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Arsène Lupin s'est installé à Rome sous les traits d'un peintre nommé Arthur Lodin. Toujours à l'affût de nouvelles aventures, il occupe l'appartement voisin du riche marquis Belmonte. Un jour, il reçoit par erreur la visite d'une ravissante femme blonde venue voir le marquis. Le commissaire Gorgone fait irruption chez Lupin quelques instants plus tard. Il recherche la jeune personne et déclare qu'elle est "Clara la blonde", la complice du célèbre voleur italien Peppino. Lupin qui a juste le temps de cacher sa visiteuse, aiguille le commissaire sur une fausse piste.
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00:21Music befitting the landscape, old soldier.
00:24Just as the jewels of the Marquis of Balbrunas are worthy of me.
00:27For me, boss, great music doesn't involve much of anything.
00:29That's wrong.
00:30You see, in our profession, everything comes down to a question of rhythm, of having an ear.
00:35A failed attempt is like a false note.
00:36So, you're a great musician.
00:38That's what Toscanini told me.
00:42Oh, what a gallop.
00:44What a fire in his eyes.
00:46What a noble approach.
00:48Goddesses, grunts, real goddesses.
00:50At the martyr's place where you sent me, I don't have the opportunity for a sovereign vow to the goddesses, like
00:53you say.
00:53Oh, shut up, you fatso.
00:54I made you into a high-class country valet, with references to make a master of
00:58'English Gold Hotel.
00:59And you're complaining?
01:00By the way, where did you rent my apartments?
01:02Well, the one for the banker in Neufèvre, on the Antica stone.
01:06And the other one for the painter Arthur Laudin, in the Marquis's building, just below his apartment.
01:10As you asked me to.
01:11Well done.
01:11His parquet floor will be my ceiling.
01:13A thin line separates these jewels from me.
01:37Subtitling by Radio-Canada
02:10Mr. Marquis, Don Giuseppe requests to be received.
02:16It's you again, what ill wind brings you here today?
02:19A wind that brings bad luck, my little marquis.
02:21Two of my best friends are abandoning me: horses and cards.
02:25They've taken all my money for the past month.
02:27I'm as stiff as a board.
02:29And with that, nobody gives me credit.
02:31You are the only one left to save me from starvation.
02:54The marquis is still receiving a visit from that Pepino I told you about.
02:57Okay, very good, thank you.
03:09Are you crazy?
03:10What do you want me to think that it seems to me?
03:12A girl of that background is priceless.
03:14I've been hesitating to make this decision for years and you're making it a trivial question of money.
03:18You gain happiness in your own old age, while I separate myself from a being who...
03:21'was narrowing.
03:23Yes, of course. When the great Rosa Peraldi gave birth, I had been in jail for three years.
03:28Everyone knows that.
03:29But before the law, this little girl and my daughter, yes, and nobody can change that.
03:35And in some cases, I'm in favor of the law.
03:37On the other hand, the day I return our dear child to you, I will slip away quietly.
03:42And for good. I disappear and you can no longer see me.
03:46I would like to believe you.
03:47But you can.
03:48But here in Rome, things are starting to look bad.
03:50Yes. Oh yes, the air I breathe there is unhealthy for me. I can.
03:54Yes, Commissioner Gorgone is still on my heels.
03:57But where do you expect me to find such a sum of money?
03:59Come now, Marquis, don't play innocent.
04:01The diamond necklace of the Marquis of Valbruna is known throughout the world.
04:04And I say that with all my Italian pride.
04:07But everyone knows it was stolen.
04:09Tell others about it.
04:10Every time even the smallest shiny pebble is put into circulation among the city's fences,
04:14The first person to be aware of this, and I say this with all modesty, was Pepino the Great.
04:18However, nobody ever mentioned your necklace, yet its disappearance caused quite a stir.
04:22You will do as you please.
04:25I'll give you time to think about it, but give me, let's say, a small amount.
04:28You have five days to think about it, but for five days and for months on end, we still have to eat.
04:33And if I couldn't find the money, would it come from the girl, from that
04:37child ?
04:37She's a good assistant, so we'll travel, we'll see the country, just the two of us.
04:41And besides, when you're doing so well in those situations, there's no shortage of ways to make
04:45money.
04:46You are unbelievable!
04:46Come on, calm down. Here, look at this picture.
04:51Beautiful young woman, isn't she? Just like her mother.
04:55But at least respect the memory of this holy woman, this great artist.
04:58Ah, Marquis, without meaning to offend you, you mustn't forget that this holy woman was mine.
05:03You are awful!
05:04Oh, well, that's a bit much. I'm supposed to keep quiet when I'm the one
05:06cuckold.
05:07And everything will be fine.
05:08You have five days. Don't forget, September 3rd.
05:11But respect.
05:37Boss, I really don't know what to think anymore.
05:39Ah, ah!
05:41Well, don't try to think.
05:43That's what I'm here for.
05:45What if this Pepino guy was right?
05:46What if the jewelry hadn't been stolen?
05:48What if it was a trick by the Marquis to keep them?
05:51I would believe it if the marquis were insured.
05:55I've gathered some information.
05:58It is not.
06:05You have to trust logic, Greniard.
06:08You always maintain that you should never trust anyone.
06:10And there you are, relying on logic.
06:12Logic, my dear Greniard, is the only tool at our disposal.
06:28Ah, adorable messenger.
06:31But it is heaven that sends it to us.
06:33Go on, get going.
06:34Yes.
06:44I need to hand in this letter.
06:46Enter.
06:48I knew Rome was a wonderful city.
06:50But I didn't know that angels walked there in broad daylight.
06:53Please come in.
07:00SO ?
07:00I was instructed to deliver this letter to the Marquis de Valbrunat.
07:04Ah! You couldn't have come to a better place.
07:06Yes, it's me.
07:08Oh, the marquis is much older than you.
07:10I am his son, then.
07:12Prove it then.
07:14You don't believe me?
07:15Well, let's just say I'm a friend.
07:17A friend of the Marquis?
07:19No.
07:20Yours.
07:22I don't understand you.
07:23No, I know.
07:24Nobody understands me.
07:26I am a lonely man.
07:30If you will.
07:42He was the man who was in the street.
07:44I admit it.
07:45But why is he following me?
07:47Oh, I'm afraid of him.
07:48What can be done?
07:54No, trust me.
07:56Above all, say nothing.
07:59Come here.
08:01A word is passed, a sound is made.
08:02I take responsibility for everything.
08:09Am I...
08:10Commissioner Gorgon.
08:13Ah, entrance.
08:14From the criminal investigation department.
08:16Delighted.
08:18Arthur Ledin, painter.
08:22What can I do for you?
08:26The blonde girl.
08:28Which ?
08:29She is in her twenties.
08:31She is in her twenties.
08:37She is wearing a black straw hat
08:40and with a garnish of brambles.
08:44She is wearing a white Valencian dress.
08:47She is also wearing shoes and a small black bag.
08:51Where is she?
08:53She was seen traveling from here.
08:59Unfortunately, I regret it as much as you do.
09:00but this young person,
09:02very pretty, as you suggest,
09:04could not stay.
09:05Yes, that's the former tenant of this apartment.
09:07that she wanted to see
09:07and when she saw that I wasn't myself.
09:10What was not what?
09:11Well, the former tenant.
09:14She left.
09:15Yes, goodbye, fleeting vision.
09:19But learn, sir artist,
09:20that your fleeting vision
09:21is nothing more than a thief.
09:23No.
09:23But wanted by all police forces in Italy
09:25and by me in particular.
09:27That's not true.
09:29You surprise me.
10:00Well, Commissioner,
10:02Would you like to have a glass of champagne with me?
10:04You deserved it.
10:06THANKS.
10:13It's good, isn't it?
10:14Yes, it's very good, but I have to go.
10:21If by chance the young girl were to appear again,
10:24I hope you would tell us.
10:25No, no, no, don't worry.
10:27The duty of a good citizen,
10:29It's about notifying the authorities immediately.
10:31Hey, goodbye, Commissioner.
10:34You seem very attached to this glass.
10:44So, you arrested the girl.
10:55Come on, beautiful stranger.
10:57Dip your lips into this glass of champagne.
10:59I will give it to you.
10:59I beg you to believe me.
11:01I am not a thief.
11:02I don't understand anything this commissioner is saying.
11:04That's the truth.
11:05Ah, I'm always wary of the truth.
11:07I hate her.
11:08She always has a double face.
11:09In fact, that's a theory I suggested.
11:11to my friend Pirandello.
11:12Go ahead, drink.
11:14I beg you to believe me.
11:15I am an honest girl.
11:18I must deliver this letter to the Marquis of Valbruna.
11:21Please tell me where he lives.
11:23because you know that.
11:28Is he in heaven?
11:29No, it's only on the upper floor.
11:35I'm sorry, miss,
11:37But there's no point in waiting.
11:38I've already told you,
11:39The marquis will return very late.
11:42But then, what about the letter?
11:43Leave it to me.
11:44I will give it to him.
11:48But please,
11:50pay very close attention to it
11:51and hand it to him personally.
11:53Count on me.
12:06Have you closed the curtains?
12:08Hermetically.
12:10So, what are you waiting for to turn it on?
12:11It's because of the light, boss,
12:13The flight loses its charm.
12:14How to put it?
12:15Lack of atmosphere.
12:15You're right, the attic.
12:16But we didn't come here to steal.
12:18Ah good ?
12:19Why then?
12:21Just to check
12:22if Pepino's suspicions
12:23on jewelry theft
12:23are well-founded.
12:25Ah.
12:28Oh, look,
12:29what a delightful masterpiece
12:31holy places.
12:33And this one,
12:35pure 16th.
12:39A childish concept of secrecy.
12:43and distressing
12:44such as a lack of imagination.
12:54So many secrets
12:55for simple memories of love.
12:57One more thought
12:58of that sort, attic.
12:59I'm losing my esteem for you.
13:01Love is one of the rare
13:02human feelings
13:03which somewhat ennobles the creature.
13:07Turn off the light.
13:18It might be the marquis.
13:19Through the window?
13:21Not his age?
13:22That seems unlikely to me.
13:24Go ahead, ruin yourself.
14:08Hold.
14:09So, you're back? I didn't expect to find you so soon.
14:12And who are you? I don't know you.
14:15But we met and...
14:21Oh, 40 years ago.
14:23Oh my God, how time flies.
14:26But I don't understand anything you're saying.
14:27I, on the other hand, understand perfectly well.
14:29The letter to the marquis is a pretext for visiting the place.
14:31But this is the first time I've ever set foot here.
14:33And tonight, you tried it. It's an amateurish method.
14:35And who would want you to serve 10 years in prison?
14:37before a lenient court.
14:4120 years, if I were the president.
14:44I repeat, sir, that I am not a thief.
14:48My child, I have nothing against your profession.
14:51Provided, however, that it is carried out with a minimum of style.
14:54It's my uncle who's a thief.
14:56He's the one forcing me to steal.
14:57That was supposed to be the last time.
14:58He had made me a promise.
15:00But what promise is there?
15:03If I manage to find it, if I find the key to the castle safe,
15:07He promised to accept that I should follow my calling.
15:11No? A nun, perhaps?
15:14No. Not a singer.
15:17And what is the name of this curious uncle?
15:21Don Giuseppe.
15:23Pepino the Great.
15:25He's still downstairs, waiting for me.
15:28I think sending him to fetch the key is completely idiotic.
15:31For what ?
15:32And when we get the key, we'll steal the jewels directly from the castle safe.
15:36But why take the risk?
15:38If he marks the jewelry, I'm sure he'll give it away to get Clara.
15:41I certainly hope I can avoid that.
15:44What are you saying?
15:45I don't want to exchange them for jewelry.
15:48I don't want her to go to that old idiot's house.
15:50I have a proposal to make to you.
15:53Forget about this key business and I'll get rid of your charming uncle.
15:57And why would you want me to trust you?
15:58Because it suits you.
16:00Because you have no other solution.
16:04Okay, I think so.
16:06Deep down, you could very well be my father.
16:07Come on, come on, come on, treatise on melancholy.
16:11Look at !
16:12Incorrigible, curious!
16:14Come on, take the glass off the wall and come join us.
16:17I'm coming, I'm coming.
16:21Go! Go! Go !
16:27Are you back again?
16:29Here, take this from Greniard.
16:39Greniard, here's what you're going to do.
16:42Ah, there it is at last!
16:49But he is the marquis's butler.
16:59Ah, gentlemen, do you know the story of the frog that grew as big as the ox?
17:03Come on, leave us alone, grandpa.
17:04But aren't you ashamed of mistreating a poor little boy?
17:06Oh, leave yourself alone, Grandpa!
17:13So, expect others!
17:21So, expect others!
17:45Watch out for those arms!
18:05Come on, you come here!
18:08Come on, you come here!
18:22There is no longer any respect for the elderly.
18:25Ah, what youth!
18:41Eight at the laying stage.
18:44Nine at the bank.
18:45Ah, well, that's enough for a first night.
18:49I hope to be happier in love.
18:52This is for the employees.
18:53Thank you, sir.
18:54Tell me, if it doesn't bother you, dear Marquis, I would like to repay my debt to you.
18:58with a check drawn on my bank in Paris.
19:01But I've only just arrived in Rome.
19:03But whenever you like, please, whatever suits you best.
19:07No, but it would suit me even better if I couldn't pay, as my grandfather used to say.
19:13It's a saying that made our bank's fortune.
19:17So, iron, from the bank, iron.
19:21Excuse me, but when we were introduced earlier, I misunderstood your name.
19:27No, I know.
19:28My poor brother knew a certain Charles Lefebvre very well; he was also a hammock operator.
19:33Ah, but that was my uncle, my father's younger brother.
19:38And he met his death with his aerostable while attempting to cross the Alps.
19:42Yes, I had learned that.
19:43I remember, without this sad occasion, having written to the family, regretting that the ascent of Kilimanjaro...
19:49prevented him from returning to Paris immediately.
19:51Climbing Kilimanjaro?
19:54How ?
19:55But could you be the Marquis of Valbruna?
19:58Yes.
19:59Admirer and devoted knight of the great diva Rosa Peraldi?
20:03Yes, sir.
20:05On the evening of her death, my poor Rosa, my dear Peraldi, was to sing on the terrace before 50 seated guests
20:12below.
20:13This evening promised to be exceptional.
20:15All the castle servants who had taken possession of the windows were expected to attend the performance.
20:23I was there by her side when death overcame her.
20:28Not a single guest, not a single servant approached her.
20:31And yet, she no longer wore her pearl and diamond jewelry.
20:38Incredible! If someone else had told me these things, I wouldn't believe it.
20:44And yet, it's the truth. I give you my word of honor, my dear.
20:50And today, only these jewels could save me.
20:54These jewels represent a veritable fortune.
20:57No one can find them.
21:00Who is it, Marquis?
21:02The ways of Providence are inscrutable.
21:06And it is sometimes when we despair that we should hope the most.
21:12I predict that you will soon find your jewelry.
21:37I predict that you will not predict yourself.
23:16Ensure, you who can, the rich future to which his birth entitles him; pray for me, your
23:21devoted Virginia.
23:23Ensure, you who can, the rich future to which his birth entitles him.
23:41Is there anything in the world that you don't know how to do?
23:45No.
23:48So.
23:50Hey, wake up the marquis.
23:53Give him this letter and have him read it right away.
23:57After all the cartoonists, you also have their rights.
24:01So, I repeat to you that she is mine and she will remain so.
24:04You can't work without her.
24:06When I think that she is within my grasp, I feel that you have made me.
24:09Calm down, calm down, I said, we only saw him leave a little while ago and in the meantime, we
24:12She doesn't know if she's back.
24:14Ah, if I didn't need that marquis, I would kill him or do something terrible.
24:17So, have you finished mooing? There's nothing else we can do but wait.
24:20She will come back and then everything will be alright.
24:21And it won't be too soon.
24:23What ?
24:23Nothing, don't get angry, I didn't say anything.
24:25Good.
24:35The Marquis called.
24:36Have the car prepared immediately.
24:38As soon as I'm ready, we'll leave for Rentain.
25:08I'm going to invent a dust-removing device.
25:37Excuse me, my good man, could you tell me where the house of Virginia, the nurse, nicknamed Mama Virginia, is located?
25:43Ah, it's the second one on the right in the village, but I'm afraid you're late.
25:46THANKS.
26:15We will arrive much too late.
26:16Ah, alas, poor Virginia.
26:20But it is, it is the girl from that night.
26:22What, which young girl?
26:24I mean, the girl in the letter.
26:30My God.
26:33My God, it's her.
26:36She's here.
26:37What do we do?
26:37We'll follow her as she catches it in mid-air.
26:39Go ahead, start it.
26:40After burying poor Virginia, I will go and join my beloved daughter.
26:52That's a bias.
26:55My God.
26:56My God.
26:57My God.
26:58My God.
27:08My God.
27:11My God.
27:11Leave me alone.
27:12You say so, but I don't know you.
27:14Leave me alone, leave me alone.
27:16Silence.
27:17Enough already, we'll do the big ones later.
27:23What does Zulias want?
27:24You're hurting my ears.
27:25I didn't do anything to you.
27:27Speed up, we can slow you down.
27:28Respect, there.
27:33He is searching himself.
27:43Push him into the ditch and he'll fall over.
28:12Subtitling by Radio-Canada
28:32Stop, you grogy guy.
28:49So, have you arrived safely?
28:53So, was the trip enjoyable?
28:55You're wrong to talk about travel.
28:57I'll make one for you, but get everything out.
29:06Go for it, guys!
29:08You're me, come on!
29:10Huh? Huh?
29:11Eh ?
29:11Come on !
29:13Come on !
29:25Come on !
29:28Come on !
29:41Come on !
29:42Oh !
29:47The martyr of Avruna.
29:52Look at !
29:53My daughter here from Avruna.
30:00Oh !
30:01Oh, that's clever, that's good.
30:04Go for it !
30:12But since you are sure that the solution to the problem lies in the castle,
30:15Why not take advantage of the Marquis's invitation and go right away?
30:19So !
30:21I've already explained it to you, old fogey,
30:24that an Arsène Lupin enterprise is built like a symphony.
30:28Each theme needs to be developed separately.
30:31before bringing them together in the final open air.
30:36Now go back to your marquis.
30:38and stands guard beside the young girl.
30:40Come.
30:41And this time, without falling asleep.
30:43Oh !
30:56When I need someone to keep me company,
30:58I'm old enough and I have a tongue to ask for it.
31:01And sometimes, you get hit without having asked for it.
31:03If you're looking for a fight, you've come to the right place.
31:07Do you think so?
31:10But who are you?
31:13Fra diavolo.
31:15Okay, 10 large pieces of paper for you.
31:17That would oblige you, wouldn't it?
31:19Right now, you don't seem to be rolling in money.
31:21What would this be for?
31:23I'm looking for a young, blonde girl.
31:25Pepino's niece or something like that.
31:27No !
31:28There's nothing to be done, he's a friend of mine
31:29And I would never betray a friend, not even for the entire coffers of the Bank of Italy.
31:32Well done !
31:33I like loyal people.
31:35Next time you're in Paris, let me know.
31:37We always need guys like you.
31:39And who should I ask when I arrive in Paris?
31:41The chief of police or Napoleon Bonaparte?
31:45Neither one nor the other.
31:48Arsène Lupin.
31:49Arsène Lupin.
31:51Master !
31:52Give me a drink, give me a drink!
31:53If it's about doing you a favor, then that changes everything.
31:57SO ?
31:57The girl, what do you know about her?
31:59Well, me and the others thought she had gone to live with the Marquis.
32:03And then today, Pepino and I, while walking down the street,
32:05We saw his portrait on a poster.
32:06She wore a mask and called herself Nîtroufrou.
32:09But I have good eyesight and I recognized him right away.
32:11She sings at the café-concert in the Marguerite salon, right there next door.
32:19Hold.
32:20Oh no, master, no.
32:21If I accepted money, it would be like a betrayal, wouldn't it?
32:23Offering it for free becomes a service between colleagues.
32:26Bye.
32:27Ah, colleagues!
32:28Eh ?
32:30Colleagues ?
32:30He called me colleagues?
32:32He called me colleagues?
32:33Me, his colleague?
32:35Yes, yes, yes!
32:37Yes, Arrivo d'Apargine, yes, d'Alepoli and Berger.
32:43I have traveled all over the world,
32:46Dovunque cheers and applauds,
32:49The mia heart has conquered ricchi and poveri and masters.
32:55And that's why, the variety.
32:58Io sono la regina, solituary, che non ha più rivali.
33:04Secondo io, se squagliano i piacciaï,
33:07Thought a little, agli uomini che fa,
33:10Eccomi qua, son pronta per cantar.
33:14Oh, oh, oh.
33:17Signore, la strania, eccola qua.
33:21Oh, oh, oh.
33:24Guardare lo potete, toccare non si può,
33:27I've made a slideshow, I'll tell you
33:37There, in a closet, it's a Prussian principle
33:43He told me he wasn't expected.
33:47He did everything to honor me.
33:50And the party, if it was summer, but the honor, the owner, no
33:56And the party, if it was summer, but the honor, I am the regina
34:01It is the star, which no longer has a rival
34:04Listen to me, it's a pair of pants
34:08There was an agent from Paris who was talking to him
34:11And as if to say, they are ready to sing
34:19Signori, the straniere, eccola what
34:23It's good that she'll be waiting for you in her dressing room at the end of her act.
34:26THANKS
34:35Should I put them on the floor?
34:36No, they'll be much better on the console.
34:39I don't know your quests.
34:41I had never received so many
34:47How did you regain my grace?
34:48Go away
34:49I never want to see you again.
34:55Did you suddenly become a frossard?
34:58Back then, you were braver
35:00Why did you leave, Clara?
35:03Not here yet, Father
35:04Oh, sir
35:05Where are the artists' dressing rooms located?
35:06Behind the scenes, at the top of the stairs
35:08THANKS
35:09I'm telling you again, I never want to see you again.
35:12Especially now that I have a real job
35:13I don't want you to leave me.
35:15What if I called the police?
35:16I wouldn't advise it, they're looking for you too.
35:17You are my accomplice
35:19You are beautiful, Clara
35:20It's crazy how much you look like your mother
35:24Shut up, you know nothing about my mother
35:25I don't know anything?
35:27Nothing from Oroza Peraldi whom I married?
35:30Did you marry him?
35:32But then, I...
35:33I am your...
35:34No, don't worry, you're not my daughter
35:39I'll do anything for you
35:41If you please me
35:45I'm going to start my life over with you.
35:46Let go of me! Leave me alone!
35:48Let go of me!
35:49I'm telling you to let loose!
35:50You disgust me!
35:52Go away, you'll regret it!
35:54No! Let go of me!
35:55No, I don't want to!
36:12Quick, follow me! It was bound to happen, it's not your fault!
36:16But who are you?
36:16A friend, I'll explain later! Just trust me!
36:20Quickly !
36:22The way is clear!
36:24But we can't abandon it!
36:25No, no, don't bother with him, he's not worth it!
36:27Besides, he's tough, he got away with it!
36:33Someone is injured in this box!
36:35Call a doctor and an ambulance immediately, quickly!
36:37But sir, please explain yourself!
36:39He is very rich and he owns a car!
36:42Ah, but it's Pepin the Great!
36:45When he's there, you must feel so small!
36:50And who was the girl?
36:51I don't know, Commissioner, I hired her this morning, she did her thing, she was very
36:54GOOD !
36:54That's all we ask of artists!
36:56Beautiful? Blonde?
36:57Yes !
36:59So now I know who she is!
37:01That's Clara the blonde!
37:02We've been trying to catch her for a long time!
37:11...
37:22Stop!
37:22Poussco!
37:23And let go of me!
37:26Leave me alone, I haven't done anything!
37:28There she is again!
37:29Ah, but me, if I don't have anything!
37:30obligon radial, more beautiful visa!
37:31Come on, stop, stop!
37:32Ah! Get her on board, and quickly!
37:33Oh no!
37:35Come on, hurry up and get on board, hurry up!
37:37Yes, close the forge doors properly!
37:39Close the doors securely!
37:41Still grey, my dear, it's too late!
37:43The charm of a man
38:00It often depends on the mystery surrounding it.
38:12Without then! Without then!
38:15Well, Gognard, what's going on?
38:18But how did you manage to escape them?
38:21And on top of that, to be here before me?
38:26Explain yourself, calm down, Gognard, calm down!
38:28Who escaped and from where?
38:30How, who, and from where?
38:32Why? But then, that is to say...
38:35No, no, listen, try to be clear.
38:38How long has the young lady been here?
38:43Since last night.
38:45So, one of us two is crazy.
38:47Yes.
38:48And since it's impossible that it's crazy, it's me, obviously.
38:51But that's possible.
38:53But...
38:53Hurry up, explain yourself.
38:55Half an hour ago, the young lady there, Miss Antonina, was arrested by Commissioner Gorgon at the
39:03leaving the Marquis's house.
39:10But what does all this mean?
39:12That's what I'd like to know too.
39:14Well, don't worry, my good old attic boy.
39:16Neither you nor I are fit for the shed.
39:19Go and warn the Marquis about Gorgone's conduct towards Miss Antonina.
39:22Come on, hurry up. Understood?
39:23Understood, boss.
39:25Finally, if we want to...
39:27Now, tell me, who is this Antonina?
39:35Jealous?
39:44SO ?
39:46Why did you stab her?
39:48Eh ?
39:50Were you jealous?
39:51But I don't know who or what you're talking about.
39:54Do you see that?
39:55I know it.
39:56I am taking the confession of your accomplice.
39:58"It was Clara who stabbed me," he said.
40:00He signed his statement.
40:01My name is not Clara.
40:03Of course, of course.
40:03You're as innocent as a little lamb.
40:05Who hasn't ever stabbed their lover Pepino?
40:08I'm sure you don't know any Pepino.
40:11You're sick. What are you doing? What did you write?
40:12Finally, you're not going to record the nonsense she's going to make us swallow, are you?
40:15Commissioner, it is His Excellency.
40:20My respects, Your Excellency.
40:22Tell me, Commissioner, I'm hearing some interesting things about your conduct.
40:26Thank you, I have just made a sensational arrest.
40:28Clara the Blonde, the former mistress and accomplice of the bandit Pepino.
40:31She almost killed her last night with a knife.
40:33Do you have any witnesses?
40:35Yes, Your Excellency, the manager of the Marguerite café-concierge.
40:37Worthless testimony, Commissioner, he's a pimp.
40:39You're going to hide two months of closure from him.
40:52I've had enough!
40:54In that case, miss, I'm sorry to have wasted your time.
40:58You are free, naturally.
40:59Okay, my dear.
41:01Please accept my sincerest apologies.
41:17So, Commissioner, we'll have to start all over again.
41:19No, we're not starting over.
41:21The case is closed.
41:23I can never hear about that again.
41:25Understood ?
41:25Commissioner, it's done.
41:27What are you talking about ?
41:27This time, we've got her.
41:29Who is that?
41:30The Blonde.
41:31I spotted it in a villa on the Antica stone.
41:40Clara the Blonde does not exist.
41:42It never existed.
41:44But I know that she exists.
41:45She stabbed the people at Café Marguerite.
41:47At Café Marguerite, no one was stabbed.
41:49At Café Marguerite, they only dance the French Concord.
41:52But Pepino, then, who was stabbing her?
41:53Person.
41:54Pepino tried to commit suicide to avoid being arrested.
41:56What? He supposedly committed suicide by stabbing himself in the back?
41:58Yes, almost.
41:59Pepino is an acrobat, a contortionist.
42:01He has the right to commit suicide however he wants, doesn't he?
42:02But I don't think that's in accordance with regulations.
42:04The walls date from the 15th century.
42:06The castle then belonged to the Orsini family.
42:09It sheltered the secret love affairs of an emperor.
42:11He endured a siege by the Pope's troops.
42:12But they didn't manage to take our castle.
42:16Ah ah! Fascinating!
42:23Admit it, these historical memories interest you?
42:25Me? I don't even know who my father was.
42:27Why should I be interested in the ancestors of unknown people?
42:29The Orsinis? Strangers?
42:33These were the greatest rivals of the colonnades.
42:35They had three peoples in their family.
42:36So, there's really nothing to worry about for them.
42:38They can sleep soundly.
42:40That's where she died at the aperitifs.
42:42The party held in her honor took place right here.
42:45And the day after tomorrow evening, this is where the Marquis will present his daughter Anthony and her friends.
42:52But tell me, why is the garden so poorly maintained?
42:55It is the Marquis who demands it.
42:57He wants no one to walk up there for the last time, walking the aperitif.
43:00And it's been like this for 20 years.
43:03Aldo, our old gardener, has been ordered not to touch a single blade of grass.
43:10So, now that you're no longer in danger of getting lost, I'll let you paint.
43:13And I'm going to go and make you a nice cup of coffee.
43:15That's a very good idea, thank you.
43:17Where should I place the easel?
43:19Leave alone.
43:22This is not the time to paint, when the jewels of the Marquis of Valbruna await us.
43:28Have you discovered something?
43:29No, absolutely nothing.
43:31But then what?
43:32Grognard.
43:33Have you ever heard of the deductive method?
43:35Never.
43:36What caused the aperalde to die from?
43:39A sudden heart attack, said the doctors at the time, a myocardial infarction.
43:43A heart attack is generally characterized by its suddenness.
43:46He never gives a second warning.
43:49However, Rosa Peraldi left her guests to go to the terrace, passing by here.
44:03Well, imagine, Grognard, the Peraldi adorned with the heavy jewels of the Valbruna.
44:10The panther, you see.
44:12His heart gives him a first warning.
44:15She should sit down.
44:18Well, let's imagine she sits here, for example.
44:23I can imagine, boss, but to be certain that she stopped here, twenty years later,
44:30No one will be able to support him.
44:32Yes, what happened here was recounted by the guests.
44:37But it was from the conductor that I gathered the most valuable detail.
44:41In the afternoon, during the rehearsal, the maestro had finalized his prelude.
44:45about the time it would take Peraldi to climb this path.
44:50However, he had to encore his prelude while waiting for Peraldi to finally appear.
44:59What do you deduce from that, Grognard?
45:01Me, the boss? Nothing.
45:03She had to stop here for quite a while.
45:08These jewels oppress her.
45:12She takes them off and places them, let's see, somewhere here.
45:20Or here.
45:23Attention !
45:27Perfect! The treasure had its guardian.
45:38A.
45:40There must be five of them.
45:43Two.
45:48Three.
45:53Four.
45:58And five.
46:01And there you have it.
46:02That's incredible.
46:04Everyone had been looking for them for twenty years and there they were.
46:08It was so simple.
46:10My dear friends, I have gathered you here tonight to introduce you to my daughter Antonina.
46:17For a long time, she lived far away from me.
46:19But now she is finally back to the age to make her debut in the world.
46:23And I beg you.
46:26You are welcome.
46:29You are welcome.
46:31That's incredible.
46:33You are welcome.
46:36You are welcome.
46:38My dear.
46:40But where are you hiding from water?
46:41Good night.
46:42You are welcome.
46:43I have always lived in the countryside.
46:44What a shame for all of us.
46:45This is proof that the most beautiful flowers always grow outdoors.
46:49They look just like peraldine.
46:51It's true that they hadn't noticed me, but that was all it was.
46:55Yes yes.
46:56Please excuse me, Marquis,
46:57but Mr. Lefèvre, the banker, and Mr. Lodin the painter
47:00They have just arrived and are asking to see you urgently.
47:04Lefèvre, Lodin?
47:05Ah, yes, magnificent.
47:07Yes, I am happy that he is doing me the honor of coming.
47:09Bring them in, old soldier.
47:11But these gentlemen are waiting for you on the terrace, Marquis.
47:13They told me they had something to tell you personally.
47:25Antonina, could you show us around the house for a moment?
47:27I have to be away, I don't have any for a while.
47:29Yes, Father.
47:38You told me about the arrival of two of my friends.
47:40Where are they ?
47:44Finally, answer me, where are they?
47:46Your friends, dear Marquis?
47:48It's me.
47:49The servant had told me there were two...
47:50Yes, the banker Lefèvre, my dear marquis, that's me.
47:53But I am also, sometimes, depending on the circumstances,
47:56Arthur Lodin, painter.
47:59You can withdraw, old fogey.
48:06Last year,
48:08You have contacted the Barnett agency in Paris.
48:11You offered him a considerable sum
48:13to find jewelry that disappeared about twenty years ago
48:16under mysterious circumstances.
48:18Then, suddenly,
48:20you have severed all ties with the agency
48:22who never heard from you again.
48:23I think I had the right to do that.
48:25Given that a police officer believed he had discovered
48:26that Mr. Jim Barnett was none other than the famous Arsène Lupin.
48:31I would understand if you had given it up, Marquis.
48:34But Arsène Lupin,
48:36Never give up.
48:39But how?
48:41You, you would be...
48:44Arsène Lupin himself,
48:46who the other evening, at the circle embodying the banker of Fèvres,
48:50You predict that you will find your jewelry.
48:53Are the jewels included?
48:55One year ago,
48:58when you suddenly decided
49:00to search for jewelry
49:03who disappeared about twenty years ago,
49:05I was very intrigued by it.
49:07I understand you.
49:08A new event occurred at that time.
49:10A well-known bandit, a certain Pepino,
49:12had asked me for jewelry in exchange for my daughter.
49:15I was desperate then, I admit.
49:17But I found my daughter.
49:19But all's well that ends well.
49:20Are you sure about that?
49:21Certain of what?
49:22That which is here now
49:24and the same one who lived with Pepino.
49:26This Pepino never lived with my daughter.
49:29I spoke to Antonina about it.
49:30and she denies having known this shady individual.
49:32Pepino very cleverly tricked me
49:34by exploiting obviously
49:35the resemblance of a friend to him
49:36who was, moreover, his accomplice.
49:39But now the situation is clear.
49:42Are you really sure about that?
49:45Marquis de Valbruna?
49:46But what are you trying to imply?
49:47You experienced some very strong emotions.
49:48this week, dear Marquis.
49:51And I'm afraid you might not have any.
49:53an even stronger one later.
49:55That's why I can't stress enough
49:56I would recommend a glass of champagne.
49:59It's a sovereign remedy against emotions.
50:08Gourniard, now's the time.
50:10Come with me, my dear Marquis.
50:24Gourniard, now's the time.
51:02The same music, the same voice.
51:08Carlotta!
51:08The Valbruna schoolboy!
51:11Rosa!
51:11Shh!
51:14Let her sing.
51:16You wouldn't have interrupted his mother, I imagine?
51:20His mother.
51:23But that's Anthony over there!
51:24Shh!
51:35Carlotard, will you tell the Marquis what you know?
51:41Forgive me, Marquis.
51:43Forgive me.
52:04It was after your departure for Asia that our dear Rosa became a mother.
52:09She didn't tell you anything so as not to...
52:11She feared a scandal that would have harmed my career.
52:13She didn't want anyone to know.
52:14However, Pepino, he knew.
52:16Yes, it all comes from there, because this Pepino came to our place one day, with the men from his gang.
52:21And to get revenge on our poor, sweet Rosa, he kidnapped her little girl.
52:27Which he later used, after his mother's death, to blackmail you.
52:30But there was one detail that Pepino was unaware of.
52:32The reason is that Rosa Peraldi had not one daughter, but two.
52:38Antonina and Clara.
52:41Isn't that right, Carlota?
52:44Clara was at my house on the day she was kidnapped.
52:46The twins usually lived with my sister Virginia.
52:48But Antonina had measles and they were separated.
52:51I was terrified after the kidnapping.
52:53But I hadn't said anything to my mistress, because it was the evening of her reception.
52:57Unfortunately for us, she was struck by lightning.
52:59Without knowing that her little girl had been kidnapped.
53:03I so wish I could have confided in you.
53:05But Rosa had made Virginia and me swear,
53:09never to reveal to you the existence of these two little girls.
53:13He wants it, she wants it, it's her name and it's her voice.
53:38Was it good?
53:40You were wonderful.
53:42I only sang for you.
53:43And I will sing for you alone all my life.
53:47Don't be excessive.
53:49We could leave right now.
53:50Just a little more patience.
53:53You need to dedicate some time to your sister.
53:58And to your father.
54:06My head, girl.
54:07Clara.
54:09Clara.
54:12Antonina.
54:17Would you forgive us, Marquis, for leaving you already?
54:20But Clara cannot delay her departure.
54:23The opera director is waiting for him in Paris to sign his contract.
54:26Boss, the car is ready.
54:29Ah, excuse me.
54:47Clara, Clara!
54:55There is never any happiness entirely without clouds.
55:04Let's both hope that Clara will have the opportunity to come back to us soon.
55:09You wear those Valbrunin necklaces with even more grace than your sister.
55:14But the most precious thing is missing.
55:17The grand necklace of emeralds and diamonds.
55:20But...
55:21Arsène Lupin.
55:23Arsène Lupin.
55:25A true connoisseur.
55:29After all, he deserved it.
55:36Arthur Lodin, Alain Lefèvre, Arnaud de Limsy.
55:41But why do your pseudonyms always start with A-L?
55:44To avoid constantly changing my initials.
56:14It's the biggest one.
56:17The most charming, the most elegant, with his gloves, or else bloody, Arsène.
56:28When he arrives, when he gets involved, everything unravels, everything thaws, and without magic, it's Arsène.
56:42When he approaches, we hide the brooches and the saddlebags, he empties the pockets.
56:49Without a donkey, Arsène leans.
56:55He's the king of heartbreakers, he's the king of seducers, he's brilliant, like a diamond, fast as
57:06the wind, the Arsène.
57:10When he arrives, when he gets involved, everything unravels, everything thaws, and without magic, it's Arsène.
57:23He's the king of dancers, he's the king of heartthrobs, he's brilliant, like a diamond, quick as
57:34the wind, the Arsène.
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