where did this banquet come from?
00:38:58One of the waiters who wants to be an actor
00:39:00And I borrowed two dollars from the janitor
00:39:03Because she was convinced
00:39:04That I would find you eating the carpet
00:39:06Did you bring the contract?
00:39:07I copied it from the ones Frimon makes
00:39:08It's in the bag, among the snacks.
00:39:10Is this the one with mustard?
00:39:12Yeah
00:39:12I don't know why, but I like this.
00:39:14I never had a contract with mustard in my hands.
00:39:32Open the door
00:39:33It's Wagner
00:39:34Faker, get into bed and pretend to be sick.
00:39:36Runs
00:39:36Runs
00:39:37Cristín, sit next to her as if you were her nurse
00:39:40Faker, get inside
00:39:41Hurry!
00:39:42One moment
00:39:43Take that banana out of your mouth
00:39:44Where is the iodine?
00:39:45They think he has measles.
00:39:46No measles
00:39:47What she has now is the tapeworm.
00:39:48Open the door!
00:39:50Just a moment, Mr. Wagner
00:39:51This lock needs oil
00:40:04Miller
00:40:05Where did this food come from?
00:40:07Did Dr. Glass prescribe it to the patient?
00:40:09Dr. Glass did none of that
00:40:11I don't argue with people I don't know.
00:40:13I'll introduce myself then, I'm a doctor
00:40:14Dr. Glass
00:40:18I want to know how that food got here.
00:40:20The thing is, I'll never be able to find anything out.
00:40:23They come and go
00:40:25They stay and they leave
00:40:27They get sick and food is brought to them.
00:40:29I'll fire the waiter
00:40:30To all kitchen staff
00:40:33Silence, please
00:40:34There is a sick person in the room.
00:40:37Mr. Davis has the tapeworm
00:40:39Yesterday it was measles
00:40:40Yes, but it would be complicated
00:40:41He also has ringingitis
00:40:43We brought a nurse
00:40:46Those moans don't sound authentic to me.
00:40:48One moment
00:40:49That's not Davis.
00:40:51I met Davis yesterday and he doesn't look anything like him.
00:40:53Sure, it's been ten years since it started.
00:40:54Because of the terrible service at this hotel
00:40:56He wasn't a redhead yesterday, buddy.
00:40:58He's just very shy.
00:40:59And sometimes even her hair blushes
00:41:03Well, all of this is very strange.
00:41:05And measures will have to be taken.
00:41:07Miller, would you agree to Davis being transferred?
00:41:09To a hospital at the hotel's expense?
00:41:11That depends on Dr. Vinelli.
00:41:13What do you think, doctor?
00:41:15He is too ill to be transferred.
00:41:20How are you feeling, young man?
00:41:21Dude, he's on his last legs
00:41:22Please let the sick person speak.
00:41:24How do you expect me to speak with such terrible laryngitis?
00:41:27I insist that he be the one to explain it to me.
00:41:31Well, you've heard the sick person.
00:41:33Hurry up, doctor.
00:41:34It's time for his nap
00:41:35He won't sleep until I've found out what's going on here.
00:41:38Miller has committed fraud
00:41:39And the only thing that stops me from throwing him out onto the street
00:41:42It is a remote possibility that this man is actually ill
00:41:45His pulse is normal
00:41:46That's what you believe, healer
00:41:48Quack?
00:41:49I cannot tolerate being insulted
00:41:50I appeal to your professional ethics
00:41:52I will recognize him
00:41:53Say A
00:41:55No, no, A
00:41:56No, A
00:42:12That way he'll never see her alone
00:42:14Gribble thought he knew him better.
00:42:16No, Mr. Wagner
00:42:17To be deceived in this way by a handful of...
00:42:19No, don't continue, Mr. Wagner
00:42:20I know very well what my obligation is.
00:42:21I don't like their methods.
00:42:23They are not suitable for this hotel
00:42:24I am the manager here
00:42:25And I don't allow insults to my guests.
00:42:27If there are no guests
00:42:28The entire 19th floor is empty
00:42:29Because you put them out on the street
00:42:30And I will leave this room empty.
00:42:32You'll see.
00:42:33Who else?
00:42:34Why don't they go and discuss it in his office?
00:42:35There is a sick person here.
00:42:36Hurry, doctor!
00:42:37Do something!
00:42:38Cure him and get him out of here!
00:42:40Calm down, my capitalist will arrive any minute now.
00:42:42I'm not interested in your capitalist
00:42:44I'm only interested in getting this man out of here
00:42:51Where does it lead?
00:42:52Where I can recognize him without anyone bothering me
00:43:03As a doctor, I wash my hands of this.
00:43:06I have bad news for you.
00:43:08It has disappeared
00:43:09Missing?
00:43:10That's right, she's not in the maternity ward.
00:43:12He's gone.
00:43:13He has been transferred
00:43:14To the military hospital!
00:43:16Go there, hurry
00:43:17Before they move him again
00:43:18To the military hospital?
00:43:20But...
00:43:20There is no time to lose
00:43:21Run!
00:43:22Have a good time!
00:43:23Have a good time!
00:43:24Have a good time!
00:43:25Have a good time!
00:43:29Ha ha!
00:43:30Marvelous!
00:43:31Extraordinary!
00:43:31Sensational!
00:43:32I didn't think it would turn out well for us
00:43:33Did you like it, Wagner?
00:43:34It's a scene from my second act.
00:43:37Líder has been a hotelier for 30 years
00:43:39But I had never seen
00:43:40Say!
00:43:41Hey?
00:43:42Yes, I am Mr. Wagner
00:43:44What does it say?
00:43:4719 people?
00:43:48For the hell of it
00:43:50They found them hidden
00:43:51In the ballroom
00:43:52Throw them out!
00:43:54Come on, Griebel
00:43:54We need to find out
00:43:55How could this have happened?
00:43:58But Mr. Wagner
00:44:00Hail!
00:44:01And have a good time
00:44:06He's going to kick you out of the hotel
00:44:07To my entire company
00:44:09Cristín
00:44:09Go down
00:44:10And tell them to wait
00:44:11In the lobby
00:44:11Very good
00:44:14This man is perfectly fine.
00:44:16To Mr. Wagner
00:44:17You'll be glad to know it.
00:44:18Please, doctor
00:44:18Listen to me
00:44:19Tell him tonight
00:44:20Tomorrow
00:44:20But not now
00:44:21I'll tell him right now.
00:44:22Will I give him a role in the play?
00:44:23I don't want any paperwork.
00:44:24Should I put his name on the program?
00:44:26I don't want my name on the program
00:44:27Put that crazy doctor on him
00:44:29Whoever that is
00:44:29He might like that.
00:44:31But not me
00:44:33Where is my briefcase?
00:44:34What have they done with my briefcase?
00:44:36He left it in the bathroom, doctor.
00:44:43What does this mean?
00:44:44Quiet, grandpa
00:44:45Where did you look for it?
00:44:46Impostor
00:44:46I will report him to the medical association.
00:44:48Do it
00:44:48She doesn't know me there.
00:44:49Hold on tight
00:44:54Let me go!
00:44:55Cover his mouth!
00:44:56Ah, it bit me!
00:45:07You shouldn't have kissed me
00:45:09I couldn't help it
00:45:11Is this the first time I've kissed a woman?
00:45:14I forgive you for being so kind to Sasha
00:45:30Well, I hope he'll leave us alone for a while now.
00:45:38Arrives
00:45:38On the phone
00:45:40Oh, come on up, come on up, Mr. Jenkins
00:45:42Pinelli?
00:45:43It has arrived
00:45:43The capitalist is here
00:45:45Santa Claus
00:45:45Ties
00:45:46Faker
00:45:47Faker
00:45:48Where are you?
00:45:51It has disappeared
00:45:52This one is really good.
00:45:53Two sick people running around
00:45:55If things continue like this
00:45:56We will cause an epidemic in the city
00:45:57Go on
00:45:58Go down and see if you can find it
00:46:00If Wagner sees it first
00:46:01We are lost
00:46:04Oh, Mr. Jenkins
00:46:05How are you?
00:46:06Delighted to see you again
00:46:07Happens
00:46:07Thank you
00:46:09I see that we are alone today
00:46:10Yes, I thought that...
00:46:12Yes, I thought it would be much better that way
00:46:14Yes, much better.
00:46:15I have the contract here
00:46:16A 50% discount and have a good time in the name of Simon Jenkins
00:46:20Nothing, just some parasites
00:46:22Simon Jenkins
00:46:2350% or transferable, of course
00:46:26Of course
00:46:26Yes, I see.
00:46:28Alright
00:46:28Very good
00:46:29Well, as you'll see, the check signature.
00:46:32It no longer matters whether he knows who his capitalist partner is.
00:46:36Have you heard of him?
00:46:37Fakari Fisk?
00:46:39The same, yes sir
00:46:40He is the man I represent
00:46:42Do you understand now why we don't want advertising?
00:46:45Mr. Jenkins, I haven't asked you for explanations.
00:46:46This check is made out to me, naturally.
00:46:48But I'll pass it on to you
00:46:51Culver City, California
00:46:53We won't have the money for another five days.
00:46:56And I was hoping to start today.
00:46:58Oh, how impatient!
00:47:00I could have my bank telegraph yours confirming this if it would be helpful.
00:47:04If it's not too much trouble
00:47:05Not at all, I'll make a note of it.
00:47:08And now, Mr. Jenkins, would you be so kind as to sign the contract?
00:47:11Mr. Miller
00:47:12I must remind you again that the name of Zachary Fisk must remain uninvolved in all of this at any cost.
00:47:17You have my word, Mr. Jenkins.
00:47:19And he already knows his worth
00:47:22Where is Davis?
00:47:25Get out of here
00:47:25This is the capitalist I told you about
00:47:27Don't ruin everything
00:47:28Miller, you won't keep pulling my leg, will you?
00:47:30Since there are no more sick people here
00:47:32I will take my measures immediately.
00:47:34Who is this man?
00:47:35He doesn't care who I am
00:47:37Who are you?
00:47:38He can't take those pictures
00:47:39Do you want to take photos now?
00:47:41Mr. Wagner is my press agent and intends to make them
00:47:43I intend something else
00:47:44How did he bring in an advertising executive?
00:47:46Well, if that's not what he came for.
00:47:47I came for the money
00:47:48I already have the check.
00:47:49What check? From whom?
00:47:51What do you mean, whose?
00:47:52Mr. Jenkins represents the most famous of our tycoons
00:47:55Don't say it
00:47:55He doesn't give a damn who he represents
00:47:57Mr. Wagner, do you want to leave before I kick you out?
00:48:00Fire me?
00:48:01Who do you think you're talking to?
00:48:03I don't like this one at all.
00:48:04Sorry, we made a mistake
00:48:06He is not their treasurer
00:48:07Mr. Gribble, take Wagner away from here
00:48:09Gribble, get Miller out of here
00:48:10Shut up!
00:48:11I fired Wagner, I've practically got the check in my pocket
00:48:13Mr. Wagner, please
00:48:15I won't leave here until Miller has left.
00:48:17Are they trying to blackmail me?
00:48:18Mr. Jenkins
00:48:20Do you see what you've done?
00:48:22Miller is my brother-in-law and I am prepared to defend him
00:48:24His brother-in-law, huh?
00:48:26Oh
00:48:27That explains everything.
00:48:29You have committed fraud
00:48:30I'll call the police
00:48:31Police?
00:48:32I'm leaving here
00:48:33No, no, no, please
00:48:34Mr. Jenkins
00:48:34I'm not interested in dealing with you.
00:48:36I'll look for a real producer
00:48:37Mr. Jenkins
00:48:37Please don't leave us
00:48:38Don't leave
00:48:39There's no need to fire anyone
00:48:40Oh!
00:48:42Good heavens
00:48:43Which way do we get out of here?
00:48:45Dr. Glass
00:48:46They gagged him
00:48:48Mr. Jenkins
00:48:49We didn't do it
00:48:50We don't even know who he is.
00:48:51It's just a hotel thing.
00:48:52Ignore it
00:48:59I like it?
00:49:00It's a scene from the second act.
00:49:02I don't like
00:49:03If you don't like it, we'll put another one in its place.
00:49:04He who pays the piper calls the tune.
00:49:17Okay, so what do we do now?
00:49:18What's up?
00:49:19You're the doctor, aren't you?
00:49:21Don't worry
00:49:21They won't get away with it
00:49:23I'll put them all behind bars
00:49:24Gribble included
00:49:25Would you like something to drink?
00:49:26Are you OK?
00:49:27Since I arrived at this hotel
00:49:28I haven't been okay for a single second.
00:49:30Have you seen what your brother-in-law has done?
00:49:32The doctor is delirious
00:49:33No, sir, I'm not delirious
00:49:35I don't blame Miller for what he's done to me.
00:49:36I had a reason for doing it.
00:49:37I was dealing in a legitimate business.
00:49:39I hold you responsible for what Miller has done to me
00:49:41You encouraged him to do it.
00:49:43Listen
00:49:43Are you another one of Miller's brothers-in-law?
00:49:46Zachary Fisk is the show business capitalist
00:49:48And that's a good recommendation for anyone.
00:49:51Zachary Fisk
00:49:51I heard everything from the bathroom
00:49:53And the man you insulted
00:49:54He handed Miller a check signed by Fisk himself.
00:49:58Fisk?
00:49:58Why didn't Miller tell me?
00:50:00Because they don't want publicity
00:50:02And because he's afraid of you
00:50:03Yes, everyone is afraid of you
00:50:04It descended on this hotel like a plague.
00:50:06He took charge of everyone without trusting anyone.
00:50:08No one can speak to him
00:50:10For God's sake!
00:50:11I'm leaving this hotel, Mr. Wagner
00:50:14And try not to fall into my hands if you ever get sick
00:50:20Leave me alone, gentlemen.
00:50:21I'm devastated
00:50:22He has to listen to us
00:50:23We couldn't help it
00:50:24I'm not used to these things
00:50:26Do you want to let me out of here?
00:50:28Excuse me, Mr. Jenkins
00:50:29Please accept my apologies
00:50:30There's another Miller at the hotel
00:50:32That's none of my business.
00:50:33He mixed up the invoices
00:50:34These gentlemen deserve all the credit they could wish for.
00:50:36Mr. Miller can ask for whatever he wants.
00:50:38Okay, I'll come back tomorrow.
00:50:39I had no idea Zachary Fick was involved in this
00:50:41Zachary Fick? How does he know?
00:50:43Who told him?
00:50:44Dr. Glass heard it from the bathroom
00:50:45Dr. Glass? And what was he doing in the bathroom?
00:50:46Now everything is sorted out
00:50:47There is nothing to fear
00:50:48If you would be so kind as to endorse the check, Mr. Jenkins
00:50:50I don't feel well.
00:50:51It's just a matter of a minute
00:50:53All you have to do is sign.
00:50:54I notice my heart is failing me
00:50:55Well then, hurry up, have the pen
00:50:56You are a true gentleman.
00:50:58Thank you, thank you
00:50:59It would be a great pleasure for us to have you as our guest.
00:51:02No extra charge, of course
00:51:04Thank you, thank you
00:51:05Excuse me, I'm going to see the doctor.
00:51:11Good morning, gentlemen
00:51:18Could someone please show me the way out?
00:51:21I will accompany you, Mr. Jenkins.
00:51:22Over there
00:51:23Over there
00:51:25Goodbye, Mr. Jenkins
00:51:27Goodbye, Mr. Jenkins
00:51:36Bye
00:51:37No, no, nothing like that
00:51:38I will keep it, for I am the treasurer.
00:51:40I will deposit it in the bank
00:51:41And when they pay us for it
00:51:42That will be in about five days.
00:51:44I would feel more at ease depositing it in my bank.
00:51:46And what will I do without money?
00:51:48Take out a loan on account
00:51:49We entered it for you.
00:51:51And when they pay him
00:51:51We settled the difference.
00:51:53That seems reasonable to me.
00:51:54No, I can't take the risk.
00:51:56This hotel is falling apart
00:51:57Who can guarantee that it won't go bankrupt?
00:51:59I will sign a paper guaranteeing payment of your check.
00:52:01And who can assure us that their signature is trustworthy?
00:52:03I want that bill paid before I leave.
00:52:05So deposit the check where I can keep an eye on it.
00:52:08Come on, Gordon
00:52:08Pay a bill once in your life
00:52:10Your rings won't fall off.
00:52:12Okay, I'll do it for you, Joe
00:52:22Thanks, Miller
00:52:23Okay, I want to move out of this filthy tower immediately.
00:52:27I want the best suite in the hotel.
00:52:28The unofficial suite
00:52:29Okay, put three girlfriends in it
00:52:31I'm so sorry I misjudged you.
00:52:33Good luck
00:52:34I wish them an apotheosis of victory
00:52:35Thank you, thank you very much.
00:52:37Do you have the check yet?
00:52:38Here it is
00:52:39Zachary Fisk!
00:52:41Yeah!
00:52:51Well, goodbye and have a good time
00:52:53Goodbye, Mr. Davis
00:53:03Cristín!
00:53:03I'm going to pay a bill
00:53:04Dear!
00:53:05Never seen before
00:53:06And what do we do with the actors, boss?
00:53:07They cannot live in the lobby
00:53:09Go back to your rooms!
00:53:10That hotel is ours!
00:53:12David!
00:53:13We're rich!
00:53:14Fifteen of the greats!
00:53:15I just saw Mr. Jenkins downstairs
00:53:17And he hasn't told her?
00:53:18What he told me is that he's going to cancel the check payment
00:53:21That he had only signed it so he could get out of here
00:53:24But he can't do that.
00:53:26He signed a contract!
00:53:27Or didn't he sign it?
00:53:35We are lost
00:53:36Four months to achieve it
00:53:38And a minute to waste
00:53:39They can't do that to me!
00:53:41I'm going to sue the hotel for one hundred thousand dollars
00:53:43You have no reason to do that.
00:53:44Well, I'm suing Zachari Fisk!
00:53:46Jenkins!
00:53:46But he hasn't signed the contract
00:53:48Well, as he sues us
00:54:12I'm sorry, but I'm going to have to take my work to Mr. Fremont.
00:54:16He can't do that to us
00:54:18That's all we have!
00:54:19I know, but...
00:54:20We have worked on his work for five months
00:54:22I've missed meals so I can rehearse.
00:54:24I understand and I appreciate it.
00:54:26But I can't wait another five months.
00:54:28I need to earn money
00:54:29Think of Gilda, right?
00:54:32It's not just because of her
00:54:33If it's the waiter you're worried about
00:54:35We'll give him the paper, right?
00:54:37I don't know, I don't know what to say
00:54:39If we had another capitalist...
00:54:42We have another capitalist
00:54:44Wagner is going to deposit that check in his bank, right?
00:54:46Yeah
00:54:46Well, for fifteen days we have fifteen thousand dollars of credit
00:54:49And Gordon can't...
00:54:50Why not?
00:54:50The play has been rehearsed.
00:54:51It can be used for the first time.
00:54:52Of course, all that's missing is set design and costumes.
00:54:54Which we will charge to the hotel's account.
00:54:56But that's illegal.
00:54:57Is...
00:54:58Calm Davis
00:54:59Wagner is now our businessman
00:55:01For God's sake!
00:55:18Good Joe
00:55:18Soon our fate will be sealed.
00:55:21Your 10% will make you a rich man
00:55:23Soon you and Flossi will be able to buy a hotel
00:55:27I'm happy with this suite
00:55:29The waiter is magnificent in his role.
00:55:30It was a success
00:55:31Sasha?
00:55:32As soon as I saw it, I said to myself
00:55:34Here is a great actor
00:55:35I never fail
00:55:36I can detect them from a kilometer away
00:55:37Especially when I'm hungry
00:55:40Forward!
00:55:42Good evening, Mr. Wagner
00:55:43They told me I would find him here.
00:55:47Mr. Wagner?
00:55:48Yes, you've heard it before.
00:55:49Would you mind signing this receipt again?
00:55:51Well...
00:55:51What do I receive?
00:55:52Come back later, I'm busy
00:55:54The bank rejected his signature.
00:55:55At the bank?
00:55:56Tell me one thing
00:55:57It's nothing, Joe.
00:55:58Come back tomorrow
00:55:59I need you tonight, Mr. Wagner.
00:56:00It's not Mr. Wagner
00:56:01Give me that receipt.
00:56:02I am the hotel manager
00:56:03Isn't that Mr. Wagner?
00:56:04So that signature...
00:56:06This is ruin
00:56:08Or, if you're lucky, jail.
00:56:09The invalid check
00:56:11I went into his office this afternoon
00:56:12And this gentleman told me he was Mr. Wagner
00:56:14And he signed the receipt.
00:56:15And the bank won't accept his signature.
00:56:17Look, go to the bank and tell them you couldn't find Mr. Wagner.
00:56:19But I've been told that...
00:56:21Come back tomorrow!
00:56:23No less than $15,000
00:56:25Don't let panic take over, Joe
00:56:27Lift your spirits
00:56:27And above all, don't tell Wagner.
00:56:38I had kept my little surprise until now.
00:56:42Success
00:56:44Hopefully
00:56:46Do you like Joe?
00:56:47That?
00:56:48Oh, yes, yes, a lot.
00:56:49Let's drink to celebrate!
00:56:51This with a little ice is the best thing ever
00:56:54I feel the emotion
00:56:55You are my honored guest for a reason, aren't you?
00:57:02Of course, he still owes us a little something, right?
00:57:05I?
00:57:11What shall we drink?
00:57:13As soon as I finish getting dressed
00:57:14Yeah!
00:57:15Ha, ha, ha, ha, ha, ha!
00:57:17Ha ha ha!
00:57:18Oh, oh, oh!
00:57:19Joe
00:57:20Regardless of what I think of that type
00:57:22I'll keep it to myself
00:57:24I think it was a good idea on my part to include this detail.
00:57:30Yes sir
00:57:30After all
00:57:33You look pale
00:57:34Are you feeling unwell?
00:57:36No, no, no
00:57:37I'm, I'm doing very well.
00:57:39It must have been the fish from dinner.
00:57:42The food at this hotel is truly awful.
00:57:47Imagine
00:57:48Imagine a billionaire like Fisk
00:57:51Eating tonight's fish
00:57:52Hahaha!
00:57:53I'll invite you!
00:57:57No, don't drink so fast
00:57:59That makes it gluttonous.
00:58:07Hello?
00:58:10At this hour?
00:58:12Okay, put me through to him.
00:58:15He is a bank employee
00:58:20Hello?
00:58:21Yes, I am Mr. Wagner
00:58:25Verify which signature
00:58:26What do I receive?
00:58:29Just a moment, please.
00:58:31Did you sign a receipt with my name today?
00:58:34Me? No, of course not.
00:58:37What is the receipt for?
00:58:39Oh, ha, ha, ha!
00:58:40A check that has been returned
00:58:42Any transfers?
00:58:44I'm going to get an aspirin
00:58:47And why don't you speak to my accountant?
00:58:50I don't want anyone bothering me, do you understand?
00:58:54What does it say?
00:58:56Zachary Fisk?
00:58:58Are you sure?
00:58:59Did it invalidate it?
00:59:01No! No, no, no! No, no, no! It's coming tomorrow! It's coming tomorrow! It's coming tomorrow!
00:59:35Wagner, you have no idea how lucky you are
00:59:37Involved in the hospitality industry
00:59:39No headaches, no problems
00:59:41Alright, Wagner, let the champagne flow!
00:59:44He won't mind if Vinelli joins our party
00:59:46Oh, no, no
00:59:49I insist that he stay.
00:59:50Because there will be an even bigger party yet.
00:59:54I have a surprise for you guys
00:59:56Aha!
00:59:58A big surprise
01:00:02Don't leave, okay?
01:00:06Whoever had a license to hunt Wagner
01:00:08How good it would look next to my moose
01:00:14What is the big surprise?
01:00:16I ran into Mr. Wagner and he insisted that I come over for a drink.
01:00:20He went downstairs to look for Faker too
01:00:22She says she has a big surprise for the four of them.
01:00:25I thought the celebrations happened after the premiere, not before.
01:00:28That depends; with a show like this, it's celebrated sooner.
01:00:31Then it gets more difficult as the public demands their money back.
01:00:38Say
01:00:40It's Gribble
01:00:43Tell me, Joe
01:00:45What's happening?
01:00:46Who told him?
01:00:48Joe
01:00:48Joe!
01:00:53Has Wagner discovered it?
01:00:55He received a call from the bank.
01:00:56And what does Joe think?
01:00:58I couldn't even speak
01:00:59I don't quite understand why you're all so surprised.
01:01:03Mr. Wagner had to find out sooner or later.
01:01:06It can no longer be remedied
01:01:08I will go down and confront him
01:01:11Maybe he's right
01:01:12You get off too.
01:01:16Hey, where are you going?
01:01:18Go back to your room
01:01:19You cannot force me
01:01:20So no, huh?
01:01:22Wagner's henchmen
01:01:23Stay here, be careful what you do
01:01:25They can't do this to me, I am the author
01:01:27His hat
01:01:30Everything is useless
01:01:31Abandonment
01:01:32The actors in their dressing rooms
01:01:34The sets on the stage
01:01:35And the audience in the stalls
01:01:36And we have to spend opening night sitting here
01:01:39Waiting to be arrested
01:01:41I never thought I'd be arrested for writing a play
01:01:4620 minutes until start
01:01:5319
01:01:56And Gilda and I were going to get married after the premiere.
01:01:59My congratulations
01:02:02And will they take our fingerprints?
01:02:04Mine already have them
01:02:05Have you been in jail?
01:02:07Yes, it's not that bad
01:02:08If you behave, you'll feel right at home there.
01:02:14If only we had the money to buy off those henchmen
01:02:17Perhaps the hotel could give us a heads-up.
01:02:23And don't move from here
01:02:27Well, now the quartet is complete
01:02:29We could sing something, right?
01:02:34I have an idea
01:02:34Let's sound the alarm.
01:02:36And with the confusion we escaped
01:02:37We can't do it without fire
01:02:40Well then, let's light a fire
01:02:58The theater will burn down in five minutes if you keep this up.
01:03:01Any other brilliant ideas?
01:03:04Go out the window
01:03:10What's wrong? Is it too high?
01:03:14No, then leave it.
01:03:17There must be an easier way to lose your life
01:03:21I lost it once
01:03:25When I was initiated into the Order of the Brave at school
01:03:28They made me act out a fake death
01:03:31The fright my chemistry teacher got
01:03:35And say
01:03:36Did that chemistry teacher really believe he was dead?
01:03:40Oh, yes
01:03:41He even called for an ambulance
01:03:50Are we thinking the same thing?
01:03:51If you don't say anything, you'll never know.
01:03:53If he drinks a bottle of poison, he will need to be taken to the hospital.
01:03:55And the henchmen will have to let us out
01:03:57Exactly, that's it
01:03:58But don't forget that those watching out there aren't three chemistry teachers.
01:04:01We will give it authenticity
01:04:02Davis, go to the bathroom
01:04:04We went out there
01:04:05We start shouting and that's it
01:04:06Yeah
01:04:07He's dead!
01:04:08No, not dead
01:04:09Dying
01:04:09Yes, he's still alive.
01:04:10That's why we rush to the hospital
01:04:11Because his life is in danger
01:04:12And once outside, we jumped out of the ambulance.
01:04:14And we're going to the theater to see the show.
01:04:16Exact!
01:04:17Who would guess that I only came from the village fifteen days ago?
01:04:21Faker
01:04:22Come here
01:04:23You will help him
01:04:24Now go into the bathroom
01:04:25And count to fifty before you start to die
01:04:27I'll do it right, don't worry.
01:04:32That?
01:04:34Did you like my little surprise?
01:04:37In fifteen minutes, when the show has started
01:04:40The police will storm the stage and confiscate the set.
01:04:43Bagner!
01:04:43In full public view!
01:04:44But Wagner!
01:04:45From here I will call my lawyer who will notify the police
01:04:47Mr. Wagner, please
01:04:50What's that?
01:04:54Who's there?
01:04:57Good heavens!
01:04:59But what's wrong with him?
01:05:01Davis, Davis, listen
01:05:04You pushed me to do it
01:05:07Poison! It's poison!
01:05:08Put that bottle down!
01:05:12Bring some water!
01:05:15But who would think of that?
01:05:16He's drunk almost the entire bottle
01:05:19Understand
01:05:22No, that's the poison that's left over.
01:05:24Why didn't they stop him?
01:05:25When he said that you were pushing him to his death, we didn't take him seriously.
01:05:28But that's what I'll have to say if they take my statement.
01:05:33What is Griebel doing standing there?
01:05:34Do something, you idiot!
01:05:35Call the hotel doctor!
01:05:36She said goodbye, she's calling for an ambulance
01:05:37No, stupid!
01:05:38That would attract attention
01:05:40He's going to the other side.
01:05:42No, wait, wait, wait!
01:05:45An antidote
01:05:46That's right, Griebel.
01:05:47Go to the pharmacy to get it.
01:05:48And make the detectives leave.
01:05:50There needs to be peace here.
01:05:52It's turning blue
01:05:54We have to do something!
01:05:55It's necessary!
01:05:55We have to save him!
01:05:56Miller, please do something
01:05:58Don't let him die on us!
01:06:00For God's sake!
01:06:06Yes, now we can go see the play
01:06:07And as soon as he realizes he's not dying
01:06:09Call the police and suspend the performance
01:06:12Listen, Davey
01:06:12If you want to save your work
01:06:13He has to stay here.
01:06:14And continue dying for two and a half hours
01:06:16That?
01:06:17Until the curtain falls
01:06:18But I really want to see the premiere
01:06:19If you don't keep dying
01:06:21There will be no premiere.
01:06:22I don't know if I could be dying
01:06:24For two and a half hours
01:06:25We will help you
01:06:27Leo!
01:06:29Leo!
01:06:30They told me you were dying
01:06:31I'm doing very well, darling.
01:06:33It's just a trick
01:06:34We have to pretend that Davey is dying
01:06:35Or Wagner will suspend the performance
01:06:37Now I understand everything
01:06:39Okay, go to the theater and keep an eye on things.
01:06:40And if something goes wrong, come up and tell us.
01:06:43What a fright I got!
01:06:45Okay honey
01:06:45I'll do what I can
01:06:46If I don't go up, it means everything is fine.
01:06:49And if you go up, bring four bottles of poison with you.
01:06:54Run before they return
01:06:55Complain, writhe in pain
01:06:57And don't die too soon
01:06:58Take your time
01:06:59Remember, you mustn't die before eleven o'clock.
01:07:01Don't worry
01:07:02Mine will be the best portrayal of a death ever done.
01:07:06You are amazing!
01:07:09Good luck, Davis
01:07:10To die
01:07:12Are you sure that will be enough?
01:07:13I think so
01:07:14And if that fails, I can't think of any other solution.
01:07:15Of course, no one had ever died in this ocean before.
01:07:17Tenga Miller and Pecaquana
01:07:19Give it a little
01:07:20Or give it a lot
01:07:21Do whatever you want
01:07:25Come on, Griebel
01:07:26Two hours and twenty-five minutes remain of that
01:07:28Keep it up!
01:07:29He's doing very well
01:07:30Someone come for this
01:07:32Here, give it to him.
01:07:34Don't worry, friend
01:07:35We will save him
01:07:36You trust us
01:07:37That's why we're here.
01:07:38Drink everything they give you.
01:07:40And don't be afraid
01:07:41Nothing will happen to him.
01:07:42There's another glass full.
01:07:43Lie down, you poor thing.
01:07:45Poor
01:07:45That is
01:07:46Have and come back
01:07:48Now get up again
01:07:49And give her a little bread roll.
01:07:50Just like that, in one gulp
01:07:51That is
01:07:52Are you less skilled at breaking an egg?
01:07:54Keep dying
01:07:55Here's another one
01:07:56Get in position
01:07:56Come on, Griebel
01:07:58Get in position
01:07:58Drink
01:07:59Do not put the peels inside
01:08:00Get in position
01:08:00Go on, go on
01:08:01I'm coming, don't be a pain.
01:08:02Get in position
01:08:02Drink
01:08:02Lie down
01:08:19Why isn't she moaning anymore?
01:08:21If I keep moaning
01:08:23The Ipecac that they gave me
01:08:24It will make me nauseous.
01:08:25And everything will be ruined
01:08:26Okay, then
01:08:27Pretend that you are expiring
01:08:28He has died
01:08:32It's over
01:08:33His heart has stopped beating
01:08:35Wow, what a terrible ending
01:08:37Such a young boy
01:08:39The last thing he said was
01:08:41Mother
01:08:45Down on the stage
01:08:46It will have barely begun
01:08:48Your immortal second act
01:08:50While you're here
01:08:51You just finished
01:08:53Your last act
01:08:54Too soon
01:08:56Too soon
01:08:58You have died
01:08:59Too soon
01:09:01One hour ahead
01:09:05I will never be able to forgive myself for this.
01:09:07We couldn't do anything
01:09:09It was inevitable
01:09:10We should have sent for a doctor
01:09:12But if so soon
01:09:13He was recovering
01:09:14How he died
01:09:15How he recovered again
01:09:19I didn't know one
01:09:20What to expect
01:09:21Yes, it was disconcerting.
01:09:23Every time we gave it to him
01:09:25Ipecacuanha
01:09:25He was recovering
01:09:28Perhaps we should have given him more
01:09:29Ipecacuanha
01:09:30I, however,
01:09:31I think we gave him too much.
01:09:32If we could bring him back to life
01:09:36An hour ago
01:09:37We wanted to strangle each other
01:09:39One to another
01:09:40And now
01:09:44These things do to you.
01:09:46Rethink
01:09:49Yes, that's true.
01:09:50You kill yourself to earn money
01:09:54And what good is that to you?
01:09:57Who knows their destiny?
01:10:00Yeah
01:10:00Today here
01:10:01And tomorrow
01:10:02Who knows
01:10:05Goodbye, Leo
01:10:08Bye
01:10:09Sweet Prince
01:10:15Well, it's a trip
01:10:17That we all have to undertake
01:10:21It's a shame he didn't die at the Waldorf
01:10:24Does that mean it's a bad thing for a hotel?
01:10:27It's not good at all.
01:10:28There is a danger of scandal.
01:10:31Well, there's no other option but to notify the police.
01:10:34Wait, do you think it's necessary?
01:10:36The law requires it
01:10:37Couldn't we fix this?
01:10:38Fix what?
01:10:39Well, I don't know
01:10:40To ensure that the body was not found in the hotel
01:10:42I hadn't thought about it
01:10:44Good idea
01:10:45Could we leave it in the alley?
01:10:47Oh no, no!
01:10:49How can someone be so sacrilegious?
01:10:51It's not cold yet
01:10:52You're already talking about leaving it there
01:10:54I will do nothing against the law
01:10:55I'll call the police
01:10:57Listen, Wagner
01:10:58There's no law against dragging a drunk friend along, is there?
01:11:01We took him out through the back door
01:11:03We'll put it in the theater
01:11:04And they find him sitting down
01:11:05The author saw his work performed and poisoned himself.
01:11:07Which would be justified
01:11:09And wouldn't it have happened at the hotel?
01:11:11No, no, I'm not taking the risk.
01:11:13I'll call the police
01:11:14Just a moment, Mr. Wagner
01:11:15Do not call yet
01:11:17Why not?
01:11:17Because before they come to take him away
01:11:20We would like to pray over his body
01:11:22It's the least we can do
01:11:24Yes, of course.
01:11:30Hey...
01:11:30My friends
01:11:32The pain prevents me from expressing everything I feel
01:11:35Davis is no longer with us
01:11:39It seems impossible
01:11:41He was a great playwright
01:11:43That he died too soon
01:11:45Yeah
01:11:46Okay, I'm going to call
01:11:59Requisca timpache
01:12:01Amen
01:12:03Good
01:12:04This is our goodbye
01:12:14To the friend who is leaving
01:12:19This is our goodbye
01:12:28To our friend who has left us
01:12:35I give it to you here on earth
01:12:40Close my last
01:12:46Close my last
01:12:55Bye
01:13:02The pain prevents me from expressing all that we are losing.
01:13:16The pain prevents me from expressing all that is leaving.
01:13:28I'm calling the police now.
01:13:29Mr. Wagner
01:13:31I will do it
01:13:32I am responsible for this matter
01:13:35You go down
01:13:36I'll call the police
01:13:37Okay, Mr. Wagner
01:13:41Put me on...
01:13:42Please
01:13:43This is the same phone he used when he called his mother or his son
01:13:47Just an hour ago
01:13:50Alright
01:13:58And keep in mind
01:14:00I am not responsible for his death
01:14:02I have never knowingly hurt anyone in my life.
01:14:14Wagner dragged me to my death, just as he had dragged Leo Davis before him.
01:14:19Wagner
01:14:19You'll have to tell me what we're going to do with this other corpse.
01:14:21I would sell it to a medical student
01:14:24None of that, Vinelli
01:14:25He was a friend
01:14:26Help me take him to the alley
01:14:27Carry it
01:14:28No, don't count on me.
01:14:29Don't worry
01:14:30We'll make him look like a drunk.
01:14:31Give me a hand
01:14:32Can't
01:14:33That knife
01:14:34That paper
01:14:34By removing the knife
01:14:36Come on, Mr. Wagner
01:14:38There is no time to lose
01:14:42It's not cold yet
01:14:43I'll fix that.
01:14:44I'll ask them to bring us ice.
01:14:48Put me in charge of the kitchen
01:14:50Bring up ice to cool a corpse
01:14:54Let's take him down in the service elevator
01:14:55I will not allow him to insult you
01:14:56It will go in the customers' section.
01:14:58But someone can see us.
01:15:05Come on!
01:15:14Come on!
01:15:16I don't think I'll be able to handle it.
01:15:19We'll throw it away right away
01:15:29We are lost
01:15:30Stay calm
01:15:30Hello, Mr. Miller
01:15:31His show is proving to be a success
01:15:33Yes, it's not bad.
01:15:34Who is this?
01:15:35Who?
01:15:36Oh, this?
01:15:37One of my actors
01:15:38She couldn't resist so much emotion
01:15:40He has to act in the third act
01:15:42And look
01:15:42I'd say he's dead.
01:15:43Yes, well don't say it.
01:15:45What's wrong with your friend?
01:15:46He doesn't seem to be feeling well.
01:15:48Another victim of emotion
01:15:49Come on, Wagner
01:15:57Good evening, Mr. Miller
01:15:58How's it going?
01:16:00A great success, Mr. Miller
01:16:03Think
01:16:04They fought for a reason.
01:16:05Lincoln and Washington
01:16:08And that despite my speaking to you
01:16:10With a foreign accent
01:16:12I'm talking to you
01:16:14For an America
01:16:16Much more free
01:16:18And more powerful
01:16:20You convinced me, Vlade
01:16:22Bravo!
01:16:24Bravo!
01:16:25Bravo!
01:16:26Bravo!
01:16:27The play drives them crazy
01:16:28But what do we do with the other body?
01:16:29With such success
01:16:30He'll have the best funeral
01:16:31Which has been celebrated in the city
01:16:36The author!
01:16:38The author!
01:16:38The author!
01:16:39Shh!
01:16:40It's not over yet.
01:16:41It occurs to me
01:16:41That we would have achieved nothing.
01:16:44If it weren't for the sacrifice
01:16:46From my son
01:16:47And your companion
01:16:48Who has given his life
01:16:49Because we will achieve it
01:16:52Bring his body
01:16:54And let us surrender
01:16:56Our final tribute
01:17:19Eaves
01:17:20I've had great success
01:17:21Is that right, Mr. Wagner?
01:17:38Poor man
01:17:40I can't resist it
01:17:47To my friend
01:17:49They're calling back home
01:17:52Not in you
01:17:56Not in you
01:18:00Not in you
01:18:10Not in you
01:18:21Think
01:18:34Thanks for watching the video!
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