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00:01What is this?
00:01Hey, wait, wait, don't go.
00:03Look, what happened?
00:04The system is bringing out another candidate, look, she says.
00:07Other?
00:07Best option.
00:08Oh, man.
00:09No, of course, I had put some of your information into it.
00:11so that he would look for a more profound woman.
00:12The woman you must take to the altar.
00:14Thank you, thank you.
00:16Here it is, look.
00:18See?
00:19Let's see, let's see, who is it, who is it?
00:22A sky here?
00:24Oh man, I'm not going to waste my time, okay?
00:28Brother, don't deny it.
00:29I heard him say it.
00:30You are the woman I needed.
00:32Brother, take this one.
00:34Marrying an ugly woman is the best guarantee of having a stable marriage.
00:37Look, the ugly ones don't bother me because they know I won't trade them for a better one.
00:41or because she doesn't throw them away.
00:42They live grateful for life, for their husbands, for God.
00:45One becomes their idol.
00:47They never demand that you take them anywhere
00:49because they know they are discrediting one.
00:51We can handle all the adventures you want to have.
00:53so as not to lose you.
00:55Look, they know that the miracle of finding one like you
00:57It will never happen again in my life.
01:00They are always there when you need them.
01:02Old man, marry this one.
01:04But tell me, why would I marry an ugly woman?
01:06Seeing so many beautiful women in this world?
01:08If one is going to subject oneself to the ordeal of getting married
01:10that it be with a beautiful woman,
01:11And Marcela is a very beautiful woman,
01:13Instead, mostrichátala,
01:15She would be the last woman I would ever marry in this world.
01:18Is that why the system refused to accept her, brother?
01:21When I uploaded the photo, all the alarms went off.
01:23Ugly, ugly, ugly.
01:26No, I'm going to delete it, lest it damage my system.
01:29Yes, yes, delete it.
01:30Can I leave?
01:31Yes, I'm leaving.
01:32Bye, take care.
01:33Thanks, good luck.
01:34One moment.
01:35That?
01:35That?
01:37Go with God and may you leave there single and alive.
01:42Do you want me to tell you something?
01:44Or did someone invite me out today?
01:49React!
01:50Who asked her out?
01:52Roman.
01:53Oh no, that means he wants you to pay the bill.
01:56You should know that you're working, right?
01:58Uh-huh.
01:59Thank you.
02:00No, the exit isn't with Román.
02:02It's with a friend of his.
02:03He's a kind of nice guy.
02:05Well, of course not like Don Armando,
02:07But he doesn't deserve a woman like me either.
02:11Of course it's within my capabilities.
02:13And if he's unlucky, well, he ends up liking me.
02:17Vejima, mine, on the phone.
02:19Oh, it must be him.
02:24Hello?
02:26Hello, Roman.
02:27So what, Betty?
02:28What time should we pick her up?
02:30Did he already ask for permission or not?
02:31Uh, no, no, not yet.
02:34But what?
02:35Will she decide to go out or not?
02:36Look here, Juan Carlos,
02:37Ask me the question like a madman.
02:39Yes, yes, I'm going to ask for permission.
02:41and I call him to tell him what time they're picking me up.
02:43Okay, I'll wait for the call.
02:45Bye.
02:46What happened?
02:47Presco, brother, it's because of tormenting her.
02:48They're not going to give him permission.
02:51Are you seriously going to ask his dad for permission?
02:53Well, yes, why not?
02:54I wouldn't have been encouraged if they hadn't called me back.
02:56Alma, Román, says that the friend is impatient.
02:58No, I think I'd better go.
03:01It hurts me to see a friend's blood being spilled.
03:04My mommy didn't call me.
03:05My mom has to go to a funeral
03:06because a friend's husband died
03:08and I have to accompany her.
03:09You know, Betty, don't you?
03:10Until I get a job,
03:11I have to be the puppet, the stick, the toad,
03:14my mom's errand boy.
03:17Bye, Betty.
03:18Bye.
03:20Are you still telling him the story about your boss?
03:22And with the woman and all that stuff, you know?
03:24Bye.
03:24They must be killing each other right now.
03:41Oh my God.
03:43Armando Mendoza to Calvary.
03:50Nice to meet you, doctor.
03:54So cute!
04:01Betty, don't bother me.
04:02They say I'm ugly and that I walk like a thug.
04:10that I'm crooked and that I move with a swagger,
04:13that I look like a dinosaur.
04:14My pointy nose and my figure don't help me.
04:16and my mouth is a mailbox.
04:17If I talk with light, with all of which,
04:20Men are talking about me,
04:22They criticize me if I've already lost my way,
04:25They notice if...
04:26Get out of the way, man!
04:43Move aside, let's go!
04:44I am ugly.
04:45And they die when they think of my love.
04:47And more than one melts if I sigh
04:49And if I look at them, they just snort with fear.
04:52Yes, I'm ugly!
04:53Let's just say I already found out about that.
04:57But the ugliness that God gave me.
04:59Many women envied me, and don't say I believed it.
05:02because I was always modest.
05:04That's just how I am.
05:11Who has reached Calvary?
05:13Good night.
05:16Marcela?
05:18Marcela, is that you?
05:20Of course it's me.
05:21Who else could it be?
05:23And what are you doing dressed up like that?
05:25What does all this mean?
05:26What's so strange about that?
05:28This is how executioners dress
05:30And I am your executioner.
05:34What's another one of your games?
05:36TRUE?
05:36Well, you're playing by yourself.
05:37I am not participating.
05:38Are you going to run away?
05:40Well, I wouldn't criticize you for that.
05:41I know how afraid you are of me.
05:45Marcela, I came all the way here
05:46to talk to you.
05:48Not to play with you.
05:49To talk to me?
05:50Or to be tortured?
05:52I don't think you want to have a wonderful night
05:55after everything that has happened.
05:57And I don't think you want to have fun
05:59When are you going to cancel our marriage?
06:02You came here for a torture session,
06:04or a night of screaming,
06:06of lamentations.
06:07But go on, relax.
06:10Suddenly a neighbor comes
06:12and takes pity on you,
06:13He rescues you when he hears your screams.
06:15Marcella, don't be ridiculous.
06:17In this building, everyone knows you.
06:19Nobody is coming to rescue me.
06:20Everyone knows how brave you are.
06:22Well then, let the martyrdom begin.
06:24No, not the tie.
06:26Okay, stay still, be calm.
06:26Let's talk, okay?
06:27No, we're not going to talk.
06:29This killer whale is better on your neck.
06:33Oh no.
06:33Oh, Marcela, don't be ridiculous.
06:35What are you going to do to me?
06:38That depends on you.
06:41From the outcome of this session
06:42It depends on whether you marry me or not.
06:45And well, what if I, for example,
06:46I've decided I'm not going to marry you.
06:49I'll strangle you.
06:56Hey, Dad, I wanted to tell you something.
06:59Uh-huh.
07:00But, Roman,
07:02the son of Doña Blanca and Don José,
07:04He invited me out.
07:06That?
07:08Is she crazy, girl?
07:09How could she possibly think I'd let her go out with that guy?
07:11Oh, Dad, but I'm not going out with him alone.
07:14He is with other friends.
07:17No, honey, no.
07:19I don't like that Roman at all.
07:21Furthermore, we don't know who his friends are.
07:22The best thing you can do is go to bed.
07:23that he has to be at work early tomorrow.
07:26Oh, but I won't be long.
07:28No, Betty, no.
07:29Forget it.
07:30But I need to go out, Dad.
07:32I need to change my life.
07:34I have the right to have friends, to meet people.
07:37I already graduated.
07:38I'm currently working as an assistant.
07:40in a very important company, Dad.
07:42I need to change.
07:44No, Betty.
07:45You know me well
07:47and he knows what my policies are.
07:49Bogotá is a very dangerous city.
07:50Besides, how can she go out with people she doesn't know?
07:52But if you don't let me meet people.
07:55Listen carefully to what I'm going to tell you.
07:57Beatriz Aurora Pinzón.
07:59Listen carefully.
07:59You are a homebody,
08:01with principles, with morals.
08:03People today don't have any of that.
08:05much less men
08:06who are looking for ways to harm the girls.
08:08They live full of vices.
08:10They drink to drive, imagine that.
08:11They use drugs, they abuse women.
08:13No, no, no, no.
08:14I know how to defend myself.
08:16Forget it, honey.
08:17What are you going to know how to defend?
08:18What if you don't know the world?
08:21How am I going to meet him?
08:22What if they don't let me leave?
08:23Come here!
08:27It will be released the day it appears
08:29a trustworthy person,
08:30a person we know.
08:33Meanwhile, no.
08:48Metica, my dear,
08:49Don't get like that, Mommy.
08:51You know what?
08:52I believe that one day we will meet
08:53to someone you trust,
08:54from his father's trust,
08:56so that he lets her out
08:57And you go on with your normal life, my love.
09:01Be patient, be patient.
09:04I've been patient my whole life, Mom.
09:07They put me in a convent school.
09:09When all my friends
09:10They started making friends,
09:11I couldn't because I was too little.
09:14When all my classmates
09:15They started going to parties,
09:16I was not old enough to do it.
09:18My dad has never let a boy in here.
09:20The only person he has allowed in is Nicolás.
09:22And that's because he's a neighbor.
09:24Doña Eugenia's son,
09:24And because we practically grew up like brothers.
09:28And then, when I was at university,
09:30The only one he let in was Juan Ramón.
09:33What if he saw what happened to my daughter?
09:35You fell in love with that boy
09:37And he disappeared.
09:39But how do they expect me to have a normal boyfriend?
09:42If they don't let me go out, Mom?
09:44If my dad controls my visitors,
09:47if his hand doesn't tremble
09:48to kick out all the people who come to this house.
09:52How do they expect a man
09:54see me as a normal woman
09:55when you continue to treat me like this
09:57Like a little girl, Mom?
10:01When all I do is be here
10:03locked in this room
10:04surrounded by books and dolls.
10:07Oh, my love, understand your dad.
10:10The thing is, he was very worried.
10:13It's just seeing you suffer,
10:14My daughter, I also suffered a lot.
10:16I thought you shouldn't recover
10:18From that blow, Mommy.
10:20Yes, but because of an experience
10:21I can't stay like this forever.
10:25Mom, Román introduced me to a boy.
10:28If there were one, it would all be nice and all be loved.
10:33And he's very excited to go out with me.
10:35He asked Román to introduce us.
10:37I want to go out with him, Mom.
10:39He's waiting for me.
10:42Things in this house have to change.
10:44My dad needs to change.
10:47He wanted the best student, and he got her.
10:49He wanted her to graduate with honors, with specializations, and he got it.
10:53I wanted her working at a large company,
10:56She has her working at a large company.
10:59Mother.
11:01I already fulfilled my promise to them.
11:04Now I want to fulfill my life.
11:08Mommy.
11:09What if Nicholas accompanies her?
11:11No, Mom.
11:12Nicholas left with Doña Eugenia
11:13to accompany her on a condolence visit.
11:19You know what, Mommy?
11:20I'm going to talk to his dad.
11:22Wait and see what I can do.
11:24Yeah.
11:31How many times have you betrayed me?
11:33Think about it carefully.
11:35I know there have been many.
11:38I want the exact number.
11:40So rejoice in remembering.
11:46Well, that's why life is so hard for me.
11:47I'm going to answer you with the truth.
11:50I have never betrayed you, Marcela.
11:53What happened between you and Karina Larson?
11:55Just to give an example?
11:57Karina Larson, me with Karina Larson
11:59I had absolutely nothing.
12:01Nor with the other examples.
12:02which I'm sure you'll put.
12:08Marcela, how am I doing?
12:11You're backing down,
12:13But you still have a couple of chances.
12:22Has it calmed down now?
12:23No.
12:26You know what, son?
12:28Betty is right.
12:30It's time for the girl.
12:31that we let her out,
12:32so that I can meet people.
12:32We can't keep her locked up, Hermes.
12:35Julita, we've discussed that a lot.
12:36The girl cannot be thrown out onto the street.
12:39She is not ready.
12:40Just look at how she left her
12:41that wretch who made her fall in love
12:42with his pimping.
12:44Just look how she didn't return it.
12:46Yes, but we
12:47We didn't let him have it either.
12:48a normal courtship
12:49And that scares any boy, son.
12:51Ah, no, that's not it.
12:54That guy did something to him.
12:55The thing is, Betty
12:56He didn't want to tell us.
12:58Well, however things turned out.
13:00It's about time that girl
13:01Start going out and living your life.
13:03She has already graduated,
13:04He already works for a major company,
13:06He already has his salary.
13:07No, the rules need to be changed.
13:08from the game to the girl, son.
13:10What if I have a nervous breakdown?
13:11in a depression
13:12and give him, for example,
13:13for leaving home?
13:14Oh, Hermes, that would kill me.
13:16That would hurt us more.
13:21Look, my dear,
13:23You know they can abuse her.
13:25I don't like that Roman one at all.
13:27He's a guy who spends all his time on the street.
13:28It's unknown where he gets his money.
13:30I think he's involved.
13:30in shady businesses.
13:31Oh no.
13:33Look, he's the son
13:33Mrs. Blanquita's.
13:35He's from this neighborhood.
13:36What's going to happen to him, son?
13:40Alright,
13:40Let Nicholas accompany her, then.
13:42It's because Nicolás isn't here.
13:44And he's not returning home for now.
13:46He is taking his time.
13:48Betica, mine,
13:50clean your eyes
13:51and sort it out.
13:52Her dad let her go.
13:54Really?
13:55Really, Mom?
13:58Mom, help me find a dress
14:00to put me
14:01and something for the eyes.
14:02I don't want that boy
14:03realize
14:04that I was crying.
14:05Okay, now we'll see what we do.
14:06But for now, call your boy.
14:07and tell them that he was going to leave.
14:17Hello?
14:18Roman,
14:19Talk to Betty.
14:20Oh, what's up, Betty?
14:21I was given permission to leave,
14:24Then I'll wait for you.
14:25at nine thirty.
14:26What, what?
14:27Just like you heard,
14:29I was given permission to leave.
14:31Ready,
14:31then come through me
14:32at nine thirty.
14:33Bye.
14:35Mom, hurry up with the dress
14:36that are going to pass through me
14:37at nine thirty.
14:41No, that Roman
14:42I couldn't believe it
14:43that gave me permission.
14:50He called for faith, brother.
14:52If it needs to be picked up
14:53at nine thirty,
14:54They gave him permission, brother.
14:55No.
14:56So what are we going to do?
14:57Let's see, brother.
14:58Is there another woman you desire?
15:01Is there another one?
15:03which one are you delirious about?
15:06Or is there a woman
15:07more beautiful than me
15:09What keeps you up at night?
15:11No one is more beautiful than you, my love.
15:16Oh, she looks so beautiful, my love.
15:18She looked so divine.
15:19Oh, no lies, Mom.
15:20Without unnecessary lies.
15:22Just so as not to scare him
15:24She was satisfied.
15:25Oh no, my love,
15:26if they are not lies.
15:27She looks beautiful, my love.
15:29She looks divine.
15:30I'm going to tell his dad, right?
15:31My son.
15:32Oh, if only I could see
15:32because she's pretty
15:33which turned out so beautiful.
15:39Hermes,
15:40The little girl looked so cute.
15:41Oh, if I could see her.
15:43They pick it up
15:43at nine thirty.
15:44Yes, but I want to talk
15:45with those guys first.
15:47I want to make sure
15:47that they are not drunk.
15:48Well,
15:49that they are not drunk.
15:50That they will behave.
15:52That they're going to behave.
15:53They're going to bring it to me early.
15:55especially that.
15:56And let them tell me
15:57Where are they going to take her?
15:58Oh, yes,
15:59But don't embarrass me.
16:00in front of them.
16:00Don't make her look bad.
16:02Don't worry about that.
16:03Tell that Roman
16:04when I arrive
16:05come up here.
16:05I want to talk to him
16:06in camera.
16:07Well,
16:08So let's wait
16:09until they arrive, then.
16:36Has anyone ever kissed you?
16:38better than me?
16:50No,
16:51He's only kissed me like that
16:52Marcela Valencia.
16:54And is there anyone?
16:54that he kissed you better
16:56or with more love than me?
17:03No,
17:03never.
17:04And that you die
17:05if I'm lying.
17:07And has anyone stroked you?
17:08better than me?
17:10No.
17:12And it exists on this planet
17:14some woman
17:15who loves you more than I do.
17:23Not even on this planet
17:24nor in any other
17:25And believe me, I already figured it out.
17:41Nothing's coming, is it?
17:43No, Mom.
17:44But they must not delay.
17:46Yes, well, hopefully, Mommy,
17:47because it's almost 10 o'clock.
17:49Why doesn't he call Roman?
17:50Mommy, what happened?
17:51If they take any longer,
17:52His dad starts causing problems,
17:53darling.
17:53What's wrong, Mommy? Let's see what happened.
18:06Hello?
18:07Yes, good evening.
18:09There is, please, Roman.
18:11How long ago did it come out?
18:14And he doesn't know where he was going?
18:18Ah, I see.
18:20Can you do me a favor?
18:23If he goes or calls,
18:25Does he tell her that Betty is waiting for him?
18:28Well, thank you very much.
18:30See you later.
18:32It came out a while ago.
18:34Could something have happened to him?
18:36But I don't think so, they're very close.
18:39But what if they broke down and are looking for a mechanic?
18:44Oh, there they are.
18:45Yes, thank God.
18:50Oh no, it's Don Alberto, the neighbor,
18:52who is honking to get the garage opened.
18:56Go and stay calm with my dad, Mom.
18:59Okay, but let us know when you arrive.
19:01Hey, mine.
19:09Well, what's going on?
19:10Why haven't they come for her?
19:12Well, we don't know.
19:13Could it be that they got stuck?
19:16Ten and ten.
19:17It's too late to go out now.
19:18Oh, Hermes, until half past ten, yes.
19:20Look, the little girl is all dressed up and full of excitement.
19:23It's not just because it's late.
19:25She has to learn.
19:26He has to make himself respected and felt.
19:27If they were supposed to come for her at nine thirty,
19:29It's past ten o'clock and they haven't even called.
19:32Show some respect!
19:32It's not coming out anymore.
19:34Oh, Hermes, until half past ten, yes.
19:37You and I both know that the girl can't afford it
19:39of being proud and not going out.
19:40Because they pick it up a little late, my dear.
19:43This time, yes.
19:45Okay, Julia.
19:46Until ten thirty.
19:52What do you feel for me?
19:54Great appreciation and great respect.
19:56Can you repeat what it is? I didn't hear you properly.
19:59I love you.
20:01So why did you say you weren't going to marry me?
20:04I said that, my love.
20:05I must have been drunk when I said that.
20:07No.
20:08You had all your senses.
20:10Does that mean you're backing down?
20:19Now we need the question that can save you from death.
20:23In that way?
20:23Did I not escape death when I agreed to marry you?
20:26No?
20:26No.
20:27The most delicate one is missing.
20:31Do you swear you forgive me for all the scandal?
20:33And what about the silly things I did in your office?
20:35Would you believe me if I told you that will never happen again?
20:38I'm not going to interfere in your personal life.
20:41not even in your working life?
20:44I believe you.
20:52I don't want to lose you.
20:55I don't want you to think that loving me means
20:58a nightmare for you.
21:01I want to believe blindly in what you tell me.
21:05I believe everything you told me tonight.
21:08I don't want to know anything about your schedule.
21:10neither your steps, nor your friends
21:12and much less from your secretary.
21:20I'm going to show you what awaits you by my side.
21:28In your office
21:32You can be very happy
21:35next to that ugly secretary you have,
21:37but here
21:38I'm going to give you all the happiness
21:41that she cannot give you.
21:54Nobody is going to give me the opportunity
21:59to demonstrate
22:00how much can I love.
22:02No, Betty wasn't left all alone.
22:05He stayed single, didn't he?
22:08She has someone to defend her.
22:10The problem is not with you.
22:12Yes, it's me.
22:13Why do I watch?