- hace 12 horas
Reparto: Leslie Banks, Peter Lorre, Edna Best, Frank Vosper, Hugh Wakefield, Nova Pilbeam, Pierre Fresnay
Dirección: Alfred Hitchcock
Sinopsis: Bob y Jill Lawrence son un matrimonio que está de vacaciones en Suiza con su hija Betty. Allí entablan amistad con Louis Bernard, un francés que recibe un disparo en el corazón mientras baila con Jill. Justo antes de morir, Louis le pide a Bob que entregue a las autoridades unos documentos que tiene escondidos en su habitación. Bob descubre que Bernard era, en realidad, un espía británico que seguía los pasos de una misteriosa organización que planeaba asesinar a un político extranjero en Londres. A continuación Bob recibe la llamada de un desconocido que le exige que abandone el asunto o su hija sufrirá las consecuencias.
Dirección: Alfred Hitchcock
Sinopsis: Bob y Jill Lawrence son un matrimonio que está de vacaciones en Suiza con su hija Betty. Allí entablan amistad con Louis Bernard, un francés que recibe un disparo en el corazón mientras baila con Jill. Justo antes de morir, Louis le pide a Bob que entregue a las autoridades unos documentos que tiene escondidos en su habitación. Bob descubre que Bernard era, en realidad, un espía británico que seguía los pasos de una misteriosa organización que planeaba asesinar a un político extranjero en Londres. A continuación Bob recibe la llamada de un desconocido que le exige que abandone el asunto o su hija sufrirá las consecuencias.
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00:00:01Guide to Swiss hotels, 1934
00:00:12Hotel Moritz, passes and holidays in Switzerland
00:00:22The man who knew too much
00:00:38The man who knew too much
00:01:22The man who knew too much
00:01:37The man who knew too much
00:01:54Are you alright?
00:01:56Ask my nurse
00:01:58I wouldn't know exactly how to answer that.
00:02:01Yes, it seems she knows how to keep him in check, doesn't she?
00:02:04What keeps me in check?
00:02:06What do I mean?
00:02:07Just an expression
00:02:08It's best if I don't get cold now.
00:02:10Hello, Luis
00:02:11Wow, you've kept your head.
00:02:14I'm sorry I ran you over
00:02:15Never mind, it was a crash
00:02:18Very cumbersome
00:02:20Let's leave
00:02:21If we stay here, it will get cold.
00:02:23Yeah
00:02:30Well, I'd better go back to the hotel.
00:02:32Don't you jump anymore?
00:02:33No, that was my last jump
00:02:36Wow, the most dangerous woman in Switzerland
00:02:38It wasn't me
00:02:40It was this silly dog.
00:02:41Well, he could have killed me.
00:02:42My last day here could have been my last day on earth
00:02:45Is this your last day here?
00:02:47You're not leaving tonight, are you?
00:02:49I'm afraid so.
00:02:51On the last train
00:02:52Oh, Uncle Luis
00:02:53Why are you calling me uncle?
00:02:55Because it's like you're my uncle
00:02:56Oh, how dare you!
00:02:58We will miss you
00:02:59Mom will be very sad
00:03:01Right, Dad?
00:03:03Yes darling
00:03:03You think?
00:03:04Of course, he adores you
00:03:06Right, Dad?
00:03:07Yes darling
00:03:08I'm sorry I have to leave
00:03:09But since this is my last night here
00:03:11Would you and your lovely wife be willing to have me?
00:03:13She will be delighted
00:03:14Good
00:03:15Uncle Luis
00:03:17I also have dinner at night
00:03:19Yeah?
00:03:20You're very sleepy too, darling.
00:03:21You need to go to sleep soon, little one.
00:03:23Just for today, Dad
00:03:25I'll sleep longer tomorrow.
00:03:26Mom will decide
00:03:27Oh, yes, thank you.
00:03:28Where is Jill?
00:03:30He is competing in the clay pigeon shooting final.
00:03:32I understand
00:03:33I hope he wins
00:03:34Not you, Luis?
00:03:35Who is her opponent?
00:03:35Ecerá el Raymond
00:03:36Ah
00:03:37Then he has to win
00:03:39Because?
00:03:39Don't you like Raymond?
00:03:40And you?
00:03:41Well, I don't dislike him.
00:03:42I'm a bit conceited, but he's a good person.
00:03:44Hello handsome
00:03:45Hey, why do you dislike him so much?
00:03:47Because he has very ugly teeth
00:03:49And she uses a lot of glitter
00:03:55Eternal enemies
00:03:56The English have a sense of humor
00:03:58He won't want me to tell him I hope he wins.
00:04:00You'll surely win
00:04:02She's very pretty
00:04:03And intelligent
00:04:05Yes, okay, let's get started, shall we?
00:04:08Ready?
00:04:23Hello
00:04:26Mom, can I stay up late tonight?
00:04:29Honey, ask me later
00:04:30Tell me if now it will bring you luck.
00:04:34Tramposilla
00:04:34Look
00:04:36This is the brooch you wanted
00:04:37Now you want to leave and be quiet
00:04:48Dad, look how beautiful!
00:04:49Mom gave it to me.
00:04:50Yes, darling, but be quiet now.
00:04:51I'm sorry
00:04:58Listen
00:05:02No
00:05:02I'm not a baby
00:05:07I hope this serves as a lesson for him.
00:05:09Never have children
00:05:10Was it your fault, Betty?
00:05:12It isn't true
00:05:13Betty
00:05:16You know I'm going to lose because of your daughter, right?
00:05:18My daughter isn't yours as if she were mine, is she?
00:05:19If I lose, I will renounce her forever.
00:05:21Silence, please
00:05:22Silence, silence
00:05:33Bravo, bravo, bravo
00:05:35Good aim
00:05:42I'm sorry you lost, Madame Lorenz
00:05:44But I'm happy to have won
00:05:45I hope you understand.
00:05:46You're a good shooter.
00:05:48And I understand quite a bit about this.
00:05:49It will make me blush
00:05:50We should repeat the bet
00:05:52Do you accept?
00:05:52I will live thinking about it
00:05:54If he wins, he can keep my daughter.
00:05:56Madame Lorenz
00:05:58The English are extraordinary
00:06:00Oh!
00:06:01My love
00:06:02My life
00:06:04My food
00:06:06You can keep your daughter
00:06:07OK
00:06:08Your beloved wife is leaving you for another man
00:06:14Dear
00:06:15Go to bed early
00:06:16With Betty
00:06:19Poor dad
00:06:20He has won over my wife
00:06:22And she leaves with another man
00:06:23Dirty traitor
00:06:25You are as nice as your wife
00:06:27Ha ha ha ha
00:06:30Ha ha ha ha
00:06:30Ha ha ha ha
00:07:05Is it a mother's job?
00:07:09Yes, why?
00:07:10Doné-moi
00:07:11Give it to me
00:07:21He is poor, poor
00:07:23Because?
00:07:24Go closer to him
00:07:27Ma'am, what do you think of Middle English?
00:07:29It's too cold
00:07:33Except when he drinks too much, of course.
00:07:36Is the jersey for him?
00:07:40Obviously
00:07:41You thought it was for you
00:07:44It's a memory
00:07:45To carry it upon my burning heart
00:07:48Where is the thread?
00:07:49Dad, no
00:07:51Have you seen those two?
00:07:53Yeah
00:07:55They look like they came out of a sarcophagus
00:08:21Have you seen what's behind it?
00:08:23Have you seen what's behind it?
00:08:38Look
00:08:42I'm sorry
00:08:54Fast
00:08:56Tell Bob
00:08:58The shaving brush in my room
00:09:02Take it to the British consul
00:09:04Or to
00:09:06Gibson
00:09:07Luis!
00:09:09Don't speak
00:09:10Not a word to anyone
00:09:13Please
00:09:16Oh my God!
00:09:20What happened to that man?
00:09:22It will have been dismantled
00:09:22Betty, be a good girl and go to bed
00:09:24How did this happen to that man?
00:09:26Go away
00:09:26Come on
00:09:26OK
00:09:28He must have drunk too much
00:09:31The shot went through the window
00:09:33Look at the hole
00:09:34Yeah
00:09:36Any letter?
00:09:38Yes sir
00:09:38Two
00:09:42Bob
00:09:43What's happening?
00:09:44Luis is dead
00:09:45My God
00:09:46Bob, listen
00:09:47No, try to replace
00:09:48Behind all this
00:09:49He said something about the shaving brush in his room
00:09:52Come
00:09:53He gave me the key
00:09:54What does this mean?
00:09:56We'll know soon.
00:09:58What's happening
00:09:59What's up, Mr. Z?
00:10:16What's happening?
00:10:17No, try to replace
00:10:21What's happening
00:10:26That is
00:10:57to the first piano
00:11:11Guapi, G. Barbo, establish contact A. Hall, May 21
00:11:23Good evening, is something wrong?
00:11:25Nothing, absolutely nothing
00:11:26I wouldn't play if I were him, come on, give it to me
00:11:29Excuse me, my lord, but you owe us an explanation.
00:11:32About what?
00:11:32So what was he doing on a goat slope?
00:11:34It belongs to Mr. Bernal, you cannot enter.
00:11:37From Musterhauer Claren, the Turelich
00:11:39Yes, of course, it's easy to explain
00:11:41But first, do me a favor
00:11:43Could I get in touch with the British consul?
00:11:45Of course, but first...
00:11:47No, first, I need to talk to the consul
00:11:50The British consul?
00:11:51Yes please
00:11:53Then it would be best if you came to my office
00:11:55And I made the phone from there.
00:11:56I think it's a good idea.
00:11:57Thank you, sir.
00:12:08It's a mere formality
00:12:11Yes, yes, of course
00:12:12I hope you will forgive me for keeping you entertained
00:12:13Yes, this way, I pray
00:12:15Thank you
00:12:29He won't forget that I want to speak to the consul by phone.
00:12:31Of course not, Maynard
00:12:33Thank you
00:12:34Mario, postcard letter
00:12:39Excuse me, I need to speak with my wife
00:12:40I'm very sorry, but the commissioner wants to see you separately.
00:12:44A formality
00:12:45We know he was a friend of yours
00:12:47Yes, he was a friend of ours.
00:12:48But we knew very little about him.
00:12:50Excuse me, could I...
00:12:52Could you tell me if the British consul is in town today?
00:12:55I don't understand
00:12:57I understand now
00:12:59Well...
00:13:01Can...
00:13:01The consul, the British consul
00:13:04The representative of Great Britain
00:13:06This...
00:13:06He's here, Herr
00:13:08I don't ask him if he's a man.
00:13:11I want to know if you're here.
00:13:12No no
00:13:15Hey, what I want to know is if you're here in St. Moritz
00:13:21Let's see
00:13:21The British consul
00:13:24It's here
00:13:25Esil, Esil and Sia, Jordi
00:13:31My God
00:13:32I don't remember how far I was from the window
00:13:35It all happened so suddenly.
00:13:36Try to remember, madam
00:13:37Listen, I need to talk to my wife.
00:13:39It's impossible, sir.
00:13:40The commissioner has given the order
00:13:42On the remote here
00:13:42What can I do?
00:13:43Excuse me, my...
00:13:45But...
00:13:50I...
00:13:52Look, if you don't mind
00:13:54I must...
00:13:54Peace?
00:13:55Mr. Lorenz, please
00:13:57So what now?
00:13:59They left it at the reception desk
00:14:02The envelope said very urgent
00:14:04Thank you, that's fine.
00:14:08Oh, by the morda, the cello!
00:14:09Take care!
00:14:12Remember what his words were?
00:14:14Before I die
00:14:16One moment
00:14:22I have a message for my wife right away.
00:14:25The...
00:14:26Michelson won't be coming for lunch tomorrow.
00:14:28It was important that you knew.
00:14:39Don't say anything about what you know
00:14:40Or she will never see her daughter again
00:15:03What is that note?
00:15:04Give it to me!
00:15:05Give it to me!
00:15:06!
00:15:11Give it to me!
00:15:12Give it to me!
00:16:13Yeah.
00:16:14Was your daughter also with you?
00:16:17Yeah.
00:16:17Whiskey and soda?
00:16:18Yes, thanks.
00:16:20They returned to London on March 19th...
00:16:23Yes, thanks.
00:16:28They returned to London, but without their daughter.
00:16:33Yeah.
00:16:34One for you?
00:16:35Thank you.
00:16:36Where is?
00:16:38She is with her aunt.
00:16:39What is your aunt's name?
00:16:42Mary.
00:16:44And where does that aunt live?
00:16:46In Paris.
00:16:48What is your address?
00:16:49The street name is complicated, too difficult to remember.
00:16:53Can I get you one?
00:16:54Thank you.
00:16:55By the way...
00:16:58Why was he so worried the day he left Switzerland?
00:17:01Who told you that?
00:17:05Was it because her daughter had been...
00:17:09...kidnapped?
00:17:23And one more thing.
00:17:25From my point of view, he is not the kind of man who outwardly expresses his feelings.
00:17:31He loses his mind and tells everything.
00:17:33Do you understand me?
00:17:35When I was in the navy I...
00:17:37Is that train electric?
00:17:38Yeah.
00:17:39Twenty volts.
00:17:41It's the best gift I've ever given.
00:17:44He doesn't play with it much now, does he?
00:17:47He never did.
00:17:48You didn't give him the chance.
00:17:50No.
00:18:21Why don't you try to calm down?
00:18:23You're very nervous.
00:18:25I want to tell myself that...
00:18:27...you let yourself be carried away by your feelings.
00:18:29You lose control and...
00:18:35I know.
00:18:38I'm fine.
00:18:41Oh, Clive.
00:18:43Have you put coal and passengers on the same train?
00:18:46Oh, what a blunder.
00:18:51So, is that your final word?
00:18:53Yes sir.
00:18:54Well, I'm sorry to tell you that I don't believe you.
00:18:55I'm sorry.
00:18:56As a citizen of this country, I should cooperate.
00:18:59Thank you for your visit.
00:19:00You'll regret it, Mr. Lorenz.
00:19:02Don't come back here.
00:19:30Is he still here?
00:19:32Have you lost your whistle?
00:19:35I am not a police officer.
00:19:37My name is Gibson.
00:19:38Secretary to Sernor Mamboot in the ministry.
00:19:41Oh, no.
00:19:41Really?
00:19:42I don't know him.
00:19:43It's a pleasure.
00:19:45His friend Luis was one of us.
00:19:48Special services.
00:19:50I didn't know that, did I?
00:19:52I'm afraid not.
00:19:55I suppose I wouldn't find anything in this brush.
00:20:05Well no.
00:20:06I have commitments that...
00:20:07Is there anything that justifies your daughter being kidnapped and you saying nothing?
00:20:10That's absurd.
00:20:12Foolishness.
00:20:13When Bernard was murdered, there was a piece of paper on this paintbrush.
00:20:16How exciting.
00:20:20Dear.
00:20:22You haven't told them anything, have you?
00:20:23Not yet, but he's about to.
00:20:26Gil, my dear.
00:20:27It's Mr. Gibson from the ministry.
00:20:29Delighted.
00:20:31I understand your attitude.
00:20:33But if you listen to me, you'll understand why I have to bother you.
00:20:37Have you heard of a foreign statesman named Ropa?
00:20:40Clothes, I don't think so.
00:20:42C-O-P-A, Clothes.
00:20:43No.
00:20:43If they haven't heard of him, I suppose they won't care if he gets killed.
00:20:47What does this have to do with us?
00:20:48I have a little patience and you'll understand.
00:20:52Luis Bernard was murdered because he knew of a plot to kill Ropa.
00:20:56Hours later, her daughter was kidnapped.
00:20:58Because?
00:20:58Because you were in possession of vital information.
00:21:03Written on a piece of paper hidden in Bernard's polishing brush.
00:21:06Mr. Loren, Ropa is in London and they will try to assassinate him.
00:21:10My department must protect you.
00:21:12Can you tell me what was written on that paper?
00:21:13I'm afraid he couldn't do it.
00:21:15But I'll tell you what it said on another piece of paper.
00:21:18Your daughter has been kidnapped.
00:21:20If you speak, you will never see her again.
00:21:22It's his life against that Ropa's.
00:21:24We don't care about that man and we hadn't even heard of him.
00:21:28In June 1914, had you heard of the city of Sarajevo?
00:21:32Of course not.
00:21:33And neither from the Cheduque Fernando.
00:21:36Well, in a month's time, a man you've never heard of will kill another man in a city that
00:21:40They don't know and war will break out.
00:21:43But...
00:21:43Don't tell him, Bob.
00:21:45I'm sorry, Mr. Gibson.
00:21:46We're not interested.
00:21:48She may be telling the truth, but our daughter is in danger.
00:21:50And that's all that matters to us now.
00:21:53He understands, doesn't he?
00:21:54Mrs. Loren, do you realize who we are up against?
00:21:57Do you think they are limited to murder?
00:21:59Furthermore, how does he know his daughter is alive?
00:22:01Could they have...?
00:22:02Wait a moment.
00:22:05There's a woman on the phone.
00:22:07It's about...
00:22:08About Betty.
00:22:09Pass the call on to us.
00:22:11Okay, right away.
00:22:12Just a moment, please.
00:22:14Say.
00:22:16Good afternoon, Mr. Lorenz.
00:22:18Please listen carefully.
00:22:20We do not wish to interrupt your conversation with the gentleman from Foreign Affairs.
00:22:25But we believe we must remind him that if he tells her anything he knows, he will never see his [name] again.
00:22:31daughter.
00:22:32This is a final warning.
00:22:33Yes, but I would like...
00:22:34Bob, what's wrong?
00:22:35This must be a joke.
00:22:37Listen.
00:22:38I wouldn't consider it a joke.
00:22:40Perhaps you would like to speak to the girl yourself.
00:22:43Hi, Dad.
00:22:45Betty.
00:22:49Hello, little one.
00:22:50Hi, Mom.
00:22:51It's you?
00:22:53Are you OK?
00:22:55Yes, Mom.
00:22:56Do they feed you?
00:22:57Ask him where he is.
00:23:00Yes, Mom.
00:23:01When can we see each other?
00:23:03We miss you so much.
00:23:06Uncle Clive and I have...
00:23:08I've been playing with your train.
00:23:10Ask him where he is.
00:23:12Mom, I want to go home.
00:23:14I want to go home.
00:23:15You'll come back, darling.
00:23:16Coming soon.
00:23:18Ask him where he is.
00:23:19I will come and find you.
00:23:23Dear.
00:23:25Where are you?
00:23:27Mom, don't leave me.
00:23:30Dear.
00:23:32Betty!
00:23:36Calm down, darling.
00:23:37Calm down.
00:23:52Did they recognize the voice of the person who spoke to them?
00:23:55For God's sake.
00:23:56I'm sorry, do you want to leave us alone?
00:23:58Can the call be traced?
00:24:00No, the company does not provide that information.
00:24:05Hey, put me through to special services.
00:24:09Hey, Gibson here.
00:24:11Have you heard it?
00:24:12Were they able to locate the last call?
00:24:15Wapping?
00:24:17From a booth?
00:24:18Notify Scotland Yard and have them station plainclothes officers throughout the district.
00:24:25Well, they can get it from wherever.
00:24:27Does the name Wapping ring a bell?
00:24:31Nothing at all.
00:24:36If there is a problem, it will be your fault.
00:24:39Guilt that will weigh on his conscience.
00:24:42I will accompany him.
00:24:43OK.
00:24:48If Mr. Lorenz decides to speak, you know where to find me.
00:24:53Yes, thanks.
00:24:54Bye bye.
00:24:57Clive, do you have a moment?
00:24:59Yeah.
00:25:00Will you come with me?
00:25:01Where to?
00:25:01To Wapping.
00:25:02Of course.
00:25:03Wait, I'll go get our bags.
00:25:05Because?
00:25:06They have sent agents to the area.
00:25:08If those who have Betty see them, they'll think we've spoken.
00:25:11We'll find them before the police do.
00:25:13I want to go with you.
00:25:14No, Gilles, stay here.
00:25:15Stay by the phone.
00:25:16If we need you, we'll call you.
00:25:18Oh, darling, I can't take any chances.
00:25:21Aperceros to both of them.
00:25:23Peaceful.
00:25:24You won't lose us.
00:25:26Be very careful.
00:25:27Don't worry about me.
00:25:28Take the handkerchief.
00:25:53There can't be many George Barbours around here.
00:25:57Besides, we have to start somewhere.
00:25:58Okay, fine.
00:25:59Look.
00:25:59That?
00:26:00Aren't they plainclothes police officers?
00:26:01Let's go this way.
00:26:13Okay, let's go.
00:26:18Shall we go up?
00:26:19Yes, one moment.
00:26:21That?
00:26:22Do you think I'm okay like this?
00:26:23You're a mess.
00:26:25Hey, Clive.
00:26:26Without asking, we just arrived by boat.
00:26:29Good idea.
00:26:30When I was in the marriage...
00:26:30Show me your teeth.
00:26:34Pretty bad.
00:26:35Come on.
00:26:36Come on, come on, Clive.
00:26:52He's a little lonely.
00:26:54Yeah.
00:26:58Good afternoon.
00:27:01My friend has a toothache.
00:27:04I'll take a look.
00:27:06Come on in.
00:27:08Hey?
00:27:10No, no, no.
00:27:11Was.
00:27:12No, no, no, no.
00:27:23No, no, no.
00:27:45Poor
00:27:46Five shillings
00:27:47Five shillings
00:27:49Please pay him.
00:27:54One moment
00:27:55Why hasn't he looked at me too?
00:27:57What's wrong with him?
00:27:58I had a toothache today.
00:28:00Would you mind visiting me?
00:28:01Happens
00:28:02You stay here and keep your mouth shut
00:28:10Please
00:28:41Open
00:28:51Has it arrived yet?
00:28:53Not yet
00:29:01Did they just arrive?
00:29:03Yeah
00:29:03On which ship?
00:29:06In the Saxon
00:29:09He's not arriving this morning.
00:29:11Oh, no
00:29:14I have landed in Tilbury
00:29:16And I took the train
00:29:19Tazner is a tough captain
00:29:21Yeah
00:29:22A lot
00:29:24He no longer makes that trip.
00:29:26Yes it's true
00:29:27I
00:29:29I meant to say that...
00:29:30That he is wrong
00:29:32He died last year.
00:29:35It's true
00:29:37I had forgotten.
00:29:38Her mouth is in perfect condition.
00:29:41If possible
00:29:43My tooth doesn't hurt anymore.
00:29:45Thank you
00:29:45Wait
00:29:47Because?
00:29:48What's happening?
00:29:50I'd better pull this tooth out.
00:29:52I can wait
00:29:52Do not move
00:30:03I don't need to go to sleep
00:30:23I don't need to go to sleep
00:30:36No, no, no.
00:31:11No, no, no.
00:31:43No, no, no.
00:32:21No, no, no.
00:32:25Quiet as a little mouse.
00:32:27And where is the little mouse now?
00:32:29In a burrow somewhere.
00:32:32You'll see.
00:32:37The last job of the day?
00:32:38No, the first one.
00:32:58Clive, where have they gone?
00:33:00Have you found out where Betty is?
00:33:02Yeah.
00:33:03Do you want me to notify Jill?
00:33:04No, come with me, let's go.
00:33:05OK.
00:33:28Are you sure they went in there?
00:33:29Of course.
00:33:33Clive, look.
00:33:45The tabernacle of the sun.
00:33:47What are they, Bob?
00:33:49Sun worshippers.
00:33:51They're probably naked.
00:33:53Come on, let's go.
00:33:56Bye.
00:33:57Bye.
00:34:05Bye.
00:34:06No no.
00:34:24No no.
00:34:49Subscribe to the channel!
00:34:59Subscribe to the channel!
00:35:24Who do you want me to look at?
00:35:28I don't know who you're referring to.
00:35:35La, la, la, la, alert
00:35:44Problems are coming soon.
00:36:03All those who are among us today for the first time
00:36:07And that they have not yet been initiated into the mysteries of the first circle of the seven rays
00:36:13Perhaps you're wondering what will happen now
00:36:16I'll tell you
00:36:18Before proceeding with the mysteries that are only for the initiated
00:36:23The purification of the spirit is necessary for our souls and our minds.
00:36:29Therefore, I urge those who are not in harmony with us
00:36:34That they undergo a simple control process
00:36:38The person will have to place themselves under the guidance of the fourth circle
00:36:43Is there anyone new among us tonight?
00:36:46Perhaps you
00:36:50I?
00:36:53I?
00:37:01I?
00:37:12I?
00:37:36Relax
00:37:39Keep your gaze fixed on this light
00:37:41Keep your gaze steady
00:37:43Before obtaining the first category of the seven golden rays
00:37:49Your mind must be blank.
00:37:51Now you will begin to feel sleepy
00:37:55Can you hear me?
00:37:57Yeah
00:37:58His mind goes completely blank.
00:38:03You notice it, don't you?
00:38:06His mind is blank
00:38:10Yeah
00:38:11It's blank
00:38:16His mind is blank
00:38:51I think that's enough for now.
00:38:54Everyone who is not in the fourth circle
00:38:57Please leave quietly.
00:39:19He's not going to abandon his friend, is he, sir?
00:39:23The youngest one captivates me.
00:39:36He's not going to abandon his friend, is he?
00:39:41He's not going to abandon his friend, is he?
00:39:53Hello.
00:39:56Good night.
00:39:58Good night.
00:40:28Learn to control your parental feelings and please don't throw things on the floor.
00:40:40Have you already collected our brother's offering?
00:40:44I had forgotten, sir.
00:40:49Excuse me.
00:40:53Dangerous, huh?
00:41:00Perhaps you'd like to join our little circle, Mr. Lawrence, wouldn't you?
00:41:05Thank you so much.
00:41:07Excuse me.
00:41:18Here you go.
00:41:21Wow, the clay pigeon shooting champion.
00:41:24Delighted to see you again, Mr. Lawrence.
00:41:27Thank you.
00:41:29I'm wondering the same.
00:41:36Can I take my daughter now?
00:41:38No, sir.
00:41:39She's asleep and...
00:41:49Don't shoot.
00:41:51You don't want the police to come, do you?
00:41:57Start playing the organ so no one suspects anything.
00:42:11Clive.
00:42:15Clive.
00:42:21Clive.
00:42:28Clive.
00:42:43Jump out the window and phone Jill.
00:42:46Tell him to go to Dalber Hall.
00:42:51And call the police.
00:42:55What's happening?
00:42:55What's happening?
00:43:05Tell him to go to the police.
00:43:35I'm sorry.
00:43:37Excuse me.
00:43:42Call Mrs. Lawrence.
00:43:44Tell him he's going to Dalber Hall tonight.
00:43:47His daughter will die.
00:43:55Come on.
00:43:58Let me talk to her.
00:43:59Mr. Lawrence.
00:44:01Please.
00:44:07Does it communicate?
00:44:08No.
00:44:15Listen.
00:44:16Listen.
00:44:16Clive.
00:44:17Jill, do you remember the man we were looking for?
00:44:21Yeah.
00:44:22Hall.
00:44:23It's not a person.
00:44:24It's a theater.
00:44:25Albert Hall.
00:44:26The Albert Hall?
00:44:28Betty.
00:44:28Yes that's fine.
00:44:30Listen.
00:44:31You have to go to the Albert Hall.
00:44:32Now?
00:44:33Yes, now, yes.
00:44:34You have to do everything you can.
00:44:36You already know.
00:44:37Prevent it.
00:44:37But prevent what?
00:44:38I can't talk anymore.
00:44:40I need to call the police.
00:44:54Listen.
00:44:55Is Mrs. Lawrence there?
00:44:57Mrs. Lawrence.
00:44:58I think he just left.
00:45:07Can I leave now, sir?
00:45:10No.
00:45:11I want her to stay tonight.
00:45:13Can?
00:45:14Now I have to go.
00:45:16I have to give my husband dinner.
00:45:18Besides, I don't want anything to do with weird stuff.
00:45:22Froling.
00:45:23Tell me.
00:45:27Please make sure Mrs. Brocheche is okay.
00:45:39Are they poisoned?
00:45:43Would you like a drink?
00:45:44Thank you.
00:45:45A little gin.
00:45:47Do you write your sermons here?
00:45:51Sometimes.
00:46:07Come on, woman.
00:46:08Don't blush.
00:46:12Have you never been to the beach?
00:46:15Have you never been to the beach?
00:46:29Have you spoken to her?
00:46:31No.
00:46:33He's gone.
00:46:38Damn.
00:46:39We need to try to organize ourselves in one way or another.
00:46:45That's my friend with the police.
00:46:57If it causes you any problems, shoot it.
00:47:01Don't worry.
00:47:03Nobody will hear anything.
00:47:05Bye bye.
00:47:33Oh, it's you again.
00:47:36Officer, this gentleman has caused us a lot of trouble.
00:47:39Ignore him, officer.
00:47:41My friend has a daughter.
00:47:42This man has her kidnapped and that's why we've come, to rescue her.
00:47:46But now he has my wife too.
00:47:48He's a little drunk, officer.
00:47:50But...
00:47:51And his friend is even more drunk.
00:47:53Right, sister?
00:47:54They are constantly staging scenes in this church.
00:47:57Are they both lying?
00:47:59Disturbance of the peace and personal assault?
00:48:02Are those the charges?
00:48:03But I...
00:48:03I don't know.
00:48:04Yeah.
00:48:05We didn't want this to happen, but...
00:48:07We've been very patient, haven't we, brother?
00:48:10Yeah.
00:48:10Damn me!
00:48:12Do you want to say something in his defense?
00:48:14Listen.
00:48:14Tonight, my friend and I...
00:48:23The night, my friend, and personal aggression.
00:48:51Where are they?
00:48:52Who is it?
00:48:53Well, the police.
00:48:54We just heard whistles.
00:48:56Oh, yes.
00:48:57The English police have just taken our friend to the police station.
00:49:01I didn't want to hand it over.
00:49:04But it was necessary.
00:49:08For his disrespectful behavior in a sacred temple.
00:49:21Let me go.
00:49:25I forgot.
00:49:27The little one, shall we bring her here?
00:49:29Are you referring to Betty?
00:49:30The most charming girl I have ever met.
00:49:33Bring it, please.
00:49:44For a man as sensitive as you, there is nothing more beautiful than a touching scene.
00:49:49Like what?
00:49:50Like that of a father saying goodbye to his daughter.
00:49:54Yes, saying goodbye forever.
00:49:56What could be more touching than that?
00:49:58If you expect me to make a scene, you're going to be disappointed.
00:50:02We'll see.
00:50:04Why is he looking at me like that?
00:50:13Betty.
00:50:16Dad.
00:50:20Small.
00:50:21I want to go home, Dad.
00:50:25Are you OK?
00:50:26No, I want to leave.
00:50:29Yeah.
00:50:35Hey, honey.
00:50:37What a beautiful robe.
00:50:39Did they give it to you?
00:50:44Peaceful.
00:50:47Betty.
00:50:49Betty, I want to tell you something.
00:50:52Look at me.
00:50:54We have received your notes.
00:50:56They are very good.
00:50:58Really?
00:51:04Take me home.
00:51:12Where is Mom?
00:51:15Go ahead, tell him.
00:51:18At the Albert Hall, my dear.
00:51:20Oh, by the way, I have to tell you something.
00:51:23The scene is so moving that I almost forgot.
00:51:26What's happening?
00:51:27A recording of the enchanting piece they will be playing at the Albert Hall tonight.
00:51:32Perfect, right?
00:51:33What is it for?
00:51:34Oh, yes, I forgot.
00:51:36Aim is more important than music to you.
00:51:40If you listen carefully, I'll tell you the exact moment you can shoot.
00:51:46Listen carefully.
00:51:56There.
00:51:58You see, at that moment the shot won't be heard.
00:52:01The composer might realize it, but the others obviously didn't.
00:52:08One more person will realize it.
00:52:10Yes, you're clever, my friend.
00:52:14Go get ready.
00:52:16It's rude to arrive late to a concert.
00:52:22And tell Mrs. Lawrence that little Betty and her husband are doing very well.
00:52:29Anything else?
00:52:30Tell him that they are going to embark on a trip soon.
00:52:33They are about to embark on a long journey.
00:52:35How does Shakespeare describe it?
00:52:40From which no one ever returns.
00:52:44A great poet.
00:52:49Dad, dad!
00:52:51Let me go!
00:52:51Dad!
00:52:52Dad!
00:52:53Let me go!
00:52:54Dad!
00:53:10Dad!
00:53:16Dad!
00:53:17Dad!
00:53:19Dad!
00:53:21Dad!
00:53:21Dad!
00:53:22Dad!
00:53:23Dad!
00:53:23Dad!
00:53:24Dad!
00:53:24Dad!
00:53:25Dad!
00:53:25Dad!
00:53:26Dad!
00:53:26Dad!
00:53:27Dad!
00:53:27Dad!
00:53:27Dad!
00:53:28Dad!
00:53:28Dad!
00:53:28Dad!
00:53:33Dad!
00:53:35Dad!
00:53:35Thanks for watching the video.
00:54:34Thanks for watching the video.
00:54:55Thanks for watching the video.
00:55:17Thanks for watching the video.
00:55:42Thanks for watching the video.
00:56:29Thanks for watching the video.
00:56:35Thanks for watching the video.
00:58:23Thanks for watching the video.
00:58:46Thanks for watching the video.
00:59:11Thanks for watching the video.
00:59:40That?
00:59:45That?
00:59:46What caused the scream?
00:59:47That?
01:00:32That?
01:00:33Did they follow me here?
01:01:07That?
01:01:12That?
01:01:26Behold...
01:01:27Behold...
01:01:39That?
01:02:02Make way.
01:02:03Make way.
01:02:04Please make way.
01:02:11Okay, we're going to stop by...
01:02:12That?
01:02:24That?
01:02:28That?
01:02:29That?
01:02:30That?
01:02:31That?
01:02:46That?
01:02:58That?
01:03:12That?
01:03:14That?
01:03:15That?
01:03:17That?
01:03:23That?
01:03:29That?
01:03:31That?
01:03:32That?
01:03:42That?
01:03:48That?
01:03:49That?
01:03:50That?
01:04:06That?
01:04:07We can't do anything with our weapons. I've ordered rifles. Who did you order them from? There's an armory.
01:04:11Near here. I've sent a truck. They've brought the rifles. Good. Position your men in this house.
01:04:35On the second floor. Have them enter through the back door. Yes, sir. You handle the robbery. Now
01:04:40I'm sending the men. And evacuate the people in the house. Very well, sir. Where is he?
01:04:45The backyard? You enter through the kitchen, sir. Sergeant, position two
01:05:05Men downstairs. Everyone else, come with me. Let's go. Hurry. What's going on, officer?
01:05:19You'll have to get your family out of here. I'm not married. Well, that's better for you. Stay.
01:05:23Here. It's safer. Come on, we need to get settled.
01:05:39It would be better if I waited outside. I came to see if everything was alright.
01:05:45Forget that. It's not the time to give a concert. Take it somewhere else. Let's move it.
01:06:05Oh my God, get away from that window. They're going to kill you. The police need this room.
01:06:10You have to leave.
01:06:17Take off your coats. Don't touch the shutters and take up positions. Open fire when you hear the
01:06:22Whistle. Yes, sir. The mattress can help you cover yourselves better.
01:06:28I've been on duty all day. I'd be better off getting into bed. And it's nice and warm.
01:06:34Ah, yes. I would gladly sleep.
01:06:40Have I gotten sick?
01:06:52Have I gotten sick?
01:07:07Measure in Intelli XD
01:07:07I've gotten sick.
01:07:12I've gotten sick.
01:07:13I've gotten sick.
01:07:14This man has an account.
01:07:18in those pesetas. First.
01:07:21In everything
01:07:21He's coming. I can take him.
01:07:22to the посмотрим, of sight.
01:07:43Come on, guys.
01:07:49There must be some access to the house.
01:07:52Look for the entrance.
01:07:53Come on, find the entrance.
01:07:55It's closed, sir.
01:07:57Break down the door.
01:07:57Break down the door.
01:08:01They've already gone in.
01:08:07I'd be safer outside, ma'am.
01:08:09Come on, come on.
01:08:10Tear it down.
01:08:23They are well protected.
01:08:26Come on.
01:08:27Come on.
01:08:41Thank you!
01:09:08More ammunition is needed.
01:09:10Go find her.
01:09:47Thank you!
01:10:26Thank you!
01:10:33Thank you!
01:10:34Thank you!
01:10:35It's over.
01:10:36I'm not continuing.
01:10:38You must continue until the end.
01:10:39You made a commitment.
01:11:25We can't go on like this.
01:11:26We must try to escape.
01:11:30I have never ordered the police to be shot.
01:11:34Now we'll have to try to use the girl.
01:11:44Go find her.
01:12:00Can you hear me?
01:12:08I'll use it as a shield.
01:12:10If they shoot me, they'll kill her first.
01:12:16Thank you!
01:12:26Thank you!
01:12:51It seems the fire is subsiding, doesn't it, sir?
01:12:53My God, look.
01:12:57Betty.
01:13:04Stop shooting.
01:13:10Shoot him.
01:13:14It could hurt the girl.
01:13:40Come on, come on!
01:13:41Run!
01:13:42Let's help!
01:13:43Come on, come on.
01:13:45Let's help!
01:13:46Come on, come on!
01:13:48Quick, quick, quick!
01:13:52Go up and look for the girl
01:13:54Sergeant, keep him.
01:13:56The rest of you come with me
01:14:46Dear
01:14:49It's all over now.
01:14:54Don't worry, it's all over now.
01:15:01Honey, it's all over
01:15:03All
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