- hace 5 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
Categoría
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CortometrajesTranscripción
00:00:28¡Gracias!
00:00:58¡Gracias!
00:01:28¡Gracias!
00:01:57¡Gracias!
00:02:22¡Gracias!
00:02:50¡Gracias!
00:02:52¡Gracias!
00:02:53I'm so glad you're here.
00:02:57It seems like it's been such a long time.
00:03:04No, I...
00:03:05I wasn't sure if you'd be coming.
00:03:08I got here as fast as I could.
00:03:13Sometimes I feel sorry for your wife.
00:03:26I'd better get back to the hotel.
00:03:28No, no, not yet.
00:03:31Please stay a little longer.
00:03:34Marie's now gonna be back for another two hours.
00:03:36Call a taxi for me, will you?
00:03:38Please.
00:03:40Marie.
00:04:07Sure been raining a lot lately.
00:04:12Seems like it's been raining for a week.
00:04:16I've only been here two days.
00:04:26Would you mind driving around a little bit?
00:04:37Oh, never mind. Just take me to the hotel.
00:04:42I have to call my wife.
00:04:54No, no, no, no.
00:05:10Hey, this is Rock Street!
00:05:15Hey!
00:05:30Excuse me.
00:05:31Could you tell me where the ambassador hotel is?
00:05:33I thought it was on this block.
00:05:35Oh, block over.
00:05:36See, the cab left me off.
00:05:38And I don't recognize.
00:06:01Hey!
00:06:02Hey!
00:06:03Get it all in there!
00:06:50No need to stand now, dear friend.
00:06:53My friend.
00:06:54Why not warm up a little?
00:06:56And dry out.
00:07:31This way.
00:07:33This way.
00:07:57This way.
00:08:22This way.
00:08:24This way.
00:08:24I was looking for my hotel.
00:08:25The ambassador.
00:08:27I thought I was in the right neighborhood.
00:08:30I asked the cab to let me out.
00:08:32Yes, I know.
00:08:35What?
00:08:37I know what you mean.
00:08:41The rain is a deceiver.
00:08:43A veil over reality.
00:08:49Things don't look the same in the rain.
00:08:51In fact, it's quite easy to get lost in these streets.
00:08:55I do it all the time.
00:09:00So you lost your hotel, huh?
00:09:03Oh, yeah.
00:09:07Maybe the hotel lost me.
00:09:12Anyway, I...
00:09:14I can't find it.
00:09:17Professional transient, are you?
00:09:20I'm, uh...
00:09:21I'm here for the plumber's convention.
00:09:24Universal plumbers.
00:09:26National sales reps from all over.
00:09:28We come here several times a year to catch up, you know.
00:09:32You were out seeing the sights, were you?
00:09:34I was visiting a friend.
00:09:37A friend, eh?
00:09:41We all need friends now, don't we?
00:09:44Want some coffee?
00:09:46Um...
00:09:47No, no thanks.
00:09:53Maybe I will have a little, if you don't mind.
00:09:56Coffee?
00:09:57Yeah.
00:10:00It's kind of cold out there in the rain.
00:10:04Drone men shouldn't be out walking around in the rain.
00:10:10Even to see friends.
00:10:20Do you live here?
00:10:23Live? Work?
00:10:25This is where I do my work.
00:10:27What kind of work?
00:10:29I don't think you'd be interested, really.
00:10:32Just my work.
00:10:34Huh?
00:10:38Embalming, actually.
00:10:42Embalming and such.
00:10:44I'm a mortician.
00:10:47I take care of the deceased.
00:10:51After they're dead, I get them.
00:10:53That's my work.
00:10:55I do get some of the more interesting cases.
00:10:59In fact, the most interesting.
00:11:01Unique.
00:11:05Grotesque, actually.
00:11:07At least some of them.
00:11:13Come with me, I'd like to show you something.
00:11:18I think I'd better get back to the hotel.
00:11:20Oh, yes, the one you lost.
00:11:22Meeting another friend, perhaps?
00:11:25No, I just...
00:11:26Oh, you must have a business meeting.
00:11:28A seminar on pipes and fitting.
00:11:30No.
00:11:311,001 leaks, you should know.
00:11:35I'd better get back to the hotel.
00:11:36I have to call my wife.
00:11:37Well, I was kind enough to bring you in out of the rain,
00:11:40give you a hot cup of coffee.
00:11:42Why not stay just a few more minutes and let me show you around?
00:11:46I think you'll be interested.
00:11:52All right.
00:11:54Good.
00:12:26My latest clients.
00:12:32This one, for instance.
00:12:34It's all very interesting.
00:12:35But please, let's not be an ungrateful guest.
00:12:38I really should be going.
00:12:39I've just begun to show you around.
00:12:41There's much, much more.
00:12:46A very...
00:12:49interesting...
00:12:51very bizarre case.
00:12:56Her name was Miss Sibler.
00:13:02She was a teacher.
00:13:21Hi, Miss Sibler.
00:13:23Hi, Miss Sibler.
00:13:24Hi, Miss Sibler.
00:13:24Isn't she sweet?
00:13:26You brat.
00:13:29Stop running!
00:13:45Get away from my car!
00:14:10Damn, kids!
00:14:11Disgusting little litter bugs!
00:14:12Please.
00:14:14Hello, Miss Sibler.
00:14:34You're right.
00:14:34Please.
00:14:35You're right.
00:14:35Hey, Miss Sibler.
00:14:38Oh, my God.
00:14:42I'm sorry.
00:14:42I'm sorry.
00:17:18¡Gracias!
00:17:55¡Gracias!
00:18:41¡Gracias!
00:19:11¡Gracias!
00:19:27¡Gracias!
00:19:47¡Gracias!
00:20:24¡Gracias!
00:20:56¡Gracias!
00:21:20¡Gracias!
00:21:51¡Gracias!
00:21:52¡Oh, my God!
00:21:56¡Childe, just children!
00:21:58¡What kind of a stupid prank is this?
00:22:02¡What is the matter with you?
00:22:04¡Don't you know any better?!
00:22:07¡Stupid prank!
00:22:13¿Qué más de ti?
00:22:17¿Qué más de ti?
00:22:57¡Gracias!
00:23:17¡Gracias!
00:23:44¡Gracias!
00:23:45You don't expect me to believe that story. It's ridiculous.
00:23:49Perhaps.
00:23:51Yet it's all very true.
00:23:54But a woman, being bitten to death by children?
00:23:59I never said children.
00:24:05What that?
00:24:08I have no idea.
00:24:10I don't think anyone really knows what or why.
00:24:16She was very much a mess.
00:24:21Quite a challenge to me to make something acceptable of her.
00:24:31This is just too hard to believe.
00:24:36Possibly.
00:24:37As I told you, I do get the most interesting cases.
00:24:45You sound like you select these people.
00:24:48Everyone should be selective in what they do, don't you agree?
00:24:52Take Mr. Growski here, for instance.
00:24:55He was selective in what he did,
00:24:59though I must say he was somewhat strange.
00:25:04He had a rather abnormal predilection for cameras,
00:25:08photography, all that sort of thing.
00:25:11He did some very nasty things.
00:25:23Look at this.
00:25:25A movie camera.
00:25:28Looks like Billy's did pay it off.
00:25:30It's running.
00:25:31This creep's got a camera.
00:25:32Here he comes.
00:25:33Here he is.
00:25:34Is it true you killed six women, Mr. Growski?
00:25:37This one is Julie.
00:25:38I met her at the library.
00:25:41She's good looking, but, you know, she doesn't have too much upstairs.
00:25:44Hello?
00:25:46Hello?
00:25:47Oh, hi.
00:25:48Hi.
00:25:48I was just about to leave.
00:25:50I thought maybe there wasn't anybody home.
00:25:52No, I'm home.
00:25:53I was just busy.
00:25:55Come on in.
00:25:55Good.
00:25:56Um, thank you.
00:25:58Oh.
00:25:59Oh, it's so cute.
00:26:01What?
00:26:02Your apartment.
00:26:04I mean, it's really neat.
00:26:05And, uh, it's so cute.
00:26:08Try to keep it clean.
00:26:10Sit down.
00:26:11Oh, not there.
00:26:13Um, why not here?
00:26:14Sit here.
00:26:16Okay.
00:26:17Um, I brought you some wine.
00:26:20I don't drink.
00:26:21Oh, uh, well, see, I don't really drink too much anyway either, but I didn't know if you'd like any
00:26:27or not, so I'll be sweet.
00:26:29Doesn't matter.
00:26:32Um.
00:26:33Oh.
00:26:36Thank you.
00:26:44It was really nice of you to invite me for dinner.
00:26:48I mean, I don't usually accept blind dates.
00:26:52How come you filmed them?
00:26:55Oh, well.
00:26:56Um, uh.
00:27:01What are you interested in?
00:27:08Photography.
00:27:12Oh.
00:27:14Wow.
00:27:16Boy, that's, they're really great.
00:27:19Mm-hmm.
00:27:20Yeah.
00:27:21Um, do you have an ashtray I could use?
00:27:24I don't smoke.
00:27:26Oh, um.
00:27:30Uh.
00:27:32Photography.
00:27:33Well, I mean, of course.
00:27:35There's one of your cameras right now.
00:27:38Um, just like, uh, a model airplane or something.
00:27:41It's been kind of mounted right on its own stand.
00:27:44A model airplane?
00:27:45It, it, it, it's, it's more important and expensive than any model airplane.
00:27:53It's, photography is a serious endeavor.
00:27:57Uh, hey, I didn't mean anything bad.
00:27:59Really.
00:28:00See, I like to take snapshots, too.
00:28:02I.
00:28:02This is a motion picture camera.
00:28:05You do not take snapshots with it or any other camera.
00:28:09Photography is not just a game.
00:28:12Um, Hayley, I'm sorry.
00:28:14See, I just didn't know that it was a motion.
00:28:17Magic.
00:28:19Magic?
00:28:19Mm-hmm.
00:28:20Would you like to see a magic trick?
00:28:23Sure.
00:28:24You would?
00:28:25Yes.
00:28:26Okay.
00:28:26Uh, yeah.
00:28:27I would need a, um, silk or a nylon.
00:28:32You wouldn't happen to have a nylon stocking, would you?
00:28:35Well, just the ones I'm wearing.
00:28:37I mean, I don't carry extras.
00:28:40Darn it.
00:28:41I mean, I, I really need, um, a silk stocking to do this trick, um, could I borrow one of
00:28:49yours?
00:28:49I, I wouldn't ruin it or anything.
00:28:51You know, I, I mean, I, to do this trick, I really need a silk stocking.
00:28:57Um, how about another trick?
00:28:59Oh, you would really like this trick.
00:29:04Well, see, um, actually, they're attached.
00:29:06You know, they're pantyhose.
00:29:07So, you'd end up having to use both stockings anyway.
00:29:11That's all right.
00:29:12I mean, that'll, that'll work fine, even better.
00:29:17Um, uh, well, uh, I feel silly.
00:29:24No, no, that's all right.
00:29:25Don't, don't worry about a thing.
00:29:27I'll turn my back and you can slip them off.
00:29:31Okay.
00:29:32Um, now, you promise you're not going to look or anything?
00:29:37No, I won't look on my honor.
00:29:41Um, all right.
00:29:42Well, you know, I've, um, I've always been fascinated by, by magic because I always like
00:29:50to try to, to figure out how they do the trick.
00:29:53You know, what the secret is to it.
00:29:55And I've been to, to Vegas, you know, I go there and I've seen some of the magicians there.
00:30:01And, uh, it's really, it's really interesting to me.
00:30:04But I, you know, I haven't been there, um, too recently.
00:30:07Uh, you aren't going to ruin them.
00:30:12Oh, promise.
00:30:14Okay.
00:30:19Okay.
00:30:20Now, this is a disappearing trick.
00:30:26A marvel of prestidigitation.
00:30:30I like that kind.
00:30:32You do?
00:30:33Yeah.
00:30:34Okay.
00:30:34You, you just look straight ahead.
00:30:37I'm going to figure out how you do it, too.
00:30:39Okay.
00:30:40Straight ahead.
00:30:41That's right.
00:30:42Towards the camera.
00:30:44Right.
00:30:45Okay.
00:30:46Now, this takes complete concentration to get the full effect.
00:30:52Now, you have to close your eyes.
00:30:54You cannot see this part.
00:30:57Um, all right.
00:31:00Abra.
00:31:01Wait, okay.
00:31:03C-a-bra.
00:31:05C-a-bra.
00:31:05C-a-bra.
00:31:06C-a-bra.
00:31:08C-a-bra.
00:31:09C-a-bra.
00:31:11C-a-bra.
00:31:11C-a-bra.
00:31:12C-a-bra.
00:31:12C-a-bra.
00:31:13C-a-bra.
00:31:13C-a-bra.
00:31:17C-a-bra.
00:31:18C-a-bra.
00:31:19C-a-bra.
00:31:19Your life is gone.
00:31:20It's disappeared.
00:31:24I waited until now.
00:31:25I decided to skip all the boring formalities.
00:31:29Her name is Carol, and she's some sort of a secretary or something, you know?
00:31:41i buy all the photography books for myself and oh look at that camera boy does that look
00:31:51complicated got all the switches and gadgets and buttons
00:32:01hey that's funny what it sounds like it's buzzing or something kind of worrying
00:32:07do you hear it no it's your imagination no listen it's running isn't it no it's not
00:32:20yes it is it's running isn't it come on what are you doing are you filming us oh no what
00:32:26kind of
00:32:27thing is that oh wait a minute it's no you wait a minute i don't go for that kind of
00:32:30thing
00:32:31now what did you think you're gonna get me drunk we're gonna get on the couch
00:32:37no way i've known creeps like you you are nuts
00:32:56it's been three days but i finally found another one she's a real dandy you know society type
00:33:05upper crust very rich and snooty
00:33:10kind of got acquainted with the audubon society
00:33:16she's got the hots for me i can tell
00:33:21probably because i i bowled her over with my clever wits and uh subtle sexuality
00:33:30anyway she's she's coming to see me soon and and i have to prepare and there's only about
00:33:38there's only about a hundred feet of film left so i'm going to have to work fast on this one
00:33:44mr groski
00:33:47i am afraid that i'm going to have to ask you if i may borrow your telephone to call a
00:33:51taxi
00:33:52no i i mean that won't be necessary mrs lundquist
00:34:01i'm afraid it will be
00:34:02don't call you shouldn't call please don't call
00:34:10mr groski you have no reason to speak to me in that manner whatsoever
00:34:14mrs lundquist
00:34:16um please don't call
00:34:26no
00:34:27no
00:34:29no
00:34:29no
00:34:30no
00:34:30no
00:34:30no
00:34:31no
00:34:31no
00:34:32no
00:34:33no
00:34:34no
00:34:34no
00:34:39no
00:34:40no
00:34:46no
00:34:49no
00:34:49no
00:34:49no
00:34:50no
00:34:51no
00:34:51no
00:34:51no
00:34:51no
00:34:52no
00:34:52no
00:34:56no
00:35:01no
00:35:01no
00:35:01no
00:35:01no
00:35:02no
00:35:02no
00:35:04no
00:35:05no
00:35:05no
00:35:05no
00:35:05no
00:35:05Clients, I have to know all about them to take care of them properly.
00:35:10Like this one.
00:35:13One of my favorites.
00:35:17Very intriguing situation.
00:36:05One of my favorites.
00:36:35One of my favorites.
00:36:40One of my favorites.
00:36:55Oh, Lord.
00:37:13Yes.
00:37:19Well, from the top.
00:37:24First of all.
00:37:25Mr. Castellucci did not hang himself.
00:37:28He was murdered.
00:37:30I found a few small clipped hairs on his collar and the fresh scent of a tonic on his face
00:37:38and neck.
00:37:38A tonic, which Mr. Castellucci doesn't happen to possess in his vast assortment of aftershaves and colognes.
00:37:47Now, this would lead me to believe that Mr. Castellucci had recently obtained a haircut.
00:37:54And in my experience, it is very rare for a man to get a trim immediately prior to doing away
00:38:00with himself.
00:38:03I also found some vaguely distinguishable rope burns on his wrists.
00:38:08And a few strands of that very rope on his coat sleeve strongly suggesting that Mr. Castellucci had no control
00:38:18of the method of scheduling of his premature demise.
00:38:23Also found this airline ticket dated today in his coat pocket scheduled to leave for Rome, Italy by way of
00:38:31New York, departing a little less than seven minutes ago.
00:38:42I strongly believe that the deceased really wouldn't have passed up the opportunity of a trip like that.
00:38:51Now, for the killer, his name is Savio Molinski, a rather well-known low-life type character.
00:39:00And the only man in this town vaguely degenerate enough to smoke a revolting brand of cigar known as El
00:39:07Amigo.
00:39:08The ashes of which may be found in that dresser top or this table over here.
00:39:15He can usually be found at this time of day at a filthy little dive known as Frenchy's Pool Parlor
00:39:22at 6th and Franklin.
00:39:30Well, pick him up and book him.
00:39:32First degree murder.
00:39:41You can take him down now.
00:39:44He's had his hour in the public eye.
00:39:55Congratulations. An excellent piece of work.
00:39:58Oh, thank you, thank you. I rather thought so myself.
00:40:02It was not too difficult, really.
00:40:05A rather routine case, obvious clues, but it does keep the senses keen and the mind alerted.
00:40:11Something like a baseball player taking batting practice.
00:40:14Or a champion horseman chopping about in a rowboat on a Sunday afternoon in the park.
00:40:19I don't believe I've had the pleasure.
00:40:21I don't believe you have. Inspector Wendell McDowell, Scotland Yard.
00:40:24Ah, England, right?
00:40:26Last time I checked, yes.
00:40:27Well, then you must be the famous Inspector McDowell, Britain's number one sleuth.
00:40:35Isn't that what you call it?
00:40:36There have been people that have phrased it that way, yes.
00:40:39In that case, you probably know that I am Chief Detective Malcolm Tolliver,
00:40:45America's greatest detective and master of criminal investigation.
00:40:49You honor me, sir.
00:40:50No, I respect you. I don't think I could ever honor you.
00:40:54All right. We're supposed to be rivals, aren't we?
00:40:57Oh, incorrigibly so.
00:41:00Well, how in the world did you ever find me in this squalid setting?
00:41:07I just asked at the station house and your dispatcher, a nice chap, Bonnie...
00:41:12Bernie.
00:41:13Bernie, that's right. He told me where I could find you.
00:41:15You mean you didn't deduce my whereabouts through calculated assemblage of relevant clues?
00:41:20No, this time I just stooped to plain old common sense and asked.
00:41:24I do that quite often, actually.
00:41:26It's less dramatic, I suppose, but much more direct.
00:41:29Oh.
00:41:30Well, are you visiting here in America, or are you on the track of some ruthless international lawbreaker?
00:41:38Oh, a bit of both, as a matter of fact, so I thought I may as well drop off and
00:41:42observe the master of detection at work.
00:41:45Sort of fun. Absorb a few tricks.
00:41:47Oh, Inspector, you are stretching your efforts in the art of flattery.
00:41:52Oh, hardly. Hardly. I honestly believe it couldn't hurt me to pick up a few pointers.
00:41:57After all, we are competing for the title of world's leading criminologist.
00:42:02Yes, I believe someone did phrase it that way, didn't they?
00:42:05A journalist.
00:42:07Yes, I think it was Time magazine.
00:42:08Rolling Stone.
00:42:09No, I'm certain it was Time.
00:42:11Rolling Stone. It was January 7th, page 3, column 2, and the headline was in full capitals.
00:42:18Yes, yes.
00:42:20Well, Mr. McDowell, shall we adjourn these premises to a more pleasant environment?
00:42:26Yeah, I do have to dash off for an apartment right now, but perhaps later.
00:42:29We could have dinner together.
00:42:30You're two steps ahead of me.
00:42:32Brilliant deduction.
00:42:33After you.
00:42:34Oh, I think.
00:42:34Oh, I insist.
00:42:57I'll do that.
00:43:13que es un buen vintaje, ¿verdad?
00:43:28Very refreshing analysis. Beaujolais, Les Bienvenus, 1968 or 69? No, definitely 69. Correct. You're very good at that. That's my
00:43:50job, being good at what I do, being the best.
00:43:53Well, we all try to be the best, Inspector. Spirit of competition is what keeps us going, I suppose.
00:44:03Absolutely, sort of. If at first you don't succeed, well...
00:44:09Speaking of success, or lack of it, I've always wanted to ask you about that infamous mail train robbery.
00:44:22How in the world did you ever crack that miserable fiasco after letting it drag on for all those weeks
00:44:31with no results?
00:44:32Yes. Actually, you see, I had it cracked, as you say, months before. I was simply waiting for my pigeons
00:44:38to move into position and implicate themselves with irrefutable evidence.
00:44:43You know what I'm saying?
00:44:44Well, I couldn't run around naming names and allow them to dig in with clever attorneys and neatly constructed alibis.
00:44:54Something like that appalling situation you yourself experienced on that unfortunate jewel robbery investigation last year.
00:45:03Oh, wait, wait. That's not exactly right, Inspector. I had good reason to handle that case in an unorthodox manner.
00:45:13Really? And is this unorthodox manner, an American trait?
00:45:17Well, I suppose so. The Americans are unorthodox, Japanese inscrutable, Italians lusty, French passionate, British stuffy.
00:45:32Stuffy but precise. A message for you, sir.
00:45:35Thank you, man.
00:45:47¿Qué pasa?
00:46:17And when I came back, I found it there.
00:46:19Very good, ma'am. Thank you.
00:46:21My pleasure, sir.
00:46:23There's something mysterious.
00:46:25It's a note.
00:46:29Unsigned.
00:46:30A cryptic note.
00:46:32Ah, they're the best kind.
00:46:33Mr. Tolliver, in three days,
00:46:36someone you know will
00:46:39die a horrible death.
00:46:41You are the only one who
00:46:43can prevent this tragic occurrence.
00:46:46Don't you think
00:46:47you should? Now, it's written
00:46:50by pasting
00:46:51up letters from newspaper
00:46:53headlines.
00:46:55That's a very amateurish trait.
00:46:57It does seem to get the message
00:46:59across, however.
00:47:03Elmer's glue.
00:47:05Very middle class.
00:47:09Bremerton paper mills, New York.
00:47:13Ah, 20-pound flat bond.
00:47:1680% straight pulp.
00:47:1815% dye.
00:47:205% nylon fiber.
00:47:22Common.
00:47:25A little too common, really.
00:47:29Now, this is going to take
00:47:31a bit of looking into.
00:47:34I, um,
00:47:35I do have to return to London
00:47:37in a few days, sir,
00:47:38but I'd like to, uh,
00:47:39tag along on this case,
00:47:41sort of observe your methods.
00:47:42Would you, uh,
00:47:43would you mind terribly?
00:47:44Still attempting
00:47:45flattery, Inspector?
00:47:47Not at all.
00:47:48I'm just, uh,
00:47:49immensely interested.
00:47:51Uh, you wouldn't feel
00:47:52threatened by my presence,
00:47:54would you?
00:47:55Now you flatter yourself,
00:47:57Inspector.
00:47:59You know,
00:48:00maybe there is only room
00:48:02for one foremost
00:48:03criminologist in the world,
00:48:05but being that one
00:48:07is not just a matter
00:48:09of methods.
00:48:10It's the man.
00:48:11The man
00:48:13and his methods.
00:48:15No, certainly
00:48:16I wouldn't feel threatened.
00:48:18Tag along, if you like.
00:48:19I'd love to have you.
00:48:21Maybe you will
00:48:22learn something.
00:48:24Perhaps I will.
00:48:55All right, uh,
00:48:57Inspector.
00:49:00Apparently,
00:49:02the letters were cut
00:49:03from the following
00:49:04four newspapers,
00:49:06San Francisco Chronicle,
00:49:08the London Times,
00:49:09the St. Louis Post-Dispatch,
00:49:10and strangely enough,
00:49:12strangely enough,
00:49:14just these two letters,
00:49:17N, T,
00:49:18were cut from
00:49:19the New York Times.
00:49:26That's a,
00:49:27rather a slap in the face
00:49:29for the Times,
00:49:29isn't it?
00:49:37Would you like
00:49:38to take a look
00:49:38at this, Inspector?
00:49:40The electrolysis test
00:49:41for hair construction
00:49:42identification?
00:49:42Not really.
00:49:43I prefer the magnetic
00:49:45analysis myself.
00:49:46It's considerably
00:49:46more accurate.
00:49:47I prefer it.
00:50:06Find anything?
00:50:09Nothing significant.
00:50:11No fingerprints
00:50:12on the envelope
00:50:13or the letter?
00:50:14No prints.
00:50:16Just mine
00:50:17and Leon's.
00:50:18Obviously,
00:50:19we are dealing
00:50:20with a professional.
00:50:22And, uh,
00:50:22no convenient
00:50:23cigar ash
00:50:24or burnt ropes
00:50:25to lead you
00:50:26to the identity
00:50:27of the fellow?
00:50:30Well, now,
00:50:30let's see.
00:50:31Uh, what have you got?
00:50:32You have the intended
00:50:33murder,
00:50:33and you know when.
00:50:34That's tomorrow.
00:50:35So, uh,
00:50:36all you have to know now
00:50:37is, uh,
00:50:37where and, uh,
00:50:39how.
00:50:39And, uh,
00:50:40possibly why,
00:50:41uh, just to
00:50:42jolly things along
00:50:43a little.
00:50:44What?
00:50:45Now, look,
00:50:45inspector.
00:50:46You asked if you
00:50:48could observe,
00:50:49not participate.
00:50:50Now, if you want
00:50:52to speculate
00:50:52or theorize,
00:50:54why don't you
00:50:55get yourself
00:50:55into another room
00:50:56and shout
00:50:57all your wins
00:50:59and your what's
00:50:59and your how's
00:51:00to your heart's content?
00:51:02Now, if you don't mind,
00:51:04I am trying
00:51:05to work,
00:51:06and I don't need
00:51:07all your amateur
00:51:08Dick Tracy
00:51:09suppositions
00:51:10and a hypothetical
00:51:12poppycock
00:51:13rattling around
00:51:14this laboratory!
00:51:18Well, uh,
00:51:19I tell you what,
00:51:20I, uh,
00:51:20I just sit over there
00:51:22and watch.
00:51:23Fine,
00:51:24inspector,
00:51:24fine.
00:51:25You just do that.
00:51:38I don't know.
00:51:52You just do that.
00:51:53I don't know.
00:51:53I don't know.
00:51:54I don't know.
00:51:55I don't know.
00:51:55I don't know.
00:52:00Oh, yes.
00:52:01I, uh, I got your message just as I was leaving my hotel.
00:52:05Well, come in, come in. I'm glad I caught you.
00:52:07Yes, I, uh, I suppose I am, too.
00:52:13Um, my word.
00:52:17Your police department looks after you rather handsomely, doesn't it?
00:52:21Not at all like our poor impoverished bobbies.
00:52:24Don't be deceived, Inspector.
00:52:26My salary on the force couldn't even begin to pay for this house.
00:52:30My good fortune results from the fact that I have the time and the resources to take on private cases.
00:52:36A private eye?
00:52:38You can call me that if you wish. I prefer a private investigator.
00:52:43And your, uh, superiors have no objection?
00:52:46I have no superiors.
00:52:48Ah, yes.
00:52:51Why don't you have yourself a seat?
00:52:53How gracious.
00:52:59I called you here because I have managed to solve the mysterious case of our threatening murderer.
00:53:05I thought you might be interested.
00:53:07Ah, yes, of course.
00:53:08This is the day, isn't it?
00:53:11And I was beginning to think you were really stumped for once.
00:53:14Hardly.
00:53:15Although rather unique in its initial appearance,
00:53:18the case has actually turned out to be rather routine.
00:53:23Really?
00:53:26As you so, uh, aptly put it, uh, yesterday,
00:53:32what is apparently murder?
00:53:34A horrible death, as it says in the note.
00:53:36The win is obviously today, three days after the note's delivery.
00:53:41And the victim of this unsavory piece of mayhem.
00:53:46As the note says, someone that I am supposed to know is, in fact, myself.
00:53:58Yes, me.
00:54:01Now for the perpetrator, the plotter, the instigator of this vicious scheme to commit cold-blooded,
00:54:09premeditated murder.
00:54:10After examining certain obvious elements, elements that reek of ego and pride and lust for power,
00:54:19I can only come to one conclusion.
00:54:22The case is solved.
00:54:24I am the victim.
00:54:26And you, my dear inspector, are the murderer.
00:54:32Bravo.
00:54:33Well done.
00:54:35An excellent piece of investigation.
00:54:38And the weapon, of course, a gun.
00:54:40The least likely weapon to be used by Britain's leading crime fighter.
00:54:44That's why no one could possibly suspect me of killing you.
00:55:00I forgot to tell you.
00:55:03I solved the case two days ago.
00:55:07No.
00:55:08No.
00:55:09No.
00:55:11No.
00:55:33¿Qué pasa?
00:56:02¿Qué pasa?
00:56:22¿Qué pasa?
00:56:55¿Qué pasa?
00:56:57¿Qué pasa?
00:56:59¿Qué pasa?
00:57:11¿Qué pasa?
00:57:24¿Qué pasa?
00:57:26¿Qué pasa?
00:57:26¿Qué pasa?
00:57:26¿Qué pasa?
00:57:28¿Qué pasa?
00:57:31¿Qué pasa?
00:57:31¿Qué pasa?
00:57:33¿Qué pasa?
00:58:05¿Qué pasa?
00:58:09¿Qué pasa?
00:58:10¿Qué pasa?
00:58:14¿Qué pasa?
00:58:24¿Qué pasa?
00:58:51¿Qué pasa?
00:58:54¿Qué pasa?
00:58:54¿Qué pasa?
00:58:55¿Qué pasa?
00:59:00¿Qué pasa?
00:59:03¿Qué pasa?
00:59:05¿Qué pasa?
00:59:23¿Qué pasa?
00:59:26¿Qué pasa?
00:59:28¿Qué pasa?
00:59:33¿Qué pasa?
00:59:34¿Qué pasa?
00:59:35¿Qué pasa?
00:59:36¿Qué pasa?
00:59:40Slob.
01:00:00Sorry.
01:00:01Hey, look, look, I don't have any change.
01:00:04Why don't you get a job?
01:00:06Creep.
01:00:34Hey!
01:00:35You got me locked in.
01:00:41Is somebody back there?
01:00:51Hello?
01:00:53Hello?
01:00:54Hello?
01:01:03Hello?
01:01:04Hello?
01:01:14Hello?
01:01:16Hello?
01:01:24Gracias.
01:01:54Is somebody down there?
01:02:37Is somebody down there?
01:03:04Get out of here!
01:03:13Hey!
01:03:14Hey!
01:03:16Stop!
01:03:17No!
01:03:17No!
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01:07:34No!
01:07:35No!
01:07:54¡Suscríbete al canal!
01:08:32Gracias por ver el video.
01:09:04Gracias por ver el video.
01:09:35Gracias por ver el video.
01:10:03Gracias por ver el video.
01:10:23Gracias por ver el video.
01:10:25¿Por qué?
01:10:31No!
01:10:32No!
01:10:33No!
01:10:39No!
01:10:44No!
01:10:48No!
01:10:53No!
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01:15:19¿Puedo leer María como un libro?
01:15:23No, no, no, no, no.
01:16:18No, no, no, no, no.
01:16:25No, no, no, no, no.
01:17:16No, no, no, no, no.
01:17:20No, no, no, no, no, no.
01:18:00No, no, no, no, no.
01:18:19No, no, no, no, no.
01:18:35No, no, no, no, no, no.
01:18:40No, no, no, no, no.
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