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Hijack - Season 2 - Episode 04: Switch

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TV
Transcript
00:09UNTERTITELUNG
00:10Tell us exactly what I told you.
00:30I'll do as I heard. Bring John Bailey back to me.
00:35Wenn Sie jetzt John Bailey Brown in den Zug setzen,
00:38kommt er da nicht mehr lebend raus.
00:40Das ist staatliche Beihilfe zum Mord.
00:42Ich sage ja nicht, dass wir ihn in den Zug setzen.
00:45Aber wir können den Prozess in Gang bringen.
00:48Zeit gewinnen.
00:50Sagen Sie es ihm.
00:55Okay, Sam.
00:56They need time to find the right station and to make it safe.
00:59But you will get John Bailey Brown.
01:01Clara.
01:03No tricks.
01:04We gambled last time and now we have a dead man.
01:06Yes?
01:09No tricks.
01:33Passengers.
01:34I need you to listen to me carefully.
01:38This train is under my control.
01:40And it is rigged with explosives.
01:45I am speaking to the authorities and they are agreeing to my demands.
01:51So keep quiet.
01:53So keep quiet.
01:53Stand up my way.
01:54Don't try to get off this train.
01:56If you do as you are told, you will stay alive.
01:59But if you do not comply, then you will all die.
02:02Why?
02:05Why is he dead now?
02:06Why is he dead now?
02:06Why is he dead now?
02:21Well, um, what?
02:23There was a message.
02:27Remember being watched.
02:31I never agreed to be hide again.
02:34What I agreed to do was drive this train.
02:38I'm not a murderer.
02:46We didn't kill Freddy.
02:49But if we could find out who did,
02:53then we've got the edge.
03:03I hold my head up just enough to see the sky.
03:09And when we go, we won't go slow.
03:12We're put up such a light.
03:14And you can't say exactly what you are.
03:20Just keep your head held high.
03:23Kiss your fist and touch the sky.
03:26I'm too late to keep the world from dying.
03:30And for me, we'll all be there.
03:39Yeah!
04:09Faber?
04:10I've instructed the German intelligence services
04:13to release John Bailey Brown to me immediately.
04:17I think you read this wrong, Mr. Faber.
04:21Giving Sam Nelson what he wants is not the answer.
04:24I promise you.
04:24I work for the people of Berlin.
04:26My duty is to them.
04:28Their safety takes priority now.
04:31Wait.
04:32Ada, please.
04:33Something else is going on here.
04:35You have to believe me.
04:37Peter!
04:38Enough!
04:39A man is dead.
04:41And Nelson is taking responsibility.
04:43What more do you need?
04:52The BFV has been given to John Bailey Brown to be given,
04:55so long as it is diskret.
04:57Let's go.
04:58Let's go.
04:58Let's go.
05:00Let's go.
05:01Let's go.
05:03Let's go.
05:05Let's go.
05:19It's me.
05:20I changed my plan.
05:21I need a flight today.
05:23The wheel is up in one hour.
05:26I don't care.
05:28Just figure it out.
05:35You're right.
05:36The top one is a driver cap camera.
05:44Wait.
05:45Someone in this train has to have a laptop.
05:47Wait, wait, wait.
05:48Forget about it.
05:49It's not working.
05:51You need to find out some other way.
05:52I can't just go out there and ask who killed Freddy.
05:55The point is, it's meant to look like it was me.
05:58Yes.
05:59This is how we find out who's controlling us.
06:01Yes.
06:02But those drives are...
06:04Yes, it works.
06:05Encrypted.
06:07They can't be accessed by just anybody.
06:13We need to find a way to get the USB to the control center.
06:21Wait, wait, wait, wait.
06:24If you're going out there,
06:27you're going to need a good story.
06:37Hey.
06:39Alles okay, Maria?
06:40Alles gut.
06:44Sieht aber nicht so gut aus.
06:55Hey, did I hear someone say you were a doctor?
06:57Mm-hmm.
06:58Yeah.
07:00I said I'm fine, honestly.
07:02She's a doctor.
07:03Not quite.
07:04What happened?
07:06I kept myself on the door there.
07:12What were you doing going through the door?
07:13I was just trying to get away from the chaos in the blackout.
07:27Passengers, please do as a man says.
07:31We've all seen what he's capable of.
07:34There's no need for anyone else to get hurt.
07:49Enough screen time.
07:55Right.
07:57Come on.
07:58Everyone, phones.
07:59Out the window now.
08:02Vanessa, Ellie, Rebecca, phones.
08:03Come on.
08:04Everyone else, phones.
08:05Come on, quick.
08:05Come on.
08:05My dad is...
08:07Just take off.
08:12Give me your phone.
08:14Come on, you heard what he said.
08:15Kids, please.
08:21Let's go.
08:30What's this?
08:44Do exactly as I say, or more people will get hurt.
08:48Do you understand?
08:50I said, do you understand?
08:55Bones.
08:59Let's go.
09:01Out the window.
09:01Now.
09:02All of them.
09:06Yeah, I told her you sent me, but she didn't want to hear it.
09:09Came at me with an axe.
09:10You never told me about that.
09:12Shit.
09:13If I'd have known it'd be this much aggro, I would have told you to piss off.
09:17Only got this car last week.
09:19It's about five grand's worth of damage here.
09:22I saw that out.
09:23Listen, there's something I've got to look into.
09:25Nick, just go and check.
09:27She's OK.
09:27Please.
09:29Yeah, OK.
09:31No problem.
09:32Thanks, Nick.
09:35Not sure she needs me looking after her, though.
09:41Phones!
09:42Out the window.
09:44Phones, now.
09:50Hey!
09:51You don't answer that phone.
09:54Please, it's my wife.
09:55She thought I would be out of here two hours ago.
09:57My son, he's asthmatic.
10:00He's only four months old.
10:05It's to be over soon.
10:06Please, no.
10:07I'll ask you.
10:08Benji.
10:10Hey, hey.
10:11You said you were talking to the authorities and that they were listening to you.
10:15I'm sure you don't want to release any hostages, but please.
10:18There has to be a way we can get him off the train.
10:28What's his name?
10:30Benji.
10:31Benji Donuts.
10:38Benji.
10:45No promises.
10:55Hi, that's Timo.
10:56Nita, let me give you a message after the beep.
10:58I'm sure you don't want to get him off the train.
11:41Hey.
11:44What is she doing?
11:53I know you didn't kill him.
12:04I know you didn't kill him.
12:04Sam, let me help you.
12:13Mate, can I be honest?
12:22I do remember you.
12:24The thing I remember about you is that you need to learn when to quit.
12:31If you want to help me, I need you to go back to your seat and shut the fuck up.
12:51I told you before, I don't need your help.
12:55Dan's just worried about you, that's all.
12:57I can take care of myself.
12:58Clearly.
13:01I'm lucky I'm not on the force anymore or I'd have to do you for going equipped.
13:06Have you served with him in Manchester?
13:08Yeah, it was a while back.
13:10Took early retirement.
13:12My wife and I run a B&B down in Inverness.
13:15Told Dan it was no problem for a bit of a drive.
13:17Side hustle is it, spying on people's girlfriends.
13:26He told me about your son.
13:29About the anniversary.
13:30You don't get to talk to me about that.
13:34Fair enough.
13:39It's not the first time I've had unwanted attention.
13:44Since Kai.
13:47Sam, my ex-husband has been knocking on a lot of doors.
13:51Pissing off the wrong sorts of people.
13:54Well, that explains the axe.
14:01Look, no, no offence, but I'm not really in the mood for company right now.
14:12Oh.
14:28Hey.
14:29Did he hurt you?
14:31Oh, no, this is from before.
14:32I'm okay, honestly.
14:35I'm okay.
14:44Actually, would you mind taking a look?
14:46Yes.
14:46Come here.
14:55It's Freddy's bike, right?
14:58Yeah.
15:00Said I'd keep an eye on it.
15:06Listen.
15:08During the power cut, when everything was kicking off.
15:12You sat here?
15:14Yeah.
15:15You didn't happen to see your own past you through the door?
15:19No.
15:20I'm sorry.
15:21It was just so chaotic.
15:23Why?
15:28What if someone else is involved?
15:38My take is that he's on his own.
15:41He's just like a desperate guy in a desperate situation.
15:49Hey, look.
15:50It's a little bruised, but I reckon you got off lightly.
15:56Thanks.
15:58Okay.
16:02Good.
16:17Clara, are you there? Where is he?
16:22Sam, we're listening. What is it?
16:27Clara, there is a baby on board. It is sick.
16:31I want to get it back to his mother.
16:35Yes, Sam. This is something we can certainly look into.
16:38His name is Benji. Benji Donetsk.
16:40If you confirm a time and place for the handover of John Bailey Brown,
16:45then we can agree to give this baby the help it needs.
16:51We will do that, Sam.
16:55Good. Because if you can't...
16:59Well, it's on you.
17:24He was on his way to meet me.
17:27He had the Hamburg border evidence.
17:29I just... I don't... I don't understand why he didn't just come to the embassy
17:33and do this the right way.
17:34It was all set up for him.
17:36He clearly had a change of heart.
17:39Did you speak to his ex-wife?
17:42I've been trying her all morning.
17:43Try again. I think we need all the background.
17:46We can get on why he's doing this.
17:49Bergmannstraße.
17:50Das wäre der Ort.
17:53Bergmannstraße?
17:54Was für eine Station soll das denn sein?
17:56Bergmannstraße ist ein Geisterbahnhof.
17:58Eine stillgelegte Station auf der U6.
18:00Keine Kameras.
18:02Keine Fahrgäste.
18:04Keine Zeugen.
18:06Bringen Sie John Bailey Brown dahin,
18:07wenn Sie ihn wirklich übergeben wollen.
18:14Bringen wir ihn erst mal vor Ort.
18:28Und das sind alle Aufnahmen vom Bahnsteig der U5
18:30zwischen 9 und 9.45.
18:33Ja?
18:33Ja.
18:35Wissen Sie,
18:36ich habe immer geglaubt,
18:37dass ich auch ein guter Ermittler wäre.
18:39Ich gucke diese Serie,
18:41wo der Typ immer sagt so...
18:44Ähm...
18:44License and Registration, please.
18:47Oder?
19:12Der Bollenkran ist eigentlich voll easy, oder?
19:15Yeah?
19:17Let's go.
19:20Where?
19:22To O-Bahn.
19:27Sam, we have somewhere to hand over John Benny Brown.
19:31Go on.
19:33Bergmannstrasse.
19:36Bergmannstrasse?
19:37Haven't heard that for a while.
19:40I mean, it's technically possible, but it's on the year six.
19:47You will have to root us, Winter.
19:51I will, Sam.
19:52But first, we will need to get that baby off the train.
19:56Of course. That was the deal.
19:58Good. We are tracing next of Kim.
20:01We'll be in touch.
20:05The police are coming.
20:07The police are coming.
20:08The police are coming.
20:14A bit of fresh air, John.
20:19Don't get used to it.
20:26What's it doing here?
20:27I'm wondering what's going for.
20:29Okay, John.
20:31You're coming with me.
20:32What's he doing here?
20:50No, no, we can't let him go again
20:53Your credentials have been revoked
20:55My credentials?
20:56Stand down, I'll have you arrested
21:01Run the prick over
21:04They're taking him to the train
21:06Forget the train
21:08I've got a jet on the ground, a gator
21:10With the home office on board
21:12Look, I don't like it any more than you
21:14But don't do this here, in the street
21:17We can still do this our way
21:19But now's not the time
21:25Let me take care of it
22:00Hi, you're through to Marsha Smith-Nelson
22:03Sorry, I'm not available at the moment
22:04But if you'd like to
22:05Thank you
22:07Sam's ex-wife is unreachable
22:10Let's leave that for now
22:12It seems the switchboard here has been taken calls all morning
22:15From a British citizen concerned about her family
22:18Her name is Leah Doenitz
22:20The mother of the sick baby
22:23Yes
22:25Tell me what you need
22:37You're not a doctor, right?
22:41Kind of
22:42Come with me
22:53This woman is a medic, okay?
22:56So tell her what's happening with your baby
22:57I think he's got really bad asthma
23:01Yeah, I don't know what else to tell you
23:02I can't get him to settle
23:06Okay, can we turn him around?
23:08Okay, he's dressed
23:09My guess is he needs a nebulizer at the very least
23:12I didn't bring that
23:13I thought I would be on here for 20 minutes
23:14We all did
23:19Let me check his fingers
23:25No, you stay here, stay with him
23:27Okay, but there's not much I can do
23:33Okay
23:33Okay
23:39I can't wait for the name
23:53I'm not even ready by the way
23:56I'm not ready to go
23:56I mean, I can't wait for the name
23:59Let me go
24:01Leon.
24:02Leon, can you please?
24:04Ja.
24:04Sorry.
24:12But, ehm...
24:13Schnell sein is important, right?
24:14This is fun.
24:16Okay?
24:18It took me really late, but I try not to concentrate.
24:45Hey! Hey!
24:48Hey!
24:53Oh!
25:13Didn't even bring me a coffee, huh?
25:15Thanks for coming, Zara.
25:17Yeah, well, most people just drunk dial their exits you hold out from another terrorist incident.
25:22So it's true, then?
25:24Yeah, that's why I didn't want to discuss it on my phone.
25:28It's okay.
25:29I get it.
25:30I don't have the right clearance, and this is a counter-terrorism issue.
25:36But just clear one thing up for me.
25:38A mate in Border Force said Sam Nelson flew into Berlin yesterday.
25:43He's not involved, is he?
25:58Danny boy.
25:59Go and get her.
26:00Now.
26:01I've tried that before.
26:02She's not going to come quietly, is she?
26:04Things have changed, Nick.
26:05She might be in danger.
26:06We need to get her somewhere safe.
26:08Yeah, you've said enough, mate.
26:10I'll take care of it.
26:22I'll take care of it.
26:27Not nice.
26:29Hanging around scaring women like that.
26:32Not nice.
26:36Not nice at all.
26:52It's not looking good for him.
26:54He delivered one dead body already, and he's threatening hundreds more.
26:58But why?
26:59What's he saying?
27:00What's he asking for?
27:01I've already told you too much, Dan.
27:02I can't afford to get fired.
27:03We're about to do the loft.
27:04Sarah, come on.
27:07You're not going to like it.
27:08He's asking for some mum.
27:15John Bailey Brown.
27:17Irony is NY5.
27:19We're just about to extradite him to the UK.
27:22Jesus Christ.
27:25When were you going to tell me this?
27:27Well, for one thing, it's highly classified, and I was only briefed on it this morning.
27:33You know that Sam thinks Bailey Brown's responsible for what happened to Kai, don't you?
27:38Did that come up in the briefing?
27:42Fucking hell.
27:50Daniel.
27:54You don't want to believe it, Sam, okay?
27:56No one does.
27:57But on the anniversary of Kai's death, I mean, you have to admit, a case for the defence isn't fantastically
28:06strong.
28:07No.
28:08No.
28:08No.
28:08I don't buy it.
28:10The moment you hear the name Bailey Brown, there is only one reasonable assumption to make.
28:15The cheap side farm.
28:18We need to see him.
28:35How are you holding up?
28:53I know what you're doing.
28:56Many years ago, I was trained to see things.
29:01If you know what this city has been through, you know what I mean.
29:08You are right.
29:11In the power cut, I went to find the driver.
29:15But when I got to the first carriage, one other person was already there.
29:21This man, he was kneeling by the middle doors.
29:25And it looked like he was trying to get rid of something.
29:34If you want to stay safe, keep your head down.
29:53The first place is gone.よう
30:44Sam, we have been able to locate the baby's mother and she has agreed to come and meet
30:48here. Okay, I will allow him off the train. Here's how this is going to work. There is a maintenance
30:56point between... Yes, we know the one. I don't want anyone else on or off this train, understood?
31:11Understood. No funny business, no ambush, no police woman.
31:18Disguised as the mother, okay? In fact, I want a picture of the mother so I can confirm it's her.
31:29Yes, Sam. We will arrange that. Clara, if there's anyone at that meeting
31:36point other than the mum, just remember there isn't only one life at risk here, okay?
31:45Are you sure this is going to work?
31:52No. I'm not sure at all.
31:53No.
31:59No.
32:12No.
32:26Ed!
32:49Can I have my bag, please?
32:52Now.
32:57Give it to me!
32:59Give me my bag!
33:00Give me my bag!
33:05Shit!
33:06Hey!
33:06What the fuck is going on?
33:09What is this?
33:10It's nothing!
33:11It's my bag, that's all.
33:13It's just my bag.
33:14I hid it because I thought the police were about to raid the train.
33:19Go back to your seat now.
33:22Right now!
33:31What the fuck?
33:32It doesn't make any sense that no one else passed me on my way up the carriage.
33:35What are you trying to prove?
33:36It wasn't you!
33:39I guess this is what you get for trying to help.
33:47Go back to your seat.
33:51Come on, go.
34:13When he was killed, we were stopped.
34:15But the powers of the rail was alive.
34:18Yes, we were out on the tracks.
34:20And if nobody else walked past me, then whoever did it must have snuck back on the train behind her.
34:30That's why she didn't see them.
34:35Okay, son.
34:36The baby's mother is heading to the meeting point now.
34:58I'm sorry.
34:59I'm sorry.
35:03I need to take a photo so Timo can confirm it's you for the hijacker.
35:25The hijackers demanded that you meet him alone, but we will be right here, okay?
35:35Why is he doing this?
35:37He must know, right?
35:39He must have said something.
35:46He lost his son.
35:49And he wants answers.
35:55Can we?
35:57Okay.
36:01Thanks.
36:27Move.
36:28Who?
36:30You let us go.
36:44Who is this?
36:50Okay.
36:52Let's go.
36:55Not you.
36:58Just a baby.
37:02No, I have to go with her.
37:03You can't get off this train.
37:05Just a baby.
37:12No.
37:14I won't let you touch her.
37:15Not me.
37:24She'll be waiting.
37:29I know it's hard.
37:30I know it's hard.
37:31It's gonna be fine.
37:34He's gonna be good.
37:44Move.
37:45Move.
37:45Move.
37:58Attention.
37:59The hijacker has agreed to let a sick baby off the train.
38:03No one else can leave.
38:05If you try to do this, all of you will be in danger.
38:36Please stop crying at least.
38:38It's not a good sign.
38:41We are nearly there.
38:43No.
38:45No one else can go.
38:46No.
38:59No joke.
39:00No!
39:00It's not a bad time for us.
39:01No!
39:05No!
39:34Your mama's here.
39:39Okay, let's go.
39:45All right, you go down on.
39:47Take.
39:48Oh, okay.
40:07I can take him.
40:07Yeah.
40:12Okay.
40:13All right.
40:34What's the ball?
40:51Go on.
41:00Okay, it's okay.
41:04It's gonna be fine.
41:06It's okay.
41:09It's okay.
41:11It's okay.
41:24You don't look how I thought you would.
41:28I thought, I don't know what I thought, but now I see you.
41:33You're so tired.
41:35Please, let them go.
41:40Let all of them go.
41:43I can't.
41:46Why not?
41:51Because I have to finish this.
42:06You'll need this.
42:19Oh.
42:21Oh.
42:38Thanks for your help.
42:46That was a good thing you did there.
42:50It surprised me.
42:54Thanks.
43:08It was her.
43:14Yeah.
43:15Yeah.
43:16And now we know who we're up against.
43:29After laughter comes tears.
43:39After laughter comes tears.
43:50When you're in love, you're happy.
43:58When you're in love, you're happy.
43:59Oh, and when you're in an arm, you're gay.
44:14Oh, and when you're in love, you're in love with me.
44:30You
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