- hace 37 minutos
Le château de Tornbüll semble être le centre d'une fièvreuse activité touristique, ce qui déplait fortement à son propriétaire, le jeune comte Stephan. Parmi les visiteurs, un homme à l'allure de gangster fait trembler le comte pour sa magnifique collection de tableaux. Autre personnage, aussi pittoresque qu'inquiètant : Lupin, déguisé en romancier anglais infirme, Lord Lewcastle. Lord Lewcastle-Lupin conseille vivement au comte Stephan de faire des copies de ses tableaux et d'enfermer les originaux dans son coffre-fort. Il lui recommande même une jeune artiste française pour effectuer le travail.
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01:00It's him and I've got him
01:01Don't play the etiopath
01:02Why? That's what we decided, isn't it?
01:04Maybe, but I have an idea for retrieving the star before bringing it down
01:07In any case, I'll get him.
01:54The tourists are already on the island, Count.
01:57They arrived by car at low tide.
02:01Wonderful, wonderful!
02:02By the way, why is Manon following this to me?
02:04Go tell that to my son instead, he who has so enjoyed solitude since his return from America
02:08I'm going, Count.
02:10I have nothing to fear from the tourists this month.
02:18This is the worst of all plagues, Suzy
02:20The plague, cholera, locusts, anything is better than these damn tourists
02:27It's a matter of moments, against Stéphane
02:28And who can prove to me that there haven't been some wrongdoers hiding inside the wolf?
02:30Count, have we arranged the lanterns for the work?
02:32No, I completely blame myself for that, my old sir.
02:34Count, at last!
02:35Oh, pardon me, I couldn't care less, Alfred
02:40Suzy, you could say we had a darn good idea to organize this party
02:45This is an old Tornbull tradition.
02:46Everyone expects that from you, come on, against Stéphane
02:48Giving up today would certainly be shocking to the people of the country
02:51Not to mention that you never know who might be hiding behind a mask.
02:53A mask? What are you looking for there?
02:55You have too much imagination
02:58I'm fed up with seeing these idiots.
03:00I'm off, then, for a little stroll.
03:02The Tornbulls' castle was destroyed by fire in the last century.
03:07It was replaced by this house built in the local style.
03:11The interior features are those of the old castle.
03:13As they could be seen in the 17th century
03:17Please follow me.
03:26What kind of guy is that?
03:29Do you know him?
03:30He certainly seems like a professional to me.
03:37No
03:39I've never met anyone with that face.
03:47The stick guns are displayed on the wall.
03:50The flags
03:52Boarding grappling hooks
03:54And various other utensils and firearms
03:57That the Tornbulls took from the pirates
03:59Who once infested the region
04:02And here is the most interesting part of the tour
04:05This way, ladies and gentlemen
04:06This gallery of paintings
04:08Recently reconstituted by the young Count Stéphane
04:10He had once made the name of the Tornbulls famous
04:13Among art lovers worldwide
04:17If tradition is to be believed
04:18The warrior counts were once enlightened patrons of the arts.
04:22Who protected the artists
04:23These paintings were scattered across the world
04:26They returned here thanks to the efforts and patience of the young count
04:31Here is a rate channel
04:34A Vermeer
04:37A Velázquez
04:40According to the most recent estimates
04:43This collection is valued at over $3 million.
04:48Please follow me.
05:13What is this now?
05:15Please do not disturb me.
05:17It's me
05:18Come closer, my little haunt, my bedside
05:2179 and a half kilos
05:22I gained another 500 grams
05:23Excuse me
05:24Starting tomorrow
05:25Count Stéphane
05:26I live like a monk in residence
05:28Well, what's going on here?
05:30You arrived here with the eyes of a fierce doe.
05:32Is he still here?
05:33Who ?
05:33The guy from the other day
05:34What ?
05:35Are you kidding me?
05:37But that's the truth.
05:38This is the third time he's come here
05:39You don't visit a painting gallery three times in a row.
05:41Without having an ulterior motive
05:42Today he was wearing glasses
05:43But I recognized him nonetheless.
05:45Where is he?
05:46He mingled with the tourists again
05:50We'll take one last look while we're at it.
05:52On these cannons
05:53Cruising on a pirate brigantine
05:56Confiscated by the first Count of Tamboul
05:57In 1496
05:59He had run aground on a sandbank
06:013000 sailors from the island
06:03And had been abandoned by his crew
06:08Is that the one, with the black hat?
06:10Yes
06:10What is he looking for?
06:12I don't know, but he worries me.
06:15I've never seen that guy.
06:16No, not tomorrow, probably.
06:18Ah, this one, I don't know which saint to whip me with anymore
06:20But poor Tarlou
06:22He's still here, don't worry
06:23No, no
06:58My paintings, this one
06:59You can see that they are all here
07:03Oh, I'm not myself anymore, I beg your pardon.
07:05He wouldn't have dared to steal a painting during the visit, though.
07:08Oh no, but he would probably have written everything down.
07:09All records
07:11Oh, this one
07:13Oh, that's awful.
07:15But what are we going to do?
07:16Notify the police
07:18Should I call the police?
07:18No, but you're losing your mind, aren't you?
07:20You're deluding yourself.
07:22The police certainly have other fish to fry.
07:25No, you don't know what we're going to do.
07:27Come on, let's go
07:27We're going to go have a drink
07:30Afterwards, I might see things a little more clearly.
07:48So, attic
07:50Mission accomplished?
07:52Yes, boss
07:54Exactly as you wanted it
07:55And how did it work, in your opinion?
07:57Not bad, I think.
07:59The count must have taken me for a first-rate crook.
08:03Well, that's what's needed.
08:05I hope he's still trembling from it
08:07That, I'm sure of, boss.
08:08He was terrified!
08:10He was at his bathroom window
08:12With a hairnet and wearing a dressing gown
08:14He looked at me as if I were the vampire of Düsseldorf
08:20Cheers, granary
08:21You deserved it.
08:26And now, we're going to change you
08:27Okay, boss
08:31It's our turn now, dear Lady Bigfield
08:33The stronghold is just waiting for us to surrender.
08:36And when do you plan to make your entrance?
08:40This evening
08:41During the masked ball
08:43Isn't it romantic?
08:52Sister Alexander, let's break it down and do it right away.
08:54No, excuse me.
08:59Sister Alexander
09:01Allow me to welcome you to this modest little celebration.
09:06Enchanting
09:07It's very kind of you to have accepted my invitation.
09:10The way to do things differently
09:12Nothing drove me to it
09:14She likes chonchons
09:16And he's driving me crazy!
09:18Oh, that's right, Lady Bigfield
09:20What would you like to drink, my dear friend?
09:23Madeira, cognac?
09:24Darling ?
09:25A lemon tea, I never drink alcohol
09:27Tea?
09:28Yes, a tea
09:30Don't upset him, come
09:32I told you it would be a thankless role.
09:34Who are you to drink tea?
09:36And after that, who's going to stop me from drinking champagne from my cup if I want to?
09:57Oh, that piano, that piano
09:59Don't you have another, quieter spot?
10:07Oh !
10:09Come back, Louise, give me your arm
10:10I find the Count's garden extraordinary
10:12Did you see those illuminations? It's idyllic.
10:15And so romantic
10:16Oh, it's like this every year.
10:18Oh, Count!
10:19Ah, hello, little lady
10:20How are you, my dear mother-in-law?
10:22What? You're not at the bottom?
10:23How awful, I've been involved in these festivities for 40 years!
10:27Today, it's his turn to worry a little.
10:29He hates that so much, too.
10:31He shouldn't accept you living in the commons, Earl.
10:34I'm personally keen on this, my dear child.
10:36To live under the same roof as him, never
10:38I would still prefer to plant cabbages
10:40I find that very sad
10:41You should get along with him after all
10:43He is your son, whether we like it or not.
10:44Now I'm an old man
10:46I no longer need to get along with anyone.
10:49You're just an old misanthrope.
11:02There you go, yes, I've gathered everything here in this small room.
11:05My most precious paintings
11:08I have to admit it
11:10It's quite a nice collection.
11:12But nothing more
11:15You must be very proud of that, right?
11:17Oh yes, these paintings are my only fortune.
11:19And you leave them there, right in front of the tourists.
11:23Isn't that very unwise?
11:24Oh, you can say that again, my dear
11:27He's right, it's very unwise.
11:29Those of you who write detective novels, you understood that right away
11:32You put yourself in my shoes without difficulty
11:34Yes yes
11:35It's impossible to imagine everything that can happen to a collection of paintings.
11:40Lightning, a fire, a tide king, thieves
11:46Acid can be deliberately spilled on canvases.
11:49Or scrape off the paint
11:51You can fire a revolver shot into it
11:53Or simply steal them
11:54Have mercy, have mercy, have mercy, stop in the name of heaven
11:56Today, yet another very disturbing individual entered here.
11:59I followed him for a moment from my window, the real gallows fodder.
12:02But an agreement was signed by my grandfather
12:05Unfortunately, I cannot prohibit visits.
12:06But it would be more prudent for the mayor to insure his paintings for their true value.
12:11Count Stéphane, Mayor Nippla has just arrived
12:13Oh, thank you, I'll go right away
12:15You should take this opportunity to talk to him about this insurance issue.
12:18You heard, I beg your pardon, Sister Alexander, just a moment.
12:21No, but please do it, Count.
12:24So, Mr. Lupin, how does your famous artistic sense react?
12:29Is he going to make the trip?
12:31He deserves to go around the world
12:33It's nothing but this boat; I'll go all the way to China.
12:37But what's the point, since he's already here?
12:39Since they are all here, within my reach
12:45Already at home, so to speak
13:10Dear Mr. Nipplaen
13:12Not only had those tourists spoiled it for me, but I also thought about everything that can happen to such paintings.
13:15precious
13:17Absolutely, dear Count, I know that perfectly well
13:18You know me, you know very well how much I understand your concern
13:21Well then, in this case, it's quite simple, you're going to put an end to this perpetual back and forth.
13:24I would gladly do it, if only I could.
13:27We have to try
13:27It's not as simple as you seem to think, my dear count.
13:32Turnbull is a major tourist attraction
13:34I haven't forgotten it, but tourism is a disaster for Turnbull
13:38But what could I do?
13:39You know that your ancestor signed a contract with the island's authorities in exchange for a large compensation
13:43Dear Mr. Nipplaen, you are the mayor, so let's cancel the contract.
13:46Very willingly, but my powers are limited when it comes to financial management.
13:50Well, you'll just have to figure it out yourself, I'm sure you'll manage to sort it out.
13:54The compensation would then have to be reimbursed.
13:56I'm afraid I won't be able to prevent a visit from a film crew.
14:03What? A film crew?
14:05They desperately want to film on the island; they are thrilled by Turnbull.
14:07More intruders
14:08But it's the Kornstein Film Limited
14:12Movie footage?
14:14You were aware of this, my dear Lupin?
14:17This is the first time I've heard that name at Kornstein Film Limited
14:22In my opinion, this story needs to be clarified.
14:30Listen to me carefully, Mr. Nipplaen
14:31Just know that I will never give my consent, never
14:34It's a shame, no doubt, but I don't think it changes anything.
14:36Indeed, I believe your father has already signed with them.
14:39My father already said?
14:40Has my father already donated?
14:41But how could he have done such a thing? It makes sense...
14:44Oh, Sister Alexander!
14:45Good evening, Mr. Mayor!
14:47Oh, Sister Alexander! What's this? You're not in costume?
14:51Oh! I'm already disguised as a disabled person, isn't that enough for you!
14:55Oh, oh, oh!
14:56Louise, my dear friend, I present to you the talented author of detective novels, Sister Alexander Lucas.
15:02Ah, yes! Oh, I've heard a lot about you!
15:05Oh, me too! To the point that I'm tired of being myself!
15:08You came to our island seeking inspiration for a new masterpiece!
15:12Yes, I've had an idea!
15:14The story of a painting theft!
15:17What do you say to that, my dear count?
15:19A collection like yours, and one that disappears very quickly...
15:24...as if by magic!
15:25A theft of paintings? Please, don't mention misfortune!
15:33Don't panic, my dear count! It's pure fiction!
15:37But still, if I were you, I would have copies made!
15:41Copies?
15:42Copies, yes!
15:44You would only have to lock the originals in a safe-shaped box, and you could hang the copies on their
15:50place !
15:51After that, you'll sleep soundly!
15:53I've already considered that solution, but...
15:55A copy remains a copy!
15:57There are fifteen hundred corals in the world!
16:00In three thousand in America!
16:01And I'm not talking about fake Vermeers or fake Rembrandts!
16:03I am obligated to expose the real ones!
16:05At the time he was gathering documentation for his next novel,
16:09Sister Alexander discovered...
16:11...an extraordinary personality!
16:13Oh yes!
16:14An extremely beautiful woman!
16:16Oh !
16:16Who is also a very great artist!
16:18Ah yes, that's not too strong a word!
16:21But look how talent is rewarded!
16:23The unfortunate woman has just served six months in prison for a fake Manet that deserved to be in the Louvre.
16:28!
16:29But unfortunately, it was already there as an original!
16:32We can't think of everything, can we?
16:34The poor little girl is now wasting her talent making calendars!
16:39You could have it for next to nothing!
16:42And this young girl, she would know...
16:46A genius, I tell you!
16:47Yes, you leave it in your gallery for less than a week!
16:50And you yourself will no longer be able to distinguish your paintings from what she has copied!
16:56That's the solution!
16:58That's the solution!
16:59Oh my! Champagne!
17:01Don't insist, come on!
17:02But finally I'm at the right address and besides, I have a telegram to deliver!
17:05I get paid for this!
17:06Count, I...
17:06What does he want from me?
17:07But I keep telling you that this gentleman does not live here!
17:09But finally, since it is written in full, Mr. Alphonse Maillère, Turnbull Castle!
17:14Give it to me!
17:15I know the guest list by heart, there is no Mr. Maillère here tonight!
17:21Oh !
17:43Look, the shortest telegrams are the best!
17:46This one only bears a signature!
17:48Alphonse Maillère!
17:51And that signature terrified her!
18:00Oh! Count, here is Gabriella!
18:04The great artist I told you about!
18:07She's gorgeous, that's another plus!
18:09Indeed !
18:10My respects, dear lady, I am the Earl of Turnbull!
18:14I was eagerly awaiting your arrival!
18:16No, no, please don't go to that trouble, my valet!
18:19Alfred, do you want to come?
18:20Excuse me!
18:22You are at home here, dear friend, please!
18:32What a fantastic idea he had to have those paintings copied, that dear child!
18:37A miraculous idea!
18:40Don't you think it's good?
18:42Very good, on the contrary, without Alexander!
18:44Absolutely ludicrous!
18:48Oh! Look at that man in black with that cardboard box!
18:51What could it be?
18:53I'm thinking about it, dear Count!
18:55You wouldn't happen to know a certain Mr. Maillère, would you?
19:00Maillère?
19:01Yes!
19:02That's a name that seems to terrify your son!
19:07Forget about it, Sister Alexander!
19:09We've never had him here from Mr. Maillère!
19:12Is he dead?
19:13In a way, yes!
19:28Ah, Alphonse Maillère!
19:30Eternal regress!
19:32Ah, Alphonse Maillère!
19:34Eternal regress!
19:35Who brought this crown?
19:55Before my accident, I was a champion runner, Mr. Bourbex!
19:59Really? But I didn't know!
20:01It's a bit boring, not much happens on this island!
20:04Oh, don't believe that!
20:06The Tornbull collection arouses the covetousness of swindlers and forgers of every kind!
20:10They sometimes alert us, but our local police don't always have the means to stop them from operating!
20:14Oh, please be kind!
20:25THANKS !
20:27Are you properly positioned behind?
20:29Yes, that's right, the Forster brothers, you know them?
20:30No !
20:31Mark and Joe Forster, two international con artists!
20:33They say they are almost as well known because it's a lupin, the gentleman thief!
20:37Well, imagine, we've been told that he's here too!
20:40Finally, I know very well that all of this is just gossip!
20:42If I had to believe everything that's being said, my good sir!
20:45You wouldn't sleep, and neither would I!
20:48You're talking about it at your own pace, but it still worries me!
20:51I should be wary of everyone, even you!
20:54That would be wisdom itself!
20:57However, I advise you to insure the collection!
21:00Oh, by the way, what's the relationship between the old count and his son?
21:04They don't seem to like each other very much!
21:07Say instead that they can't stand each other!
21:09The son left home about ten years ago; the father disapproved of his friendships.
21:13!
21:13And where did he go? To America?
21:16Where else would he have been better off staying?
21:18But where did the young count's collection come from? An inheritance!
21:21Because it took a fortune to acquire these masterpieces!
21:25That's the mystery!
21:26After all, it's not me who's in charge of clearing the way!
21:29He's probably the uncle from America!
21:31Besides, it doesn't matter at all!
21:33Upon his return, Stéphane repaid part of his father's debts!
21:37But he demanded to be the sole master of the place!
21:40The old count was forced to accept!
21:42The traditions of old families are being lost these days!
21:45Sons are not worth their fathers!
21:46But we must acknowledge that the collection attracts tourists to our island!
21:50Me, for example, dear Mr. Nipplyne!
21:55Dear Gabriella!
21:56This method of operating with a projector is fascinating!
22:01I must say that I do this job with passion!
22:04Transporting yourself into the world of the old masters is, in a way, a spark of their genius that...
22:09succeeds!
22:09A little bit of their heart, a little bit of their thoughts too!
22:12And you speak about it so well!
22:16Alas, Gabriella, it's so...
22:18It's so sad that your work is already ending!
22:20Not yet, Count Stéphane!
22:22Count?
22:22Oh, Gabriella!
22:24Just call me Stéphane, plain and simple!
22:29You see, what a copy lacks is the venerable age of the original!
22:33So he needs to undergo one last little treatment!
22:36Ah yes, that's essential!
22:37First, a kind of special varnish is applied to the canvas!
22:41What a genre!
22:43That's my secret, Amor!
23:09Ah! My dear rat!
23:12So, did you have a good trip?
23:14Yes, it wasn't easy!
23:15But I suspected as much when I saw that your absence was prolonged!
23:18Oh, I got the information you wanted, but I had to use all my charm!
23:23Oh...
23:23Alphonse Maier, a professional playboy, frequents Boston high society where he makes many friends.
23:29After about ten years, he left the city without leaving an address.
23:33Strangely enough, at the same time, the Van der Milt collection disappeared.
23:38Collection estimated at a minimum of 3 million.
23:40The Foster brothers are accused of this extraordinary burglary.
23:43The collection includes a Velázquez, a Vermeer, a Watteau, a Goya...
23:48Alphonse Maier had a pronounced taste for great masters and little mistresses.
23:51A true amateur, in short.
23:55Do you have a picture of him?
24:06Ah, that's Stéphane's body, you know that very well.
24:24To your health, Count Stéphane de Turnbull.
24:29Next, they are cooked for 2 and a half minutes at a temperature of 217 degrees.
24:34After that, once cooled, it is impossible to distinguish the copy from the original.
24:38Well done.
24:39And to think that we put such artists in prison.
24:43Oh, it's hot!
24:44This is the first time one of my plans has unfolded without any unforeseen events.
24:48Do you think the count had any suspicions?
24:51Definitely not.
24:52That's good, he won't need to be suspicious when we bring the paintings back.
24:55Why would he be suspicious?
24:56It was expected that he would fall for me, and I must say that I succeeded beyond all expectations.
25:00all hope.
25:00Okay, so whatever you do, don't let him regain his senses.
25:03Keep pampering him.
25:05And there you have it, Count Stéphane.
25:07Look.
25:07May I? Let me compare.
25:13Look.
25:14This result is fantastic.
25:18Just look at her, let me tell you.
25:20It's a real machine.
25:23Well, my dear Count, have I lied to you?
25:27It's absolutely extraordinary.
25:29Isn't that right?
25:30Pardon.
25:31Oh, of course, of course.
25:33Sister Alexander.
25:35Yes.
25:37Oh, that's incredible.
25:39Oh, that's incredible.
25:39I am now unable to tell the difference between those of your plush toy.
25:42Oh, I'm amazed.
25:44Let's see.
25:44Where are the real ones and where are the fake ones?
25:48I confess that I get lost in it.
25:51It's all thanks to you, Count Stéphane.
25:53You're exaggerating, Gabriella.
25:57Gabriella, you who are the author of this marvel, look.
26:00Here is the original and here is the copy.
26:02I give up trying to distinguish between them.
26:04Yes, Stéphane, it was your constant presence that inspired me.
26:08Gabriella.
26:09What are you telling me?
26:11Oh, sorry.
26:13Excuse me.
26:15It wasn't a big deal.
26:17It was nothing.
26:18You were so charming.
26:20Always ready to reassure myself of your trust.
26:22You managed to create such a harmonious atmosphere around me.
26:25Me too, Gabriella.
26:26I too experienced great happiness.
26:28Look at this way of holding your paintbrush.
26:32this delicate touch,
26:35this radiance of your personality.
26:48Oh, Lady Beckfield.
26:49Oh.
26:52Sit down, Count.
26:53THANKS.
26:53Do you have a light?
26:54Yes.
26:55Hey Earth, a grog, please.
26:56Right away, Mr. Count.
26:57I have what you need.
27:00Are you all alone?
27:02Alas.
27:04But why aren't you there?
27:07I fear that your son has God only for this young artist these days.
27:11Yes, indeed.
27:12The poor boy doesn't know which way to turn.
27:14It is useful to him.
27:16Nonsense, all of it.
27:19Do you also call his passion for valuable paintings "fariboles"?
27:23Yes, without a doubt.
27:24Oh, that's bordering on ridiculous.
27:26One wonders if he would even think of stealing that painting.
27:29I hope, in any case, that he had the decency to give this young girl decent money.
27:33I'm sure Sir Alexander will have seen to that.
27:37Oh, Gabriella.
27:37It's magnificent.
27:41Absolutely magnificent.
27:43The artist's work is barely discernible.
27:46Here is the copy and here is the Canaletto.
27:49No, I must say it's fabulous.
27:51Listen, it's quite simple.
27:52I challenge anyone to decide which is the copy and which is the original.
27:57Fabulous.
27:58But what are you doing, come on?
27:59Oh, but be careful, you clumsy thing!
28:03Finally, for heaven's sake!
28:08There's no harm in it.
28:09This is a copy.
28:10Let's see, Gabriella.
28:11This is your work.
28:12Count Stéphane, you are wanted in the drawing room.
28:14Who ?
28:15He is the mayor and a filmmaker.
28:17Did you let them in?
28:18No, they are still in front of the house.
28:20Ah, thank you, Suzy.
28:21I'll leave you with just a minute on Alexander.
28:23Oh, please.
28:24Thank you, Gabriella.
28:27Let's see what they want from us.
28:31Come on, quickly! Now, leave the painting.
28:33Quick, quick!
28:36This is Mr. Kornstein, the director of the film company I told you about.
28:42Ah, and what would you like?
28:43Mr. Kornstein would like to discuss some details about filming a scene on your property.
28:49Okay, just a moment, I'm going downstairs.
28:58Mr. Kornstein.
28:59It's a pleasure to meet you.
29:01We came all the way here to try and get some shots in the area.
29:03What did you say?
29:04Yes, that's film jargon. This gentleman wants to talk about camera angles.
29:07I like it better this way.
29:08So, there will be a few minor details to discuss with you.
29:10Yes.
29:10Well, sit down, Mr. Kornstein.
29:13Stein.
29:13Yes, it's appearing this year.
29:14Come on, Suzy.
29:18It's finished, boss. Everything is in place.
29:20Well done. Excellent work.
29:21I don't see what we've done with these extraordinary things.
29:24But how can you not see? The originals are in place of the fakes.
29:27But the count will put the fake paintings in his safe and the originals will remain hanging in the gallery.
29:32Yes, but the count will only see them as worthless copies.
29:35And where does the interest lie?
29:36So, worthless copies are easily lent out.
29:38Lend them out?
29:38To whom?
29:40Like sweet Gabriella, for example.
29:42She is so charming that one cannot refuse her anything.
29:44Later, you're going to ask him to lend us the copies for a day or two, under the pretext
29:48to retouch them.
29:50And you will take them away with the blessing of dear Stéphane.
29:53My pleasure.
29:54Oh yes.
29:54I understand.
29:56Ah, well, that's something.
29:58It's about time.
30:00Oh, no, no, no, no.
30:03Good morning, gentlemen.
30:05Oh, it's Alexander.
30:09No, please excuse me again for having had to abandon you.
30:13You know Mr. Nipplein, our mayor, don't you?
30:15Oh, yes.
30:16And here is Mr. Korn, the director of Korn films... Korn...
30:20Stein.
30:21Are Kornstein's films like this?
30:22Oh, oh, pleased to meet you.
30:26A beautiful setting for a film.
30:28Yes.
30:28These gentlemen want to make a big film that will take place on our island.
30:32They're here the day after tomorrow, if I understand correctly.
30:34Oh, finally some distraction.
30:36The art gallery is at the end of the corridor.
30:38We apologize.
30:39It is impossible to visit it at the moment, due to the construction work.
30:43Would you like us to go and see the outside courtyard?
30:45It will be of great interest to you because...
30:46Okay, let's go.
30:50See you later, Kornstein.
30:51Uh, yes, that's it, yes.
30:53Oh, that's too bad, Sir Alexander, this unexpected interruption.
30:56I beg you to forgive me again.
30:58Have the other copies arrived?
30:59Oh, don't worry, you have them all.
31:02All you have to do is hang them on the wall and put the originals safely in your safe.
31:07Oh, very good idea, very, very good idea.
31:09Listen, my dear Stéphane, I have a favor to ask of you.
31:12At your service, as always, my dear friend.
31:15Could you lend me these copies for a day or two?
31:17No, no, no, let's see, let's see, let's see.
31:18Gabriel, you are bothering the count.
31:20No, no, no, goodbye, dear friend, we're all right.
31:22What, Sir Alexander, you're not leaving us already?
31:24Yes, it's time to go up, I couldn't miss it.
31:29Goodbye, Count.
31:30Bye.
31:32Finally, Suzy, what were you thinking?
31:34It's teatime, you would have powerful games.
31:39Is everything not working as you wanted?
31:41Yes, yes, it's running like clockwork.
31:43So why are you making that face?
31:46Because thanks to us, the originals are on the wall.
31:48Good, just like before.
31:49Well done.
31:51When Gabriel has it, he will go and ask the count for the copies.
31:53These are the real canvases that will be entrusted to him.
31:55Yes, but there are those people in the film industry.
31:58Oh, they have two days of filming.
32:00The day after tomorrow, they will be gone.
32:03Yes, but the paintings too.
32:07For what ?
32:08Because I know the director.
32:11He makes his films without film stock.
32:16But they're still gangster movies.
32:19Because his real name is not Kornstein, but Mark Forster.
32:24The famous art thief?
32:27Exactly.
32:28So, he's going to overtake us?
32:29That's exactly what he hopes for.
32:31It's not difficult to predict what will happen
32:33during these so-called filming sessions.
32:35It's just another pretext for gaining entry to the premises.
32:38Boss, something needs to be done.
32:42Do something?
32:43Yes.
32:44But what?
32:48Well, my God, we're going to play his game in our own way.
32:58Marc Forster had started making his film without suspecting that I had changed his script.
33:13It's best if you disappear in case his dear count happens to be hanging around here.
33:16He would know how to stay in my place, don't worry.
33:18Yes.
33:19Look at the megaphone.
33:20Good ones.
33:25It's fundamental, you'll see, they're going to destroy everything.
33:28After some obstacles.
33:29Wait, what am I doing? What don't you see is causing a problem?
33:31Finally, what do you want?
33:32I'm at home at the same time, right?
33:37Ah, hello, Mr. Kornstein.
33:39He's the director.
33:40What ?
33:40Would you mind if we kept a second one if it doesn't bother you?
33:42No, no, go ahead.
33:43Go for it.
33:43What are you doing over there with that camera?
33:46Tell me, it's not a knife sharpening stone.
33:48This is crazy protection, all this activity.
33:51It must be very interesting to do that job.
33:53Mr. Kornstein must not be disturbed, yes, yes.
33:56Bring Mr. Henner closer.
33:57I think the Count is expecting you.
33:58I will accompany you.
33:59Excuse me, please let me through.
34:00Go for it.
34:12Shall we start with the interiors?
34:14All right.
34:14I'm going to check the lighting.
34:16Was that Douglas Fairbanks?
34:18No, sorry, that was the cameraman.
34:22I have business within the country.
34:23Take care of the accessories in the meantime.
34:25Yes.
34:26Go quickly, okay.
34:27Could that be him at the moment, Douglas Fairbanks?
34:29No, he's not in the film either.
34:31The main actors are Rudolph Valentino and a blonde...
34:35Greta Garbo?
34:36That's it.
34:36However, you won't see them today, we're filming with their stand-ins.
34:39First inside the gallery and then outside.
34:41Speaking of which, where are those stand-ins? Did they get any warning?
34:44They take their bath early, at 10 o'clock.
34:54Are you Mr. Rudolph Valentino and Miss Greta Garbo?
34:58Yes, well, I mean their understudy.
35:00You look so much like them that it's easy to mistake them for each other.
35:02My name is Stibel Fenni, all one word.
35:05I'm only the third assistant director.
35:07Oh, there are such injustices.
35:09Finally, come with me, I am in charge of taking you to the boat.
35:13Come on, hurry up, we don't have much time.
35:23Here are your tickets.
35:25Good luck.
35:26In Newark, one of my colleagues will come and pick you up.
35:46Everything went well, Greniard.
35:47Perfect, boss.
35:49So, let's go.
35:55Eligoland, the large base of the German navy, was about two hours from our castle.
36:00By the time the two actors from Foster get there and back, I'll already be far away.
36:06With the paintings, of course.
36:09Silence, go back.
36:10You enter the tables.
36:11How are you, Mr. Accountant?
36:14And you run to the window.
36:16It has to happen very quickly.
36:18You carry them at arm's length and they will be taken from you from the outside.
36:22Next, we'll tackle the outdoor scenes.
36:23Have the understudies arrived?
36:25Yes yes.
36:26No, no, not this way, ladies and gentlemen.
36:27You're off the mark.
36:28Come on, come on.
36:29How are you.
36:29Go for it.
36:34The weather was nice.
36:36Lady Beckfield is ravishing.
36:38The Vermeers and Canalettos are sublime.
36:41And besides, Forster was doing my job.
36:44The operation went exactly as I had planned.
36:48That's a wrap.
36:48The interiors are finished.
36:50You can take the devices out into the yard.
36:52All that was left for me to do was appear.
36:54Ah, I can see them.
36:56Rudolf Valentino and Greta Garbo.
36:59They are in their linings.
37:05Mark Forster.
37:10As I told you, I didn't like Forster's script very much.
37:16Yes, I'm very particular about endings.
37:19Lupin missed his exit?
37:21No, never.
37:23This isn't conceit, it's...
37:24That's professional conscience.
37:34Do you know how to drive a horse-drawn carriage?
37:37Oh, yes.
37:38And you, do you ride the horse?
37:39Oh, like a Cossack.
37:41Okay, come with me.
37:44Have the car prepared.
37:45Did you hear that, Adolbert?
37:49Okay, listen to me.
37:50You are standing at the top of the wall.
37:52At one point, you pass the table and then you grab it
37:54and you just have to go and drop them into the cart as you go.
37:57Nothing could be easier.
37:58And you, you climbed onto the cart, you grabbed the paintings
38:03And when the loading is complete, you immediately take the reins.
38:06And you're off at a full gallop.
38:08Heard.
38:08Don't be surprised, there will be people who will excite the horse outside the field.
38:12So hold on tight as you leave.
38:14Once it has started, you will remain seated quietly next to it.
38:17and you will watch over the canvases.
38:18Next to me.
38:19You will drive straight ahead towards the sea and drive the car into the water.
38:24We should see splashes.
38:27Immediately afterwards, I shout "halt" and you stop immediately.
38:29Understood, what's next?
38:30Nothing, it's over.
38:31Someone will arrive right away and get back in the cart, you will get out and walk back here.
38:35Yes, sir.
38:36The same goes for you. Get ready, we're going to film.
38:39Silence over there.
38:40Quick, quick, my children. The sun is hiding. So what, Marc? Are we going or not?
38:43Everyone is at their post. Let's go. You get in the cart and at a full gallop.
38:48So, let's get started!
38:48It's rolling.
38:51Here we go.
38:52Okay, first.
38:57And the best part was that Forster seemed pleased with me.
39:04We're off, it's unfolding, between го optimal.
39:07What could be happier than to make me Re.
39:25Think about tonight.
39:27Come on.
39:34It's extraordinary, it's Valentino, it's doing things to me all over.
39:38They're practicing, the bastards.
39:55Ah! Is that you?
39:59Yes, it's me.
40:06Joe.
40:09Joe Forster.
40:12So, in our little heads, we imagined we were going to be able to hide.
40:15No, no, I...
40:18I...
40:19I don't understand at all what you mean.
40:22Ah, Mr. Mayer, what's the point of lying?
40:26No matter how much we change our name, you know we always find each other again in life.
40:34You really have a short memory, and the Van Der Milt collection, does that ring a bell?
40:39I really don't see what you mean.
40:41Your money or your life, that's the old saying.
40:45The problem is that I'm not that modest.
40:48I want both, the scholarship and life.
40:51You've lost your mind.
40:53Go away, you're crazy.
40:54Help.
40:56Help!
40:57Help!
41:09Not bad at all, eh boss?
41:11The take is good, as filmmakers say.
41:16So, is it okay? Is it too heavy?
41:18Come on, take it easy in the boat.
41:33It's not bad, it's not bad, it's not bad.
42:04I assure you that these paintings were absolutely authentic.
42:07Canaletto, Watteau, Ramsey, Hals, Rubens, Vendique, were all pure originals.
42:16They were unique pieces.
42:18I don't understand anything.
42:19So that your insurance rights are fully justified.
42:23That makes no sense.
42:25I can assure you that my son had them copied a few days ago.
42:28I am an expert.
42:28I carefully examined the collection.
42:30My conclusions are entirely formal.
42:32And you claim to be able to prove that this painting was authentic?
42:36Here, Count, if you would be so kind as to sign here.
42:40Oh, 3 million dollars!
42:46Insurance is useful, isn't it?
42:48Goodbye, I wish you a good weekend, Count.
42:503 million!
42:53Don't leave so quickly, sir!
42:56Oh, oh, oh, oh!
42:57Come on, let's go, sir!
42:58Oh, oh, oh!
43:02Sister Alexander, come quickly so I can tell you what's happening to me.
43:08My dear Count, you have seen the insurance company's expert.
43:12Yes, something fantastic is happening to me.
43:13Imagine for a moment, it's miraculous.
43:16All the paintings that were here were authentic.
43:19And here I was claiming that there were only copies in that room.
43:23Okay, are you sure?
43:24Oh, come on, you know that perfectly well.
43:27Look, you see, this story is exactly the one I tell in my new novel.
43:35What a coincidence!
43:36Yes, in my novel, which is purely imaginative,
43:42I portray an old lord who is beset by financial difficulties.
43:47He has a wayward son whom he disowns and who takes refuge in America where he adopts the name of
43:52Mayer.
43:52Does this story remind me of something?
43:54In my novel, always,
43:57This bad boy, along with an accomplice, will steal a number of masterpieces.
44:01I was unaware that my son had brought home stolen paintings.
44:04I was convinced he had acquired some worthless daubs.
44:07So, in chapter 7, the son comes to take refuge in the home of his ancestors,
44:14with the paintings, because this young man, not very likeable,
44:19He also had a very firm idea.
44:23Chapter 9.
44:25He said no, your novel about Alexander seems to me to be a slavish plagiarism of reality.
44:31The son did not want anyone to ask questions about the origin of these paintings.
44:36because he would never have been able to find a potential buyer for them.
44:40In chapter 10,
44:43the young count's accomplice, a professional thief named Joe Foster,
44:49swore to take revenge on him,
44:51But since he wasn't ultimately as clever as his sidekick,
44:56It was only two years later that he found her again.
44:59as well as the star they had stolen,
45:02and that the young lord had hidden in the place where he was least likely to be discovered,
45:08that is to say, where he was not so long ago,
45:12in your painting gallery, at Tornbull Castle.
45:15Ah, and that's why the paintings are authentic.
45:19Yes, that's why I became so interested in it.
45:23But I did not see the young Count Stéphane.
45:26He disappeared; nobody knows where he went.
45:30I believe Joe Foster took it upon himself to find him.
45:34But I hope he never succeeds.
45:36I would be sorry if you were forced to mourn him.
45:43How do you walk, Sister Alexandre?
45:46Yes, if you don't mind?
45:47Yes, so I'm fed up with being disabled.
45:51And that's how Arsène Lupin was able to help you, my dear Count.
45:58To our health!
46:05We deserved it, didn't we?
46:07It's the biggest, the most charming,
46:15the most elegant one, with his gloves,
46:19or bloody, like Arsène.
46:24When he shows up, when he gets involved,
46:29Everything is untangling, everything is thawing,
46:32And without blood, without blood, Arsène.
46:38When they approach, we hide the pins
46:41And the saddlebags, they empty the pockets
46:45Without one, they pocket the scene
46:51He's the king of wreckers, he's the king of heartbreakers
46:58It is brilliant like a diamond, swift as the wind
47:03Arsène, when he shows up, when he gets tangled up
47:09Everything is untangling, everything is thawing
47:13And without magic, Arsène
47:19He's the king of wreckers, he's the king of heartbreakers
47:26It is brilliant like a diamond, swift as the wind
47:31The handsome Arsène
47:35Arsène, when he shows up, when he shows up, when he shows up
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