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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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CortometrajesTranscripción
00:00:28¡Gracias!
00:00:58¡Gracias!
00:01:27¡Gracias!
00:01:55¡Gracias!
00:02:17¡Gracias!
00:02:58¡Gracias!
00:03:08¡Gracias!
00:03:09¡Gracias!
00:03:10We read all about it. Another maniac killing. Action, action.
00:03:13There, mister.
00:03:14This is an outrage. The young boy and girl stabbed to death.
00:03:18Why don't the police catch this man?
00:03:20But haven't the police any clue?
00:03:22Yes.
00:03:23He always leaves newspaper clippings pinned on his victim's body.
00:03:28Don't you think it's strange that-
00:03:30He kills only at this dundown.
00:03:33Two more tonight.
00:03:34How many have you killed so far?
00:03:36Twelve. No one's safe.
00:03:39Who will be the next?
00:03:40What's the comp style saying?
00:03:41We'll have this maniac dead alive in 24 hours.
00:03:45You can print that in your newspaper.
00:03:46What again?
00:03:48He gave us that change statement three days ago.
00:03:51Hey, Bailey, do you know what he looks like?
00:03:52He's got the distorted face of a madman.
00:03:54He's about five foot eleven.
00:03:56And last seen he wore a dark suit and a slouch hat.
00:04:00He is believed to be somewhere in the vicinity of the post road and the Reinhardt estate.
00:04:06He's a powerful man behind his head.
00:04:09He has no idea what the rules the system was.
00:04:11And he'll play a strong face of a madman.
00:04:14Then he's Gee-Lay.
00:04:21The Reinhardt père.
00:04:21The Reinhardt貴.
00:04:22A��inand.
00:04:23He's a slave.
00:04:26There's a slave-in-law.
00:04:57Gracias por ver el video.
00:05:27Gracias por ver el video.
00:05:29Gracias por ver el video.
00:05:59Gracias por ver el video.
00:06:32Gracias.
00:09:04You know, honey, remember that scene in the picture show tonight where the hero leaned over and whispered in his
00:09:08sweetheart's ear and said,
00:09:10I adore you.
00:09:12Did he kiss her?
00:09:14It's a silly lot of rot.
00:09:15You think so, huh?
00:09:17Well, I've been getting away with that silly lot of rot ever since Julius Caesar.
00:09:21And I'm one that doesn't think it's a lot of rot.
00:09:23Well, I do.
00:09:24That's because you never had a real moving picture kiss before.
00:09:27Well, here's where you get up right.
00:09:41I don't know.
00:09:41What are the ideas?
00:09:42Your faces rust.
00:09:43You seem more animated.
00:09:44In fact, your breath's a little short.
00:09:46Now, you listen to me, Tom Hardy.
00:09:47What you did just now proves to me that you're nothing but a common roughneck newspaper man.
00:09:51I don't understand how I ever became interested in you.
00:09:53And I can't understand how you became interested in that goofy guy who spends 20 hours a day in a
00:09:58laboratory looking into electric light bulbs.
00:10:00Don't you dare say such things about Arthur Hornby.
00:10:02He's a very brilliant man.
00:10:04I want you to know I'm engaged to marry him.
00:10:06All right.
00:10:06Go ahead and marry him.
00:10:08All your children will be born with double-end glasses on.
00:10:10I hate you.
00:10:11Your eyes are like doodrop.
00:10:13You know, Bill, sometimes I think Mary is restless.
00:10:15I'm happy.
00:10:16Oh, nonsense, my boy.
00:10:17All she needs is a little attention.
00:10:20You know, I'm hoping that someday soon this old house will be made gay.
00:10:23Celebrating your wedding with Mary.
00:10:26I do look forward to it, Uncle.
00:10:28You know, my boy, I'm worried.
00:10:30I don't like the idea of your going through with this burial.
00:10:33I'm going too far to back out now.
00:10:35The Academy is sending down a committee tomorrow to witness the experiment.
00:10:38Is everything in readiness?
00:10:45There's a box waiting for me.
00:10:47I told the gardener to dig the grave tonight so as not to attract attention.
00:11:09Come on, let's take a look at it.
00:11:18You see?
00:11:20He's finished.
00:11:22Yeah.
00:11:31Yes, I know.
00:11:33You're home now, so you don't have to talk to me anymore.
00:11:35Thank goodness for that.
00:11:45Martin, take Mr. Hartley back to the news, please girl.
00:11:47Don't bother Martin, I'll walk.
00:11:49Walk?
00:11:50Yeah.
00:11:50There's the one time the man's going to walk back.
00:11:52Oh, Tom, please don't walk back.
00:11:54It's dangerous with that maniac at large.
00:11:55The way you made me feel, I'd like to meet that maniac right now.
00:11:58Martin, what would you do if you met the maniac?
00:12:00If I were to meet that maniac, I would become famous.
00:12:04I would be the first man to fly without wings.
00:12:11I mean, I still think your eyes are like dewdrops.
00:12:15I'll be seeing it.
00:12:17Martin, you meet that maniac, give him my regard.
00:12:20Huh?
00:12:34Good evening, Degas.
00:12:35Good evening, Miss Matthew.
00:12:36Where's my father?
00:12:37He's in the lab, I thought.
00:12:38Thank you.
00:12:40Pardon me, Mrs.
00:12:43May I speak?
00:12:45Of course, Degas.
00:12:46I want to warn you of danger.
00:12:48A man who kills is near.
00:12:51Do not leave the house at night.
00:12:54No matter with whom.
00:12:55Oh, I'm not afraid.
00:13:04Zika!
00:13:15Hello, everybody.
00:13:17Oh, it's Mary.
00:13:18Oh, Mary, I've been concerned about you all evening.
00:13:22Oh, I'm sorry, Father.
00:13:23I told Degas I was going to the theater.
00:13:25I was in hope she'd stay home and read Adam's life among the fossils.
00:13:28Most absorbing.
00:13:29Well, I felt like something a little lighter tonight.
00:13:32You don't object, do you, Arthur?
00:13:33Of course he doesn't.
00:13:35I know this old house is dull at times.
00:13:38But tomorrow, Arthur will finish his experiment, and then he'll have more time for you.
00:13:42Yes, the experiment ends tomorrow with the burial.
00:13:44And then, your wedding.
00:13:46And a honeymoon in the south of France.
00:13:49Won't that be fine, Arthur?
00:13:50Oh, yes.
00:13:51Yes.
00:13:52Pleasure.
00:13:54There's no getting away from it.
00:13:56Arthur certainly is a passionate lover.
00:13:59Oh, yes.
00:14:00Yes, indeed.
00:14:03Well, I'm going to bed.
00:14:05Well, I guess we're through here for the night, eh, Arthur?
00:14:07Yes, yes.
00:14:08Good, Harry.
00:14:09I insist that you do not go into town again alone.
00:14:12Why, Father?
00:14:13Well, it isn't safe.
00:14:14There's been a lot of murders lately.
00:14:16What's that about murders?
00:14:17Oh, that's what Degas wanted to show me.
00:14:19But I didn't want to tell you, because I thought it might interrupt your work.
00:14:22Personally, I think the papers are exaggerating.
00:14:24Yeah, I'm not afraid.
00:14:25I'll do just what Martin says he'd do.
00:14:26He says if Arthur sees that old maniac, I'll become famous, because I'll be the first man to
00:14:31die without wings.
00:14:32I hear you.
00:14:34Get out of here.
00:14:35Get out.
00:14:37Oh, yes.
00:14:37Harry.
00:14:39Uncle, please put the lock in the door for me.
00:14:40I'll attend to that, Arthur.
00:14:42Thanks.
00:15:07Seika.
00:15:08Seika, look at me.
00:15:10I warned you not to go into a trance.
00:15:14What have you seen?
00:15:17What do you know?
00:15:19Death is very close.
00:15:24Death is always very close.
00:15:47Are you angry with me?
00:15:48Of course not, Arthur.
00:15:50Why do you ask?
00:15:50Oh, I've been loving you, Doctor, lately.
00:15:52I've had a lot in my mind.
00:15:53Oh, I know.
00:15:54I understand.
00:15:55I thought you would.
00:15:56Now, Mary, be sure your windows and doors are barred.
00:15:58Seika does that.
00:16:09Good night, Mary.
00:16:10Good night, Arthur.
00:16:11Good night, Arthur.
00:16:12Good night.
00:16:12Mary.
00:16:14Did your ears burn tonight?
00:16:16No, Father.
00:16:17Why?
00:16:17Well, they should have, because I and I have been talking about you.
00:16:21Something nice?
00:16:21Well, there's good and be but nice.
00:16:25Good night, Father.
00:16:26Good night, dear.
00:16:33Good evening, Seika.
00:16:40And did my little miss have a pleasant evening?
00:16:42Oh, not very.
00:16:43I was bored.
00:16:44You cannot fool Seika.
00:16:47Tonight I had the feeling that you were very happy.
00:16:50Don't tell me you've been going into another one of those chances.
00:16:53No.
00:16:54But Seika sees many things.
00:16:57Tell me.
00:16:58What else did you see?
00:17:00Trouble.
00:17:03Sadness.
00:17:04And death.
00:17:07Gathering all about.
00:17:09Like clouds over the moon.
00:17:13Oh, don't, Seika.
00:17:15You make me feel all creepy.
00:17:17Do not fear, little miss.
00:17:19There is much love and happiness for you.
00:17:27Seika.
00:17:30Do you think my eyes are like dewdrops?
00:17:33They're very lovely.
00:17:36Hmm.
00:17:37Hmm.
00:17:39Hmm.
00:17:39Hmm.
00:17:41Hmm.
00:17:42Hmm.
00:17:51Hmm.
00:18:20Gracias por ver el video.
00:18:23Gracias por ver el video.
00:18:57Gracias por ver el video.
00:19:18Gracias por ver el video.
00:20:03Gracias por ver el video.
00:20:17Gracias por ver el video.
00:21:04Gracias por ver el video.
00:21:34Gracias por ver el video.
00:22:04Gracias.
00:23:36Gracias por ver el video.
00:23:45Gracias por ver el video.
00:23:46Gracias por ver el video.
00:26:57No, no...
00:27:01No, no...
00:27:03No, no...
00:27:11Thank you.
00:27:14No, no...
00:27:14No, no...
00:27:14No, no...
00:27:33No, no...
00:27:44No, no...
00:27:47No...
00:27:48No, no...
00:28:03No...
00:28:31No...
00:28:32No, no...
00:28:36No...
00:28:38No...
00:28:39No...
00:28:41No...
00:28:43No...
00:28:44No...
00:29:13No...
00:29:14No...
00:29:16No...
00:29:17No...
00:29:17No...
00:29:17No...
00:29:17No...
00:29:18No...
00:29:18No...
00:29:18No...
00:29:18No...
00:29:19No...
00:29:19No...
00:29:19No...
00:29:19No...
00:29:20No...
00:29:20No...
00:29:20No...
00:29:26No...
00:29:30No...
00:29:42No...
00:29:44No...
00:29:45No...
00:29:50No...
00:30:00No...
00:30:17No...
00:30:17After we put the car up, Martin
00:30:18Come in and take care of the door.
00:30:20I'm going to be busy tonight with the master...
00:30:22And remember...
00:30:23No one in this household is receiving callers tonight.
00:30:27Uh...
00:30:27Yes, sir...
00:30:28Cause who was those, uh, what...
00:30:30The Germans?
00:30:30y no se ve como tachos.
00:30:32Yo advise no ser tan curioso.
00:30:37Es siempre lo mejor mantener tu mouth y tu eyes closed.
00:30:49Mi one regretted que mi hijo Richard Reinhardt
00:30:52no está aquí para ver el experimento.
00:30:53Esta investigación fue made posible
00:30:55por su gran generación.
00:30:57Es es a su memoria que me dedique mi formula.
00:31:01La Reinhardt Discovery.
00:31:03Mi sentimiento es muy notable.
00:31:05Mi hermano, ¿no se ve la posibilidad de un desastre
00:31:08en un experimento?
00:31:10¿Y se ve lo que la academia se absolvía de todo el brain?
00:31:13Sí.
00:31:15Este papel es preparado en caso de mi muerte.
00:31:18Lo que sea en la posición de nuestro servidor, Degas.
00:31:22Estará a ser de 125 grados Fahrenheit.
00:31:29¡Suscríbete al canal!
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00:31:31Ok, chief.
00:31:38¡Suscríbete al canal!
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00:31:52¡Suscríbete al canal!
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00:32:00¡Suscríbete al canal!
00:32:01Oh, Margie Tom, I thought you were that maniac man
00:32:05It's the hat, Margie, it's the hat
00:32:06Don't you worry about that maniac man, he just suddenly disappeared in the thin air
00:32:09I suppose he just went out of work for people to kill
00:32:12And lastly he had to kill himself
00:32:15Martin, what a detective you'd make
00:32:16Listen, this Mary in
00:32:18No lie, uh-uh, come on, come on, no more gin
00:32:21Well, she told me to tell you that she ain't at home
00:32:24Well, I'm telling you to tell her that Mrs. Harper's little boy Tom is down here
00:32:27She'll see me all right, go on, go on, go on
00:32:40Hiya, honey
00:32:40Oh, Tom, uh, Tom, I was just going to bed
00:32:43What, were you told her, though?
00:32:44Come on, have a nice little bedtime story on one of them
00:32:45No, Tom, Tom, really, I can't, I'm simply worn out
00:32:47You're worn out entertaining some other boyfriends, huh?
00:32:50No, no, of course not
00:32:51Well, what came in under those hats?
00:32:53Well, these clothes
00:32:55Four gentlemen
00:32:56Four?
00:32:57Yes
00:32:57Not the four Marsh brothers
00:32:58Where are they?
00:33:00Every time a newspaper man opens his mouth, he asks a question
00:33:03Correct, madam
00:33:03Oh, I've got a swell question to ask you
00:33:07Come on, be sociable
00:33:11No, Tom, no, really, I've got to sit down
00:33:13I'll pretend you're better than Tommy and sit down for five minutes anyway
00:33:15No, I can't really, Tom
00:33:21Martin
00:33:22Martin
00:33:23Doesn't your mammy want you?
00:33:25Hey, my mammy's Darryl Stout
00:33:29Oh, you win
00:33:30Well, can I have a drink, then?
00:33:32If Miss Mary says so, I'll get you a glass of, oh, well, it's water
00:33:37Who said anything about water?
00:33:39All right, Martin, get me to Hartley a glass of water
00:33:42And let the tap run for a long time, because I'm a man who likes his water fresh
00:33:46Fresh water for a fresh reporter
00:33:48Oh, them eyes, them nose, them lips
00:33:50What was it you wanted to ask me?
00:33:52Something very important
00:33:53First, I want to know, who do those hats belong to?
00:33:56Well, they, um, they belong to me
00:33:59You?
00:34:00Oh, yes, you know, girls are wearing manning's clothes now
00:34:04I'm going to have a suit made and wear one of those hats
00:34:06No, Paul
00:34:08Hey, I bet you look cute as that
00:34:09Come on, let's try one off
00:34:10Oh, no, Tom
00:34:12Here, put this one on, let's see how it looks
00:34:14No, I can't say I exactly care for that
00:34:16Doesn't seem to fit, does it?
00:34:18Well, yes and no
00:34:19Looks like it was made for a couple other fellas
00:34:21I think it makes me look at them
00:34:22Well, maybe you can get away with it
00:34:23Here
00:34:25Try it on this way
00:34:26Uh-oh, now I've got to buy you a horse
00:34:28Tom, really, it's getting late
00:34:30Would you think it would be me if I asked to be excused?
00:34:33Yes, I think it would be darn rude
00:34:34You refused to talk to me on the telephone
00:34:35Now I'm here, I'm going to make up for lost time
00:34:42Will you stop kissing me?
00:34:43Well, I could stop breathing
00:34:45Sometimes I believe I hate you
00:34:46Can't you make up your mind?
00:34:48Oh, what a slow life you're going to make for me
00:34:50I will not
00:34:50Oh, yes, you will
00:34:52Maybe I'd better refresh your memory
00:34:54I'm engaged to Arthur Hornby and I'm going to marry him
00:34:56Rave on
00:34:57You get out of this house and don't you dare come back again
00:35:00All right
00:35:01Please do a drink, Mr. Tom
00:35:02Drink it yourself
00:35:03Martin, fill this person out
00:35:04Oh, brother, Martin
00:35:05I'll show myself out
00:35:06My pal, the taxi driver's rolling the horn for me anyhow
00:35:10Bye, honey
00:35:11Bye, Martin
00:35:15Martin, never let that man in the house again
00:35:17As long as you live
00:35:19As long as I live
00:35:23All right, I hear you
00:35:25I'm coming
00:35:26Take it easy
00:35:27Will you take it easy
00:35:28I hear you
00:35:29I'm coming
00:35:29Lay off that horn, will you?
00:35:32Hey
00:35:33Hey, what's the matter?
00:35:35What happened to you?
00:35:36The maniac
00:35:37Oh
00:35:39Another one
00:35:40Push over, pal
00:35:41Don't you worry
00:35:42I'll take you in the hospital
00:35:43We'll be there in a minute
00:35:49After the injection has taken effect
00:35:51I'm to be placed in this box and buried
00:35:53Now, please remember, gentlemen
00:35:55It's imperative that I be revived after eight hours
00:35:58Are you of the opinion that eight hours is the longest period of time you could remain on the ground?
00:36:02What would happen if you remained buried more than eight hours?
00:36:06I believe it's safe for me to remain in the tomb for eight days if necessary
00:36:09It depends entirely upon the amount of fluid injected before the burial
00:36:13Oh
00:36:13Eight hours would be sufficient for the validity of your experiment
00:36:19This is the restorative
00:36:21My life depends upon the prompt injection of this fluid after the expiration of eight hours
00:36:26It's to be placed in this cabinet
00:36:39To you, Degas
00:36:40I entrust the key
00:36:46I shall guard it
00:36:47faithfully
00:36:48Mas
00:36:59Gentlemen, I'm ready
00:37:01All right, Degas
00:37:04Professor Andre, would you please administer the first fluid?
00:37:37What is this, Degas?
00:37:38Please tell me
00:37:40Oh, communicating spirit, tell me
00:37:45What of a young master
00:37:49Should he risk the death sleep?
00:37:58Disaster
00:38:01Death
00:38:02We mustn't do it
00:38:20Arthur, Arthur, Arthur, you mustn't
00:38:22It's done
00:38:30We mustn't do it
00:38:32Nothol
00:38:32Werhiz
00:38:33done
00:38:52Rush
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00:46:52¡Suscríbete al canal!
00:47:05¡Suscríbete al canal!
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00:48:00¿Qué es lo que haces?
00:48:02Dagar, I forbid it.
00:48:05¿Te hear me?
00:48:06I forbid it.
00:48:07Dagar,
00:48:08she may have something of importance to tell us.
00:48:11I forbid it.
00:48:14The man has murder in his eyes.
00:48:16Quiet, please.
00:48:18Dagar,
00:48:19for my sake,
00:48:20permit the seance.
00:48:21Will everyone please help think about taking the seance seriously?
00:48:25Mary, you don't believe in this junk.
00:48:27I do, Tom.
00:48:28Please try and help me.
00:48:31Professor.
00:48:33Professor Andre.
00:48:34If you'll excuse me, I'd rather not.
00:48:36I don't believe in this nonsense.
00:48:39Where am I going to put you?
00:48:41I don't care where you'd put me,
00:48:44just as long as you wouldn't put me next to a door.
00:48:46Martin,
00:48:47turn the lights out when I tell you.
00:48:51After the lights are out,
00:48:53do not put them on
00:48:54until I command it.
00:49:04Martin,
00:49:06turn out the lights.
00:49:08Martin,
00:49:16Everyone join hands.
00:49:19How depressing.
00:49:20I don't know.
00:49:47How depressing.
00:49:48La verdad es que el maestro está tratando de comunicarnos con nosotros.
00:49:54Es muy triste.
00:49:58Es muy restante.
00:50:01Es tratando de decirnos quién es el muerto.
00:50:05La muerte.
00:50:14I see the face of a murderer.
00:50:19It is a flame.
00:50:22I can't make it out.
00:50:24Shika, I forbid it.
00:50:27Do you hear me?
00:50:29I forbid it.
00:50:32Now I see the face.
00:50:35It's coming forward
00:50:37It's the face of a madman
00:50:40Stop
00:50:40You hear me
00:50:42Stop
00:50:43The spirit will not be denied
00:50:48Now I see it
00:50:52It's very plain
00:50:55Oh
00:50:58It's
00:51:01There's a light
00:51:02Don't go out of here
00:51:03Don't go out of here
00:51:04Lisa what happened
00:51:19She's dead
00:51:30What's the idea
00:51:33There's been a murder
00:51:36You mean to tell me the maniac came into this room
00:51:39Children got away without any of you seeing him
00:51:41The lights were out
00:51:42What's the idea of the lights being out
00:51:44You were holding a stand
00:51:45Well you take a fine time for it
00:51:47People being murdered and you're playing games
00:51:51Got to figure out how the maniac got in
00:51:53Bailey
00:51:54This wasn't the maniac
00:51:55There's no newspaper clipping
00:51:56That's proof of it
00:51:56And what's more he couldn't get in this room without us knowing it
00:52:01Everybody take your places at the table just as you were when it happened
00:52:05Come on
00:52:12Why don't you sit down
00:52:13Because I don't want him
00:52:15Ah he wasn't in the circle
00:52:18That's interesting
00:52:19I'll talk to you later
00:52:20You all in your right places
00:52:22We were all seated as we are now
00:52:24The professor was standing there
00:52:25Martin was standing
00:52:26Where's Martin?
00:52:29What was that?
00:52:36How'd you get there?
00:52:38I don't know boss
00:52:39All I know
00:52:40I'll come in here
00:52:41And make it a door where there ain't one
00:52:44Come on out
00:52:49Alright now
00:52:51Who's that here?
00:53:00Well what's the matter with you?
00:53:02You all dumb?
00:53:03Who's that here?
00:53:06What are you all holding back for?
00:53:09I'll tell you
00:53:10It was they got
00:53:13You act as though that explained the murder
00:53:15It does
00:53:16Well
00:53:16Now we're getting somewhere
00:53:18Bring him over here
00:53:28Did you see this man killer?
00:53:31He was right next to her
00:53:32Twice he warned him not to divorce the name of Reinhardt's murderer
00:53:35When she insisted he killed her
00:53:37Sarah don't be ridiculous
00:53:38Never mind that
00:53:39What motive would he have for killing his wife?
00:53:41You take care of your paper
00:53:43I'll solve this murder
00:53:44Go on lady
00:53:45Professor Reinhardt remembered him in his will
00:53:47Dagar knew that his share increased with every death among the heirs
00:53:51He killed my husband and he killed this woman
00:53:53Is there anyone else who would benefit by this will?
00:53:56I would
00:53:56Who else?
00:53:57My fiancé Arthur Hornby
00:53:59Where is he?
00:54:00Why
00:54:02He's in Boston
00:54:02Bailey
00:54:03Has it ever occurred to you that with her husband dead that she might develop it by the will?
00:54:07Dagar was the first one to discover the body of my brother-in-law
00:54:09The first one to be beside my husband's body
00:54:12Officer you can take my word for it
00:54:14This man had nothing to do with any of the murders
00:54:16Get out
00:54:16It's an open and shut case
00:54:18This monk was out to murder all of you
00:54:20Put the cuffs on him Dumi
00:54:22Come on
00:54:23I'm taking you to the headquarters
00:54:27You stay here and watch the body
00:54:30Of course
00:54:31He don't need no watching
00:54:46Well
00:54:47I've solved another mystery
00:54:49This is certainly going to put a feather in my cap
00:54:51I knew you were coming to that
00:54:53You stick to me pal
00:54:55And I'll make you look like an Indian chief
00:54:58Come on Dumi
00:55:00Come on
00:55:01Come here
00:55:02I'll take a walk
00:55:03Come here
00:55:04Hey Steve
00:55:05I found these two guys following outside the house
00:55:08Yeah?
00:55:08What are you two mugs doing here?
00:55:10We're watching the grave
00:55:11Watching what grave?
00:55:13Arthur Hornsby's grave
00:55:14Arthur Hornsby's grave?
00:55:17One of the airs
00:55:18I thought you told me your fiancé was in Boston
00:55:21I can tell you all about him
00:55:23Please Aunt Sarah
00:55:25You mustn't do it
00:55:25You tell Aunt Sarah
00:55:26Or I'll hold you for Aiden and abetting a crime
00:55:30Tonight these gentlemen
00:55:32Buried Arthur
00:55:34Oh
00:55:34Then another air is dead
00:55:36When was he killed?
00:55:38Arthur isn't dead
00:55:40He was buried alive
00:55:41Buried alive?
00:55:43Not dead?
00:55:45What's going on here?
00:55:47It was an experiment
00:55:48Somebody's going to get hurt around here with this experimentin'
00:55:50Come on you guys
00:55:52Show me where this grave is
00:55:54We're going to dig up Mr. Hornsby
00:55:56If Professor Hornsby is to be removed from the grave
00:55:59It is imperative that we have possession of the serum he has formulated to revive himself with
00:56:07Take it easy
00:56:08Where is the serum?
00:56:09In the lavatory
00:56:10In the cabinet
00:56:11The key is in his care
00:56:14Come on
00:56:15Hand over the key
00:56:16I have hidden it
00:56:18No one shall open the cabinet but me
00:56:20Take him down
00:56:21Get the serum
00:56:22Bring it to the grave
00:56:23Okay chief
00:56:25Come on
00:56:25Where's the lavatory?
00:56:27If you will permit me
00:56:28I will show you the way
00:56:29Keep an eye on that bird
00:56:31Don't let him get out of your sight
00:56:33Come on you guys
00:56:34Show me where that grave is
00:56:35All right
00:56:36Come on boy
00:56:36Let's get out of here
00:56:38Come on
00:56:40Please don't go Tom
00:56:42Stay here with me
00:56:43Sure I will honey
00:56:44But why didn't you tell me of this experiment?
00:56:46It's all been so terrible
00:56:47Well I'd rather not talk about it
00:56:55Keep moving
00:56:56Keep moving
00:56:57Show us where that grave is
00:57:00Experiment you
00:57:01Well he's alive
00:57:02I'll get to the bottom of this thing
00:57:05I'll get to the bottom of this thing
00:57:06I'll get to the bottom of this thing
00:57:07Come on
00:57:08Get moving
00:57:09All right
00:57:10Where are you?
00:57:10Still in this
00:57:11All right
00:57:11Get busy digging
00:57:12Get a hold of one of those shovels
00:57:14You too
00:57:16We'll find out about this thing
00:57:23All right
00:57:24Let's get to it
00:57:25Get that stuff
00:57:27It will take a few minutes
00:57:28To prepare this serum
00:57:29All right
00:57:30Go ahead
00:57:33Will you remove the handcuffs please?
00:57:36Nothing to do
00:57:36Insultant
00:57:37What do you think I am?
00:57:38A sucker?
00:57:40Do you care if I smoke?
00:57:42I don't care if you're burned
00:57:47Have one
00:57:48Yeah
00:57:49I'll have one
00:57:52What kind of a cigarette is this?
00:57:55It is an Oriental
00:57:56Cigar
00:57:57Oriental, eh?
00:58:20See what's holding up, Dooley
00:58:22You go get that serum
00:58:24And bring it here
00:58:24We'll be ready for it
00:58:25In a few minutes
00:58:26Right, Chief
00:58:28Faster, faster
00:58:39Say you
00:58:40The chief wants that serum
00:58:41Be careful, sir
00:58:43If anything happens with this serum
00:58:44It would mean the death of the young man
00:58:46Ten to one
00:58:47He's playing a harp, I know
00:58:48So listen, Eddie
00:58:50You better keep your eye on this guy
00:59:01Honey, I've got to be getting out there
00:59:02I want to get that story
00:59:03I wish I could go with you
00:59:04Honey, I wouldn't want you there
00:59:05When they take him up
00:59:06Stay here, I'll be right back
00:59:20Mary
00:59:28Mary
00:59:29Mary
00:59:30Mary
00:59:37¿Está bien en aquí?
00:59:39¿No?
00:59:39No hay nada en aquí, pero nosotros.
01:00:05No hay nada en aquí.
01:00:30No hay nada en aquí.
01:01:09No hay nada en aquí.
01:01:12No hay nada en aquí.
01:01:18No hay nada en aquí.
01:01:37No hay nada en aquí.
01:01:46No hay nada en aquí.
01:01:48No hay nada en aquí.
01:01:49No hay nada en aquí.
01:01:50No hay nada en aquí.
01:02:21No hay nada en aquí.
01:02:23No hay nada en aquí.
01:02:25No hay nada en aquí.
01:02:27No hay nada en aquí.
01:02:29No hay nada en aquí.
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01:02:37No hay nada en aquí.
01:03:11No hay nada.
01:03:13No hay nada.
01:03:14No hay nada.
01:03:15No hay nada en aquí.
01:03:17No hay nada.
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01:03:26No hay nada en aquí.
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01:04:21No hay nada en aquí.
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01:05:00No hay nada en aquí.
01:05:17No hay nada en aquí.
01:05:21Ok.
01:05:50Gracias por ver el video.
01:06:16Gracias por ver el video.
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