- hace 1 día
Reparto: Sylvia Sidney, Oskar Homolka, Desmond Tester, John Loder, Joyce Barbour, Matthew Boulton, S.J. Warmington, William Dewhurst
Dirección: Alfred Hitchcock
Sinopsis: En Londres, en los años previos a la guerra, una misteriosa mujer empieza a sospechar que su marido, propietario de un pequeño cine de barrio, le es infiel. Cuando un sabotaje deja sin energía eléctrica a la ciudad, la mujer comprende que no se trata de un asunto de faldas.
Dirección: Alfred Hitchcock
Sinopsis: En Londres, en los años previos a la guerra, una misteriosa mujer empieza a sospechar que su marido, propietario de un pequeño cine de barrio, le es infiel. Cuando un sabotaje deja sin energía eléctrica a la ciudad, la mujer comprende que no se trata de un asunto de faldas.
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CortometrajesTranscripción
00:00:09Sabotage, premeditated destruction of buildings or machinery with the aim of alarming a
00:00:16group of people or inspire public unrest.
00:00:48Thank you!
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00:02:08Thank you!
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00:02:12Thank you!
00:02:13Thank you!
00:02:14Thank you!
00:02:19Thank you!
00:02:21Thank you!
00:02:22Thank you!
00:02:24Thank you!
00:02:25Thank you!
00:02:25Thank you!
00:02:27Thank you!
00:02:27Thank you!
00:02:28Thank you!
00:02:28Thank you!
00:02:28Thank you!
00:02:29Thank you!
00:02:29Thank you!
00:02:34No, no, no, no, no, no, no.
00:02:55I'm aware of this. A location is like a contract, and you have to honor it.
00:03:01It's been a general bust. Look at the street.
00:03:05A song at twilight when the light is gone.
00:03:13If I wanted to be in the dark, I would stay at home.
00:03:16Yes, thanks.
00:03:17Yeah.
00:03:17I think it's shameful to steal from poor people in this way.
00:03:22They will have to return it.
00:03:23It was a random accident, like an earthquake or a lightning strike.
00:03:27Or a storm.
00:03:28Would you be so kind as to not interfere?
00:03:30We want our money.
00:03:32I'm sorry I'm late, but it was a real struggle to find a place to eat in the dark.
00:03:36A good part of it went in through my ears.
00:03:40They want their money back, but we won't be able to give it back.
00:03:43I wish my husband were here.
00:03:53Oh, yes.
00:04:32Oh, yes.
00:04:53Oh, yes.
00:05:30I couldn't even watch the movie.
00:05:32I want my money!
00:05:33They are furious.
00:05:34Furious?
00:05:36Leave them to me.
00:05:37Hey, you guys.
00:05:39Why is this?
00:05:40Let me have your flashlight.
00:05:41Thank you.
00:05:42Is it our fault that the power goes out?
00:05:44If he's a police officer and he spends more than he should, do you think the government is going to ask him to pay it back?
00:05:48Return it?
00:05:49I paid for my seat.
00:05:50Yes, and what about the businessman?
00:06:02What about the businessman?
00:06:20Can't you turn on the light?
00:06:23We have no electricity.
00:06:24Have the fuses blown?
00:06:26No, it's general.
00:06:28On the street, on the trams.
00:06:29The public wants their money back.
00:06:31They're being impertinent.
00:06:33Well, give it back to him.
00:06:35But we simply can't do it.
00:06:38Oh, of course we can.
00:06:39You're crazy?
00:06:40They'll leave us penniless.
00:06:42You always say that we don't even cover expenses.
00:06:45And that's how it is.
00:06:46It's not worth it to have the public turn against us.
00:06:49I'm going to receive more money.
00:06:53Well, the idea is yours.
00:06:56But if we're going to be generous, let's do it right.
00:06:59Go downstairs and talk to them.
00:07:01No, they're used to you.
00:07:03Talk to them yourself.
00:07:05Alright.
00:07:05But I still think you're crazy.
00:07:07I tell you, it was the work of God.
00:07:09And what do you call the work of God?
00:07:10That attitude will not help them recover their money.
00:07:14If a plane were to fly by and drop a bomb,
00:07:16You would all agree that it was a bad action.
00:07:19But if a liquid were to suddenly dry up,
00:07:21It would be the work of providence, as it was established.
00:07:24in the time of William IV.
00:07:26Since the definition, in fact,
00:07:28It is any activity performed through a real action.
00:07:34That's a good argument.
00:07:35I have a better one, we want our money back.
00:07:37You're right, Mom.
00:07:38We want our money back.
00:07:40And how do they plan to recover it?
00:07:41Through coercion?
00:07:42Have you read the regulations?
00:07:44If so, I refer to article 257,
00:07:46paragraph 24, sixth line, section B.
00:07:49It literally says no.
00:07:51As?
00:07:52Yes, they didn't know that, did they?
00:07:54They are ignorant.
00:07:55And now, if you want to take my advice, go back home.
00:07:57They have nothing to do here.
00:07:59Come on, get out of here.
00:08:00Can I ask what you're doing?
00:08:02I try to help them.
00:08:03I told him not to interfere.
00:08:05I tried to persuade them and I succeeded.
00:08:06They're leaving now.
00:08:07Well, they can come back.
00:08:09Ladies and gentlemen, we will refund your money.
00:08:12I'm not convinced, I'm on their side.
00:08:15I would prefer that he mind his own business.
00:08:20Ladies and gentlemen, I've been talking to my husband
00:08:22And since you are all good customers and friends,
00:08:25We have decided to give them their money back.
00:08:27They will not receive any money.
00:08:28Come on, get out of here.
00:08:30Please ignore him.
00:08:31She's crazy, she had already convinced them.
00:08:33Do you want to mind your own business?
00:08:35I know all the stubborn people you know.
00:08:37If he doesn't leave, I'll call the police.
00:08:44René, start refunding our customers.
00:09:10Hey, kids, don't score on each other.
00:09:11Come on, out, out.
00:09:15Thank you, I'm sure he did it with good intentions.
00:09:18You're welcome, Mrs. Verloc.
00:09:44Two out of six.
00:09:46Two, good.
00:09:48Thank you.
00:09:49How much?
00:09:50Two shillings, please.
00:09:51One for two shillings, good.
00:09:53Wait, I'll give you your change now.
00:09:56How much?
00:09:56One.
00:09:57One, good.
00:09:59How much?
00:09:59Nothing, thank you.
00:10:01I've left the vegetables ready.
00:10:02Tell the lady to see it.
00:10:04Yeah.
00:10:04Oh, here's the lady.
00:10:07I have to leave.
00:10:08My husband is having problems again
00:10:10and I can't leave him alone for that long.
00:10:12His brother has stayed with him.
00:10:14Kidney problems?
00:10:15No, from the vegetables.
00:10:16No.
00:10:17No.
00:10:17No.
00:10:20No.
00:10:21No.
00:10:21No.
00:10:45From the vegetables.
00:10:48Steve, did you do all this by yourself?
00:10:50Come on, don't be so modest.
00:11:05Well, after all, we didn't have to give them their money back.
00:11:13That woman, Mrs. John, always over-browns the cabbage.
00:11:18I told him that you like it less cooked.
00:11:20I'll make you a salad.
00:11:22Steve, go to the store and I'll give you a nice lettuce.
00:11:24Long or round?
00:11:25I prefer the long ones.
00:11:27Whichever one is freshest, add it to the account.
00:11:31If we had given them their money back, we wouldn't have been able to afford lettuce.
00:11:36You haven't paid attention to what I've told you.
00:11:40Why did you want us to give them their money back?
00:11:44No, that's not it.
00:11:46I simply don't want any trouble.
00:11:48I don't like to draw attention to myself over something so silly.
00:11:52Ah, good night.
00:11:53Please forgive me for interfering in your affairs,
00:11:55But I didn't know if they wanted a long or round lettuce.
00:11:57So I've brought some for you to choose from.
00:11:59I specified long ones, he knows that very well.
00:12:01That's what it seemed like to me.
00:12:02I said long ones.
00:12:04Ah, good evening, Mr. Berlock.
00:12:06Did he arrive in time to see the mess that was made?
00:12:07As?
00:12:08I haven't gone out all afternoon.
00:12:10I could swear I saw him in the room at the time.
00:12:11Well, you're wrong.
00:12:13I didn't know anything about what was happening until you woke me up.
00:12:16Yes, it had taken a while.
00:12:18I had to wake him up.
00:12:19I'm sorry, I've probably made a mistake.
00:12:22Okay, here you go.
00:12:29It sounded like a scream of horror.
00:12:31Probably a crime.
00:12:33It's that kind of movie.
00:12:34Steve, get on a chair and adjust that window.
00:12:37Look for Harleys, he won't bite you.
00:12:39Okay, good night.
00:12:56Okay, ma'am.
00:12:58I'll save it for tomorrow.
00:12:59Thank you.
00:13:00Do you mind if I leave a little earlier today?
00:13:02No, Ted.
00:13:03Thank you.
00:13:04Thank you.
00:13:06Thank you.
00:13:07Thank you.
00:13:07Thank you.
00:13:08Thank you.
00:13:09Thank you.
00:13:14Thank you.
00:13:45Very well, we'll take care of that.
00:13:53Have you heard about what happened?
00:13:54Yes sir.
00:13:55Any conclusions?
00:13:56I could swear I saw him arrive in the middle of all the chaos.
00:13:59I asked him and he told me that he hadn't left his house.
00:14:02His wife confirmed it.
00:14:03Clear.
00:14:04You have to support him.
00:14:06Find a way to talk to her.
00:14:08The Interior Ministry has been informed.
00:14:10She is afraid that something worse might happen.
00:14:13Why, sir?
00:14:13What led them to think that?
00:14:15Distracting our attention from what is happening outside our borders.
00:14:18That's what happens when there are internal problems.
00:14:20A man steps on your foot and his accomplice steals your wallet.
00:14:22Who is behind this?
00:14:24Someone we won't be able to hunt.
00:14:26We go after the men they hire.
00:14:30Thursday.
00:14:42He doesn't realize that this is dangerous.
00:14:44The fact that?
00:14:44Littering.
00:14:46Suppose someone breaks their leg.
00:14:47It wouldn't be funny at all.
00:14:49It depends on whether it's his leg or mine.
00:14:51The oranges are delicious now.
00:14:53They contain vitamins.
00:14:54Would you like some?
00:14:59Hello, are we going to the movies?
00:15:02I have to attend a movie screening.
00:15:05I selected one with many murders.
00:15:07Romance novels bore me.
00:15:09But women like them.
00:15:15He just left.
00:15:16Tell him not to come back too late.
00:15:17We have a commitment.
00:15:21Don't come back late.
00:15:22You have a commitment.
00:15:23I'll be back as soon as I can.
00:15:36Peach, pineapple.
00:15:38Delicious orange.
00:15:40Peach, pineapple.
00:15:43Orange.
00:15:44Delicious orange.
00:16:17The rich orange.
00:16:30What are those bubbles, Dad?
00:16:32The fish has hiccups.
00:16:34You'd get the hiccups too if you had to live in there.
00:16:43They look fun
00:16:45Yes, these animals have it.
00:16:48It would take three of those to make the soup for the Lord Mayor's banquet next Saturday.
00:16:53Imagine, they say they're very easy to digest, right?
00:17:00That's a nice specimen.
00:17:06I hope you're satisfied with what happened last night
00:17:09It hasn't turned out to be as easy as it seemed.
00:17:11I had to spend some money
00:17:13I don't doubt it
00:17:14It has been a good piece of work, the kind that inspires awe.
00:17:17I suppose you'll agree that I've earned the money.
00:17:23If you don't mind, please pay me in one-pound notes.
00:17:28London laughs at the blackout
00:17:30It's ridiculous that people laughed at something we assumed would terrify them.
00:17:35We are not comedians
00:17:37It's not my fault they're crazy.
00:17:40Londoners are not crazy
00:17:42They laughed because what happened last night gave them reason to do so.
00:17:45They laughed this time
00:17:48What does that mean?
00:17:51Mr. Berlock
00:17:53You will be paid your money when you have earned it.
00:17:57I don't understand
00:17:59My dear Berlock
00:18:01I once read a sign in Piccadilly, Sercos
00:18:04He said that was the center of the world
00:18:07In a couple of days you will visit that place
00:18:10And he'll leave a small package at the subway station restroom.
00:18:13What kind of package?
00:18:17I don't know
00:18:19Let's say a package with fireworks
00:18:25I can't do it
00:18:26I don't want to be involved in the loss of human lives.
00:18:33You'll have to find someone else.
00:18:35I won't be the one to do it.
00:18:37Very well, Mr. Berlock
00:18:38If you believe you have already fulfilled your obligations
00:18:40That's not what it's about.
00:18:42You know my situation
00:18:43Okay, then
00:18:44You will not receive any money until
00:18:48If you believe you cannot deliver it yourself
00:18:51I'm sure he'll have a friend who can help him.
00:18:56Don't doubt it
00:19:00Go see this man
00:19:05He is very nice
00:19:07And prepare some very spectacular fireworks.
00:19:12I'll go see him
00:19:16Don't forget the date
00:19:18Next Saturday
00:19:20The day of the party
00:19:22From the Lord Mayor
00:19:24Is it necessary for me to accompany you?
00:19:28Not for now
00:19:29And if the party is loud enough
00:19:32Nor afterwards
00:19:36Where is the exit, please?
00:19:39Over there
00:19:40Thank you
00:19:45It is an extremely active fertilizer
00:19:47After having laid a million eggs
00:19:50Change sex
00:19:51I don't blame her for that.
00:19:52I don't blame her for that.
00:19:55I don't blame her for that.
00:20:10I don't blame her for that.
00:20:39Excuse me, can I help you?
00:20:41Yes, thanks.
00:20:53His feet are very cold.
00:20:58She's very fat.
00:21:00Would you also be fat if you were fed grain and pieces of bread?
00:21:03Oh, here are Steve and Mrs. Verloc.
00:21:06Ted.
00:21:06Yes, it always appears.
00:21:07There's Ted.
00:21:08They're fat, they should eat more fruit.
00:21:11Enjoy your fruit, that's our meal today.
00:21:13That's all, how about a nice sirloin steak?
00:21:15I'm in.
00:21:16Where do you want us to go?
00:21:18I'd like to go to Simpson.
00:21:19A friend of mine had lunch there once.
00:21:21Please, Steve, we'll go to the restaurant on the corner or a cafe.
00:21:24Allow me to invite you to lunch at Simpson.
00:21:30Come on.
00:21:34Welcome to Simpson.
00:21:40Had I ever been here before?
00:21:42No never.
00:21:54Steve, be careful, you're pulling the tablecloth down.
00:21:59I once saw a movie where a guy removed the tablecloth without dropping a single thing.
00:22:03glass.
00:22:04You should try it at home.
00:22:06I'll try.
00:22:08All of this is very expensive, don't you think?
00:22:10Yes, I believe it.
00:22:15I have a one pound note, can I lend it to you?
00:22:18It's not necessary.
00:22:21Okay, Steve, besides steak you can also eat oysters, caviar, smoked salmon, cold sole, grilled sole, boiled sole...
00:22:28I want...
00:22:29A roast leg of lamb, chicken pudding with boiled potatoes, roast sirloin steak, chops, a fillet, kidneys
00:22:35iron...
00:22:35What Steve likes are fried eggs with potatoes.
00:22:38I want salad.
00:22:41Drink a little.
00:22:42Fried eggs at Simpson, that would be like drinking champagne from a plastic cup.
00:22:47Three complete beef sandwiches and a good bottle of wine.
00:22:50Three complete beef dishes.
00:22:52When did they come from America?
00:22:54A year ago.
00:22:55Business wasn't going well there.
00:22:57It's strange.
00:22:58People usually go there because it's where their businesses do well.
00:23:01How are things going for them now, badly?
00:23:03Not so bad.
00:23:04I haven't noticed anyone being fired.
00:23:07It is difficult to run a private business unless you have another job.
00:23:12Does your husband have any other job?
00:23:15No, we are satisfied with what we have.
00:23:17They form a small, happy family.
00:23:23Yes, a happy little family.
00:23:29My husband has treated Steve very well.
00:23:31And does that mean a lot to you?
00:23:34It is everything.
00:23:36It's coming.
00:23:37Excuse me.
00:23:39Fat-free for you, as always, I haven't forgotten.
00:23:43It's been a while since we've seen him around here.
00:23:46I don't like fat.
00:23:47Why did he lie to us?
00:23:48What did you say?
00:23:49Why did he tell us he hadn't been here before?
00:23:51And why is he inviting us both to lunch?
00:23:53Everyone would like to know.
00:23:55It is the great mystery of my life.
00:23:57If you think about it carefully, we all have something to hide.
00:24:00It has no secrets.
00:24:01That has never worried me.
00:24:02What exactly happened in his film industry?
00:24:04Feats in the dark.
00:24:06Does your husband make mysterious trips?
00:24:08Yes, and he grows a mustache for you.
00:24:10Aha, so that means there's another woman?
00:24:12Why is he laughing?
00:24:13If you knew him, he would be the most attentive, harmless, and loving person.
00:24:28Mrs. Berlock and brother's luncheon, one pound, three shillings.
00:24:39What is laughing?
00:24:46What is laughing?
00:24:52Happens.
00:24:53Were you lucky, Ted?
00:24:55She knows absolutely nothing.
00:24:57What makes him think that?
00:24:58His quick response and his behavior.
00:25:00Is she pretty?
00:25:02What does that have to do with anything?
00:25:04I don't know about that.
00:25:05I am sensitive too, especially when it comes to women.
00:25:08What about Berlock?
00:25:09I'm not sure, but if he's involved in this, he's hiding it very well.
00:25:12I have my doubts.
00:25:13What is the name of your assistant?
00:25:15Hollingshield.
00:25:16Hollingshield.
00:25:16Did you tell him this morning to follow that man?
00:25:18Yes sir.
00:25:19Would you mind giving me that paper?
00:25:22This is your report.
00:25:23Telephone call from the booth ten minutes ago.
00:25:25Berlock went to the Aquarium, evidently for a date.
00:25:28and he met a certain individual who gave him a newspaper clipping.
00:25:33He then went to 465 Liverpool Street, Islington.
00:25:36It's a bird shop.
00:25:38I will update you later.
00:25:39Islington?
00:25:40That is.
00:25:41It doesn't mean much to me either.
00:26:03I can't understand it, ma'am.
00:26:05One of my best birds used to sing all day long before you bought it.
00:26:09She may sing again very soon.
00:26:11I don't think I'll ever sing again.
00:26:13I've tried everything.
00:26:14It is whistled at, applauded, and it has done no good.
00:26:16She stares at me like I'm crazy.
00:26:19It's not the bird's fault, I assure you.
00:26:21Oh, no?
00:26:22I want my money back, please.
00:26:24Here's your bird.
00:26:25I want a canary to keep me company.
00:26:27Maybe I can get her to sing again.
00:26:33Do you see it?
00:26:35Are you sure it was him?
00:26:37Listen to it again.
00:26:41I don't see him opening his mouth.
00:26:42Of course she opened it, ma'am.
00:26:44He's a good kid.
00:26:45Here, don't forget to give him plenty of iron and whistle for him from time to time.
00:26:48Should I whistle at him?
00:26:48If you like, I'll get in the cage and let him clean the house.
00:26:53Of course, sir.
00:26:55You want something from the other section, right?
00:26:58Here.
00:27:10My daughter.
00:27:18It's much better not to leave it in the hands of strangers.
00:27:21They ask too many questions, you know.
00:27:24Where is my key?
00:27:27Oh, how careless.
00:27:30I shouldn't let the girl play here.
00:27:32It's dangerous.
00:27:34But what can you do?
00:27:35Without a father, there is no discipline.
00:27:37What could you expect?
00:27:38Has the little girl's father died?
00:27:40Don't know.
00:27:42Maybe.
00:27:44Don't know.
00:27:45Nobody knows.
00:27:47My daughter would like to know too.
00:27:49But what does he want?
00:27:51This will be their cross to bear.
00:27:53You'll need to know how to cope with it.
00:27:53We all carry some kind of cross to bear.
00:27:59Everything here seems to be very neglected.
00:28:02You're right, my friend.
00:28:04But when I mix a little tomato sauce with strawberry jam, for example,
00:28:11so...
00:28:14According to our mutual friend,
00:28:18It will be on Saturday at 1:45, right?
00:28:20But how am I going to connect the mechanism?
00:28:23Oh, leave that to me.
00:28:25When you receive it, everything will be ready and in place.
00:28:30He seems a little nervous.
00:28:32Don't be afraid.
00:28:34Imagine.
00:28:35There is a man who even envies you.
00:28:38Why are you envious of me?
00:28:40I've always enjoyed fighting.
00:28:42But already...
00:28:44They don't want me on the attacking line anymore.
00:28:46I am the one who supplies those who fight.
00:28:49But I would gladly put myself in his place.
00:28:58But, darling,
00:29:00Look.
00:29:03Yes, yes, yes.
00:29:04He may be right.
00:29:05I must have put it there myself.
00:29:13It was nothing, it was nothing.
00:29:18Good.
00:29:19I think everything has been made very clear.
00:29:23Hit me hard.
00:29:25Grandpa has been very careless.
00:29:31One moment.
00:29:32Look.
00:29:33He might be watching me.
00:29:35Why not?
00:29:36Because they already know too much.
00:29:38They'll raid the place any day now.
00:29:40I will receive you properly.
00:29:42If they come.
00:29:45He hasn't seen me.
00:29:48Saturday without fail, sir.
00:29:50Two canaries in a very pretty cage
00:29:52with a very deep tray.
00:29:54Don't forget.
00:29:55Saturday at 1:45.
00:29:57Good morning, sir.
00:30:03Good morning.
00:30:04Tell me, how can I help you?
00:30:06I want a canary that sings well.
00:30:08Ah, said a canary, right?
00:30:11Well, any of these
00:30:13It's like a nightingale.
00:30:17Dear Max,
00:30:18I have a job for you.
00:30:20I need to see you so we can talk.
00:30:22on the matter.
00:30:27He doesn't seem to be doing badly at the fruit shop.
00:30:29He must be learning the business.
00:30:31Your store will be part of it
00:30:32of a major chain.
00:30:33If you ask me,
00:30:35I would say he is the owner's son.
00:30:38Dear Michael,
00:30:39I wrote to Max to ask him
00:30:40If you don't mind
00:30:41in doing a small job for me.
00:30:43If he is engaged,
00:30:45Would you like to help me?
00:30:47Would you like to own a fruit shop?
00:30:48Yes of course.
00:30:49You would soon get tired of it.
00:30:50I bet you don't.
00:30:51I would eat any fruit I wanted.
00:30:52Dear Gus,
00:30:53I just wrote to Max and Michael
00:30:55asking them if either of them
00:30:57can do a small job for me.
00:30:59In the event that both fail,
00:31:01I wonder if you could help me.
00:31:04One moment,
00:31:05You're putting it together too much.
00:31:06OK that's fine.
00:31:08Do you think Ted would come with us to the lake?
00:31:10If you ask him.
00:31:11He would like it more if you asked him.
00:31:14Sailing is great fun.
00:31:16I like it.
00:31:17But Ted knows a lot about gangsters,
00:31:19thieves and all that.
00:31:21And how does he know so much?
00:31:22He has read a lot.
00:31:23He says that gangsters
00:31:24They are not nearly as terrible.
00:31:25as they appear.
00:31:26Some of them
00:31:27They seem like ordinary, common people.
00:31:29Like you, like me,
00:31:30like Uncle Carl.
00:31:31After all,
00:31:32If gangsters looked like gangsters,
00:31:34It would be very easy for the police.
00:31:36catch them.
00:31:36Don't you think so?
00:31:40Friday.
00:31:46Thank you.
00:31:49Is Mr. Berlock there?
00:31:50Were you expecting him?
00:31:51Yeah.
00:31:52Do you know the way?
00:31:54Yes, I think so.
00:31:55Come in, Jack.
00:31:56Thank you.
00:32:05I have an appointment with Mr. Berlock.
00:32:07Do you know how to get there?
00:32:08No.
00:32:09Straight ahead, through the cinema.
00:32:10Let it in!
00:32:11Thank you.
00:32:17There is a lady there.
00:32:19A pound of apples, please.
00:32:22I'm going to have to leave.
00:32:24Maybe starting tonight
00:32:25so I don't have to bother you again.
00:32:32Thank you.
00:32:33Thank you.
00:32:49Good night.
00:32:49Good night.
00:32:52A seat in the back, please.
00:32:54Come in, Jack.
00:33:03I'm glad you came, Vi.
00:33:05It's the most important thing of all.
00:33:07I wanted it too.
00:33:09Allow me.
00:33:10Oh, thank you.
00:33:12Good.
00:33:13All our problems are over now.
00:33:17Oh!
00:33:20But who put this here?
00:33:23Yeah.
00:33:24Yeah.
00:33:28Yeah.
00:33:30Yeah.
00:33:30Yeah.
00:33:30Yeah.
00:33:30Yeah.
00:33:30Yeah.
00:33:31Yeah.
00:33:32Yeah.
00:33:33Yeah.
00:33:41Come closer.
00:33:46Hi, Ted.
00:33:46Where is he going?
00:33:47I was going to have a chat with Mr. Berlock.
00:33:48He doesn't usually speak through the loudspeakers.
00:33:50Is that what's there?
00:33:51There's the screen.
00:33:52There's not much to see.
00:34:00Where does that window lead?
00:34:02To our dining room.
00:34:03Don't you remember when it opened?
00:34:05I'll give Mr. Berlock a surprise.
00:34:32I don't do anything.
00:34:34I simply value work as it deserves.
00:34:36Well, I don't see anything wrong with that.
00:34:39I'll call him tomorrow morning around eleven.
00:34:42And then...
00:34:45We'll settle things later.
00:34:47When the work has dried
00:34:51Of course, I wouldn't be too happy if Arsenal lost to Birmingham on Saturday.
00:34:57Arsenal?
00:34:59I don't understand you
00:35:00No, no, I know you're an Arsenal fan.
00:35:03But it's a good team, believe me.
00:35:05Don't forget that I've filled out no fewer than ten tickets
00:35:09I've invested about fifteen shillings
00:35:11So it's best if...
00:35:17Wow, what were you doing there?
00:35:19Who is it?
00:35:21He works at the shop next door, I know him, but...
00:35:23What happened?
00:35:24I was showing him the back of the screen
00:35:28Did I do wrong?
00:35:30I hope I haven't hurt him; one doesn't always think straight.
00:35:33Mr. Berlock, I didn't mean to bother you
00:35:36Okay, now I have to go back to my fruit
00:35:38I'm sorry
00:35:45Good night
00:35:47That's Sergeant Ted Spencer, and he belongs to Scotland Yard.
00:35:53Are you sure about what he's saying?
00:35:54Are you kidding us?
00:35:55What are we going to do now?
00:35:56I assure you that's the fruit vendor from the shop next door.
00:35:59Spencer was the one who put me in jail last time
00:36:01I just left
00:36:03Just one thing, let this go
00:36:04We left here and went our separate ways.
00:36:06If he comes back, tell him you don't know where we live.
00:36:09That we've gone abroad
00:36:10Tell him the first thing that comes to mind.
00:36:19No, no, no, no, no
00:36:47Was it yesterday when you had lunch with that guy at Simson?
00:36:51Yes? Why?
00:36:53Do you remember what you talked about?
00:36:55Did he ask you any questions about me?
00:36:59No, not that I recall.
00:37:01Because?
00:37:02Because that man works for Scotland Yard
00:37:04That's why
00:37:05He's spying on us
00:37:07Especially me
00:37:09And why would he spy on us?
00:37:10What can you discover?
00:37:12I have nothing to hide.
00:37:13It must be because of those guys who came to see me last night
00:37:16You said he's spying on you
00:37:20Not exactly me
00:37:22I'm referring to this place
00:37:24But why hasn't he asked you directly?
00:37:26If you suspect someone?
00:37:28Would you have helped him?
00:37:30I will speak with him personally.
00:37:31No, no, no, no
00:37:32I prefer to do it myself
00:37:42This needs to be cleaned up
00:37:43Right now
00:37:51Where is Ted?
00:37:52It has come out
00:37:55Have you been to Scotland Yard?
00:37:57I'm sorry, Mr. Berlock
00:37:58I didn't like the idea
00:37:59But I couldn't refuse
00:38:00It was an official order.
00:38:03But why?
00:38:04What's happening?
00:38:05Do you have any idea what it could be?
00:38:07Not at all, Mr. Berlock
00:38:09Perhaps it's due to one of the movies that have been shown recently.
00:38:12You know what kind of movies I'm referring to.
00:38:30Was he there?
00:38:35He runs
00:38:50London must not laugh on Saturday
00:39:00Lord Mayor's Feast Day
00:39:07I've been trying to reach him since early this morning.
00:39:10There's no one there to answer.
00:39:12No
00:39:13But it's too late to warn him
00:39:15He's gone out with an order
00:39:17Alright
00:39:24They just brought this in
00:39:25This is undoubtedly a mistake
00:39:26No, there is no mistake.
00:39:29It's a pair of birds for Stevie
00:39:31I was calling them over the phone.
00:39:33You're very good to him
00:39:37Not with you
00:39:38You're very good to him
00:39:39And you are with me too.
00:39:41I try.
00:39:42How did you come up with that?
00:39:45I know he likes animals
00:39:48Go call him
00:39:49Want?
00:39:54Other
00:40:09¡กúl suran!
00:40:12Want?
00:40:13Careful!
00:40:14Cane!
00:40:15Ance!
00:40:16Gooey!
00:40:18BC!!!
00:40:18Pergot!
00:40:19We praise the little bears!
00:40:19You!
00:40:19Don't forget, the birds will sing at 1:45.
00:40:29This one?
00:40:31What are you doing up there?
00:40:37Carl has a surprise for you.
00:40:39What is it?
00:40:40Go see it.
00:40:48There was nobody at the door.
00:40:49Forgive me for coming in like that.
00:40:51We're getting used to it.
00:40:53I'm afraid you won't be able to see anything, it's too early.
00:40:56I'm sorry, it's not what you think.
00:40:59Is this the same as last night?
00:41:02Mrs. Berluc, there's nothing personal about this.
00:41:05Really?
00:41:06You have deceived us.
00:41:08He made Stevie and me believe that he was our friend.
00:41:10Do you think I had fun?
00:41:12So why?
00:41:13Listen, this morning I asked to be relieved of this job.
00:41:16It's not easy to know why.
00:41:18But it's not easy.
00:41:20One has to do what one is told.
00:41:21But what have they ordered him to do?
00:41:23These are the men who came here last night.
00:41:25My husband has nothing to do with it, it's best if he's convinced.
00:41:29They came here for business, that's all.
00:41:32That's what it's all about.
00:41:33Do you know what kind of business?
00:41:34I'm not interested, I'm sure my husband hasn't done anything wrong.
00:41:37I hope they're right.
00:41:40Why is he saying it in that tone?
00:41:42Because we believe he is involved in a sabotage matter.
00:41:46Sabotage?
00:41:47Do you remember the power outage the other night?
00:41:50But my husband has nothing to do with something like that.
00:41:53He said he had been at home the whole time.
00:41:56And it wasn't true.
00:41:58I saw him arrive myself.
00:42:01I can't believe him.
00:42:03You're making things very difficult for me.
00:42:06I'm going to have to ask you some questions about those men.
00:42:10I already told him, he's the most harmless person in the world.
00:42:13I wouldn't do something like that.
00:43:03I wouldn't do something like that.
00:43:13I wouldn't do something like that.
00:43:29Steve!
00:43:39They are beautiful.
00:43:41Which one is the female?
00:43:43You'll have to wait and see which one lays an egg.
00:43:46Can you imagine if one day a male laid an egg?
00:43:48That would be fun.
00:43:50It's true.
00:43:51By the way, I have two rolls of film here to take to the Canterbury cinema.
00:43:55Although it gives plenty of time.
00:43:57I thought that maybe you'd like to take them now.
00:44:01I have some things to do this morning.
00:44:04You know, that way we kill two birds with one stone.
00:44:07They won't be mine.
00:44:08They won't still be here when you return.
00:44:10The thing is...
00:44:10The thing is...
00:44:12That part of the projector needs a check-up.
00:44:14I rented it in Wadwur.
00:44:16It will be cheaper there than in the village.
00:44:18But they can't come all the way here to pick it up.
00:44:21So let's do one thing.
00:44:22You leave it in the Picadilly Circus locker
00:44:24and Harry will pick him up at 1:30.
00:44:27Will they give it to him without the receipt?
00:44:30Well, you're right.
00:44:31Leave the receipt with the person in charge.
00:44:33We've done it this way before.
00:44:38Now you'd better leave.
00:44:39There's no rush.
00:44:41You'll have to walk the whole way.
00:44:43Walking?
00:44:44Because?
00:44:45Film rolls cannot be carried in public vehicles.
00:44:48They are flammable.
00:44:49I had forgotten.
00:44:51You don't need to tell your sister you're going to Piccadilly.
00:44:54You know how she is.
00:44:55He's always imagining that you're going to get run over.
00:44:58There's no reason to worry her.
00:45:00I wash my face.
00:45:00I don't wash Cruz.
00:45:03Cruz left.
00:45:23For God's sake, why don't you just leave?
00:45:29What I mean is, hurry up.
00:45:31If you're not going to be late, don't forget that you have to be there before 1:30.
00:45:53Steve, what are you carrying there?
00:45:55Two rolls of film for the Canterbury.
00:45:58Bartolomio the strangler.
00:46:00A very suggestive title.
00:46:01Have you seen it?
00:46:01Fourteen times.
00:46:03That's more than enough.
00:46:04Okay, little one, see you later.
00:46:06See you later.
00:46:06Be careful when crossing.
00:46:07Don't worry, I'll do it.
00:46:09Steve, is Mr. Berlock inside?
00:46:12I left it there.
00:46:21I'm very sorry I misled you, Mr. Berlock, but I believed you were involved.
00:46:26Now I can speak to you honestly.
00:46:30I have come to ask for your help, nothing more.
00:46:34I understand.
00:46:36These are the men who were here the other night, when I suddenly showed up.
00:46:41I have been ordered to obtain information about them.
00:46:44We would greatly appreciate your help.
00:46:46Well, whatever I can do, I'm at your service.
00:46:49As far as you're concerned, tell me, when did you arrive in this country?
00:46:53Can I offer you something to drink?
00:46:55Not now, thank you.
00:46:57I'd have to think about it.
00:46:58Let's see.
00:46:59I think it would be better if I wrote it down.
00:47:01Simple formality.
00:47:03Do you have a pen and paper?
00:47:05Start, you know, me, Carl, Althon, Berlock.
00:47:18And now, gentlemen, I would like to ask you a question.
00:47:21What causes teeth to fall out?
00:47:23A punch to the jaw.
00:47:25An aging process.
00:47:27It is inevitable in every human organism.
00:47:30But that aging can be stopped, stopped instantly.
00:47:34And how?
00:47:34With a perique.
00:47:35Yes, that's exactly it.
00:47:37Although the truth is that it's more than just a parakeet, with a few parakeets.
00:47:42In my hand I hold a tube of an exceptional preparation called salbordón,
00:47:47which comes from two Greek words.
00:47:49Salbor, no more, and don, toothache.
00:47:52Six parakeets, the small tube.
00:47:54And a shilling, the large tube, which has four times as much.
00:47:57Now I'll give you a short demonstration.
00:47:59Would any of you want one?
00:48:00Ah!
00:48:01There I see a young gentleman who I am sure will want to help me.
00:48:05No, I can't.
00:48:05Yes, yes, yes, yes, yes, it can be done.
00:48:07Come on, come on, sit down in the chair and while...
00:48:10But I...
00:48:11Let me keep this for you.
00:48:12It will only be a moment.
00:48:14I told him I can't be distracted.
00:48:15Okay, stay where you are and don't get nervous.
00:48:18Okay, that's it.
00:48:18The first thing to do is take the tube in your left hand and unscrew the cap.
00:48:23So.
00:48:23Then take a toothbrush and put a little bit of salbordón on top.
00:48:27So.
00:48:29Please, ladies and gentlemen, take note.
00:48:32Look how dirty this little boy's teeth are!
00:48:34It's not that dirty.
00:48:35Yes, they are.
00:48:36Come on, open your mouth.
00:48:37That's right, good boy.
00:48:38Now we proceed to use the brush.
00:48:40What happens to conventional toothpastes?
00:48:42They are too strong and scratch the enamel.
00:48:45or that they are too lazy and useless.
00:48:49But it never happens with salbordón.
00:48:51Not too strong, not too weak.
00:48:54It performs the functions that nature has forgotten.
00:48:57Cleans teeth, freshens the mouth and eliminates any trace of bad breath.
00:49:02Hali what?
00:49:03Bad breath, sir.
00:49:04And why don't you use it?
00:49:05I don't need it.
00:49:07That's it, guys.
00:49:07Relax, calm down.
00:49:09Don't be afraid.
00:49:09Now rinse your mouth.
00:49:11You see, ladies and gentlemen,
00:49:12which unfortunately I have ruffled a little of this young gentleman's hair.
00:49:16Ah!
00:49:16But that's easily fixed.
00:49:19Here I have a bottle of Glosswell.
00:49:22This size costs one shilling, but I have larger ones that cost only 18 pence.
00:49:27Now I will give you a demonstration of its use.
00:49:30It's poured over the hair, like this.
00:49:32Do you see it?
00:49:32It is an exceptional product, which guarantees the appearance of flexible hair.
00:49:38You're ready for stardom, as they say.
00:49:42Come on, get up, little hero.
00:50:00Don't forget it.
00:50:02The birds will sing at 1:45.
00:50:11Go on, get out.
00:50:14Memories from the parade in honor of the Lord Mayor!
00:50:18Memories from the parade in honor of the Lord Mayor!
00:50:30You!
00:50:31Where are you going?
00:50:32Come on, go back to your place.
00:50:34Come on, come on.
00:50:37Come on, son, back up.
00:50:50Do you want to stay still?
00:51:11Do you want to stay still?
00:51:12Come on, son, back up.
00:51:15Thank you!
00:51:17Come on, son!
00:51:21Come on, son!
00:51:26Come on, son!
00:51:32Come on, son!
00:51:35Come on, son!
00:51:55Thank you!
00:52:09Thank you!
00:52:12Thank you!
00:52:18Thank you!
00:52:20Thank you!
00:52:22Thank you!
00:52:25Thank you!
00:52:26Thank you!
00:52:27Come on!
00:52:27Don't dawdle or we'll be late!
00:52:29Come on!
00:52:46Do you think I'll get to Piccadilly Circus before 1:30?
00:52:48Yes, at 1:30 in the morning.
00:52:50Have you gone on a date with any damsels?
00:52:52You cannot travel with this in a public vehicle.
00:52:54They're movies, right?
00:52:56They are flammable.
00:52:57Come on, get off.
00:52:57But I have to go to Piccadilly.
00:52:58I can't leave them here, on the platform.
00:53:02Uh-huh.
00:53:03Bartolomíu the strangler.
00:53:04Well, if it's about you, Bartolomíu can stay.
00:53:07Promise less to vent to the passengers.
00:53:09Thank you.
00:53:45Thank you!
00:53:54Thank you!
00:54:22Thank you!
00:54:34Thank you!
00:54:44Thank you!
00:55:13Thank you!
00:55:19Okay, now that everything seems clear, would you like something to drink?
00:55:25No, thanks.
00:55:32Forward!
00:55:34Oh, excuse me, would you like to call Whithall 1212?
00:55:38May I use your phone?
00:55:49With Commissioner Talbot, please.
00:55:55Spencer, sir.
00:56:08A bus has exploded with all the passengers inside.
00:56:11It's terrible.
00:56:13What time?
00:56:14Why don't you ask?
00:56:17Well, the truth is that I can't be in two places at the same time.
00:56:21I suppose not.
00:56:27Maybe I'll come back later.
00:56:30Thank you.
00:57:06Have you found anything?
00:57:08I'm not sure.
00:57:09Okay, anyway, tell me, what is that?
00:57:13Bartolomí, Bartolomí and something more.
00:57:16That contained a movie.
00:57:19Didn't you tell me that Berlón hadn't left his house this morning?
00:57:22And it hasn't come out.
00:57:22Then check if this is one of their movies.
00:57:24Did you want to see me, sir?
00:57:26Meet Holly Heade at the pet shop.
00:57:28Keep your eyes wide open.
00:57:29Good, sir.
00:57:30Good, Spencer.
00:57:31Go away.
00:57:31Yeah.
00:57:35Does that have anything to do with what happened?
00:57:39Bartolomí, the strangler.
00:57:41It's a movie container, isn't it?
00:57:45No.
00:57:46They are sardines.
00:57:56Latest news on the bomb explosion.
00:57:59Latest news on the bomb explosion.
00:58:04That's ok.
00:58:05He can take care of himself.
00:58:07There's no need to worry.
00:58:08New clues in the bomb incident.
00:58:10The bomb incident!
00:58:11Give me two pence.
00:58:13Take it.
00:58:16Latest news on the bomb explosion.
00:58:19The bomb incident!
00:58:20New clues in the bomb incident.
00:58:27Bartolomí, the strangler.
00:58:30New lead in the bus disaster.
00:58:36Hey!
00:58:37Already!
00:58:37You can go back to the pump!
00:58:38Don't sit down tomorrow!
00:58:40Don't sit down tomorrow!
00:58:42Air! Air!
00:58:44Air!
00:58:44Air!
00:58:45Air!
00:58:46Yes, yes, yes, yes, yes!
00:58:49Yes, yes, yes, yes!
00:58:50Yes, yes, yes, yes!
00:58:51Yes, yes, yes, yes!
00:58:53I want to see my husband.
00:58:56I want to see my husband.
00:59:01I didn't mean to cause any harm to your brother.
00:59:06Come on.
00:59:08You need to try to cheer yourself up.
00:59:10And master your nerves.
00:59:13Look at me.
00:59:16The police will ask us questions.
00:59:23Try to be reasonable.
00:59:24What would have happened if it had been me?
00:59:35That individual in the aquarium.
00:59:39He's a despicable, unscrupulous guy with less sense than...
00:59:47I can't guess it.
00:59:50You are my wife.
00:59:52And I love you, I really do.
00:59:55You didn't have to know that.
01:00:08You have to pull through, darling.
01:00:11It's too late now.
01:00:20Go to bed.
01:00:23You need to rest a little.
01:00:27I know how you feel.
01:00:30Do you think it hasn't affected me too?
01:00:33Do you think I arranged for him to die?
01:00:36No.
01:00:38But I'll tell you whose fault it is.
01:00:40From that man from Skodlanjar.
01:00:41Ted, blame him.
01:00:44I was planning to take the package, but he was around here snooping, spying.
01:00:47I couldn't leave.
01:00:59Listen to me.
01:01:00What happened is in the past.
01:01:05And in the future, I don't know if we'll have a child.
01:01:11Our own son.
01:01:34The noise of Skodlanjar.
01:01:40What was it?
01:01:54The noise of Skodlanjar.
01:02:25Thank you!
01:02:28Everything's been picked up, yes.
01:02:30And even though Stevie isn't here, I've put a plate on the table for him.
01:02:33And now, if you don't mind, I'm leaving.
01:03:01I repeat, you have to get over it.
01:03:04It's the best.
01:03:15She never cooks well.
01:03:16Why doesn't that woman cook the vegetables better?
01:03:19With the time he's been with us, he should know what we like.
01:03:48Don't serve me that vegetable.
01:03:51Couldn't we send someone to...?
01:04:12Thank you!
01:04:14Thank you!
01:04:24Thank you.
01:05:12Thank you.
01:05:24Thank you.
01:05:47Steve!
01:05:50Steve!
01:06:22Thank you.
01:06:47Thank you.
01:06:47I don't know what to tell her.
01:06:51Do you know why I've come?
01:06:52Yeah.
01:06:54I have to stop her.
01:06:57Yeah.
01:06:58I will try to help her in any way I can.
01:07:00For you, not for him.
01:07:03I would do anything to help her, don't you know that?
01:07:06You are very kind.
01:07:08He can no longer do anything for either of them.
01:07:11Things aren't so bad.
01:07:13I admit that everything is against him, but I don't think anything will happen to him.
01:07:21This is not the right time to talk about these things.
01:07:24I shouldn't even mention it.
01:07:27But before you call me, I want you to know that...
01:07:30Whatever happens, it means a lot to me.
01:07:33I didn't want to express my feelings to him, but it's been said.
01:08:03thank you so much.
01:08:08I don't know if not.
01:08:09I don't know if it's kind.
01:08:09I don't have to learn from my coat.
01:08:10And let's go out.
01:08:11Let's not waste any time.
01:08:12But what happened?
01:08:14He killed Stevie.
01:08:17I feel better now.
01:08:18Come on.
01:08:19Where to?
01:08:20To the police, of course.
01:08:21No, wait a moment.
01:08:52No, wait a moment.
01:09:10No, wait a moment.
01:09:14You cannot take the blame for everything.
01:09:16I let him go.
01:09:17I know very well that it was an accident.
01:09:19All he has done is bring forward his sentence.
01:09:22I let him go.
01:09:23I know the facts.
01:09:24Nobody else knows them.
01:09:25What chance would I have before a judge?
01:09:27I don't care about anything anymore.
01:09:29He has nothing left to live for, is that it?
01:09:31Look at me.
01:09:36We'll get through this.
01:09:37We will leave.
01:09:39It wouldn't be fair.
01:09:40It would ruin his own life.
01:09:42To hell with her.
01:09:43Today is Saturday.
01:09:44We don't need a passport to go to the continent if we order weekend tickets.
01:09:49Is someone going to enter the house?
01:09:51Mrs. Jones or someone else?
01:09:53Mrs. Jones comes at eight in the morning.
01:09:55At eight o'clock?
01:09:56And he says we don't have time.
01:09:58Twelve hours will pass before they discover the body.
01:10:00I don't want to hear you say another word.
01:10:03Now you're going to the movies and you're going to bring the cage here before the police find it.
01:10:07How could you be crazy enough to do something like that?
01:10:09A cage, and inside, a bomb.
01:10:11Honey, you couldn't help it.
01:10:12Now we can.
01:10:14Take the hat and April.
01:10:15But darling, this involves a great risk.
01:10:17A risk?
01:10:17For whom?
01:10:18For you?
01:10:18And what about the girl?
01:10:19Both she and I have been in danger.
01:10:22Leave and take a taxi.
01:10:23And don't come without the cage.
01:10:26Alcine Bijou, Estanzor Street.
01:10:41Follow that taxi.
01:10:49Put me on Skolda Añar.
01:10:50What is our number?
01:10:51HBZ 4768.
01:10:53Reporting.
01:10:54The man is under surveillance.
01:10:56He has just left the pet shop and is heading towards the Bijou cinema in a taxi which we are following.
01:11:02Give instructions.
01:11:08The answer is arrest the man and see him as soon as he arrives at the cinema.
01:11:12Inspector Skolda Añar.
01:11:16I feel good.
01:11:17It's just that...
01:11:18They mustn't notice that she's been crying.
01:11:20I'm fine now.
01:11:21Come on.
01:11:23Come.
01:11:25Whatever happens.
01:11:34Come on.
01:11:46Is Mr. Berlock there?
01:11:56What's happening?
01:12:00Please.
01:12:02Come on.
01:12:02Not that way.
01:12:16Can I speak with you?
01:12:17I'm sorry, I can't help you.
01:12:18I am Mrs. Berlock.
01:12:19Oh, where has he been?
01:12:21Wait.
01:12:21He accompanied me to the police station.
01:12:23Ah, okay.
01:12:24Did you know we wanted to question you?
01:12:26Yes, I have explained everything to myself and I wish to go and give my statement.
01:12:29A statement?
01:12:30What statement?
01:12:30Mrs. Berlock, you can do it later at the police station.
01:12:33I am responsible here.
01:12:34Does it have to do with her husband?
01:12:35He came in through the back door.
01:12:37Okay, I'm going there now.
01:12:38Wait here, your husband will be here shortly.
01:12:40It doesn't have...
01:12:40Mrs. Berlock, we don't have time.
01:12:43Stay there in the car, Spencer.
01:12:45How many men have gone to the back?
01:13:02Mr. Berlock.
01:13:25Mr. Berlock.
01:13:26Come on, come on, open up.
01:13:28It will save us a lot of work.
01:13:30If they open that door, I'll make everything fly through the clouds.
01:13:33It has a bomb.
01:13:34They'd better evacuate the Ciro.
01:13:35I'll keep an eye on that guy.
01:13:36I'll stay.
01:13:38You have a wife.
01:13:39That's why I want to end it all.
01:13:41Come on, make them vacate the premises.
01:13:50From the back.
01:13:51He has a pump and he plans to use it.
01:13:52A bomb?
01:13:53Is Berlock there too?
01:13:54I don't know, I have no idea.
01:14:02Ladies and gentlemen, I am compelled to beg you to come out of your beak.
01:14:23Mrs. Berlock, is your husband in there?
01:14:25He doesn't know, sir.
01:14:26Why are you interrupting me, Spencer?
01:14:28Yes, it's inside.
01:14:29That man is carrying a bomb.
01:14:31Is your husband nervous?
01:14:33Does he know how to control himself?
01:14:34No.
01:14:35Can't you?
01:14:37He is dead.
01:15:03The roof has collapsed.
01:15:05The back of the building has blown off.
01:15:07Are there any victims?
01:15:07They had all gotten out, thank God, but Berlock and the old man had seen similar things in the war to Perón.
01:15:15Do you think we'll be able to identify them?
01:15:16I don't think so, sir.
01:15:18Go right now and get that head wound treated.
01:15:22Spencer.
01:15:26Take charge of Mrs. Berlock.
01:15:29Her husband has died.
01:15:30He has passed away.
01:15:33Try to calm her down.
01:15:35Then he will have to give a statement.
01:15:38Although I don't find anything suspicious about her.
01:15:40Yes sir.
01:15:55What a nuisance.
01:15:57Do you think that woman is okay?
01:15:59He said that Berlock was...
01:16:00Dead, sir.
01:16:01This case does not require a second investigation.
01:16:04But she said it...
01:16:07...sooner or later.
01:16:08I can't remember.
01:16:13I can't remember.
01:16:38No.
01:16:39No.
01:16:39No.
01:16:39No.
01:16:39No.
01:16:39Thank you.
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