- hace 17 minutos
A la suite d'un nouveau vol d'une audace inouie, le Ministre et le Préfet de Police ont fait appel à un policier inconnu de Lupin, en poste en Afrique : Victor se propose d'incarner le personnage d'un habile cambrioleur mondain, Mister Lorchester. Ainsi, il se fait admettre dans la bande de Lupin, qu'il n'aura plus qu'à arrêter. Mais pour faire croire à son personnage, Victor a besoin de disposer d'un compte en banque largement alimenté, que le Préfet, enthousiaste, lui fait aussitôt ouvrir. Au cours de ses soirées de riches oisifs, Victor-Lorchester fait la connaissance d'une jeune femme qu'il croit être l'amie de Lupin.
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00:15Ben, what are you having?
00:17I'm craving bananas!
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00:55Ramon! Ramon!
00:57You little fool, that's our bank.
00:59Put his car in, quick!
01:58Couldn't you call us?
02:00They called us with a gun held 10 cm from our faces.
02:02I would have liked to see you there, Commissioner.
02:04Sir, in the police force, we know how to die.
02:07But in banking too, sir.
02:08But we're not impatient.
02:11Oh, Commissioner Gershardt, what an honor!
02:15THANKS.
02:16Never during work.
02:18So, gentlemen, who, when, how many, how?
02:21There were seven of them.
02:22The attack lasted four minutes.
02:23Just enough time to subscribe to the package.
02:2510,000 National Defense vouchers.
02:27And they fled by car towards the Bois de Boulogne.
02:29We've noted the numbers.
02:31I managed to note down the car's registration number.
02:35158 BC7.
02:38Personally.
02:39Personally, Commissioner.
02:41Valuable information.
02:42Thank you, Commissioner.
02:43Valuable insights into your complete lack of imagination.
02:46Because you should obviously have immediately thought that the bandits' car had altered license plates.
02:50And therefore noting the registration number was of no interest.
02:54The best proof is that 158 BC7 is the number of my own car.
03:04I was talking about the numbers of the vouchers that were stolen.
03:07We've covered everything, don't you think?
03:09But indeed, sir, yes, I think so, yes.
03:11I would even go so far as to say that it's my depression.
03:18My God.
03:20He's back.
03:23Gather for me all the women who were there at the time of the attack.
03:25You surely don't mean to imply that the author of the valleys...
03:27For the past five years that we have been fighting against each other, I have learned to feel its trace.
03:30It should be noted that it was he, and no one else, who came, who saw...
03:33Who won?
03:35So it belongs to her.
03:36Excuse me, Commissioner.
03:37But are you sure it was him this morning?
03:39Who would dare give their car my license plate number?
03:42Who else but him?
03:43His style, his installation.
03:46It's unbearable to think you're the strongest.
03:49The customers and employees are here, Commissioner.
03:51THANKS.
03:54What was the boss like? Short, fat, vulgar, unpleasant?
03:57He was young.
03:59Big.
03:59Slim, in, and so elegant.
04:01We would have followed him to the ends of the earth.
04:02Oh, Suzanne.
04:04She's right, it's him.
04:05Now I'm sure of it.
04:07And I will pursue him all the way to China, if necessary.
04:10to know his supreme pleasures, give him the notes.
04:13And finally see a loser.
04:16Lamentable.
04:17Ridiculous.
04:18Are you Mr. Guéchard?
04:19Yes, why?
04:20He gave this to me for you, before he left.
04:23I thought it would please you.
04:29What did I tell you?
04:40Mr. Prefect of Police, Mr. Minister.
04:42Ah, it's the older brother.
04:46The situation is serious.
04:48Sit down.
04:50This morning, at the Élysée Palace,
04:53The President of the Republic was unequivocal.
04:56Formal and solemn.
04:59If you are unable to resolve the issue quickly,
05:01Did Lupin say that?
05:02All the other outstanding problems will take on catastrophic importance.
05:07The opposition is just waiting for that.
05:08In short, it's a blow that could sweep away the ministry.
05:11What, is that straw?
05:13No, don't bother.
05:17I will arrest Lupin, Mr. Minister.
05:20I'm also fed up with reading the same headlines every day.
05:23I'll stop it or I'll lose my mind.
05:26If the investigation is not successful within a very short timeframe,
05:29I will have to give the public some gas.
05:31And it's not your Latin that you'll lose, my dear prefect.
05:35This is your place.
05:36I thought about it, I examined it, I calculated it, and I have the solution.
05:42So, I'm warning you, I want something solid.
05:46Why can't my men stop Lupin?
05:50Because they lack talent?
05:52No.
05:54Because Lupin knows them too well.
05:56Yes, he has his gang spy on them.
05:59He follows their trail, he praises their trap.
06:02So, me, diabolically...
06:06Diabolically?
06:07Diabolically.
06:08I am pretending that the investigation is still being led by Gershaw.
06:11while she will secretly trust a man Lupin doesn't know,
06:14whose existence he doesn't even suspect.
06:17Attention.
06:18I do not want any foreign interference in this matter.
06:22French bandit,
06:24Lupin must be arrested by a French police officer.
06:27Did you note down that formula correctly, Miss Annette?
06:30Oh, twice is better than once, Mr. Minister.
06:32Not good at all.
06:33The man I'm proposing to you
06:35to track down and arrest Lupin
06:37has never ceased to belong to our great house.
06:40Personally, I see advantages to it.
06:42First, a spectrum of the very highest quality.
06:44And then,
06:45and I would even say,
06:47Above all,
06:49Nobody in France knows him.
06:52Not even me.
06:53Oh, ah!
06:55Yes, since his turn in the war,
06:56I'll skip over its decorations.
06:58He asked to see the country.
06:59My predecessor used to send him to Africa,
07:01which he has not left since,
07:03and where he did wonders.
07:05In short, ideal.
07:07Well done.
07:08And when will he be on the job?
07:10He arrives in eight days.
07:12Lupin had better watch out.
07:14But,
07:16What made you think of him?
07:22That, Mr. Minister,
07:23that, that, her
07:25Josephine Baker.
07:27I'm still taking notes, Mr. Minister?
07:29No, one second, one second.
07:30She was everywhere.
07:32on all the walls,
07:33in all the newspapers,
07:35in all offices, Mr. Minister.
07:39Her obsession: Paris.
07:41I saw his posters,
07:42I stopped,
07:43I looked at you.
07:45Yes, I am a man like any other.
07:47miss.
07:49And I understood.
07:51Josephine, then.
07:53the beauty of the black race,
07:54the beauty of the black race,
07:56So, Africa.
07:56Africa, then,
07:58the man in question,
07:58It's UFD.
08:00And who is this phoenix?
08:03His name alone is a promise of triumph.
08:07Victor.
08:12Victor, from the vice squad.
08:15I find a piece of luggage.
08:23What do you have to declare?
08:25I am in a very good mood.
08:27Perfect.
08:28Is this yours?
08:29Yes.
08:30Open.
08:35Excuse me,
08:36We must be wary.
08:37We knew what it was.
08:39Get ready, my friend.
08:41Excuse me.
08:46I had, however, heard that
08:47Mr. Prefect,
08:48that one should never change horses
08:50in the middle of the watch.
08:51But I'm not changing horses.
08:52Gachard.
08:53I'll take one more.
08:54That's all.
08:56And note that I could very well have
08:58not to tell you that he was coming.
08:59Olivier, thank you
09:01of this new cross of trust.
09:02Actually, me too.
09:05I have something to tell you.
09:07One second.
09:11I'm listening.
09:13You, of course, skip the month right away.
09:16That's him.
09:17Hello ?
09:19I was eagerly awaiting you.
09:21that you imagine, my dear Victor.
09:25THANKS.
09:26Ah, for security reasons
09:29that you will be the first to understand,
09:31I would like to ask you right away
09:33the phrase of recognition
09:34as specified in my telegram.
09:36Eh ?
09:36So if I tell you,
09:37Is Isadora Dincan going to dance for the Bolsheviks?
09:40I'll answer you,
09:42peace with Germany
09:43is guaranteed by Eidenburg.
09:46Very well, Mr. Wake-Up Caller.
09:48Yes, yes, excellent crossing, Mr. Prefect.
09:51And I've been thinking a lot about our man.
09:54And I have a plan.
09:57Okay, Mr. Prefect.
10:00I'll be there.
10:02By the way, Mr. Prefect,
10:04Can you open it for me?
10:05in the bank of your choice
10:06a current account
10:08in the name of Andrew L'Orchester?
10:12Yes, the Orchestra.
10:14That's it, with an L.
10:16Like lupin.
10:19Goodbye, Mr. Prefect.
10:22He has a plan.
10:24Well done.
10:26I don't have a plan.
10:28But I have a lead.
10:30Tomorrow, between noon and 1 p.m.
10:32That's what I came to tell you.
10:33What? What? Between noon and 1 o'clock?
10:35Not anymore?
10:37He has an appointment
10:38for an Americano-style aperitif.
10:40Meet an adorable creature.
10:43I don't know what his favorite cocktail is.
10:44But I fully intend to make him swallow it the wrong way.
10:47You're going to fill this place with your men.
10:50Definitely not.
10:51Every time large numbers of personnel have been mobilized,
10:53There have been leaks.
10:54No, I prefer to try
10:56the punch-punch style
10:57as they are doing right now in Chicago.
10:59of eruption.
11:01Surprise.
11:02Ah, that lupin!
11:04What a nightmare that must have been!
11:07Tomorrow, at this time,
11:08my colleague Vittor
11:09Perhaps all he'll have to do is get back on the boat.
11:11No evidence whatsoever of my concern for brotherhood,
11:14Mr. Prefect,
11:15you can naturally
11:16give him the information about the Americano.
11:18Provided, of course,
11:20that he played it for me alone.
11:21This will still allow him
11:23to look at a dream creature.
11:26In Africa, the poor.
11:29It must not have been scratched.
12:01The gentleman has an idea
12:02of what would please him.
12:05Oh yes.
12:09A very handsome man
12:10and very element
12:11will come any minute now.
12:13He says luck got me to sign
12:15that he join me in the circle
12:16and that I love him.
12:29a bottle of champagne
12:31and two glasses.
12:32I'm waiting for a friend.
12:43Paper.
12:51Is that all right, Victor?
12:55I'm good.
12:57I'm good.
12:57I'm good.
12:57Champagne.
13:16Where are we going, my prince?
13:17Wherever you want, but quickly.
13:27I know very well that you didn't come
13:28in Paris for a long time
13:30and the Eiffel Tower
13:31You must have missed it.
13:32But opposite, this meeting,
13:33Don't you think?
13:34That's a bit high,
13:35My dear Victor?
13:36It's not about being tall,
13:37Mr. Prefect.
13:37It's about being alone.
13:40There are no spies to fear here.
13:43Do you have the checkbook?
13:44Yes, yes, yes.
13:46Here is the checkbook.
13:47Ah, very good.
13:48And here is the list
13:50from all circles
13:51and tripaux of the capital.
13:52That's part of it
13:53of your plan, naturally.
13:55Naturally.
13:56And this plan,
13:57what is this ?
14:00Austerlitz.
14:01You know the maneuver
14:02of Austerlitz, of course?
14:03Of course, of course
14:04but pretend
14:05I couldn't stand it anymore.
14:06It's beautiful,
14:08Because it's simple.
14:10Napoleon,
14:11understanding that he cannot go
14:12dislodge the Austrian army
14:13the positions she holds,
14:15Well, he forces her
14:15to come to him.
14:18And you, exactly.
14:20Since we can't go
14:21up to Lupin,
14:22Let's bring in Lupin
14:23up to the present day,
14:24that is to say, up to me.
14:25And you ?
14:26Exactly.
14:27And when he is there,
14:28crack, I smash it.
14:29Am I going to nail it?
14:30Yes, well, it's art.
14:31co-African.
14:32I'll grab him,
14:33if you prefer.
14:34I'm taking him down.
14:34I'll screw him,
14:35I slap him,
14:36I'll spruce it up.
14:38In short, I'm stopping it.
14:39and I give it to you.
14:40Ha, ha, ha, ha!
14:42And I'm heading back to Africa.
14:44happy as a burglar.
14:47Like a burglar?
14:49Pardon.
14:49To stop Lupin...
14:55To stop Lupin,
14:57I am going to become Andro Lorchester.
15:00British burglar
15:01world-class.
15:03Are you following me?
15:04Wait, wait,
15:04It must be at high altitude.
15:05But I'm having a little trouble.
15:06For Lupin to come to us,
15:08I'm going to impersonate him.
15:10No.
15:11If.
15:11And when Lupin learns
15:14that someone is impersonating him,
15:15he will not rest,
15:17out of pride,
15:18to unmask the usurper.
15:20To get revenge,
15:21to prove to himself that he is unique,
15:22He will do everything.
15:23So, nonsense.
15:24That's where he'll get lost.
15:27That's where I'm waiting for him.
15:29Ha, you know him well, don't you?
15:32As if it were me.
15:35We are truly very flattered,
15:37Mr. Lorchester.
15:40This is the first time
15:41that we see an Englishman
15:43dressing in Paris.
15:44On behalf of France,
15:46THANKS.
15:47Eh ?
15:47Yeah.
15:48You will make me three more,
15:49like that.
15:51Plus eight smoked ones.
15:54Two black men,
15:54two whites,
15:55two blues
15:56and two garnets.
16:00Alright.
16:02I will show you
16:03thirty pairs
16:04for next Monday.
16:07So that everything is finished
16:08tomorrow evening.
16:09How many are there?
16:10Six dozen.
16:11Here is the model.
16:13This is a new customer.
16:14Andrew Lorchester.
16:16Weird,
16:17but rolling in it.
16:19Hey,
16:20A.L.
16:21Doesn't that ring a bell?
16:22Oh,
16:23the most beautiful
16:24that I've never seen.
16:26Three hundred thousand.
16:28It's still inexpensive.
16:30I'll buy it.
16:33I would like to ask you
16:34a favor.
16:34Yes, which one?
16:36I have in two weeks
16:37an exhibition
16:38Modigliani.
16:39Would you lend it to me?
16:41My pleasure.
16:42I will make myself
16:44a pleasure
16:44to state your name.
16:45A gentleman's collection?
16:46Arsène Lupin.
16:49Yes,
16:50Andrew Lorchester
16:51is just one of my pseudonyms.
16:52You are ?
16:54I am.
16:55SO,
16:56I'll leave you now
16:56for two hundred and fifty thousand
16:58between artists.
17:09But stop,
17:09Victor,
17:10I can no longer follow you.
17:10Me neither,
17:11Mr. Prefect,
17:11I can no longer follow you.
17:12You had given me
17:13carte blanche
17:14and today...
17:14But anyway,
17:15it's not up to you
17:15that I will learn
17:16the tragedy of the offices,
17:17my dear Victor.
17:18The minister himself
17:19has a financial controller
17:20on the back,
17:21if I may put it that way.
17:22And I must confess
17:23that the bill for the Modigliani
17:26It's not going well.
17:27In short,
17:28I am being criticized
17:29to play too well.
17:30Lupine,
17:31That's the word.
17:32Mr. Prefect.
17:33I will never forget
17:34that you reminded me
17:35from Africa
17:35for the most glorious
17:36resignation,
17:37But I give up.
17:39Sell your Modigliani
17:40at auction
17:41you don't lose out
17:41and give me another ticket
17:42for Dakar,
17:43That's better.
17:44Victor!
17:45No !
17:45No !
17:46I know I'm going to create you
17:46trouble
17:47And that, never.
17:48Victor,
17:49He will arrest Lupin
17:49if you leave.
17:50Gurchard,
17:51as per usual.
17:52Oh, finally Victor!
17:53Victor,
17:54my dear little Victor.
17:57Victor!
17:59Hmm?
18:00Hmm.
18:03Good.
18:04I'm staying.
18:06but only
18:07for honor
18:08of the police
18:09in my arms.
18:13Come,
18:14Here are your cards.
18:16I must say
18:17what to print
18:19business cards
18:20Arsène Lupin
18:20and gentleman burglar
18:22by the special printing company
18:23from the police headquarters,
18:25there is only you
18:26to have those ideas.
18:28It's a good thing I know you.
18:30Hey, Lupin!
18:32Has he already spotted you?
18:33Everything is fine.
18:34In eight days,
18:35I'll bring it to you
18:36all tied up.
18:38Game over.
18:39Belote,
18:40again
18:40and say, "I'm nervous."
18:41Bingo.
18:44Bingo!
18:45Banco de monde.
18:52Yes !
18:53Yes!
18:53Yes!
18:56600.
18:58Bingo.
18:59Bingo!
18:59600, still.
19:00600.
19:0130.
19:01Bingo!
19:02600.
19:03Nine !
19:07Oh,
19:08bartender.
19:09Mr. Desire?
19:11Champagne,
19:121922.
19:13Yes.
19:18And first of all,
19:19to confide in you.
19:20But that's what I'm here for.
19:21Sir.
19:22Hearing everything and saying nothing
19:24That's my motto.
19:25I like women.
19:27There are no people around.
19:28What will it be for the gentleman?
19:31In her thirties
19:33or the perverse false weight?
19:36Who is it ?
19:38Congratulations.
19:39Me too,
19:40that one,
19:40if I could.
19:41Thank you very much, sir.
19:42Staff.
19:43Who is it ?
19:44You can see that clearly.
19:45A red rose,
19:47the most intoxicating.
19:49Who is it ?
19:52This is Countess Natasha,
19:54part of Russia
19:54eight years ago,
19:55at the time of the Great Sproum.
19:57She always comes
19:58with the same type
19:59And she likes to play for high stakes.
20:01That must remind him
20:02crazy nights
20:02from Saint Petersburg.
20:05You are that psychologist,
20:07YOU ?
20:07Because I read a lot.
20:09Right now,
20:09For example,
20:10I'm overtaking Pierre Lottie.
20:11That's powerful.
20:13And where does she live?
20:17At the Trianon Palace,
20:19naturally.
20:20Naturally.
20:31Tell me,
20:32this Mr. Arsène Lupin,
20:34it's always
20:34The big star in Paris?
20:35That will tell you something, sir.
20:36he is not part of
20:37hotel guests.
20:38Oh,
20:39You never know.
21:13Subtitling by Radio-Canada
21:16...
21:41What's he holding, the Englishman?
21:43We give him a hand.
21:44Are you sick?
21:44France for the French.
22:03France for the French.
22:26France for the French.
22:48France for the French.
22:52France for the French.
23:28France for the French.
23:43France for the French.
23:54France for the French.
24:02France for the French.
24:22France for the French.
24:52France for the French.
24:54France for the French.
25:25France for the French.
25:30France for the French.
25:41France for the French.
25:52France for the French.
26:29France for the French.
26:42France for the French.
26:54France for the French.
26:55France for the French.
27:03France for the French.
27:19France for the French.
27:21France for the French.
27:45France for the French.
27:56France for the French.
28:05France for the French.
28:06France for the French.
28:08France for the French.
28:32France for the French.
28:33France for the French.
29:11France for the French.
29:30France for the French.
29:38France for the French.
29:48France for the French.
29:51France for the French.
30:03France for the French.
30:05France for the French.
30:07France for the French.
30:08France for the French.
30:08France for the French.
30:10France for the French.
30:13France for the French.
30:14that you made yourself incredible, it looks like a real one, one of the characteristics of the upin
30:21You told me yourself, Mr. Prefect, that on the first day he spends his time
30:25has
30:25I change my appearance, nobody knows her real face since I'm playing the role, I'm doing as
30:32He's so strong, my dear Victor, there are times when you scare me, I try to
30:37think about
30:38Mr. Prefect, like the upin, I have only one regret, you see, it's not
30:47power
30:47If I were to tell my dinner parties how you manage all this, I'd be a huge success, and when...
30:53I'll be finished, believe me, it will be even better. Now for the next steps.
31:01Mr. Prefect, I need you; you must become my accomplice.
31:08Your accomplice, you have such words to persuade Natacha to take my heels off, it's necessary
31:15that I succeed at something extraordinary and verifiable, what are you going to steal?
31:21Trianon Palace cash register, better than that, I'm going to rob you
31:59But who gave you this central theme couple to walk around with as if you were at home?
32:03A printer friend, it must be difficult to get a motel, not for him, it's
32:10the printer of the prefecture
32:14We're going, not yet, we're ahead of schedule, and then you have projects
32:21Do you have plans? Yes, have dinner with you.
32:50Don't be afraid, even if you plan everything, there's always something.
32:56I'm not a little bit afraid of the risk.
32:57I'm dying of fear
32:58I'm dying of fear
32:59I'm dying of fear
33:00I would be the pleasure otherwise
33:03I'm dying of fear
33:10In Sarquezelo in winter, a whole group of us children would set off on the water trail
33:17When they arrived, it was the boy or girl who ran away last who won.
33:22we rushed back to the castle like madmen
33:24pursued by all those red mouths, his black paws, his big white ones
33:30Sometimes, of course, there were accidents caused by clumsy people.
33:34Ah, those were the good old days.
33:37And you were there during the bank robbery.
33:42No, never in broad daylight. Someone who's interested in me doesn't want to...
33:48if he knew I was here tonight
33:50someone who has a very well-known name
33:54Oh yes, very much so.
34:14to us
34:16to us
34:16to us
34:42has
35:13...
35:47...
35:50You have some really lovely people.
35:53This is not the right time.
35:54In France, it's always the right time.
36:06When is he going to give me back my jewelry?
36:08If Mom knew that.
36:09As for Henriette, you're really not cut out for big, dumb women.
36:13We will not understand that he is a genius.
36:15This idea of pretending to be a burglary and me
36:18so that Lupin falls into the trap.
36:20You're doing well.
36:21Where does Vittor get all this stuff?
36:24But...
36:24Shh!
36:37So !
36:40So !
36:58Do you have many wolves in England?
37:01In England?
37:04No, not exactly.
37:07But in Scotland, it's full of them.
37:09Large yellow wolves,
37:11with tweed stove
37:12and a terrible accent.
37:15That's funny.
37:17YOU...
37:17Sometimes you have no accent.
37:20Yes.
37:21My mother was French.
37:22and I was raised
37:23in Normandy, in a castle near Etretat.
37:29How beautiful you are, Natasha.
37:32I...
37:33I'm going to go and call him.
37:36I'll call him later.
37:39We're doing well, the two of us.
37:41No ?
37:42I thought it was your lifelong dream.
37:45work for him.
37:46I didn't say it was...
37:49my only dream.
38:09It's true ?
38:11Is he taking me with him?
38:13I can't believe it.
38:16Being part of Lupin's gang, for me,
38:18It's like the Legion of Honour.
38:20He was adamant on the phone.
38:23You will be part of the next expedition.
38:27Natacha.
38:29Tonight is the best day of my life.
38:33And...
38:33When will I see him?
38:35Tomorrow.
38:36At Trialon.
38:38At 5 o'clock.
38:46I understand everything.
38:48Oh yes ?
38:48Yes.
38:50And you, from one side, are right.
38:52To dance well,
38:54You have to dance completely naked.
38:57So, we're going home.
39:00You are going to bed.
39:02And I will tuck you in.
39:03like a big brother.
39:13Here we go, Tirol.
39:22THANKS.
39:26What an emotional moment for me!
39:27to find myself face to face
39:29in two minutes
39:29with Arsène Lupin.
39:32I'm going to put myself in your shoes.
39:35I allow you to do so.
39:38I don't understand.
39:41You will understand one day.
39:43THANKS.
39:45It's not too mysterious.
39:47They're already imagining
39:48that there is a plot
39:49between you and me.
39:50Oh yes ?
39:51Oh yes.
39:59Okay, darling.
40:02Hello Englishman.
40:04Hello.
40:06Quite a few flights
40:06at the prefect's office.
40:08Minor errors,
40:08But not bad.
40:10Minor errors?
40:11Naturally.
40:13Not everyone can
40:13Imagine being Arsène Lupin.
40:15Oh yes.
40:16I can picture it very well.
40:17I assure you.
40:19GOOD.
40:20A few words about my organization.
40:23First of all,
40:24you will know me as
40:25by André Léopold Bressac.
40:27André Léopold,
40:28to her,
40:29Arsène Lupin.
40:32Secondly,
40:33I demand absolute obedience.
40:36No attempt was made.
40:37without my permission.
40:39And above all, no stories about women.
40:43Tell him Daniel's story.
40:47No.
40:49Daniel was part of the gang.
40:51He courted Natasha.
40:55She was found dead one night.
40:57crushed by a car.
40:59Bad luck.
41:00Don't be afraid for me.
41:02I always pay very close attention
41:04when I cross.
41:13to Russia,
41:14to friendship.
41:16For the money.
41:17Let's go on an adventure.
41:18And to his little sister,
41:19hope.
41:23Joseph,
41:23the big ears
41:24should be soon.
41:25Joseph,
41:25the big ears.
41:26Yes, one of my men.
41:28The yellow vests announced this morning
41:29that the bank director
41:31that I attacked
41:32has just been kicked out.
41:34He had forgotten
41:35to note the numbers
41:36National Defense bonds.
41:38Ah.
41:39I sent Joseph
41:40change a hundred
41:41of his good
41:41in another bank.
41:43That will do him a little
41:44pocket money.
41:45What if it was a trap?
41:47It's me
41:48who asks the questions.
41:49But he's right.
41:51What if the police
41:52Stop, Joseph?
41:54At least,
41:55I will know for sure.
41:56What if he speaks?
41:57Him,
41:58he would cut off his tongue
41:59rather than saying
42:00a word to the cops.
42:03Besides,
42:04Here it is.
42:04I hear you.
42:08Each of us
42:08in a particular way
42:09to walk
42:10as we each have
42:11different fingerprints.
42:13Me,
42:13I recognize each step
42:14with eyes closed.
42:16The gift.
42:18Come in, Joseph!
42:20Hands up, Lucas.
42:24I said with my hands in the air
42:25and no story
42:26where the hotel is served.
42:32You see?
42:34You will tell me
42:35that there are goldsmiths.
42:37You were wrong
42:38to send Joseph
42:38the big ears
42:39change vouchers.
42:40That surprises me coming from you.
42:42You're getting old.
42:43Screw you.
42:45And you're aging badly.
42:47My friend Joseph
42:48is much nicer.
42:48He had barely been arrested,
42:49he told us
42:49where you were
42:50with great concern
42:51precision.
42:52I was looking for you
42:53for five years.
42:55Three months,
42:56twelve days.
42:58Finally !
43:03Quickly !
43:03With that,
43:04You will pass.
43:05YOU ?
43:05No problem.
43:06Where do we meet?
43:07This evening,
43:089 a.m. for lilacs.
43:09I'll take you to the plan
43:09let's prepare for the next lesson.
43:10Okay.
43:26You are welcome
43:26a few moments.
43:28Ladies and gentlemen,
43:28Don't go out.
43:29That's not wrong.
43:30No, no, no.
43:31Be reasonable.
43:33You will not leave.
43:34Ladies and gentlemen, ladies and gentlemen.
43:36No, no.
43:42I turned you back on your steps
43:42just now.
43:44But for very, my dear,
43:44And why?
43:46Be patient.
43:48Be patient.
43:57Ah, Lupin, I've got you, haven't I?
43:58No, you haven't got it yet.
44:01Ah, well then,
44:02wake up !
44:03I am your colleague,
44:04Victor from the vice squad.
44:06You do it, my colleague.
44:07Like you.
44:08I arrived a second time
44:09too late.
44:09It slipped through my fingers.
44:11And two more?
44:11Evaporated.
44:12He's not going.
44:12Yes, let yourself believe
44:13that he has nothing to do against him.
44:15Oh, that's good, that's good.
44:16It's good, it's good.
44:21It's good.
44:26Rembrandt.
44:33Botticelli.
44:35He has good taste.
44:36your billionaire.
44:37I'm going all Saturday
44:38think about banknotes.
44:39Patience,
44:40God is with us.
44:41Oh, are you sure?
44:42God help us
44:43of those matters?
44:45God loves poets,
44:46the Russians
44:46and the thieves.
44:47They are the only ones
44:48with whom they do not hire themselves.
44:50You're crazy!
44:53For what ?
44:54The shutters are closed.
44:55The old man is tied up.
44:57I have to sign.
45:08If we don't find the loot,
45:10we will compensate ourselves
45:10with the paintings.
45:15A Rembrandt like that,
45:16It needs to search as much as possible.
45:20What was I doing wrong?
45:21What's wrong with your head with all that stuff?
45:22I'm going to burn him
45:23feet to that rich old man.
45:25And I swear to you
45:26that he will drive me
45:26rightfully so, those millions.
45:27Otherwise...
45:28I thought your legend
45:30it was about never having
45:31blood on his hands.
45:32I will wear gloves.
45:34Waiting for,
45:34we're going to go and take care of ourselves
45:35from his feet.
45:36Nothing triggers it like that
45:37the confidences.
45:37No.
45:38Believe me,
45:39no one resists
45:40to a good heater.
45:41It's only a matter of time.
45:42You won't heat it up.
45:43Feet, precisely.
45:44And who even wants to prevent it?
45:45I beg you?
45:46Me,
45:47I don't want them to be tortured.
45:49I don't want anyone to be killed.
45:50I don't want to either
45:51Please use the informal "tu" with me as well.
45:52Hey,
45:52Enough English, huh?
45:53It's going to cost you a lot.
45:54No, not with that toy.
45:56I removed the bullets
45:57just now.
45:58But this one,
45:59He is in charge.
46:00Mr. Braysack.
46:02But stop it, both of you!
46:08Hello, miss,
46:09Put me through urgently
46:09at the police headquarters.
46:11The prefect's apartment.
46:14From whom?
46:16From Inspector Victor
46:18of the vice squad.
46:19From the infernal.
46:32Hello, Victor?
46:33Remind me anyway
46:34What's going on?
46:36Fire him, Mr. Prefect.
46:38Yes, send in your artwork.
46:39at the crisis center
46:39to see it from the perspective of unheard freedom.
46:41I'm holding on!
46:45You do not have the right
46:46to betray Lupin.
46:47That's despicable!
46:48That, Lupin?
46:49Oh no!
46:51Lupin, madam,
46:51That's something else.
46:53Lupin, for his part,
46:54don't confuse
46:55Rembrandt and Botticelli.
46:57Lupin does not attack
46:58to the penny banks
46:59nor to houses
47:00where we don't even know
47:01where the money is hidden.
47:03Lupin loves recklessness,
47:05Yes, but superb recklessness.
47:07The player's side,
47:09that of the champion
47:10that of the artist.
47:11And send them into a trap
47:13and a mousetrap
47:14a Joseph
47:14who gives you to the cops
47:15as soon as he opens his mouth,
47:17it's barely worthy
47:18of a petty imposter
47:19talentless
47:20and without panache.
47:23To be Lupin,
47:24it is not enough
47:25to wear cufflinks
47:26to his initials
47:27nor to have it engraved
47:27business cards
47:28like hers.
47:29That would be too easy.
47:30But then, Lupin?
47:31Ah, it's not him.
47:32I promise you.
47:33First, because Lupin
47:34never kills,
47:35Never torture.
47:36To fly, yes!
47:37And again,
47:38provided you don't steal
47:40only wealthy people,
47:41nothing but unjust people
47:42or exploiters.
47:45And besides,
47:46Lupin does not steal.
47:48He restores the balance.
47:51Lupin has clean hands, though.
47:54with or without gloves.
47:58Ah, I know that.
48:01To speak so highly of him,
48:02It's because...
48:03It's because I love him.
48:05Because I don't want to
48:06Let them damage it.
48:08Because I don't want to
48:09than any petty crook
48:10dares to usurp this name.
48:13No, no.
48:18You ?
48:22Wait, they're going to take you.
48:23One day, perhaps,
48:24They will arrest me.
48:25It will all be over.
48:26Everything will be cold.
48:27But today,
48:29I will not allow them.
48:31Victor,
48:32Dear Victor,
48:33Dear great Victor.
48:34My respects,
48:35Mr. Prefect,
48:35And my sincerest apologies.
48:36for having awakened you
48:37in the middle of the night.
48:38But as promised,
48:39as owed,
48:40This is Arsène Lupin.
48:47The ribbon for you,
48:48The rosette for me.
48:50One word,
48:52Well done and thank you.
48:53Don't thank me,
48:54Mr. Prefect.
48:55I did it just as much
48:56In my opinion,
48:57for you.
48:58An accomplice,
48:59naturally.
48:59No, no.
49:00Take them on board.
49:00Countess Nandacha,
49:02my best friend.
49:03Oh,
49:03Dear Madam,
49:04I am at your feet.
49:05No, my...
49:05Yes,
49:06It wasn't me.
49:07the flowers,
49:08They're making fun of you.
49:09Take him with you.
49:10But it's him.
49:11It's him.
49:11It's him.
49:12That's him.
49:13That's him.
49:14Yes, indeed.
49:14Yes, indeed.
49:15Yes, indeed.
49:16And me,
49:17I am Josephine Baker.
49:18Eh ?
49:26I thank myself.
49:28No.
49:30My son.
49:33Too often,
49:34gentlemen,
49:35Let me tell you,
49:36we presented,
49:37you presented
49:38Arsène Lupin
49:39like an opponent
49:40invincible.
49:41Well,
49:43No.
49:44No,
49:44gentlemen,
49:44No.
49:45The champion
49:46who always wins
49:47the final battle
49:48It's the police.
49:50This is our big house.
49:51it's me.
49:52THANKS.
49:54Enter.
49:56This is from
49:57Inspector Victor,
49:58gentlemen, the prefect.
49:59Ah!
50:00Exact.
50:01A gift.
50:02Did we understand?
50:04Where is it imposed?
50:05Here,
50:05my friends,
50:06here.
50:07Ah,
50:08Ah,
50:08This is Victor.
50:09What number.
50:11I'm waiting for it.
50:11one minute
50:12to the other,
50:12gentlemen,
50:12I hope you
50:13don't spare him
50:14Your applause.
50:16Let's see a little
50:16this gift.
50:18Oh,
50:19No,
50:19Are you?
50:20But,
50:20Are you?
50:22You can't
50:22Nothing to put.
50:23I'm going to do it for you.
50:44He boarded at the stopover
50:46from Lisbon,
50:46He pulled that trick on me
50:47charm.
50:48We talked about it,
50:50We played cards.
50:51we have indeed
50:52invited into his cabin
50:53to have a drink,
50:54And there you go!
50:56the coulique shapes it.
50:58When I woke up,
50:59they were all gagged
51:00and locked away in this disrepute,
51:03with small openings
51:04to breathe.
51:08SO,
51:09next they came
51:10bring me food
51:11twice a day,
51:12smiling,
51:13the scoundrel,
51:15and pee,
51:16under threat
51:17of the revolver,
51:18the garbage.
51:18Oh,
51:19my God,
51:20my God.
51:20And,
51:21And in Paris?
51:23Ben,
51:23in Paris,
51:24locked in an apartment
51:26with only a Malabar
51:26until this morning,
51:28when they came
51:29to bring me here.
51:31Victor,
51:32my dear Victor,
51:33there is, however
51:33one thing
51:34which I don't understand.
51:35What don't you understand?
51:37my darling ?
51:37It's clear.
51:39Come on,
51:40given.
51:41Everything needs to be clear
51:42at the end of an adventure.
51:44My dear prefect,
51:46you have recovered
51:47150 vouchers
51:48of National Defence
51:49by stopping
51:50Joseph the Big Ears.
51:51I'm sending you
51:52June 6
51:52the other 9,850
51:54that I found
51:55in the suburban house
51:56where Bressac was hiding.
51:58Lupine
51:59never steals
52:00the Republic.
52:01On the other hand,
52:03I hold
52:03to keep
52:04as testimony
52:04of your esteem
52:05gifts
52:06that you have well
52:07wanted to make me,
52:07smoking,
52:08evening wear
52:09silk shirt
52:09and shoes
52:10without forgetting
52:11the sublime
52:12Modigliani.
52:14Sending my best regards
52:15to Inspector Gershaw,
52:17please accept
52:18My respectful greetings
52:19and signs for the last time
52:21Victor
52:22of the Vice Squad.
52:25postscript.
52:26I sold it this morning
52:27jewelry
52:28from the Prefect.
52:29I will allow myself
52:30to send directly
52:31the proceeds from this sale
52:32to social works
52:33of the police
52:34with my card
52:35signed
52:36Arsène Lupin.
52:41I know when I was
52:42I've come to the conclusion that it's from you.
52:43Yes, I suspected as much.
52:44But come and read it to me again.
52:45very close.
52:46The newspapers of Paris,
52:47Sir.
52:47Thank you, Greniard.
52:52This is Waterloo.
52:54And when I think
52:55that he sent
52:55a copy of his letter
52:56to all the newspapers in Paris...
52:57He is very meticulous in that respect.
53:02But how did he know?
53:03that I had sent
53:04a telegram
53:04In Africa, in Victor?
53:07And how did he know?
53:08The code?
53:10How ?
53:11Childish?
53:12By Miss Annette?
53:14The secretary
53:15from the Minister of the Interior?
53:17She was attending
53:17at the secret conference
53:18And she told me everything.
53:20Is she pretty?
53:21No, but she hates it.
53:24the police.
53:25That helps.
53:27Let's watch!
53:28The prefect has revoked him.
53:30That's the opinion.
53:32The prefects come and go,
53:34Lupin stays.
53:48It's the biggest one.
53:50the most charming,
53:52the most elegant,
53:54with his gloves,
53:56or without gloves
53:59of the scene.
54:02When they arrive,
54:04when they get tangled,
54:06They are all untangling themselves,
54:07They all thaw out.
54:09and uses it
54:12to the stage.
54:15When they approach,
54:17we hide the pins
54:19and the saddlebags,
54:20They empty their pockets.
54:22without a donkey,
54:24They're poking the stage.
54:28He's the king of vandals,
54:32He's the king of heartbreakers.
54:35It is as brilliant as a diamond.
54:38Fast as a diamond,
54:40the scene.
54:43When they mingle,
54:45when they get tangled,
54:47They are all untangling themselves,
54:49They all thaw out.
54:50and uses it,
54:53the scene.
54:57He is the king of dancers,
55:00He's the king of heartbreakers.
55:03It is as brilliant as a diamond.
55:06fast as the wind,
55:09the handsome Arsène.
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