- il y a 4 heures
Arsène Lupin troque ses outils de cambrioleur pour ceux de joaillier afin de s'emparer de dix millions de francs de diamants. Revêtue de la robe qu'elle doit porter au gala de l'opéra pour le compte du diamantaire Van Houven, le mannequin Régine, vedette d'une grande maison de couture est enlevée.
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AmusantTranscription
00:00Let's go!
00:30...
01:08THANKS !
01:28And there you have it!
01:31For exact copy.
01:34Van Auben himself will fall for it.
01:38Boss, you're an artist.
01:40But why are you going to so much trouble to make this dress?
01:43when all it would take is a good revolver to seize the real one?
01:46Because, precisely, I am an artist, Greniard.
01:49I'll leave the revolver to the amateurs.
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07:04...
07:04Not at all, quite the opposite.
07:06Rablou, you say?
07:08Yes, yes, yes, that's an excellent idea.
07:09Do you know him?
07:11Not personally, but I've heard a lot about his exploits.
07:14Apparently, one evening, in a castle villa, he caught a burglar red-handed.
07:19A very distinguished man.
07:21For a moment, we thought it was Arsène Lupin.
07:23Yes, but it wasn't him.
07:24No.
07:24You know, Arsène Lupin, there are some who see him everywhere.
07:29Personally, I believe he never existed.
07:31That would be a shame.
07:33No, why?
07:35I don't know.
07:36Inspector Rablou?
07:38Ah, finally!
07:39Without meaning to speak ill of artists, boss,
07:42I have the impression that we have been beaten to it by a knowledgeable amateur.
07:47And that our dress with the fake diamond isn't going to be of much use.
07:52Yes, indeed, attic man.
07:54But the situation is all the more intriguing.
07:57Stealing is commonplace.
07:59But stealing from the thief who beat you to it.
08:02Now that's art.
08:04Yes of course.
08:08The only problem isn't so much taking back the jewelry,
08:12but to know from whom to take them back.
08:14Ah.
08:15Okay, so you'll take me to Régine's apartment.
08:17And you come back here, to Van Ouben's place,
08:20escort Arlette back as soon as Rablour has finished questioning her.
08:24You keep him company
08:26and I'll meet you at her place.
08:27You're always very good with women.
08:44Miss Régine hasn't come home yet?
08:45Yes, she is in her room.
08:47With the diamonds?
08:48No, with the doctor.
08:49The doctor? But which doctor?
08:56But...
08:58But...
08:58Who are you ?
09:00Shh!
09:03YOU ?
09:05But what are you doing here?
09:07I calm her down.
09:08You can clearly see that his nerves have snapped.
09:11And what about my nerves, then?
09:13You don't really think so, do you?
09:14that I am going to administer to you
09:15A little session of euphoric kisses?
09:17Euphoric kisses?
09:19Yes.
09:20Yes, yes, it's a personal technique.
09:22It's like acupuncture.
09:23but without the needles.
09:24And how did you get here?
09:26Well, I bet the kidnapper
09:27would not take the risk
09:28to keep Régine.
09:29So I went to wait for him
09:30down the street from her house.
09:32It went exactly as I had planned.
09:34However, upon arrival,
09:35She was at her wit's end.
09:36and she almost fainted.
09:37in my arms.
09:37But the dress!
09:39Diamonds!
09:40There must be some clues.
09:41She must have seen something.
09:43Yes, well, listen,
09:44If you want to know,
09:45let me first
09:46to complete my treatment.
09:54But what can he possibly do?
09:55Mr. Denry?
09:56The baron is in full concentration.
09:58He cares deeply
09:59to find the diamonds.
10:01You missed
10:02Rablou's interrogation.
10:04If you had seen the show,
10:06This robbery is the deal of his life.
10:08He is already convinced
10:09that it's Arsène Lupin
10:09who did it.
10:10If only it were true.
10:13Ah, it's him.
10:15Go and open it, please.
10:20Oh !
10:22Oh no, you're not going to do that again.
10:24Yes, indeed.
10:25If you would like
10:25Put this blindfold over your eyes.
10:27But I don't have
10:2710 million jewels on my dress.
10:29Come on, move forward.
10:35Enter it.
10:35But none of that is true.
10:36It's a nightmare.
10:38Please hurry.
10:50But anyway,
10:51You didn't see anything else?
10:52You know,
10:53it wasn't
10:54an organized tour.
10:56My dear,
10:57Let's summarize.
10:58A masked man,
10:59a veiled woman,
11:01a tall, tall lamp
11:03with a wooden horse
11:04and armor,
11:0512 steps of a staircase,
11:07a landing,
11:0812 more steps,
11:09a Louis XV drawing room
11:11the portrait of a man
11:12with a cat
11:13Signed Quentin de Latour.
11:16What do you want?
11:17What more could you ask for?
11:18Finally, it's clear.
11:20It's as if we were there.
11:22I'm telling you,
11:24in 8 days,
11:25I will have found the diamonds.
11:31Yes.
11:33This is for you.
11:35Daneris.
11:37THANKS.
11:39So, yes?
11:41That's you.
11:42Attic.
11:46Good,
11:46Well, good.
11:48Alright.
11:50Well done.
11:53Any news?
11:54Yes.
11:54Excellent.
11:55Immediately ?
11:56No,
11:57Arlette.
11:58Well ?
11:59The masked man has just kidnapped.
12:00Fortunately,
12:01My driver has great facilities
12:02to get out of the closets.
12:04He freed himself very quickly
12:06and was able to retain
12:07the mineralogical number
12:07of the car
12:09before she walked away
12:10of the building.
12:10...
12:16...
12:28Here we go.
12:53Here we go.
13:24Here we go.
13:54Here we go.
13:55Here we go.
13:59Oh, please.
14:00Yes.
14:02Please.
14:03Couldn't you take me to the next town?
14:07Hello ?
14:07Hey, this is Commissioner Martin.
14:10Yeah, traffic control.
14:12Is that you I'm talking to?
14:13Ah, hello.
14:15Okay, so I just found an abandoned car on the side of National Route 20.
14:18Yes.
14:22Registered AC 312EF.
14:26Hmm.
14:28Okay, can you take a look at the central file?
14:32Yeah.
14:34Okay, I'll wait.
14:36I was completely taken in like an idiot.
14:38Yeah, you're always smarter behind a revolver than in front of it.
14:43Hello? Yeah.
14:45Ah good.
14:47Well, I'm going to send it to the pound.
14:50Oh well, too bad, they'll manage.
14:51THANKS.
14:56The number was incorrect.
14:59Okay, old chap.
15:02You gather the whole gang.
15:04You are contacting all our indicators.
15:06I need a result as soon as possible.
15:09My dear father, the honor of our house is at stake.
15:11I'm on my way, boss.
15:14Oh, Jean!
15:15Jeans !
15:17She's really an amazing girl.
15:19Okay, forget about the car search, we'll see later.
15:22Did you find her?
15:23Does she know anything about my diamonds?
15:24She fainted upon arrival.
15:27But you don't seriously think they kidnapped Arlette, do you?
15:29to task her with bringing you back your diamonds.
15:32Inspector Abelot?
15:34Pleased to meet you, Inspector.
15:36You'll excuse me if I don't shake your hand, but...
15:38My friend, Baron Denris,
15:41who rescued me when Régine was kidnapped with my diamonds,
15:44He is always there, even when you least expect it.
15:47Denris, Denris.
15:48I knew a Denris in the regiment.
15:50You'll excuse me, Inspector.
15:51You'll excuse me, but I mustn't delay in applying my treatment.
15:55That would impair efficiency.
16:00But don't worry before we do, Ben.
16:02We will all take stock tomorrow morning.
16:04Yes, at 10 o'clock in my office, at the APJ.
16:15Good Miss Brignoche, please,
16:17Could you hit a little less hard?
16:19It's perfectly reasonable for me to ask you that.
16:25Excuse me.
16:27SO ?
16:28So, as I was saying,
16:30There is indeed one thing that is certain.
16:33That's Arlette and Régine
16:35were abducted by the same people.
16:39I wouldn't want to impose myself,
16:41But could I know by what right?
16:43Are you interfering in leading this investigation?
16:45But my dear Rablou...
16:47First of all, I am not your dear Rablou.
16:49Well, Inspector,
16:51I am not leading the investigation.
16:53I would simply like to add
16:55my modest contribution.
16:56So we were saying
16:58that Arlette and Régine
17:00had been abducted by the same people,
17:02but not for the same reasons.
17:04If they are obvious to Régine...
17:0710 million diamonds.
17:08You can say that again.
17:10They remain a mystery to Arlette.
17:13Especially since the first time,
17:14They could have kidnapped me at the same time as her.
17:16because I was with you.
17:17Yes, actually, that's true.
17:19Well done, my dear Arlette.
17:20You are a valuable colleague.
17:23In any case, it remains certain
17:24that was removed,
17:25and if not for the same purpose,
17:27at least under the same circumstances.
17:29A top model with...
17:30Yes, 10 million diamonds.
17:32You can say that again.
17:33And a sewing project without a single piece of jewelry.
17:35And the fact that they belong
17:37both at the same fashion house
17:39is not a sufficient explanation.
17:41I'm sure that's the case.
17:43Inspector Rablou agrees with me.
17:45Well...
17:45No, no, no, no, don't thank me.
17:47It's just a coincidence
17:48if I was involved in the matter
17:49from the beginning.
17:50No, but...
17:51If the reasons for Arlette's abduction
17:54are obscure,
17:56the ease with which
17:57She escaped
17:58It is nonetheless strange.
18:01Yes, well.
18:02at any rate,
18:03we are all going to leave
18:04for Saint-Gralou
18:05visit the house
18:06identified by Mademoiselle Arlette.
18:08Trust me,
18:09I can take you there with your eyes closed.
18:10Yes, but we don't know.
18:11to whose house we are going.
18:12I know.
18:15Régine and Arlette
18:16were taken away
18:17at the home of Count Gilbert de Mellamard.
18:19What are you telling me?
18:21This is a historical truth.
18:23The portrait of the man with the cat
18:25is that of a Count of Mellamard
18:26painted in the 18th century
18:27by Quentin Latour.
18:29It's in all art histories.
18:32And Saint-Gralou
18:33is the stronghold of the Mellamards
18:35who have preserved this portrait
18:36from generation to generation.
18:38The Count of Mellamard
18:39one of the oldest families in France.
18:41That's unbelievable, come on.
18:44Implausible or not,
18:45we shall see
18:45if these young ladies recognize the place.
18:48Come on,
18:49if you would like to come.
19:15SO ?
19:16Well, I don't know.
19:17I only saw the grid.
19:19And you, Régine,
19:20Do you recognize it?
19:21No,
19:22I only saw the inside.
19:23Good,
19:24So let's go.
19:25If you please.
19:27But,
19:27You're welcome.
19:37Gentlemen,
19:38ladies?
19:38Police,
19:39I would like to talk
19:40to the Count of Mellamard.
19:42But certainly,
19:43The Count is waiting for you.
19:45If you would be so kind as to follow me.
19:47Is he waiting for us?
19:48Wow!
19:49That's unexpected.
20:13SO ?
20:16It's the same entrance.
20:19the same staircase.
20:22The red curtains.
20:24SO,
20:25SO,
20:25Calm down, now.
20:26All mansions look alike.
20:28Oh, Jean,
20:28I'm scared.
20:30No,
20:30Let's wait and see what happens next.
20:42I must say
20:43that I wasn't expecting
20:43to such a police deployment
20:45For so little.
20:46For so little?
20:46From how many millions
20:48have things
20:48Is it important to you?
20:50Excuse me?
20:51Don't pay attention,
20:52Count,
20:53I'll explain.
20:56If you would like
20:56Follow me into my office.
20:59But that didn't
21:00common measure.
21:01I'm talking to you
21:02of two kidnappings
21:03and a flight
21:04ten million diamonds.
21:06And you,
21:06you speak to me
21:07of a prowler
21:08who would have entered your home
21:10and who would have left
21:10without taking anything.
21:12I'll allow myself that.
21:13It would be more like
21:14It's up to me to be surprised.
21:15I ask
21:16assistance
21:16of the police
21:17following
21:17of a mysterious
21:18Night visit.
21:19And that's just about it
21:20if you don't accuse me
21:21of I don't know what
21:21bizarre attack.
21:23Count,
21:25do you have here
21:25in this manor
21:27the portrait
21:28of one of your ancestors
21:29painted by Quentin de Latour
21:31the famous
21:32Man with a cat?
21:33Yes,
21:35But I don't see...
21:36Well,
21:37We,
21:38We'll see.
21:40If that's an order...
21:54Excuse me,
21:55I'm going to walk past it.
21:55...
21:59...
22:01...
22:07...
22:08...
22:08...
22:10...
22:12...
22:26Oh my God !
22:28But what's wrong with her?
22:30She feels unwell.
22:32She feels unwell.
22:38I'm going to go get the only ones.
22:45She recognized the place.
22:47Régine, my dear Régine, answer me.
22:49This is where they stole the diamonds.
22:52It's this young woman.
22:53My housekeeper will take care of her
22:55much better than I could do.
22:57It will pass as soon as she breathes this in.
23:10It's here.
23:12I recognize everything.
23:13The fireplace,
23:15the furniture,
23:17the painting.
23:21But really, miss,
23:22What kind of comedy is this?
23:23My diamonds.
23:24Give me back my diamonds.
23:25They all escaped from an asylum.
23:28Ultimately,
23:29Are you going to explain this to me, sir?
23:31You are the one who will have to explain yourself, Count.
23:33Can you give us your schedule for yesterday?
23:36But what are you accusing me of, Count?
23:39For having abducted these two young women
23:40and especially for having robbed one of them,
23:42Régine Aubry,
23:43of 10 million diamonds.
23:44With your complicity, by the way.
23:47My dear Ablou,
23:49I think you're jumping to conclusions a bit too quickly.
23:51My God, Count,
23:53But what does that mean?
23:54I don't know,
23:55I don't understand.
23:57Go ahead, search.
24:00You haven't yet received a search warrant, as far as I know?
24:03Ah, but I'm not conducting a search.
24:07I'm simply looking.
24:21I search and I find.
24:27My dress!
24:29Do you see?
24:30Without my diamonds?
24:32But where are they?
24:33Where did you hide them?
24:35And leave me alone with your diamonds.
24:38I've never seen that dress.
24:40I don't know who put it there.
24:41I know nothing.
24:42I don't understand anything.
24:43Me, yes.
24:45I am arresting you and your housekeeper.
24:48who is your accomplice.
24:51But, Inspector...
24:53What? What else is there?
24:54The Count of Mellamar and his governess
24:56doesn't resemble my captors.
24:58It's true.
24:58I don't recognize their voices,
25:00nor their appearance.
25:01Ah.
25:02So what?
25:04We are dealing with
25:05to true professionals.
25:06Isn't that right, Count?
25:08But more is needed.
25:09to deceive Rablou.
25:11Go ahead, gentlemen.
25:14Come on.
25:17Go! Go! Go.
25:18Faster than that.
25:20Come on.
25:22Come on.
25:22Come on.
25:23Come on.
25:24Come on.
25:24Come on.
25:27Come on.
25:49All of this does not seem to satisfy you, Baron.
25:52It seems that Inspector Rablou is walking gloriously
25:56following in the footsteps of the excellent Commissioner Gershaw.
25:59Same enthusiasm, same subtlety.
26:01But still, he found the dress
26:02And that's proof that the count is guilty.
26:04I bet you both a bottle of champagne
26:07that it was the night prowler who put the dress in the living room.
26:11But anyway, let's go home.
26:12Ah, Arlette.
26:14You will visit the best suppliers
26:16and would bring a small snack to the Count of Melamare.
26:19In prison, one is always sensitive to all sorts of delicacy.
26:23Especially when you're innocent.
26:25To me, Count of Maud.
26:30Ah, I see what it is, yes.
26:33We want to play the smartest game.
26:36Mum's the word, is that it?
26:38But you won't get away with it that easily.
26:41Whatever you may be, Melamare.
26:44You are in Rablou's clutches.
26:46And Rablou, when he has his prey,
26:49He won't let go of her.
26:52The game of cat and mouse,
26:54You might know?
26:56No, no, no, no, be quiet, be quiet.
26:58You will speak when I ask you questions.
27:00Please.
27:01Let me tell you something good, Count.
27:03You're off to a bad start.
27:05Because Judge Chapuis is handling the case.
27:07And that Judge Chapuis trusts me completely.
27:11Excuse me.
27:15Hello, this is Chapelou.
27:16Uh, Rablou.
27:17Yes.
27:18How is it more Chapuis?
27:20Eh ?
27:21Judge Chapuis has chickenpox?
27:23At his age?
27:25Don't you think it's more like...
27:27Um...
27:27Oh yes.
27:28Good.
27:29So who will replace him?
27:30Judge Loubain.
27:32Antoine Loubain.
27:33Yes, no, we don't know.
27:34I...
27:34Ah, ah, yes.
27:35Ah, yes, wait.
27:36I have...
27:36I knew a Loubain back in the day.
27:38It was in Montmorillon.
27:39I was doing my military service.
27:41It was a...
27:42Oh yes.
27:43Oh yes.
27:44It is...
27:44This is urgent.
27:45Excuse me.
27:46I...
27:46I'm coming.
27:48You'll get your money's worth, Count.
27:53No dark family stories, right?
27:57Of...
27:57Hereditary vendettas?
27:59No.
28:00I am the investigating judge.
28:02The Melamars are not the Atrides.
28:05My family played only a very modest role in the history of France.
28:10No...
28:11Of heroes.
28:12Nor criminals, for that matter.
28:16Yet you have in your home the portrait of a dashing 18th-century gentleman
28:21who couldn't have been just anyone.
28:23Ah, yes, yes.
28:25The man with the cat.
28:26Yes.
28:26Yes, of course, indeed.
28:27He was an eccentric.
28:29Ah!
28:30Ah!
28:30You interest me.
28:32Oh, Your Honor, I'm afraid I'll disappoint you.
28:35His eccentricity manifested itself in a perfectly innocent quirk.
28:39Yes, he never left his house.
28:40Except for going to the theatre where, it seems,
28:44He was much more interested in the female performers than in the plays presented.
28:48But that's the only, let's say, crime that can be held against him.
28:55Yes? Come in.
29:00A young lady has just brought this basket of groceries.
29:04For the defendant, Mélamars.
29:06Well, put that here on my desk, policeman.
29:11Well, you see that you don't only have enemies, Count.
29:19Ah!
29:20Can you tell me where the investigating judge handling the Mélamars case is, Judge
29:24Loubain?
29:25The back door. Right, the judge is with the defendant.
29:28Well, that's convenient.
29:30But that's a matter for the judge!
29:34Ah!
29:35Ah!
29:37Your Honor,
29:39Please excuse this intrusion.
29:41but I heard boom boom.
29:43So I thought that...
29:45But actually, it was...
29:47So.
29:48Hey, Inspector Rablou, I suppose?
29:51Yes, that's good...
29:51Oh, sorry, it's him, but...
29:53Well, you've arrived at the right time.
29:54The Count of Mélamars has just been offered some excellent champagne.
29:58which I felt it was my duty to taste, didn't I?
30:01Ah!
30:01Yes, you never know.
30:03Yes !
30:08Excellent, excellent.
30:09Not hit hard enough.
30:11But we are not a global reception.
30:16Okay, police officer,
30:17Pick up the snack and take it to the defendant's cell.
30:20Count, we will meet again later.
30:22I need to speak with Inspector Rablou.
30:25Very well, Your Honor.
30:34Please, sit down.
30:36Sit down.
30:38You are a remarkable police officer, Inspector Rablou.
30:41And your report is a model of its kind.
30:44Oh, Your Honor.
30:46However, there is one point I would like to review with you.
30:50Oh, but I am at your disposal, Your Honor.
30:52Tell me.
30:54Well, about an hour and a quarter has passed.
30:56between the time when Mademoiselle Régine,
30:59Finally, I mean,
31:01Mademoiselle Aubry,
31:02was abducted
31:03and the one where she was taken back home.
31:07Since her undressing lasted no more than fifteen minutes,
31:12The round trip journey therefore takes one hour.
31:16It seems quite obvious
31:18that the journey between the city
31:21and the place where Régine was robbed
31:23is half an hour away by car.
31:26Good.
31:26Gold,
31:28Arlette took almost an hour and a half
31:30to get from the city
31:31at Mélamard's.
31:34Miss Arlette had her eyes blindfolded at one point.
31:36The car was able to drive in circles
31:37to cover their tracks.
31:39No, we did that journey ourselves.
31:43And at an average speed,
31:45It also took us an hour and a half.
31:49SO ?
32:01Regina's route.
32:05So.
32:06Half an hour.
32:11Arlette's route.
32:14An hour and a half.
32:16That's quite curious.
32:17That's the whole problem.
32:20Mélamard lives about a hundred kilometers from here.
32:23Mélamard was not driven
32:24at more than 20 or 30 kilometers.
32:27That's a good distance
32:28for a bicycle excursion.
32:30Don't you think so?
32:38Subtitling by Radio-Canada
33:03I am at the Château de l'Ermande.
33:05Yes, sir.
33:08Sir...
33:10Baron Jean Denriss.
33:12The Baron has reserved a room.
33:15No, why?
33:17Is this a hotel?
33:19Since the end of the war, Baron.
33:22That's an original idea.
33:32Me? Not at all. Besides, I'm single.
33:35So I'm really wondering what you're doing here.
33:37Oh, excuse me, miss.
33:58It's not there, the exit isn't there. You can't go wrong, you're arriving at the thirtieth
34:01walking, it's a wobbly walk, it's a porta-voche.
34:07Imagine that thirty steps, each ten centimeters high, make three meters.
34:12A round trip isn't six meters. A round trip.
34:14Round trip.
34:16Here we go.
34:57Oh, you're the old ghost.
35:00No, I am the new owner.
35:03Ah!
35:24Are you interested in these animals, miss?
35:27Oh, excuse me.
35:29I am preparing a thesis in architecture.
35:32While cycling past, I was drawn to the style of your mansion.
35:36You are at home here.
35:37Come, I'll show you the house.
35:40This house belongs to my aunt.
35:41She is a remarkable woman.
35:42Here, come in.
35:44You are welcome.
35:53I'm starting to get worried, boss.
35:55Arlette should have been here two hours ago.
35:58You're right.
36:00But that's a good sign.
36:02I believe the wheel of fortune will start turning in the right direction again.
36:07Finally, something is happening.
36:10And I feel that this something will precipitate events.
36:15So, go get the car.
36:17And bring me back costume number 14.
36:20The cake?
36:21Yes, that's it.
36:23I'll be waiting for you here.
36:24And I'm studying the list of residences that Arlette was supposed to visit.
36:40I'll be waiting for you here.
36:58Thank you, my friend.
37:00Ah, here I am in good hands.
37:03Ah, so you'll get back on the road and do what we agreed.
37:10Hmm?
37:10Yes.
37:11Yes.
37:17To whom do I have the honor?
37:19Oh, hello, sir.
37:22If you only knew how happy I am to have found you...
37:26Finally, finally, to have found this house.
37:30Are you a gentleman?
37:31Antoine Fagerot.
37:34Antoine Fagerot.
37:36But you yourself haven't told me yet...
37:39Adolbert de Mélamar.
37:41From Mélamar?
37:42Yes yes.
37:42You are surprised, yes.
37:43Ah, well, I knew it.
37:45But it had to end like this, sooner or later.
37:49Yes, indeed.
37:50Mélamar at Valnerie Castle?
37:52It's quite amusing.
37:53Yes, yes, yes, yes, yes, yes.
37:55But let's not stay here, dear sir.
37:57We certainly have a lot to talk about.
37:59Oh dear, oh dear.
38:00Come, come, I beg you.
38:01Oh dear, oh dear.
38:01Go ahead.
38:02No, no, no, no, not after you.
38:03No, no, no, no, not at all.
38:05Come in, come in.
38:15My dear aunt, you need to know what you want.
38:18I got what I wanted.
38:20Thanks to you, I had managed to eat our ancestor.
38:23The great, the wonderful Valnerie.
38:26Whom the delicacy of a Mélamar, an old selfish libertine, caused to die of grief.
38:31Okay, okay, the ancestor is avenged, you too, everyone is happy.
38:36But you should be too, you've had your share.
38:38These diamonds that enabled our scheme.
38:42But what's really wrong are these kidnappings.
38:45This young girl who didn't recognize you, you just had to politely send her away.
38:50And that old man, whom you allowed to visit the house.
38:53A fantasy Melamar.
38:55You should know better than anyone, you who cultivate their family tree like a greenhouse flower.
39:00You know every inch, every branch by heart, for generations.
39:05There is only one Melamar alive.
39:07He is in prison.
39:09The other one too, for that matter.
39:10And this Adalbert de Mélamar, is he an imposter or a policeman?
39:14That's why it needed to be kept cool.
39:18So what?
39:20Ah, that Fagero is another charming one.
39:22He showed me around the house.
39:24Are you lucky?
39:25He drove me straight here.
39:27So, you've missed something.
39:30He didn't hide anything from me.
39:32You'll see, you'll have a lot of fun.
39:34But why did you allow yourself to be imprisoned without doing anything?
39:37But how can I reach you faster?
39:40Come on, Arlette, don't be gloomy.
39:42The mystery is solved.
39:44Régine was taken here, to the Château de la Valnerie.
39:49And you, voluntarily abandoned near Mélamar's house,
39:53to lead the police directly there and accuse the brave count.
39:56The presence of the dress concealed by Fagero at Mélamar
40:00only confirmed this accusation.
40:03But how? Why?
40:04I know how, but not yet why.
40:10Would you please be so kind as to
40:13to repeat Mr. Demrysset's instructions to me?
40:17It's very simple.
40:18You get Count Melamar and his housekeeper out of prison,
40:22You summon Mr. Vanoubène and Miss Régine,
40:25And you all follow me to a place that I must not reveal to you in advance.
40:30Is that all?
40:31No, I still have the hardest part to do.
40:35At this point.
40:37Well, there you have it.
40:40Mr. Denryss told me to tell you
40:42that it was Arsène Lupin who had orchestrated everything
40:46And if you don't do what I asked you to do...
40:49Arsène Lupin?
40:51Good heavens!
40:53And if we manage to open this bottle,
40:57We will be able to open this door.
41:02No, in the meantime,
41:04Bring out the bottles of champagne that are here
41:05and remove the straw mats.
41:14Time to pack the diamonds in my suitcase
41:16And I'll give you a kiss before I leave.
41:29That's a bit of a shame.
41:30It's an excellent cognac.
41:31But all's fair in love and war.
41:33education.
42:01And he's an excellent associate.
42:03It's an excellent
42:17But, are we at my house?
42:19No, Count, we are at the Château de la Valnerie, more than 50 km from your home.
42:23But that's astounding!
42:25And my diamonds are in this house.
42:42And your boss, isn't he here to greet us?
42:45Tell me, my boy, I hope you weren't making fun of me, because it might make you laugh.
42:49cook, but...
42:50Gentlemen? Miss?
42:54This individual claims that there is a young woman being held captive here, stolen diamonds, Arsène Lupin, and the painting.
43:00Mocha, and then I don't really remember what else.
43:02I confess I don't understand anything you're saying.
43:05But it's actually quite simple. There you go, to sum it up.
43:08He...
43:09He... In fact, that is to say...
43:11It's a dress, that's all.
43:14Yes, it's 10 million diamonds.
43:16This is about a man's innocence.
43:20Don't you think that's a good idea without burning it?
43:33Here, then.
43:36So, don't you understand?
43:39Finally, you can see that this whole story is pointless.
43:42Mr. Fajero has never seen Miss Arlette, nor your boss, nor diamonds, nor anything.
43:46So, and you believe it, my dear Ablou?
43:49Ah, there you are.
43:51Yes, excuse me, I...
43:53I was setting a door on fire with cognac.
43:56That wasted some of my time.
43:59And since Mr. Fajero did not do so,
44:02I invite you to come into his home.
44:05Oh no, everyone come.
44:07Even you, Mr. Fajero.
44:12So, my dear Ablou,
44:14You're not stopping him from taking the diamonds?
44:17My diamonds?
44:17My diamonds!
44:20Go ahead, open it!
44:22But by putting it in place, you will open it, yes!
44:26So, be well!
44:50Let's go, shall we?
44:52But by putting yourself in the position, you do it, you do it, you do it!
44:54Can you help?
44:57I don't know.
44:58And I can laugh!
44:58I want to laugh!
44:59I want to laugh.
45:00So, I'm laughing elsewhere for myself.
45:05I'm sure it's started.
45:05I want to laugh that I did that.
45:06I did that, I did that.
45:06I don't know.
45:06I don't know.
45:07I did that, I don't know.
45:08I don't know.
45:08I want to laugh that I did that.
45:55Same architecture, same decoration, same furniture, same paintings.
46:01But what do you want in the face of this serene revenge?
46:04A Mélamar from the court of Louis XV, a bit...
46:09and such a homebody that he had a house built for his mistress identical to his own.
46:14so that when he is at her place, he is also at home.
46:17And now, this similarity of location is being used to undermine the current tale of Mélamar.
46:24in order to save the honor of a supposedly dishonored ancestor.
46:29Completely ridiculed, abandoned after being seduced.
46:34But she is avenged now.
46:37Mélamar, in turn, was humiliated, taken to prison, handcuffed like a criminal.
46:44And you're going to replace it soon?
46:46I don't care anymore.
46:48I'm sure you won't stay there long.
46:51Isn't that right, Count?
46:52Indeed.
46:54My family doesn't hold a grudge as long as yours.
46:57And I have no intention of filing a complaint against you, madam.
47:00If Mr. Van Oongben finds his diamonds...
47:03Finally! Someone who cares about my diamonds!
47:06Will they be given back to me, yes or no?
47:21My diamonds! Give me my diamonds!
47:25Are these your diamonds?
47:31Yes yes.
47:36Yes, they all seem to be there.
47:38Well, you can keep them with you.
47:41But you'll follow me to the prefecture; these are pieces of evidence.
47:46You, take this scoundrel with you.
47:47And the aunt too, of course.
47:58But tell me, my boy,
48:00You told me that it was Arsène Lupin who orchestrated this whole affair?
48:04Oh, please don't be too hard on my driver,
48:06without that name that whetted your appetite.
48:09You wouldn't have intervened, would you?
48:11Admit it to me.
48:18Thank you, Jean.
48:20You're welcome, madam.
48:23Thank you, Jean, for untangling this whole story.
48:26It's as if they were stolen from me, these diamonds.
48:33My dear Denris, I truly don't know how to thank you.
48:37It was the least that could be done.
48:39I must give you a kiss.
48:40Ah, you see, you're adopting my method, eh?
48:51Commissioner Gershardt is going to be very surprised when I tell him all this.
48:56A Lupin-esque heist.
49:04Without Lupin, alas!
49:05See you soon, Inspector.
49:19Oh, there you go, you see, Gognard, it's back to me.
49:22But also, why did he want to kiss me?
49:26We try to hide it from everyone, but...
49:28The gentleman is a kleptomaniac.
49:30But Jean, this isn't possible, something has to be done.
49:33Absolutely, we need to act quickly.
49:37Come on, let's go, Gognard!
49:51But Jean, we're not on the right track.
49:55Of course.
49:56To avoid meeting Benoubène,
49:58He must have noticed the substitution of these diamonds.
50:01Do you want to keep them?
50:03The Baron d'Henris may be a kleptomaniac, but he is not a thief.
50:07Baron d'Henris is absolutely honest.
50:09He's not even a kleptomaniac.
50:11But...
50:12But I am not Baron Henry.
50:16So you would be...
50:19Yes, indeed.
50:21You can call me Arsène.
50:31He is the greatest of thieves.
50:37Yes, but he's a gentleman.
50:42And each woman has her own work
50:47Dreaming of seeing his face
50:53From crisis to dance
50:57To the best wife
51:14He is the greatest of thieves.
51:20He is the greatest of thieves.
51:31Without threatening you with a soul
51:37When he undresses a woman
51:43He sent flowers to her
51:49I enter, Baron d'Henris
51:55And you are a true Lord
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