Il vice commissario Apicella usa tutti i mezzi a sua disposizione per combattere il traffico di stupefacenti che sta corrodendo Napoli. Michele Acuto, della famiglia Ammirato, vuole passare al servizio dei Palestra: scopertolo, Ammirato invia Acuto da Naso di cane per commissionargli un omicidio con delle banconote sporche di sangue. Spera che Ciro scoprirà il trucco e vorrà vendicarsi uccidendo Acuto. Questi, accortosi della trappola, cerca disperatamente Naso di cane per rivelargli tutto.
Naso di cane, tratto dal romanzo di Attilio Veraldi e diretto da Pasquale Squitieri, è la prima serie tv italiana di ambiente camorristico. In 3 puntate, trasmesse nel 1986, racconta la storia del killer Ciro Mele e la faida tra i clan Ammirata e Palestra. Nel cast Claudia Cardinale, Nancy Brilli, Luca De Filippo e Nigel Court.
Regia: Pasquale Squitieri
Interpreti: Nigel Court, Luca De Filippo, Claudia Cardinale, Nancy Brilli
Naso di cane |S1E1|
https://dai.ly/xa83g20
Naso di cane |S1E2|
https://dai.ly/xa83hpi
Naso di cane |S1E3|
https://dai.ly/xa83jky
#SerieTV #Camorra #Gomorra #Gomorrah #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #CriminalitàOrganizzata #Camorra #Gomorra #Casalesi #CasalDiPrincipe #Clan #Boss #Ndrangheta #SacraCoronaUnita #Antimafia #Falcone #Borsellino #Saviano #RobertoSaviano #Riina #Provenzano #Vallanzasca #PippoManiero #Turatello #Mesina #Mafia / #CosaNostra / #Camorra / #Ndrangheta / #SacraCoronaUnita / #Antimafia / #Narcos / #Gangs / #Gangsters / #KompaniaBello / #BlackMafia / #NigerianMafia / #AfricanMafia / #BlackMafiaFamily / #Gomorra / #Gomorrah / #Boss / #Organizacija / #MafiaCinese / #Triadi / #Sānhéhuì / #14K / #BambùUniti / #Yakuza / #Hiragana / #katakana / #BandaDellaMagliana / #AnonimaSarda / #Maras / #Pandillas / #MaraSalvatrucha / #MS13 / #Barrio18 / #Calle18 / #LatinKings / #Trinitarios / #SolncevskajaBratva / #MafiaRussa / #CDS / #CJNG / #CDG / #LosZetas / #BLO / #LaLinea / #Urabeños / #ComandoVermelho / #PCC / #MocroMafia / #Medellin / #Cali / #PabloEscobar / #Sinaloa / #ElChapo / #Juàrez
Naso di cane, tratto dal romanzo di Attilio Veraldi e diretto da Pasquale Squitieri, è la prima serie tv italiana di ambiente camorristico. In 3 puntate, trasmesse nel 1986, racconta la storia del killer Ciro Mele e la faida tra i clan Ammirata e Palestra. Nel cast Claudia Cardinale, Nancy Brilli, Luca De Filippo e Nigel Court.
Regia: Pasquale Squitieri
Interpreti: Nigel Court, Luca De Filippo, Claudia Cardinale, Nancy Brilli
Naso di cane |S1E1|
https://dai.ly/xa83g20
Naso di cane |S1E2|
https://dai.ly/xa83hpi
Naso di cane |S1E3|
https://dai.ly/xa83jky
#SerieTV #Camorra #Gomorra #Gomorrah #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #CriminalitàOrganizzata #Camorra #Gomorra #Casalesi #CasalDiPrincipe #Clan #Boss #Ndrangheta #SacraCoronaUnita #Antimafia #Falcone #Borsellino #Saviano #RobertoSaviano #Riina #Provenzano #Vallanzasca #PippoManiero #Turatello #Mesina #Mafia / #CosaNostra / #Camorra / #Ndrangheta / #SacraCoronaUnita / #Antimafia / #Narcos / #Gangs / #Gangsters / #KompaniaBello / #BlackMafia / #NigerianMafia / #AfricanMafia / #BlackMafiaFamily / #Gomorra / #Gomorrah / #Boss / #Organizacija / #MafiaCinese / #Triadi / #Sānhéhuì / #14K / #BambùUniti / #Yakuza / #Hiragana / #katakana / #BandaDellaMagliana / #AnonimaSarda / #Maras / #Pandillas / #MaraSalvatrucha / #MS13 / #Barrio18 / #Calle18 / #LatinKings / #Trinitarios / #SolncevskajaBratva / #MafiaRussa / #CDS / #CJNG / #CDG / #LosZetas / #BLO / #LaLinea / #Urabeños / #ComandoVermelho / #PCC / #MocroMafia / #Medellin / #Cali / #PabloEscobar / #Sinaloa / #ElChapo / #Juàrez
Categoria
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TVTrascrizione
00:00:00In the mass of marginalized youth that Naples today continuously produces
00:00:03there live two desperate boys, Cilomele, called Dog Nose,
00:00:07for a wound to his nose that disfigures his face,
00:00:09and Rosa, a very young prostitute, rebellious to any kind of protection.
00:00:14To protect Rosa from the threats of an exploiter,
00:00:17Dog Nose commits his first murder.
00:00:20From that moment on his life was marked.
00:00:22He will become a hired assassin.
00:00:24In the Naples of drug trafficking
00:00:27a bloody fight takes place between two families
00:00:29who compete for control of the city, admired and gymnasium.
00:00:33The two families hide their business
00:00:35under the legal cover of funeral bomb companies.
00:00:38The judiciary and the police can only partially contain
00:00:41the overwhelming drug market and all the crimes that result from it.
00:00:45The killers, the professional assassins, pop up like smoke.
00:00:49Among them, Naso di Cane stands out for his obsessive professionalism.
00:00:53Among the policemen involved in this very tough fight
00:00:55the figure of a young deputy commissioner, Corrado Apicella, stands out.
00:01:00Apicella is a Neapolitan, born and raised in the same neighborhoods
00:01:03which produced the ciromele and prostitutes like Rosa.
00:01:07He knows them, he knows the degradation from which they come
00:01:09and must nevertheless command respect for the community and for the laws of the State.
00:01:14He therefore lives with bitterness the duty he performs daily.
00:01:18Next to him, in a difficult relationship, there is Laura,
00:01:21widow of a police officer killed by the Camorra.
00:01:24A woman shocked by what happened to her
00:01:27and terrified of what might happen to her young son Marco.
00:01:31The crimes follow one another at a rapid pace.
00:01:34The killers organize themselves into a small corporation called the bikers' corporation.
00:01:38which intends to manage the entire death market
00:01:40and who does not look favorably on an independent like Ciromele.
00:01:45In vain Apicella will try to help the boy he has known for a long time
00:01:48and that he would like to pull out of the spiral of violence
00:01:51which now involves the city.
00:02:49In vain Apicella
00:03:19In vain Apicella
00:03:45In vain Apicella
00:03:56Are they already cooked?
00:03:58I was supposed to be a cook, not a policeman.
00:04:00You still have time.
00:04:02Come, come to the table at the cold house.
00:04:05It's not enough for me.
00:04:08But don't give...
00:04:09I eat, I eat.
00:04:25As?
00:04:26Good.
00:04:34There's no question of sleeping, huh?
00:04:38And what do you want to sleep?
00:04:40If it is precisely at night that these people live, work, intrigue, decide which corpses we will have to find
00:04:47the next day in the garbage.
00:05:05Franci, take a look, see if you at least recognize motorcycles.
00:05:09It's difficult tomorrow, we were covered and then they were very fast.
00:05:14And you look, be careful, you never know.
00:05:21Go away.
00:05:23Go away.
00:05:27Go away.
00:05:28Go away.
00:05:34That's all, Stifar.
00:05:41You are on the road and go to the hypotonic.
00:05:43Let's see if Rassadiela knows anything.
00:05:48I thought you were more...
00:05:51detached.
00:05:52More cynical.
00:05:54Laura, I love this city.
00:05:56I understand it, I live it.
00:05:58How can I resign myself to seeing her so destroyed?
00:06:01Dominated by an advancing barbarism.
00:06:04Spitted out.
00:06:05And above all unexpected.
00:06:09But how could it have fallen?
00:06:13Well, these things don't happen on their own.
00:06:16Just like that from one moment to the next.
00:06:17And above all without anyone wanting it.
00:06:21Drugs are at the root of everything.
00:06:24It's a scary river of money.
00:06:26With an overwhelming power of corruption.
00:06:29You see, the crime we knew, old and young,
00:06:33who was used to getting by...
00:06:35I don't know, with contraband cigarettes,
00:06:38the prostitutes who were getting older and older.
00:06:40With the clandestine game.
00:06:42A clandestine game made mostly of bills of exchange.
00:06:46Now, any moment now,
00:06:48swimming in a sea of money,
00:06:50millions, billions,
00:06:52they can buy whoever they want.
00:06:54They can bribe anyone.
00:06:56And they feel like they own the world.
00:07:14A journey, a murder.
00:07:17Today they make billions.
00:07:19Sudden fortunes accumulate,
00:07:22that end up in the hands of ambitious young men.
00:07:25They cause terrifying, bloody massacres.
00:07:27and that last a short time.
00:07:30Time is the growth of another ambitious young man.
00:07:50And I gave you the money,
00:07:51but do you want to go or not?
00:07:52Eh, you want.
00:07:53And what do you benefit from?
00:07:54Gringo, one hundred thousand victories.
00:07:55I give it a five.
00:07:55Eh, but you.
00:07:58Sorry, Mom.
00:07:59Please, imagine that.
00:08:07Donna Achille, what a lovely surprise.
00:08:09Eh, let go.
00:08:10I learned about the fact this morning,
00:08:11that's why I didn't show up.
00:08:13But do you know them?
00:08:15And who?
00:08:16Who has children and whores hits on a motorcycle.
00:08:18No, I know as much as you want.
00:08:20They are organized people,
00:08:21they are part of the cooperative.
00:08:22They go with whoever pays them best.
00:08:24And here they show themselves.
00:08:25Here?
00:08:26Oh, they're crazy.
00:08:27It would be too dangerous.
00:08:30So, keep me posted, okay?
00:08:32Absolutely.
00:08:32It would be, that they are crazy.
00:09:07Nelumbo placed.
00:09:10You have won again, Mrs. Patrizia.
00:09:13Compliments.
00:09:13Rassiti.
00:09:16I always win.
00:09:19And I know what the secret is.
00:09:21What's the secret?
00:09:23And it's not like you always win.
00:09:25It's just that you always side with the winner.
00:09:28If you think that,
00:09:30then you can just make your peace with it.
00:09:34You know, one day I can't win too.
00:09:37Donna Ghilla had a bad wake-up call this morning.
00:09:40What do you mean?
00:09:42Eh, what do I mean?
00:09:43Yes.
00:09:43It's just that in this job you never know.
00:09:45From one day to the next
00:09:46anything can happen.
00:10:11We can control the ball,
00:10:13the gambling houses,
00:10:14but I don't think so.
00:10:17No, you're right, it's useless.
00:10:20We're going back.
00:10:22I know who to entrust this task to.
00:10:37Do you understand now?
00:10:51I understand, I understand.
00:10:53I've heard these things before.
00:10:57I understand, I understand.
00:10:59No, you're right.
00:11:23Thank you.
00:11:39Thank you.
00:12:28Thank you.
00:12:30Thank you.
00:12:31Throw away money like waste paper.
00:12:33You should do something.
00:12:34Hey, what can I do, ma'am?
00:12:36I can only make him earn more.
00:12:38Make him stop.
00:12:39It's incredible, it's four times.
00:12:41Four.
00:12:42And holy cow, this bench has to fall.
00:12:45Banco has 16 million.
00:12:47Banco has 16 million.
00:12:50It amuses me that way.
00:12:51Does anyone call the bank?
00:12:52The bank is at 16 million.
00:12:54Does anyone call the bank?
00:12:55Bank.
00:12:56This is crazy.
00:12:57The bench has been called.
00:12:59Accept, accept.
00:13:00He can deal the cards.
00:13:09The tip doesn't want cards.
00:13:11The dealer has seven.
00:13:12Seven the bank.
00:13:14Six.
00:13:15You're the tip.
00:13:16What a friendly road.
00:13:19Black staircase.
00:13:20What are you so angry about?
00:13:22It's not worth it, you comment.
00:13:24What are they for you?
00:13:25Crumbs?
00:13:25In short, they're small change.
00:13:26Ah.
00:13:27Do you call 30 million small change?
00:13:29Eh, okay.
00:13:30What is he doing, are you commenting?
00:13:31In the last deal we did, you made 80 million on your side alone.
00:13:36In the next one you are expected to earn ten times more.
00:13:40And how?
00:13:42As?
00:13:43Big things, you comment.
00:13:45Big things.
00:13:46You can tell your friends that manna is about to fall from heaven.
00:13:50The Sicilians, I told you about them, right?
00:13:51They want to make big investments.
00:13:53Listen, sharp.
00:13:54I don't want to go into details.
00:13:57I don't want to know anything.
00:13:58I find you the money and you invest it.
00:14:00Point.
00:14:00And that's it.
00:14:01I'm out of money, can you lend me some money?
00:14:04Bank called 32 million.
00:14:06Wait, I'm going to ask my husband now.
00:14:08Accept, sir.
00:14:13Here it is.
00:14:14You lost everything, huh?
00:14:15Oh no, you went away and left me without a fish.
00:14:17I gave you a million before.
00:14:19You flew away.
00:14:20I don't understand you, dear.
00:14:21You throw away millions and then you protest for a small check.
00:14:24One in the family is enough.
00:14:29I want to, dear.
00:14:31Peel off the mannanzi and balls.
00:14:37AND...
00:14:38What does Don Achille say?
00:14:40Have you talked about it?
00:14:42Ah.
00:14:42Don Achille has nothing to do with this affair.
00:14:45It's out of his reach, that's all.
00:14:48And business is business, you comment.
00:14:50You said it a moment ago.
00:14:51That you don't even care about the details?
00:14:54Of what amount?
00:14:54What kind of exhibition is this?
00:14:56The sum?
00:14:57Two billion.
00:14:59Thank you.
00:15:02However, I can guarantee you 45% in a month.
00:15:05Bank of 64 million.
00:15:06You sit down again.
00:15:07Gentlemen, who is calling this 64 million bank?
00:15:10WIN.
00:15:10I don't know if friends.
00:15:11Friends.
00:15:12He is convinced he will win.
00:15:14But it's always the same story.
00:15:15Gentlemen, the bank is 64 million.
00:15:17Down payment.
00:15:18Is anyone asking for this bench?
00:15:20I have to hear from my friends.
00:15:21In the center, on the left.
00:15:22Friends, comment.
00:15:23You don't have to explain anything to him.
00:15:24He has confidence.
00:15:25Then friends have so much money
00:15:26who don't even know how to invest them.
00:15:28The bank is 64 million.
00:15:29Anyway, if you don't care, how will he not say?
00:15:31Hey, ass woman.
00:15:33Oh, good heavens.
00:15:34At least give me time to think about it.
00:15:36Oh well, think about it.
00:15:37You ask us, you comment.
00:15:38Then yes.
00:15:38You ask us, okay.
00:15:39This opportunity doesn't come along every day.
00:15:41Bank.
00:15:41Bank called for 64 million.
00:15:44All.
00:15:44Well, let's look at the features.
00:16:07What do you think?
00:16:10What do you think?
00:16:11Where are these shoes of his?
00:16:13Help.
00:16:16Who paid for this stuff?
00:16:18I do not know.
00:16:19But I saw him in shoes without me knowing.
00:16:23Shoes, huh?
00:16:24And you didn't notice?
00:16:26But who do you live so long for?
00:16:28Speak what's best for you.
00:16:29If not, I'll send you to a reformatory.
00:16:33Toto.
00:16:34I didn't stop.
00:16:35It can't bother you.
00:16:36You're 12 years old.
00:16:38But I can send you both to the hospital, though.
00:16:42Great courage.
00:16:43We say that because you're little.
00:16:44But try doing it this evening here with mine.
00:16:46And hold on down here.
00:16:48Hey, Russo!
00:16:50But what are you doing in Cadinta?
00:16:52They already hate us.
00:16:54Let's not make the situation worse.
00:16:57Look.
00:16:59But where did you find it?
00:17:00Ah, you wondered.
00:17:01Ah, you realize that.
00:17:02Wait for me, please, go.
00:17:13Look who's back, go on.
00:17:16We already know each other, eh.
00:17:19What job does your father do?
00:17:20I'm a watchmaker.
00:17:21But with these relogs you don't understand anything anymore.
00:17:24But he is an honest man.
00:17:26He is an honest man.
00:17:27And I have to support it.
00:17:28And what do you do to maintain it?
00:17:30Do you sell drugs?
00:17:32I can't do anything about it.
00:17:33Carry the stuff from one side to another.
00:17:35Ah, that's the stuff you carry from one place to another.
00:17:38Where do you get it?
00:17:40He gives it to you in the gym, eh.
00:17:49I don't know any.
00:17:57Take this one to the holding cell.
00:17:59And tell the father.
00:18:05It's a par 했어 sport.
00:18:19And his data comes.
00:18:22It's a sporting party.
00:18:26It's a happy sport.
00:18:26It's a sport.
00:18:26It's a sport.
00:18:28It's a sport in fact.
00:18:30It's a sport in fact.
00:18:32But even if nothing.
00:18:32It's a sport in fact.
00:18:54Thank you all.
00:19:09Thank you all.
00:19:46Thank you all.
00:20:04Are you holy?
00:20:05Yes.
00:20:07Vico, be patient.
00:20:14Yes, go pay this money.
00:20:18At that time?
00:20:19Then it's simple, no problem.
00:20:21I give you the information and you give me 100,000 euros.
00:20:23Plus, I want your word from us that this story ends.
00:20:27Why don't my mates do the stuff anymore?
00:20:30Can we talk about it?
00:20:31And I speak.
00:20:32And what should I say?
00:20:35It depends on the information.
00:20:37If they are good.
00:20:38First of all, who gives you the stuff?
00:20:40Ah, but if you start like that you're in trouble.
00:20:43Who gives us the stuff?
00:20:43I don't count for anything.
00:20:44He doesn't even know where he comes from.
00:20:46It's just any party.
00:20:47So what?
00:20:49So can I tell you where the French is?
00:20:51French?
00:20:53Oh, yes sir.
00:20:54A Frenchman.
00:20:55What arrived this week.
00:20:57He is a chemist.
00:20:58Do you understand now?
00:21:12Who is the child?
00:21:13Oh, yes, thank you.
00:21:19This way, this way, carpets, oriental carpets, Turkish carpets, all original stuff.
00:21:25Keep an eye on the situation in your area.
00:21:27Don't scare me, this original stuff.
00:21:30It's all original stuff.
00:21:31Turkish carpets, rugs.
00:21:33Oriental rugs, this original stuff.
00:21:35Who do I have for you?
00:21:35Come to this part, to Salene.
00:21:37Come, come to Capizzo, to Capizzo, to Capizzo.
00:21:41Carpets, carpets, this is oriental stuff, all hand-made stuff.
00:21:45Carpets, carpets.
00:21:47Come this way, a little further on, I brought the little house with me.
00:21:50Oriental rugs.
00:21:51Come to this part, sir, comrades.
00:21:54Base 1, station 3 to base 1.
00:21:58Post 3 at base 1, everything under control.
00:22:02All right, Santoro, copy.
00:22:04The baby is fine.
00:22:06But he cries, he complains.
00:22:10We need to prepare the baby food.
00:22:13Give instructions to the babysitter.
00:22:15Idote, carpets.
00:22:15Andчики from carpets, Italianal.
00:22:17Si calh, minou questa parte.
00:22:19Cap riggaronte.
00:22:21Stuff was stuff.
00:22:21The carpet comrades, come and cap完成.
00:22:24With this stuff, we're off today.
00:22:26The oriental carpet companions.
00:22:28Of gолог, of maschiccate.
00:22:29That is impaling the hand.
00:22:31Or are they toasting?
00:22:32Comrades like that.
00:22:34The comrades there.
00:22:34I brought.
00:22:35Come on, boys.
00:22:36All stuff is original.
00:22:37All macho stuff.
00:22:39Carpets, fromنا.
00:22:40Dracula, and stuff there hand.
00:22:42recall them.
00:22:42This is all original stuff.
00:23:07Vico, are you checking it?
00:23:12You're going out, everything's fine, you're going out.
00:23:15Okay.
00:23:16Oh mama!
00:23:37Now he was alive in a car that was waiting for him.
00:23:47The child was kidnapped three months ago and there is no trace of the kidnappers.
00:23:50Over and out.
00:23:51All right, Santoro, copy.
00:23:53It's done.
00:23:54Put the fried tirino on, okay?
00:24:09Thank you all.
00:24:13No, no, no, no, no.
00:24:42No, no, no, no, no.
00:25:16No, no, no, no, no, no.
00:25:18No, no, no, no, no, no, no, no.
00:25:47No, no, no, no, no, no, no.
00:26:12No, no, no, no, no, no, no, no.
00:26:50No, no, no, no, no.
00:27:15No, no, no, no, no, no, no.
00:27:20Arrêtez! Arrêtez! Arrêtez voyons! Arrêtez!
00:27:24They don't make it pas ça! They don't do it because there's the police!
00:27:26Never stop en fait! Stop, don't let go!
00:27:40Down with the car, down with the car!
00:27:59Doutor, I'm going yo!
00:28:00I was probing!
00:28:14And me? And me? What do you do to me?
00:28:16What do you want?
00:28:19What do you want?
00:28:20What do you want?
00:28:20What do you want?
00:28:21What do you want?
00:28:21What do you want?
00:28:22What do you want?
00:28:22What do you want?
00:28:26Over there, doctor!
00:28:27I'll take care of it here!
00:28:28But what do you want?
00:28:45What do you want?
00:28:46I'm accusing you, caritaille!
00:28:47Je suis accusé !
00:28:49I'm accused, I'm accused!
00:28:50Jeurais!
00:28:51Yes! Je lui arise!
00:28:55Don't shoot.
00:29:01Let's go down, good point.
00:29:04Eppa.
00:29:05Yes, yes, but don't shoot, I'm unarmed.
00:29:10Stopped.
00:29:11You know, stop there.
00:29:14You can come in, there is no resistance.
00:29:16Step.
00:29:26Raise your hands.
00:29:27Barretto, Barretto, shoot me.
00:29:49They screwed us.
00:29:52Satoro.
00:29:53What, doctor?
00:29:54Take me here, to the gym.
00:30:03Where does that trapdoor lead?
00:30:04Where does it lead?
00:30:05There's no need to kill me.
00:30:08I'll tell you right away, doctor.
00:30:10Where does it lead?
00:30:11On the road to Pompeii.
00:30:13And I can tell you even more.
00:30:16That there are two fast cars on that road.
00:30:19That they can take my brother anywhere.
00:30:23Take him away.
00:30:24If not, they pass the same way.
00:30:24Go.
00:30:25Go.
00:30:26And go ahead.
00:30:30The operation was led by Deputy Commissioner Apicella and Brigadier Santoro.
00:30:35And it led to the capture of Agnello Palestra.
00:30:37It also allowed the discovery of a property of the gymnasium, a well-equipped refinery capable of transforming raw heroin into
00:30:45the pure one intended for the market.
00:30:47Doctor Apicella, we know that you will have problems, I think you should refer to us for everything regarding the operation, but you
00:30:55believes that this discovery could in some way stop, or at least hopefully alleviate, the flow of drugs of this kind
00:31:03city?
00:31:04Or is this just the first step on a long journey yet?
00:31:09Please.
00:31:11As far as we are concerned, the first results of this operation seem positive.
00:31:17Yes, yes.
00:31:17We have finally managed to enter the economic mechanism of drug production, clandestine refining and trafficking.
00:31:25Yes, yes.
00:31:26Now, however, I beg your pardon, but I can't tell you more. We are awaiting the investigating magistrate's arrival.
00:31:34I'll tell you how things went.
00:31:36Stand still.
00:31:37Is there anyone hungry to talk? Has some corruption convinced him?
00:31:40Aces, stattasi, te aces.
00:31:42He will pay.
00:31:42He will tell you what to do.
00:31:44Please, gentlemen, but now...
00:31:45Let's stand still.
00:31:46Excuse me, sorry.
00:31:47Up, out, out.
00:31:51Come on, officers, accompany me.
00:31:54You're welcome, you're welcome.
00:31:56Sorry, but I don't think there's any point in continuing.
00:31:58We will send you a press release.
00:32:00Please.
00:32:01Is she still here?
00:32:02On.
00:32:02Good, good.
00:32:03Thank you.
00:32:07Don't talk about scoundrels.
00:32:08You can't talk about scoundrels and cuckolds.
00:32:11And do you understand?
00:32:12Good.
00:32:12Because you are the most infamous and cuckolded of all.
00:32:15You and your brother got into drugs.
00:32:17And you had no qualms about using children to sell it.
00:32:21Ah, that's where the tip came from.
00:32:25From the street urchins.
00:32:27I told you not to trust them.
00:32:30These children and zocco.
00:32:31These deaths and hunger.
00:32:33They can do whatever they want.
00:32:35The pettola is found covered in shit.
00:32:37But don't get your hopes up, Commissioner.
00:32:39That those in court don't get to testify.
00:32:41Children and clog.
00:32:43Touch just one and you won't even get to court.
00:32:47Because I'll kill you with my own hands.
00:32:49Enough now, Satò.
00:32:50Enough.
00:32:50Calm.
00:32:55And now let's talk about the murders.
00:32:58Two men of admiration.
00:33:00Annicchiello.
00:33:01Merdillo.
00:33:02One of the motorcyclists.
00:33:04Infusion.
00:33:04And also of all those who will come.
00:33:06Well yes.
00:33:07Yet the crucifixion of our Lord Jesus Christ.
00:33:10Commissioner.
00:33:11But let me understand.
00:33:12But you want them all from me.
00:33:13Ninth.
00:33:15From you I only want yours.
00:33:17Doctor.
00:33:19My only dead
00:33:21they are my father and my mother.
00:33:23Peace be to their souls.
00:33:25Two good people.
00:33:27It's sad to be an orphan.
00:33:29But you can see the parents.
00:33:34All right, okay?
00:33:40Do you like it, crazy?
00:33:42It's a way to make you lose the desire.
00:33:45Let's start all over again.
00:34:30Let's start all over again.
00:34:34Oh, Michele, it's okay.
00:34:35What is it?
00:34:35But don't worry about this part.
00:34:36But who's there?
00:34:37But don't worry.
00:35:03Are you crazy to make me come here?
00:35:06With the police going and looking everywhere.
00:35:09You don't have to worry.
00:35:11Nobody ever comes to museums.
00:35:14They don't even know they exist.
00:35:16Anyway, what do you tell me?
00:35:18Look, Vageli, we don't need you.
00:35:20With all that news on television,
00:35:22I was doing it abroad.
00:35:22Forget about television.
00:35:26You have taken care of the financing.
00:35:29And I was working on it.
00:35:32But then what happened happened and in any case there are some who agree.
00:35:36Tell me the goods instead.
00:35:38Do you still have it?
00:35:39That's why you don't have to worry.
00:35:42It's my business.
00:35:43When can I meet you?
00:35:46And give me time, right?
00:35:48Anyway, where can I find you next week?
00:35:51I'll find you.
00:35:53Okay, that wouldn't be where.
00:35:54We will see each other.
00:35:55Quiet state.
00:35:57Quiet state.
00:36:34Quiet state.
00:36:34Acute.
00:36:41But where are you going?
00:36:42We've been looking for you all day.
00:36:44Hey, rancho.
00:36:45We've been looking for you everywhere.
00:36:47Don Achille wants to talk to you.
00:36:49It's urgent.
00:36:50To me?
00:36:50Luckily we saw your car parked.
00:36:53But I warned you, sorry,
00:36:55who didn't come to the office.
00:36:57Excuse me.
00:36:58Go up.
00:36:59I always tell my children that museums are important.
00:37:02and there are a lot of things to learn.
00:37:04And they don't listen to me.
00:37:06Your children are hurting and we didn't listen to you. Sorry.
00:37:08Well yes.
00:37:09Easy him. Easy him.
00:37:31Sharp, but where were you?
00:37:32Don Achille has been looking for you all morning.
00:37:34But where have you been?
00:37:36Did you know he doesn't like to wait?
00:37:40As?
00:37:41But make your pants.
00:37:42Alright.
00:37:47Here I am.
00:37:49Ah, finally.
00:37:53But where were you?
00:37:54Huh?
00:37:55We looked everywhere for them.
00:37:57At home, at the bar, at the club.
00:37:59All we needed was to call the police station.
00:38:01I've been to the National Museum.
00:38:03I've been wanting to go there for a long time.
00:38:05A curiosity.
00:38:06It's very nice.
00:38:07That's interesting.
00:38:09And you with all the mess that's going on,
00:38:11with the dead on the ground
00:38:12and with what Commissioner Apicello is contemplating
00:38:14and with all that there is to do here.
00:38:16Instead of worrying about the company.
00:38:18To give me a hand to get out of this mess.
00:38:23Then he went to the National Museum.
00:38:27Tell the truth.
00:38:29There's some... down here...
00:38:33some nice vicerelle, huh?
00:38:36You say.
00:38:37There's nothing to be ashamed of, on the contrary.
00:38:39Huh?
00:38:41Now talk to me about serious things, eh?
00:38:42Say.
00:38:46You know who works for me
00:38:48I consider it...
00:38:49like a friend.
00:38:50But what am I saying, a friend?
00:38:51A brother.
00:38:52I made many people rich who walked
00:38:54with your ass in pieces.
00:38:55I made her become serious people, respectable, important people.
00:38:59And after all this...
00:39:01what do I get in return?
00:39:04A stab wound.
00:39:17Do you know Dog Nose?
00:39:20Certain.
00:39:21I know him, yes.
00:39:24Then take this commission to him.
00:39:27Well.
00:39:29Who?
00:39:30Who should be taken care of?
00:39:34Vincenzo Morcone.
00:39:36Vincenzo Morcone.
00:39:43Alright.
00:39:44As you wish.
00:39:46Alright.
00:39:51Now do you understand why I can't take care of it personally?
00:39:54Yes, certainly.
00:39:56Perfectly.
00:39:56It's clear, yes.
00:39:59Yes, I'm going.
00:40:01Vincenzo Morcone.
00:40:03Vincenzo even came to an end.
00:40:05Come on, Vincenzo.
00:40:06You go out.
00:40:10You see, I just paid the commission to get you killed.
00:40:15I don't understand you.
00:40:16We learned that...
00:40:18acute...
00:40:20he betrays.
00:40:21And it wasn't easier to put him under a car
00:40:23or drown in a sink.
00:40:26No, Vincenzo.
00:40:27Treatment is a game, like a card game.
00:40:30It's a lie made of half-truths, of smiles.
00:40:34In short, you can also have fun.
00:40:38Eh.
00:40:39And I want to have fun too.
00:40:43What if the dog's nose doesn't notice?
00:40:45He notices it, he notices it.
00:41:10He notices it.
00:41:32My God.
00:41:37My God.
00:41:43Please, Miss Carli, I'll let the boys out.
00:41:48Stone, take them to the garden.
00:41:51Guys, please, grab your stuff and go out.
00:41:53Without making any noise, please.
00:41:56But why did they kill her, huh? I don't know.
00:42:08It's crazy.
00:42:10I don't believe it.
00:42:11I refuse.
00:42:12Mr. President, please.
00:42:13Calm down, calm down.
00:42:15It's as it was thought.
00:42:17A heroin overdose.
00:42:21How do you notice it?
00:42:22He suddenly collapsed on the bench.
00:42:24It was very valid.
00:42:25I ran to him and found this syringe.
00:42:28I kept it a secret from the kids.
00:42:30I didn't want them to see it.
00:42:37Did you notify the parents?
00:42:39Only the mother.
00:42:41The father works in Belgium.
00:42:48Giver.
00:42:48Good morning.
00:43:06Death is believed to have occurred approximately two hours ago.
00:43:20Giancarlo!
00:43:23Giancarlo!
00:43:26Giancarlo!
00:43:30Hurry up, please.
00:43:32Put it back together.
00:43:33I wouldn't want his mother to find him like this.
00:43:41Miss, what happened?
00:43:43Why don't you tell me anything?
00:43:51Giancarlo!
00:43:54Giancarlo!
00:43:58Giancarlo!
00:43:59Giancarlo!
00:44:01Giancarlo!
00:44:04Ah!
00:44:08Ah!
00:44:09Ah!
00:44:10Ah!
00:44:11Ah!
00:44:15It's not calcite.
00:44:18The missingo is not calcito.
00:44:19There!
00:44:20Ilisingo, it's not calcito.
00:44:29Thank you.
00:45:17Mom is nervous because she heard that a child was killed with drugs.
00:45:23No, Marco. What are you saying? It's not for that. It's not for that reason. Mom has to leave because she worked.
00:45:33too much. She's very tired. And you accompany her so as not to leave her alone.
00:45:39Lady?
00:45:40Yes?
00:45:41Ma'am, the car has arrived. You're waiting downstairs.
00:45:44Yes, yes, Orlando. Here we are. Thank you.
00:45:50Give it to me, give it to me.
00:45:51Go with Orlando. Help them.
00:45:53Okay, Mom.
00:45:55Hey, come on, neighbors there. I'm asking you this, okay?
00:45:57Go, I'll call, I'll call.
00:45:59Eh.
00:46:13Don't judge me badly, Corrado, but staying would mean getting used to this barbarity.
00:46:19make it part of our life, of our logic.
00:46:23And this is not possible.
00:46:24And above all, it's not fair to our children.
00:46:30I'm going to Alberto's parents in Abruzzo.
00:46:36Goodbye.
00:46:40Escaping reality is not a great solution.
00:46:44It's an escape. Just an escape.
00:46:49This is just your reality, Corrado.
00:46:54The rule of an absurd and bestial game in which you involve all of us.
00:46:59I have already lost a lot.
00:47:04Too.
00:47:06I try to retreat before I am completely destroyed.
00:47:19Goodbye, Corrado.
00:47:35Operation 2, call Commissioner Apicella.
00:47:38Contact the police station urgently.
00:47:42Operation 2, call Commissioner Apicella.
00:47:45Contact the police station urgently.
00:47:48Commissioner Apicella, responding.
00:47:51Operation 2, call Commissioner Apicella.
00:47:54Answering.
00:48:05Answering.
00:48:06Answering.
00:48:12Thank you all.
00:48:55Thank you all.
00:49:19Thank you all.
00:49:54Thank you all.
00:49:56Thank you all.
00:50:21Thank you all.
00:50:46Thank you all.
00:50:49Thank you all.
00:51:28Thank you all.
00:51:29Are you eating a hamburger?
00:51:31No thank you.
00:51:33So what?
00:51:48Thank you all.
00:51:51Thank you all.
00:51:57All a hundred.
00:52:27You have to take care of it, then, then you will understand better.
00:52:31Thank you all.
00:53:01Is it so or not?
00:53:30And this?
00:53:31What the fuck is going on?
00:53:33And what's happening?
00:53:34And what's happening?
00:53:35And what do I have to do with it?
00:53:37Is that Donna Kill?
00:53:38Who trusts only him?
00:53:39Ah, I trust him.
00:53:40So what do we do, the puppets?
00:53:42Tell Donna Kill we're an organization, not vaccine-shy dogs.
00:53:46And because otherwise you understood what we're going to do to you, we're going to break you, understand?
00:53:49To whom?
00:53:49To me?
00:53:49But I am an organization, there is no organization, there is no organization.
00:54:19Just stay an organization, there is no organization, there is no organization.
00:54:29When mommy loves you...
00:54:32You?
00:54:33Thank you, sorry.
00:54:34Oh, finally some peace.
00:54:38You know that for some time now everything has bothered me, even songs.
00:54:42Yet as a boy I wanted to be a singer, but now I don't understand where it can come from
00:54:47desire to sing.
00:54:48And I know, because you and maybe I too only look at life from our own side.
00:54:53And yet life is a complicated thing.
00:54:55There are not only thieves, whores and drug dealers.
00:55:00There are also normal people, the working people, who live honestly and who want to have fun.
00:55:06every now and then, laugh, sing, listen to a song.
00:55:09It's true, professional deformation.
00:55:12A very bad deformation.
00:55:14Santo is a disease that leads us to no longer understand others, to live isolated, to feel
00:55:19isolated from everyone and which distances us from everyone.
00:55:21What you say is true.
00:55:23Now I can only talk to my classmates.
00:55:25And I know.
00:55:26I only trust them.
00:55:27But you're doing wrong.
00:55:28We do badly.
00:55:31We should spend more time with people.
00:55:33Talking about normal things.
00:55:34Yes, people.
00:55:35But people don't really trust us that much.
00:55:37This is true.
00:55:38But why, as a girl, did you really think you'd become a policeman?
00:55:42I?
00:55:42No, and I told you, I wanted to be a singer.
00:55:45So, let's call those two and listen to some music like everyone else.
00:55:49Nico, come here, let me hear something.
00:55:57How much your mother made you, how much your mother made you.
00:56:02You want to know how to do it, you want to know how to do it.
00:56:08How much I'm sticking to that, how much I'm sticking to that.
00:56:14How much I'm tickling that, how much mom made you.
00:56:23How much I'm tickling that, how much mom made you.
00:56:24How much I'm tickling that, how much mom made you.
00:56:28How much I'm tickling that, how much mom made you.
00:56:30How much I'm tickling that, how much mom made you.
00:56:30How much I'm tickling that, how much mom made you.
00:56:31How much I'm tickling that, how much mom made you.
00:56:31How much I'm tickling that, how much mom made you.
00:56:33How much I'm tickling that, how much mom made you.
00:56:34How much I'm tickling that, how much mom made you.
00:56:35How much I'm tickling that, how much mom made you.
00:56:44Ah, good, okay.
00:56:46You see, you're healed now, huh?
00:56:49Eh, look at things, eh.
00:56:54Oh, thanks.
00:56:55Yes, I have this dog nose underneath.
00:56:58He said he wants to talk to you.
00:57:00Amalia, don't call him that.
00:57:02How to call already?
00:57:03His name is Ciro Mele.
00:57:05With that face he looks like the devil to me.
00:57:07How ugly it is.
00:57:08But what does he want from you?
00:57:10And what do I know?
00:57:12Now we'll know.
00:57:15Good, good.
00:57:16I started to go down, up.
00:58:02Good morning, Professor.
00:58:03Eh, good morning, good morning.
00:58:05So, what happened?
00:58:08Did everything fall to the bed?
00:58:12A coffee?
00:58:15No, leave it alone.
00:58:16As you like?
00:58:21So, what do you want to please?
00:58:25Nothing.
00:58:27It's for advice.
00:58:30Professor, do you know what I do for a living?
00:58:34No.
00:58:36No, I don't know.
00:58:38But I get it.
00:58:40When someone comes to me it's only for advice,
00:58:43a suggestion, some help.
00:58:46I'm not interested in private life.
00:58:48But you're not like the others.
00:58:50I tried to understand, to hear the voices,
00:58:53the gossip.
00:58:55And I don't like what I heard.
00:58:59But that's none of my business.
00:59:03So, if I can help you,
00:59:05I'm always at your disposal.
00:59:51Eh, I'm good.
00:59:55I'm good.
00:59:57Eh, always like that.
00:59:59If you have any doubts, any suspicions,
01:00:01you have to tell me where it comes from.
01:00:03If you can.
01:00:05The origin is Michele Acuto.
01:00:08And the commission?
01:00:10As long as you can say that.
01:00:12Yes.
01:00:14I have no mystery to you.
01:00:17Vincenzo Morcone.
01:00:18Ah.
01:00:21But they are not both partners in the funeral home.
01:00:24of that beautiful skin of Aguilla Mira?
01:00:26Exact.
01:00:28And the commission brought it to me sharp,
01:00:31on the part of Ammirato.
01:00:33And on top of that he paid for everything in cash,
01:00:35it's all anticipated.
01:00:38This means that Morcone is cheating.
01:00:42And who's surprised?
01:00:44There is no more honor,
01:00:46nor friendships.
01:00:49Only money matters.
01:00:53And in money,
01:00:55in this money that they gave you,
01:00:58the answer is found.
01:01:00You come.
01:01:24And in money,
01:01:55The city is 2.020
01:02:14The city is 2.020
01:02:35The city is 2.020
01:02:38The city is 2.020
01:03:07So, what's the problem?
01:03:08Hey, look at these.
01:03:18Pia, 431, 127.
01:03:20Oh yeah, that's in shit.
01:03:22They are fake.
01:03:23Worse, they're dirty, stuff from some kidnapping, I don't know.
01:03:26And don't waste my time, and don't come here anymore.
01:03:37So what?
01:03:39They're dirty.
01:03:40If you find someone who will change them for you, they are worth a tenth.
01:03:44He plays there in Agnano, at the clandestine pickets.
01:03:47There, they screwed him.
01:03:51In Cattavani.
01:03:53Yes, yes.
01:03:54Wait a minute, I'll give you 2,000.
01:03:552,000 is fine, okay?
01:03:56Well.
01:03:58As for the 200,000?
01:04:00Is 4,000 okay?
01:04:03At that time?
01:04:08You have earned 60 points on the mark.
01:04:10Something on the dollar and a hundred on the florin.
01:04:15But the florin rises, rises again.
01:04:18You are very good.
01:04:20I have to tell my husband.
01:04:22You are really very good.
01:04:25It's better if you don't tell Donna Achille, otherwise he'll raise my taxes.
01:04:29I did it for you, only for you, because you are an exceptional woman.
01:04:36But do you know that my husband is jealous?
01:04:39I know, it's like I know.
01:04:42For this you must consider how important my feelings are for you, Father woman.
01:04:47His life is in danger.
01:04:50We both risk that.
01:04:55Who is it for?
01:05:17Good morning doctor.
01:05:18Good morning.
01:05:33How will the cigarette taste to me?
01:05:35I can't take it anymore.
01:05:36Eh, the cigarette.
01:05:39Capri a material.
01:05:49So, Russo, what's new?
01:05:54Lots of news, but none of it is certain.
01:05:56The war between admirers and gyms has broken out.
01:05:59Death and injuries are coming from all sides.
01:06:01This is in the Russian newspaper, what else?
01:06:04You know, you're talking about betrayal.
01:06:07There are people who are lowering their level of admiration at gyms.
01:06:11But how?
01:06:11Aniello palestra is in jail.
01:06:14Salvatore is the titan, who if they continue to...
01:06:16The Palestri have the support of the Sicilians.
01:06:20They invested a lot of money in drug dealing.
01:06:22And you know, you're talking about people who will come from Sicily or from outside to help him.
01:06:26And tell me one thing, about drugs.
01:06:28Nothing is known about arrivals.
01:06:30But nothing specific.
01:06:33And as you know, it's only been two days since you had me hospitalized.
01:06:36We are at butter.
01:06:41Put on the mask now, go on.
01:06:55Hello, oven bomb admired me.
01:06:57Here, man.
01:06:58Yes.
01:06:58Is Don Machina there?
01:07:00No.
01:07:00And who's in?
01:07:01He's sharp.
01:07:02And pass me the sharp one, hurry up.
01:07:04Sharp on the phone.
01:07:06To calm down.
01:07:11Ready.
01:07:13Sharp, can you hear me?
01:07:15Ah, good morning.
01:07:16Listen to me carefully.
01:07:17Warn Don Achille Ammirato absolutely not to put that money into circulation.
01:07:21But what money, excuse me?
01:07:24But the ones he knows.
01:07:26The acute matrices.
01:07:27They are all marked.
01:07:28But what matrices are you talking about?
01:07:30But what are you saying?
01:07:32It's dirty money.
01:07:33I told him he had to wait before releasing them.
01:07:36Dirty.
01:07:37Do you understand?
01:07:38Dirty.
01:07:40Okay, go.
01:07:41Hey, stay with you.
01:07:41Can I understand?
01:08:02Hey, stay with you.
01:08:06Father, you keep your mouth open, he'll poop it out, go on!
01:08:17Am I cold as shit?
01:08:21I'm fine!
01:08:26Come on, sir, the director is waiting for you, come on!
01:08:31Do you drink coffee?
01:08:36Get ready, Taggio!
01:08:38He's good, what science!
01:08:56Good morning, Doctor, I understand that the commissioners have passed on my compliments to you.
01:09:01Thank you, sir.
01:09:03But it's also partly my merit, if you'll allow me.
01:09:06Good morning doctor.
01:09:08Good morning.
01:09:09Sit down.
01:09:09Thank you.
01:09:14So, master?
01:09:15Go.
01:09:16Eh, but this is too convenient, doctor.
01:09:19I've been making this hell for six years and I risk my life day and night to be on its side.
01:09:23of justice.
01:09:25And you come here every now and then, fresh and fresh.
01:09:27Well then, master, well then, master.
01:09:30You promised me semi-liberty.
01:09:32But it's been three months and nothing ever comes.
01:09:35Is that so or not, Mr. Director?
01:09:41Master, this is the concession of semi-liberty.
01:09:50Ah.
01:09:52Finally.
01:09:53And now it's your turn.
01:09:56First of all the gym brothers are still strong.
01:09:59Here too.
01:10:01Since Donna Nilla entered the gym, she has continued to call the shots even in prison.
01:10:06And then there are the Sicilians and Colombians who supply them.
01:10:11The gyms didn't have any head coaches before.
01:10:15They used street urchins.
01:10:19Instead now they are all for nothing.
01:10:23I already know this.
01:10:25I want to know the drug.
01:10:27Where does it arrive?
01:10:28But it's not easy.
01:10:29We always talk about Capodichino.
01:10:32It is by sea and the port.
01:10:34But I heard about some kind of food company.
01:10:41The leaf.
01:10:41The leaves.
01:10:42And then there are also two trawlers from Pozzuolo.
01:10:45Of the Esposito brothers.
01:10:47And badly.
01:10:48And what do they say about admiration?
01:10:50Do you know anything?
01:10:51Admired.
01:10:53Ammirato would like to control the entire Naples market.
01:10:56At least that's what they say.
01:10:58He threw himself into the Marseille side.
01:11:00But the people of Marseille have never been dark.
01:11:02But Don Achille is organized.
01:11:05It's more serious.
01:11:06And he wanted to go over to the Sicilians.
01:11:08And then keep a professional villa.
01:11:11Who never makes a mistake.
01:11:13But nobody knows him, doctor.
01:11:14Ciro Mele?
01:11:15And who is this Ciro Mele?
01:11:17Ciro Mele?
01:11:18But I don't know him, doctor.
01:11:20A cigarette.
01:11:21A cigarette.
01:11:21But I don't know him.
01:11:22I've been bad for too many years, doctor.
01:11:25But please, keep your promise.
01:11:43But who is he?
01:11:45Who is?
01:11:50Ah, Don Michele.
01:11:54But what are you doing in the office at this hour?
01:11:57How can I help you?
01:11:59Nothing, thanks Cuomo.
01:12:00I came to get some papers like that.
01:12:02Urgent stuff.
01:12:03But I'll be quick.
01:12:05But...
01:12:05Don Achille knows, huh?
01:12:07Don Achille?
01:12:08And you at this time?
01:12:09Who are the Romanians we want to bother Don Achille with?
01:12:10Oh yeah.
01:12:11But do yourself a favor, darling.
01:12:12Are you crazy?
01:12:13Ninth.
01:12:13Be patient.
01:12:14Excuse me.
01:12:57You...
01:12:59You assure me that Don Achille doesn't get pissed off, right?
01:13:02Don't worry, Cuomo.
01:13:04Here, here, take this money.
01:13:08Go play it, okay?
01:13:09No.
01:13:09Vigliate a viglia?
01:13:10No.
01:13:11Why not?
01:13:12So you want to get me into trouble?
01:13:15I don't want them.
01:13:16Oh well, do what you want, you're already in trouble anyway.
01:13:19Don't worry, you're very worried.
01:13:40Well, don't you worry.
01:13:43No.
01:13:47Vigliate...
01:13:56I was and, pot autrefois?
01:13:57I was, I lived!
01:13:57I was, I lived!
01:13:59I was, I lived!
01:14:01I was!
01:14:02I was!
01:14:06I lived!
01:14:07I lived!
01:14:07I was, I lived!
01:14:11Thank you all.
01:14:43Yes?
01:14:45Don Achille, it's Cuomo, sorry about the time.
01:14:51No, no, I wasn't sleeping, okay, tell me.
01:14:54He came to the office to get some papers.
01:14:57Yes, he opened the safe.
01:15:00Yes, he was all sweaty.
01:15:04Did you give him permission?
01:15:09Oh yeah? Okay.
01:15:12Yes, I understand Cuomo, don't worry.
01:15:14Good night.
01:15:24What if he doesn't care?
01:15:30He really thought he was going to screw me.
01:15:33What happens?
01:15:35It happens that around me there are assholes, traitors and whores.
01:15:39I can't trust anyone anymore.
01:15:41And none.
01:15:45Not even about me?
01:15:46Wait if I sleep for you, go on.
01:16:10Morcone.
01:16:10Yes, yes, it's me.
01:16:13Call Ranci and Carice immediately.
01:16:15Yes, yes, right away.
01:16:17All right.
01:16:24Ah, you've arrived.
01:16:26Come, come.
01:16:30I have a surprise for you.
01:16:36Yes, it just arrived.
01:16:44Yes, it just arrived.
01:16:59Yes, it just arrived.
01:17:27Yes, it just arrived.
01:17:29Yes, it just arrived.
01:17:35Yes, it just arrived.
01:17:35Want to try?
01:17:58Yes, it just arrived.
01:18:02Yes, it just arrived.
01:18:09Yes, it just arrived.
01:18:26Yes, it just arrived.
01:18:29Yes, it just arrived.
01:18:33Yes, it just arrived.
01:18:58Yes, it just arrived.
01:19:01Yes, it just arrived.
01:19:26Yes, it just arrived.
01:19:29Yes, it just arrived.
01:19:33Yes, it just arrived.
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