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#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:00:11A group of young people, a shared passion, shitty music, drugs, fanaticism, exaltation,
00:00:26above all occultism, esoteric symbols, nihilism, sacrificial rites, evil as an affirmation
00:00:37of power, a satanic sect, the desire for violence.
00:01:24Subtitles author and proofreader by QTSS
00:01:54Subtitles author and proofreader by QTSS
00:02:12Satan is the great adversary, the angel cast into hell, his aim is to put
00:02:18to test man and lead him to deny God.
00:02:21The word sect originally describes movements inspired by a belief, a doctrine, which are
00:02:27entered into conflict with society, inevitably ending up isolating themselves.
00:02:32Over time, however, the term has become loaded with increasingly sinister and disturbing meanings,
00:02:37incredible stories of charismatic leaders and brainwashed followers, of brainwashing and abuse
00:02:43sexual, mass suicides and sacrificial murders.
00:02:54January 24, 2004, early hours of the morning.
00:03:00The Carabinieri of Sommalombardo, in the province of Varese, after receiving a phone call
00:03:06of signaling, arrive at the Villoresi canal, near the Panperduto dam.
00:03:13At the scene, they find a boy in a confused state.
00:03:18He screams, he writhes, he swears, he's on drugs, he's taken heroin, cocaine, Tavor, he hasn't slept for 36 hours.
00:03:34He can only say that his girlfriend needs help and where to find her.
00:03:43A few kilometers away, the carabinieri found two cars.
00:03:49One crashed into the dam railing.
00:03:54A little further on, a grey 1 stuck on the bridge.
00:04:03It has a broken window.
00:04:07Traces of blood on the glass.
00:04:12In the driver's seat, a girl.
00:04:16He overdosed.
00:04:20The two are taken to the hospital.
00:04:34He, name Andrea, surname Volpe.
00:04:41Born in Gallarate on February 7, 1976.
00:04:46Drug addict, unemployed, only passion: heavy metal music.
00:04:56Her name is Elisabetta, her surname is Ballarini.
00:05:01Born in Milan on July 22, 1985.
00:05:06From a good family.
00:05:09He left school, left home.
00:05:12He decided to follow Andrea.
00:05:15To go and live with him, in a chalet, in the middle of the woods, far away from everyone, in Gola Zecca.
00:05:34With the mixture of drugs the boys had in their systems, everything seemed like a nightmare.
00:05:38So much so that Elisabetta had started to see the flashing blue police lights everywhere.
00:05:45Elisabetta had to escape from that cursed place and so she got into her car.
00:05:49He had steered it around a curve that didn't exist.
00:05:52The car got stuck and she couldn't take it anymore.
00:05:56she had rested her head on the steering wheel and let herself sink into the darkness.
00:06:06When Ballarin recovers, she talks about strange and terrible things,
00:06:12happened a few hours earlier.
00:06:14The carabinieri rush to the chalet to understand what happened.
00:06:22Meanwhile they discovered that the A1 belongs to Mariangela Pezzotta,
00:06:28Andrea Volpe's ex-girlfriend.
00:06:32She went out the night before, but never came home.
00:06:37The police found in the trunk of the other car,
00:06:44inside an envelope, Mariangela's bag.
00:06:48Cigarettes, you call.
00:06:53The officers decide to inspect the chalet,
00:06:56where Andrea Volpe and Elisabetta Ballarin live.
00:07:03Everything is in disarray.
00:07:06Food scraps, piled up clothes,
00:07:11objects scattered on the floor,
00:07:14books,
00:07:16dirt,
00:07:18a scenario of abandonment and degradation.
00:07:22Investigators find lit candles,
00:07:27a snake in a cage
00:07:29and lots of drugs,
00:07:32but no trace of Mariangela.
00:07:37The search continues outside.
00:07:42In the garden,
00:07:44in the farmhouse,
00:07:45the soil is sifted,
00:07:49under the snow.
00:07:51Then,
00:07:53in the greenhouse,
00:07:55the macabre discovery.
00:07:59Underground,
00:08:01almost completely buried,
00:08:04the corpse still warm
00:08:06by Mariangela.
00:08:08A wound in the throat.
00:08:12On the body,
00:08:13There are no other injuries.
00:08:16He has the face,
00:08:18completely disfigured.
00:08:23Inside the greenhouse,
00:08:25the body was half buried,
00:08:26so they were seen emerging
00:08:29the hands,
00:08:30the feet and the hair
00:08:31by Mariangela.
00:08:34I remember then that he intervened
00:08:36the coroner
00:08:37which he recovered immediately
00:08:39traces of dragging
00:08:42of the body with the wheelbarrow
00:08:43from the building body
00:08:44to the greenhouse
00:08:46and even
00:08:48portions of teeth
00:08:51by Mariangela.
00:08:52Here you are,
00:08:53from here,
00:08:54precisely,
00:08:54the immediate sensation
00:08:56that it had occurred
00:08:57something terrible.
00:09:05Mariangela Pezzotta,
00:09:0627 years old,
00:09:08from Somma Lombardo,
00:09:09daughter of a well-known local politician,
00:09:12she was engaged
00:09:14for nine years
00:09:15with Andrea Volpe.
00:09:17Nine long years,
00:09:20years of violence,
00:09:21threats,
00:09:22humiliations,
00:09:24blackmail.
00:09:26In his diary
00:09:27talks about Andrea
00:09:29like a love
00:09:30overwhelming
00:09:31to which
00:09:33he never knew
00:09:35resist.
00:09:41In 2004
00:09:42there was death
00:09:43by Mariangela.
00:09:43Fortunately,
00:09:44at that point
00:09:45they arrested us all
00:09:46because we would have killed ourselves
00:09:48each other
00:09:48until the very end.
00:09:50The first to die
00:09:51it would have been
00:09:52Elizabeth Ballarin.
00:09:58it's hard to understand what
00:09:59yes it happened
00:10:00with Mariangela Pezzotta
00:10:02that night
00:10:02of January 2004.
00:10:05To me who met her
00:10:06as a consultant
00:10:07of the prosecution,
00:10:08he told his story
00:10:09that he was fixing
00:10:10the kitchen
00:10:10when she found herself
00:10:12at home
00:10:12Mariangela,
00:10:13sitting at the table
00:10:14to chat.
00:10:16But it hadn't been
00:10:17the only strange thing.
00:10:19Strange
00:10:20there was also
00:10:20the attitude
00:10:21by Andrea,
00:10:22very nervous,
00:10:23who had pushed her away
00:10:24telling her to go
00:10:25to prepare
00:10:25two speedballs,
00:10:26cocaine and heroin
00:10:27mix together.
00:10:30Elizabeth
00:10:31she was gone
00:10:31perplexed,
00:10:32thinking about why
00:10:33two and not three doses,
00:10:34since there was a guest,
00:10:36and he was in the room
00:10:37next to divide
00:10:38the dust
00:10:38when he heard
00:10:39the deafening noise
00:10:40of a gunshot.
00:10:42He had given up everything,
00:10:43running scared
00:10:45to find
00:10:45the boyfriend
00:10:46who was screaming,
00:10:47the gun in his hand,
00:10:48while Mariangela
00:10:49she was different
00:10:50with eyes wide open
00:10:51and the blood
00:10:52that was coming out of her neck.
00:11:01Andrea Volpe,
00:11:02questioned,
00:11:04He talks about an accident.
00:11:07Tells
00:11:08of having called
00:11:09the night before
00:11:10to Mariangela.
00:11:12He asked her
00:11:13to bring him
00:11:14a video cassette
00:11:15and Mariangela
00:11:18he obeyed.
00:11:21Tells
00:11:22that while they were talking
00:11:24him
00:11:25he was playing
00:11:26with a gun
00:11:27and that suddenly
00:11:29he left
00:11:30a goal.
00:11:32Elizabeth
00:11:33he says he didn't see
00:11:34Nothing
00:11:35that had moved away.
00:11:38He admits, however,
00:11:38of having helped
00:11:40the boyfriend
00:11:41to bury
00:11:42Mariangela.
00:11:46About one thing
00:11:48I agree.
00:11:49After the murder
00:11:50they tried
00:11:51to make disappear
00:11:52the car
00:11:53of the girl
00:11:53and its effects
00:11:55personal.
00:11:57they wanted
00:11:58throw away
00:11:59the 1st
00:11:59in the canal
00:12:01to make disappear
00:12:03All.
00:12:06Fox
00:12:06at the wheel
00:12:08of the machine
00:12:08of the father
00:12:09of Elizabeth.
00:12:11The dancer
00:12:12on board
00:12:13of the 1st
00:12:14it remained
00:12:15stuck
00:12:16on the bridge
00:12:17in the grip
00:12:18to hallucinations.
00:12:22she is convinced
00:12:23that in the car
00:12:24there is someone
00:12:25At that time
00:12:27start taking it
00:12:29with kicks and punches
00:12:30breaks the windows
00:12:31he gets hurt
00:12:35then he faints
00:12:36a little further ahead
00:12:39also Fox
00:12:40he crashes.
00:12:44The analyses
00:12:46they move on
00:12:47the autopsy
00:12:48on the body
00:12:49by Mariangela
00:12:49Pezzotta
00:12:50reveals
00:12:51that the cause
00:12:52of death
00:12:52it wasn't
00:12:53the bullet
00:12:54but that they were
00:12:56many shots
00:12:57of shovel
00:13:00on the skull
00:13:01and on the face.
00:13:03In case
00:13:03of a corpse
00:13:04well preserved
00:13:05that for example
00:13:06it was shot
00:13:08and beaten
00:13:08it is possible to understand
00:13:10if death
00:13:11she came
00:13:11following
00:13:12of the shot
00:13:12or beatings.
00:13:13It can happen
00:13:14of being shot
00:13:15in the face
00:13:16but the bullet
00:13:17not through
00:13:18of vital structures
00:13:19the person
00:13:19survives
00:13:20and then he dies
00:13:21for other reasons
00:13:22for example
00:13:22some shots
00:13:23in the head
00:13:24and this can be seen
00:13:25clearly
00:13:25through
00:13:25the injuries
00:13:26of the brain
00:13:27that I see
00:13:27at the autopsy.
00:13:30The prosecutor
00:13:31boss
00:13:31from Busto Assizio
00:13:32Antonio Pizzi
00:13:33and the substitute
00:13:34attorney
00:13:35Tiziano Masini
00:13:36they don't believe
00:13:37that it is
00:13:38treaty
00:13:39of an accident.
00:13:42But it's missing
00:13:43the motive
00:13:45Fox
00:13:46he had good relationships
00:13:48with the victim
00:13:49which continued
00:13:50to give him money
00:13:51and to help him
00:13:52he wasn't right
00:13:54to kill her.
00:13:57You know what it is
00:13:58what does it seem to me?
00:13:59That they found nothing
00:14:01why didn't they find anything?
00:14:03Because in the end
00:14:03There has been an accident
00:14:05and they wanted each other
00:14:06attach to a story
00:14:07because I do
00:14:08I play this music.
00:14:15Who studies the phenomenon
00:14:16of Satanism
00:14:17in a serious way
00:14:18and balanced
00:14:18He's talking about four
00:14:20fundamental currents.
00:14:22There are the rationalists
00:14:23who see Satan
00:14:24like the symbol
00:14:25of a vision
00:14:26anti-Christian of the world
00:14:27where only pleasure
00:14:28private
00:14:28it matters
00:14:29and every kind
00:14:30of moral convention
00:14:31must be rejected.
00:14:33Then there are
00:14:34the occultists
00:14:35who truly believe
00:14:36to the existence of evil
00:14:38and they love it
00:14:39like a species
00:14:40of divinity
00:14:40the Luciferians
00:14:42and then above all
00:14:44the acids
00:14:45and acid satanism
00:14:46what worries
00:14:47moreover
00:14:47religion
00:14:48of Satan's beasts.
00:14:57January 26, 2004
00:14:59they have passed
00:15:01two days
00:15:02from death
00:15:03by Mariangela Pezzotto.
00:15:05Michael Tollis
00:15:07he's at the police station
00:15:08of Somma Lombardia
00:15:09he heard
00:15:10the news
00:15:11of the arrest
00:15:12by Andrea Volpe
00:15:13on the news.
00:15:15For him
00:15:16suddenly
00:15:17it's all clear.
00:15:21Michael Tollis
00:15:22he is the father
00:15:22by Fabio
00:15:23a boy
00:15:2416 years old
00:15:25that the night
00:15:26of January 17th
00:15:281998
00:15:29he disappeared
00:15:31together with a friend
00:15:33Chiara Marino
00:15:36they have passed
00:15:37six years.
00:15:39Michael Tollis
00:15:40he looked for it
00:15:41throughout Italy
00:15:42without ever
00:15:43surrender.
00:15:45During these years
00:15:46he organized
00:15:47the research
00:15:48helped
00:15:49from the broadcast
00:15:50Who saw it.
00:15:53He attended
00:15:54the concerts
00:15:55Heavy Metal
00:15:56he tried
00:15:58to know
00:15:59the world
00:16:00frequented
00:16:01from the son.
00:16:03Fabio
00:16:03he sang
00:16:04in the group
00:16:05by Andrea Volpe
00:16:06and precisely
00:16:07with him
00:16:08he spent
00:16:09the last ones
00:16:10moments
00:16:10previous ones
00:16:12to the disappearance.
00:16:15Michael Tollis
00:16:16he has no doubts.
00:16:19death
00:16:21by Mariangela
00:16:22Pezzotta
00:16:22she is tied
00:16:24to the disappearance
00:16:25by Fabio.
00:16:28Perhaps
00:16:29the girl
00:16:31he knew something.
00:16:33Perhaps
00:16:34that's why
00:16:36what a fox
00:16:36he killed her.
00:16:38To avoid doing it
00:16:39speak.
00:16:41Michael Tollis
00:16:43tells
00:16:44many things
00:16:44provides
00:16:46contacts
00:16:47reveals
00:16:48a world
00:16:48youth
00:16:49disconcerting
00:16:51and dark.
00:16:53In the diaries
00:16:54by Fabio
00:16:54he discovered
00:16:56many things
00:16:57about the group
00:16:58of friends
00:16:58of the son.
00:16:59Evidence
00:17:00of courage
00:17:01humiliations
00:17:02seditions
00:17:04satanic rites.
00:17:11Rock
00:17:12it's always
00:17:12been considered
00:17:13the music
00:17:14of the devil
00:17:14because it pushes
00:17:15to dance
00:17:16to unleash
00:17:17to move
00:17:18in a lascivious manner.
00:17:19When over the years
00:17:2060
00:17:20Elvis Presley
00:17:21he was shaking his pelvis
00:17:22on television
00:17:23the American fathers
00:17:24they prohibited
00:17:25the daughters
00:17:25to look
00:17:26and they changed
00:17:26immediately
00:17:27the channel.
00:17:28Actually
00:17:29the bond
00:17:30between rock music
00:17:30and Satanism
00:17:31it has always been
00:17:32very superficial.
00:17:34Almost all of them
00:17:34the rock stars
00:17:35who wrote
00:17:36to texts
00:17:36with an esoteric background
00:17:37or have used
00:17:38satanic symbols
00:17:40they were bitten
00:17:41more from the will
00:17:41to scandalize
00:17:42that from a real
00:17:43and in one's own interest
00:17:44for the evil one.
00:17:45But there is also someone
00:17:46who went further.
00:17:47It's the case
00:17:48of the groups
00:17:49that at the beginning
00:17:49of the 90s
00:17:50they formed
00:17:51in Norway
00:17:51the black metal mafia
00:17:52and they committed
00:17:54crimes
00:17:54among the most brutal.
00:17:56The Names of Satan
00:17:56they burned churches,
00:17:58beaten,
00:17:58killed homosexuals
00:18:00and finally
00:18:00in delirium
00:18:01they are also
00:18:02killed
00:18:03among themselves.
00:18:26Black clothes
00:18:27borgie,
00:18:29tattoos,
00:18:31piercing,
00:18:33skulls,
00:18:35inverted crosses,
00:18:37esoteric symbols
00:18:39they are the peculiar traits
00:18:41of the heavy metal style.
00:18:46obsessive rhythms,
00:18:48distorted voice,
00:18:50hammering percussion.
00:18:53The inverted cross
00:18:55which represents
00:18:56the antichrist
00:18:57it is a recurring symbol
00:18:58as well as the number
00:19:00666,
00:19:02the number of the evil one.
00:19:05Symbols,
00:19:06suggestions
00:19:07and many legends
00:19:08subways.
00:19:11The music
00:19:12who listen
00:19:13the boys
00:19:14of Satan's beasts
00:19:15it is above all
00:19:16black death metal.
00:19:19Fast rhythms,
00:19:21guttural voice,
00:19:23distorted guitar
00:19:24and morbid texts.
00:19:27Black metal
00:19:28it is widespread
00:19:29above all
00:19:30in Scandinavian countries.
00:19:33The Norwegians
00:19:33Burjum,
00:19:34the Meijans,
00:19:35the Gorgorovs,
00:19:36The Emperors,
00:19:38the Immortals,
00:19:39the Marduk
00:19:40they speak
00:19:42in their texts
00:19:42of Satanism,
00:19:44nihilism,
00:19:45of occult
00:19:46and hellish scenarios.
00:19:48The iconography
00:19:49that they propose
00:19:50it's blasphemous
00:19:51and nihilism.
00:19:52Drugs,
00:19:53self-destruction
00:19:54and suicide
00:19:56I am often
00:19:57the proposed solutions
00:19:58as a way out
00:19:59from a reality
00:20:02negative.
00:20:07Euronimus,
00:20:08the author
00:20:08of the Meijans,
00:20:10founded in 1992
00:20:12black metal
00:20:13inner circle,
00:20:15a presumed
00:20:16organization
00:20:17anti-Christian
00:20:17of inspiration
00:20:19Satanist.
00:20:21Euronimus
00:20:22is venerated
00:20:23from the followers
00:20:24like a messiah
00:20:26of the forces
00:20:26of evil.
00:20:28The inner circle
00:20:29it is considered
00:20:31responsible
00:20:32of numerous
00:20:33vandalism.
00:20:35The fire
00:20:36of 52 churches.
00:20:39The desecration
00:20:41and the looting
00:20:41of 15,000 graves.
00:20:47The macabre taste
00:20:49it pushes
00:20:50beyond the unlikely.
00:20:52In 91
00:20:53Euronimus
00:20:54photographer
00:20:55the corpse
00:20:56of Dead,
00:20:57the singer
00:20:58of his group.
00:20:59The photo
00:21:00becomes a macabre
00:21:02cover
00:21:02of a disk
00:21:03in which
00:21:05the singer appears
00:21:06with the skull
00:21:07smashed
00:21:08from a blow
00:21:09of rifle
00:21:10that he himself
00:21:12he shot himself.
00:21:13The organization
00:21:14it melts
00:21:15in 93
00:21:16with the killing
00:21:18by Euronimus
00:21:18by the hand
00:21:20of the guitarist
00:21:20of the Burzu.
00:21:21Him too
00:21:22belonging
00:21:24to the inner circle
00:21:25and with the arrest
00:21:26of the drummer
00:21:27of the enterors
00:21:28responsible
00:21:29of the murder
00:21:30of a man
00:21:31sexual.
00:21:33Related to the theme
00:21:34of death
00:21:35of suicide
00:21:36and of pain
00:21:37they are the groups
00:21:39dead metal
00:21:39like the
00:21:40The Side
00:21:40Cannibal Corpse
00:21:42the Necropagia
00:21:44The Suffocation
00:21:46the Autopsies
00:21:49by The Side
00:21:51one of the groups
00:21:52best known
00:21:53pushes
00:21:53the references
00:21:54satanic
00:21:55to real and proper
00:21:56blasphemy
00:21:57macabre.
00:21:59We're talking about death
00:21:59of cannibalism
00:22:01of ferocity
00:22:03of perversions
00:22:04maniacal.
00:22:07For the most part
00:22:08some boys
00:22:09it's just about
00:22:10of a fashion
00:22:10a wish
00:22:12to scandalize
00:22:13and transgress
00:22:14but on some
00:22:16subjects
00:22:16particularly
00:22:17fragile
00:22:18impressionable
00:22:20weakened
00:22:21from use
00:22:21of hallucinogens
00:22:22and other drugs
00:22:23the effects
00:22:25they can be
00:22:26dramatic.
00:22:31We committed thefts
00:22:32in the cemeteries
00:22:33I don't remember
00:22:33exactly which ones
00:22:34we were too much
00:22:36LSD facts
00:22:36and alcohol
00:22:37the stolen material
00:22:39it was used for the scenography
00:22:41of our concerts.
00:22:45But really
00:22:46rock music
00:22:47of any kind
00:22:47subspecies
00:22:48can influence
00:22:49the programming
00:22:50of a murder?
00:22:51Maybe a role
00:22:52he had it
00:22:53but to what extent
00:22:54has constituted
00:22:55inspiration,
00:22:56reference
00:22:56or a frame
00:22:58essential?
00:22:59Questions that for
00:23:00Marilyn Manson
00:23:01they have an answer
00:23:02clear.
00:23:03All that
00:23:04what I say and do
00:23:05is inspired
00:23:06from your world
00:23:07so if yours
00:23:09children react
00:23:10in a certain way
00:23:10listening to mine
00:23:11music
00:23:12you have to thank
00:23:13just that
00:23:14that you have
00:23:14built.
00:23:23The days go by
00:23:24Andrea Volb
00:23:26you can't hear it anymore
00:23:27so sure
00:23:28of himself.
00:23:30In a new one
00:23:31episode
00:23:32Who has seen it?
00:23:33the murder
00:23:34by Mariangela
00:23:35Pezzotta
00:23:35is connected
00:23:37to the disappearance
00:23:38of two others
00:23:39Boys.
00:23:42The father
00:23:43upset
00:23:44for what happened
00:23:45he invites him
00:23:47to speak.
00:23:50They have passed
00:23:51four months
00:23:52from the arrest
00:23:53of Fox.
00:23:55Andrea
00:23:55at this point
00:23:56it's clean
00:23:57from the stuff
00:23:58and decides
00:24:00to collaborate.
00:24:01The Mariangela
00:24:03when she arrived
00:24:05he gave me
00:24:05a phone call
00:24:06for which
00:24:07I knew
00:24:07that had arrived
00:24:09Elizabeth
00:24:09it's gone
00:24:09in the sceredo
00:24:10and I went out
00:24:12because I had
00:24:12the gun already
00:24:13in hand
00:24:14but I couldn't
00:24:15neither
00:24:15to hold it in your hand
00:24:16so much so that I was
00:24:18Done
00:24:18I couldn't
00:24:19to hold it in your hand
00:24:19and anyway
00:24:20I went
00:24:21to take
00:24:21the gate
00:24:22and she
00:24:23when he saw me
00:24:24the gun
00:24:24in hand
00:24:24he asked me
00:24:25what are you doing?
00:24:26with the gun
00:24:26in hand
00:24:28and I said
00:24:28no nothing
00:24:29you know
00:24:30the environment
00:24:31where I am
00:24:32I hold the gun
00:24:33Like this
00:24:33and I put it
00:24:34in your pocket
00:24:35the gun
00:24:35for which
00:24:36when then
00:24:37she entered
00:24:37who sat down
00:24:38on the table
00:24:41we have them
00:24:42started
00:24:42anyway to talk
00:24:43as if nothing
00:24:44is
00:24:45after five minutes
00:24:47it has arrived
00:24:48Elizabeth
00:24:50taking up arms
00:24:50the rifle
00:24:52Mariangela
00:24:53she turned around
00:24:54and he looked
00:24:55Elizabeth
00:24:56with the rifle
00:24:56and then
00:24:57she turned around
00:24:58towards me
00:25:01looking at me
00:25:01with an expression
00:25:04I think
00:25:05that there
00:25:05envy
00:25:06I understood
00:25:07what
00:25:07it's about to happen
00:25:09I gave myself
00:25:10then after
00:25:10Elizabeth
00:25:11in the kitchen
00:25:12to go
00:25:13to make coffee
00:25:14there was
00:25:15like a discussion
00:25:17between me
00:25:18and Mariangela
00:25:20there was
00:25:21a moment
00:25:23a squabble
00:25:25Anyway
00:25:25And
00:25:27I'm there
00:25:29I have
00:25:29closed my eyes
00:25:31and I shot
00:25:33Fox
00:25:34provides new
00:25:36and chilling
00:25:37details
00:25:39reconstructs
00:25:40motives
00:25:41dynamics
00:25:43and behind the scenes
00:25:44he doesn't save
00:25:46Nobody
00:25:47it doesn't stop
00:25:49more
00:25:49Fox
00:25:51he decided
00:25:53to collaborate
00:25:53I remember
00:25:54the 12th
00:25:54May
00:25:56of 2004
00:25:57When
00:25:58we went
00:25:59to question him
00:26:00at the barracks
00:26:00of Porto Ceresio
00:26:01I think
00:26:03Surely
00:26:04for one
00:26:05reflection
00:26:06of character
00:26:07procedural
00:26:08taking into account
00:26:09of gravity
00:26:10of his position
00:26:11up until that moment
00:26:13evidently
00:26:14he was accused
00:26:15of the murder
00:26:16by Mariangela
00:26:17for which
00:26:18could have
00:26:19to be condemned
00:26:20to life imprisonment
00:26:20he made this choice
00:26:22in any case
00:26:22a choice
00:26:24absolutely
00:26:25credible
00:26:27and reliable
00:26:27which then led
00:26:28to development
00:26:29of all
00:26:30the investigation
00:26:31at your expense
00:26:32of the co-defendants
00:26:36there are crimes
00:26:37on impulse
00:26:37those where
00:26:38anger
00:26:39the passion
00:26:39they overwhelm
00:26:40every control
00:26:41the crones
00:26:42that they call them
00:26:43sudden rage
00:26:43although
00:26:44in all the dramas
00:26:45that explode
00:26:45there is always behind
00:26:46a long story
00:26:48it happens
00:26:48in cases like these
00:26:49that after the attack
00:26:51the murder
00:26:52there is a sense of guilt
00:26:53repentance
00:26:54the need
00:26:55to free oneself
00:26:55the conscience
00:26:56confessing
00:26:57all the details
00:26:59but if who
00:26:59ends up in prison
00:27:00has behind him
00:27:01a long career
00:27:02of a criminal
00:27:03then it's strong
00:27:04the suspicion
00:27:05that behind the confession
00:27:06let there be no remorse
00:27:08rather the calculation
00:27:09the calculation
00:27:10than is appropriate
00:27:11cooperate with investigators
00:27:12to deserve
00:27:14the recognition
00:27:15of the mitigating circumstance
00:27:16and the mitigating circumstances
00:27:17in a sentence
00:27:18for murder
00:27:19they can mean
00:27:19several years in prison
00:27:20less to pay
00:27:21even ten
00:27:34fox
00:27:35he says he called
00:27:37to Mariangela
00:27:38in the evening
00:27:39of January 23
00:27:402004
00:27:48he asked her
00:27:50to reach him immediately
00:27:51to bring him
00:27:53a video cassette
00:27:59it's late
00:28:01but Mariangela
00:28:02obeys
00:28:06he arrives
00:28:07at 11.30
00:28:10Andrea
00:28:11and Elizabeth
00:28:12they go to open them
00:28:14the gate
00:28:15Then
00:28:17they are heading
00:28:18towards home
00:28:24once inside
00:28:26they decide
00:28:27to make a toast
00:28:28to celebrate
00:28:30the birthday
00:28:31by Mariangela
00:28:34fox
00:28:35asks
00:28:36to Elizabeth
00:28:37to go
00:28:38in the kitchen
00:28:39and prepare
00:28:40two speedballs
00:28:41a mixture
00:28:43of heroin
00:28:44and cocaine
00:28:48left alone
00:28:50Andrea
00:28:51and Mariangela
00:28:52they begin
00:28:53to discuss
00:28:57during the argument
00:28:58fox
00:28:59in nervous
00:29:01grab
00:29:02a gun
00:29:03and while it shakes
00:29:04and gesticulates
00:29:05he leaves
00:29:06a shot
00:29:15Mariangela
00:29:15falls to the ground
00:29:18in a sea
00:29:19of saint
00:29:21fox
00:29:22he doesn't know anymore
00:29:24what to do
00:29:28at this point
00:29:29Andrea
00:29:30decides to call
00:29:32a friend of his
00:29:33Nicholas Sapone
00:29:36he asks him
00:29:38to reach him
00:29:41while they wait
00:29:43Andrea
00:29:45and Elizabeth
00:29:46they sniff
00:29:46and swallow
00:29:48sedatini
00:29:53after 20 minutes
00:29:55he arrives
00:29:57Nicholas
00:30:03he notices
00:30:04and says that mariangela
00:30:05she's not dead
00:30:08what remains
00:30:09the two boys
00:30:13they bring it
00:30:14in the greenhouse
00:30:17Soap
00:30:18dig a hole
00:30:20it's the only shiny one
00:30:23order
00:30:24to the other two
00:30:25what to do
00:30:26he tells Elizabeth
00:30:29to go to the living room
00:30:30to wash
00:30:32every trace
00:30:33of saint
00:30:35try to calm down
00:30:36Andrea
00:30:37he tells him to dig
00:30:39when Elizabeth
00:30:41return to the greenhouse
00:30:42find mariangela
00:30:44in the hole
00:30:44the two
00:30:46they started
00:30:48to bury her
00:30:49he notices
00:30:51that the girl
00:30:52she's still alive
00:30:53that moves
00:30:54the feet
00:30:55Soap
00:30:56hits her
00:30:58with the shovel
00:30:59Fox
00:31:00in the meantime
00:31:01he lost control
00:31:03Soap
00:31:05At that time
00:31:05decides to leave
00:31:07order
00:31:08to bury
00:31:09Mariangela
00:31:10and to throw away
00:31:11the machine
00:31:12in the canal
00:31:14we put it
00:31:15within
00:31:16of the wheelbarrow
00:31:16we have it
00:31:18transported
00:31:19all three
00:31:20within
00:31:21of the greenhouse
00:31:23also because
00:31:24Elizabeth
00:31:25he had to open for us
00:31:25the door
00:31:26of the greenhouse
00:31:26to be able to do it
00:31:28bring in
00:31:29it's her who notices
00:31:31seeing
00:31:32the steam
00:31:33that was coming out
00:31:34with dense
00:31:35from the mouth
00:31:36saying
00:31:37Mariangela is alive
00:31:38Mariangela is alive
00:31:40because he had also seen
00:31:41move your feet
00:31:42Soap
00:31:43he told her
00:31:45I felt disgusted
00:31:46it has not been
00:31:46not even capable
00:31:47to kill her
00:31:48it was him
00:31:50to give him the blow
00:31:50please
00:31:53to poor Mariangela
00:31:56within
00:31:57of the greenhouse
00:32:00giving you
00:32:01a shot
00:32:02of spade
00:32:06they all have
00:32:07an age between 14
00:32:08and the 25 years
00:32:09I am the number
00:32:11variable
00:32:11from a few elements
00:32:12up to fifteen
00:32:13they gather
00:32:15especially for
00:32:16to take drugs
00:32:16to listen to music
00:32:17the rites are
00:32:19coarse
00:32:20chaotic imitations
00:32:21of some reading
00:32:22or
00:32:23translation
00:32:23approximate
00:32:24some news
00:32:25of news
00:32:25reported by newspapers
00:32:26until
00:32:28the situation
00:32:28it doesn't get out of hand
00:32:29and if also
00:32:31satanic inspiration
00:32:32she's confused
00:32:32the one that at the beginning
00:32:34it had to be
00:32:34just transgression
00:32:35it transforms
00:32:36in a tragedy
00:32:37horrible
00:32:44the confession
00:32:45of Fox
00:32:46leads to arrest
00:32:48by Nicola Sapone
00:32:50Soap
00:32:51he is arrested
00:32:52with the accusation
00:32:53of competition
00:32:54in murder
00:32:55aggravated multiple charges
00:32:56and for concealment
00:32:58of a corpse
00:32:59he denies
00:33:01denies
00:33:02of having participated
00:33:04to the crime
00:33:04It is true
00:33:06he was in the chalet
00:33:07that evening
00:33:08but Mariangela
00:33:09she was already dead
00:33:11when he saw
00:33:13the body
00:33:13of the girl
00:33:14lifeless
00:33:15he escaped
00:33:19the version
00:33:21of Fox
00:33:21but
00:33:21tells
00:33:23another truth
00:33:25Soap
00:33:25not only
00:33:26he is the executor
00:33:27material
00:33:28of the crime
00:33:29but also
00:33:30the principal
00:33:31I took
00:33:32the decision
00:33:34of which I
00:33:35I had to
00:33:36kill
00:33:37the poor
00:33:37Mariangela
00:33:38because I
00:33:39I had been
00:33:41her boyfriend
00:33:42because if
00:33:43she had come
00:33:44anyway aware
00:33:45of something
00:33:46the cause
00:33:47it was me
00:33:47I was forced
00:33:49because then they
00:33:50him
00:33:51Soap
00:33:52if you don't do it
00:33:54we do it to you
00:33:55or even
00:33:57Elizabeth
00:33:57a month before
00:34:00during a dinner
00:34:01Soap
00:34:03he gave an order
00:34:04Fox
00:34:06must kill
00:34:07Mariangela
00:34:08the girl
00:34:10he knows too much
00:34:13he knows
00:34:14a terrible secret
00:34:17the secret
00:34:18on the disappearance
00:34:20by Fabio Tollis
00:34:21and Chiara Marino
00:34:25Fabio thinks it's right
00:34:26to give a demonstration
00:34:27self-harming
00:34:28going out
00:34:29cigarettes
00:34:29on the arms
00:34:31Odzi
00:34:32he bit him on the neck
00:34:33while Eros
00:34:34Marco
00:34:35Nicholas
00:34:35and Wedra
00:34:36they turned them off
00:34:37other cigarettes
00:34:37on the body
00:34:39everyone took it
00:34:40lightly
00:34:41and above all Odzi
00:34:43he had taken a liking to it
00:34:44hurting him
00:34:47Fox
00:34:48tells of belonging
00:34:50to a sect
00:34:51Satan's beasts
00:34:53he joined the group
00:34:55in the summer
00:34:56of 1997
00:34:58he introduced it
00:35:00Nicholas Sapone
00:35:02once inside
00:35:04you can go out
00:35:06only from the dead
00:35:08this is the rule
00:35:11or you kill yourself
00:35:12or we kill you
00:35:14and your whole family
00:35:16in Satan
00:35:17the young people
00:35:18they see the celebration
00:35:19of evil
00:35:20here though
00:35:20it is necessary that everyone
00:35:21they are well aware
00:35:22that evil
00:35:23is present
00:35:24in each of us
00:35:25and it's also fascinating
00:35:28worship
00:35:29worship
00:35:29the sacretana
00:35:29it means
00:35:30to reach excess
00:35:31of fascination
00:35:32of evil
00:35:33this takes
00:35:34especially young people
00:35:35because they are more
00:35:36susceptible
00:35:36of fascination
00:35:37of adults
00:35:38adults
00:35:40Instead
00:35:40in relationships
00:35:41with the devil
00:35:42I'm rather
00:35:42commercial
00:35:43on the basis
00:35:44of tradition
00:35:45Christian
00:35:46that if you sell
00:35:47the soul
00:35:47to hell
00:35:48you make them all
00:35:49your aspirations
00:35:50that I am
00:35:50as usual
00:35:50aspirations
00:35:52of power
00:35:52aspirations
00:35:53of achievement
00:35:55of sexuality
00:35:56or achievement
00:35:57of acquisition
00:35:58of money
00:35:59but above all
00:36:00take into account
00:36:01the important thing
00:36:02is that evil
00:36:02fascinates
00:36:03evil
00:36:04it is a component
00:36:05human
00:36:05that fascinates
00:36:06and the limits
00:36:07of fascination
00:36:08they also allow
00:36:10an incarnation
00:36:11a personification
00:36:12of evil
00:36:13to which precisely
00:36:14he sells his soul
00:36:15accomplishing everything
00:36:16the opposite
00:36:17how much
00:36:18religions
00:36:19with the background
00:36:20do-gooder
00:36:20they made
00:36:22and this
00:36:23always for effect
00:36:24of the radical
00:36:26distinction
00:36:26of our culture
00:36:27between good and evil
00:36:28which is how much
00:36:29more harmful
00:36:29and more inspiring
00:36:31the diabolical dimension
00:36:32it's no coincidence
00:36:33that all the rituals
00:36:35diabolical
00:36:36they mime
00:36:37religious rituals
00:36:38and then
00:36:39we have to think
00:36:40that really
00:36:40the distinction
00:36:41between devil and God
00:36:42between good and evil
00:36:43operated
00:36:44from religion
00:36:45ends up producing
00:36:46its counter-effect
00:36:47in adoration
00:36:48of the devil
00:36:49Satan's beasts
00:36:51they are composed
00:36:52from
00:36:53Nicholas Sapone
00:36:54Paul Leoni
00:36:55nicknamed
00:36:56Today
00:36:57Mario Maccione
00:36:59Fabio Tollis
00:37:02Peter Guerrieri
00:37:04that everyone calls
00:37:05You will see
00:37:06Eros Monterosso
00:37:09Andrea Bontade
00:37:11Marco Zampollo
00:37:14the only woman
00:37:16admitted
00:37:17it's Chiara Marino
00:37:28Initially
00:37:28they meet
00:37:30for a common passion
00:37:32metal music
00:37:35they put on
00:37:36a group
00:37:37the ferocious ones
00:37:39every Saturday
00:37:40afternoon
00:37:41they meet
00:37:42in Milan
00:37:43at the fair
00:37:44from Sinigallia
00:37:44in the evening
00:37:46the place
00:37:47of meeting
00:37:47it's midnight
00:37:48a place
00:37:50frequented
00:37:52from metalheads
00:37:54on Sunday
00:37:55they are found
00:37:56in Sempione Park
00:37:59Then
00:38:00they were
00:38:02overwhelmed
00:38:02from a drift
00:38:03dangerous
00:38:04made of violence
00:38:06at the top
00:38:07there were
00:38:08Lions
00:38:08and Soap
00:38:09Nicholas
00:38:10Then
00:38:11as tighter
00:38:13collaborators
00:38:14there were
00:38:15Zampollo
00:38:16Monterosso
00:38:17and then
00:38:18in one step
00:38:20inferior
00:38:21I would say
00:38:23Fox
00:38:23and Goodness
00:38:24because also
00:38:25the Goodness
00:38:26originally
00:38:26it had been
00:38:27inserted
00:38:27in the sect
00:38:28and then
00:38:29I would say
00:38:30as a level
00:38:31lowest
00:38:32the Chiara
00:38:35Marine
00:38:35and Fabio
00:38:36Tollis
00:38:37victims
00:38:38of the first
00:38:38homocide
00:38:39the Fox
00:38:42Also
00:38:43according to those
00:38:44that they were
00:38:44the nicknames
00:38:45at the time
00:38:46used
00:38:47in this case
00:38:49Isidon
00:38:50was considered
00:38:51the chemist
00:38:51like him
00:38:52that he was preparing
00:38:53the substances
00:38:54narcotics
00:38:54and mixed
00:38:55the substances
00:38:56narcotics
00:38:56to be administered
00:38:57to the victims
00:38:58or to potential
00:38:59victims
00:39:05To the bosses
00:39:07you have to
00:39:08obedience
00:39:08absolute
00:39:11When
00:39:12Fox
00:39:13join the group
00:39:14the leaders
00:39:15I am
00:39:16Nicholas
00:39:16Soap
00:39:17and Paul
00:39:18Lions
00:39:20it's them
00:39:21that begin
00:39:23the novices
00:39:23it's them
00:39:25that celebrate
00:39:27the rituals
00:39:27they boast
00:39:30of their abilities
00:39:31to submit
00:39:33the weakest
00:39:35they boast
00:39:37of humiliations
00:39:39that inflict
00:39:39spitting
00:39:41bites
00:39:42burns
00:39:43of cigarettes
00:39:49Clear
00:39:50it's the woman
00:39:51of the group
00:39:52it's the woman
00:39:54of the leaders
00:39:57intimidation
00:39:58silence
00:40:03Soap
00:40:04and Lions
00:40:04they terrorize
00:40:05with macabre sermons
00:40:07inspired
00:40:09to texts
00:40:10of music
00:40:10metal
00:40:10or to literature
00:40:12horror
00:40:14tests of courage
00:40:15sacrificial rites
00:40:17blood pacts
00:40:19and after the blood pact
00:40:22it can't be done anymore
00:40:23go back
00:40:25penalty
00:40:26death
00:40:28of the traitor
00:40:28and his family members
00:40:32hypnosis
00:40:33and séances
00:40:34and the demons summoned
00:40:36they order
00:40:37and indicate
00:40:38the road
00:40:46the man
00:40:47he is lonely
00:40:49under the tree
00:40:50of knowledge
00:40:51of the good
00:40:51and evil
00:40:52with his freedom
00:40:53in your hands
00:40:54on one side
00:40:55he feels
00:40:57strong
00:40:58a presence
00:40:59that pushes him
00:41:00to commit crimes
00:41:02to break
00:41:03to break
00:41:04the values
00:41:06to break
00:41:07the harmony
00:41:07of relationships
00:41:08fundamentals
00:41:09and on the other side
00:41:11next to him
00:41:12but also
00:41:13we must remember
00:41:14according to the doctrine
00:41:15of the Christian tradition
00:41:16the presence
00:41:17of grace
00:41:18Meaning what
00:41:18of a force
00:41:20positive
00:41:20that brings it
00:41:21towards the good
00:41:22here is Satanism
00:41:23And
00:41:24let go
00:41:26long
00:41:27the slope
00:41:29in the shade
00:41:30of our freedom
00:41:32falling
00:41:34more and more
00:41:34towards the darkness
00:41:38when we did
00:41:40séances
00:41:41between us
00:41:41he was turning a glass
00:41:42of brunzo
00:41:43we filled it
00:41:44of pure alcohol
00:41:45and inside
00:41:45we were putting ourselves together
00:41:46mescaline
00:41:46and lsb
00:41:47Then
00:41:48we were drinking
00:41:49in one breath
00:41:49so much so that
00:41:50alcohol
00:41:51everything was burning
00:41:52I lived
00:41:53in that fog
00:41:54for years
00:41:54I didn't understand
00:41:55what I was doing
00:41:56I remember having
00:41:58faced
00:41:58without fear
00:41:59tests of courage
00:42:00scary
00:42:03I say
00:42:04that we were
00:42:05in a situation
00:42:06that by now
00:42:07it could have been enough
00:42:09so much so
00:42:10to be
00:42:11get out
00:42:13it was created
00:42:14this situation
00:42:15of madness
00:42:16between us
00:42:18to want to believe
00:42:20to existence
00:42:20of murders
00:42:21satanic
00:42:21organized
00:42:22and premeditated
00:42:23on the scene
00:42:24of the crime
00:42:25we should
00:42:25find
00:42:26a whole series
00:42:26of objects
00:42:27evocative
00:42:28inverted crosses
00:42:30and written
00:42:30uplifting
00:42:31to Satan
00:42:31they are not enough
00:42:33it takes
00:42:34even candles
00:42:35and black drapes
00:42:35mutilated animals
00:42:37and objects
00:42:38silver
00:42:38esoteric books
00:42:40and a lot
00:42:40more still
00:42:41and then
00:42:42the cure
00:42:43for now
00:42:43choice
00:42:43for the crime
00:42:45from the moon
00:42:45at three in the morning
00:42:46it would be the period
00:42:47ideal
00:42:48on the dates indicated
00:42:49from the calendar
00:42:50Satanic
00:42:50October 31st
00:42:52it's new year's eve
00:42:53of Satan
00:42:54while the nights
00:42:55of tragedy
00:42:56four in total
00:42:57they fall on December 21st
00:42:59March 21st
00:43:00June 24th
00:43:01and September 29th
00:43:03all that
00:43:04naturally
00:43:04to want to believe
00:43:06to existence
00:43:06of murders
00:43:07satanic
00:43:07organized
00:43:08and premeditated
00:43:09with domes
00:43:10and open levels
00:43:19summer
00:43:201997
00:43:25the sentence
00:43:26of death
00:43:27for Chiara Marino
00:43:28it has already been
00:43:29pronounced
00:43:31the girl
00:43:32she moved away
00:43:34from the group
00:43:37a few months
00:43:39later
00:43:39goes on stage
00:43:41a clumsy attempt
00:43:47the girl
00:43:48she is stunned
00:43:50with tranquilizers
00:43:56Then
00:43:57flow rate
00:43:58in an area
00:43:59frequented
00:44:00by drug addicts
00:44:03to simulate
00:44:05a death
00:44:06for overdose
00:44:07from heroin
00:44:22but arrived
00:44:24on site
00:44:24a patrol
00:44:26of the carabinieri
00:44:27is getting closer
00:44:28to their car
00:44:31and makes it jump
00:44:32the plan
00:44:35after these facts
00:44:37Fabio Tollis
00:44:38try to back out
00:44:42as much as needed
00:44:44to make it
00:44:45a traitor
00:44:46him too
00:44:48must die
00:44:49New Year's Eve
00:44:52at the park
00:44:53of aquatics
00:44:54the group
00:44:56forces
00:44:56Fabio and Chiara
00:44:58to seclude himself
00:44:59in a car
00:45:06someone slips in
00:45:07a firecracker
00:45:08in the tube
00:45:09of exhaust
00:45:13everyone expects
00:45:15of an explosion
00:45:16Instead
00:45:18the machine
00:45:20catches fire
00:45:22slowly
00:45:23and the two
00:45:25they make it in time
00:45:27to move away
00:45:33Like this
00:45:34the pack
00:45:36decides to adopt
00:45:38a strategy
00:45:39precise
00:45:39found a place
00:45:41suited
00:45:42in the woods
00:45:43from Sommalombardo
00:45:44near the sanctuary
00:45:47of the Madonna
00:45:48of the Acorn
00:45:52Nicholas Sapone
00:45:53Andrea Volpe
00:45:55Andrea Bontave
00:45:57and Pietro Guerrieri
00:45:59they dig a pit
00:46:04the trap
00:46:06it is organized
00:46:07in the details
00:46:09each component
00:46:11of the sect
00:46:11has a role
00:46:13to be respected
00:46:14the order
00:46:16that's it
00:46:17to remain lucid
00:46:18no drugs
00:46:20for this evening
00:46:23at 9.30pm
00:46:24Fabio and Chiara
00:46:26they arrive at midnight
00:46:30together with them
00:46:31There are
00:46:32big maccione
00:46:32fox
00:46:34and soap
00:46:36to Fabio and Chiara
00:46:38it is said
00:46:39that this evening
00:46:40full moon
00:46:41a ritual will take place
00:46:43in a new place
00:46:44soap
00:46:46accompanies
00:46:47Fabio to call
00:46:48At home
00:46:48to warn
00:46:50who will sleep outside
00:46:51with a girl
00:46:54the father
00:46:55Fabio's father
00:46:56he makes stories
00:46:59soap
00:47:00interrupts
00:47:02communication
00:47:04Then
00:47:05everyone goes up
00:47:06on the car
00:47:07of Fox
00:47:08they make sure
00:47:10that no one
00:47:11see them
00:47:12to go away
00:47:16meanwhile
00:47:17the others
00:47:18of the group
00:47:18they remain
00:47:19at midnight
00:47:20Chiara and Fabio
00:47:21they knew
00:47:22that we were
00:47:23going
00:47:23in this place
00:47:25to go
00:47:26to do
00:47:27one of the usual ones
00:47:29rituals
00:47:30of the so-called
00:47:31evidence
00:47:33and Tollis
00:47:34actually
00:47:35he knew
00:47:36That
00:47:37that
00:47:38Truly
00:47:39that we were
00:47:39going to do
00:47:42but
00:47:42he didn't know
00:47:43which in reality
00:47:43we had
00:47:44designed
00:47:44to do it
00:47:45to him too
00:47:49Fabio and Chiara
00:47:50they don't suspect
00:47:52Nothing
00:47:53they don't know
00:47:54that they have
00:47:55already attempted
00:47:56to kill them
00:47:59that that trip
00:48:01will take them
00:48:02to death
00:48:06they arrive
00:48:06in the woods
00:48:08where you go
00:48:09to be there
00:48:09goodness
00:48:10waiting for them
00:48:11but he doesn't have
00:48:13had
00:48:13courage
00:48:15he didn't show up
00:48:18him too
00:48:19Perhaps
00:48:20in this way
00:48:21he signed
00:48:23his sentence
00:48:24to death
00:48:28arrived close
00:48:29to the pit
00:48:31the massacre begins
00:48:32soap
00:48:34soap
00:48:35stab
00:48:35clear
00:48:36behind
00:48:37fox
00:48:38he pounces
00:48:39about Fabio
00:48:40hits him
00:48:42with a knife
00:48:44big maccione
00:48:46he holds
00:48:47a big hammer
00:48:48hits him
00:48:49on the head
00:48:51Fabio
00:48:52breathe
00:48:53Still
00:48:53soap
00:48:55it ends
00:48:56Tollis
00:48:56with a
00:48:57slash
00:48:58in the throat
00:48:58Like this
00:49:00violent
00:49:00which is due
00:49:02the blade
00:49:02of the dagger
00:49:04meanwhile
00:49:05screams
00:49:08Now
00:49:09you are
00:49:09the zombie
00:49:10only
00:49:11of zombies
00:49:11come out
00:49:13if you are
00:49:13capable
00:49:20two weeks
00:49:22later
00:49:22fox
00:49:23and goodness
00:49:24they come back
00:49:25on site
00:49:26to throw away
00:49:27ammonia
00:49:28on the bodies
00:49:29to cover
00:49:31the smell
00:49:31of decomposition
00:49:32they recover
00:49:34leaves
00:49:35and handkerchiefs
00:49:35dirty
00:49:37of blood
00:49:39since that day
00:49:41of the
00:49:421998
00:49:44Nobody
00:49:45will feel
00:49:45more
00:49:45speak
00:49:46Of
00:49:47Fabio
00:49:47And
00:49:47clear
00:49:57the father
00:49:58by Fabio
00:49:58will continue
00:49:59to look for it
00:50:00with determination
00:50:02determination
00:50:03I
00:50:04to search
00:50:05to want
00:50:06confidence
00:50:07and so on
00:50:07me
00:50:08I'm starting
00:50:09to attend
00:50:09the environment
00:50:10in which
00:50:10Fabio
00:50:11he frequented
00:50:11and mine
00:50:12Attention
00:50:12it's involved
00:50:13on a
00:50:13small group
00:50:14and therefore
00:50:15I focus on myself
00:50:16about them
00:50:16but
00:50:17They
00:50:17they were pushing
00:50:19Always
00:50:19in the direction
00:50:20of voluntariness
00:50:22of the fact
00:50:22lions
00:50:24lion
00:50:25fox
00:50:26soap
00:50:27big maccione
00:50:28warriors
00:50:30jet
00:50:31they claim
00:50:32from the first
00:50:33moment
00:50:33that is
00:50:34escaped
00:50:35with clear
00:50:35they frequent
00:50:37house
00:50:37tollis
00:50:38they participate
00:50:39to the pain
00:50:40of the family
00:50:41they want
00:50:43check
00:50:43the investigations
00:50:44address them
00:50:46we have
00:50:47ate
00:50:47out
00:50:48before
00:50:48come
00:50:49to the
00:50:49month
00:50:50a
00:50:51pizza
00:50:51he was calm
00:50:53both
00:50:53calm down
00:50:54I was joking
00:50:55a bit
00:50:55aside
00:50:56but you
00:50:57you are a little
00:50:57worried
00:50:59they would call
00:51:00Like this
00:51:02for which
00:51:03or they are
00:51:03having fun
00:51:04in a way
00:51:05mind-blowing
00:51:07or
00:51:08well
00:51:08but when
00:51:10fox
00:51:10confess
00:51:11his
00:51:12tale
00:51:13it shocks
00:51:14the investigators
00:51:16thanks to his
00:51:18directions
00:51:18May 28th
00:51:202004
00:51:21is found
00:51:23the pit
00:51:24and what remains
00:51:26by Fabio
00:51:27and clear
00:51:28they have passed
00:51:30six years
00:51:42Satan
00:51:43it's the big one
00:51:43opponent
00:51:44the angel
00:51:45precipitate
00:51:45to hell
00:51:46his
00:51:47scope
00:51:47that's it
00:51:47to put
00:51:48to the test
00:51:48the man
00:51:49and to bring it
00:51:50to deny
00:51:50God
00:51:52it really seems like it
00:51:52that the figure
00:51:53female
00:51:53is well represented
00:51:55when speaking
00:51:55of crimes
00:51:56in the background
00:51:57Satanic
00:51:58as if
00:51:59sexuality
00:51:59with his
00:52:00load
00:52:00forever
00:52:01subversive
00:52:02you represent
00:52:03one of the
00:52:03slopes
00:52:03more jokes
00:52:04from the evil one
00:52:05in conclusion
00:52:06one of the accusations
00:52:07most frequent
00:52:08at the time
00:52:09of the hunt
00:52:09to the witches
00:52:10it was that
00:52:11made to poor
00:52:11unfortunate
00:52:12condemned to the stake
00:52:14because they had
00:52:14coupled
00:52:15with the devil
00:52:22June 6th
00:52:232000
00:52:23Chiavenna
00:52:25province
00:52:26from Sondrio
00:52:27three girls
00:52:28seventeen year olds
00:52:29Amber
00:52:30Milena
00:52:31and Veronica
00:52:32they attract
00:52:33in a trap
00:52:34they kill
00:52:35with stabs
00:52:36and with blows
00:52:37of brick
00:52:37a nun
00:52:39Sister Maria Laura
00:52:40Mainetti
00:52:42when they arrest them
00:52:44the girls
00:52:45they tell
00:52:45we had in mind
00:52:47for a long time
00:52:47to kill
00:52:48a religious man
00:52:49any one
00:52:51Before
00:52:52we had thought
00:52:53to a priest
00:52:54Then
00:52:54three days
00:52:55before the fact
00:52:56we designed
00:52:58between us
00:52:58to kill
00:52:59the nun
00:53:02to the investigators
00:53:03incredulous
00:53:04they confess
00:53:06of having committed
00:53:07the murder
00:53:08following a ritual
00:53:09Satanic
00:53:10a sort
00:53:11of sacrifice
00:53:12accomplished
00:53:13in the name
00:53:14of the devil
00:53:15to which
00:53:17the three girls
00:53:18they had
00:53:19vote
00:53:23Satan
00:53:24means the word
00:53:26opponent
00:53:26of God
00:53:28and then
00:53:29every time
00:53:30what's there
00:53:31an excess
00:53:32of veneration
00:53:33of a pole
00:53:34here we are
00:53:35in a polarity
00:53:36God is good
00:53:37the devil is bad
00:53:38once
00:53:39what's there
00:53:39an excess
00:53:39of veneration
00:53:40cultural
00:53:41of a pole
00:53:42automatically
00:53:42snap
00:53:43the veneration
00:53:44of the counter-pole
00:53:46Why
00:53:46precisely
00:53:47this is the effect
00:53:48of the division
00:53:49radical
00:53:49of the good
00:53:49and evil
00:53:50which is an effect
00:53:52cultural
00:53:52product
00:53:53from history
00:53:54but not psychological
00:53:55because from the point
00:53:56from a psychological point of view
00:53:57all feelings
00:53:58they are ambivalent
00:53:59it doesn't exist
00:54:00pure love
00:54:01but also those who love
00:54:01he also hates
00:54:02it doesn't exist
00:54:04tenderness
00:54:04but also cruelty
00:54:05all our feelings
00:54:06they are ambivalent
00:54:07in case
00:54:09of adoration
00:54:10of Satan
00:54:11nothing else is done
00:54:12that give back
00:54:13to Satan
00:54:15the compensation
00:54:17of a denigration
00:54:18excessive
00:54:18it's no coincidence
00:54:19for example
00:54:19that in the world
00:54:21Greek
00:54:22the gods were
00:54:23good
00:54:23bad together
00:54:24and Pan
00:54:26God of sexuality
00:54:27of rape
00:54:28of violence
00:54:29has been identified
00:54:30even iconographically
00:54:32with evil
00:54:32only that Pan
00:54:33he lived on Olympus
00:54:34together with the gods
00:54:35almost to mean
00:54:36that isn't there
00:54:37distinction
00:54:37between good and evil
00:54:38in Christianity
00:54:39instead it became
00:54:40the opposite of good
00:54:41and every time
00:54:42which is emphasized
00:54:44the positive
00:54:44the negative
00:54:45becomes virulent
00:54:47March 14th
00:54:51Castelluccio di Sauri
00:54:53province of Foggia
00:54:54Anna Maria Botticelli
00:54:57and Maria Filomena Sica
00:54:59two female students
00:55:01they kill a friend
00:55:03in Celli's garage
00:55:05like every afternoon
00:55:07they met
00:55:09to study together
00:55:10with them
00:55:12with them
00:55:12there is Nadia Roccia
00:55:13they are studying
00:55:16suddenly
00:55:18Anna Maria
00:55:19turn off the light
00:55:21Maria Filomena
00:55:23he takes the scarf
00:55:24by Nadia
00:55:25he squeezes it
00:55:26around the neck
00:55:27and start pulling
00:55:30Nadia
00:55:31try to scream
00:55:33and to free themselves
00:55:35Anna Maria
00:55:37encourages her friend
00:55:38to tighten
00:55:39ever stronger
00:55:40until
00:55:43Nadia
00:55:44stops breathing
00:55:47Then
00:55:48they put them
00:55:49a rope
00:55:50around the neck
00:55:51to simulate
00:55:53a suicide
00:55:54next to the body
00:55:56they leave
00:55:57a fake letter
00:55:58in which Nadia
00:55:59explains
00:56:01of having committed suicide
00:56:02Why
00:56:03in love
00:56:04by Anna Maria
00:56:06in love
00:56:07of a love
00:56:08forbidden
00:56:08but this setup
00:56:11it doesn't last long
00:56:12the guilty ones
00:56:14it's them
00:56:15Anna Maria
00:56:16Botticelli
00:56:17and Mary
00:56:18Filomena
00:56:18Sica
00:56:19but they remain
00:56:21many shadows
00:56:22the motive is missing
00:56:23the girls
00:56:25they admit
00:56:25the murder
00:56:26but theirs
00:56:27statements
00:56:28they are contradictory
00:56:31Then
00:56:32an interception
00:56:33in the prosecutor's office
00:56:34a conversation
00:56:36between the two friends
00:56:51I was there too
00:56:53with the devil
00:56:54Lucifer and beautiful
00:56:58the investigators
00:57:00they suspect
00:57:01that there is
00:57:01the involvement
00:57:02of other people
00:57:04adults
00:57:06Perhaps
00:57:08Nadia
00:57:09she died
00:57:10during a ritual
00:57:11Satanic
00:57:12and transported
00:57:14only after
00:57:15in the garage
00:57:19questions
00:57:20that remain
00:57:21unsolved
00:57:22Despite
00:57:23the sentence
00:57:24to life imprisonment
00:57:24and on the matter
00:57:26the accusation
00:57:27of Mary
00:57:27Filomena
00:57:27Sica
00:57:28to be
00:57:29was
00:57:29plagiarized
00:57:30from the friend
00:57:35they tried
00:57:36to stage
00:57:37a suicide
00:57:38Anna Maria
00:57:38and Mary
00:57:39Filomena
00:57:40Sin
00:57:40that their
00:57:41staging
00:57:41it was
00:57:42somewhat
00:57:42coarse
00:57:44above all else
00:57:45the rope
00:57:45with whom Nadia
00:57:46should have
00:57:47to hang oneself
00:57:47it was just supported
00:57:49around his neck
00:57:49and there was nothing
00:57:51to which to anchor it
00:57:51on the ceiling
00:57:53the psychiatrist
00:57:54called to defend them
00:57:55he presented
00:57:56his interpretation
00:57:57shocking
00:57:58the two girls
00:57:59they are innocent
00:58:00one is crazy
00:58:01the other
00:58:02subjugated by the first
00:58:03and on the hunt
00:58:05they would have finished them
00:58:05to cover
00:58:06the real killers
00:58:08a Satanist group
00:58:09that he would have accomplished
00:58:10on the body of Nadia Roccia
00:58:11a ritual
00:58:12drug-fueled
00:58:13beatings
00:58:14a ritual
00:58:15ended with death
00:58:16of a victim
00:58:17sacrificial
00:58:18but for the investigators
00:58:19there has never been
00:58:20prove that others
00:58:21were involved
00:58:22with the exception
00:58:23of the two girls
00:58:24and the experts have
00:58:25concluded
00:58:26that in them
00:58:26there were signs
00:58:27of a disorder
00:58:28of personality
00:58:28but nothing more serious
00:58:30above all nothing
00:58:31that limited
00:58:32their ability
00:58:33to understand
00:58:34and to want
00:58:34in the end
00:58:36Anna Maria
00:58:36and Maria Filomena
00:58:37they reached a plea bargain
00:58:38a conviction
00:58:39at 21 years old
00:58:46name
00:58:47Nicholas
00:58:48surname
00:58:49Soap
00:58:50born in Busto Arsizio
00:58:52January 22nd
00:58:54of 1977
00:58:57hydraulic
00:58:58lives with his family
00:58:59in Dariago
00:59:00in the province of Milan
00:59:02material executor
00:59:04of the murders
00:59:04by Mariangela Pettot
00:59:06Fabio Tolvis
00:59:07and Chiara Marino
00:59:09according to Andrea Volpe
00:59:12is the organizer
00:59:13the boss
00:59:14of the seven
00:59:15name
00:59:17Paul
00:59:17surname
00:59:18Leon
00:59:19born in Milan
00:59:21February 20th
00:59:22of 1978
00:59:24called
00:59:25Odzi
00:59:26in honor
00:59:27of the singer
00:59:27Odzi Osborne
00:59:28from Cossico
00:59:30he works
00:59:31in a center
00:59:32commercial
00:59:33Paul
00:59:34celebrates the rites
00:59:35the punishments
00:59:37it is known
00:59:38in the environments
00:59:40of heavy metal
00:59:42to start a fight
00:59:43attacks people
00:59:45he expresses himself
00:59:46grunting
00:59:47who meets him
00:59:49he fears it
00:59:52name
00:59:53Mario
00:59:53surname
00:59:54Macione
00:59:55born in Milan
00:59:57April 15th
00:59:58of 1980
00:59:59lives in Brugherio
01:00:01with the family
01:00:02Tallaro
01:00:03when he kills
01:00:06his best friend
01:00:07Fabio Tollis
01:00:08it's still
01:00:09underage
01:00:11he boasts
01:00:12to own
01:00:13mediumistic abilities
01:00:14to speak
01:00:16for voice
01:00:17of demons
01:00:18during his
01:00:19trans states
01:00:21he claims
01:00:22that Andrea Volpe
01:00:24he is the boss
01:00:25of the beasts
01:00:25of Satan
01:00:26the most violent
01:00:28that the murders
01:00:30they started
01:00:31with his entrance
01:00:32in the group
01:00:33it defines itself
01:00:35a nutcase
01:00:37self-harming
01:00:40name
01:00:42Peter
01:00:42surname
01:00:44Warriors
01:00:44born in Milan
01:00:46November 16th
01:00:48of 1975
01:00:49worker
01:00:51and tattoo artist
01:00:52lives with his family
01:00:55in Brugherio
01:00:56near Milan
01:00:57it's him
01:00:58together with
01:00:59Andrea Bontade
01:01:00to dig
01:01:01the pit
01:01:02destined
01:01:03to Fabio
01:01:03and Chiara
01:01:04according to him
01:01:06the boss
01:01:07of the sect
01:01:08era
01:01:09big maccione
01:01:11twice
01:01:12the sect
01:01:13he tried
01:01:14to kill him
01:01:15after
01:01:16he entered
01:01:16in crisis
01:01:17for the murder
01:01:21our
01:01:22group
01:01:22it was called
01:01:23the beasts
01:01:23of Satan
01:01:24the leader
01:01:25Before
01:01:26of the episode
01:01:26by Fabio
01:01:27and Chiara
01:01:27it was Nicola
01:01:28and also Fox
01:01:29it was crucial
01:01:31in decisions
01:01:32Nicholas
01:01:33it was the most
01:01:34persuasive
01:01:35while Fox
01:01:36it was the most
01:01:37violent
01:01:39at the start
01:01:40everyone listened to me
01:01:41because I was
01:01:42the medium
01:01:43with the entrance
01:01:45of Fox
01:01:45in the group
01:01:46they arrived
01:01:47the dead
01:01:47and the projects
01:01:48to kill
01:01:58the list of young people
01:01:59tied in some way
01:02:01to the beasts of Satan
01:02:02disappeared
01:02:02or dead
01:02:04in dubious circumstances
01:02:04it's a long list
01:02:06they are the beasts
01:02:07they turned out to be
01:02:08a group of young people
01:02:09devoid of any value
01:02:10without culture
01:02:11without plans
01:02:12capable only
01:02:14to live day by day
01:02:15maybe with the support
01:02:16of alcohol
01:02:17and drugs
01:02:18for them Satan
01:02:19it wasn't
01:02:20an evil god
01:02:21to which to dedicate
01:02:21the existence
01:02:22rather
01:02:23a terrible justification
01:02:25to exist
01:02:26a group of failures
01:02:27and drug addicts
01:02:28people who one day
01:02:29she found herself
01:02:29and he decided
01:02:30to do something
01:02:31of extreme
01:02:31and sensational
01:02:32to feel like someone
01:02:49the bodies of Fabio Tollis
01:02:52and Chiara Marino
01:02:53they are found
01:02:54in a pit
01:02:55two meters deep
01:02:57in the woods
01:02:59from Sommalombardo
01:03:01we are counted
01:03:0361 stab wounds
01:03:04on the coat
01:03:05by Chiara
01:03:06with the help
01:03:07of a nurse
01:03:07and a jar
01:03:09of silicone
01:03:10I recomposed
01:03:11the skeleton
01:03:13by Fabio
01:03:14in a white coffin
01:03:15I noticed
01:03:15the total lack
01:03:17of the massif
01:03:18Fabio's facial
01:03:19I'll know later
01:03:20subsequently
01:03:20which had been
01:03:22shattered
01:03:22with hammer blows
01:03:28they raged
01:03:30in a manner
01:03:31fierce
01:03:31on their bodies
01:03:32really
01:03:33after having them
01:03:34throw yourself away
01:03:36from their
01:03:37confessions
01:03:37in the hole
01:03:38let's say
01:03:39they have us
01:03:40reborn above
01:03:40soap
01:03:42he went down
01:03:43in the hole
01:03:43to shake them
01:03:44definitely
01:03:45and first
01:03:47to bury them
01:03:48soap
01:03:48he soaked
01:03:49his cigarette
01:03:50in the blood
01:03:50and he even smoked it
01:03:52dancing
01:03:52on their bodies
01:03:55upon discovery
01:03:57follow
01:03:58new arrests
01:03:59Paul Leoni
01:04:01Peter Guerrieri
01:04:03Marco Zampollo
01:04:04Mario Maccione
01:04:06Eros Monterosso
01:04:07they are accused
01:04:09of having carried out
01:04:10a role
01:04:10of instigators
01:04:11and competitors
01:04:12materials
01:04:13in the organization
01:04:14of the murder
01:04:15the whole group
01:04:17he is under investigation
01:04:18even for death
01:04:19mysterious
01:04:20of another friend
01:04:21Andrea Bontade
01:04:23who had betrayed
01:04:25the group
01:04:26not showing up
01:04:27the day
01:04:28of the execution
01:04:29by Fabio and Chiara
01:04:30they are accused
01:04:32of association
01:04:34to commit crimes
01:04:35according to investigators
01:04:38the crimes
01:04:39clerks
01:04:40from the sect
01:04:41they would be
01:04:42traceable
01:04:43to the context
01:04:45of exaltation
01:04:46satanic
01:04:47in which
01:04:48for years
01:04:49he had moved
01:04:50the group
01:04:53Paul Leoni
01:04:54considered
01:04:55one of the leaders
01:04:56denies
01:04:58innocent
01:04:59I will prove it
01:05:00he claims
01:05:01of not chipped
01:05:02to the murders
01:05:03and not to belong
01:05:05to no sect
01:05:11from a search
01:05:13in his house
01:05:14goat parties
01:05:16and stars
01:05:17five-pointed
01:05:18walls
01:05:20painted
01:05:21in black
01:05:21studded
01:05:23of 666
01:05:24the number
01:05:26of the beast
01:05:26in the apocalypse
01:05:28altars
01:05:29with crucifixes
01:05:31upside down
01:05:31and black candles
01:05:33on his computer
01:05:35they are found
01:05:37writings
01:05:38satanic
01:05:39also Chiara
01:05:41had set up
01:05:43in his room
01:05:44a black altar
01:05:45with candles
01:05:46lit
01:05:47and statuettes
01:05:48at the bottom
01:05:49a black cloth
01:05:51with pentacle
01:05:55June
01:05:562004
01:05:57Mario Maccione
01:05:59and Pietro Guerrieri
01:06:00they start talking
01:06:02they admit
01:06:04the existence
01:06:05of the satanic sect
01:06:06and provide
01:06:08new details
01:06:11they tell
01:06:12which initially
01:06:13the group
01:06:14he was busy
01:06:14of spiritualism
01:06:15and esotericism
01:06:17the satanic drift
01:06:19it had happened
01:06:20by will
01:06:21of lions
01:06:25Maccione
01:06:26he claims
01:06:28that the practices
01:06:29satanic inspired
01:06:30along with the abuse
01:06:32of drugs
01:06:32they caused
01:06:34the detachment
01:06:35from reality
01:06:35that the group
01:06:38the pack
01:06:40he lived in a world
01:06:41out of this world
01:06:43I have never asked myself
01:06:45as a medium
01:06:46and these trans
01:06:47let's say at the beginning
01:06:49before knowing
01:06:50these people
01:06:50were happening
01:06:51a strange way
01:06:54Anyway
01:06:54I never realized
01:06:56of what was happening
01:06:58I had
01:07:00a shelter
01:07:02in 2002
01:07:04for amnesia
01:07:07probably
01:07:08drug use
01:07:09they put me
01:07:10in contact
01:07:11I don't know
01:07:12in comparison
01:07:13with my fears
01:07:14probably
01:07:15and these fears
01:07:16have become
01:07:17of demons
01:07:18negatives
01:07:19we were also
01:07:20at the same time
01:07:21a little submissive
01:07:22from this situation
01:07:24submissive to whom?
01:07:25to these demons
01:07:26that we saw
01:07:31the three repentants
01:07:33times
01:07:34warriors
01:07:35and big maccione
01:07:36provide versions
01:07:38in part
01:07:38different
01:07:39but everyone
01:07:40they always talk
01:07:42of murder
01:07:43ritual
01:07:45the incitement
01:07:54or help
01:07:55to suicide
01:07:55it's a crime
01:07:56expected
01:07:57from ours
01:07:57penal code
01:07:59Article 580
01:08:00he says
01:08:01whoever determines
01:08:02others to suicide
01:08:03or strengthens
01:08:04the other's purpose
01:08:05of suicide
01:08:06that is to say
01:08:07it makes it easier
01:08:07in any way
01:08:08the execution
01:08:09he is punished
01:08:10if suicide
01:08:11it happens
01:08:11with imprisonment
01:08:12from 5 to 12 years
01:08:21Andrea Bontade
01:08:23he dug
01:08:24the pit
01:08:24destined
01:08:25to Fabio
01:08:25and Chiara
01:08:26but he refused
01:08:29to participate
01:08:30to the murder
01:08:33he didn't go
01:08:34in the woods
01:08:37from that moment on
01:08:38they called him
01:08:40traitor
01:08:41but his comparisons
01:08:43he grew up
01:08:45a climate of hatred
01:08:46he is a victim
01:08:47of infamies
01:08:49and humiliations
01:08:51fox and soap
01:08:53they administer to him
01:08:54for over a month
01:08:55secretly
01:08:56hallucinogens
01:08:58to make him feel bad
01:09:02they are certain
01:09:03that the mixture
01:09:05of drugs
01:09:05alcohol
01:09:06and psychotropic drugs
01:09:07in a short time
01:09:09it will drive him crazy
01:09:11the plan
01:09:14that's it
01:09:15to destroy him
01:09:16physically
01:09:17and psychologically
01:09:21to induce him
01:09:23to suicide
01:09:24September 21st
01:09:271998
01:09:28Gallarate
01:09:30after an evening
01:09:32with the other components
01:09:34of the sect
01:09:34Andrea Bontade
01:09:36he is stunned
01:09:38Nicholas Sapone
01:09:40and Andrea Volpe
01:09:41they threatened him
01:09:43mocked
01:09:45terrified
01:09:47Then
01:09:48they handed him over
01:09:49a banknote
01:09:50from 10,000 lire
01:09:51and they told him
01:09:55if you don't do it
01:09:57we'll take care of it
01:10:01he got into the car
01:10:03he got into the car
01:10:05he pressed
01:10:07the accelerator
01:10:30on the road
01:10:32towards home
01:10:33he crashed
01:10:35at 180 km per hour
01:10:37against a wall
01:10:38is dead
01:10:40on the spot
01:10:42it might seem
01:10:43an accident
01:10:45due
01:10:46upon hiring
01:10:46of alcohol and drugs
01:10:47but they are missing
01:10:49the signs
01:10:50of braking
01:10:51and swerve
01:10:54it's about
01:10:56of a suicide
01:10:58a suicide
01:11:00induced
01:11:01finally
01:11:01finally
01:11:02one thing
01:11:03well done
01:11:05after the confessions
01:11:07and the statements
01:11:09of some witnesses
01:11:10the investigators
01:11:12they reopen
01:11:13other cases
01:11:13tied
01:11:14to the environment
01:11:15metal
01:11:16in the surroundings
01:11:17from Sommalombardo
01:11:20cases of suicide
01:11:22suspected
01:11:24disappearances
01:11:25dead
01:11:27apparently
01:11:28accidental
01:11:31nothing but seven
01:11:33domes
01:11:33third levels
01:11:34and connections
01:11:35international
01:11:36rather one thing
01:11:37lethal
01:11:38but botched up
01:11:39but it would be a mistake
01:11:41to trivialize
01:11:41and let your guard down
01:11:43first of all
01:11:44we must remember
01:11:45that if it wasn't there
01:11:45was a parent
01:11:46who never gave up
01:11:48on the disappearance of his son
01:11:49the whole story
01:11:50she would never have come
01:11:51to the light
01:11:52I'm talking about dad
01:11:53by Fabio Tollis
01:11:54a small one
01:11:55great man
01:11:56who sacrificed
01:11:57years of his life
01:11:57to make sense
01:11:59to things
01:11:59that seemed different
01:12:01fighting against
01:12:02indifference
01:12:03and inertia
01:12:03of the institution
01:12:06then there's something else
01:12:07that disturbs
01:12:08the mystery
01:12:09of how a group
01:12:09of assassins
01:12:10rambling
01:12:11could have
01:12:12keep silent
01:12:13for years
01:12:14on a double homicide
01:12:15without anyone
01:12:16have ever cheated
01:12:23June 16, 2006
01:12:25Milan Court
01:12:27with abbreviated rite
01:12:29for collaborating
01:12:30to the investigations
01:12:31Andrea Volpe
01:12:32he is sentenced
01:12:33at 20 years old
01:12:39Peter Guerrieri
01:12:41at 12 years old
01:12:42and 8 months
01:12:45Mario Maccione
01:12:46at 16 years old
01:12:48is judged
01:12:49from the court
01:12:50of minors
01:12:51of Milan
01:12:51because he is a minor
01:12:53at the time
01:12:54of the facts
01:12:56May 15th
01:12:582007
01:12:58the court
01:13:00of assizes
01:13:00of appeal
01:13:01of Milan
01:13:01condemnation
01:13:03the remaining ones
01:13:04components
01:13:04of the sect
01:13:13Elizabeth Ballarini
01:13:1523 years old
01:13:16in prison
01:13:17Paul Leoni
01:13:19Life imprisonment
01:13:21with insulation
01:13:22daytime
01:13:22for 9 months
01:13:28Marco Zampollo
01:13:3029 years old
01:13:31and 3 months
01:13:32of imprisonment
01:13:33Eros Monterosso
01:13:3627 years old
01:13:37and 3 months
01:13:40Nicholas Sapone
01:13:41Life imprisonment
01:13:43it's isolation
01:13:44for 18 months
01:13:46the penalties
01:13:48they are harder
01:13:49compared to the first degree
01:13:51Satan's beasts
01:13:53they are judged
01:13:55guilty
01:13:55of the murder
01:13:57by Mariangela Pezzotta
01:13:58of the two attempted
01:14:00of the two attempted murders
01:14:01towards
01:14:02by Chiara Marino
01:14:03of the murder
01:14:04by Chiara Marino
01:14:05and Fabio Tollis
01:14:06and of the concealment
01:14:08of the corpses
01:14:09of induced suicide
01:14:12by Andrea Bontane
01:14:16according to the judges
01:14:18the crimes
01:14:19are attributable
01:14:21to esoteric themes
01:14:22physical violence
01:14:26and psychological
01:14:27it would have happened
01:14:29under the banner
01:14:30of a satanic ideology
01:14:31inspired by nihilism
01:14:34to emotional indifference
01:14:38to the goal
01:14:40to do harm
01:14:41which instrument
01:14:43of affirmation
01:14:44the mix
01:14:46of satanic suggestions
01:14:48and drug abuse
01:14:49would have generated
01:14:51fantasies of violence
01:14:53and omnipotence
01:14:54in young subjects
01:14:56with problematic personalities
01:15:01making him progress
01:15:02lose contact
01:15:04with reality
01:15:07Andrea and Elisabetta
01:15:09but also the others
01:15:10of the pack
01:15:11maybe they hide
01:15:12other secrets
01:15:13they lived
01:15:14in a world
01:15:15all of them
01:15:16without rules
01:15:16except those
01:15:17of an absurd solidarity
01:15:19a world
01:15:20that of Satanism
01:15:21which is on the border
01:15:23where often
01:15:24there is no longer any limit
01:15:30walking through the fields
01:15:31we find a farmhouse
01:15:32abandoned
01:15:33which it had inside
01:15:34a small church
01:15:35where we perform the ritual
01:15:36that evening
01:15:38we decided
01:15:39that we would have called each other
01:15:40Satan's beasts
01:15:41to
01:15:43That
01:15:43to
01:15:56Thank you all.
01:16:23Thank you all.
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