Naso di cane |S1E1| Serie TV 1986 [HQ]

DivinumCrime

Ciro Mele, un giovane napoletano detto "Naso di cane" per via di una ferita sul naso, uccide per la prima volta per difendere Rosa, giovanissima prostituta di cui è innamorato. Diventa ben presto assassino a pagamento in una Napoli contesa fra le famiglie Ammirato e Palestra, che trafficano stupefacenti sotto la copertura di un'agenzia funebre. Corrado Apicella, un giovane commissario, vive da vicino le vicende di Ciro, di cui conosce la miseria e il degrado, e cercherà invano di sottrarlo alla strada.   Naso di cane, tratto dal romanzo di Attilio Veraldi e diretto da Pasquale Squitieri, è la prima serie tv italiana di ambiente camorristico. In 3 puntate, trasmesse nel 1986, racconta la storia del killer Ciro Mele e la faida tra i clan Ammirata e Palestra. Nel cast Claudia Cardinale, Nancy Brilli, Luca De Filippo e Nigel Court.   Regia: Pasquale Squitieri   Interpreti: Nigel Court, Luca De Filippo, Claudia Cardinale, Nancy Brilli   Naso di cane |S1E1|  https://dai.ly/xa83g20  Naso di cane |S1E2|  https://dai.ly/xa83hpi  Naso di cane |S1E3|  https://dai.ly/xa83jky   #SerieTV #Camorra #Gomorra #Gomorrah #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #CriminalitàOrganizzata #Camorra #Gomorra #Casalesi #CasalDiPrincipe #Clan #Boss #Ndrangheta #SacraCoronaUnita #Antimafia #Falcone #Borsellino #Saviano #RobertoSaviano #Riina #Provenzano #Vallanzasca #PippoManiero #Turatello #Mesina #Mafia / #CosaNostra / #Camorra / #Ndrangheta / #SacraCoronaUnita / #Antimafia / #Narcos / #Gangs / #Gangsters / #KompaniaBello / #BlackMafia / #NigerianMafia / #AfricanMafia / #BlackMafiaFamily / #Gomorra / #Gomorrah / #Boss / #Organizacija / #MafiaCinese / #Triadi / #Sānhéhuì / #14K / #BambùUniti / #Yakuza / #Hiragana / #katakana / #BandaDellaMagliana / #AnonimaSarda / #Maras / #Pandillas / #MaraSalvatrucha / #MS13 / #Barrio18 / #Calle18 / #LatinKings / #Trinitarios / #SolncevskajaBratva / #MafiaRussa / #CDS / #CJNG / #CDG / #LosZetas / #BLO / #LaLinea / #Urabeños / #ComandoVermelho / #PCC / #MocroMafia / #Medellin / #Cali / #PabloEscobar / #Sinaloa / #ElChapo / #Juàrez

Transcript

00:00:18Our free course is www.mesmerism.info

00:00:39www.mesmerism.info

00:01:08www.mesmerism.info

00:01:42www.mesmerism.info

00:02:10www.mesmerism.info

00:02:14www.mesmerism.info

00:02:17www.mesmerism.info

00:02:18www.mesmerism.info

00:02:21Rosa, I'll take you dancing. Good evening, what are you getting?

00:02:30Are you kidding me? Work is work. And then I can't see myself dancing with you. You're sad.

00:02:39Hey, look what happened. Good, Rosa. Rosa, come on.

00:02:44Say, I have another ride for you. But it's up to you.

00:02:48A passage from the sort, goes.

00:02:50Well. Oh, that's cool.

00:03:03Good night.

00:03:18Good night.

00:03:19Good night.

00:03:19So, Rosa, how are things going?

00:03:21I wouldn't agree that you saw I'm crazy.

00:03:23But I put the oven.

00:03:24Throw in your pigeons and surrender.

00:03:28This way.

00:03:33Your friends.

00:03:39Yes, schoolmates.

00:03:41And I think you want to go back to that school, huh?

00:03:45And this time you're even going to college.

00:03:47No, I really don't care.

00:03:51You sent me to that school.

00:03:53You made me do it for four years.

00:03:56Anyway...

00:03:56I don't have any weapons, you can even test me with a gun.

00:04:01I don't shoot with three signs like those pimps.

00:04:05The day I decided to shoot...

00:04:08You would do it against us, I know.

00:04:11You always think you know everything.

00:04:13To be able to understand everything.

00:04:16And instead...

00:04:17But what did we do?

00:04:19We weren't even out.

00:04:20We are, handsome.

00:04:21I think of shepherd.

00:04:22It was crazy.

00:04:24Walk, walk.

00:04:25Doctor, someone ran away.

00:04:27But we took these and confiscated the weapons.

00:04:30And what do we do with the girls?

00:04:32Eh...

00:04:32And what do we want to do with it?

00:04:34Release them.

00:04:36Otherwise they'll pay you for the lawyer.

00:04:38Verify the personal details.

00:04:41And who is there?

00:04:42Dog nose.

00:04:43What do I do with it?

00:04:44Dog nose.

00:04:45Ciro Meiler.

00:04:47He was unarmed.

00:04:49There is no record of him firing a shot.

00:04:51I won't arrest him this time.

00:04:55Wait, I'll thank you.

00:04:59Ninth.

00:05:01I just did my duty.

00:05:04If I had found you with a gun in your hand,

00:05:06Not even the Eternal Father could save you.

00:05:08Let's see a genius, shall we?

00:05:39and up to page of course.

00:05:39At that time.

00:06:06Thank you.

00:06:23So, Santoro, time to take a shower, get a coffee

00:06:29and I'll see you at the office in a couple of hours.

00:06:32Okay.

00:06:43Okay.

00:07:16Corrado.

00:07:26But it's seven o'clock.

00:07:27Sorry, yes, it's seven.

00:07:31Shall I make you a coffee?

00:07:41It's a bit early for dinner now.

00:07:43Eh, my life is hell, Laura.

00:07:48Now I'm confusing day and night.

00:07:51And I confuse them more and more.

00:07:54And the worst part is that I involve you in this hopeless mess of mine.

00:08:00Eh.

00:08:26This will be the first morning my son will be on time for school.

00:08:29Well, maybe that's the best way to look at things.

00:08:35Evaluate only the positive aspect.

00:08:49I'll walk you.

00:08:51I have to go to the office now anyway.

00:09:02Are you a policeman?

00:09:04Yes.

00:09:05My father was a policeman too.

00:09:06Did you know him?

00:09:07Certain.

00:09:08I knew him and admired him.

00:09:10He was the best of all.

00:09:11So why did they kill him?

00:09:14Marco knows everything.

00:09:15I preferred that he knew everything.

00:09:16And then I saw it on TV.

00:09:19Will you catch those who killed my father?

00:09:23Yes.

00:09:32Here we are.

00:09:33Your friends are waiting for you.

00:09:35HI.

00:09:36Hi mom.

00:09:37HI.

00:09:41What is your name?

00:09:43Corrado.

00:09:45Hello Corrado.

00:09:46HI.

00:10:01Instead you will never get them.

00:10:03You could have told him.

00:10:05I don't want my son to get too excited about how things are going.

00:10:09He's not a child anymore.

00:10:11It's been almost three years since Alberto was killed.

00:10:13And you haven't even been able to find out from whom and why.

00:10:17It's not easy.

00:10:19This city is hell.

00:10:21And you know it as well as I do.

00:10:23But believe me.

00:10:24We don't stop for a moment.

00:10:26I completely understand your situation.

00:10:29But you don't understand mine.

00:10:32And then I don't know what to tell you Laura.

00:10:34I can end up like Alberto too.

00:10:36Anytime.

00:10:37Even now.

00:10:40Leave me here.

00:10:42Please excuse me.

00:10:44I'll call you tonight.

00:10:51HI.

00:10:52HI.

00:11:05You should have thought of that.

00:11:07That's your area.

00:11:08And how do I do it?

00:11:09I should have a hundred eyes and a hundred ears.

00:11:20In the morning they wake up with only one thought.

00:11:24how to fuck us.

00:11:31And how did they get there to Belprino?

00:11:33Well, I don't know that, woman.

00:11:35And how did they get the information?

00:11:37Well, they could have heard it from anyone.

00:11:39in the gym.

00:11:41At the gym.

00:11:41They keep their people in hospitals,

00:11:43in insurance,

00:11:44in common,

00:11:45at the town hall,

00:11:45among the traffic police.

00:11:46and you think they notice me.

00:11:50Maybe some nurses,

00:11:52or some doctor.

00:12:01ears.

00:12:01Oh, mom,

00:12:02Lady Ghile!

00:12:03Lady Ghile!

00:12:06The gyms got there before us.

00:12:08And it seems they must have an informant here,

00:12:10inside the neighborhood.

00:12:12They arrived before us,

00:12:13but they don't do it at the funeral.

00:12:15It is not.

00:12:16How, how, how, they don't do it.

00:12:18They don't.

00:12:19Lady Ghile!

00:12:20Good morning.

00:12:21Good morning.

00:12:34Good morning.

00:12:42Good morning.

00:12:44Permit.

00:12:46Excuse me,

00:12:46he chooses me.

00:12:48Now.

00:12:52Make sure you don't let me down!

00:12:54Funerals and make brothers gym!

00:13:04Enough!

00:13:05Enough!

00:13:06Wretches!

00:13:11Go and tell a barrel of yours that they shouldn't allow.

00:13:14This is my area.

00:13:15and I take care of the dead in this area.

00:13:17Go!

00:13:20Good morning.

00:13:21Good morning.

00:13:21Fine thanks.

00:13:22He just did it.

00:13:24Death is missing, if you can rest assured.

00:13:26Yes.

00:13:27Yes, mind your own business, mind your own business.

00:13:35Put it in our box.

00:13:55I'll do the funeral for free.

00:13:57I just wanted to teach the competition a lesson.

00:14:00Condolence.

00:14:07But.

00:14:13Good morning.

00:14:15Good morning.

00:14:21Good morning.

00:14:38Thank you all.

00:14:53You queens, be good. Don't be afraid. The dead never hurt anyone.

00:15:07Pretty.

00:15:10Uncle, did you see? A sacrilege. Another act of arrogance from that disgusting man.

00:15:20Look.

00:15:20Oh, shut up. He can't hear you.

00:15:24And who do you want to hear me? The pigeons?

00:15:26Well, you never know. But really, what do you want?

00:15:29I would like to know if when I die I have to be thrown from one crate to another

00:15:33until they decide who should take me to the cemetery.

00:15:36Eh.

00:15:37Beloved doesn't die. You bury us all.

00:15:42However, it may be that by the time it's your turn, things will have changed.

00:15:48The funerals, the coffins, the wreaths are all a cover.

00:15:54If the pigeons tell me this right, this whole farce will soon be over.

00:16:02And our Don Achille, admired, changes his activities.

00:16:07And what do you know about it?

00:16:11I told you.

00:16:13These pigeons, they tell me everything.

00:16:17They fly, see, observe and then report.

00:16:24Go, girl, go!

00:16:32But they don't even notice what a mess he made of himself by doing this.

00:16:39And how did he tell you?

00:16:41But I've told you and repeated it a hundred times.

00:16:44Hey, are you repeating it again?

00:16:47Well done, Gumbarino.

00:16:49That?

00:16:50Are you tired?

00:16:51No, no, it's that Don Achille, he said only one thing,

00:16:53that we shouldn't be in his area.

00:16:56This is the final statement.

00:16:58And what did you do?

00:16:59But what was I supposed to do, Don Enie?

00:17:00I tried, there were about ten of them.

00:17:02Yes, a thousand.

00:17:04You had to fight a war,

00:17:06but you shouldn't have come here.

00:17:08Did you understand?

00:17:12But the funeral includes a religious ceremony.

00:17:22Yes, there is a service in the church of San Vincenzo al Vesuvio.

00:17:26Well.

00:17:27So if you want to save face,

00:17:30now go to church

00:17:31and if you find them there,

00:17:32show him who the gym brothers are.

00:17:35You have to make the fires of grotti feet, understood?

00:17:38Hey, move it, go on.

00:17:39I go.

00:17:40And who do I turn to?

00:17:41Out here, in front of the bar,

00:17:42There are two boys who need to work.

00:17:45They are two good guys.

00:17:46Go, take it to them.

00:17:47Go.

00:17:53Good morning, go there.

00:17:57Are you the ones who have to earn a bribe?

00:18:00It depends on the bribe.

00:18:02He told Don Salvatore that he's taking you with me.

00:18:04There is work to be done.

00:18:05Maybe, the job you were supposed to do.

00:18:07Hey, little ones.

00:18:08When you talk to me, you rinse your mouth,

00:18:11if not, I'll give you a discount, understood?

00:18:12And give it to you.

00:18:14And don't piss me off.

00:18:15It was just a matter of speaking.

00:18:16Where should we go?

00:18:18At the church of San Vincenzo al Vesuvio.

00:18:20What, is this a wedding?

00:18:21No, it's a funeral.

00:18:22So there's no rush.

00:18:23Yes, but I'm going.

00:18:27Yes, but I'm going.

00:18:29Take me home first.

00:18:31I have to change.

00:18:32Hey, go, church.

00:18:41But wash my mouth out with your hand.

00:18:43Yes, plots.

00:18:44From here, however, you can't understand anything.

00:18:46It changed me for a moment.

00:18:48Excuse me.

00:18:50Doctor, I think, I'm sure.

00:18:52I left it in the car.

00:18:53And the car was in the parking lot.

00:18:58Doctor, a tip.

00:18:59Safe information.

00:19:01Doctor.

00:19:01At the church of San Vincenzo al Vesuvio

00:19:03it's about to happen.

00:19:04Doctor, can you hear me here?

00:19:04Repeat grotto among the admired Palestri brothers.

00:19:06Is there anything wrong with that?

00:19:07Let's go, go.

00:19:15Doctor, hey, what do I do?

00:19:16Don't worry, sir.

00:19:18Then send a colleague.

00:19:19Eh, but...

00:19:20But is the wallet found or not?

00:19:22Only by a miracle, sir.

00:19:24Eh, I know what's crazy.

00:19:37Eternal rule.

00:19:38What a loss.

00:19:40What a loss.

00:19:41And you can't give yourself to me.

00:19:43Light to you.

00:19:45Eternal rule.

00:19:49Eternal rule.

00:19:50This short one.

00:20:08What a loss.

00:20:10This вся,

00:20:11What a loss. Eternal rule.

00:20:12Light to you.

00:20:13Yes.

00:20:26No, no, no and no

00:20:28I don't bless him, I told you

00:20:32He is a sacrilegious thief

00:20:36He was the one who stole the Madonna's gold

00:20:42I learned it in confession.

00:20:43And he didn't even regret it

00:20:46They killed Donna Dola

00:20:48Even if he wanted to repent he didn't have the time

00:20:50Be patient

00:20:52You don't scare me

00:20:53I'm more handsome than you

00:20:54Look, we're missing the bracelets, the rings and the necklace

00:20:57First I want them back and then maybe I'll bless him

00:21:00Finally, let's do it like this

00:21:02You bless the body and so you don't cause me any displeasure.

00:21:04And I pledge on my honor to have the Madonna's gold returned to you.

00:21:07We both do a work

00:21:09All right, all right

00:21:15This goes like this

00:21:17Yes, yes, I'll do it

00:21:18Thank you

00:21:19Help

00:21:19Give me your hand

00:21:23Alright

00:21:30Slowly, slowly, you take it easy

00:21:46Slowly, slowly, you take it easy

00:22:03Sir, give me the Madonna's gold, or you'll end up badly.

00:22:05You force me to cut off a priest's face.

00:22:08It would be a mortal sin.

00:22:27Beloved brothers, whether we live or die, we belong to the Lord.

00:22:38Let us turn our prayer to Him, so that in the face of the mystery of death He may instill in us the blessed hope of

00:22:47resurrection.

00:22:49Lord of life, listen.

00:22:52Lord of life, listen.

00:22:56Oh God, whose very sign of mercy is to forgive, we beseech you in mind for the soul of a

00:23:03Sunday sack.

00:23:04Yes? And where are the girls?

00:23:06The bodyguards are outside.

00:23:09They're waiting outside.

00:23:11They call.

00:23:13I have to go out and call.

00:23:15You do.

00:23:15To welcome her and lead her to the homeland of paradise, so that she may gorge on the eternal day.

00:23:22Lord of life, listen.

00:23:24What is it with you and me?

00:23:27For our brother Domenico, that the Lord who arranges the times of birth and death may welcome him into the

00:23:39peace of Holy Jerusalem, let us pray.

00:23:42Lord of life, listen.

00:23:45Lord of life, listen.

00:23:48Lord of life, listen.

00:23:48For our brother Dominic, so that the seed of resurrection received in baptism and nourished in the Eucharist may bear fruit.

00:23:57in the fineness of glory, let us pray.

00:24:00Lord of life, listen.

00:24:41Lord of life, listen.

00:24:43What's up, Aguto?

00:24:45Colic, doctor. Colic. I feel terrible.

00:25:07For us present here, because celebrating the mask of the Lord,

00:25:12let us run to sin and restore it.

00:25:16Let us take the Lord of life, listen.

00:25:22In life and in death we are yours, oh father.

00:25:27Oh, dear doctor, what a pleasure to see you,

00:25:30even if the circumstance is a bit sad.

00:25:32Relative of the deceased?

00:25:35And who knows? Or does she?

00:25:39Here in Naples we are all related.

00:25:42And maybe one day they'll find out that you're the black sheep of my family.

00:25:47Oh you of mine.

00:25:49That's right.

00:25:52However, if I came it was probably to do a good deed.

00:25:55because maybe I saved your life.

00:25:58And do you intend to file a complaint?

00:26:02And against whom?

00:26:03Against the gym brothers,

00:26:05who sent three of their own to ruin your ceremony.

00:26:07Those ones over there.

00:26:09But who are these three rag-and-bone men who came to steal from the begging boxes?

00:26:12to pay for gas?

00:26:14Do you really think they came for me?

00:26:15I don't know who we have for me.

00:26:26But who won't want us?

00:26:32Donate below.

00:26:33See you soon.

00:26:46Thank you all.

00:27:25Thank you all.

00:28:00Thank you all.

00:28:04Thank you all.

00:28:48Thank you all.

00:29:11Thank you all.

00:29:15Rosa, this is the first and last time, do you understand?

00:29:17Hey, what is your husband? Is he your man?

00:29:23No. He's a customer and he wanted to come with me and know that we like fresh stuff.

00:29:29Yes, yes, be funny and then don't complain if something bad happens to you.

00:29:35Hey, Rosa will have it down, to war and war.

00:29:38But what war? Here there are only rules, and they must be respected.

00:29:43Whose rules?

00:29:44Those of the rotten on foot.

00:29:45And that's it, do you want to stop making a mess?

00:29:47Then the customers don't stop and there's no work here.

00:30:14So, thank you all.

00:30:37And how beautiful she is, look what she brought you

00:30:40That disgusting guy, not only forces them to be whores

00:30:44But even to get shot

00:30:45And he'll sell the stuff to him

00:30:47And so, the more stuff they want, the more they have to work.

00:30:50In those conditions

00:30:52Look how much stuff costs

00:30:53We have to lower it until week

00:30:56He's struggling

00:31:04Ui Rosa

00:31:06No

00:31:07No dad

00:31:09He's a certified murderer

00:31:11You didn't cut it

00:31:12It takes the moisture off your bones, come on

00:31:18I'll give it to you as a gift

00:31:19Come on, you disgusting person.

00:31:20You're doing this shit to yourself

00:31:22You make it go up

00:31:23Baronna, who knows?

00:31:24Have a Merry Christmas

00:31:26And that tonight I find myself crazy

00:31:28Pine

00:31:31And then you have to pay for protection

00:31:33To whom?

00:31:34To me

00:31:35Do you know what they call you?

00:31:39Mardillo

00:31:40Because yes it really is shit

00:31:51Baronna, who knows?

00:31:55Lighthouse

00:31:56Do you understand?

00:32:00But you don't understand

00:32:09Little face

00:32:10Who's in charge?

00:32:11Achilla

00:32:12Really face

00:32:14Little face

00:32:15Yes

00:32:16But you don't understand

00:32:17But you don't understand

00:32:22Yes

00:32:30But you don't understand

00:32:33But you don't understand

00:32:37All

00:32:37Mardillo

00:32:42Hey

00:32:43Ciromele

00:32:52And leave

00:32:54But do it yourself

00:32:59Red money if you earn it

00:33:01And he keeps them

00:33:02It suits you well

00:33:03If you earn them

00:33:05Did you understand?

00:33:07Hunt for money

00:33:08Not in anyone

00:33:10Ciromele

00:33:12You're a nobody

00:33:14It's useless to understand the clown caffo

00:33:16Oh go

00:33:18Because if I shoot a clip into your head

00:33:21Nobody cries here

00:33:24Yet that bitch

00:33:27Don't do anything stupid, you bastard.

00:33:29Leave the money

00:33:30And it goes to you

00:33:31Is it your turn?

00:33:33To me

00:33:34But you for Amaroni of schiatti and brains

00:33:37My goodness, what a cup of tea!

00:34:04Don't do any more bullshit, mardillo

00:34:07Stopped

00:34:11No

00:34:12No

00:34:17No

00:34:18No

00:34:20No

00:34:22No

00:34:23No

00:34:24No

00:34:26No

00:34:27No

00:34:28No

00:34:29No

00:34:44Rosa, but who asked you?

00:34:46But who asked you anything?

00:34:48Sign up!

00:34:53Rosa, what's up?

00:34:54Ciro, you're compromised for yourself, your whole head is in cuffs.

00:34:57But then it's done, Rosa.

00:34:58Here it was, Rosa is like this, she has always been like this.

00:35:05And I'm dead, who cares?

00:35:06Don't worry, I'm dead, we'll take care of it standing up.

00:35:10Come on, the police are coming.

00:35:13It's your turn!

00:35:52Sit down with Rosa.

00:35:55I want to stay standing.

00:35:58I always sit in customers' cars.

00:36:01Do you know what I do for a living, or not?

00:36:06Enjoy your cigarette.

00:36:08No thank you.

00:36:10I only smoke contraband.

00:36:12There are more opportunities to cheat the government.

00:36:15Who's your protector, Rob?

00:36:20I don't have it.

00:36:23It could be you.

00:36:25It wouldn't be the first time he's a police officer.

00:36:27Don't talk bullshit.

00:36:32There's a murder here, Rosa.

00:36:35And the fact that you and Ciro, I've known you since you were kids,

00:36:38that we grew up in the same alley.

00:36:40You were the son of lords.

00:36:42And we lived downstairs and ate every other day.

00:36:45Here, good.

00:36:47All this doesn't matter shit.

00:36:48There is a dead person.

00:36:50And you know a lot about this death.

00:36:52I?

00:36:55But what are you guessing?

00:36:58Nothing.

00:36:58I didn't see anything and I don't know anything.

00:37:01Sit down.

00:37:05Can I smoke?

00:37:18It's strange.

00:37:20Because your friend Chinchilla

00:37:21something made me understand.

00:37:23He admitted something.

00:37:25Chinchilla is an honest woman.

00:37:27He couldn't have told you a lie.

00:37:28And then,

00:37:29Ciro Mele.

00:37:31A drag, huh?

00:37:33Go, come on.

00:37:42But what does Ciro Mele have to do with it?

00:37:44He's not a pimp.

00:37:46And then I really don't think so.

00:37:48Rose,

00:37:50I wouldn't want one night

00:37:52find you

00:37:53killed in the middle of the street.

00:37:55It can happen to you too

00:37:58this is in Naples.

00:38:37and I wouldn't want to put myself under a cork.

00:38:44And I wouldn't want to stand on a porch.

00:38:45but I don't want it anymore

00:38:47The thing is, it's my new thing.

00:38:47And I wouldn't want one night

00:38:49to another

00:38:49for our heritage.

00:38:53Thanks to the power.

00:39:11Thank you all.

00:39:38Thank you all.

00:40:18Thank you all.

00:40:37Thank you all.

00:40:49Thank you all.

00:40:53These are stories that travel fast and are difficult to hide.

00:40:57But you came out of it well, clean.

00:41:00But he liked it.

00:41:04Cigarette smuggling has no future.

00:41:06As a business it's over.

00:41:09And what should I do?

00:41:12What you've already done.

00:41:14But not for a little whore of four deaf men.

00:41:16You have to do it for a living.

00:41:18I know how to recognize people.

00:41:21You have that profession painted on our faces.

00:41:24You're good at it.

00:41:26It's like someone who is born to be a doctor, another a priest, another a lawyer.

00:41:30You can see it right away.

00:41:31And I'm not wrong.

00:41:33Of those who do the job you mention.

00:41:35It's full.

00:41:36It's full.

00:41:38What do you need from me?

00:41:40You're talking about motorcyclists.

00:41:42People of nothing.

00:41:44They only appear when they smell cheese, like mice.

00:41:48they remain.

00:41:49But the mice remain.

00:41:50They do it for the money.

00:41:51To pay for drugs, the motorcycle.

00:41:55No.

00:41:56I don't trust it.

00:42:00So, don't let me talk too much.

00:42:01You accept.

00:42:03And what is it about?

00:42:12Take this 3 million.

00:42:18This is this address.

00:42:21Make good use of it.

00:42:22I don't like throwing money away.

00:42:27Ah, she's a gunsmith.

00:42:29I already know him.

00:42:30It's better that way.

00:42:32When he tells me you're ready, then you'll know how, when and where.

00:42:38And now you're putting me in the mood for friends.

00:42:42And this is the last time we see each other.

00:42:45From now on you will take orders from Morcone or Aguto.

00:42:49Call it handsome, huh?

00:43:18No.

00:43:19No.

00:43:30No.

00:43:44Come on, don't make a fuss about me this evening, you understand?

00:43:47Don't worry, save me.

00:43:51Good evening.

00:43:53Good evening.

00:44:11Excuse me, Don Salvador, but I have to search you. Please.

00:44:19Please make yourself comfortable.

00:44:29Please.

00:44:32No, not you.

00:44:42Don't let it go.

00:44:50Don Salvatore, what a pleasure.

00:44:52The pleasure is all mine.

00:44:53Don Salvatore, you did well to come. Today is an important, historic day. My friend here has heard so much about you.

00:45:02of you and is very happy to meet you. We Sicilians have supported your request.

00:45:10Unwary.

00:45:10Very happy.

00:45:13Today you can hear.

00:45:14Thank you.

00:45:18Paco.

00:45:19Paco.

00:45:22We made our position clear to our friend.

00:45:24And that you are a well-known and welcome person.

00:45:28And that you can trust.

00:45:30Because you know, here in Naples they've had some difficulties, some evidence of a lack of seriousness.

00:45:36And that's not nice.

00:45:38They are precise people.

00:45:41And they want to work with serious people.

00:45:44A business is big, bigger than you can imagine.

00:45:49But he can do it like a pro, you know?

00:45:53That's why I was happy when you asked me to intervene.

00:45:59because I know you and I respect you.

00:46:02Everything is fine.

00:46:03But now let's talk business.

00:46:07The first shipment, when it arrives and how to pay.

00:46:11Don Salvatore is a very practical name.

00:46:14Do you want me to translate it for you?

00:46:17I understand.

00:46:19And he then understands the heart of the problem.

00:46:23It's not that money is the main problem.

00:46:27But where is the money deposited?

00:46:32From here?

00:46:33And when?

00:46:35And the whole world of organization.

00:46:38How goods are imported.

00:46:42Quien la distribuye?

00:46:44And other little details.

00:46:48And know what agreements you have with the other Neapolitan families.

00:46:57And families?

00:47:00Inve...

00:47:01But what is he saying, who knows?

00:47:04You explained it to him and here in Naples we are in charge?

00:47:08There are no other families.

00:47:10We are alone in Naples.

00:47:12Me and my brother.

00:47:14And we have control of everything.

00:47:17It's looting I wanted to see.

00:47:18You come.

00:47:19We were sure of it.

00:47:21Let's take it.

00:47:22All the rest are details that we will see in due time.

00:47:31Health.

00:47:32Health.

00:47:33Health.

00:47:36Health.

00:47:38Health.

00:47:48Health.

00:47:54Health.

00:47:55Health.

00:47:57Health.

00:47:59Health.

00:48:01Health.

00:48:02Health.

00:48:03Health.

00:48:04Health.

00:48:09We're not there yet

00:48:11You aimed low

00:48:12You are using a 7.65 caliber Smith & Wesson pistol

00:48:17With the bullet the flakes

00:48:19Plus you have a Mauser silencer

00:48:22At this distance with a similar weapon you probably would have hit her in the leg.

00:48:27Which is like not having hit her

00:48:30Ninth

00:48:32It takes a lot of practice, you have to

00:48:37You need to calculate the silencer seal better

00:48:41These are delicate weapons, it takes nothing

00:48:44And he's wrong

00:48:46Let's see

00:48:48You shoot clearly

00:48:49But you have to learn to do it in any situation and with any type of weapon

00:48:54Try this, try this

00:49:06From woman to girl, go from woman to girl, go

00:49:08Shoot

00:49:10Shoot

00:49:12Shoot

00:49:15Naples, Rome

00:49:17A

00:49:23Ready, it was a feat for admired

00:49:26I don't know who wants it

00:49:30Who should I tell?

00:49:32Ah, sharp, they want your phone

00:49:35But who is he?

00:49:37I don't know, I didn't understand well

00:49:49Ready

00:49:49But who's talking?

00:49:51No, no, you got the wrong number.

00:49:55Rassati and Agnana are doing badly

00:49:59Magu, I took you with me because they said you're a god on horses.

00:50:03And that's all

00:50:06Woman Who, are you kidding?

00:50:08It's obvious that you woke up this morning in a bad mood and you want to take it out on me.

00:50:12Available

00:50:14But this figure, in clandestine picket, is a record

00:50:18And then you saw what I brought you from the bag

00:50:22Six million, woman Chi, on the rise of the dollar in one day

00:50:26Modestly someone like me

00:50:28But where on earth did I find it?

00:50:38Shave up, you're stealing from me

00:50:42It's like everyone else in here

00:50:45All right

00:50:50I understand

00:50:52This morning you really want to have fun with me

00:50:55But can I ever steal from you, woman Who?

00:50:57No, go away, what's the point of that?

00:50:59And even if I wanted to

00:51:00That wife of yours controls all the accounts, cent by cent.

00:51:03And my wife, who is French, doesn't understand.

00:51:05I put her to do the math to keep him busy

00:51:07My wife only knows how to do one thing well.

00:51:11Oh, ragù

00:51:12What he had thought

00:51:14Nothing, woman Who

00:51:15And what was I supposed to think?

00:51:17And nothing

00:51:17And now go away

00:51:23Who was the phone?

00:51:26I don't know, I didn't understand well

00:51:27And who did they want?

00:51:29Acute

00:51:30I pay you to understand Nobis Carfaseggio well

00:51:34And you also have to record all the phone calls.

00:51:36Name, surname and reason for the call

00:51:39And I don't want to repeat it again

00:51:46No, no, make yourself comfortable, make yourself comfortable

00:51:48Who was the phone?

00:51:50Oh, the phone?

00:51:52Nobody

00:51:52Who was it supposed to be?

00:51:54He's the one who dialed the wrong number

00:51:56Imagine that they were looking for a barber here.

00:51:58Oh yeah, it happens

00:52:00These phones are a mess

00:52:03Happens

00:52:21My God

00:52:22My mother, my poor mother

00:52:25Rest assured, the best

00:52:26As for the rest of the sum

00:52:29Do you use a credit card or pay in cash?

00:52:32In cash

00:52:36Thank you

00:52:38Madam, my condolences.

00:52:40Thank you

00:52:56Poor Don Achille couldn't sleep last night

00:52:59He's got a dare in his head

00:53:01But who called the office?

00:53:03Asking for sharpness

00:53:04Who?

00:53:04And why won't Cuomo tell me?

00:53:06But why me?

00:53:08I

00:53:09And why don't I know?

00:53:11If you keep denying

00:53:13It's proof that you can't tell the truth

00:53:15And if you can't tell the truth

00:53:19You are a scoundrel

00:53:20I

00:53:21Let's go

00:53:22Let's go

00:53:22Only you know all the rumors

00:53:25That pass through that phone

00:53:26For twenty years

00:53:27Don't make me angry

00:53:29Don't make me angry

00:53:30On to the rations

00:53:31Make him understand that I'm not joking

00:53:38I do not know

00:53:40I swear it to you on the Madonna of Pompeii

00:53:43I do not know

00:53:45I do not know

00:53:47Have mercy

00:53:48I swear to you

00:53:50For goodness sake

00:53:51Please

00:53:53Two words

00:53:53Just two words

00:53:54And then I passed it on to the futa

00:53:56No, for goodness sake.

00:53:57For goodness sake no

00:53:58Don't have mercy

00:53:59You're killing me

00:54:01I suffer from heart disease

00:54:02For goodness sake

00:54:03For goodness sake no

00:54:04And you pass a phone call

00:54:06Without knowing who has the phone

00:54:07He doesn't have a phone

00:54:08So many people

00:54:09I can't remember them all

00:54:11Enough for goodness sake

00:54:13I feel bad

00:54:14Aiaiaiaia

00:54:15And what do you think?

00:54:15Let us have fun

00:54:16Tell us who it is

00:54:17And we're leaving

00:54:18Wait

00:54:19No

00:54:22Wait

00:54:24Maybe I can

00:54:27Imagine who

00:54:28Who

00:54:32The gym

00:54:48Hand

00:54:49This is not about treason

00:54:51Of infamy

00:54:52It's about

00:54:53Business

00:54:53A man like you

00:54:55With your experience

00:54:57And your culture

00:54:58Ask around

00:54:59That's a long time

00:55:01We wanted to have you with us

00:55:03Because we know

00:55:04Appreciate

00:55:05Good people

00:55:06And we know

00:55:07Compensate her well

00:55:09Believe me, you

00:55:10What a woman Chilla

00:55:10You are wasted

00:55:11You have to understand

00:55:13It's been ten years

00:55:14What a job I do with him

00:55:15And then

00:55:16What are you kidding?

00:55:17And how

00:55:17I don't understand it

00:55:18I understand that.

00:55:19And I appreciate it

00:55:20Because of this

00:55:21I am willing

00:55:22To give you my respect

00:55:23It's a percentage

00:55:24Very high

00:55:2525%

00:55:28Plus 200 million

00:55:30Of prize

00:55:32Right away

00:55:33Right away

00:55:36And now

00:55:37Be assured

00:55:38Say

00:55:40This is where it comes in

00:55:41To do things

00:55:42In grams

00:55:42You with woman Chilla

00:55:44Handle small lots

00:55:46The Marseillais

00:55:47They have a small slice

00:55:48Of the market

00:55:48The Sicilians

00:55:49They have everything in their hands

00:55:51And we

00:55:51We will work with them

00:55:53But the first exhibition

00:55:55It must be important

00:55:565 billion

00:55:585 billion

00:56:00Oh

00:56:00Let's be clear

00:56:01I could do honor

00:56:02The whole amount

00:56:03Certain

00:56:04But you will remain exposed

00:56:05With other commitments

00:56:05I have two construction sites

00:56:08Still open

00:56:09The clinic

00:56:10To be finished

00:56:10The contract

00:56:11To second

00:56:12And many other little things

00:56:14That you know

00:56:16How much money do you need?

00:56:18The half

00:56:18Two billion to me

00:56:20Two billion

00:56:22And how much do you need them?

00:56:23Right away

00:56:26You have to say

00:56:27To your financiers

00:56:28That the figure

00:56:30He will return in two months

00:56:31Tripled

00:56:32Tripled?

00:56:33It's a safe deal

00:56:34Closed on departure

00:56:36Excuse me

00:56:36Don Salvatore

00:56:37If I ask you

00:56:38You have spoken

00:56:39Of 5 billion

00:56:40But

00:56:41With 5 billion

00:56:43You drown Naples

00:56:44In the heroes

00:56:45But what are you doing to me, Scopoli?

00:56:47If we don't do it

00:56:47Someone else will do it

00:56:53So what do you decide?

00:57:10If we don't do it

00:57:12Buenodias

00:57:13Buenodias

00:57:13In case of emergency

00:57:15An oxygen mascara

00:57:16It will fall automatically

00:57:17Sobre tua cabeza

00:57:18In the case

00:57:20Tengais that you use it

00:57:21Put it in your mouth

00:57:22And breathe

00:57:23It was necessary

00:57:24It is convenient that you know

00:57:25The use of the vest

00:57:26Lifesaver

00:57:27Lo encontraréis debajo

00:57:28From your asiento

00:57:29Tenéis che pasarlo

00:57:31Por encima

00:57:31From your head

00:57:43He is the commander

00:57:44Of the airplane

00:57:44Que les habla

00:57:45We inform

00:57:46To the lords

00:57:46Passersby

00:57:47Que por un control

00:57:48Of the crews

00:57:49Of the airplane

00:57:49He must return

00:57:50To the point

00:57:50From the start

00:57:51The company

00:57:52If disputed

00:57:53Por este contratiempo

00:57:54Due to controles

00:57:55Of the police

00:57:55And informs

00:57:57To the lords

00:57:57Passersby

00:57:58Que podrán

00:57:58To remain

00:57:59At the airport

00:58:00Y consumir sin cargo

00:58:01In the bar

00:58:02Y restaurante tierra

00:58:03Thanks

00:58:07Señorita

00:58:11I'm sorry

00:58:12What's going on?

00:58:13No, I don't know

00:58:13To the best

00:58:14It's a control

00:58:14Of pasajeros

00:58:15Muchas gracias

00:58:16Come on

00:58:30Of pasajeros

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