- 5 hours ago
Step into the golden age of comedy with Sons of the Desert β The Legendary Laurel and Hardy Classic (1933). This timeless masterpiece showcases the unmatched humor and charm of the iconic comedy duo, Laurel and Hardy, whose performances have delighted audiences for generations.
The story follows Stan and Ollie as they hilariously attempt to attend a secret fraternal convention, leading to a series of misunderstandings, clever deceptions, and unforgettable comedic moments. Filled with witty dialogue, brilliant slapstick humor, and classic storytelling, this film remains one of the finest achievements in early Hollywood comedy.
Celebrated as one of the greatest comedies of all time, Sons of the Desert captures the essence of vintage cinema and continues to entertain viewers with its enduring appeal and lighthearted charm.
Rediscover the magic of classic Hollywood in this legendary 1933 film.
π¬ Film Details
Title: Sons of the Desert
Year: 1933
Starring: Laurel and Hardy
Genre: Comedy
Language: English
Format: Black and White
Era: Golden Age of Hollywood
The story follows Stan and Ollie as they hilariously attempt to attend a secret fraternal convention, leading to a series of misunderstandings, clever deceptions, and unforgettable comedic moments. Filled with witty dialogue, brilliant slapstick humor, and classic storytelling, this film remains one of the finest achievements in early Hollywood comedy.
Celebrated as one of the greatest comedies of all time, Sons of the Desert captures the essence of vintage cinema and continues to entertain viewers with its enduring appeal and lighthearted charm.
Rediscover the magic of classic Hollywood in this legendary 1933 film.
π¬ Film Details
Title: Sons of the Desert
Year: 1933
Starring: Laurel and Hardy
Genre: Comedy
Language: English
Format: Black and White
Era: Golden Age of Hollywood
Category
π₯
Short filmTranscript
00:00:01.
00:00:36The End
00:01:05And here's a hand, my trusty friend
00:01:10And here's a hand of thine
00:01:15We'll take a cup of kindness now
00:01:20For old and I
00:01:31Brothers, sons of the desert
00:01:33We are all familiar with the business of this special meeting
00:01:36This oasis must meet the situation with determination
00:01:43Thank you
00:01:44Thank you
00:02:01Thank you
00:02:03Thank you
00:02:03Thank you
00:02:09Thank you
00:02:20Thank you
00:02:22Thank you
00:02:22Thank you
00:02:25Thank you
00:02:51Excuse me.
00:02:55I repeat, this oasis must base the situation with determination.
00:03:01Every man must be accounted for.
00:03:04Every man must do his part.
00:03:07There must be no weaklings in our midst.
00:03:09We must put our very hearts and souls into this great undertaking.
00:03:14There must be no thought of failure.
00:03:17We must stand shoulder to shoulder.
00:03:22We must work. We must sacrifice.
00:03:25The weak must be helped by the strong.
00:03:30For, gentlemen, this, the oldest lodge in the great order of the Sons of the Desert, must be represented 100
00:03:37% in our annual convention at Chicago next week.
00:03:50We will now take the oath.
00:03:56And remember, once taken, this oath has never been broken by any man down through the centuries of time in
00:04:04the history of this fraternal organization.
00:04:07If any member is doubtful of his strength to keep this solemn pledge, he will please be seated.
00:04:23I don't...
00:04:24Shh!
00:04:25Place yourselves in position to receive the oath.
00:04:32Do you all solemnly swear to be present at our 87th annual convention at Chicago?
00:04:36I do.
00:04:38I do.
00:04:41Me too.
00:04:44Wholeheartedly unanimous.
00:04:47We are the sons of the desert, having the pride of our life.
00:04:55Marching the long, two thousand strong.
00:04:58How come our street guards and wives, God bless them.
00:05:02Cramp, cramp, cramp, the boys are marching, and dancing to this melody.
00:05:07We are the sons of the desert, our wings.
00:05:18Why didn't you want to take the oath?
00:05:21I was afraid.
00:05:23Afraid of what?
00:05:25Well, I was afraid if I took the oath to go to the convention, that maybe my wife wouldn't let
00:05:30me go.
00:05:31Of course she'll let you go.
00:05:33Why, she'll have to let you go.
00:05:35You took an oath.
00:05:36I know.
00:05:37That's what I'm worrying about.
00:05:39The exhausted ruler said that if you took a note, that it would have to be broken for generations of
00:05:46centuries of hundreds of years.
00:05:49And my wife would let me...
00:05:51Do you have to ask your wife everything?
00:05:54Well, if I didn't ask her, I wouldn't know what you wanted me to do.
00:05:59I didn't want to...
00:06:00I never realized that such a deplorable condition existed in your home.
00:06:07Why don't you pattern your life after mine?
00:06:10I'd go places and do things and then tell my wife.
00:06:17Every man should be the king in his own castle.
00:06:24No.
00:06:24No.
00:06:52Now, buck up.
00:06:53Go in and tell her you're going to the convention.
00:06:56Be a man, and I'll see you in the morning.
00:07:18Good night.
00:07:20Good night.
00:07:27Good night.
00:07:29Oh, Ollie, dear.
00:07:30Yes, sugar?
00:07:31Stanley with you?
00:07:32He just went in the house.
00:07:34Well, you better tell him that Betty went duck hunting,
00:07:37and that she won't be back until late.
00:07:39All righty.
00:07:42Oh, Oliver!
00:07:43Yes, baby?
00:07:44Please close the door.
00:07:46There's an awful draft in here.
00:08:03What do you want?
00:08:07How did you get in there?
00:08:09Well, I was looking for Betty, and I came in the back way.
00:08:11I thought she might be in here.
00:08:12Betty has gone duck hunting and won't be home until late.
00:08:16Oh.
00:08:16Well, good night.
00:08:17Good night.
00:08:19Good night.
00:08:29What?
00:08:31Do you realize that you've locked me out?
00:08:35Well, why don't you ring the bell?
00:08:36Well, she'll let you in.
00:08:42Don't get nervous.
00:08:43She'll be here in a minute.
00:08:45Where do you think I live?
00:09:03Oh, what do you think this is?
00:09:04Halloween?
00:09:05Come in here, you bad boy.
00:09:07Come on.
00:09:43What do you want?
00:09:44I locked myself out.
00:09:48Oh, sugar?
00:09:49Yes?
00:09:50Do you mind if Stanley comes and stays with us until Betty comes home?
00:09:55He's locked out.
00:09:56Oh, all right.
00:10:18Oh, all right.
00:10:21Oh, love his.
00:10:22Oh, I'm sorry.
00:10:22Oh, yeah.
00:10:22Oh, man.
00:10:23Oh.
00:10:23Oh, I'm sorry.
00:10:35Oh, oh.
00:10:36Oh, oh, oh, oh.
00:10:38Oh, oh, oh, oh.
00:12:34What are you eating?
00:12:36An apple.
00:12:37Where'd you get it?
00:12:39In there.
00:12:40Why, that's not real fruit.
00:12:42It's imitation.
00:12:44It's made of wax.
00:12:52What's he been doing now?
00:12:55He's been eating that phony fruit.
00:12:59Oh, so that's where it's been going.
00:13:02That's the third apple I've missed this week.
00:13:07Well, what's new, sugar?
00:13:08Oh, nothing much.
00:13:10What's new with you?
00:13:11Oh, nothing to speak of.
00:13:13Yes, there is.
00:13:14You didn't tell her about going to the convention.
00:13:17What convention?
00:13:19That's right.
00:13:21I'm glad you reminded me.
00:13:27You see, the Sons of the Desert are giving their annual convention in Chicago next week.
00:13:32And Stan and I are going.
00:13:34Oh, you are.
00:13:35We thought the trip would do us good.
00:13:38Besides, being good for us in a business way.
00:13:41You see, we'll meet new friends and see a lot of new faces.
00:13:46And the change of climate will be good for us in a good many ways.
00:13:51And besides, all work and no play makes Jack a dull boy.
00:13:55Jack who?
00:13:59Well, I hope you have a nice time, dear.
00:14:02Thank you, sugar.
00:14:06What's that for?
00:14:08Just this.
00:14:09You're not going.
00:14:10What do you mean, I'm not going?
00:14:13Just that.
00:14:14You're not going to the convention.
00:14:16You're going to the mountains with me.
00:14:18But he can't go to the mountains, you see.
00:14:20He took a note.
00:14:21And the exhausted ruler said that...
00:14:23Now, listen, Dono.
00:14:25You keep out of this.
00:14:27Wait a minute, sugar.
00:14:28There's no use getting excited.
00:14:30You're making a mountain out of a molehill.
00:14:33Certainly.
00:14:33Life isn't short enough.
00:14:36Are you going?
00:14:38Huh?
00:14:38I said, are you going?
00:14:40Yes, sugar.
00:14:41Mrs. Hardy.
00:14:44Who said so?
00:14:45Him.
00:14:47Oh.
00:14:49Well, you can do as you please.
00:14:52But you're going to the mountains with me.
00:14:55Now, wait a minute.
00:14:56You listen to this.
00:14:57I want this understood once and for all.
00:15:02I'm not going to the convention.
00:15:04I'm going to the mountains.
00:15:06That's just what I said.
00:15:08That you're not going to the mountains.
00:15:09That you're going to the mountains.
00:15:13Why don't you compromise?
00:15:15What do you mean, compromise?
00:15:17Well, he means, sweetheart.
00:15:18Oh, shut up.
00:15:19If you think that you're going gallivanting all for the lot of hoodlums.
00:15:22To any convention whenever you want to.
00:15:23You're not.
00:15:24Not for a minute.
00:15:25You're not.
00:15:25Here I am.
00:15:26Slaving day after day.
00:15:27Washing and ironing till my fingers bleed.
00:15:29And do you appreciate it?
00:15:30Do you?
00:15:31Well, you don't give me...
00:15:32Oh, shut up.
00:15:33Don't talk back to me.
00:15:35Just because I'm unselfish, what does it get me?
00:15:37Working for you.
00:15:38Working for your interests.
00:15:39I plan a vacation for you in the mountains at a nice resort.
00:15:42Where they play bridge and have lectures on art and color.
00:15:44I fight crowds in department stalls.
00:15:46Dying of the heat.
00:15:47Killing myself.
00:15:48Trying to get a nice mountain outfit together.
00:15:50Why?
00:15:51Why?
00:15:52Why?
00:15:53Oh, you keep out of this.
00:15:55I'll tell you why.
00:15:56So you won't be ashamed of me.
00:15:57And do you appreciate it?
00:15:59Do you?
00:16:00Ha!
00:16:00Ha!
00:16:01You want to take the first chance to run out to the convention.
00:16:04Convention.
00:16:05You go to the convention over my dead body.
00:16:07I'll put you in jail first.
00:16:09And you too.
00:16:10For the rest of the sons of the...
00:16:11Oh, the sons of the dead.
00:16:31Oh!
00:16:33Oh!
00:16:34Oh!
00:16:53What do you think?
00:16:54Oh, don't pay the attention to her.
00:16:57She's only clowning.
00:16:59She'll snap out of it.
00:17:08Are you going to stand for that?
00:17:10You're darn right I'm not going to stand for it.
00:17:14I'm the boss in this house,
00:17:16and when I say I'm going to the convention,
00:17:19I'm going to...
00:17:26Come on.
00:17:37Oh, Lottie.
00:17:39Oh, hello, Betty.
00:17:40Come on in.
00:17:41Didn't have very good luck today,
00:17:42but here's a couple for you.
00:17:44Oh, thanks, Betty.
00:17:45What's the matter, Lottie?
00:17:46You look worried.
00:17:47Oh, I just had another run-in
00:17:49with that barnacle of mine.
00:17:50Stanley's in there, too.
00:17:52Oh.
00:17:54And furthermore,
00:17:54you're making a big mistake.
00:17:58What do you mean?
00:17:59If you're not careful,
00:18:00she's going to get the upper hand of you.
00:18:02Now mark my words.
00:18:04The upper hand of me.
00:18:06Hmm.
00:18:07Impossible.
00:18:08All right, have it your own way.
00:18:11You know, I may not be king of my castle,
00:18:14but I certainly wouldn't allow my wife
00:18:16to wear any pants.
00:18:19Hmm.
00:18:19I'd like to see my old woman
00:18:21throwing things around.
00:18:22It's disgraceful.
00:18:25Never heard of such goings-off.
00:18:27On.
00:18:29You know, if my ball and chain
00:18:31ever talked to me,
00:18:32if she even dared to raise a...
00:18:34Do you know what I'd say?
00:18:36What?
00:18:39I'd say...
00:18:40Hello, honey.
00:18:42I...
00:18:47Well, you think it over.
00:18:49I'll see you in the morning.
00:18:50Well, you think...
00:19:18Oh...
00:19:21Oh, oh, oh, oh, there now, there, that's better.
00:19:32I wonder what could be the matter with me.
00:19:34Well, it, it looks to me like a severe nervous breakdown.
00:19:38You've gone all to pieces, and it happened so suddenly.
00:19:42Probably that terrible argument we had the other night caused it all.
00:19:46I wouldn't be a bit surprised.
00:19:52Oh, where is Stanley?
00:19:54Uh, he's gone out.
00:19:56Where'd he go?
00:19:58Well, uh, he didn't want me to tell you, but, uh, he's awfully worried about you, and he thought you
00:20:03ought to have a doctor.
00:20:05Why did you let him do that?
00:20:07You know I don't like doctors.
00:20:09Oh, now, don't get all upset.
00:20:12I know what's good for you.
00:20:14You're going to have a doctor, and you're going to do just what the doctor says.
00:20:18All right, sweetheart.
00:20:20You always know what's best.
00:20:23Oh, listen, darling.
00:20:27I'll get you some aspirin.
00:20:29Oh, and I'll get you some more hot water.
00:20:33Oh, and I'll put down on the door.
00:20:36Come on.
00:20:36Hey.
00:21:00Did you get the doctor?
00:21:01Yeah, he'll be in a few minutes.
00:21:03Good.
00:21:03Did you fix it with him to tell me that I had to go to Honolulu?
00:21:06I'm not going to be full of my nerves.
00:21:09Our plan is working out great.
00:21:11It sure is.
00:21:12I got it all fixed.
00:21:15But why... why do you want to go to Honolulu?
00:21:20Don't you understand that this is only a subterfuge?
00:21:25To throw the wives off the track so that we can go to the convention?
00:21:32Oh, then you're not going to the mountains.
00:21:35Of course not.
00:21:38We are supposed to go to Honolulu so that the wives will think that we...
00:21:43Oh!
00:21:49Oh!
00:21:51Oh!
00:21:53Oh!
00:21:53Oh!
00:21:54Oh!
00:21:56Oh!
00:21:56Stan, did you get a doctor?
00:21:57Yes, ma'am.
00:21:58Best in town.
00:21:59Oh, fine.
00:22:00Here, darling.
00:22:01Here's your hazelnut.
00:22:03Now take your feet out.
00:22:10There. Now try that.
00:22:16Oh, you poor dear. I'm getting some cold water.
00:22:25What are you doing?
00:22:27I've lost the aspirin.
00:22:28Move over a bit more, I can't find enough.
00:22:36Oh, Alice! Oh, dear. Oh, my goodness.
00:22:42Oh, you poor darling.
00:22:44Get that thing out of there.
00:22:46Oh, boy. Oh, boy. Come here, dear.
00:22:50Yes, sit down there. Why, you...
00:22:58Get me out of here.
00:23:01Get my little sugar bonnets, little sir.
00:23:04Oh, dear.
00:23:06Oh, I'm so sorry, darling.
00:23:10I'm so sorry.
00:23:12Oh, dear.
00:23:20Get that thing out of here.
00:23:23Oh, I'm so sorry, darling.
00:23:33Oh, darling, you sit down.
00:23:35All right.
00:23:36Yeah.
00:23:37I think I'd better go and get some dry clothes on.
00:23:40Will you get out of my way?
00:23:52You wax-eater!
00:23:58Oh!
00:24:00Oh!
00:24:01Oh!
00:24:18Oh.
00:24:22Oh.
00:24:25Oh.
00:24:29Oh.
00:24:30Oh.
00:24:32You're perspiring.
00:24:35Maybe you have got a fever.
00:24:37I do feel hot.
00:24:40You'd better take my temperature.
00:24:43Get that thermometer.
00:24:46The what?
00:24:47Thermometer. You'll find it on the shelf.
00:24:51Oh.
00:24:54Oh.
00:25:01Oh.
00:25:14What does it say?
00:25:18Wet and windy.
00:25:25That's a barometer!
00:25:47Why did you get a veterinarian?
00:25:49Well, I didn't think his religion would make any difference.
00:25:56This way, doctor.
00:25:57Oh.
00:25:59Oh.
00:26:01Hello, doctor.
00:26:04Oh, doctor.
00:26:04I'm so glad you're here.
00:26:06My husband has been suffering terribly.
00:26:07Well, what seems to be the trouble?
00:26:09I think he's suffering from a nervous shakedown.
00:26:12Oh.
00:26:13Oh.
00:26:16Oh-ho.
00:26:19Uh-huh.
00:26:23Uh-huh.
00:26:29My, my, my.
00:26:31Oh, what is it, doctor?
00:26:33It looks like a bad case of canis deliris.
00:26:36As bad as that?
00:26:38Even worse.
00:26:39It might be double canis deliris.
00:26:41Oh.
00:26:42Well, if it's that bad, maybe you'd better give him something, doctor.
00:26:45Oh, doctor, you must...
00:26:46Maybe he is, sir.
00:26:47You must give him something.
00:26:48Oh, there.
00:26:48Now there, darling.
00:26:49You be quiet.
00:26:50Oh, my poor little lambkins.
00:26:52Oh, he's gonna be all right.
00:26:54Yes.
00:26:55Yes, he is.
00:26:56Oh.
00:26:58Oh.
00:26:59Oh.
00:26:59Sit up.
00:27:00Sit up.
00:27:02Open up your mouth.
00:27:14There, there, darling.
00:27:15Now everything's gonna be all right.
00:27:17Oh, doctor, do you think I'd better put him to bed?
00:27:19No, no.
00:27:20What he really needs is a long ocean voyage with plenty of tropical air and sun.
00:27:26Oh.
00:27:26Now I'd suggest a trip to, a trip to Honolulu.
00:27:33Oh, but doctor, wouldn't the mountains do as well?
00:27:36I'm a very bad sailor, and oh, I just can't stand the water.
00:27:39No, I'm sorry, Mrs. Hardy, but a voyage to Honolulu is the only cure for your husband.
00:27:49Oh.
00:27:50Oh.
00:27:51Oh.
00:27:53I won't go to Honolulu.
00:27:55If you can't go, sugar, I'll just stay home and suffer.
00:27:59You'll do nothing of the kind.
00:28:01If the doctor says you must go to Honolulu, you'll do just as the doctor says.
00:28:05But I can't go to Honolulu alone.
00:28:08I've got to have someone to take care of me.
00:28:11Oh, well, maybe Stanley will be kind enough to go with you.
00:28:14Well, I never thought of that.
00:28:16Will you go, Stanley?
00:28:18Where?
00:28:19To Honolulu.
00:28:21I can't go to Honolulu.
00:28:23Why?
00:28:24I'm going to the convention.
00:28:26What do you mean, you're going to the convention?
00:28:28Well, I forgot to tell you.
00:28:30I asked Betty, and she said I could go.
00:28:32That settles it.
00:28:34I'm not going to Honolulu.
00:28:35Oh, yes, you are.
00:28:37You're going to Honolulu if you have to go alone.
00:28:40Well, if I have to go to Honolulu alone, he's going with me.
00:28:52Honolulu.
00:29:30You're high.γγΌγ«ιola.
00:29:38You got it? Come
00:29:40on in. We
00:29:41want you. She
00:29:43said he was going
00:29:44to have to go down the road. Great way, though.
00:29:44You are right. To
00:29:45the old R day has a four with one of two... All right, we can
00:30:06Hey, is she a dog?
00:30:27Oh, no.
00:30:28Oh, boy!
00:30:32Why don't you, uh...
00:30:34Why don't you take care of that one?
00:30:39Hey!
00:30:40Texas, 97!
00:30:42Mission of 93!
00:30:45Why don't you take care of that one?
00:31:00Oh, boy!
00:31:01Oh, boy!
00:31:01Oh, boy!
00:31:02Oh, boy!
00:31:08Oh, boy!
00:31:14Oh, boy!
00:31:15Oh, boy!
00:31:23Texas, 97!
00:31:27Hey!
00:31:28Oh, no, no, no.
00:31:29That's too good a gag to score, boy.
00:31:32Well, well, well.
00:31:34California, huh?
00:31:35Yeah.
00:31:35Thake teen.
00:31:37Hey!
00:31:38I bet you don't grow flowers out there that smell like this.
00:31:41Oh!
00:31:48That's a dog, isn't it, boy?
00:31:54Oh, boy!
00:31:58Can you take it?
00:32:00Hey, boys, come on.
00:32:01There it is.
00:32:01Come on over to my table and have a drink, huh?
00:32:04Oh, boy!
00:32:05Oh, boy!
00:32:06Oh, boy!
00:32:06Oh, boy!
00:32:07Oh, boy!
00:32:07Right now!
00:32:09Yeah!
00:32:11Oh, ho, ho, ho!
00:32:12Hey, waiter!
00:32:14A bottle of champagne!
00:32:17Oh, boy!
00:32:19Have a cigarette.
00:32:24Oh, ho, ho!
00:32:30Have a cigarette.
00:32:35Oh, ho, ho, ho!
00:32:39You guys are killing me!
00:32:41Great gag, huh?
00:32:43Great gag.
00:32:47While down on the South Sea Island, underneath the beauty of the stars, I strayed upon some maidens
00:32:56who were strumming on their guitars.
00:32:59A hula maid was dancing, and I knew it found my paradise.
00:33:05So this is what I told her as I gazed into her eyes.
00:33:10Honolulu, baby, where'd you get those eyes?
00:33:16And the dark complexion I just idolized.
00:33:22Honolulu, baby, where'd you get that style?
00:33:27And those pretty red lips, and that sunny smile.
00:33:34When you start to dance, your hula hips and rest, then you shake it up and down.
00:33:40You shake a little here, you shake a little there, where'd you got the boys going to town?
00:33:45Honolulu, baby, she'll know your stuff.
00:33:51Honolulu, baby, don't want your blood.
00:34:17You see, we're killing two birds with one stone.
00:34:22We're seeing as much here as we could have seen in Honolulu.
00:34:26Hey, what's the laugh? I don't get it.
00:34:29Shall we tell it?
00:34:32Our wives think that we're in Honolulu for my health.
00:34:36You're pulling a fast one, huh?
00:34:37Yes.
00:34:38Well, I don't.
00:34:38You look, you look, you look, you look!
00:34:46Then I'd leave her height around.
00:35:00After I've made a wish.
00:35:00I'm so Italian.
00:35:02That's a Saxony Hotel.
00:35:03Sorry, I just forgot to catch up.
00:35:27We've been to the convention, had a swell time, going home in the morning and
00:35:33and nobody's any the wider.
00:35:38Say, by the way, what part of California are you fellas from?
00:35:41Los Angeles.
00:35:43Los Angeles?
00:35:45What a small world. What a small world. Would you believe it? I got a sister lives out there.
00:35:50Yeah, no kidding. Haven't laid eyes on her since I got out of reform school.
00:35:55Say, I got a great idea for a gag. You know what I'm going to do?
00:35:58I'm going to call her up long distance and disguise my voice and she won't know who it is.
00:36:03Oh, that's a dog.
00:36:06Hey, waiter. Another bottle of bubble water. Be right back, fellas.
00:36:20Hello? Hello?
00:36:21Here's your Los Angeles call, Mr. Chase.
00:36:23Oh, swell.
00:36:28Hello? Hello? Hello?
00:36:31I'll bet you can't guess who this is.
00:36:35All right. Who is it?
00:36:37It's your little brother, Charlie.
00:36:40Well, for goodness sake, it's my brother, Charlie.
00:36:44Where are you?
00:36:45I'm out in Chicago. They're throwing a convention for me.
00:36:50Oh, well, fancy hearing from you after all these years.
00:36:54You know, Charlie, I haven't seen you since you sang in the choir.
00:36:57And you used to pump the organ, remember?
00:36:59You little organ pumper, you.
00:37:05Say, listen.
00:37:06I want you to talk to a fellow from Los Angeles.
00:37:08A swell guy.
00:37:10Wait a minute.
00:37:11I want you to talk to a fellow from Los Angeles.
00:37:14Hello?
00:37:16So this is Charlie's sweet little sister.
00:37:19I feel just like I know you.
00:37:25Charlie tells me you're from Los Angeles.
00:37:28What part?
00:37:29All of me.
00:37:32What'd she say?
00:37:33What'd she say?
00:37:35She asked me if I was from Los Angeles, and I said yes.
00:37:38Then she said what part, and I said all of this.
00:37:42What's another dollar life?
00:37:50You little jokester.
00:37:52When you get back to town, drop in and see me.
00:37:56I'd just love to have you meet my husband.
00:37:59I sure will.
00:38:01What's the address?
00:38:03Write this down.
00:38:05Two, two, two, two, Fairview Avenue.
00:38:11Two, two.
00:38:17Goodbye, sugar.
00:38:20What'd you hang up for?
00:38:21Well, we had a bad connection.
00:38:23But isn't she a swell gal?
00:38:25She sure is.
00:38:29What's the matter, Laurie?
00:38:31If I didn't know Oliver was in Honolulu, I'd swear that was he on the phone.
00:38:36Oh, they're in Honolulu, all right.
00:38:38Why, Stanley wouldn't dare lie to me.
00:38:43I hate to think what would happen if he ever did.
00:38:49Hey, these fellows have a chance.
00:38:51Come on.
00:39:08Say, you know that's my wife?
00:39:10Catch us, 97.
00:39:12New York, 43.
00:39:16New York, 43.
00:39:21Extra Piper, get your evening paper.
00:39:24Honolulu liner sinking.
00:39:25Extra Piper.
00:39:29Laurie, Laurie, look.
00:39:32Yes, yes, I just read it.
00:39:34Oh, what are we going to do?
00:39:36I'll telephone the steamship company and find out if they have a list of the survivors yet.
00:39:40No, no, we'll go down there.
00:39:43Go on, get your hat.
00:39:44All right, I'll meet you outside.
00:40:07Quiet, please.
00:40:08Mr. Rutledge has a radiogram he wishes to read.
00:40:11This is the latest wireless report.
00:40:15Honolulu steamship company, Los Angeles.
00:40:17The survivors of the ill-fated Muanna have been safely transferred to the rescue ship.
00:40:23A list of the casualties will be made known as soon as a complete checkup is made.
00:40:28Expect to arrive in port in 36 hours.
00:40:32Signed, Captain John Zela.
00:40:34Oh, Betty, I do hope the boys are safe.
00:40:37Oh, this suspense is just killing me.
00:40:40Have courage, Laurie.
00:40:41Let's not think of the worst.
00:40:43Well, I try not to, but, oh, I'm so worried about Oliver.
00:40:47You know how unselfish he always was.
00:40:50Why, he wouldn't leave that ship until everybody was saved.
00:40:54Well, if they're safe.
00:40:55Oliver certainly deserves a medal.
00:40:58You know, Stanley can't swim a stroke.
00:41:00Oh, I never thought of that.
00:41:21There you go, old man.
00:41:22Just keep the change.
00:42:00Maybe they're in Betty's house.
00:42:04Honolulu, baby, where'd you get those eyes?
00:42:08Any dark complexions that are idle eyes?
00:42:12Honolulu, baby, where'd you get those eyes?
00:42:17Any dark complexions that are idle eyes?
00:42:21Honolulu, baby.
00:42:33Aloha, baby's here.
00:42:47Aloha, baby's here.
00:42:51Aloha, baby's here.
00:43:03Get that thing out of the way.
00:43:06Aloha.
00:43:12Aloha.
00:43:14Baby's home, sugar.
00:43:18Get out of my way.
00:43:25No.
00:43:36I wonder where she is.
00:43:39Maybe she went out.
00:43:41I know she went out.
00:43:43But what I'd like to know is where did she went?
00:43:49Maybe she went to the mountains with Betty.
00:43:51That's probably just where she is.
00:43:54She makes me sick.
00:43:56She knew we were coming home today.
00:43:57What did she have to go to the mountains for?
00:43:59Well, if she didn't go to the mountains, Mohammed would have to come here.
00:44:08What has Mohammed got to do with my wife?
00:44:14Notes from the clouds.
00:44:16Oh.
00:44:17What's the matter?
00:44:19Honolulu liner sinking.
00:44:20Foundering in typhoon.
00:44:22Passengers and crew on SS Moana in panic as wireless fails.
00:44:25Sister ship Leewanna reaches scene of disaster in 90-mile gale.
00:44:30Rescue ship Duback in Los Angeles Harbor tomorrow.
00:44:34Huh.
00:44:34Oh.
00:44:35Can you beat that?
00:44:37I'm sure glad we didn't go.
00:44:40If we'd have...
00:44:42We've got to get out of here.
00:44:45We'll go to the hotel and spend the night.
00:44:46Come on.
00:44:47Put that paper down and let's go.
00:44:50Get there.
00:44:53Hey.
00:44:54Hey, clean that up so they won't know we've been here.
00:44:58Now, Betty, let me.
00:44:59I want that.
00:45:00No, no, I'll pay you.
00:45:01No, you'll pay.
00:45:01I think everything's so...
00:45:05No.
00:45:07Quick, hide.
00:45:08Hide somewhere.
00:45:09Get.
00:45:09No, not there.
00:45:11Get out of there.
00:45:12Go.
00:45:13Get.
00:45:13What?
00:45:14Get.
00:45:15Hey.
00:45:16Come on.
00:45:17Get.
00:45:17Get.
00:45:18Oh.
00:45:30Betty.
00:45:32Did you hear that?
00:45:34I certainly did.
00:45:45There's no one in there.
00:45:49Betty, I could have sworn I heard that door close.
00:45:54It's probably our imagination.
00:45:55We're both so nervous and upset and...
00:45:58Oh, Betty, do you really think they're safe?
00:46:02Oh, don't worry, dear.
00:46:03Let's think for the best.
00:46:06Oh.
00:46:09Oh, I...
00:46:11Oh, I have the strangest feeling.
00:46:15I...
00:46:16Oh, I feel as if they were hovering right over me.
00:46:20Oh, don't talk that way.
00:46:22You give me the jitters.
00:46:23Oh, I can't help it.
00:46:24Oh, I've just gone all up.
00:46:26What if you're going to act like that way? I'm going.
00:46:28Oh, don't leave me, Betty. Don't. Don't leave me. Just try.
00:46:31We've got to make this situation with determination.
00:46:34Come on.
00:46:34I know, Betty. I'm still in the first. I can't.
00:46:36Well, I know it's a terrible today.
00:46:38Do you think they saw us?
00:46:39Of course not.
00:46:40If they had, they'd have been up here.
00:46:42To catch a hearty, they've got to get up very early in the morning.
00:46:47What time?
00:46:48Oh, about half past four.
00:46:50What time?
00:46:54Shh.
00:46:55Be careful. Do you want them to hear us?
00:46:59How are we going to get to a hotel?
00:47:03Sepple, we'll go down through Betty's house.
00:47:12Locked.
00:47:14Well, it looks like we're here for the night.
00:47:16We can't sit up here all night.
00:47:18We're not going to sit up all night.
00:47:20We'll fix ourselves a nice bed and be just as comfortable as two peas in a pod.
00:47:32Give me a hand with a spring.
00:47:36Shh. Don't shush me.
00:47:51Shh.
00:48:03Hold this while I get some room.
00:48:15Don't sit there looking at me. Do something to help me.
00:48:18Get me some room or something.
00:48:19What are you going to do with it?
00:48:21None of your business. Do as I tell you.
00:48:26Shh.
00:48:27It serves you right.
00:48:31Shh.
00:48:33Shh.
00:48:33Shh.
00:48:34Shh.
00:48:35Shh.
00:48:37Shh.
00:48:37Shh.
00:48:37Shh.
00:48:38belllich
00:48:39Shh.
00:48:39Shh.
00:48:42Shh.
00:48:46Shh.
00:48:48Shh.
00:48:51Shh.
00:48:53Shh.
00:49:14Oh, Betty, I wish now I'd let him go to the convention.
00:49:18He could have been having such a good time instead of being in that awful shipwreck.
00:49:26Oh, it's all my fault.
00:49:29Don't worry, Lottie. Maybe they're not as bad off as we think.
00:49:32Oh, Betty, if I could only see him just once more.
00:49:58I can't believe it. Just wait till you get back home, you inflated tadpole.
00:50:07Sit down.
00:50:07Oh, shut up, Lottie.
00:50:09Oh, so Stan wouldn't dare lie to you.
00:50:12What? Don't you worry about me.
00:50:14It's all your fault. It's all your fault. It's all your fault.
00:50:15It's all your fault. It's all your fault.
00:50:30Can you imagine them going to that convention?
00:50:32Oh, I don't mind that so much.
00:50:34It's the idea of them making a sucker out of me.
00:50:37That's what bugs me. Oh, sit down, Lottie. You make me nervous.
00:50:40Oh, shut up.
00:50:41Stan Lee wouldn't dare lie to you.
00:50:46Well, it's the first time he ever did.
00:50:47And if it wasn't for your husband's bad influence, this never would have happened.
00:50:52Oh, is that so?
00:50:54Say, are you trying to infer that my husband alone was the cause of this?
00:50:58I certainly am.
00:50:59That wax ear of yours is no different from the rest.
00:51:02He had just as much to do with this as my Oliver did.
00:51:05Oh, I admit he lied.
00:51:06But there's one thing I do know.
00:51:08When he gets back home and I ask him, he'll confess and tell me everything.
00:51:15That's more than that blimp of yours will do.
00:51:20Well, you just wait till I get back home.
00:51:22And I'll show you who the truthful one is.
00:51:24I'll have you understand that my Oliver is upright.
00:51:27Oh, honest!
00:51:29There you are.
00:51:31Fifth Hurricane.
00:51:32We'll have a good night's sleep.
00:51:34Go down in the morning.
00:51:35Tell them about the shipwreck.
00:51:37And nobody will be any the wiser.
00:51:41I've certainly got to hand it to you.
00:51:43For what?
00:51:44Well, for the meticulous care with which you have executed your finely formulated machinations
00:51:49in extricating us from this devastating dilemma.
00:51:57Then, on the other hand...
00:52:00Get in bed.
00:52:02Eh?
00:52:06Meticulous.
00:52:11Now, hold it for me.
00:52:20Now, isn't this nice?
00:52:21It sure is.
00:52:23We're just like two peas in a pot.
00:52:28Not pot.
00:52:31Pot.
00:52:32Pot.
00:52:33Pot.
00:52:44Pot.
00:52:47Well, good night, Lottie.
00:52:48I'm going to run along.
00:52:49If they come here first, give me a call.
00:52:51I'm dying to hear Oliver's story.
00:53:01Oh, Betty.
00:53:02What was that?
00:53:04I'll find out.
00:53:06Oh, don't.
00:53:06Stop!
00:53:07Help me!
00:53:12They're probably asleep and didn't hear it.
00:53:16Sure lucky.
00:53:18Oh, Betty.
00:53:19Do be careful.
00:53:20It might be a burglar.
00:53:22Don't worry about me.
00:53:23I've got my gun.
00:53:25And I've never missed yet.
00:53:27Oh, gee.
00:53:28Quick.
00:53:28Let's get on the roof.
00:53:29Come on.
00:54:06There's something very strange going on around here, and I'm going to call the police.
00:54:10Oh, that's a small idea.
00:54:11Come on.
00:54:11Let's go.
00:54:18Now what are we going to do?
00:54:19What do you think?
00:54:21Well, I'm not going to sit up here all night and catch double ammonia.
00:54:25Tie down the drain pipe.
00:54:27Put our clothes on the garage and go to a hotel.
00:54:30You can do what you like, but I'm going home.
00:54:33What are you going to tell Betty?
00:54:35I'm going to tell her everything.
00:54:37So you're turning yellow.
00:54:39Huh?
00:54:39You're yellow.
00:54:45Must be the lightning.
00:54:47You little double-crosser.
00:54:49If you go downstairs and spill the beans, I'll tell Betty that I caught you smoking a cigarette.
00:54:55All right.
00:54:56Go ahead and tell her.
00:54:57What do you think?
00:55:00Would you tell her that?
00:55:06Would you?
00:55:07I would.
00:55:10You know what we'll do?
00:55:12What?
00:55:12We'll climb down the garage, and we'll change our clothes in the drain pipe.
00:55:17Then we'll go to a hotel, and we'll be just as comfortable as two peas in a podger.
00:55:26Go on.
00:55:26Get down.
00:55:27Go on.
00:55:28You'll have me catching ammonia.
00:55:30I'll just come on you.
00:55:32Go on.
00:55:35Go on.
00:55:50Spread your legs.
00:56:01Now, why did you tell me to spread my legs?
00:56:05Well, I didn't want you to get your feet wet.
00:56:08Help me get out of here.
00:56:23Don't tell him anything.
00:56:25What's going on here?
00:56:27Why nothing, officer.
00:56:28Where do you live?
00:56:30Why, I'd rather not say.
00:56:31Oh, so you don't want to talk, eh?
00:56:33Well, it isn't that so.
00:56:34Where do you live?
00:56:35Huh?
00:56:35Where do you live?
00:56:37I live next door to him.
00:56:38Yes.
00:56:39Where does he live?
00:56:41He lives in there.
00:56:42Oh, quit your kidding.
00:56:44Where does he live?
00:56:45I'm not kidding.
00:56:46If you don't believe me, go in and ask him.
00:56:48That's a good idea.
00:56:49Well, come on.
00:56:50We'll find out.
00:56:51Come on.
00:56:51Come on.
00:56:52Get this going.
00:56:53Hurry up.
00:56:54Is this the house?
00:56:56Yes, sir.
00:57:00Well, here's another nice mess you've gotten me into.
00:57:03What are we going to tell them?
00:57:05You think up your own story.
00:57:06I've got mine.
00:57:08Oh, Chadwick.
00:57:09Hey, here they are now.
00:57:10Where's that gun?
00:57:11Wait a minute.
00:57:12Wait a minute.
00:57:12Calm yourself.
00:57:13Let's hear their story first.
00:57:15Because don't forget, you and I've got a little argument to settle.
00:57:18And after that, well, you can do as you please.
00:57:20All right.
00:57:21I'll show you.
00:57:23Oh.
00:57:24Oh.
00:57:25Oh.
00:57:25Thank you, officer.
00:57:26Oh.
00:57:27Oh, Oliver.
00:57:28What's happened?
00:57:29Why are your clothes?
00:57:30Oh, wait till I get my second wind.
00:57:32Stanley, whatever has happened.
00:57:34You tell your story, Ollie.
00:57:36Oh.
00:57:36Oh.
00:57:37On our way back from Honolulu, we were in a terrible shipwreck.
00:57:41Now, you see, honey, if you'd let me go to the convention, I wouldn't have gone through this horrible experience.
00:57:47Oh.
00:57:48Oh.
00:57:48Oh, well, tell us all about it.
00:57:50Please.
00:57:50All right.
00:57:51All right.
00:57:52We were sailing along in clear weather when all of a sudden a terrible storm came up.
00:57:57Didn't it, Stanley?
00:57:59Yeah, and then we floundered in the typhoid.
00:58:02Not typhoid.
00:58:04He means typhoon, sugar.
00:58:06Then the ship started to sink and we both dived overboard.
00:58:10Didn't we, Stanley?
00:58:12Yeah, just as the boat was going down for the third time.
00:58:16And here we are.
00:58:18Aren't you glad we got back home safe?
00:58:20Well, what's new, sugar?
00:58:23Well, the rescue ship with the survivors doesn't get in until tomorrow.
00:58:27The rescue?
00:58:28Oh, sir.
00:58:29Oh, well, it must have got there after we left.
00:58:32That's right.
00:58:33It must have gotten there after we left.
00:58:35Thank you, Stanley.
00:58:36You're welcome.
00:58:37Well, then how did you get here?
00:58:40Why, uh, uh, oh, with ship height.
00:58:44What?
00:58:44That's right.
00:58:45We...
00:58:46We ship height.
00:58:48Ship height?
00:58:49Yes.
00:58:50We thumbed our way.
00:58:52What do you mean, thumbed your way?
00:58:54Well, Stan and I'd be swimming along.
00:58:56We'd see a boat coming our way.
00:58:58We'd go like that.
00:59:00And they'd pick us up.
00:59:01Wouldn't they, Stanley?
00:59:02Yeah.
00:59:03Of course, that's if they were going our way, mind you.
00:59:05Oh, I certainly...
00:59:06Now, you see, Betty?
00:59:07He's no different from the rest.
00:59:10They're both like two peas in a pond.
00:59:13Pas d'oeuf.
00:59:15Shut up.
00:59:16Have you anything else to say?
00:59:19Why, no.
00:59:20That's all there is.
00:59:22There isn't any more.
00:59:24Is there, Stanley?
00:59:26No.
00:59:26That's our story, and we're stuck with it.
00:59:29In it.
00:59:33Uh...
00:59:33Oliver.
00:59:35What, sugar?
00:59:38Oliver, I want you to be big.
00:59:41Bigger than you've ever been before.
00:59:44Are you telling me the truth?
00:59:48What do you mean, am I telling you the truth?
00:59:51Do you think that a story like that could come from my mind,
00:59:55if it wasn't the truth?
00:59:58Why, it's ridiculous.
00:59:59It's absurd.
01:00:01It's the silliest thing I ever heard of.
01:00:02Well, it certainly is.
01:00:05Why, it's too far-fetched not to be the truth.
01:00:08Isn't it, Stanley?
01:00:09It's imposterous.
01:00:16Stanley.
01:00:18What?
01:00:20Stanley.
01:00:25Honest confession is good for the soul.
01:00:29Is Oliver telling the truth?
01:00:37Go ahead and tell her.
01:00:48Is he?
01:00:51No.
01:00:52We went to the convention.
01:00:53We didn't go to Honolulu at all.
01:00:56He told me to tell you he was sick, and we didn't have any shipwreck.
01:01:00We were up in the attic, and I've been out for an animal.
01:01:03I think we sat up in the attic.
01:01:05He told me to accept it.
01:01:08Come on, Stanley.
01:01:08Oh, look.
01:01:11Tom!
01:01:12Oh, my God.
01:01:13Come on, Stanley.
01:01:15Oh, dearly.
01:01:15Oh, look up.
01:01:16Oh!
01:01:17Oh!
01:01:21How are you?
01:01:32Oh!
01:01:58How about you and me going to the mountains?
01:02:15You're not moving out tonight, are you, sugar?
01:02:21Why don't you wait until tomorrow morning so we can talk it over?
01:02:52Why don't you wait until tomorrow morning?
01:02:54Honestly, honesty is the best policy.
01:02:56Why don't you wait until tomorrow morning?
01:03:31I'll show you, you son of the desert.
01:03:33Go to a convention, will you?
01:03:57Come in.
01:04:05What did she say?
01:04:06Never mind what she said.
01:04:08What did Betty say?
01:04:11Betty said that honesty was the best politics.
01:04:17Look.
01:04:26Honolulu baby, won't you close those eyes?
01:04:46What did she say?
01:04:49What did she say?
01:04:49What did she say?
01:04:50You
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