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00:28The End
00:33The signorina and the signora, what is some special destination?
00:37Just let's drift around.
00:38Just some place quiet, one of the small canals.
00:40Right there.
00:59Okay, Alicia, you said a song.
01:01Yes.
01:02Now listen carefully.
01:04All right.
01:23That's all?
01:24Oh, it's simple, but you must remember it exactly.
01:28Now you try it.
01:28All right.
01:30La, la, la, la, la, la, la, la, la, la, la.
01:45That's perfect.
01:46Now two of us know it.
01:48We'll be safer that way.
02:04Crane to see you.
02:06Come and save you.
02:16Crane to see you.
02:17Come and see you.
02:18This is Crane.
02:20If you read me, don't speak.
02:22Just flash.
02:29Acknowledged.
02:31I'm in contact with Alicia.
02:35Leonetti was right.
02:36They'll try anything to stop us.
02:39You're taping me, of course.
02:41Good.
02:43First, Dr. Leonetti is dead.
02:46They hauled his body out of the Grand Canal.
02:49The police called it suicide.
02:51But Alicia has the information.
02:54Those tapes Leonetti sent
02:55are the defenses against their so-called ultimate weapon.
02:59We play the tapes at gibberish.
03:01Alicia has the key.
03:03It's a tune.
03:05Feed the notes of the tune through the computer
03:07and the sonic impulses will decode the tape.
03:11And she taught me the melody, but she's going to hum it to you herself.
03:14Stand by to tape it.
03:15Okay, go ahead.
03:19This is the tune.
03:22La, la, la, la, la, la, la, la, la, la, la.
03:26La, la, la, la, la, la, la, la, la, la, la, la.
03:32Be safe.
03:34House.
03:35It.
03:38Hey.
03:42Oh.
03:43Hey, there.
03:44Hey!
03:44Hey, there, yes, police down!
03:47Hi.
03:54Hi, I'm there.
03:55Hey, there, boy, there.
03:57Anyway, there, of course.
04:05My name is the name ark주세요.
04:11Starring Richard Basehart
04:17David Hedison
04:26Voyage to the Bottom of the Sea
05:04David Hedison
05:32David Hedison
06:00David Hedison
06:01David Hedison
06:02David Hedison
06:03David Hedison
06:23David Hedison
06:25David Hedison
06:27David Hedison
06:48David Hedison
06:50David Hedison
06:50David Hedison
06:51David Hedison
06:52David Hedison
06:54David Hedison
07:06David Hedison
07:06David Hedison
07:15David Hedison
07:21David Hedison
07:23David Hedison
07:25David Hedison
07:27David Hedison
07:38Unscramble
07:43Morning, sir
07:43Good evening, sir
07:45I want you to relay the following to the Office of Naval Intelligence
07:48You ready?
07:51Dr. Leonetti is dead
07:53But his tapes are aboard Seagull
07:54Now these tapes represent our defense against a new weapon system
07:58Developed by the other side
08:00The key to the tapes is a tune
08:03Excuse me, sir
08:04You said tune
08:06That's right, a melody
08:07Captain Crane knows the melody
08:09But he's trapped in Venice
08:10And framed with a murder charge
08:12So I'm leaving for Venice immediately
08:13Yes, sir
08:14One other thing
08:17Request O.N.I. to send me the identity of the top enemy agent in North Italy
08:21Right away, sir
08:23Oh, Admiral
08:24Can you get Lee
08:26Can you get Captain Crane out of there?
08:30I don't know
08:32I wish I did
08:47You know, sir
08:49Lee may be dead for all we know
08:50But I'm gambling
08:51But he's not
08:52That's why I'm going into Venice openly
08:55You'll be recognized in no time flat
08:57Well, for sooner the better
08:58If I can't find Crane
09:00Then he has to find me
09:02Are you going alone, sir?
09:04No, I need two men
09:06Is there anybody on board that can write music?
09:09Uh...
09:10Stu Riley can
09:12I might have known
09:13What do you call that music?
09:14It's that surfer stuff
09:15Call it, it doesn't matter
09:17Just as long as he can write the notes down
09:18Alert him
09:19And, uh...
09:20I need someone to take us in on the flying sub
09:22Chief Sharky can handle that
09:23I'll see you what I want
09:29Admiral
09:31Yes?
09:32Miss Hale calling from the Institute
09:35Coming
09:40Unscrambled
09:45Got anything, Miss Hale?
09:47Yes, sir
09:47A report from ONI
09:49They have information on an enemy agent
09:52Who's supposed to be making his headquarters
09:54Right in Venice somewhere
09:55Who is he?
09:57His cover name is Count Staglione
10:00But the jet set types call him Ferdy
10:04Ferdy?
10:05That doesn't sound very imposing, does it?
10:08Don't be fooled, sir
10:09O-N-I says he's dangerous
10:12You are to use extreme caution
10:15Repeat
10:16Extreme
10:46Extreme
10:57THE END
11:23Venice
11:25The only great city in the world that can be completely cut off from the outside
11:30These trapped, framed and trapped, hold up in there
11:34But where?
11:36A hundred canals, a thousand alleyways
11:50We'll land in the Adriatic
11:52Beyond the islands
11:54Commence a merge
12:13SpongeBob
12:23Kevin
12:30Antonio, I never cease to be staggered by your prices.
12:34We try to please.
12:36Admiral Nelson approaches along the Via Margarita.
12:39He's about to enter the square.
12:41And Giulietta?
12:42With him.
12:44Very good.
12:50Sector 2 search completed.
12:53Results negative.
12:54Sector 4, investigating report of a tall man who may be American, was seen lurking in the district late last
13:00night.
13:01We'll report again on this in transmission.
13:22How about sitting over here?
13:24All right.
13:26Thanks.
13:28Ferdy, my dear, what a surprise.
13:30And for me too, cara Giulietta.
13:32Oh, I have a better surprise for you.
13:34This is a very famous American gentleman, Admiral Harriman Nelson, my friend Constaglione.
13:39My dear Admiral, I am honored.
13:43Please sit down, join me.
13:44Mm-hmm.
13:45I really haven't much time.
13:46I insist.
13:47Come, join me.
13:49Antonio.
13:51I had no idea Venice is such a distinguished visitor.
13:55You are here long?
13:57Just a brief holiday.
13:58Anyway, I plan to see the sights and relax a bit.
14:01He wanted to go to the casino.
14:03And here we meet you.
14:05Ah, but you must not waste any evening at the old casino.
14:08Ferdy runs a new casino.
14:09It's much smarter.
14:12All the really important people better now.
14:14You must visit before you leave, Admiral.
14:17Oh, Negroni, por favor.
14:19Reverend Solet, we want a little bit in Solet.
14:21This will admit you to the self-reveyor of the casino.
14:23So much more intimate.
14:28You're enjoying Venice?
14:30Well, let's say I find it stimulating.
14:33I can imagine.
14:34Undoubtedly, your friends here.
14:37But sometimes rather difficult to know just who your friends are.
14:40Ha, ha, ha, true.
14:42But I find the natives friendly.
14:45So I see.
14:46Now, Ferdy, you must not monopolize the Admiral because we were getting on so well.
14:51Ah, yes.
14:52You must not permit me to spoil your fun.
14:54But do try to visit my casino, will you, Admiral?
14:57Yes, you must.
14:58And I will be there tonight.
15:00Well, in that case, I'll make a point of it.
15:01Good.
15:02Very nice to meet you.
15:04Arrivederci, Admiral.
15:06Ciao, Juliet.
15:06Ciao.
15:19Ciao, Juliet.
15:20Ciao, Juliet.
26:35you are the man the police are hunting the police and others i can't help you you must go
26:47listen you've got to help me there's nobody else i can turn to there is nothing i can do to
26:51help
26:51you paid by american intelligence aren't you as a drop not as an agent i'm a simple shopkeeper
26:57is it a question of money well everything is a question of money signore all right i'll see that
27:06you're paid double now admiral nelson is supposed to be in venice i must reach him double signore
27:13remember that yes double go on admiral nelson is at the hotel dandolo dandolo where's your phone no no
27:23no no no phone the wire will be tapped raise your phone
27:33the number is mar m a r six two nine four
27:46oh be prepared to hang up quickly huh
27:58yes i see yes keep it talking as long as you can i will have a trace it an american
28:07calling nelson
28:08of the dandolo stand by i'm going to need you pronto pronto
28:17are they ringing him i think so it's it's taking a long time
28:23it's an old trick they stole they keep you on the line while they trace the call
28:28oh listen bellini i uh i need somebody to uh to write music notes and i need them now
28:35well i i know no one who can be trusted
28:39but triple the money to write music no to play music yes will that help
28:45all right how long uh will it take you to get him here
28:50oh not very long good you see i oh
29:02oh
29:07mesquadourze rouge peremonk
29:12yeah
29:14si mesdames et messieurs
29:18mesdames et messieurs
29:31My stars are all out of mine?
29:34It's like Dolce Vita, Miss Harmon.
29:36A nice story to tell when you get back home.
29:38Mesdames and Messieurs,
29:39faites vos jeux.
29:41Faites vos jeux.
29:42Faites vos jeux, mesdames and messieurs.
29:49Rien ne va plus?
29:56Rien ne va plus?
30:02Amira Nelson, good evening.
30:05Delati, you could come to my casino.
30:07I was under the impression that I had a date.
30:10Juliet, she hasn't arrived.
30:13Something important on that or did it in there.
30:17No matter, enjoy yourself at the table.
30:18So, for you, there is no limit.
30:20Le 36, rouge, perd et passe.
30:25Merci, monsieur.
30:29Congratulations.
30:31You have been extraordinarily lucky, Miro, so far.
30:35Mesdames et Messieurs, faites vos jeux.
30:38Faites vos jeux, mesdames et messieurs.
30:41Mesdames et Messieurs,
30:44Rien ne va plus.
30:54All right, you've got it now.
30:55You know what to do.
30:57Signore, he has no English,
30:59but I explained everything to him.
31:00He will do a very fine job.
31:02Oh, I wish I didn't have to depend on him.
31:05But they're watching every move the Admiral makes.
31:07I can't get anywhere near him.
31:09I've got to trust you, Bellini.
31:11Signore, I've given you shelter.
31:12I find you a fine musician.
31:14You can trust me with your life
31:17for triple pay.
31:19Bye, bye.
31:20Come each other, all right?
31:28Buonasera, signorina.
31:37Buonasera.
31:39Buonasera.
31:40Buonasera.
31:58Buonasera.
31:59Buonasera.
32:00Buonasera.
32:01Buonasera.
32:04Buonasera.
32:07Buonasera.
32:08Buonasera.
32:09Buonasera.
32:10Buonasera.
32:11Buonasera.
32:12Buonasera.
32:13Buonasera.
32:13Buonasera.
32:14Buonasera.
32:15Buonasera.
33:29Now look, I won't hurt you unless you scream.
33:35Now, if I take my hand away, will you keep quiet?
33:40All right, I won't.
33:42What do you want?
33:44I'm in trouble. I need your help.
33:47An American?
33:49Look, you're the one the police are looking for.
33:51Yes.
33:54You're a murderer.
33:55No, but I'm having a little trouble making anyone believe that.
33:58I saw you leaving with Admiral Nelson tonight.
34:01You know him?
34:04He's my boss.
34:05My name's Crane.
34:07Commander Lee Crane of the submarine, save you.
34:09I don't believe you.
34:12Why didn't you speak to the Admiral?
34:14He's being watched at every second.
34:16I've got to reach him.
34:17That's how you can help me.
34:18Will you?
34:20I don't know.
34:22How can I believe you?
34:24Now listen, I've got no right to ask this of you.
34:27But I'm desperate.
34:31And there's no other way.
34:33Now, are you willing to take a risk?
34:35And believe me, it's a real risk.
34:37To do something that's vitally important to your country.
34:40Oh, you're making fun of me.
34:42Do I look like I'm making jokes?
34:46No.
34:48All right.
34:49Will you help me?
34:51What do you want me to do?
34:55All right.
34:57Just memorize a little tune.
34:59I want you to go to Admiral Nelson and sing it to him.
35:01I can't.
35:03You mean you won't?
35:04I can't.
35:04I'm tone deaf.
35:08All right.
35:08And now, we'll have to do it the hard way.
35:12Now, I hope you've got a good memory.
35:13You're going to need it.
35:14I'll get this straight.
35:39Well, if it isn't Admiral Nelson.
35:45Well, you remember me, don't you?
35:48Oh, yeah.
35:49It's the school teacher from Ohio.
35:51Miss, Miss Harmon.
35:54Betty Harmon.
35:55I can't tell you how I enjoyed the gambling last night.
36:00Do you gamble often, Admiral?
36:03More than I should, I'm afraid.
36:08Please, won't you want to sit down?
36:11You know, being a tourist is hard work.
36:15I've been sightseeing all day.
36:18The signorina wishes to order?
36:20Oh, yes, I am thirsty.
36:24Would it be possible to get some kind of a soft drink?
36:28Uh, limonata.
36:30Si, senor.
36:34I, I even went shopping.
36:39Let me show you.
36:41The, uh, I thought it was a stork,
36:44but the shopkeeper assured me it was a genuine crane.
36:54Go on.
36:56Well, I, I was fascinated.
36:58The crane was damaged a little.
37:00The, the left wing, but nothing serious.
37:03I couldn't resist it.
37:06Its expression is so,
37:10so desperate, don't you think?
37:15Where could I find a crane like this?
37:18Well, it's the cutest little place called Bellini's.
37:22And the address is 64 Calais del Lombardo.
37:30When did they open?
37:32Well, that's the funniest part.
37:35Ordinarily not during the day.
37:38It was just an accident that I found it.
37:40I'm told the best time to go is after dark.
37:45Say, oh, around 11 p.m.
37:51Will they be open tonight?
37:53Yes, definitely tonight.
37:56Well, I thought you'd be interested.
38:00I am, believe me.
38:02Una limonata.
38:04Oh, thank you.
38:13Oh, I, I don't think I'm thirsty, after all.
38:17I still have so many other things to see,
38:19and time has a way of racing by.
38:21It certainly does.
38:22Well, it's been nice talking to you, Miss Harmon,
38:24and I hope you enjoyed the rest of your visit here.
38:28Oh, I suppose in Venice, I should say grazie.
38:32No, I'm the one that should say grazie.
38:50Put me through to Commander Morton.
38:56Chip, we've made contact with Lee.
38:58Now we have to get him out of Venice.
39:00So Chief Sharkey is picking him up at exactly 2300 hours,
39:04and we'll bring him to the sea view in the flying sub.
39:07What about you, Admiral?
39:08Will you be aboard with him?
39:10Negative.
39:11They're watching every move I make.
39:13I'm the decoy in this operation.
39:15All right, sir.
39:16We'll be expecting a chief and Lee shortly after 2300 hours.
39:20Very well.
39:21End transmission.
39:26Sit down, Manny.
39:32You picking up anything from the casino on your monitor?
39:35No, sir.
39:36Just a couple of cleaning women early this morning.
39:38Nothing else.
39:39Hope you didn't go all that sweat last night for nothing.
39:42I mean, planting that bug in there.
39:44Maybe the casino isn't their headquarters.
39:46I still think it is.
39:47You keep monitoring.
39:49Yes, sir.
39:54Just one thing, Admiral.
39:55This little bird that gave you the message from the skipper.
39:59Can you trust her, Betty Harmon?
40:03With my life?
40:04No, no, no.
40:07I don't know what you're talking about.
40:11I regret your choosing to make it difficult for us and for yourself.
40:19No matter.
40:21My friend here has a syringe filled with a rather exotic chemical known as a mine, trioxidase.
40:27You will soon tell us anything we want to know.
40:30No.
40:31No, no.
40:33No, no.
40:37No, no, no, no.
40:39No, no.
40:39Admiral.
40:41Admiral.
40:44It's called Melanie's.
40:50She's spilling everything she knows.
40:53Can we get her out?
40:54Not a chance, not yet.
40:58This means a complete change of plans.
41:02I'll contact Seaview with new orders.
41:05Meanwhile, I want you to go to this address.
41:07Captain Kramer's there.
41:09Get him aboard the flying submarine back to the Seaview.
41:11Now, they're expecting me to go for them.
41:12So if you move fast, you should get away with it.
41:14Aye, aye, sir. Take off.
41:21Well, Chief,
41:23it's up to us to dream up some way
41:25of keeping our friends here occupied.
41:28Stay here until 11 o'clock?
41:31Oh, no, no, I don't know.
41:33But it's less than three hours.
41:34I can't dodge around the streets any longer.
41:36I realize, but what if you've already been spotted?
41:39And perhaps followed?
41:40If they'd spotted me, I wouldn't be here.
41:41I'd be dead.
41:43All right.
41:44You may stay.
41:47But...
41:53Buona sera, Captain O'Crane.
41:55We've been looking all over Venice for you.
41:57Well, now...
41:57Oh, my God.
42:27Oh, my God.
42:59Oh, my God.
43:10Riley should have Crane aboard by now.
43:12Right, sir.
43:13What about the special equipment?
43:15Most stashed away in every pocket.
43:16We just got time to get to the casino before it opens.
43:19Are you sure you know how to do the rigging?
43:22Give me a will?
43:23Admiral, I had a very rich and full childhood.
43:25Look, Kevin, we're going to have to rely on surprise and confusion.
43:28We hope to get that girl out of her alive.
43:30Now, have you got everything?
43:32Yes.
43:33All right, let's go.
43:50All right, Chief, do you stuff?
43:51I don't need the light.
44:12I got to fix a stop at zero.
44:14That'll make the connection.
44:16And that'll trigger the smoke bomb.
44:18In the confusion, we can free the schoolteacher.
44:24How much longer?
44:28All set.
44:30All right, let's get out of here.
44:40Good evening, gentlemen.
44:42I'm flattered to find you.
44:43Can't wait until the casino opens.
44:49I assume that we're your prisoners.
44:52You are.
44:53I won't try anything if I were you.
44:55I have ample men's power.
44:57All well armed.
44:58What do you hope to accomplish by holding us?
45:00After all, you're a professional agent.
45:02You should know when you're beaten.
45:04Beaten, Admiral.
45:05And how do you arrive at the conclusion?
45:08Crane was the man you had to stop, not me.
45:10By now, he's aboard the Sea View and out of your reach.
45:12Really?
45:14Julieta?
45:31Check.
45:32No, no, I'm here.
45:33Check with me.
45:37The badly hurt, Lee?
45:38I was winged.
45:39And my ego is a little bit bruised, but that's all.
45:43We clobbered him, Admiral.
45:45Then we ran outside into a whole flock of them and...
45:49Wipe out.
45:50And may I compliment you and your men on your resourcefulness.
45:53Unhappy it has gained you nothing.
45:55The little tune that is so important to all of us is still locked in the good captain's head.
46:01Am I right?
46:02No, perhaps you are, but that doesn't do either one of us any good.
46:06I doubt if Captain Cain is in the mood to sing.
46:09Perhaps not.
46:11But the tune will be of great importance to us, you know.
46:14Or were you aware that we do possess a copy of the lamented Dr. Leonetti's cryptic tape?
46:20That's why we prefer to capture the good captain.
46:22We are most anxious to decode the tape ourselves.
46:27I'm afraid you can't.
46:28Not without the tune.
46:31Oh, Captain Cain will sing.
46:33Just as your young lady did.
46:35With the head of a little shot of amine trioxidase.
46:39Wait a minute, sir.
46:41I suppose it's a foregone conclusion that none of us will get out of her alive.
46:45It's a fair statement.
46:46I regret it must include the school teacher, poor little thing.
46:51But she knows far too much now.
46:53You understand, don't you?
46:54Perfectly.
46:56Since we're all condemned to die, I'd like to make one last request.
47:01All right.
47:02Well, as a gambling man, you must be familiar with the old superstition
47:06that a condemned man invariably has luck in gambling.
47:10Do you feel lucky, Amon?
47:12Hardly.
47:13But I'd like to try one turn at the wheel.
47:17You have nothing to lose.
47:18I have nothing to gain.
47:19But we might test the superstition.
47:21And why should I agree?
47:23Because you have an inquisitive mind.
47:25Because you're a gambler.
47:28Are you tempted?
47:29One play, that's all?
47:32That's all.
47:33It could be amusing.
47:44Very well, Amiro.
47:46Fait for G.
47:48My number is zero.
48:19Fait for G.
48:29That's all.
48:41Oh, my God.
49:01Oh, my God.
49:31He's fine, Mademoiselle.
49:32See for yourself.
49:33Hi, Lola.
49:34Are you in the mood to listen to a little music?
49:37What happened to your arm?
49:38A music critic?
49:39A little respect for the artist, please.
49:42Get your tapes ready, Lola.
49:44This is the tune that caused all the trouble.
49:46La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
49:59la, la, la, la, la, la, la, la, la, la.
50:04Lala
51:00Lala
51:04Lala
51:05Lala
51:06Lala
51:06Lala
51:06Lala
51:10Lala
51:11Lala
51:13Lala
51:13Lala
51:14Lala
51:15Lala
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