Naso di cane |S1E3| Serie TV 1986 [HQ]

DivinumCrime

Ciro sta per uccidere Acuto, ma gli viene teso un agguato al quale riesce a scampare fortunosamente. Gli Ammirato desiderano far fuori un rappresentante della famiglia Palestra che dal carcere continua a comandare. Nel frattempo, a Ciro viene commissionato, per 30 milioni di lire, l'omicidio di Achille Ammirato. Il commissario Apicella riesce a scoprire l'agenzia di pompe funebri dietro cui si celano i malavitosi: grazie a questa scoperta, fa arrestare numerosi camorristi e raggiunge Ciro, cui chiede di consegnarsi senza fare resistenza. Il giovane killer si fa raggiungere da Apicella: i due si trovano l'uno di fronte all'altro per le strade di Napoli.   Naso di cane, tratto dal romanzo di Attilio Veraldi e diretto da Pasquale Squitieri, è la prima serie tv italiana di ambiente camorristico. In 3 puntate, trasmesse nel 1986, racconta la storia del killer Ciro Mele e la faida tra i clan Ammirata e Palestra. Nel cast Claudia Cardinale, Nancy Brilli, Luca De Filippo e Nigel Court.   Regia: Pasquale Squitieri   Interpreti: Nigel Court, Luca De Filippo, Claudia Cardinale, Nancy Brilli   Naso di cane |S1E1|  https://dai.ly/xa83g20  Naso di cane |S1E2|  https://dai.ly/xa83hpi  Naso di cane |S1E3|  https://dai.ly/xa83jky   #SerieTV #Camorra #Gomorra #Gomorrah #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #CriminalitàOrganizzata #Camorra #Gomorra #Casalesi #CasalDiPrincipe #Clan #Boss #Ndrangheta #SacraCoronaUnita #Antimafia #Falcone #Borsellino #Saviano #RobertoSaviano #Riina #Provenzano #Vallanzasca #PippoManiero #Turatello #Mesina #Mafia / #CosaNostra / #Camorra / #Ndrangheta / #SacraCoronaUnita / #Antimafia / #Narcos / #Gangs / #Gangsters / #KompaniaBello / #BlackMafia / #NigerianMafia / #AfricanMafia / #BlackMafiaFamily / #Gomorra / #Gomorrah / #Boss / #Organizacija / #MafiaCinese / #Triadi / #Sānhéhuì / #14K / #BambùUniti / #Yakuza / #Hiragana / #katakana / #BandaDellaMagliana / #AnonimaSarda / #Maras / #Pandillas / #MaraSalvatrucha / #MS13 / #Barrio18 / #Calle18 / #LatinKings / #Trinitarios / #SolncevskajaBratva / #MafiaRussa / #CDS / #CJNG / #CDG / #LosZetas / #BLO / #LaLinea / #Urabeños / #ComandoVermelho / #PCC / #MocroMafia / #Medellin / #Cali / #PabloEscobar / #Sinaloa / #ElChapo / #Juàrez

Transcript

00:00:01Ciro Mele, known as dog nose, a young marginalized man from the poorest Naples, becomes

00:00:06murderer to defend Rosa, a very young prostitute he is in love with. He carries out his

00:00:11murders for those who pay him best and distinguish themselves from other criminals for their perverse ideas

00:00:16of professionalism. Drug control in Naples is at the center of a bloody struggle between

00:00:22two competing families, the Ammiratos and the Palestras. The crimes follow one another at a rapid pace.

00:00:28dizzying, while hard drugs corrode the city, claiming ever younger victims.

00:00:33Deputy Commissioner Corrado Apicella is one of those Neapolitan policemen who works with everyone

00:00:38the means available and even those bordering on legality against the growing

00:00:42degradation of the city and all its structures. The policeman is experiencing a difficult private life

00:00:48relationship with Laura, the widow of a police officer murdered by the Camorra and terrorized

00:00:53from the future of his only son Marco, who grows up in a city now resigned to a

00:00:58daily malaise. Within one of the families, Ammirato's, a

00:01:03betrayal. Michele Acuto, one of Ammirato's trusted men, intends to join the service

00:01:08of the Palestra family. He discovers it in admiration and decides to get rid of it with a cruel game.

00:01:14He sends Sharp to Dog Nose to commission him a murder and supplies him with dirty banknotes from

00:01:19hand over to the killer. He is convinced that Dog Nose will discover the trick and kill Hawkwood.

00:01:24for revenge. Meanwhile, Laura, shocked by the drug-related death of a child, decides to leave

00:01:30Naples with his son Marco. Apicella is now completely alone. His only strength

00:01:36what remains is his love for his city and the desire to free it from the gangrene that is destroying it.

00:01:41The young policeman begins a no-holds-barred fight against the clans responsible for the spread

00:01:46of crime. At this time, Acute realizes the trap set for him by his ex.

00:01:51boss and seeks out Dog Nose to explain Ammirato's double game.

00:02:22Vice-president for town

00:02:22Spee

00:02:22Thank you all.

00:03:06Thank you all.

00:03:49Thank you all.

00:03:50So, are you going to make up your mind or not?

00:04:00Do I have to take everything off?

00:04:04No, no, forget it.

00:04:11No, no, no, forget it.

00:04:17As you like?

00:04:19I'm wasting time anyway.

00:04:23Rosa, listen to me, Rosa.

00:04:24I already knew where the saw was.

00:04:26You have to introduce me to her.

00:04:27I have to talk to him right away.

00:04:28I have to talk to him, Rosa.

00:04:30Leave, but leave.

00:04:30But I don't know anything.

00:04:33This is a serious matter.

00:04:34Rose!

00:04:37It's been a while since I did it.

00:04:41Let me explain this.

00:04:43But who makes him belt?

00:04:48But who makes him belt?

00:04:52But who makes him belt?

00:05:13Centers, look.

00:05:14Centers, Tour.

00:05:16No, Giro.

00:05:17Help!

00:05:18Help!

00:05:19Look!

00:05:49Look!

00:05:53Look!

00:05:54Look!

00:05:57Look!

00:05:58Look!

00:06:00Look!

00:06:05Look!

00:06:09Look!

00:06:11Look!

00:06:12Look!

00:06:13Look!

00:06:14Look!

00:06:15Look!

00:06:16Look!

00:06:17Look!

00:06:18Look!

00:06:19No!

00:06:53Hey, good girl.

00:06:57Did you give it to yourself as a gift?

00:06:59It's like, right?

00:07:01Who is?

00:07:06Rosa, it's Ciro.

00:07:08A single motorcycle.

00:07:11But what is it?

00:07:11What the fuck?

00:07:15Who is?

00:07:17Who is?

00:07:19Who is?

00:07:22Who is?

00:07:23Who is he, Ciro?

00:07:24Cheers!

00:07:26Come on, go and disappear.

00:07:28Don't worry, I'll keep it.

00:07:31Maronne, are you going to file a complaint against me?

00:07:32Ciro, but who was it?

00:07:34Who shot you?

00:07:35Leave it alone, Ciro.

00:07:37It's my turn.

00:07:40Let's go, let's go.

00:07:49Armandì, they're going to get the wasp.

00:07:52You're sticking it all out.

00:07:54What a fate.

00:08:03Rosa, but where are you taking him?

00:08:05Where should I take him?

00:08:06At my house.

00:08:07Take it easy.

00:08:08You come.

00:08:09You come.

00:08:11Armandì.

00:08:12Come on, what can you do?

00:08:12You want them blood on the ground.

00:08:13Let's get the motorcycle and bring it home to me.

00:08:15Go quickly.

00:08:18But...

00:08:18Can you hear each other, Armandì?

00:08:20Yes they are.

00:08:21These are false things.

00:08:22I don't understand this.

00:08:23At first he didn't even want to hear his name mentioned.

00:08:25And now I'm taking it home.

00:08:27There's a long story between Rosa and Ciro.

00:08:29Let's go, go.

00:08:30Help.

00:08:31My name is.

00:08:38My name is.

00:08:39My name is.

00:08:39In a moment.

00:08:39And go.

00:08:54Stand still.

00:09:01Here you are.

00:09:07And who asks for them?

00:09:10Someone who looks like you.

00:09:13Fenza.

00:09:14Now come the original.

00:09:16Guys, I did wrong to deserve this misfortune.

00:09:20The whore.

00:09:21Better a whore than your job, you wretch.

00:09:25I have never hurt anyone.

00:09:28And then it was this whore here

00:09:30who got into trouble for you.

00:09:35I won't make you lose anything.

00:09:38He pays you everything in cash, understood.

00:09:43How are you?

00:09:45He's sick.

00:09:46Did you call Vallone?

00:09:47Yes.

00:09:48Here.

00:09:49I found this stuff with the tomato cycle.

00:10:01Ciro, this is your gun.

00:10:06I didn't throw it away.

00:10:07You never know.

00:10:09I'll put it here.

00:10:13Okay, go hide the motorcycle, go.

00:10:15And hide it well.

00:10:17Hurry up.

00:10:17Yes.

00:10:19Yes.

00:10:32Yes.

00:10:34Yes.

00:10:59Who is?

00:11:00Open up, hurry up.

00:11:09Where is he?

00:11:10Come.

00:11:11And how did you find it?

00:11:13He's not a client, I met him by chance.

00:11:15He was hurt, what was I supposed to do?

00:11:16At least you know what it's called.

00:11:18Who is?

00:11:19Ciro Mele.

00:11:33We see.

00:11:36But does he have this money?

00:11:45For me the risk is huge, if he made a mistake with someone I'll be the one to pay the price.

00:11:50Doctor, you've never asked any questions.

00:11:53That's why they call you.

00:11:56And then there's the money.

00:11:58All the money you want.

00:12:00Eh, I would sin, I don't want to much.

00:12:03It's the advance in kind, immediately.

00:12:52Eh.

00:12:57Now, avゴати ti.

00:12:59And there, come on, I'm Eleven.

00:13:01No, no, no.

00:13:33Rosa, the bag, I'll take the Van Bress.

00:14:08You're doing it, huh? I knew it, I saw the holes in your arm.

00:14:14Here, get it ready, make it for me quickly.

00:14:27Here, get it ready, make it for me quickly.

00:14:38Here, get it ready, make it for me quickly.

00:15:05Don't worry, I'm not a drug addict.

00:15:09Every now and then I need it.

00:15:14We have to go.

00:15:19Do we have a car?

00:15:21Armandino brought it, it's out here.

00:15:38Calvatore, I'm in Vallone.

00:15:42I had surgery last night.

00:15:45Ciro Mele, is this your stuff?

00:15:48But who knows him?

00:15:50You were wrong to call me here.

00:15:53The phone is being tapped.

00:15:55Your?

00:15:56No, mine, yours, Strunz.

00:16:03You come.

00:16:14Stopped.

00:16:14But who are you?

00:16:15What do you want?

00:16:17Understood?

00:16:18But is that how you want me?

00:16:18Don't resist anyone.

00:16:20Did you get the wrong people?

00:16:21But don't pass me an arm.

00:16:23I am a professional.

00:16:24I am a doctor.

00:16:33Look at these fucking people.

00:16:41And you?

00:16:43Right here, you're going to come.

00:16:45I'm coming, sorry.

00:16:46They're all over me now.

00:16:47Apicella, Ammirata, Nascano.

00:16:49Everyone's looking for me, you know?

00:16:51That's exactly why, unfortunate man.

00:16:54Imagine if someone didn't follow you.

00:16:56No, no, no one followed me, I swear.

00:16:58You have to believe me, no one followed me.

00:17:20No, no one followed me.

00:17:51They are to be chosen.

00:17:53Come on, they'll spend a night.

00:17:54Why not?

00:18:02Now make me one.

00:18:39Francio Alcalise, throw down your guns and keep your hands up.

00:18:44Soon.

00:18:57The second is the fourth, close your finger.

00:19:02Welcome these weapons.

00:19:11Look here, doctor.

00:19:13You're crazy.

00:19:14Commissary, we are innocent.

00:19:15If I'm killed, brother them.

00:19:18You are murderers.

00:19:20And you're also fixed.

00:19:22Take them away.

00:19:40Thank you all.

00:20:07But what does he want?

00:20:09Chinchilla in the house.

00:20:09Yes, chinchilla in the house, but what does it mean?

00:20:11From here in the room now, I'm not fried.

00:20:13Team up and let them in.

00:20:15Ross, go.

00:20:18China.

00:20:18And Ross?

00:20:20Ross, go.

00:20:31Magli, go away.

00:20:33Here, you can settle in here.

00:20:35This is my room.

00:20:36And there's the bathroom there too.

00:20:40But what does your husband say?

00:20:41But which husband?

00:20:42That doesn't matter at all.

00:20:44He has to thank that one son he said.

00:20:46What if he goes around talking?

00:20:47Yet people are talking about it.

00:20:48Whoever believes him is always drunk.

00:20:50And people don't listen to him.

00:20:52Rossetieri's son?

00:20:54Yes, he is Rossetieri's son.

00:20:55But I have the surname Pasquale.

00:20:57Anyway, here everything is paid for by the sector.

00:21:00And if Pasquale acts too good, I'll kick him out of the house.

00:21:04Do you understand?

00:21:05Now rest.

00:21:07Give yourself a rinse.

00:21:08We'll get there.

00:21:09Thanks for listening.

00:21:11And everyone, have a good day.

00:21:28And to everyone.

00:21:57He was right, now it's too late

00:21:59Late for everything

00:22:02There are no more doubts now

00:22:04Ciro Mello has become a paid assassin

00:22:08But he's hurt, he can't be far away

00:22:12If we meet him, what do we do, doctor?

00:22:15Do we shoot on sight?

00:22:17No

00:22:19No, no, no

00:22:20You locate it

00:22:22Then I'll take care of it

00:22:25Come on, we have more important things to do.

00:22:28Ah, finally the Gurnuto family is out of the game

00:22:33But Nello remains in the gym

00:22:35They tell me that he continues to command from prison

00:22:39The Sicilians are abandoning him

00:22:41But they don't decide

00:22:44And let's give him a hand, shall we?

00:22:47How? If you'll allow me, I'll take care of the how this time.

00:22:51With a trusted person

00:22:54My

00:22:55In the Poggio Reale prison

00:22:57Who?

00:23:01Doll

00:23:05Permit?

00:23:06You come

00:23:06Did you take me out for a drink, doctor?

00:23:10And I'll open them, okay?

00:23:11All right

00:23:16Thank you very much, goodbye

00:23:18Okay, you do it

00:23:20But don't make a mistake

00:23:23If things go well we can get rid of those Marseille bastards

00:23:26And work with more serious people

00:23:28And do you know what that means?

00:23:29What does it mean?

00:23:32It means that the whole of Naples remains in our hands.

00:23:35And it's not bad

00:23:37Oh, say hello

00:23:38Say hello

00:23:42And who is he or rather, morco?

00:23:44Who is?

00:23:45You, woman who?

00:23:46You

00:23:47Well yes

00:23:57That you don't undress?

00:23:58Are you making fun of me?

00:24:00Can be

00:24:02You intimidate me

00:24:04Ah, and why is that?

00:24:09Rose

00:24:11But why did you do it with all of it?

00:24:13And not with me

00:24:14But it's an obsession

00:24:19And what do you want to do?

00:24:20Everyone has their own cross to bear.

00:24:21And you are my cross

00:24:30Oh, no

00:24:31No

00:24:44Thank you.

00:25:03Thank you.

00:25:43Thank you.

00:26:01Good evening, guys.

00:26:37Good evening, good evening, good evening, good evening, good evening.

00:27:01Good evening, good evening, good evening.

00:27:33Go play, be good dad, play and piggyback, kiss, okay?

00:27:39Good evening.

00:27:41Good evening.

00:27:45The smell is exquisite, viceroys.

00:27:47And the rest too.

00:27:48I was expecting you at noon.

00:27:49Oh well, I got it done.

00:27:53Money lifts me up trees and you know it.

00:27:55But hunt to know.

00:27:57What did you have to do with that whore Patrizio Ammirato?

00:28:00Do I believe that things don't come to light?

00:28:03These things aren't even said as jokes.

00:28:05Did you understand?

00:28:06Bam, bam, bam!

00:28:09Who's over there?

00:28:11If you ask me, you already know.

00:28:15Bam, bam, bam!

00:28:16I killed you, you're dead!

00:28:31Permit.

00:28:34Hey, Rose.

00:28:43And you must be Ciro Mele.

00:28:49Allow me.

00:28:53Do you want to smoke?

00:29:02There's a lot of talk about you in our environment.

00:29:08And it speaks well.

00:29:12Please.

00:29:21But there is

00:29:23something I can't understand.

00:29:28You do it for the money

00:29:30or for personal reasons.

00:29:32For the money?

00:29:36And you don't know how happy I am

00:29:39to hear you say it.

00:29:44Hey, Rosa.

00:29:46Rosa, how beautiful you are.

00:29:51Allow me.

00:29:54You can wait over there

00:29:55that we need to talk about

00:29:56five minutes and he?

00:29:57Are you sorry?

00:30:00Well done, Rosa.

00:30:02Here, good.

00:30:04She's beautiful, she's beautiful,

00:30:05who has already set the table.

00:30:06And that's not all.

00:30:07But I'll give it to you, damn it.

00:30:08But I'll give it to you, damn it,

00:30:10you are the one who thinks it's shit.

00:30:11Shut up, shut up,

00:30:12than to whoever shoots you.

00:30:13You say, you stay.

00:30:15You can also hear the Mardaio.

00:30:18Stay, stay.

00:30:21It's nothing, Mom.

00:30:24Come, come.

00:30:28I would like to give you a commission.

00:30:32You who want to know first

00:30:33what's the price

00:30:35or what's the name?

00:30:41Price first.

00:30:43Thirty million in cash.

00:30:47That's a lot of money, I know.

00:30:49But I don't want you to tell me no.

00:30:52All anticipated.

00:30:55All anticipated.

00:31:04The name?

00:31:08Aghile Ammirato.

00:31:13Get the money to Rosa tomorrow morning.

00:31:23Okay, okay.

00:31:29Relax.

00:31:32We have modestly never missed a commitment.

00:31:59Win, you did it really well this time.

00:32:01This pastiera has a smell

00:32:03which is the end of the world.

00:32:04Mother, son.

00:32:06But what are you doing?

00:32:07And where are you taking her?

00:32:08Oh, Jesus,

00:32:08you made it for me, didn't you?

00:32:10Yes, but we can eat together, right?

00:32:12As.

00:32:13It will be for another time.

00:32:14And where are you going?

00:32:15I have something to do tonight.

00:32:16I'm going to Agnano with my friends.

00:32:17You can, you wretch.

00:32:18What are you doing, going out?

00:32:20I know where you're going,

00:32:20from that shameless one.

00:32:21You ate the pastiera,

00:32:23face me.

00:32:23But if they hear you in the palace,

00:32:24what will they think of you?

00:32:26There's nothing there.

00:32:27Shut up.

00:32:28We're going to eat pastiera

00:32:29and we go to that little mouth.

00:32:30And that's it, and that's it.

00:32:32That little mouthpiece is broken in treatment.

00:32:33Good daughter, cut a kiss,

00:32:34is passing.

00:32:35Yes, did you understand?

00:32:36Come on, but come on, come on.

00:32:40Rosa, I have to talk to you tomorrow.

00:32:42I'm looking for you, do you understand?

00:32:43Eh, that's good.

00:32:44Is it done, right?

00:32:45Yes.

00:32:47Horse.

00:32:48Are you going to die?

00:32:49Come on, come on.

00:32:50Stand still.

00:33:02Stand still.

00:33:25Stand still.

00:33:28Stand still.

00:33:33Stand still.

00:33:52Stand still.

00:33:53L'acce me qua.

00:33:55As I have, I have.

00:34:18Here you go.

00:34:20Here.

00:34:48These portals have pigeons.

00:34:53By the way, there's someone waiting for you up on the terrace.

00:34:57He said he had an appointment with you.

00:35:00And who is he?

00:35:00And how does Cicchi know?

00:35:02A criminal's face.

00:35:04One of those admired.

00:35:07But some.

00:35:25Hey, what are you doing?

00:35:27Stop.

00:35:28But leave it alone.

00:35:30But do you know what's crazy?

00:35:32Stop, stop.

00:35:35Finally, professor.

00:35:38It's an hour that goes by.

00:35:40To me.

00:35:44Look here, combined.

00:35:46Oh, beautiful, beautiful, beautiful.

00:35:51What are you doing?

00:35:53What were we meeting for?

00:35:56Yes and no.

00:35:58Sorry, but I don't understand.

00:35:59Professor, are we going to pretend we're seeing each other for the first time?

00:36:07Excuse me.

00:36:09We worked together for twenty years.

00:36:12In fact, I was below you.

00:36:15You were important.

00:36:17You were the advisor of the admired family.

00:36:20I, I was just a simple henchman.

00:36:24Do you remember now?

00:36:32All right, Morco, but let's finish this work from memory.

00:36:37What do you want?

00:36:41A small courtesy.

00:36:46By paying, of course.

00:36:49Let's say 300 thousand you say.

00:36:52Oh, and what would that be?

00:36:55I get it, okay, let's make it half a million and we'll be done with it.

00:37:03Do you see this?

00:37:07But this is me.

00:37:08Oh, exactly.

00:37:10The photo is yours and the name is Anillo Palestra's father.

00:37:14But he died five years ago.

00:37:16Yes, but at Poggio Reale prison they don't know it.

00:37:19In Poggio Reale?

00:37:20Exactly.

00:37:22You should present yourself at the Poggio Reale prison as the father of Anillo Palestra

00:37:27and ask for an interview.

00:37:30You'll see that they will grant it to you.

00:37:31And when Anillo comes to interview

00:37:34you will have to give him this letter

00:37:37by Donna Chilla Mirata.

00:37:55No, no one gets a break.

00:37:58Donna Chilla writes to the gym to tell him

00:38:01that who had had and who dated.

00:38:04We made peace and worked together.

00:38:10You can even read it if you don't trust it.

00:38:13Alright.

00:38:15If that's all it is.

00:38:17Bravo.

00:38:19You see you haven't forgotten your friends.

00:38:22And you also earn a nice bribe.

00:38:27Half now.

00:38:31And half the thing is done.

00:38:33It's better for everyone.

00:38:37Listen to me.

00:38:41We trust, eh.

00:38:44Good day, professor.

00:38:46Oh, I forgot.

00:38:48You are going there the day after tomorrow, Thursday.

00:38:50Goodbye, professor.

00:39:27Don Vincelio.

00:39:29Don Vincelio, sorry.

00:39:31Good morning.

00:39:32Do you know me?

00:39:34Yes and no.

00:39:35What do you want?

00:39:37He has already spoken to Donna Chilla.

00:39:39Can you tell me that too?

00:39:41No.

00:39:42I have to talk to him.

00:39:43And he has to make me a promise.

00:39:45It's an important thing.

00:39:47This is about his life.

00:39:48Salts.

00:40:28If I burned these photographs

00:40:30there would be no trace left.

00:40:34Polaroids have no negative.

00:40:54At least you should understand that.

00:40:55that I want to help you.

00:40:57Help?

00:40:58What do you mean?

00:40:58I don't understand you.

00:41:01Calise, this is a life sentence.

00:41:03But it could disappear.

00:41:05Commissioner, these are a joke.

00:41:07or a farce.

00:41:08No, no, don't joke, Calise.

00:41:10That I'm not joking.

00:41:12I could save you from life in prison.

00:41:14Better to be in prison alive

00:41:15that freedom is dead.

00:41:17I say that everyone

00:41:17he must keep the prison that awaits him

00:41:19and you have to look at your health.

00:41:21I explained myself.

00:41:24Plantone!

00:41:29Your orders, doctor.

00:41:32Walk.

00:41:33Take him to the holding room.

00:41:34Yes, look for health.

00:41:35And he walks, he goes.

00:41:36Walk.

00:41:38But what do you want him to believe?

00:41:40I'm not talking, Commissioner.

00:41:41Send it to me too

00:41:42in the holding room.

00:41:44No, no, you stay here.

00:41:47I'm not finished with you yet.

00:42:08So, Calise.

00:42:21Two hours have passed

00:42:22and you don't even have a mark on your face.

00:42:26Imagine if I went out

00:42:28to tell journalists

00:42:29that you are confessing.

00:42:31Everyone knows I'm not a scoundrel.

00:42:34But everyone who?

00:42:36That bunch of ragamuffins

00:42:37for which you work.

00:42:38But they are ready to sell you

00:42:40at any time.

00:42:41Let me put my hand on him

00:42:43and then you'll see.

00:42:44So, huh.

00:42:47Why don't you decide to collaborate?

00:42:50These photographs

00:42:51who were you supposed to give them to?

00:42:54To Mrs. Achille Ammirato?

00:42:57And what are they for?

00:42:59And where are the others?

00:43:02Send me to the cell.

00:43:03You're shitting yourself, huh.

00:43:05You know that every minute

00:43:06that passes in here

00:43:07for others it means

00:43:08that you are confessing.

00:43:10So what?

00:43:11Then really do it.

00:43:13Old tricks are,

00:43:14everyone knows it.

00:43:15And we can verify this immediately.

00:43:18Plantone!

00:43:23At your orders.

00:43:25Take Calise to the holding room.

00:43:27Together with his partner.

00:43:28Yes sir.

00:43:39If as I think, doctor,

00:43:42Calise is about to pass

00:43:44a bad quarter of an hour.

00:43:46Are you convinced?

00:43:47what do you do?

00:43:49Do you have another solution?

00:43:52No.

00:43:56So what?

00:44:08What do you think?

00:44:11What did they want to know?

00:44:13Don't you know?

00:44:14Everything they asked of you.

00:44:16The same things

00:44:17that they asked you.

00:44:18And you?

00:44:19And what about me?

00:44:22How come

00:44:22have you been there a long time?

00:44:24But you don't understand it.

00:44:25They held me back

00:44:26to make you believe

00:44:27who knows what.

00:44:29I'm sorry Calise,

00:44:31but I can't want to take risks.

00:44:41Stop!

00:44:42But what are you doing?

00:44:43Do you become part of it?

00:44:44Leave it!

00:44:45Leave it!

00:44:45Soon!

00:44:46Open up!

00:44:47Leave it!

00:45:33Thank you all.

00:46:02Thank you all.

00:46:16Are you telling me?

00:46:20Is this what the woman who admired him ordered?

00:46:22Look at them carefully, look at them, look, look, look, do you recognize yourself?

00:46:24It's Rancio and Calista, look, they're friends of yours, look here, you recognize them, huh?

00:46:29You are everything, Cuomo.

00:46:30And what do I know?

00:46:30You are everyone's everything.

00:46:31I don't know anything about anything.

00:46:35Cuomo, admire yourself.

00:46:37Calista is dead and Rancio has spoken.

00:46:40And the others spoke too.

00:46:43And in big trouble.

00:46:45Prison is bad.

00:46:46Cuomo.

00:46:47But for an old man it is even worse.

00:46:50Admired, you know, he keeps an archive and you know very well where you are.

00:46:54We won't find it sooner or later.

00:46:56But if you don't waste our time, for us we don't exist.

00:47:01You're retiring and living peacefully, eh?

00:47:05Believe me, Commissioner, I would like to help you, but Admire has never said anything to me.

00:47:11Cuomo, let's go.

00:47:13Cuomo.

00:47:14For twenty years you answered to her.

00:47:17For twenty years you have been staring right at me.

00:47:20You brought it to the basciata.

00:47:23You saw people coming in and out.

00:47:26And if he has always been treated like a rag.

00:47:29Millions and billions have revolved around you.

00:47:33Everyone got rich.

00:47:35Villa, motorbike, luxury cars, women.

00:47:39And you?

00:47:40What did you do, you?

00:47:42What did you do?

00:47:44You remained a servant, with the usual starvation wage.

00:47:47It's always the same faithful house on the hills of Toledo.

00:47:51You've been saving pennies for years.

00:47:54Surely you will have put some money aside for your old age.

00:47:59But what good will they do you if after such a disgusting life you end up dying in prison?

00:48:05An address.

00:48:06What does it cost you?

00:48:08I don't remember.

00:48:11I can't swear to that.

00:48:14But maybe...

00:48:17There should be another office in my foria.

00:48:21My phoria?

00:48:22What number?

00:48:25Number 131.

00:48:27I don't remember well.

00:48:29I don't remember well.

00:48:31Business...

00:48:32Golf company, I think.

00:48:35You saw how easy that was, huh?

00:48:39And now you have nothing more to fear.

00:48:43Come on, come on.

00:48:44Here you are.

00:48:48Sadoro.

00:48:49But damn!

00:48:51Arrest him.

00:49:07For what you need, this is the ideal gun.

00:49:10It is accurate to the millimeter up to 80 meters.

00:49:14The pellets are new to the market.

00:49:16They are sharp and reinforced.

00:49:17The only problem is that you can't fit a silencer.

00:49:32Can't you do anything?

00:49:34No, it's impossible.

00:49:35Risk of blowing the joint.

00:49:38No.

00:49:47Go, go.

00:49:48Let's change the authorization.

00:50:06I don't remember, I don't remember.

00:50:23Look what I found, doctor.

00:50:25That?

00:50:26This should be the list of funders.

00:50:29Check this out.

00:50:31Dr. G. Sasso.

00:50:34Rock? Wait, here it is.

00:50:37G. Sasso, sporting goods dealer.

00:50:39Via del Corso 70B.

00:50:41First payment July 18, 1983. 50 million.

00:50:44Second payment February 11, 84.75 million.

00:50:48Seize everything, Santoro. And call the magistrate.

00:50:51Yes.

00:50:52It's hell in here.

00:50:54So, let's see.

00:50:56Funeral services admired.

00:50:58120 million.

00:51:00And what about?

00:51:02Flowers.

00:51:04Tottor.

00:51:04What happened?

00:51:06I found the photographs.

00:51:08It's crazy.

00:51:10Look at the level of madness they've reached.

00:51:13And this is Capice's corpse.

00:51:15You understand, you understand.

00:51:16This is evidence, Santoro.

00:51:18Certain, safe evidence.

00:51:20Overwhelming evidence.

00:51:22Ammirato and his accomplices condemned themselves.

00:51:24These photographs were used for blackmail.

00:51:26It's a mind-blowing collection.

00:51:28Look at that, Edward.

00:51:29Crazy thing.

00:51:30Ammirato blackmailed his own killers.

00:51:34Yes.

00:51:35Still.

00:51:37Call the judge.

00:51:38I want lots of arrest warrants.

00:51:40For how many names are in here.

00:52:01There are strange rumors going around.

00:52:02The bikers are looking for you.

00:52:04The story of Rassetiela and the commission she gave you has come out.

00:52:09You have to be careful.

00:52:10Here, make do with them.

00:52:20Look, look, look, look.

00:52:45No, no, no.

00:53:15No, no, no.

00:53:47No, no, no.

00:53:50No, no, no.

00:54:01No, no, no.

00:54:02No, no, no.

00:54:25No, no, no.

00:54:38Ninth.

00:54:40Ninth.

00:54:41Ninth.

00:54:44Ninth.

00:55:11No, no, no.

00:55:19Ninth.

00:55:41Ninth.

00:55:50No, no, no.

00:56:02Ninth.

00:56:33Ninth.

00:56:35No, no, no.

00:56:52No, no, no.

00:57:20Ninth.

00:57:22No, no, no.

00:57:53No, no, no.

00:58:00No, no, no.

00:58:55Ninth.

00:58:58Ninth.

00:58:59Ninth.

00:59:01No, no, no.

00:59:30No, no, no, no.

00:59:34No, no, no, no.

01:00:22Ninth.

01:00:25No, no, no.

01:00:28No, no, no.

01:00:42No, no, no.

01:00:58No, no, no, no.

01:01:36No, no, no, no, no.

01:01:47No, no, no, no, no.

01:01:58No, no, no, no, no.

01:02:23No, no, no, no, no.

01:02:49No, no, no, no, no.

01:03:05no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

01:03:12no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

01:03:12no, no, no, no, no, no, no, no, no, no, no

01:03:34Oh, oh, oh, oh, oh, oh.

01:03:58Oh, oh, oh, oh, oh.

01:04:12Oh, oh, oh, oh, oh, oh, oh.

01:04:20Oh, oh, oh, oh, oh, oh.

01:04:50Oh, oh, oh, oh, oh, oh, oh, oh, oh.

01:04:54Maybe. And I'm expecting some good news this evening. You watch TV, maybe they'll show it.

01:05:04on the news. What news?

01:05:13Excuse me a moment.

01:05:31I'll be right back.

01:05:42Michael! Michael!

01:05:47I'm making a wall, move!

01:06:00It's there. Make it even.

01:06:03Be equal to everyone, post with me.

01:06:08No!

01:06:09It's a scam, damn it!

01:06:14Accusi has given you a hard time!

01:06:19Take off your pants.

01:06:21Take off your pants.

01:06:22That's where I want to go!

01:06:27Get out of here, you bitch.

01:06:35Well done, well done, well done.

01:06:41Now it's going close there.

01:06:44Walk!

01:06:45Got it? Walk!

01:07:02Did you like it?

01:07:05How did you find my lady?

01:07:07Did you like it?

01:07:09Is there anything else you wanted after the dog nose killed me?

01:07:14The money, the business, eh?

01:07:24Get up!

01:07:25He notices and shoots in the forehead.

01:07:26And shoot!

01:07:28Shoot, sons and hoof, shoot!

01:07:30Oh no, it's too convenient.

01:07:32I want to see you bleed to death.

01:07:34Admired, don't do any more stupid things.

01:07:37Come out with your hands up.

01:07:39You and morcone.

01:07:51Admired, I'll give you ten seconds to get out.

01:07:54You send my men.

01:08:06It's heaven that sent you, Commissioner.

01:08:13You stopped me from doing something stupid.

01:08:15Get down, you clowns.

01:08:16Let's go down, let's go down.

01:08:17Let's go down, let's go down.

01:09:01Let's go down, let's go down.

01:09:06Drop the gun.

01:09:07Go ahead, throw it away.

01:09:13Fiano, what are you looking for from me?

01:09:15It's not my fault, I didn't do anything.

01:09:26Commissioner, I don't know how you did it,

01:09:27but you did well to come.

01:09:28I was about to do something crazy,

01:09:30but I can't stand being made a cuckold

01:09:32from this ungrateful girl and that little bastard.

01:09:34Rassadiello!

01:09:36Rassadiello!

01:09:37I walk, forward.

01:09:40Commissioner, why are you looking at yourself like that?

01:09:43You would have done the same thing.

01:09:45We are pain people, aren't we?

01:09:45Yes, yes, yes.

01:09:47Come on up!

01:09:48In front of!

01:09:50Give me a hand!

01:09:52Call an ambulance!

01:09:53Soon!

01:09:55Let me lean on the camera.

01:09:56Don't keep my room.

01:09:57This is the fateful case!

01:09:59You are accused of murder,

01:10:00drug dealing,

01:10:02criminal association.

01:10:03Of all the troubles that will happen to you,

01:10:04the horns will look the smallest.

01:10:06Walk, move, go!

01:10:07I'm walking!

01:10:07See you, boss!

01:10:12Plain!

01:10:13You know it!

01:10:16Plain!

01:10:18Plain!

01:10:45Plain!

01:10:47Plain!

01:10:50Plain!

01:10:53Plain!

01:10:55Plain!

01:10:57Plain!

01:11:15Masaniello in Viceri, Ciro Mele intercepted, Court, area 86-23

01:11:46Proceed on foot

01:11:47Received, don't take any initiatives, we'll take you to the area

01:12:15Good morning

01:12:16Good morning

01:12:16How can I help you?

01:12:17I would like a necklace

01:12:21Here?

01:12:22The one with the heart

01:12:38Here it is

01:12:46Can you engrave a name on it?

01:12:48And why not?

01:12:49Right away

01:12:49By the time I do it, what name should I put?

01:12:52Rose

01:12:52It'll cost you a little more, though, huh?

01:12:56It does not matter

01:12:57How much is it?

01:12:58300,000 liters

01:13:05Thank you

01:13:20Thank you

01:13:22Thank you

01:13:24No, no, no, no, no.

01:13:54Connect me with all the other battles, soon!

01:13:57Ciro, on the little bee, surrender, you're surrounded!

01:14:13The whole neighborhood is completely controlled, surrender Ciro!

01:14:18You don't stand a chance!

01:14:24Ammirato has been arrested, you can still save yourself, don't resist!

01:14:31And deliver yourself to the first battle you encounter!

01:14:39Ciro, give up!

01:14:40What are you like? He killed Officer De Gennaro!

01:14:47I'm coming to get you, Ciro! I'm coming alone!

01:14:52Ciro, I'm coming!

01:14:55Doctor, wait, we're going there, nothing!

01:14:56No, it's my turn!

01:15:00No, it's my turn!

01:15:02No, it's my turn!

01:15:27No, touch the lo!

01:15:32No, it's my turn!

01:16:21Thank you all.

01:16:48Thank you all.

01:16:57Ciro, Fero, that's enough.

01:17:52Thank you all.

01:18:09Thank you all.

01:18:37Thank you all.

01:19:23Thank you all.

01:19:45Thank you all.

01:20:15Thank you all.

01:20:18Thank you all.

01:21:13Thank you all.

01:21:28Thank you all.

01:21:58Thank you all.

01:22:18Thank you all.

Categoria

Trascrizione

Commenti

Consigliato