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Hijack - Season 2 - Episode 06: Junction
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00:00THE END
00:14What happened?
00:16I'm not sure.
00:19A explosion?
00:21I don't know.
00:22Maybe.
00:23Send the team to the Linden.
00:27Yes.
00:31We are on the way.
00:32Good.
00:33The deal.
00:34They can be dead.
00:36Stephan.
00:38What is going on?
00:42Okay.
00:43Beheilt euch.
00:45We are working on the system to get to the run.
00:49We need to bring Bailey Brown back to the safe house.
00:52We are not sure what is going on.
00:54Every second, when the Convoy is standing, is unwundable.
01:19We are being stood down.
01:25The handover is off.
01:26We'll see you on a band.
01:28Handover.
01:29We have orders to get Bailey Brown back to the safe house immediately.
01:33Anyone could have seen us leave there?
01:35It's compromised.
01:36I don't call the shots.
01:37Just sit tight.
01:43They've lost contact with the train.
01:45And?
01:47German police suspect an explosion.
01:50Jesus.
01:53What's the response over there?
01:55Scrabbling a bit.
01:57But MI5 are saying Bailey Brown is being returned to custody.
02:00So clearly they think it's over.
02:02You tried, Daniel.
02:29You done?
02:33Cross is averted.
02:35No, not so much.
02:36Reports on an explosion in Berlin.
02:39We'll get you back to Belmarsh.
02:42Looks like you might, John.
02:44He's going to be joining you there in a couple of weeks.
03:11I hold my head up just enough to see the sky.
03:15And when we go, we won't go slow.
03:20We'll put up to the night.
03:22And you will be one to eat exactly what you are.
03:28Just keep your head high.
03:30Kiss your fist and touch the sky.
03:33A duty to keep the world from dying.
03:39And for me, we'll all be there.
03:47Yeah.
03:49Yeah.
03:50Yeah.
03:52Oh yeah.
03:54Oh yeah.
03:59Yeah!
04:01It doesn't have to be weird.
04:02Can you relax all right?
04:03It's a good one.
04:37It's a good one.
04:37It's a good one.
04:43It's a good one.
05:03It's a good one.
05:28It's a good one.
05:41It's a good one.
05:56It's a good one.
06:27It's a good one.
06:50It's a good one.
07:14It's a good one.
07:19It's a good one.
08:02It's a good one.
08:08It's a good one.
08:32It's a good one.
08:38It's a good one.
08:43It's a good one.
08:44It's a good one.
09:14It's a good one.
09:16It's a good one.
09:18It's a good one.
09:19It's a good one.
09:22It's a good one.
09:47Stay back, please.
09:58Oh my God, my heart.
10:20so i need to get out of here try to stay calm and remember what the driver said
10:27we'll be out of here soon
10:31wait wait
10:35yeah
10:37sure
10:54winter
11:03sam what happened where's bailey brown
11:07first i want answers where is bailey brown
11:13on this way to the handover at bergmannstraße
11:18that's a lie turn him around
11:22the kind of this is winter
11:27into the handover or this whole train will be gone
11:36he'll be there
11:40we better be
11:46rufen sie die rettungskräfte von unter den linden zurück und sagen sie dem konvoi sie sollen weiterfahren
12:00let's go
12:14let's go
12:17yeah
12:18no more fuck-ups
12:21you'll get your money
12:22right
12:22just get the train to the platform
12:24and we'll be there
12:31now we can go
12:32and we'll be there
12:41we'll be there
12:52we'll be there
12:59we'll be there
13:18If this works out, guess what he wants, no one has to die.
13:27Except Freddy.
13:37So why did you kill him?
13:44Freddy had to die because you guys fucked up.
13:48He was trying to call the control center.
13:52If the man I'm working for had found out,
13:54he would have blown the entire train.
13:57And he would have killed Marsha, too.
14:03That's how it works, isn't it?
14:06It's a closed loop.
14:09Leave no trace of who's behind this.
14:14Apart from you.
14:17Yeah.
14:19Apart from me.
14:44It's quite deep.
14:47Seriously, you might need stitches.
14:50It's probably best to go to A&E.
14:52No.
14:53I'm fine.
14:54Just hang on to that for a second.
15:07Yeah, there's an A&E about an hour away.
15:10I don't know why I'm telling you.
15:12You're local.
15:14You probably know St Francis.
15:16St Francis, aye.
15:19One night too many an A&E there.
15:26I'll patch you up.
15:28Where are you going?
15:30Just to get the first aid kit.
15:48St Francis.
15:53Back!
16:00Where is she?
16:23She can't be far.
16:45Shit.
16:46Forget everything.
16:48Come on.
16:51This way.
17:16Get away.
17:31Everyone calm down for a minute, please.
17:34Relax, just for one second, one at a time, okay?
17:37People could have died on that carriage.
17:38But nobody did.
17:40Fuck that.
17:40Hey, hey, hey.
17:42Stop, stop, stop.
17:43Hey, easy, easy, easy, easy.
17:45She's not the enemy.
17:46Okay, it's bigger than that.
17:47No one got hurt, so let's just keep it that way, all right?
17:51We all want the same thing.
17:52We just want to stay alive.
17:54You'll have to let us off the train.
17:55It's not that simple.
17:59But here's one thing I can tell you,
18:01that the handover is going to happen.
18:04And if we just stay calm and work with the authorities,
18:10we are going to walk away from this, all right?
18:12I can promise you that.
18:14All right?
18:22A team of guests here will be on the edge of the tunnel.
18:25We will be on the edge of the tunnel.
18:26We will warn you, if these things happen.
18:28We have Scharfschützen.
18:30Here, here and here.
18:33And from the train of the car will no one see?
18:35We will on the train and on the tunnel.
18:38We will be on the train of the tunnel.
18:42and the thing is over.
18:46And in the world in which we live,
18:49will Wolf with his team sterile.
18:58They have the right decision.
19:04Tell Wolf, he will bring his people in place.
19:11Bring the people in place.
19:29You can register them as a witness, yes?
19:38Yes.
19:39Do you have anything for me?
19:41From the room of the Bombenleger.
19:43Merry Christmas.
19:51Can you check your name for me?
19:54Agata Robak.
19:57I think in Polish.
19:59I'll wait.
20:09I'll wait.
20:11I'll wait.
20:14I'll wait.
20:17Graham.
20:18Thatcher.
20:19Where did you get back here?
20:21You don't have clearance?
20:22Yeah, but...
20:23I know someone who does.
20:27Peter Faber.
20:28MW5.
20:30We could use your help.
20:35Excuse me.
20:37Excuse me.
20:39Excuse me.
20:40Excuse me.
20:45That's okay.
20:52You're so white.
20:54You're so black.
20:55It's all so black.
20:58You're so black.
21:01If you're sure it's fine.
21:08You're so black.
21:10You're so white.
21:11I can't believe anything.
21:34Clara, I need to speak to enter.
21:39Okay, um, perhaps you can let us know when you're passed.
21:45Signal 168.
21:46Uh, yeah, we can do that.
21:48Just put Winter on.
21:51I'm here, Sam.
21:52Winter, I want to be clear about a couple of things, okay,
21:54when we get into Bergmanstrasse.
21:56Go on.
21:58First of all, if I see any police anywhere, anywhere at all,
22:02we will not pull into the station.
22:04All right.
22:07And, uh, second, John Bailey Brown is the only person
22:11to be on the platform.
22:14If we can meet these two conditions,
22:15I'll let the passengers off,
22:17and Bailey Brown will step onto the train.
22:20Very good.
22:21We can agree to those terms.
22:29How long have we got?
22:32Uh, uh, two more stops.
22:36Wimbergmanstrasse?
22:37Yeah, yeah, yeah, that, that manstrasse.
22:39It's the old end of the line.
22:41Usually we would go around it,
22:43but then I've switched the points now
22:45to take us straight into the station.
22:48How long before we passed that signal that Clara was talking about?
22:51Was it?
22:52One, six, eight.
22:54But it's, uh, a strange thing.
22:59What?
23:02We passed it already.
23:05I mean, we passed it before she even asked.
23:09I don't think they know where we are.
23:25I hear this is the best place in the city to get kielbasa.
23:30Huh. Who told you that?
23:33I'm really bad with names.
23:36You'd recognize his face, though.
23:43Are you aware that you have 12,697 unopened emails?
23:49I have a system.
23:51OK, so this is the email
23:55in which Nelson sent Thatcher his dossier of evidence.
24:02Hang on.
24:03This is classified information.
24:06And all of this is from the same source.
24:09Looks like it.
24:11The metadata indicates a single point of origin.
24:14And you definitely can't tell me who sent it.
24:17Well, I mean, they've hidden their tracks really well.
24:21It's impossible to say without gaining access to Nelson's computer.
24:26Wait, Sam's phone was in his hotel room.
24:28And his laptop was in his briefcase.
24:31So the German police must have them.
24:38I'll make some calls.
24:44There's no point denying it, Agata.
24:50We...
24:52We find your gym membership card in his apartment.
24:55Do I look like I go to the gym anymore?
24:58Still, you must realize what he's been doing.
25:01He says it's better than I don't know.
25:06For my safety.
25:09We haven't even spoken since last Friday.
25:13He said...
25:15I won't see him for the next couple of weeks.
25:21Where was he going?
25:23No, I guess...
25:24He didn't tell you.
25:36Yeah.
25:43I need Marco's name.
25:45His real name.
25:47Or it will be a lot more than a few weeks until we see him again.
25:56We're going to the Bergmann Street.
26:07We're going to the Bergmann Street.
26:37Transport aside 20 minutes.
26:39Not soon enough for somebody.
26:41Good riddance.
26:43In over a hundred hours of interviews, I've never seen him like this.
26:50The name of the bomber is Josef Kaminsky.
26:54Josef with Z.
26:56Josef with Z.
26:57You have a Treffer?
26:59Großartig.
27:01And in which time did the flight go to Warschau?
27:06Ah, and when did he go?
27:12From Brandenburg?
27:15Yes.
27:22What is this place?
27:24Hey!
27:27A bulletproof vest.
27:30That's a bit over the top, isn't it?
27:32Why do I like this, eh?
27:35What are you organeering to?
27:36Shut up.
27:37That's why you're doing good.
27:38Give me your hands.
27:43What are you doing good.
28:05You need to replace the streets.
28:06Sorry to interrupt the street.
28:07I'm sorry to replace the streets.
28:09I'm sorry.
28:10You're waiting for the Fuck-이야.
28:12You're waiting for a job.
28:13Sure.
28:21Apparently Bergman-Strauss is crawling on the GSG-9.
28:36Winter?
28:39I've changed my mind.
28:43What is it?
28:48Passengers will not get off this train until after I have belly bone.
28:57So it doesn't get so.
29:03Okay.
29:05I thought so.
29:07What?
29:12Stop the train.
29:13Sir?
29:14No, no, no, no.
29:15Just stop the train.
29:16Stop it.
29:17Stop it.
29:18Stop it.
29:19Stop it.
29:35Stop it.
29:36Stop it.
29:38Stop it.
29:40Stop it.
29:42Stop it.
29:52Stop it.
29:57To the first scene.
30:01you think she's planning on assaulting the train she just agreed to terms that no one in their
30:06right mind would unless you were planning to lure us in she's got the police laying in wait for us
30:13what is the alternative we don't pull into the station he will blow this train
30:19he would definitely blow this train if there's an ambush and john reddy brown isn't handed to us
30:25but bergmannstraße is a dead end if there's an ambush and we pull in there
30:31there's no escape
30:40wait didn't you say that the control room can't see where we are it seems so
30:46i think the the explosion could have damaged electronics they're blind
30:52huh so if we can sidestep their trap we've got a chance
31:02so
31:04Oh, my God.
31:42Oh, my God.
32:15Oh, my God.
32:19Oh, my God.
32:33Shit.
32:39This is getting away from us.
32:40Might be time to turn it up a notch.
32:48So, um, however this plays out, we won't be able to get back to you.
32:53So as soon as I say, you can pick us up at the point, and we divert past Bergmanstrasza.
32:58Okay.
32:59I'll be there.
33:18What about the passengers?
33:20Just in case that they, I don't know, ask any stupid person.
33:24They won't even know where they're gone.
33:26All right, just keep them calm.
33:27I don't know where they're going.
33:49I don't know where they're going.
33:51I don't know where they're going.
33:56Sam?
33:58Sam?
34:00Are you there?
34:01Sam?
34:04Oh, my name.
34:07I don't need you.
34:10Sam?
34:13Yeah.
34:15John Bailey Brown is on the platform.
34:18We are ready for the handover.
34:21All right.
34:22Stand by.
34:23The station is about 300 meters up that way.
34:25Go ahead.
34:26The points must be closed.
34:29Sam?
34:29Where are you?
34:32This passing signal, 168.
34:45Negative.
34:56Adorn.
35:03They'll be expected to have a tray station.
35:05I don't need it.
35:14Crank handle.
35:15Uh.
35:17Right there.
35:39Sam?
35:46What is it?
35:49The old lady.
35:50I'm not sure what's wrong, but she needs medical attention.
35:59I know first aid.
36:02Excuse me.
36:06Watch out.
36:09Why have we stopped?
36:12Huh?
36:12What's going on?
36:18Excuse me.
36:19I need to speak to whoever's in charge, please.
36:30It's going to be a long time.
36:32We still don't know where they are.
36:40Wolf, do you have a contact with the car?
36:48Vorreiten.
36:49Aber seien Sie vorsichtig.
36:52Verstanden.
36:55Team Bravo, Position halten.
37:08Die Autos.
37:08Können wir bitte mal vorbei?
37:09Machen Sie bitte mal Platz.
37:12Muss hier mal ran.
37:17Was ist passiert?
37:20Sie ist gestürzt?
37:35I went down there and the hijacker gave me this
37:43Gave you what?
37:55Sorry, I can't miss my man.
38:06I'm sorry.
38:09I'm sorry.
38:26All right, Otto, it's done.
38:29Otto, come in.
38:34Otto, come on.
38:35We're ready for you.
38:48They said they'd keep us safe.
38:50And now someone else is dead.
38:54I will tell them that's all I can do.
38:58You seem very keen to do whatever they want.
39:01Mein Arter, was willst du denn von mir?
39:03Oh, mein Gott.
39:05Wann wirst du eigentlich still alive?
39:11I call of you.
39:19Der ist aus dem Zug?
39:21Nelson hat ihn der Mutter gegeben.
39:23Es ist von der Kamera in der Fahrerkabine.
39:28Sie können uns irgendwas zeigen.
39:31Aber was?
39:34Können wir das schneller machen?
39:47Wir sind Leute im Tunnel.
39:51Außerhalb des Zuges?
39:52Können Sie sie identifizieren?
39:54Negativ.
39:56Warten Sie.
39:59Person ist Danko Eins.
40:02Er hat eine nicht identifizierte Frau bei sich.
40:05Wolf hat sich kontaktionell sind im Tunnel.
40:07Was?
40:08Nelson ist im Tunnel?
40:12Was für ihn war?
40:18Wolf, können Sie sehen, was die tun?
40:22Warten Sie.
40:23Ich gehe in die Herren.
40:24Oh.
40:31Mach weiter.
40:32Ich mache ja, ich mache ja.
40:34Was ist das?
40:35Ist das der tote Passagier?
40:37Wir haben genug geredet.
40:48Das müssen Sie sich anschauen.
40:53Nelson hat eine Komplizin.
40:55Stoppen Sie mal da.
40:57Ist das die Frau aus dem Tunnel?
41:02Die Frau könnte gefährlich sein.
41:04Wir benötigen eine genaue Beschreibung.
41:06Durchschnittlich groß.
41:07Mitte 30.
41:08Schwer zu sehen.
41:10Moment.
41:12Wer ist da?
41:14Wer ist da?
41:15Scheiße.
41:16Hält sie was gehett?
41:18Na!
41:19Wolf, was ist da los?
41:22Don't!
41:23Ich bin ein real fucking killer, don't!
41:25Please, don't shoot!
41:27Er nimmt die Frau als Schutzschild.
41:28Er hat sie als Geisel genommen.
41:31Scheiße.
41:34Warten, Warten, bring that fuck out show.
41:36Bring that show now.
41:39Wolf, wir brauchen eine eindeutige Identifizierung.
41:44Pferdeschwanz.
41:46Parkerjacke.
41:47Sie ist es.
41:48Die Frau, die Nelson als Geisel hält.
41:50Das ist sie.
41:53Ich brauche keine Entscheidung.
41:54Jetzt.
41:56Wenn er freie Sicht hat, soll er schießen.
41:58Aber Sam ist...
41:59Geben Sie den Schuss frei.
42:02Die Freigabe gewehrt.
42:11I try to be a righteous man
42:14Talk to the Lord
42:16Most every day
42:19Sometimes this road can do me wrong
42:22I keep to the past
42:24Won't go astray
42:27When I start falling over
42:29My feelings catch a flame
42:31I be a man
42:33Say amen
42:33But you won't be the same
42:35If you ain't gonna do me right
42:39I might just do you in
42:42Ain't it a sin
42:47Ain't it a sin
42:52Ain't it a sin
42:52I try to find a slip inside
42:56To keep my soul
42:58From cruding wild
43:00I start falling over
43:02My feelings catch a flame
43:04I be a man
43:06Say amen
43:07But you won't be the same
43:08If you ain't gonna do me right
43:12I might just do you in
43:15I don't know
43:15I don't think a woman
43:15I paid a wrestling
43:15But you want to kill anyone
43:16You
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