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مسلسل Black Snow مترجم - Episode 2

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TV
Transcript
00:00You
00:39I don't know.
01:20I don't know.
01:29Who else had access to the time capsule?
01:31Kalana Baker read out the murder letter.
01:34Then Mick asked Lynn Walcott to put everything back in the time capsule.
01:37Who's Mick?
01:38Compton.
01:39He's a local elder.
01:41But he's a lawyer and he thought the letter might be important.
01:43So I locked everything back up in the evidence room.
01:45So you're the only person alone with it?
01:47Yes, sir.
02:01Thanks.
02:10I'm sorry you saw that.
02:17My parents are going too.
02:21Hey, sir, I'm going to have to ask you not to tell your parents yet.
02:26The fewer people that know at this stage, the better.
02:32It's my sister's hair.
02:35I don't believe you.
02:37We need proof.
02:38Everything has to be forensically tested.
02:40And how long would that take?
02:44Unfortunately, probably a couple of weeks.
02:46Look, I'm not asking you to lie, okay?
02:49I'm just asking you to wait before you tell anyone.
02:53That's bullshit.
02:56That's just wordplay.
02:58Could you lie to your mother about this?
03:02I don't know.
03:12Now, I know in some...
03:17Some cultures' hair has, um, power.
03:22I was wondering if cutting Isabel's hair
03:28could have had specific cultural meaning, maybe?
03:32That's the first place you go.
03:34Black magic killed my sister.
03:37That is not what I'm saying.
03:40You know what?
03:42Keep your tea.
03:53What the fuck?
04:37I'm sending it off to Forensic in Brisbane.
04:40I thought you are.
04:41I want to check it out first.
04:43It's wild.
04:44Hey, boss.
04:45What do you reckon it all means?
04:47I reckon you ought to get me a coffee.
04:55This was not a crime of opportunity.
04:57I mean, how would a stranger know about the time capsule?
05:02It's personal.
05:05I mean, there's no sexual assault.
05:07The body was moved and then dumped outside the cemetery
05:10and the hair was cut post-mortem.
05:12And why put it in here to be discovered 25 years later?
05:16Come on.
05:19You want me to take a squish at the video?
05:20I probably know everyone in it.
05:21Um, actually, I'm sending it to Brisbane to get digitised.
05:27It'll be back next week.
05:28You can check it out then, eh?
05:30This is all pointing to Isabel Baker being murdered
05:33by somebody she knew.
05:37There's never been any evidence to support that theory.
05:40There is now.
05:47What time are you leaving tomorrow?
05:50I'm going to stay a little longer.
05:52Really?
05:53Mm-hmm.
05:54Just until we sort out what's going on with Aniisi's case.
05:58Right.
06:01What's a new detective like?
06:04Not local, so that's a good start.
06:11Can I put a Black Lives Matter slogan on the mirror?
06:15I don't think Nan would be too happy changing it.
06:20But Aniisi was an activist.
06:22She was a teenager.
06:24You've got time.
06:26Growing up here with Kin, it's a gift.
06:29She never would have wanted to cast a shadow over you.
06:39Sarge, I put those songs on a playlist on your phone.
06:42Like you asked.
06:46It's under time capsule mixtape.
06:52Good work.
06:53Good work.
06:54Good work.
07:11Good work.
07:13Good work.
07:23Good work.
07:24You're so excited.
07:24Just ignore them.
07:27Hector, stop filming.
07:30Oi, fuck off, Pampo.
07:32Got your favourite, yum yum tart.
07:35Santa Rosa, thank you.
07:38Who's this?
07:39Hector Ford. Pleased to meet you.
07:41Hector's filming our documentary for the Time Capsule Projects.
07:44Hope you're including our community.
07:46Definitely.
07:47Could I come and interview you?
07:49I've got time now. Hop in. We'll show you the real Ashford.
07:52Let's show him the workers' camp at the mill.
07:54Have fun.
08:03Hey.
08:17Hey, Dad. I picked up the mail.
08:20Ta, love. I told Mom I might be late.
08:22Yeah.
08:27Spide him. We can catch him later.
08:30Hector!
08:34Hey, Steve.
08:35Is he?
08:36What are you doing?
08:37What the heck is he doing?
08:39Who is that?
08:40Chloe's dad.
08:42Who's coming under that girl?
08:44Hey, I'm serious. I saw the girl. She's...
09:02Hello, man.
09:11I found him.
09:22I'm in a cat.
09:22I'm in a cat.
09:22Yeah, he's in a cat.
09:23He's in a cat.
09:23He's in a cat.
09:23I'm in a cat.
09:31it is totally gothic out here what does that mean cool atmospheric you know what
09:41this means porch you've got to take it easy for a few weeks can't why I need
09:48the harvest I've got to work what you've got to listen to your body you've got to
09:52get off the farm you're not a young fella anymore sis it's all I know how to do
09:56that's what I've been telling Izzy you need to get that education and make
10:01something of your life take them chances that we didn't get you got big
10:06responsibilities yes I do our great-great-grandfather he was a chief
10:14a leader of these people and then one morning he went down to the beach and
10:19never came back he was taken all our strong young men from Vanuatu taken all
10:27their blood their strength gone from us into this dirt what do you mean taken
10:34kidnapped brought over here to slave in these fields just so your great-great
10:38grandparents can have sugar in their tea yeah all this this is built on the backs
10:49of our people
10:49me and then then they are all the way they later they are all the way they are
11:02they are all I'm gonna not there even the center of the world then and they are all
11:10I don't have to make me cry.
11:40of his. I just wanted a sticky beak. Time capsule inventory written on mourn me for
11:48Isabel was killed. You notice anything? No. The purple glitter pen. Mr. Sam is in the
12:01bottom of her letter. Hold on. And at the start of the letter she's in love with acid,
12:08but by the end it's full of predators disguised as friends. And the uncu. Reaper of souls.
12:18Locked it up. Get a grip, constable. As hot and bothered as a virgin on his wedding night.
12:29Why don't you carry a firearm? It tends to make people anxious. Why cold case? Homicide
12:36not too stressful for you. I guess I enjoy cleaning up after people.
12:47Smart bastard.
13:07Sorry to keep you waiting, detective. Then Walcott. James. Walcott, huh? Any relation to the mill?
13:16We own it. Wow. You wondering why I'm not lying on a beach drinking mint tulips?
13:23Yes, I am actually. Would you like to come through?
13:26Ah, no. I won't take up too much of your time. What do you remember about Isabel Baker?
13:35She was lovely. Kind. Thoughtful. A little bit of a drama queen?
13:42No. No, not at all. The opposite. What do you think she was trying to say in a letter?
13:46It was pretty extreme. Honestly, I have no idea. It didn't sound like her. You're taking it
13:56seriously, though. She was murdered. Tell me about the time capsule.
14:08It was a project for the detention kids. Creative punishment. It was meant to be fun.
14:15And when was it locked? Um, on the morning of the formal. We all got together to do an inventory
14:21of the contents.
14:25It wasn't actually locked, though.
14:30Well, how long was it unlocked before it was interred? Oh, about a week.
14:37Okay. I'm glad that you're looking into this. But I, I just want to say, Troy Turner did his job.
14:47Well, me being here is not a reflection of his investigation.
14:53No, you're here because Mick Compton made a fuss. He thinks more would have been done if he was white.
15:00He might be right. No, he's wrong. Every soul in Ashford wanted that monster caught.
15:07Except for whoever killed her.
15:17Hey, we've got a visitor. This is the new fellow, Detective Cormack.
15:21Hi, James. Nice to meet you. You too.
15:27Yeah, we've met.
15:29I, um, I wanted to introduce myself.
15:33I will be conducting interviews over the next while.
15:38And I appreciate that it may be difficult for you guys.
15:41We're a strong family. God protects us.
15:46You're a believer?
15:49I have my beliefs. Please.
16:00Okay. In Isabel's letter, she talks about the anchor.
16:04That letter's bad business. The truth is Jesus' way. Not the dark way.
16:13Did Isabel have any interest in the dark way?
16:19I'm just trying to understand the language that she used.
16:22You don't think we are too?
16:23Kids go through phases.
16:25Not our Isabel.
16:26She sounded so scared, Joe.
16:30When was our girl ever scared?
16:32God has a plan.
16:33Sometimes it's not enough.
16:37Sometimes it's no comfort.
16:46Can I talk to you for a second?
16:51Yeah, you need to slow down.
16:53That was way too much today.
16:56No one is going to talk to you unless they trust you.
17:02They'll trust me.
17:04If you trust me.
17:07Yeah, well, I've known you for five minutes.
17:10You've already got me lying to my whole family.
17:14Thank you for not telling about that.
17:19Very nice to meet you.
17:25What was that all about?
17:26What do you mean?
17:29Secrets.
17:30You've got too many, girl.
17:43Come on.
17:45Mick Compton's office.
17:47Hi, it's Detective James Cormack.
17:50I was wondering if I could speak to Mick, please.
17:52He's at a meeting.
17:53Can I take a message?
17:57Um...
17:58Did my number come up on your caller ID?
18:00Yep.
18:01Okay, great.
18:02Have him call me on that, please, when he's free.
18:04It's regarding the Isabel Baker murder.
18:11Ho, ho, ho.
18:15He was in residence and the primary industry is sugar.
18:18Oh, ho, ho, ho, ho.
18:20Cash just did, like, the maddest kickflip.
18:22You should get that on film, tampon.
18:24Go on, do another one.
18:25No, I don't perform as mad.
18:26Can we just get this intro down so we can...
18:28It's kind of boring, though, isn't it?
18:45It's kind of boring, though, isn't it?
18:47Well, the mill operates round the clock in crushing season.
18:50We process 1.4 million tonnes of cane from farms across the entire valley.
18:56That's a lot of sugar.
19:00The local dentist must be rich.
19:12I know, um, you and Isabel were best friends, so...
19:16I'm sorry.
19:20She's been dead longer than she was alive.
19:32This...
19:33is Millie.
19:37We were gonna drive her to Sydney, party for the summer, and...
19:42then come back and start uni.
19:46I'm guessing Isabel never told her parents about your plan.
19:53She was terrified of Pastor Joe.
19:57He was very strict.
19:59Really?
20:01Never witnessed any abuse from Joe, did you?
20:04No.
20:06God, no.
20:08Joe loved Isabel.
20:10He was just a protective father.
20:13What about her mood the weeks leading up to her?
20:17Is this really because of the letter?
20:20I don't believe she wrote it.
20:22It's probably Hector's idea.
20:25Was he really into the occult?
20:27Wouldn't surprise me.
20:29I'm not saying that he was.
20:32It's just he enjoyed provoking people.
20:39You know, it's not just about the letter.
20:42We've got some new evidence now.
20:44You sure you didn't notice any mood changes?
20:48No.
20:54What about the night she died?
20:58Well...
20:59She finally dumped Anton.
21:01Do you know why?
21:04Because he's a prick.
21:07He was screwing Tasha behind Izzy's back.
21:16When do you remember about the blue car?
21:19I...
21:21I only saw it for a moment.
21:23I didn't see the driver.
21:27I'm sorry.
21:28I wish I'd paid more attention.
21:31Yeah.
21:34The last time you saw her, what time was that?
21:38I walked her to the intersection.
21:41It was...
21:43It was around 12.30.
21:46First day of the rest of our lives.
21:52She turned and...
21:55Blew me a kiss.
22:13Hey Chloe, how's that?
22:15What new evidence, Troy?
22:17What the fuck is going on?
22:34I'm sneaking out.
22:36You're getting us coffees.
22:48So what was last night then?
22:54I don't know.
22:58Relapse.
23:01You prick.
23:06We were drunk.
23:08Shouldn't have happened.
23:12Why not?
23:14You're not married anymore.
23:17It could be fun.
23:19I'm just not...
23:25It's a bad time.
23:28Who's that letter?
23:32You're not still pining after Isabelle, are you?
23:36I've got work.
23:39You fucking are.
23:44You've been dead 25 years, Elisa.
23:46What's wrong with you?
23:58This is my family's mill, the heart of Ashford.
24:01We drive the economy of this great region.
24:04The mill has given countless jobs to people far and wide and our sugar is exported all over
24:09the world.
24:10Basically, we put Ashford on the map, which is why it should really be called Walcottsville.
24:14Walcottsville?
24:16None of you would be here if it wasn't for the mill.
24:18Hecker, you can edit this out, right?
24:19Yeah, I can, but it's pretty funny.
24:22It's Walcottsville.
24:31Hello, class of 1994.
24:33This is Hector Ford.
24:35This is what life was like back in the 90s in Ashford.
24:45I can see up your nose.
24:48Turn it off.
24:49Hector Ford is a stalker.
24:53Do you think in the future they'll still be using brooms?
24:57No.
24:58Robots for sure.
25:00I can't wait for that day.
25:26No.
25:27I can better is you.
25:39Come on.
25:41They're gone soon.
25:44Too fast.
25:47I can't wait for that day.
25:48How are you?
25:50You better improve his vengeance.
25:54Come on.
26:28God understands our suffering.
26:32The white bird on the water turned into a black bird.
26:38God has seen and he has said,
26:42I carried you on eagles' wings and brought you to myself.
26:47Joseph was sold as a slave by his brothers, sold into Egypt.
26:52But God was with him.
26:54And though men meant it for evil, God meant it for good.
27:00We are blessed to welcome our new friends to our congregation today.
27:08Thank you, Pastor Joe, for welcoming us and helping us find our feet here in Ashford.
27:52Hector, what are you doing here?
27:54Hey, I wanted to see you, and I thought I could film the church for the time capsule with you.
27:59Because your auntie said we should include your community.
28:02You're going to have to ask Dad for permission for any of that.
28:05Oh, okay.
28:10Is Hector your new boyfriend?
28:11No, he's as annoying as you are.
28:20Oi, why is Chloe here?
28:27What are you doing?
28:28Millie's fixed, come on.
28:31I can't.
28:31Oh my God, Hector's stalking you.
28:33Come on, no one's going to know that you're even gone.
28:37Okay, no one's going to know it's your car and I'm going to distract Hazel, let's go.
28:51So, Jack and Tyra's underneath, do you know how to change it?
28:54Yeah.
28:56Yep.
28:57Yeah, righty-o.
28:59When are you telling your dad you're going to Sydney anyway?
29:02When I get my exam results, if they're good enough.
29:09It's for your valuables, don't leave anything in the glove box.
29:12It'll get ripped off, okay?
29:15Do you think Dad will ever forgive me?
29:18Probably not.
29:19So I shouldn't go?
29:21No, Garmin.
29:22Garmin.
29:24But Pastor Joe is a proud man.
29:26You're his pride, so just don't disrespect him.
29:39Hey.
29:40Anton said he wants to meet you later.
29:42What should I tell him?
29:42Tell him to piss off.
29:45Tell him I'll be where we arrange.
29:46Okay.
29:47See you, tampon.
29:49He shoots Dad soon.
29:50Iz, Iz, I need to show you that video of Chloe's dad.
29:53You will believe me when you see it.
29:55Not now.
29:56I don't have long till Mom and Dad get home.
29:57I need to meet Anton.
29:58I could come with you.
30:00I'll see you at school tomorrow.
30:27I'll see you at school tomorrow.
30:31I'll see you!
30:3110.
30:56Antoine?
31:29Jesus, please help me!
31:40Jesus, please help me!
32:09Jesus, please help me!
32:37Jesus, please help me!
33:07Jesus, please help me!
33:17Jesus, please help me!
33:18They found something else in the time capsule.
33:21It was wrapped in an Ashwood High T-shirt.
33:27It was Izzy's hair.
33:46But it was also platted.
33:54He pleaded it?
34:00I'm sorry.
34:03I don't understand.
34:06I do.
34:08It's someone from here.
34:10Someone we trust.
34:14He just took her from us.
34:29Dad can't carry this alone.
34:30Jane, you have to step up.
34:33I know, but how?
34:37Am I supposed to help this white bully man out?
34:39Yes.
34:41If that's what it takes.
34:43Izzy is speaking to us from beyond.
34:46Hazel, you've got to let her back in.
34:48I don't know.
35:06Dear 2019, my name is Anton Bianchi.
35:10In 2019, I predict they'll be hopefully running the Mars colony.
35:16But probably just running the farm.
35:18Either way, I expect Izzy and I will have about three kids by then.
35:22Coffee, Kath?
35:23Yes, thanks a lot.
35:31Okay.
35:37What was your relationship like with Isabelle?
35:40You've read the file.
35:42She was my first love.
35:46Most people get to remember that fondly.
35:49Yeah, in your statement you said you were with Natasha Hopkins on the night of the murder.
35:56Had you been seeing her for long?
35:59No, Natasha was just sex.
36:04What would you say the difference between sex and, say, an affair is?
36:08Well, if it's serious, you know, you cook.
36:10You eat.
36:12Before you fuck them.
36:18Tasha didn't mean anything.
36:20Is that how Isabelle felt?
36:22I heard she was pretty angry the night of the formal.
36:24Hormones.
36:25They were teenagers.
36:26Hormones make teenagers crazy.
36:28I'm not proud about what happened with Tasha, but it didn't mean anything.
36:32It wasn't real.
36:34I loved Izzy and she knew that.
36:37Hector just got her wound up that night, that's all.
36:39Yeah, in what way?
36:40I don't know, you're the detective.
36:43Maybe he wasn't a pillow biter back then.
36:51So Isabelle wasn't angry with you?
36:57We argued about a road trip.
36:59That's in my statement.
37:01So she broke up with you, so she could go on a road trip?
37:05No, no, we had our own plans.
37:07Okay.
37:08And she changed the mind.
37:09No, she didn't change it.
37:10Look, she was never going away on that trip with Chloe.
37:13Her dad would have stopped her.
37:17I'm not the one who fucked up our future.
37:23The man who killed her did.
37:26Police should have found that blue car.
37:27Exactly.
37:28What sort of crazy person takes their hair off a dead girl?
37:32All right, crazy men.
37:33That's who.
37:37What do you make of her letter?
37:41It's bullshit, it's not her.
37:43An Yanku.
37:44What is that?
37:45Just some islander mumbo jumbo.
37:49Actually, it's Celtic.
37:51It means Death Shepherd.
37:53You know what, guys?
37:54I'm sorry for interrupting.
37:59Maybe we should do this another day.
38:05We're in the farm supply store in town.
38:07I'll be doing the books there later tonight.
38:12Perfect.
38:27It's beautiful.
38:31Calming.
38:34Usually.
38:40I told my parents about Izzy's hair.
38:46It's okay.
38:47They won't say anything.
38:49But they gotta know it was someone from here.
39:01You ever think...
39:05Could have been someone local?
39:08No.
39:09We had no reason to.
39:13You had any gossip at the time?
39:16Bikey enforcer.
39:17Cause there was a bunch of bikeys that rode through town the day of the funeral.
39:21And satanic ritual gone wrong.
39:24And that last one really hurt Dad.
39:28You a believer?
39:29I had my moments.
39:31But that's pretty confusing either way.
39:35You know I always envied people.
39:37And had faith.
39:39Felt like they were plugged into this big battery.
39:42This...
39:43Never run out of energy.
39:45So where do you get your energy from?
39:51Anger.
39:53You.
39:55Guilt.
39:57Maybe knowing what happened.
39:59Will help.
40:01They say that darkness gives birth to monsters.
40:05Turn on the light.
40:07They're gone.
40:09Are they though?
40:10I hope so.
40:11Otherwise my job's pretty fucking pointless.
40:19You know your tattoo.
40:22It's the same day as he died.
40:26What's the go with that?
40:32It's also the day my brother Richie went missing.
40:40It's a long story.
40:42Maybe one day else.
40:45I'll be able to tell it.
40:50Just a question.
40:57I'm Kalana Baker.
40:59Niece of Isabelle Baker.
41:01Who was murdered here in Ashford by someone she knew.
41:04Like her, I'm a proud Australian South Sea Islander.
41:08I love my country.
41:10But every day I have to walk past this.
41:13The founder of my hometown.
41:15A brave pioneer.
41:17And the man who kidnapped and enslaved my ancestors to work in his cane fields.
41:22Australia needs to admit it's built in black bodies.
41:30Come on.
41:31Arrest me.
41:37Uneasy would never have apologised.
41:38She never would have done any of this.
41:40She was too busy chasing boys.
41:41Now scrub it properly.
41:43You heard the rumour?
41:44What rumour?
41:45That is his hair.
41:47Is it true?
41:51Keeping secrets for the bully man now.
41:56I don't have to explain myself to you Mick.
41:59You're not the only one who lost her.
42:05Why didn't you tell me?
42:07Because the new fella asked me not to for the investigation.
42:10So he matters more than me?
42:12Hey, you show some respect to your mother.
42:13And what's this on your Insta?
42:15Vandalising a public statue?
42:17I was correcting a public lie.
42:18Is Kalana Baker so weak?
42:20That when trouble comes, you're gonna give in to your bad angel?
42:23That statue's the bad angel.
42:24You need to stay out of trouble and stop throwing away your opportunities
42:27before you've even earned them.
42:28Oh my god, listen to yourself.
42:30You sound like a white social worker.
42:31Hey.
42:31I don't need to be ashamed of you.
42:43I gotta go lay down.
42:58It's a shit last couple of years.
42:59I got an ACTION.
43:02Oh they got an ACTION.
43:02It would be pretty main turning away.
43:02Hear them again?
43:02Oh he did?
43:14...no last night, he was playing Asher.
43:14Hello?
43:23Anton?
43:32Oh, Jesus.
43:36You all right?
43:39Yeah.
43:41What happened, mate?
43:43I don't know.
43:47Come on.
43:48Help me out.
43:57Oh.
44:00That's a nasty one.
44:02Yeah.
44:05Maybe we should get you to a doctor.
44:07No, no, no.
44:09Hold for it.
44:12Fair enough.
44:18Come on.
44:20Who did it?
44:22I don't know. He came from behind.
44:26He came from behind?
44:28Yep.
44:28No.
44:31What about when you're underground and he's kicking you?
44:33Maybe you recognize his shoes.
44:36No, because I had my eyes closed.
44:37Must be a concussion then, huh?
44:40It's messing with your memory.
44:41Yeah, it must be.
44:42Well, you can't drive home.
44:44What? Why not?
44:45I got a concussion.
44:48You got something to call?
44:52Yeah.
44:54Okay.
44:56I'll get you a towel. We'll get you cleaned up.
45:17Hello?
45:20No, you can't say anything.
45:25I'm not going back yet.
45:26I'm staying in Ashford.
45:29I can meet you wherever you want, please.
45:56A bit melodramatic, isn't it, mate?
45:57You seriously can't drive.
46:00I'm fine.
46:02It's his idea.
46:05Big hero from Brisbane.
46:08I got it from here, mate, thanks.
46:12Maybe you shouldn't be driving either.
46:14Mate, I'm fine. I've only had one.
46:17Blow the breathalyser for you if you want.
46:24Let's take it easy.
46:26Let's get you home, boy.
46:27We're not done talking about who did this to you.
46:35What about you?
46:37You know who might have done it?
46:43Someone's boyfriend.
46:45Someone's husband.
46:49He loves it.
47:04He loves it.
47:09Shit!
47:11Come on!
47:13Come on!
47:16He loves it!
47:25He loves it!
47:30Someone suddenly says he doesn't have a bad feeling.
47:32You guys might have a bad feeling to think about it.
47:33He's calling them.
47:35He doesn't have a bad feeling.
47:36He's calling them for your life.
47:37He's calling them for your home.
47:40And he's calling them for your home.
47:41You're calling them for your home.
48:08Hey, Lars.
48:10You're up late.
48:11The world doesn't stop just because you're not here, James.
48:13So we tracked down the road on that car.
48:15Hadn't been renewed since 94.
48:17Your victim's from Vanuatu, is that right?
48:20Mm-hmm.
48:21So is the car's owner.
48:22He's a pastor of a church in regional New South Wales.
48:31Two pastors from Vanuatu walk into a bar.
48:35Have you heard this one?
48:36Are you having a stroke?
48:37The victim's father was also a pastor.
48:40Uh, maybe there's some kind of connection there.
48:45How about I interview the car owner in person, then?
48:52Yeah.
48:52Yeah, please, that'd be great.
48:54Um, I'll send you some, uh, details that I need from the interview.
48:59Great.
48:59Okay, thanks, boss.
49:21In 2019, I predict that Ashford will be still full of predators disguised as friends.
49:36I see the anchor here, sharpening its scythe, waiting to reap our souls.
49:54There are people here I trusted, but now I know they feed on suffering.
50:08One day, when I'm safe from their clutches, I'll expose them and their cruelty.
50:21You promised.
50:23We agreed we'd take it to our graves.
50:28That's if they don't kill me first.
50:31That's if they don't kill me first.
50:34Yeah.
50:36Yeah.
50:39Yeah.
50:42Yeah.
50:45Yeah.
50:47Oh, I'm, I'm.
50:51I'm.
50:55I'm not a realist in a dollar
50:59I know that you might do that
51:02My dad and I tell you
51:04I love money
51:05I love it
51:08I love it
51:09I love it
51:14I love it
51:14I love it
51:16I love it
51:19I love it
51:20I love it
51:24I love it
51:25I love it
51:27I love it
51:28I love it
51:30I love it
51:31I love it
51:33I love it
51:34I love it
51:37I love it
51:38I love it
51:39I love it
51:41I love it
51:41I love it
51:46I love it
52:03Transcription by CastingWords
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