Franca Leosini riprende l'emozionante colloquio con Luciana Cristallo, processata con l'accusa di aver ucciso l'imprenditore Domenico Bruno, suo ex marito, in complicità con l'amante Fabrizio Rubini.
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00:00:04Luciana, whose last name is cristallo, is brunette, beautiful and has eyes as frosted as sky.
00:00:10Of good Calabrian bourgeoisie, he lives in Rome and is 17 years old, when in the summer of 1982,
00:00:17on the shores of a Calabrian beach, he meets Domenico Bruno.
00:00:21And he's also Calabrian, he's rich, he's handsome and he's 23 years old.
00:00:26It's an umbrella-cooked meal that ends up in elopement.
00:00:34After a quieting of any scandal, they get married the following year.
00:00:38But in Calabria, as in the vapors of a dream, Luciana's beautiful fairy tale vanishes.
00:00:45Jealous and possessive, the mother-in-law does not love the young wife of her only son.
00:00:51With a mother-in-law who absolutely did not like my presence,
00:00:55just because I came from Rome, I had already been branded.
00:01:00Roman, therefore a whore.
00:01:04But it is Domenico who in his land, which is Catanzaro,
00:01:07maybe he forgot about that wedding ring on his finger.
00:01:11While Luciana gives birth to two beautiful boys,
00:01:14he returns to his life of girls, friends and absent-minded lovers.
00:01:22He is dismayed for Luciana, it is disappointment and a breakup.
00:01:26Between promises and pleas, Luciana then forgives.
00:01:30But the serenity in the sky of his days does not stop.
00:01:34Once the betrayals are over, the violence, the assaults, the beatings begin.
00:01:48Domenico is jealous.
00:01:50From an unfaithful husband, the demon of jealousy suddenly devours his soul.
00:01:55One violent day in '89, due to an unfounded suspicion, was a hell of a beating.
00:02:01And it was only the first time, that time.
00:02:05Distraught, Luciana packs up the children and flees to Rome.
00:02:09But Domenico, who does not want to lose her, follows her and settles in Rome,
00:02:13attempting new avenues of work and business in the construction sector.
00:02:18A truly beautiful time.
00:02:21A third child is born, a fourth arrives, who is the little girl of the house.
00:02:27But once again, Luciana's sky darkens.
00:02:31It gets dirty with scares and bruises, with attacks and violence.
00:02:40These are brutal attacks, which follow one another in a wild and uncontrolled escalation.
00:02:47Luciana collects complaints and hospital reports.
00:02:50But he withdraws them because Domenico is pushing and blackmailing.
00:02:54Until, exhausted, Luciana separates.
00:02:59And in her life, after the separation, another man enters, Fabrizio Rubini,
00:03:05well-known and established accountant.
00:03:08It is a great love, which inevitably fuels Domenico's jealous fury,
00:03:13separated husband, never resigned.
00:03:18Attacks and complaints.
00:03:20Meeting Luciana to persuade her to withdraw yet another complaint was urgent for Domenico.
00:03:26But Luciana too, despite all her fears, had an absolute need to talk to her ex-husband
00:03:32of certain alarming phone calls for the safety of his children.
00:03:37That evening, that dinner.
00:03:45But Luciana, despite all her fears, also had an absolute need to speak to Domenico's ex-husband urgently.
00:04:10But Luciana, despite all her fears, also had an absolute need to speak to Domenico's ex-husband urgently.
00:04:16But Luciana, despite all her fears, also had an absolute need to speak to Domenico's ex-husband urgently.
00:04:40Mrs. Luciana, let's reconstruct the sequence of events together.
00:04:45It's about 9:30.
00:04:48Her husband arrives at her house.
00:04:56Between pasta with sauce and pizzaiola, what are you talking about?
00:05:00What's the atmosphere like between you and Domenico?
00:05:02While I prepare the pasta, he takes a quick tour of the house.
00:05:07As we sat down to dinner, one of the things we obviously immediately addressed were the phone calls and the
00:05:20contacts that these people from this insurance had made.
00:05:24Does she act alarmed with her husband?
00:05:26I tried to make him understand that for me it was a very serious cross-message because he had probably done something and
00:05:35he didn't want to tell me.
00:05:37Then the tone got raised because I insisted a lot that he tell me what he had done.
00:05:44He didn't think to reassure me but the only thing he said to me was, well, worst case scenario, we'll put
00:05:50bodyguards for the boys.
00:05:58When I told him it was absurd that he had put at risk
00:06:09the lives of the boys for work, for what he had done
00:06:16the situation has changed completely because
00:06:20his answer was
00:06:21instead of thinking about what I'm doing
00:06:23think about what you did
00:06:29with the complaints you made you are ruining me
00:06:42Sunday I
00:06:45he gives me a really hard slap and I get up
00:06:48to go away to get the pole and
00:06:54he grabs me by the hair, pulls me and
00:06:57a moment later he had his hands around his neck, they were
00:07:04he probably didn't realize what he was doing I don't know but
00:07:16I didn't have, I didn't have the strength anymore
00:07:28he held me as tight as he could
00:07:34I couldn't breathe anymore, my mind was going numb
00:07:46he had his hands on his neck and I was looking for something that could shake him, something that could help me make him free himself
00:08:02the grip
00:08:08I found that knife in my hand and I used it
00:08:16I don't know then he tripped and I hit him, I hit him
00:08:21who I don't know beautiful
00:08:24I do not know
00:08:31I do not know
00:08:31I do not know
00:08:33I do not know
00:08:33I do not know
00:08:34canga
00:08:35canga
00:08:37No
00:08:50Thank you all.
00:09:12I'm sorry, I know that's the moment you're reliving.
00:09:21Luciana...
00:09:26Excuse me, but...
00:09:27What was different that evening compared to so many other evenings, so many other times that he attacked her?
00:09:38Domenico has never tightened his throat like that evening.
00:09:50He had a completely crazy look.
00:09:58And then they were truly moments, when you tell them they seem eternal, but they were moments.
00:10:08Moments...
00:10:10Where then I found myself straddling him and...
00:10:16I didn't realize what had happened.
00:10:19For me the important thing is that he didn't get up again, that he couldn't hurt me again.
00:10:37I know it's hard...
00:10:40But for example, Luciana...
00:10:43Did she have the feeling that he wanted to kill her?
00:10:50I had the feeling that he didn't...
00:10:56He was so blinded by anger that he didn't...
00:11:01It's as if he didn't know how to manage his hands.
00:11:05Are you out of control of him?
00:11:07Totally.
00:11:09Calm.
00:11:10That's right, Luciana.
00:11:12That's right, that's right.
00:11:13It's right that she suffers so much from me.
00:11:25Now let's go for gratitude, let's go for gratitude.
00:11:28Now I'm the one asking her.
00:11:33She said I just wanted him not to get up.
00:11:37So she doesn't...
00:11:39Did she want to kill her?
00:11:43No, I didn't mean to kill him.
00:11:46The fact is that...
00:11:55He's dead, but...
00:11:57He's dead, but...
00:12:01A part of us has died.
00:12:10I have wished so many times that I were in his place.
00:12:17Why...
00:12:22I don't know if...
00:12:28For me every time it's like dying again.
00:12:36Facing every day, since that night, the boys, Christmas, birthdays...
00:12:47And still, there's still a piece missing.
00:12:55He's dead, that's true, but...
00:12:59He is not experiencing, he has not experienced all the anguish that we are experiencing.
00:13:03Sometimes...
00:13:06I really wanted...
00:13:09That the opposite had happened.
00:13:13Because it's difficult...
00:13:20It's hard to deal with my kids.
00:13:26It's hard to expect forgiveness or...
00:13:37Or at least tell it...
00:13:39Telling how it was...
00:13:42When Susanna asks me...
00:13:43What was it like when I was little?
00:13:46Tell me about dad, what we did?
00:13:51Or when we look at photographs?
00:13:59And it seems so absurd to me that...
00:14:01That there isn't...
00:14:12I force myself to think many times that he is randi...
00:14:15And that nothing happened.
00:14:22Mrs. Luciana, you are a real woman, after all.
00:14:26A tall woman can be very beautiful and very tall.
00:14:29But her husband was a big, strong man.
00:14:32Who accused her and then tried her.
00:14:36He wondered how she managed to stab him straight in the heart.
00:14:40And how did he get the better of a big man like him?
00:14:46Unfortunately, or fortunately...
00:14:50The fact that...
00:14:52Domenico hit his head and lost his balance...
00:14:55Maybe it was...
00:14:57Somehow...
00:15:01The one who saved my life.
00:15:06Now that we've calmed down a bit...
00:15:08Let's try to understand how things unfolded.
00:15:12You hit Domenico, ma'am, with a switchblade.
00:15:16It was a penknife, let's say what it was, ma'am.
00:15:20How did that knife come to be within reach of her?
00:15:27When I got married, my mother-in-law had the custom, we went to the cemetery to my father-in-law's
00:15:35and of course we brought fresh flowers
00:15:39and she had this knife in her bag that she used to cut flowers.
00:15:47I had moved to Via Santini very recently.
00:15:51and that evening, while waiting for Domenico to arrive,
00:15:54I continued my work of tidying up, of arranging.
00:16:00Among the many bags, there was also this one.
00:16:04So I turned the bag upside down
00:16:06and this thing that I had forgotten came out.
00:16:09This knife.
00:16:09This knife.
00:16:13I opened it to look at it because it was something completely forgotten.
00:16:18A few minutes later Domenico rings the doorbell.
00:16:21He took it but did he also open it?
00:16:23I opened it, it was on the table.
00:16:26So then in what was that moment of total panic,
00:16:37looking for something, it could be anything
00:16:40that could help me loosen his grip,
00:16:46it could have been a book, it could have been an escolopedia,
00:16:50it could have been anything.
00:16:52Was that knife there?
00:16:54There was that knife.
00:16:56Of course, fate is a mocking scripture,
00:17:00because it was the mother's knife.
00:17:02Yes, it's true, I've thought that many times too.
00:17:07It's a thing...
00:17:12However, at the trial the prosecution,
00:17:16convinced of the premeditation of the crime,
00:17:18he claimed that she, that switchblade,
00:17:21he had prepared it, well open on the table,
00:17:24to kill her husband.
00:17:28Yes, it's true, it has been said many times,
00:17:32but I think if I had decided to do something like that
00:17:42in a rational way,
00:17:46one of the knives would probably have been enough
00:17:48that I was using for dinner.
00:17:52Any kitchen knife was bigger
00:17:55of what was used.
00:17:57Listen, Mrs. Cristallo,
00:18:00Do you remember the time the tragedy struck?
00:18:06I have always assumed
00:18:09it was after 10,
00:18:11around 10.30am.
00:18:13In fact there were two friends from home
00:18:16who testified at the trial,
00:18:18that that evening, around 10.30pm,
00:18:21I remember not hearing,
00:18:23in the excited jeering,
00:18:25after the excited jeering,
00:18:27a shrill scream,
00:18:29a dive and then silence.
00:18:44Madam, among a thousand thoughts
00:18:45that at that moment
00:18:47they certainly crowded their minds,
00:18:50he didn't think
00:18:51that the only right thing to do
00:18:54it would have been to call
00:18:56the police,
00:18:57the ambulance, the police?
00:19:00No, I didn't think so.
00:19:03I called Fabrizio
00:19:05Why
00:19:10why the police
00:19:11there never was.
00:19:14It never helped me.
00:19:20Fabrizio has always been there for me.
00:19:26But she had
00:19:27on the neck, on the body,
00:19:30Mrs. Luciana,
00:19:31the obvious signs
00:19:32of that massacre of her husband.
00:19:35In short,
00:19:36if he had called immediately
00:19:37the police,
00:19:38the police immediately,
00:19:40he probably would have saved
00:19:41to herself painful years.
00:19:43You don't think in those moments.
00:19:46I was scared
00:19:48that the boys
00:19:49there wouldn't have been any
00:19:51and they would have taken them away,
00:19:52that anyway
00:19:53they should have faced them.
00:19:56They would have seen
00:19:58and knew
00:19:59what I had done.
00:20:00She doesn't call the ambulance,
00:20:01don't call the police,
00:20:02don't call the police,
00:20:03but
00:20:04call Fabrizio Rubini.
00:20:06On the contrary,
00:20:07to be precise,
00:20:09she
00:20:09storm first
00:20:10Fabrizio
00:20:11of SMS.
00:20:13After this storm
00:20:14let's say
00:20:15of SMS,
00:20:16she
00:20:16call
00:20:18Fabrizio Rubini
00:20:19and calls him
00:20:19on the cell phone
00:20:20and let's call it a secret.
00:20:23Fabrizio Rubini
00:20:24he told
00:20:25that she
00:20:25she sobbed
00:20:27oh god what have I done,
00:20:28oh god what did I do.
00:20:30Yes.
00:20:31However,
00:20:32Mrs. Cristallo,
00:20:34don't feel it like that
00:20:35confused,
00:20:36so lost,
00:20:37Here you are,
00:20:38so desperate.
00:20:39Fabrizio Rubini
00:20:40are you running to her right away?
00:20:42No,
00:20:42Fabrizio didn't come to me.
00:20:46Why Fabrizio
00:20:47isn't he running to her right away?
00:20:53Fabrizio was afraid,
00:20:54fear that it was
00:20:55a trap for him,
00:20:58that I was under threat,
00:21:00Therefore
00:21:02he procrastinated,
00:21:03he was scared
00:21:04to come to me immediately.
00:21:19When Fabrizio
00:21:20comes from her,
00:21:21it's her,
00:21:21Mrs. Cristallo,
00:21:22to take to the streets?
00:21:25Yes,
00:21:26It's me
00:21:27to go down
00:21:28from him.
00:21:45I must have told him
00:21:47roughly
00:21:47what had happened.
00:22:12he listened
00:22:13what she said
00:22:15and he went away.
00:22:23Now,
00:22:26when she saw
00:22:27Fabrizio who was leaving,
00:22:29Here you are,
00:22:30we speak woman to woman,
00:22:32In short.
00:22:34Disappointed?
00:22:36Yes,
00:22:37I don't even know
00:22:41what did I expect?
00:22:42that he did.
00:22:43I do not know,
00:22:45I can't find it,
00:22:48a justification
00:22:49to the fact that he
00:22:50he's gone.
00:22:51Let's give an explanation.
00:22:53Yes,
00:22:54Perhaps,
00:22:55Then,
00:22:56Yes,
00:22:58that's right.
00:23:00Faced with this circumstance
00:23:01I really felt it
00:23:03the world turned upside down,
00:23:04because there they opposed me
00:23:06between love towards
00:23:08the woman I loved
00:23:10and all my life,
00:23:12my daughter.
00:23:14Meaning what,
00:23:14he confronted me
00:23:15the world.
00:23:16I had the need
00:23:19just physics,
00:23:20also because I was missing it
00:23:21the air,
00:23:22to leave.
00:23:23I left
00:23:24and I said
00:23:24Yes,
00:23:25let me think.
00:23:26She
00:23:27he wasn't afraid
00:23:28to return alone
00:23:29in that house?
00:23:32Fear that was perhaps
00:23:33even horror,
00:23:34it was also anguish,
00:23:35In short,
00:23:37for that lifeless body
00:23:38that was waiting for him
00:23:40for that last comparison?
00:23:46I
00:23:49I remember that I have
00:23:50of that night
00:23:55the first thing I remember
00:23:56It's me
00:23:57in Capaccione
00:23:57on Sunday.
00:23:59I remember all that blood.
00:24:01It was like I was
00:24:03living a reality
00:24:04parallel.
00:24:10Anyway,
00:24:11you both lived
00:24:12a difficult time
00:24:13and as far as I know
00:24:15from the wanderers
00:24:16telephones
00:24:17while Fabrizio Rubini
00:24:19he wandered around the city
00:24:21to put ideas together.
00:24:23But she continued
00:24:24to chase them
00:24:25with his messages,
00:24:27with his phone calls.
00:24:29She was crying,
00:24:29he begged him
00:24:30help me,
00:24:31help me,
00:24:31help me.
00:24:32But
00:24:33he didn't realize
00:24:35of the mess
00:24:35in which he wanted
00:24:36that he would slip in.
00:24:39Remember what prompted
00:24:40then Fabrizio
00:24:41to come back to her?
00:24:48Probably
00:24:48the fact that
00:24:49I wanted it
00:24:50to finish.
00:24:54When Fabrizio
00:24:55arrives at home
00:24:56from her
00:24:57about two hours
00:24:58After,
00:25:00he speaks
00:25:01of a scene
00:25:02that he himself
00:25:03he defined
00:25:03apocalyptic,
00:25:04In short,
00:25:05Domenico's body
00:25:06on the ground in blood,
00:25:08seats overturned,
00:25:09the house
00:25:09in his painting.
00:25:12She remembers
00:25:13at that point
00:25:14what does Fabrizio Rubini do,
00:25:16how is it regulated?
00:25:20he started cleaning
00:25:22the blood
00:25:24as
00:25:25with that
00:25:26that he found
00:25:26and I
00:25:28I remember that
00:25:29I limited myself
00:25:30to follow
00:25:31and to repeat
00:25:32what he did.
00:25:34Listen,
00:25:36Mr. Crystal,
00:25:37when then it was
00:25:39found
00:25:39the body
00:25:40by Domenico
00:25:42her ex-husband
00:25:43he had around
00:25:44around the neck
00:25:44the remains
00:25:45of a bag
00:25:45plastic,
00:25:46How come?
00:25:48Why me
00:25:49I didn't want to
00:25:50see it.
00:25:51I
00:25:53I asked
00:25:54to Fabrizio
00:25:54cover
00:25:55the face
00:25:55Why
00:25:57I couldn't
00:25:58to
00:26:00look at it
00:26:02and he
00:26:03he has it
00:26:05covered
00:26:05with this envelope
00:26:09Anyway
00:26:11in rushing
00:26:12his
00:26:12and by Fabrizio Rubini
00:26:14to clean up
00:26:16the traces of blood
00:26:17that they were
00:26:17everywhere
00:26:18there was
00:26:19undoubtedly
00:26:19Also
00:26:20anxiety
00:26:20that the boys
00:26:21then his children
00:26:22they didn't find
00:26:23traces of blood
00:26:24at home.
00:26:24Here you are,
00:26:25but by the way
00:26:25some boys
00:26:26Mrs. Luciano
00:26:27the firstborn
00:26:30practically
00:26:30he lived with her
00:26:31could fall
00:26:32for a moment
00:26:33to the other
00:26:33he never held
00:26:35something like this
00:26:36that could arrive
00:26:38Yes
00:26:38the risk that it could
00:26:39return Joseph
00:26:40he was tall
00:26:41Anyway
00:26:41the problem
00:26:43priority
00:26:44by Fabrizio Rubini
00:26:45is to take away
00:26:46the body
00:26:48by Domenico
00:26:50from his house
00:26:51What
00:26:52not easy
00:26:53also for the size
00:26:54by Domenico
00:26:55I
00:26:55what I remember
00:26:57is that
00:26:59at a certain point
00:27:00I saw that there was
00:27:01a carpet
00:27:03on the ground
00:27:03then I found out
00:27:05that Fabrizio
00:27:06he had brought it
00:27:07on
00:27:08which was a carpet
00:27:10that I could have
00:27:10leave at his house
00:27:11but that instead
00:27:12he had remained in the car
00:27:14And
00:27:17I remember
00:27:18which opened
00:27:19this carpet
00:27:20and together
00:27:21we wrapped up
00:27:22Dominic
00:27:23to then take it down
00:27:25from the spiral staircases
00:27:27simply
00:27:27pulling it
00:27:28it was a thing
00:27:30very funny
00:27:30Why
00:27:31the famous ones
00:27:33witnesses
00:27:34remember that
00:27:35they were about
00:27:364 in the morning
00:27:37when this
00:27:37it happened
00:27:38as if there were
00:27:39a move
00:27:40And
00:27:41one of the two gentlemen
00:27:42he said
00:27:42I woke up
00:27:43because I heard
00:27:44for the stairs
00:27:45a noise
00:27:46patapunfete type
00:27:47as if
00:27:47something
00:27:48of heavy
00:27:49banged
00:27:50against the railing
00:27:51Anyway
00:27:51the public prosecution
00:27:53he found it strange
00:27:54than in a small car
00:27:55there was a large carpet
00:27:56which coincidentally
00:27:57just that evening
00:27:57was there
00:27:58Anyway
00:27:59we said
00:28:00that it's 4 in the morning
00:28:01when she
00:28:02and Fabrizio Rubini
00:28:04you can bring it down
00:28:05Domenico's body
00:28:07and you put it
00:28:08in the Mercedes
00:28:10by Domenico
00:28:11of her ex-husband
00:28:13because he had arrived
00:28:14with the Mercedes
00:28:14by Domenico
00:28:43Yes
00:28:49And then basically begins that terrifying journey into the night, a journey in search of a destination.
00:29:00for that body and a destiny for you too Luciana.
00:29:15The situation is this, Rubini was going ahead with his Smart to lead the way and she
00:29:22Luciana followed in the Mercedes with that macabre burden locked in the trunk.
00:29:45But you knew where to go, you knew what to do with that body, that lifeless body, of
00:29:55a lost life that risked losing yours?
00:30:00There was no word, there was no, I don't think Fabrizio had any idea where to go.
00:30:26How many hours did that night journey last, ma'am?
00:30:30I can't put a time on it. It truly seemed like an eternal moment.
00:30:49However, you paid a long price for the night, until you reached Ostia Antica.
00:31:10Here you have invoked a small road that flows into the Tiber.
00:31:37At night it is a small street that flows into the Tiber.
00:32:11Thank you all.
00:32:42Thank you all.
00:33:04Thank you all.
00:33:28For a long time I was convinced that I would see Domenico at home.
00:33:35It's like I've been living with his ghost at home for a long time.
00:33:40I saw him, I talked to him and it seemed like he was there watching over everyone.
00:33:51It was quite complicated.
00:33:56The kids still make fun of me because I claimed to hear the music.
00:34:01He had brought from Tunis a kind of tambourine, little things that make music.
00:34:10I used to wake up at night because I heard these things playing.
00:34:13The kids still make fun of me because when they get those tambourines out,
00:34:19let's say, you see, those who play alone.
00:34:22Listen, Mrs. Luciana, can I ask how you managed to cope in the days following the tragedy?
00:34:28simulating normality?
00:34:30Her husband had come to her house for dinner.
00:34:32So she also had to deal with, I suppose, some questions.
00:34:35When will the search for Domenico begin, what did she say?
00:34:40Her children knew, the nanny knew, everyone knew what she said that evening.
00:34:45That if Domenico had gone away.
00:34:47However, after three days of no news from Domenico,
00:34:52It is his son, the firstborn, who files a missing person report for his father.
00:34:57She was summoned again by the police who were obviously informed that Domenico had come to her house for dinner that evening.
00:35:05In what direction are you trying to direct the investigation?
00:35:08On Domenico's dress, on what his relationships with various subjects were,
00:35:20towards someone who had made him pay for something.
00:35:36It is known that the sea betrays, but the sea gives back.
00:35:40Indeed, you and Fabrizio Rubini were anxious that that sea would reveal the truth about your husband's death.
00:35:55In some ways we probably expected him to come back.
00:36:07Listen, Mr. Luciana, after the tragedy, which for everyone was the disappearance of Misteriosa, of Domenico Bruno,
00:36:14you and Fabrizio Rubini continued to see each other normally.
00:36:18Yes.
00:36:20Had the tragedy of that night changed your relationship in any way?
00:36:28No.
00:36:30We were very close, very much in love, probably unconsciously with a heavy but light soul.
00:36:46Even there I feel like saying in total unconsciousness, as if nothing had happened.
00:36:54She realized, she realized, with the extraordinary, almost crazy proof of love that he gave her.
00:37:01Fabrizio Rubini.
00:37:03To help her, Fabrizio Rubini became an accomplice to an action called concealment of a corpse,
00:37:11which is also a fairly serious crime, very serious.
00:37:14It is true.
00:37:15I know men who have walked away for much less, Mrs. Luciana.
00:37:20How many men would have done them?
00:37:23I don't think many.
00:37:27At that moment Fabrizio confirmed what we were feeling anyway.
00:37:36A great love.
00:37:52A heel for a face, a heel for a body, a heel for a name that doesn't exist.
00:37:58It is February 27, 2004.
00:38:00The sea of Ostia returns the body of a man.
00:38:04From the mouth of the Telere the waves pushed him there,
00:38:07near the Faber Beach establishment, on the Toscanelli seafront.
00:38:12He is a robust man, about 40 years old, six feet tall,
00:38:17balfi and pezzetto grizzled.
00:38:19He is wearing what remains of a blue shirt over a pair of dark trousers,
00:38:24striped ties, leather belts, socks,
00:38:27and only one shoe on the left foot.
00:38:30It is an orthopedic shoe, size 42, with an internal lift.
00:38:36That man with only one shoe didn't drown.
00:38:42Twelve stab wounds, on the cheekbone, on the head, on the back, on the lungs,
00:38:47and that deadly blow straight to the heart,
00:38:50all inflicted by a single-bladed knife,
00:38:53they're talking about a murder.
00:38:55Talking about it again, are those edges of a plastic bag
00:38:59that fray around his neck.
00:39:02A shoe and a touch, for a name that doesn't exist.
00:39:05It will be that shoe, number 42, with internal lift,
00:39:10confessed to measure for him by a company in Brescia,
00:39:13to bring to Domenico Bruno,
00:39:15mysteriously disappeared a month earlier,
00:39:18returned by the waves that had accompanied its last journey.
00:39:28Mrs. Luciana, the description that was spread by the media
00:39:32of that man's body resurfaced from the sea,
00:39:36left no room for doubt.
00:39:38Then the body is found,
00:39:41investigations begin of course,
00:39:44and at that point it is a homicide that is being investigated.
00:39:48Needless to say, Mrs. Luciana,
00:39:50that she is immediately in the investigators' path,
00:39:52that first of all they knew that her husband that evening
00:39:55he had come to her house for dinner.
00:39:57The investigators were perfectly aware
00:39:59of the conflict relationship
00:40:01that was between her and her husband.
00:40:03After all, that package of complaints was enough.
00:40:05that she had done for assaults,
00:40:07for violence, for threats, for beatings.
00:40:10But she is summoned
00:40:12just over a month later
00:40:13the discovery of Domenico's body.
00:40:17What do you say about that Last Supper?
00:40:19All true up to a point.
00:40:22Then saying that I don't remember what time
00:40:24he was just gone,
00:40:27I won't say anything else.
00:40:32Fabrizio is also heard
00:40:37And...
00:40:38Then there is one thing to say.
00:40:40In November 2004
00:40:42she went to live at Fabrizio Urbini's house
00:40:46bringing all four of his children with him.
00:40:49Another sublime proof of love.
00:40:51Excuse me, madam, but considering
00:40:53the hazy complexity of the facts,
00:40:56she and Fabrizio
00:40:57you didn't take into consideration
00:40:59the possibility that
00:41:02ill-thinking people could so
00:41:03chat about the fact that you
00:41:06did you go to live together?
00:41:08For the series, here,
00:41:09they got rid of her husband.
00:41:11No, for us it was absolutely important
00:41:16the health of our children.
00:41:22I never paid attention
00:41:26to the chatter of people.
00:41:29Anyway, back to the investigations,
00:41:34incredibly it was just a sentence
00:41:36within a phone call
00:41:39between her and Fabrizio Urbini
00:41:40phone call of February 4, 2005
00:41:45phone call promptly intercepted
00:41:48to be interpreted by investigators
00:41:50as a kind of confession.
00:41:54She remembers what you said to each other
00:41:56in that phone call?
00:41:58You and Fabrizio Urbini?
00:41:59We were good
00:42:01and it was a sentence
00:42:04almost packaged
00:42:05as required
00:42:06to make us look like monsters.
00:42:10There is a sentence
00:42:11which has marked terribly
00:42:13Luciana Cristallo and Fabrizio Urbini
00:42:15during all these years
00:42:18starting from the next day
00:42:20upon their arrest
00:42:21where the newspapers
00:42:23they headlined
00:42:24the diabolical lovers
00:42:26they were intercepted
00:42:28while they were talking
00:42:29among themselves
00:42:30and they said
00:42:30we were good
00:42:32but you have to read it
00:42:33that whole conversation
00:42:35the Assize Court
00:42:36he did it.
00:42:38The sentence
00:42:39we were good
00:42:40it was extrapolated
00:42:41in a malicious manner
00:42:43and captious
00:42:44from the context
00:42:46of a conversation
00:42:47who had
00:42:47a completely different tenor
00:42:48and a completely different topic
00:42:50compared to that
00:42:51that always malignantly
00:42:52and I would say treacherously
00:42:54the accusation
00:42:55he wanted to pass.
00:42:56The sentence
00:42:57we were good
00:42:58it was not reported
00:43:00like them
00:43:00had they been good
00:43:02to accomplish
00:43:03and to hide
00:43:04the murder
00:43:05by Domenico Bruno
00:43:06but it was reported
00:43:08how much
00:43:09and how
00:43:10had they been good
00:43:11with the children
00:43:11creating around them
00:43:13subsequently
00:43:14to the tragedy
00:43:15a climate
00:43:17of family union
00:43:19of respect
00:43:20of serenity.
00:43:21Moreover
00:43:22add elements
00:43:24to the suspects
00:43:26there were
00:43:27the results too
00:43:28of the autopsy
00:43:29performed
00:43:29on the body
00:43:30by Domenico Bruno
00:43:31in the body
00:43:33by Domenico
00:43:33were present
00:43:34the residues
00:43:35of meat
00:43:36ingested
00:43:37from Domenico
00:43:38shortly before
00:43:39to be
00:43:41killed
00:43:42herself
00:43:43Mrs. Luciana
00:43:44had declared
00:43:45What
00:43:46her husband
00:43:46he had eaten
00:43:47anyway the turning point
00:43:48in the investigation
00:43:49is
00:43:50but
00:43:51When
00:43:51the investigators
00:43:52they discover
00:43:53the existence
00:43:54of those two cards
00:43:56telephone
00:43:57of which
00:43:58two cell phones
00:43:59let's call them
00:44:00secrets
00:44:01go
00:44:02In short
00:44:02that she
00:44:02and Fabrizio Rubini
00:44:03you had
00:44:04made to activate
00:44:06and you had
00:44:06registered
00:44:06your friends
00:44:07the investigators
00:44:08in fact they discover
00:44:09that with those two
00:44:09cell phones
00:44:11covered
00:44:12she and Fabrizio Rubini
00:44:13you had communicated
00:44:14incessantly
00:44:16all night long
00:44:17in which
00:44:18Domenico Bruno
00:44:19he had disappeared
00:44:20of those two cell phones
00:44:21what did you do?
00:44:23Fabrizio
00:44:24I think that
00:44:24he launched it
00:44:25against a wall
00:44:27I
00:44:27the card
00:44:28he no longer had
00:44:30reason to be
00:44:31but
00:44:31for the investigators
00:44:32it was a confirmation
00:44:33to their suspicions
00:44:34according to them
00:44:35those two cell phones
00:44:36you
00:44:36she and Fabrizio Rubini
00:44:38you had done them
00:44:39activate
00:44:39infected with others
00:44:40to kill
00:44:41her husband
00:44:42serve you at night
00:44:43cell phones
00:44:43and then
00:44:44let's say
00:44:44destroy them
00:44:45because the purpose
00:44:46was reached
00:44:47from that moment on
00:44:49she and Fabrizio Rubini
00:44:50you are formally
00:44:51under investigation
00:44:52as responsible
00:44:53of the murder
00:44:55by Domenico Bruno
00:44:57Here you are
00:44:58you are being questioned
00:44:59then from the public
00:44:59ministry
00:45:00How do you manage?
00:45:02which version
00:45:02of the facts
00:45:03do you provide?
00:45:04Exactly
00:45:04what had been
00:45:05date
00:45:05in times past
00:45:07keep lying
00:45:09the truth
00:45:09up to a certain point
00:45:10and the denial
00:45:12what had happened
00:45:14immediately after
00:45:15naturally
00:45:16you had agreed
00:45:17she and Fabrizio Rubini
00:45:18but the public prosecutor
00:45:20he is not very willing
00:45:21to believe it
00:45:22the next day
00:45:23to your interrogation
00:45:25April 5, 2005
00:45:27she and Fabrizio Rubini
00:45:29you get arrested
00:45:30she comes
00:45:32send the Bible
00:45:34and Fabrizio Rubini
00:45:36it is closed
00:45:36to Queen Sceli
00:45:37but since
00:45:39his story
00:45:40Mrs. Cristallo
00:45:42it's a succession
00:45:43of shots
00:45:43on stage
00:45:44the next day
00:45:46your arrest
00:45:47she
00:45:48suddenly
00:45:50by surprise
00:45:51confess
00:45:53and tell everything
00:45:59Yes
00:46:00there was
00:46:03the interrogator
00:46:04in front of
00:46:04to the
00:46:05Judge Muntoni
00:46:07the same night
00:46:09they brought me
00:46:09in Rebibbia
00:46:18find me there
00:46:21was
00:46:22death
00:46:26I had
00:46:30I just needed
00:46:31to free myself
00:46:32of this weight
00:46:32and to say
00:46:34what had happened
00:46:38and to find
00:46:39a little peace
00:46:40with myself
00:46:42I told
00:46:46How much
00:46:47as much as I could
00:46:49remember
00:46:52after which
00:46:58that evening
00:47:01I had a strange peace
00:47:03with myself
00:47:09Mrs. Cristiano
00:47:10sometimes
00:47:10his story
00:47:12it seems
00:47:13scuuscia
00:47:14from the pages
00:47:14of a novel
00:47:15by Truman Capote
00:47:17it couldn't be missed
00:47:18another twist
00:47:20in its history
00:47:22Why
00:47:22the same day
00:47:24in which she confessed
00:47:26ignoring
00:47:27ignoring however
00:47:28that she had done it
00:47:29also Fabrizio Rubini
00:47:32confess
00:47:37the truth
00:47:38how much
00:47:39confessed
00:47:40to the investigating judge
00:47:40by
00:47:41by Fabrizio Rubini
00:47:42and Luciana's
00:47:43Crystal
00:47:44emerge
00:47:44from a few
00:47:45but certain
00:47:46as you try
00:47:47considerations
00:47:49before confession
00:47:51before the investigating judge
00:47:51Luciana Cristallo
00:47:53and Fabrizio Rubini
00:47:54they didn't know
00:47:54almost nothing
00:47:56some clues
00:47:56that had been collected
00:47:58against them
00:47:59if not those
00:48:00which were indicated
00:48:02in the provision
00:48:03of the public prosecutor
00:48:04which justified
00:48:05the arrest itself
00:48:07but what they
00:48:08they declared
00:48:09it's a lot
00:48:10but much more
00:48:11of what emerged
00:48:13or it could emerge
00:48:14and emerge
00:48:15from that provision
00:48:17finally add
00:48:19but not least
00:48:19that neither of them
00:48:21he knew that the other
00:48:22he would have confessed
00:48:23that given the narrowness
00:48:25in constraints
00:48:25they couldn't agree
00:48:27anything
00:48:28that the decision
00:48:30to confess
00:48:31it was autonomously
00:48:32socket
00:48:32from each of the two
00:48:33during the first
00:48:34suffered
00:48:35night in prison
00:48:36the unpublished details
00:48:38and the circumstances
00:48:39additions
00:48:40by Fabrizio Rubini
00:48:41and by Luciana Cristallo
00:48:43to emergencies
00:48:45investigative
00:48:46until then
00:48:47collections
00:48:48they introduced themselves
00:48:50as perfectly
00:48:51coincident
00:48:53free of contrasts
00:48:55free from contradictions
00:48:57completely
00:48:58superimposable
00:48:59Well
00:49:00all this
00:49:01it is possible
00:49:02only if
00:49:03who's speaking
00:49:03he tells the truth
00:49:05Lady
00:49:07Crystal
00:49:07with the arrest
00:49:08but it materializes
00:49:09the nightmare
00:49:10that since that night
00:49:12of tragedy
00:49:12had populated
00:49:14all his hours
00:49:15all his days
00:49:17that they came to her
00:49:18his children taken away
00:49:21with the arrest
00:49:22Luciana
00:49:24not only
00:49:25they come to her
00:49:25the children were sent away
00:49:28but
00:49:28what's worse
00:49:29is that his children
00:49:30they were suddenly
00:49:32Messi
00:49:33in front of
00:49:33to
00:49:34a
00:49:35double
00:49:35terrible truth
00:49:38That
00:49:39to kill the father
00:49:40it had been
00:49:40the mother
00:49:41and that the mother
00:49:43he had lied
00:49:44Yes
00:49:46my boys
00:49:47he had lied
00:49:48with them too
00:49:48for how long
00:49:50she doesn't see her children
00:49:51for nine months
00:49:53because she
00:49:54after nine months
00:49:55he obtains release from prison
00:49:57our children
00:49:58Mrs. Luciana
00:49:59even if children
00:49:59of the same belly
00:50:00they have
00:50:03individuality
00:50:03singles
00:50:04non-plural
00:50:06In short
00:50:06when they found out
00:50:08what reaction did they have
00:50:10distinctly
00:50:11I intend
00:50:13the greats
00:50:14they had
00:50:17various demonstrations
00:50:19Of
00:50:19of malaise
00:50:24the firstborn
00:50:27let's say
00:50:27Yes
00:50:27the largest
00:50:28he told me that
00:50:30he expected to stay
00:50:31without a mother
00:50:32not without dad
00:50:38the little ones
00:50:40I faced them
00:50:41After
00:50:43a path
00:50:45with social workers
00:50:47with
00:50:48a psychologist
00:50:49of social workers
00:50:50and I have to say that
00:50:51my boys
00:50:53they have always been
00:50:54Neighbor
00:50:56and today
00:50:57they are with me
00:50:58even today
00:50:59they have never been
00:51:01move away
00:51:01Mrs. Luciana
00:51:03she and Rubini
00:51:04you have been arrested
00:51:05April 6th
00:51:062005
00:51:07and you are there
00:51:08facts
00:51:09nine months
00:51:10in prison
00:51:13Luciano but
00:51:13the tragedy
00:51:14the path
00:51:15tormented
00:51:16that you followed
00:51:17the experience
00:51:18even hard
00:51:18of the prison
00:51:19has influenced
00:51:20in the relationship
00:51:21between her
00:51:21and Fabrizio Rubini
00:51:22Very
00:51:23a lot because
00:51:26we got out of it
00:51:29with the memory
00:51:31of what it was
00:51:32our love
00:51:34thinking about
00:51:35as she says
00:51:36to put the pieces back together
00:51:37but we were two people
00:51:39completely different
00:51:40she and Fabrizio Rubini
00:51:42in 2008
00:51:43you separated
00:51:45your destinies
00:51:46you broke up
00:51:47in 2009
00:51:48Yes
00:51:48Sin
00:51:49Sin
00:51:54Yes
00:51:55it was a lot
00:51:56very painful
00:51:59but probably
00:52:01it wasn't
00:52:04it wasn't meant to be
00:52:06a relationship
00:52:08born
00:52:09in a manner
00:52:10difficult anyway
00:52:12under
00:52:13an unlucky star
00:52:17the process
00:52:19in court
00:52:19of assizes
00:52:20it begins
00:52:21February 11th
00:52:222009
00:52:22and it begins
00:52:24When
00:52:24the doctor
00:52:25Gioacchino Genchi
00:52:27deposit
00:52:27the
00:52:283050
00:52:29pages
00:52:30of the expertise
00:52:31technique
00:52:32church
00:52:33from the public
00:52:33ministry
00:52:34an expert opinion
00:52:35technique
00:52:35complex
00:52:36relative
00:52:37to the wiretaps
00:52:38telephone
00:52:39environmental
00:52:39and to the data
00:52:40of traffic
00:52:41telephone
00:52:42his
00:52:42and by Fabrizio Rubini
00:52:43on the bench
00:52:45of the defendants
00:52:45naturally
00:52:47she and Fabrizio Rubini
00:52:49against you
00:52:50it is constituted
00:52:51civil party
00:52:52the mother
00:52:54by Domenico Bruno
00:52:55his mother-in-law
00:52:56the lady
00:52:57Saint Marinaro
00:53:03he needs
00:53:04of something
00:53:04Yes
00:53:06I need
00:53:07to do
00:53:09see
00:53:09Domenico Bruno
00:53:11but we have it
00:53:12the photographs
00:53:13This
00:53:13And
00:53:14my son
00:53:15unique
00:53:18he didn't have
00:53:19Nobody
00:53:20more
00:53:20it was had
00:53:22a family
00:53:23Extremely beautiful
00:53:23good
00:53:25sweets
00:53:27he loved her
00:53:30Unfortunately
00:53:31he didn't enjoy it
00:53:35and I
00:53:36every morning
00:53:37I'm going to the cemetery
00:53:38And
00:53:39I'll have it done
00:53:40This
00:53:40lad
00:53:41This
00:53:42Unfortunately
00:53:44a lady
00:53:45he ruined it for me
00:53:46but
00:53:48asks
00:53:48he died
00:53:49a martyr
00:53:49she is the requisitioner
00:53:51of the public
00:53:52ministry
00:53:52there
00:53:54doctor
00:53:54Elizabeth
00:53:55Cennicola
00:53:56that draws
00:53:57the frame
00:53:59fierce
00:54:00of the process
00:54:01it's an indictment
00:54:03very hard
00:54:04the story
00:54:05which is being discussed
00:54:06it's a crime
00:54:07brutal
00:54:08this adjective
00:54:11can be used
00:54:12not so much
00:54:13For
00:54:14the modalities
00:54:15executive
00:54:16of the crime
00:54:17Why
00:54:18it closed
00:54:19in a manner
00:54:22very clean
00:54:23very linear
00:54:24very simple
00:54:26without
00:54:27big
00:54:27violence
00:54:28cruelty
00:54:30and then
00:54:31the cruelty
00:54:32of this
00:54:32homocide
00:54:33it's in something else
00:54:35is in the
00:54:36lucidity
00:54:37in the organization
00:54:39and in the
00:54:40determination
00:54:41of the authors
00:54:43Lady
00:54:46she
00:54:47Fabrizio Rubini
00:54:48for over a year
00:54:49you lied
00:54:51on during
00:54:52and on the aftermath
00:54:52the tragedy
00:54:53and when
00:54:55he lies
00:54:56it's difficult
00:54:57Then
00:54:59to reacquire
00:54:59credibility
00:55:00the difficulty
00:55:02his is of
00:55:02Fabrizio Rubini
00:55:03and of course
00:55:04that of yours
00:55:05defenders
00:55:06it was that
00:55:07to motivate
00:55:08to have accepted
00:55:10to those who had
00:55:11the task
00:55:12to judge
00:55:13your
00:55:14version
00:55:14of the facts
00:55:16she of this
00:55:18even in the course
00:55:19of the process
00:55:19he realized
00:55:20True
00:55:20Lady?
00:55:22Yes
00:55:23absolutely
00:55:28the accusation
00:55:30first of all
00:55:30he supported
00:55:31That
00:55:32considered
00:55:32his relationship
00:55:33conflictual
00:55:34with a husband
00:55:34with her
00:55:35notoriously
00:55:35aggressive
00:55:36and I'm violent
00:55:37it was unthinkable
00:55:38that she
00:55:39had received it
00:55:40at his house
00:55:41alone
00:55:41that evening
00:55:47for the prosecution
00:55:48that invitation
00:55:49it was nothing else
00:55:50That
00:55:51a trap
00:55:52for a murder
00:55:54carefully
00:55:56premeditated
00:55:56premeditated
00:55:58from her
00:55:58and by Fabrizio Rubini
00:55:59to live
00:56:00freely
00:56:01your story
00:56:02of love
00:56:09not only
00:56:10but the public
00:56:11ministry
00:56:11he contested
00:56:12radically
00:56:13the dynamics
00:56:14of the crime
00:56:14that she
00:56:15Luciana
00:56:15had offered
00:56:17that is to say
00:56:18that she
00:56:18she had defended herself
00:56:19with that knife
00:56:21to say
00:56:22with all his might
00:56:23to the aggression
00:56:23by Domenico
00:56:24that was happening
00:56:25choking
00:56:26in essence
00:56:27the public
00:56:27ministry
00:56:28he supported
00:56:29that she
00:56:29alone
00:56:30never
00:56:31could have
00:56:33have
00:56:33the best
00:56:34about a man
00:56:35tall and handsome
00:56:36how it was
00:56:36her ex-husband
00:56:37Domenico Rubini
00:56:38for the doctor
00:56:39Cenicola
00:56:40that crime
00:56:41it had been
00:56:42Yes
00:56:43from her
00:56:44clerk
00:56:44but
00:56:45it had been
00:56:46clerk
00:56:46with the participation
00:56:48of third parties
00:56:49Mrs. Luciana
00:56:50who was with her
00:56:51that evening?
00:56:53absolutely
00:56:54Nobody
00:56:54also because
00:56:57the apartment
00:56:59it was a
00:57:00a room
00:57:01in the end
00:57:01era
00:57:02let's talk about
00:57:0330 square meters
00:57:06I was alone
00:57:0930 square meters
00:57:10it was impossible
00:57:11HIDE
00:57:12whoever
00:57:13Mrs. Luciana
00:57:13let's be clear
00:57:14which is not that
00:57:15we are arriving
00:57:15here is the process
00:57:16but his
00:57:17it's a story
00:57:18judicial
00:57:19that for how
00:57:20it ended
00:57:21sets the standard
00:57:22and then
00:57:23important
00:57:24that she
00:57:25help
00:57:25us too
00:57:26Mrs. Luciana
00:57:27that we are
00:57:27participate
00:57:28of that
00:57:29bigger
00:57:29assembly
00:57:30which is the opinion
00:57:30public
00:57:31which is the company
00:57:32all
00:57:32to understand
00:57:33on which
00:57:34bases
00:57:34the judges
00:57:35they pronounced
00:57:37that sentence
00:57:38which allows
00:57:39to us
00:57:40to talk to us
00:57:41this evening
00:57:41Mrs. Luciana
00:57:47we remember
00:57:48That
00:57:48she
00:57:49Fabrizio Rubini
00:57:50be it pure
00:57:51belatedly
00:57:52you confessed
00:57:54admitting
00:57:55the role
00:57:56divided
00:57:57and shared
00:57:58in the tragedy
00:57:59there wasn't
00:58:01Therefore
00:58:01to be discovered
00:58:02who he was
00:58:03the author
00:58:04of those
00:58:04twelve
00:58:05stab wounds
00:58:05on these
00:58:07premises
00:58:07the process
00:58:08was
00:58:09played
00:58:09maximally
00:58:10on the appraisals
00:58:12and I was starting
00:58:13by saying
00:58:13that the public
00:58:14ministry
00:58:15has first of all
00:58:15willing
00:58:16that on the body
00:58:17by Domenico
00:58:17came
00:58:18carried out
00:58:19an expert opinion
00:58:20toxicological
00:58:21to establish
00:58:22if that one
00:58:23Night
00:58:23if that evening
00:58:24of tragedy
00:58:25Dominic
00:58:25he was drunk
00:58:27he was drugged
00:58:28or it was
00:58:29under the influence
00:58:30of some
00:58:30barbiturate
00:58:31what was it
00:58:32the outcome
00:58:33of this
00:58:33expertise
00:58:34be that one
00:58:35biased
00:58:37that that one
00:58:39prepared
00:58:40from the public
00:58:40ministry
00:58:41they were
00:58:42absolutely
00:58:43summoned
00:58:43Dominic
00:58:45it was perfectly
00:58:46shiny
00:58:47he was not in a state
00:58:48of breeze
00:58:49he had not taken
00:58:50drugs
00:58:51but
00:58:52one of the elements
00:58:53on which the public
00:58:54ministry
00:58:55he leaned hard
00:58:57the accusation
00:58:57of murder
00:58:58premeditated
00:58:59it was based
00:59:00above all
00:59:00on one
00:59:01of the findings
00:59:02of the expertise
00:59:03autoptics
00:59:04on trial
00:59:05of the doctor
00:59:06legal
00:59:06when it was
00:59:07found
00:59:08on the beach
00:59:09of Ostia
00:59:10the body
00:59:11by Domenico
00:59:11Brown
00:59:11appeared
00:59:13according to the expert
00:59:16too
00:59:17intact
00:59:18to conceive
00:59:19that it was
00:59:19remained
00:59:20immersed
00:59:21in the water
00:59:22for a month
00:59:22according to the expert
00:59:23of the public
00:59:24accusa
00:59:25that body
00:59:26it had been
00:59:26thrown
00:59:27at sea
00:59:27seven
00:59:28maximum
00:59:29ten days
00:59:30Before
00:59:30of the discovery
00:59:31of the body
00:59:32the consultancy
00:59:33medico-legal
00:59:34both of the defense
00:59:35that of the accusation
00:59:35acquired in the records
00:59:37of the process
00:59:38they have demonstrated
00:59:39compatibility
00:59:40of the state
00:59:41of conservation
00:59:42of the body
00:59:43by Domenico Bruno
00:59:43in the moment
00:59:44where it was
00:59:45found
00:59:45with the parking
00:59:46in water and freezing
00:59:48for about a month
00:59:51let's remember
00:59:52that we are
00:59:52speaking
00:59:54of the month
00:59:54of January
00:59:55the events
00:59:56they are relative
00:59:58at this time
00:59:59where the waters
01:00:01of the river
01:00:02and of the sea
01:00:03I am
01:00:03very cold
01:00:05and reach
01:00:07temperatures
01:00:07so low
01:00:08to slow down
01:00:10the natural ones
01:00:12processes
01:00:13thanatological
01:00:14of putrefaction
01:00:17every pose
01:00:18it is against
01:00:19on the other hand
01:00:20to this one
01:00:21Which
01:00:22for example
01:00:23the conservation
01:00:24of the body
01:00:26in a freezer
01:00:28or in a cell
01:00:29refrigerator
01:00:30in addition to introducing themselves
01:00:31blatantly
01:00:33absurd
01:00:34would be
01:00:35not only
01:00:36out of stock
01:00:36supportive
01:00:38evidentiary
01:00:38but even
01:00:39denial
01:00:40from the evidence
01:00:41that they are
01:00:42formed
01:00:43in court
01:00:45Lady
01:00:46as we said
01:00:47the indictment
01:00:47of murder
01:00:48premeditated
01:00:48was moving
01:00:49from the belief
01:00:50initial
01:00:50of the prosecution
01:00:51that she Rubini
01:00:52after having attracted
01:00:54Domenico Bruno
01:00:55her ex-husband
01:00:56at his house
01:00:57a trap
01:00:59essentially
01:00:59you had together
01:01:01committed the crime
01:01:02circumstance
01:01:03that she
01:01:03and Fabrizio Rubini
01:01:04absolutely
01:01:05you denied
01:01:06supporting
01:01:07that when
01:01:07the tragedy
01:01:08it happened
01:01:09Fabrizio Rubini
01:01:10it was far away
01:01:11from his house
01:01:13how to get there
01:01:15on this point
01:01:16fundamental
01:01:17that is, on the truth
01:01:18how much
01:01:19you two
01:01:20you supported
01:01:21that Fabrizio Rubini
01:01:23and Luciana Cristallo
01:01:24they weren't together
01:01:25the night
01:01:26of the tragedy
01:01:27in the moments
01:01:28and in the moment
01:01:28topical
01:01:29in which
01:01:29the same
01:01:30it was consumed
01:01:31it is proven
01:01:33in a manner
01:01:33incontrovertible
01:01:34from the consultancy
01:01:36technique
01:01:36of the professor
01:01:37Gioacchino Genchi
01:01:38called
01:01:39from the public
01:01:40ministry
01:01:41to acquire
01:01:42and to elaborate
01:01:44all data
01:01:45of traffic
01:01:45telephone
01:01:46that they had
01:01:47developed
01:01:47in that
01:01:48precise area
01:01:49geographic
01:01:50in which
01:01:50the fact
01:01:51the event
01:01:52it had occurred
01:01:53and from this
01:01:55consultancy
01:01:55that everyone today
01:01:57we know
01:01:58with certainty
01:01:59where was it
01:02:00Fabrizio Rubini
01:02:01and where was it
01:02:02Luciana Cristallo
01:02:03that night
01:02:04and from this
01:02:05consultancy
01:02:06that we know
01:02:07with certainty
01:02:08that at the moment
01:02:09in which
01:02:10the event
01:02:11tragic
01:02:12it was consumed
01:02:13Fabrizio Rubini
01:02:13it was somewhere else entirely
01:02:15kilometers away
01:02:17from that place
01:02:17and from this
01:02:18consultancy
01:02:19that we know
01:02:20Also
01:02:21when the two
01:02:22they meet
01:02:23for the first time
01:02:24that night
01:02:25and this happens
01:02:26at a distance
01:02:27of several hours
01:02:29since
01:02:30the event
01:02:31tragic
01:02:32yes it is
01:02:32consumed
01:02:33the results
01:02:34of this
01:02:35expertise
01:02:35arranged
01:02:36from the public
01:02:36ministry
01:02:37they were
01:02:38in the end
01:02:39totally
01:02:40cashed in
01:02:41from the defense
01:02:42Therefore
01:02:42that expertise
01:02:43on cell phones
01:02:44arranged
01:02:44from the court
01:02:46become one
01:02:47of the points
01:02:48of strength
01:02:48of the defense
01:02:49a defense
01:02:50his
01:02:51that with the public
01:02:53accusa
01:02:54must confront
01:02:55also on the
01:02:56motive
01:02:56Mrs. Luciana
01:02:57that was given to her
01:02:57attributed
01:02:58the motive
01:02:59economic
01:02:59In short
01:03:00she would have
01:03:01killed
01:03:01Domenico Bruno
01:03:02to take possession
01:03:04of the rich
01:03:05heritage
01:03:06heritage
01:03:07of real estate
01:03:07that her ex-husband
01:03:09had inherited
01:03:10from dad
01:03:10was
01:03:11widely demonstrated
01:03:13that wasn't there
01:03:14heritage
01:03:15from
01:03:17to be inherited
01:03:18the properties
01:03:19that the dad
01:03:21he had left
01:03:21to Domenico
01:03:22in the space of a very short time
01:03:24they were all
01:03:24seized
01:03:25for investments
01:03:27wrong
01:03:27absolutely
01:03:28for all investments
01:03:29wrong
01:03:30what did Domenico do?
01:03:31so the movement
01:03:32economic
01:03:33let's say
01:03:33it fell by itself
01:03:34Here you are
01:03:35Anyway
01:03:36with 39 hearings
01:03:38it lasts three years
01:03:38and a half
01:03:39the process
01:03:40at his expense
01:03:40by Fabrizio Rubini
01:03:41and in conclusion
01:03:43of a requisitioner
01:03:45of the public prosecutor
01:03:46harsh
01:03:47the request
01:03:48towards
01:03:49his
01:03:49and by Fabrizio Rubini
01:03:51it's very hard
01:03:52the public prosecutor
01:03:55is getting ready
01:03:56Surely
01:03:57to ask
01:03:58That
01:03:59This Court
01:04:00I want to declare
01:04:01Crystal
01:04:02Luciana
01:04:03and Rubies
01:04:03Fabrizio
01:04:06responsible
01:04:07of the crime
01:04:07to them
01:04:08ascribed
01:04:09with the aggravating circumstance
01:04:10of premeditation
01:04:12and with the aggravating circumstance
01:04:13of the relationship
01:04:15existing
01:04:16between the Crystal
01:04:17and the deceased
01:04:18Brown
01:04:19can only ask
01:04:22that for both of them
01:04:24the penalty
01:04:25of life imprisonment
01:04:25and I conclude
01:04:27Why
01:04:30emitted
01:04:34a sentence
01:04:36of acquittal
01:04:38by Fabrizio Rubini
01:04:40for not having committed
01:04:42the fact
01:04:43and of absolution
01:04:46because the fact
01:04:47does not constitute
01:04:48crime
01:04:48for Luciana
01:04:50Crystal
01:04:52Luciana
01:04:53superfluous
01:04:55that he asks her
01:04:56how deep
01:04:58it was
01:04:58I'll wear it
01:04:59of torment
01:05:00that she
01:05:00he lived
01:05:01pending
01:05:02of that sentence
01:05:03but she
01:05:05he knew
01:05:06That
01:05:07that one too
01:05:08court
01:05:09even those judges
01:05:10they lived
01:05:11the torment
01:05:12of having to
01:05:13to re-propose
01:05:14a verdict
01:05:15very difficult
01:05:16they had
01:05:18in the hands
01:05:19destiny
01:05:20of a woman
01:05:22they had to
01:05:23judge
01:05:24a woman
01:05:25that after years
01:05:26of threats
01:05:27of violence
01:05:28of assaults
01:05:29of beatings
01:05:30had killed
01:05:32so as not to die
01:05:37October 23rd
01:05:392012
01:05:40the third
01:05:42assize court
01:05:43of the court
01:05:44of Rome
01:05:44chaired
01:05:46from the doctor
01:05:47Evelina
01:05:47Channel
01:05:48pronounce
01:05:49the sentence
01:06:07in the name of the Italian people
01:06:09the assize court
01:06:10of Rome
01:06:12Section Three
01:06:13he pronounced
01:06:14the following sentence
01:06:16seen the article
01:06:17530
01:06:18procedure code
01:06:19criminal
01:06:20absolves
01:06:20Ruby Fabrizio
01:06:21from the crime
01:06:22ascribed to him
01:06:23for not having
01:06:23committed the crime
01:06:24absolves
01:06:26Luciano Crystal
01:06:27from the same
01:06:28crime
01:06:28why not
01:06:29punishable
01:06:29for having acted
01:06:30in conditions
01:06:31of legitimate
01:06:32defense
01:06:32confiscation
01:06:33destruction
01:06:34of how many
01:06:34under seizure
01:06:35days
01:06:3560
01:06:35for the deposit
01:06:36of the sentence
01:06:37court hearing
01:06:38it is removed
01:07:02the third court of assizes
01:07:04of the court
01:07:04of Rome
01:07:05with serenity
01:07:06and strength
01:07:07of judgment
01:07:08has issued
01:07:09a sentence
01:07:09of acquittal
01:07:10withholding tax
01:07:11sensational
01:07:13having her
01:07:14clerk
01:07:15and confessed
01:07:16the crime
01:07:17it must be said
01:07:18that the court
01:07:19he acquitted her
01:07:21as
01:07:22on the basis
01:07:24of the expertise
01:07:24coroner
01:07:25both of the prosecution
01:07:26both of the defense
01:07:27was
01:07:28indisputably
01:07:30tried
01:07:30compatibility
01:07:32of the wounds
01:07:33found
01:07:34on the body
01:07:34by Domenico Bruno
01:07:35with the dynamics
01:07:37of the crime
01:07:38from her
01:07:38proposed
01:07:39in essence
01:07:40beyond
01:07:41of the multiple
01:07:42complaints
01:07:43for violence
01:07:45for assaults
01:07:46that over time
01:07:47she had presented
01:07:48against her ex-husband
01:07:49the court
01:07:50he recognized
01:07:51that she
01:07:52Mrs. Cristallo
01:07:54that knife
01:07:55he used it
01:07:56in self-defense
01:08:00she madam
01:08:02Luciana Cristallo
01:08:03she was acquitted
01:08:05but
01:08:05has always had to
01:08:06argue
01:08:07with life
01:08:09and his
01:08:10it's a story
01:08:11that doesn't want to end
01:08:12the public prosecution
01:08:14in the civil part
01:08:15yes they are
01:08:16appealed
01:08:17against
01:08:18the sentence
01:08:19of acquittal
01:08:20what do you expect?
01:08:22Now?
01:08:24Well
01:08:24as well as
01:08:26already once
01:08:27the truth
01:08:30let's say
01:08:31he triumphed
01:08:34I expect
01:08:35that it is confirmed
01:08:42it was a thing
01:08:47that in some way
01:08:49it doesn't give me
01:08:51a peace
01:08:53pending
01:08:54of the process
01:08:55of appeal
01:08:56which is a time
01:08:56suspended
01:08:58what she lives
01:08:59you live in limbo
01:09:01in the typology
01:09:02of the crimes
01:09:03linked to violence
01:09:04on women
01:09:05his Luciana
01:09:06it's a story
01:09:07unique
01:09:08in conclusion
01:09:09Why
01:09:10it's her
01:09:11who killed
01:09:12his persecutor
01:09:13he is the victim
01:09:15who killed
01:09:16the culprit
01:09:16Here you are
01:09:17how it is seen
01:09:18a woman
01:09:19that reacts
01:09:20to his fate
01:09:22there are people
01:09:23That
01:09:24somehow
01:09:25me
01:09:27they supported me
01:09:28and they support me
01:09:29and people
01:09:30that instead
01:09:31they have me
01:09:33pevolized
01:09:37no one has the right
01:09:38to take a life
01:09:39but
01:09:41when life
01:09:42is in play
01:09:42it's yours
01:09:44and you do it
01:09:47how did it happen
01:09:48to me
01:09:48just for
01:09:49survive
01:09:50just to defend themselves
01:09:52Not
01:09:52so as not to die
01:09:53so as not to die
01:09:54Yes
01:09:55Mrs. Luciana
01:09:56it's difficult
01:09:58close the doors
01:09:59in the past
01:10:00the past
01:10:01always chases us
01:10:02and its history
01:10:04proceeds in the furrow
01:10:06of this wound
01:10:07how do you live
01:10:09taking himself inside
01:10:11this pain
01:10:17I can tell you
01:10:18that is not lived
01:10:20and you survive
01:10:25it's a pain
01:10:26that I carry
01:10:27everyday
01:10:27with me
01:10:28And
01:10:31it will never be
01:10:32possible
01:10:33delete it
01:10:35at this point
01:10:38part of my life
01:10:39that one survives
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