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00:01Tell your boss I'm prepared for anything.
00:03Let's talk to Marcela and let her know once and for all.
00:05What happened between the two of them?
00:07Look, he can't do this to me.
00:11That lady is forcing us to remove her by force.
00:16You dare lay a finger on me
00:18And it's not just Marcela who's going to find out I'm here,
00:21The whole company will know, the newspapers too.
00:24and the people in the street.
00:25So tell Armando that if he doesn't want trouble...
00:27at his company and with his wife,
00:29You'd better come out and face the music.
00:35What do we do?
00:36Should we call security to have her removed?
00:38No, no, she's ready to cause a scene.
00:42Please call me at the office in a minute.
00:50I already have the design for the wedding dress I want to have made.
00:54Yes, and where is it?
00:56I'll bring it to you.
00:58Yeah?
00:58Hey!
00:59Hey!
00:59No no.
01:00Where are you going?
01:02I have it at reception.
01:04The reception?
01:04At reception?
01:06Which reception?
01:07Up or down?
01:10Above.
01:11Above.
01:12Okay, dude.
01:16Patricia.
01:17Huh?
01:18Do you remember that I gave you a magazine with a wedding dress model that I liked?
01:22Uh-huh.
01:24Give it to me.
01:25I left it in the car, but I'll bring it to you.
01:34They'll do the design for you, love.
01:36Ah, yes.
01:37Ah, thank goodness, my love.
01:38I'm dying to see it.
01:40Beatriz.
01:42What happened?
01:44If you don't go in person, it won't solve anything for me, doctor.
01:48Yeah?
01:49Well, say I'll go personally.
01:55What's going on?
01:56What's the problem?
01:58The problem?
01:59No, no problem at all.
02:00The problem is that they don't want to give Betty the contract in the personnel department.
02:03I'm going to have to go.
02:05That Gutiérrez, what a distrustful guy.
02:12Presidency?
02:13Laura María speaks.
02:14Why did she ask me to call her?
02:16Ah, very good.
02:17Yes, I will inform Dr. Mendoza.
02:19Thank you so much.
02:24No, go quickly, go quickly, because that's not some kind of wait.
02:34It can't be, it can't be.
02:37Karina Larso.
02:40Karina Larso.
02:52That display case needs to be replaced.
02:53Doctor.
02:55Doctor, Mr. Alberto Sinesterra from Tejicol just called you.
02:58They are waiting for him.
02:59They want to know if he's going to go or not.
03:01I just checked her schedule and she had an appointment at two.
03:05Yes, yes, of course.
03:07In Tejicol.
03:08I had a date, I had a date in Tejicol, man.
03:10I forgot.
03:11No, look, my love, it's time for me to go now, really.
03:14Thank you so much.
03:15We'll look at the dress when I get back, okay?
03:16Yes, yes.
03:18I'm sorry I didn't warn you sooner, doctor, but I only have your schedule today.
03:21Don't worry, Betty, I'll...
03:39Do you know who I just saw downstairs at reception?
03:42You're going to die, Karina Larso.
03:45That?
03:48So pretty.
03:56Betty, don't bother me.
03:57They say I'm ugly, that I walk like a thug, that I'm crooked, and that I move with an air
04:07compadrón,
04:07I look like a dinosaur, my nose is pointy, my figure doesn't help, and my mouth is a juggernaut.
04:12If I chat in the light, with all the ritual, talking about myself, the men are there, they criticize if I've already lost my way,
04:20They notice if...
04:21Get off, get off, get off, get off, come on!
04:22If they see me or if I went...
04:26Come on, come on, girls, come on!
04:28Many things are said, but if the taste doesn't matter, why do they lose their minds worrying about me?
04:37Oh, I know there are many who despise with lies and sigh and die when they think of my love,
04:42And more than one melts if I sigh, and they stay panting with fear if I look at them.
04:47If I'm ugly, let's say, because I already know that, plus the ugliness that God gave me, I'm a real woman.
04:55She envied me, and don't say I was conceited because I've always been modest, that's just how I am.
05:08Don't joke about that, Patricia, she's downstairs at reception, I just saw her.
05:14Oh, that woman came here to die!
05:28Camila, outside.
05:39Where is Karina?
05:41Who?
05:42Karina Larson, the model, the one I had removed from here a month ago, you know perfectly well who I'm talking about.
05:48Where is she? Did she go with Armando?
05:50Oh no, no, Doña Marcela, I don't know...
05:52Answer me! Answer me!
05:54Or are you going to make me ask the doorman?
05:56Look, if you don't tell me whether they left together, please do me the favor of passing the
05:59Resign, now!
06:01No, Doña Marcela, they went out together.
06:06Book an appointment in Tejicola.
06:09Oh, that ugly woman is going to pay for this.
06:14Oh!
06:14Look, Hugo, we're not going to argue anymore. From now on, I need you to hand over your sketches to me.
06:18less than one month in advance.
06:20Oh!
06:21I don't know if you know, but Armando's commitment to assuming the presidency of this company was...
06:26To increase production, and for that I need your designs a month in advance, do you understand?
06:31No, love, you're not going to make me run around like crazy so I can design just anything for you. The name of
06:35Hugo Lombardi is in the running.
06:37Look, first of all, don't tell me, love, I'm the commercial vice president of this company.
06:42And secondly, before protecting his name, I have to protect the name of this company, which is the one that gives him
06:47work for you.
06:48Oh, Mario, I don't think you understand what I do. Look, I don't copy, I design.
06:55I don't spend my time plagiarizing designs from international magazines, no, I'm creative.
07:01And the creative person creates, I dedicate myself to creation, therefore I need inspiration, therefore I need time.
07:07Can you imagine what Paco Rabán's life would be like if there was someone like you telling him
07:12He went to see where the designs were, and would have ended up being a tailor in San Sebastián.
07:17Or he would have ended up selling sausages in a Madrid square.
07:21Either you deliver the designs a month in advance, or you can find a dog stand in the plaza.
07:24Bolivar.
07:25Oh, you know what, Mario? Look, fire me.
07:29Fire me because I'm really no use to you.
07:31Okay, let's do this: find a designer out there; there are plenty who can do what you want.
07:37quick designs copied from international magazines.
07:40Well, and that solves his problem, because his problem is selling, mine is creating.
07:46It's a shame, Mario, really, because it's the only thing you and I are incompatible about.
07:54Hello, this is for you.
07:59Mario, and pass me the dismissal letter, if you want.
08:03Double-spaced, very pretty, very creative.
08:07Hello.
08:09Hello.
08:10Who am I talking to?
08:11Talk to Beatriz Pinzón, Dr. Armando's new secretary.
08:15Doctor, I need you to urgently call Tejicol and speak with Mr. Alberto Sinesterra.
08:21And warn him that if they call, he should say that Dr. Armando had an appointment at 2:30.
08:26in the afternoon and that they are waiting for him.
08:28Wait a minute, miss, what are you talking about?
08:31Why do you want me to tell all that to the president of Tejicol?
08:33The thing is, Dr. Armando is in a very serious problem.
08:37Today a woman, Karina Larzo, came.
08:39That?
08:40Was he here?
08:43Did you see her?
08:44No, she left with Armando.
08:46That?
08:46Just like you heard, she came for him and he went with her.
08:49Oh, Marcela, please, don't tell Armando that I told you that woman was
08:52there.
08:53I beg you, don't get me into trouble with him.
08:55You're not going to be in any trouble.
08:56Armando will have the problem, and especially that silly woman.
09:00Yes, Don Mario, that's why I had to do it for the Tejicol strike.
09:04Well, for...
09:04Excuse me, doctor, I'll call you back in a moment.
09:07Where is Armando?
09:09In Tejicol.
09:10No.
09:11It turns out he left with a model named Karina Larzo.
09:14I want to know where.
09:16Well, as I said, he was called from Tejicol and went there.
09:19That's all I can tell you.
09:21Already.
09:22So, he insists that he is in Tejicol.
09:25Please contact Alberto Sinesterra.
09:27Already?
09:28Already!
09:30Yes, ma'am.
09:39Tejicol, thank you, can you put me in touch with Dr. Alberto Sinesterra?
09:42From Dr. Marcela Valencia.
09:46Yes, of course, I'll wait.
09:47Thank you.
09:50Hey, Dr. Sinesterra, just a moment, please.
09:55Alberto, how are you?
09:58What a miracle that you appeared.
10:00After the printing business,
10:02I thought I would never see you again.
10:05Do me a favor.
10:06Can you put me through to Armando?
10:10Isn't it there?
10:14Oh, but I had a date.
10:16It has arrived.
10:18Can you do me a favor?
10:19Tell him to call me, I'm waiting for him in his office.
10:24Thank you.
10:25Hey, Alberto,
10:27And don't be so nervous that he doesn't call to scold you.
10:30See you later.
10:31It's not in Tejicol.
10:35Well, it didn't come out that long ago.
10:39I had a date with the two of them in Tejicol.
10:42Well, I wouldn't know how to tell you.
10:44As you know, I'm just starting out and...
10:49Presidency?
10:50Presidency?
10:50No way, Empress?
10:51It's Armando.
10:52Tell me.
10:53Marcela, what happened to her?
10:55No, Dr. Armando is not here.
10:58From whom?
10:59What, is Marcela still there?
11:01Is she standing next to you?
11:02Yes, of course.
11:04He returns in the afternoon.
11:06Could you repeat your name, please?
11:09Tell him...
11:11Tell him...
11:11Tell him it's...
11:15Tell him it's Rafael Maldonado from Color In.
11:18Rafael Maldonado of Color In.
11:20AND...
11:21Do me a favor, tell me something.
11:24Did you realize everything, Marcela?
11:26Poor Armando, he's going to realize everything!
11:28He needs to know, Armando!
11:29Stay still, stay still, now!
11:30Turn this way!
11:33Realized?
11:34Yeah.
11:35He will most certainly arrive in the afternoon.
11:39Yes, they are waiting for you here.
11:41If it's very urgent, he said he would call from Tejicol.
11:44I can give you your message.
11:45What do you mean by that, Betty?
11:47What, I...
11:48What, that I call Tejicol?
11:50No, no, no, no.
11:51What if I call from Tejicol?
11:53Is that it?
11:54Yes that's how it is.
11:55He had a meeting there.
11:58He should have already called Mrs. Esterna to make sure, man.
12:01What I do?
12:02Yes, but I don't think it's arrived yet.
12:05We just called him.
12:08My God.
12:09I want to die, Armando!
12:12I want to die!
12:14Hello, look, do me a favor.
12:17I'm going to Tejicol, okay?
12:19And I call there.
12:20Well, listen, operator, thank you very much, okay?
12:26It was for Dr. Armando de Colorín.
12:28I see.
12:30When I call Armando, he'll let me know.
12:33Or not?
12:36I call.
12:47Miratón, you can't leave until we fix this, okay?
12:51Look, Karina, the thing is, there's nothing to fix here, okay?
12:54I want you to understand, please.
12:56We had a lovely adventure, but it's over now.
13:00But you told me you weren't going to marry her.
13:03You told me you were going to leave her, that you didn't love her, Armando.
13:09Look what you did to me!
13:12Look, how can I explain it to you, okay?
13:14Look, some things just happen naturally in life, right?
13:17And there are others that don't happen.
13:19This is one of those that didn't happen.
13:29It was her, wasn't it?
13:31That you're no longer a man.
13:32You answer him and tell him what's going on here, right?
13:34Nothing's happening here, Karina, for God's sake.
13:37Nothing.
13:38Did you want to see?
13:39Did you want me to tell you to your face?
13:41Well, I'll tell you to your face.
13:42Nothing is happening here.
13:44And I'm going to ask you a favor.
13:46Don't go to my office, okay?
13:47Don't go.
13:48If you go back there, I swear I'll get you out with the police.
13:51Did you understand me?
13:52I'll get you called on by the police.
13:54Marcela is going to find out about this.
13:56Of course Marcela is going to find out about this because I'm going to tell her.
14:00So you're going to waste your time.
14:01And I'm going to tell you one more thing.
14:03And it's a warning.
14:05Don't interfere in my life anymore.
14:07If you come between Marcela and me, I'll call all the magazines and publish
14:13How crazy you are, how manic you are, what you are capable of.
14:18Yeah?
14:18And not only that.
14:19You're damaging your modeling career.
14:22The scandal will be for you.
14:24And I'm capable of getting you committed to a mental hospital for being crazy.
14:28So leave me alone.
14:30Armando.
14:32Armando.
14:33Armando!
14:35Armando!
14:40Nothing to be done.
14:41His cell phone is turned off.
14:42And I know that all that Tejicol stuff is a setup.
14:46He wasn't even going there.
14:47Without a mat, he was very nervous when I spoke to him.
14:51This must be that woman's phone number.
14:53Let's see if they're not both together.
14:55To whom, where?
14:57Well, it's in Armando's personal agenda.
14:59Go and ask that ugly girl for it, but hurry, Patricia.
15:07Give me Armando's agenda.
15:09The private agenda?
15:11The same one?
15:13Can't.
15:14Dr. Armando gave me orders not to give it to anyone.
15:17Marcela needs it.
15:20Did the doctor's order go to no one?
15:23Marcela is not exactly a nobody.
15:26That?
15:27I'm sorry, but I can't do it.
15:38But how come he didn't want to give it to you?
15:40No, because Armando gave him the order
15:42not to give it to anyone.
15:44I told him it was for you, but he said no one.
15:46Oh, really?
15:47Well, let's see.
15:53How is it that he's not going to give me the planner?
15:55Ma'am, Dr. Armando told me
15:57that she should not give it to anyone.
16:00Do you know who I am?
16:02Yes, of course I know, but Dr. Armando
16:05He ordered me not to give it to anyone.
16:07and he didn't make any exceptions for me.
16:09Very sorry.
16:10Look, girl, I'm not going to argue with you about this.
16:12I want you to give me the planner right now.
16:14Because I'm nobody to be denying it to myself.
16:17Okay?
16:17What should I do to get her to give me the agenda?
16:20Give it to me!
16:20I am not only a shareholder in this company,
16:22but Armando's future wife.
16:23Give it to me!
16:24Ma'am, please understand me.
16:27If she doesn't hand it over to me now, I'm firing her.
16:31Answer!
16:33A comfortable presidency?
16:34What's up, Eti?
16:35I've arrived in Tejicol.
16:37Is Marcela there?
16:38Yes, doctor, I'll send it to you.
16:40It's Dr. Armando.
16:42Where are you?
16:44Here in Tejicol.
16:45I just arrived.
16:46Alberto told me to contact you.
16:49And are you there with her?
16:50With who?
16:52Well, with Karina Larzo.
16:54Don't treat me like an idiot.
16:55But why would I be with her?
16:58Please continue, thank you.
16:59Why would I be with her?
17:00I met her at the company,
17:02at the reception desk, as I was leaving.
17:04And what the hell was I doing here?
17:06Well, the same old nonsense.
17:08She came to see if I would hire her
17:10as a model in television commercials.
17:12I dismissed her immediately.
17:14I told him not to come back.
17:15Furthermore, if you want to know,
17:17I practically kicked her out of the company
17:18so as not to have problems with you.
17:20You were telling yourself
17:21And I was telling you that women like her
17:24And people like them come here to harass you.
17:27And look what happened.
17:28But, Marce, what do you want me to do?
17:30How could I have imagined?
17:31that she was going to appear over there.
17:32Besides, she didn't come to harass me.
17:34She came to ask me for a job,
17:35which is very different.
17:36And why are you turning off your cell phone?
17:37I didn't turn off my cell phone.
17:38I don't have my cell phone turned off.
17:40I...
17:40Oh no, I did turn it off.
17:42I mean, no, I didn't turn it off.
17:43The thing is, I was in the comfortable
17:44And because I left so quickly,
17:45I forgot to turn it on.
17:46But I'll turn it on now.
17:47Already.
17:49You know what, Armando?
17:50I have always admired you
17:51because of the ease you have
17:52of doing all these setups.
17:54This time you did very well,
17:56But it makes me very sad.
17:57go back to your old ways.
17:59Mounting?
18:01Marcela.
18:03Mounting?
18:04Did you know?
18:04Why don't you hang up?
18:05and you call to see if I'm not here.
18:07Or not?
18:08Look, just call and come over, right?
18:11And you're sure.
18:12Marcela, this isn't working.
18:16You're getting worse every day.
18:17That?
18:18That was the method you found
18:19to make sure that I have changed.
18:21Are you going to be calling everywhere?
18:23to make sure I'm telling you the truth?
18:25Is that what awaits me by your side, Marcela?
18:27Is that what awaits us?
18:28What do you want?
18:29Let's put an end to all this?
18:31Oh, no.
18:32You do have that answer.
18:36Look, you know what?
18:38Let's talk tonight at my apartment.
18:40Yes of course.
18:41We'll talk at your apartment tonight.
18:48So you didn't know anything about Karina Larson.
18:51No, ma'am.
18:52Beatriz.
18:53What do you want?
18:54To Armando?
18:55Uh, in Tejicón.
18:57Oh, yes, right?
18:58He had a date with Sinesterra this afternoon, didn't he?
19:01Okay, I'll check back later to see if it's arrived yet.
19:04Yes, doctor.
19:06I hope you're telling me the truth.
19:15Did he give you the agenda?
19:17Not yet.
19:19Doctor.
19:28Beatriz, Dr. Mario Calderón needs you in the office.
19:32Yes, I'm coming.
19:35Presidency?
19:36Hello?
19:37Betty, my dear?
19:38We are in the buying and selling business.
19:40We already closed the car deal, Mommy.
19:42Yes, your dad is signing the papers.
19:44I'm talking to you on a cell phone that a vendor lent me.
19:47The boy is such a good person, my dear.
19:49Oh, that's great, Mom.
19:51And what about the car I'm buying?
19:53Well, you'll see it tonight, Mommy.
19:55Okay, then I'll see you tonight.
19:57Bye.
19:59No, it was a new nightclub and we had a wonderful time.
20:03No, that would have been the one you missed out on.
20:05Look, also...
20:05Now, Maria.
20:07Lady.
20:07When did Karina Larson come?
20:09Did you speak with the president's secretary?
20:11With that ugly one?
20:13Yes, yes, ma'am.
20:16And he already called from Tejico and spoke with her.
20:20Fortunately, I managed to speak with Alberto Sinesterra.
20:23Otherwise, we would be holding a wake for Armando right now.
20:25and we would be cremating you.
20:27What worries me now, doctor,
20:29I'm afraid that Mrs. Marcela might suddenly start to hate me.
20:32That's why I didn't want to give him Don Armando's agenda.
20:34No, look, don't worry.
20:35Marcela hates by nature.
20:37The important thing is that it looked good on Armando.
20:40Look, where you would have given him that agenda,
20:41He would have fired her, but not only that.
20:44He would have sued her and then crushed and pulverized her.
20:47No, I wouldn't have let Don Armando down.
20:50That would have cost me my job, doctor.
20:52Excuse me.
20:53They need you as president, Beatriz.
20:56Oh, the boss has arrived.
21:05Stop being depressed, son.
21:07Look, it's for the better.
21:09Take good care of it, and when you sell it,
21:11I hope it's someone who knows how to appreciate
21:13what one of these cars is worth.
21:15Yes sir.
21:16Here are the keys to your new car.
21:18Thank you.
21:20And enjoy it.
21:25See you later.
21:36Don't you think that's a lot of happiness, my son?
21:38Can I get it done quickly and easily?
21:40Yes, yes.
21:41I haven't felt such pleasure in a long time.
21:43No, Hermes, this car is so beautiful.
21:46Drop that tragic look, buddy.
21:48He just doesn't like it.
21:49Of course I like the car.
21:50Otherwise, I wouldn't have chosen it.
21:51I'm happy with the car.
21:53I am unconcerned about the obligation
21:54that's coming our way.
21:56I hope Betty doesn't make us look bad, right?
21:59No, well, I would be uneasy.
22:01if the girl worked in a disreputable company.
22:03But with such people that the girl works with,
22:05I am calm.
22:07Yeah?
22:17Did they need me?
22:19Yes, Dr. Gutiérrez.
22:26It's for you.
22:44I'm fired.
22:50If you had played on my side,
22:52None of this would have happened.
22:54Poor Betty.
22:55And all because of taking care of such a little angel.
22:58I think it's best if I leave.
23:00I don't want to cause him any more problems.
23:01with Doña Marcela.
23:02This girl must be very much in love.
23:05Well, I can already see you.
23:06like flying through that kind of air.
23:09Oh, Nicholas, don't play around.
23:10No, don't play!
23:11Viva!