- hace 12 horas
Arsène Lupin, déguisé en Raoul d'Andrézy, se rend à Vienne à un congrès consacré aux trésors. Chez le riche Baron Ordosczy, la conférence commence. Corcoran explique que les inscriptions mystérieuses gravées sur sept anneaux, recèlent le secret du trésor de Cagliostro. La lumière s'éteint. Quand elle revient, les anneaux ont disparu.
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00:00Music
00:50I'm going to give you a good talking-to this morning.
00:52Yes, this is the Viennese era.
00:55Vienna, where the birds sing in time,
00:59while the Strauss family, from up there, conducts the orchestra.
01:02La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
01:12la, la, la, la, la, la, la.
01:55Are you joking or did I mishear?
01:58The tetrachlorology congress?
02:00The thesorology congress.
02:02But anyway, call it what you will, I can't go.
02:06Especially since we should have closed ten minutes ago.
02:08I need to send someone there.
02:10There will be a lecture by a... by a scholar whose name I forget.
02:14But he is a leading expert in the field.
02:16That's not my area of expertise. My section is history.
02:20In fact, he's going to talk about the role played by an old Austrian aristocrat.
02:23who was in the service of Emperor Frederick I Barbarossa.
02:26A certain knight, Neidegg.
02:29Yes, Mr. Kovasek was not talking about the charming Miss Nedeck.
02:32That's the case.
02:33But from the knight Neidegg, G.G., who dabbled in tartology.
02:37Theorology.
02:39You're going to say it.
02:40Theorology is a science that has very few followers.
02:43Its purpose is the methodical study and eventual discovery
02:46old treasures that have disappeared and most often do not exist.
02:50You've heard that.
02:51She knows a lot, our little fashion editor.
02:54What a change, since the news stories and the dogs run over.
02:59Careful, miss, you're going to reapply your lipstick.
03:01with a rubber stamp.
03:05Myopia is just one more charm.
03:07It's true, she's delicious.
03:08I am very intrigued by this scholar's lecture
03:10And if you don't mind, I would be happy to go in your place.
03:16Oh, you're a sweetheart, I'll repay you.
03:18You see, everything's working out.
03:19Oh, well, don't leave, but I need you.
03:21Come back here.
03:23Oh, that one.
03:24Okay then.
03:33Oh, taxi.
03:41THANKS.
03:47Oh, but that's not a taxi.
03:50No, it's a private car, a new racing model.
03:53Stop, watch out, it's moving.
03:55I see.
03:56I won't say.
03:57What address, miss?
03:59It's quite far away, in the 13th arrondissement.
04:01No, I'm confused.
04:03In the 13th arrondissement, coachman's whip.
04:06And where exactly?
04:07At the Ordoshi Palace.
04:09Ah, but I know it very well.
04:11Baron Miklos Ordoshi is a great horse enthusiast.
04:14He has a stable, doesn't he?
04:15Yes, and the baroness is the president of the treasure society.
04:18Ah, you scoundrel, at Ordoshi Palace.
04:22Welcome to our humble abode.
04:25I am delighted that you were able to accept my invitation, my dear professor.
04:29Ah, what a joy to know you are with us.
04:32It is I who am touched by this decree, Baroness.
04:35Excuse me, darling, would you like to come?
04:37Oh, excuse me.
04:38Yes, my dear Mouchka?
04:39And this is my husband, Professor Corcoran.
04:42Miklos Fernandowski.
04:43Arthur Neville Corcoran, pleased to meet you.
04:46While I'm thinking about it, I'd like to entrust this to you, if you'd be so kind as to keep it safe.
04:51This kit will be necessary for my conference.
04:54These are the rings of Cagliusco.
04:58Stéphane?
05:00Stéphane?
05:02Put this box in a safe place, we will need it for the conference.
05:10Well, here we are.
05:14Miss ?
05:15Warning, there is a step.
05:17Ah, thank you for accompanying me, Mr. Bicomte.
05:20I had a delightful walk.
05:22The pleasure was all mine.
05:23My only regret is that it's already over.
05:25Bye.
05:32Warning, there is a column.
05:41Oh, turn around discreetly, Greniard.
05:49But what is this Tamara Andreevna doing in Vienna?
05:53A dirty trick, most certainly.
05:55That could interest us.
05:57This wouldn't be the first time we've been dealing with the same case.
05:59Nor that they would pull the rug out from under him.
06:05She is going to the Hordochis' house.
06:07Of course, theorology.
06:13I think this is going to get interesting.
06:16Darling, I would like to introduce you to Countess Cagliostro.
06:19Oh, what a great idea to have come.
06:21I am charmed.
06:23So, you would truly be descended from Count Cagliostro?
06:26Yes, Baroness.
06:27He was my great-great-great-uncle.
06:30Oh !
06:31The countess is a wonderful horsewoman.
06:33We met at the Prater yesterday morning
06:35and I invited him to attend the professor's lecture.
06:37And I'm very happy that you agreed to come.
06:42Viscount Raoul d'Andrési requests permission to present himself to the Baroness.
06:48Yes, of course.
06:49Please tell him to come.
06:54Baroness, baron, viscount.
06:57I am embarrassed to be presenting myself to you without having been invited.
07:00but I am passionate about treasure hunting.
07:02Please, do not apologize, dear Viscount.
07:05I am delighted to welcome you, believe me.
07:08Oh, may I introduce you
07:10Viscount Raoul d'Andrési
07:11and Countess Cagliostro.
07:14I am delighted, Viscount.
07:15It's a pleasure to meet you.
07:18And may I lead you to the conference room, dear friends?
07:21You are welcome.
07:24What could possibly attract you here, Arsène?
07:28Your presence, dear Tamara.
07:31Your fascinating presence.
07:58These are the famous rings of Cagliostro.
08:06I'm a journalist and I would have liked to know...
08:08Take your seats, dear friends, take your seats.
08:17Oh, thank you.
08:19But we know each other, don't we?
08:22Yes, visually.
08:23If I may use that euphemism.
08:25Dear friends, it is I who receive the greatest honor
08:27to introduce our speaker.
08:30And I must admit that I feel a great sense of pride.
08:33As you know, we are hosting this evening
08:36Professor Arthur Neville Corcoran,
08:39one of the most eminent theorologists of our time.
08:46Tony, tell me,
08:47who will go into the courtyard
08:49And who's going to go down to the cellar?
08:51At least I don't care.
08:54Listen, I want to know if you prefer the courtyard.
08:56Yes, of course, if you want me to go into the yard.
08:58No, I'm not telling you what I want.
08:59I'm asking you what you want to do.
09:02Okay, I'll go to the courtyard.
09:03Ultimately, as long as that's what you want.
09:05Yes yes.
09:06It would be a mistake to believe, as some
09:09that it is a fable, a legend.
09:13Because we know that the treasure of Emperor Frederick Barbarus
09:17is a reality.
09:19This is a historic celebration.
09:21And it never fell into the hands of the Turks.
09:23But then, where is he?
09:25We don't know.
09:26However, we do know some details.
09:29We know that an Austrian knight
09:31left Milan
09:33shortly after the siege of the city
09:35in 1162.
09:37He was transporting a treasure
09:39which could very well have been that of the emperor.
09:42After the trees,
09:43He was heading east.
10:00Not long ago,
10:07during my investigation in Germany,
10:09I discovered a lead
10:11Very interesting.
10:12You'll see.
10:14In the archives of the city of Gelden,
10:16I found a manuscript
10:18dating from 1777
10:21and which is a report
10:24from the visit of the famous magician
10:26Calliostro to Gelden.
10:29You know, I think,
10:31that Count Calliostro
10:33he readily flattered himself
10:34of being in possession
10:35of seven mysterious rings.
10:39These rings
10:40were engraved
10:42and they claimed
10:43that a correct interpretation
10:45engravings
10:46were to reveal
10:47the exact location
10:48of a treasure
10:50disappeared.
10:51According to his own statements
10:53of Calliostro,
10:54these rings
10:54would have been part
10:55property
10:56of a certain
10:57Austrian count
10:58of which he gave
11:00the name.
11:02Maximilien
11:03van Nedeck.
11:05These seven rings
11:06are the key
11:07mystery
11:08treasure
11:09by Frederick Barbarus.
11:12For soon
11:13two centuries now,
11:16Ladies and Gentlemen,
11:17those famous rings
11:19historical
11:20belong
11:21to the archives
11:22of Gelden.
11:24Thanks to the kindness
11:26elected officials,
11:26I was able to borrow
11:27at the city museum
11:29the box
11:30which contains them.
11:31Dear friends,
11:32I won't hide it from you
11:33that I am very happy
11:35to introduce them to you
11:36Today.
11:52But what are you doing?
11:53with my device
11:54of photo,
11:54Madam Baroness?
11:56But I don't know.
11:58You threw it at me
11:59at the head.
12:00Me ?
12:03Oh, for love
12:04from the sky.
12:05The rings
12:06were stolen.
12:08Call a Nassau.
12:09Police.
12:21Ah, she's clever.
12:25A short circuit
12:27And that's all there is to it.
12:29It took him
12:29at least
12:31two accomplices.
12:32One for the breakdown
12:33light
12:33and the other
12:34to receive the rings
12:35that she launched
12:36through the window
12:37before disappearing.
12:40That she has disappeared,
12:41I don't care.
12:42However,
12:43the rings,
12:43I know where they are.
12:45Ah,
12:46I've always said
12:46that we would do
12:47something of you.
12:47I learned well
12:48my lessons,
12:48sir, my master.
12:50I initially followed
12:50the box
12:51and then the guy
12:52that he received.
12:52Did he take you far away?
12:53In the suburbs,
12:54in a charming corner,
12:56a white villa,
12:57a rose garden,
12:58a truly dreamlike setting.
12:59Ah, ah.
13:11Ah, look at that.
13:12Here is the countess.
13:16Good morning, gentlemen.
13:18Good morning.
13:19You stayed a long time
13:19absent,
13:20Even the countess.
13:21You look tired.
13:22The police have not left
13:23the premises before 6am this morning.
13:25They were looking for
13:26rings.
13:27They searched me,
13:28Imagine that.
13:29Well, I understand them.
13:30Next, the baron wanted
13:31that I have breakfast
13:33with...
13:34What's happening next door?
13:36There is someone in the house.
13:38He's a gas company employee
13:39who is visiting us.
13:40He is in the process
13:41to look for a leak.
13:42Oh yes ?
13:43Be vigilant, gentlemen.
13:46Arsène Lupin
13:47is searching for the rings.
13:48Arsène Lupin?
13:50Yes.
13:50And as I know him,
13:51He will try to take them back.
13:53Don't let anyone in here.
13:55It's clear.
13:56Regardless of
13:56the pretext invoked.
13:58Trust us.
14:00It's clear.
14:01Ah!
14:01Ah!
14:01Ah!
14:29It's clear.
14:39So, I'll go into the garden and you'll stay on the first floor.
14:43Unless you want to go into the garden earlier.
14:45Cut me out.
14:49Oh really? He's just the employee of the grace.
14:54Is everything in order?
14:55The return amplifier indicates three degrees of overpressure.
15:01Are you debating this?
15:03Do you feel anything?
15:06If you can feel it, so can I.
15:08Okay, so I'm going to check the burners.
15:12Oh no, you can't go in there.
15:14Ah, sorry, but that's the rule.
15:17I need to adjust the gas overpressure interruption boxes.
15:20I must tell you something first.
15:22Countess, there is a gas company employee who needs to check the booster pumps at...
15:27Finally, can he come in?
15:30Enter.
15:33Countess, it's an employee who's come to check the pressure relief valves...
15:38There, there, there, if you don't mind?
15:41Gas overpressure interruption boxes.
15:45Will it be a long process?
15:46No, two minutes.
15:48Good.
15:49Julius, keep watching.
15:50Yes, Countess.
15:54Your Julius is a little nervous.
15:57Don't you think he's a bit hot-headed to be playing with a firearm?
16:01Is that any of your business?
16:05As a target, yes, madam.
16:08A lost ball can never be recovered.
16:11Moreover, it can miss the target and lodge itself in your pretty head.
16:17And that would be a real shame.
16:20A glass of champagne?
16:23Lepin?
16:24What are you looking for?
16:27The only thing that interests me.
16:30Apart from you, of course.
16:34The rings of Cagliostro.
16:38You're aging very badly, Arsène.
16:41Because you assume they are here.
16:45No.
16:48Because I'm sure of it.
16:50A kind of female police officer is horribly bad and corrupt, like all the others.
16:56And she found nothing.
16:59That makes sense.
17:01He had flown away.
17:04Arsène Lupin.
17:06Your jokes are adorable.
17:13And this is a joke?
17:16What is this ?
17:17The proof.
17:19You can never be too wary of photographers, but they are always looking for the sensational shot.
17:23This one was taken at the moment you removed the rings.
17:27Fortunately, I was able to obtain the negative.
17:30What are your intentions?
17:31The police would be very happy if I gave them this photo.
17:34You're bluffing, Arsène.
17:36You would never do that, it's not in your style.
17:40What would be so dishonorable about that?
17:47Wait.
17:54Give me that photo.
17:58Finally, something reasonable.
18:01As a reward, I will offer you a Mediterranean cruise.
18:06Disappear.
18:07Already ?
18:08I haven't even had time to check on your health.
18:22Julius!
18:22Tony!
18:29Where is he? I can't feel it anymore, this leak.
18:31Julius! He wasn't a gas company employee, but Arsène Lupin.
18:34He blackmailed me.
18:36I gave her the rings in exchange for this photo.
18:38Did you hear that?
18:39We're the idiots, but it's the lady who's being taken for a ride.
18:43Anyway, it's not really that interesting anymore.
18:47The rings are not what's important.
18:49No? And what is it?
18:51These are the inscriptions on the rings.
18:53I had already noted them down when Mr. Lupin arrived.
18:57Ah!
18:58Anne, Brooke, Gold, Geld.
19:04What does that mean?
19:06T, Earn, Earned.
19:11Ah!
19:13I'll find the key eventually.
19:15And certainly before Arsène Lupin.
19:19Well, well.
19:21Did you find it, boss?
19:27Go get me a botan from Geldern.
19:29Of...
19:30What ?
19:32De Geldern.
19:34It's a small town near Düsseldorf.
19:39That's it, I understand.
19:41Gold was silver at Brooke's harvest.
19:47I know what that means now.
19:49Barbarossa's treasure must have been made of silver.
19:52Then we changed it like that.
19:53We exchanged it for gold coins.
19:55And they are buried in Brooke.
19:57Well, all that's left for us to do is pick.
19:59and harvest.
20:01Gold came from silver.
20:02Brooke harvests.
20:03That's all very well, but which Brooke?
20:06Brooke on the blackberry?
20:07Brooke on the Tzile?
20:09Brooke on Letty?
20:11Innsbruck?
20:12Well, travel broadens the mind.
20:17So start planning a tourist itinerary.
20:20What kind of tourist itinerary?
20:22Well, take a map of Austria and underline the towns and villages that have Brooke in their name.
20:27Eureka, I've found it.
20:28What? The Gelderne directory?
20:30No, I found the solution to...
20:33Of...
20:34Crypto?
20:35Or crypto?
20:37Cryptogram.
20:38Ah.
20:38Yes, a cryptogram is a text that is used within another text.
20:42Ah.
20:42Let's see about that.
20:44Listen to this.
20:46Colt, gold, and Tegelt, silver, to Brooke.
20:49Erndt, harvest.
20:50So this is a gold treasure that must be collected in Brooke.
20:56Eh ?
20:57Hmm?
20:58No, no, that doesn't hold water.
21:00Oh.
21:01Think about it for a bit, granary.
21:03The famous rings of Cagliostro are imitations.
21:05And the cryptogram is probably nothing more than the name of the company that manufactured them.
21:12Oh.
21:14Brooke.
21:17Theodore Ephraim Brooke.
21:20Goldsmith workshop, the oldest house on the square since 1688.
21:26Now I don't understand anything anymore.
21:29It's actually quite simple.
21:33Let's see.
21:34YOU.
21:35Theodore Ephraim Brooke.
21:38Um...
21:39Gold Waren, goldsmithing.
21:42Geldern, the city.
21:45YOU.
21:45Brooke, goldsmith, in Geldern.
21:48Tremendous !
21:50Ha ha ha!
21:59Oh, sorry.
22:00It's demonized, sir.
22:04Here.
22:13Ah!
22:20This is the armor of the knight Konradin von Neidegg.
22:24Loyal to Emperor Frederick I Barbarossa.
22:28It was this knight von Neidegg who supposedly transported a fabulous treasure across the Alps for a thousand years.
22:35And here, on the left, sorry.
22:38An oil painting depicting the gallows in our village.
22:43The Counts of Limbach, as vassals of the Emperor, had the right of life and death over their
22:49subject, up until the beginning of the 19th century.
22:52And they used it quite often.
22:55Now, I ask you to be quiet; you will not make any noise, as we will be just a few steps from the apartment.
23:00of the count who hates to be disturbed during his afternoon nap.
23:03It is on this express condition that the count authorizes me to receive a few visitors.
23:09You are welcome.
23:15Thank you, madam.
23:17Thank you very much, gentlemen.
23:18Come back and see us whenever you feel like it, ladies and gentlemen.
23:23Bye.
23:26Thank you.
23:31THANKS.
23:32Tell me, I have a question to ask you.
23:34When, Count, can he receive me?
23:36I regret to say, the Count never wants to receive anyone again.
23:39When you talk to him about the matter that interests me, I guarantee he will agree.
23:42Oh, I'm afraid not.
23:44Would you be kind enough to give him my card?
23:47I would like to talk to him about a possible way to enhance this magnificent castle.
23:51We could make a first-class hotel here, with a few renovations.
23:54There is an initial investment, that's obvious, but the money isn't the point.
23:58Very well, I will pass that on to the Count.
24:00Please let the village know. I live at the Soumschloss inn.
24:03Bye.
24:05Goodbye, Baron.
24:10Money doesn't matter.
24:12And look at the tip he left.
24:19Tell me, Count.
24:21Yes ?
24:22If I may be so bold, I'd like to know if you might have any idea...
24:26Before what, Nicolas?
24:27To sell, to sell the castle.
24:30Selling the castle, are you kidding?
24:32That would be a solution, though.
24:35Is it normal for the Count to act as his own guide in a falling-down castle?
24:39in ruins?
24:40You're right, but you're forgetting one thing.
24:42I certainly hope to find the treasure, Nicolas.
24:46Tell me what you think.
24:48Where are we going first?
24:50In Brussels-on-the-Wall?
24:52Or Brux-sur-la-Tille?
24:54Yes, you must be right.
24:57Well... as long as you think so...
24:58I want to know what you think.
25:02Do you want to know?
25:03Yes.
25:03Ask the countess what she thinks.
25:04Ask her what she thinks.
25:06She would have to come back for that.
25:08It should have been here a long time ago.
25:10She hasn't come home?
25:10Look at them, he is.
25:12Yes, she should have come home a while ago.
25:14We're not very bright, old man.
25:15If we hadn't let her go, she would have already returned.
25:18Still, she wouldn't dare to deceive us, would she?
25:20I wonder about that.
25:22The boss wouldn't cut us any slack if that happened.
25:24He told you not to take your eyes off her.
25:27It is therefore logical to think that these rings
25:30that I found in the archives of the Gelden Museum
25:32are only imitations that Count Votayal
25:36He had it done for a reason that escapes me.
25:38That's a brilliant deduction, professor.
25:40And if my theory is correct, we'll be able to verify it very quickly.
25:44When I think I know where the originals are.
25:47Or ?
25:49In a place they never left.
25:52Neideg Castle, near Limbach,
25:55I am here, free.
25:56Mr. Julius Potitschek?
25:58Yes, it's me.
25:59I have a clear express for you.
26:01Please give.
26:12It's a letter from the boss.
26:14It's very kind of the boss to give us an update.
26:17What's he talking about? Will you read it to me?
26:19Come to Neideg Castle via the most direct route.
26:22Previously, you will have the countess at your disposal.
26:31Look at this, Baroness.
26:32What do we do now?
26:34Oh, what is it?
26:36I'm afraid the road is blocked.
26:38Because it's boring.
26:39Well ?
26:40We're forced to take a detour, I'm afraid.
26:42You'll find another route this way.
26:50The rooms for these ladies and gentlemen have been reserved.
26:53Oh yes, and by whom?
26:55Well, you are indeed Professor Corcoran.
26:58University of Aberdeen.
27:00Yes, indeed.
27:01Yes.
27:01Room 3.
27:02First floor.
27:04If you feel like refreshing yourself before eating, you have time.
27:07I need it after the torture of the journey.
27:10Countess Caliostro.
27:11Yes.
27:12On the third floor, room 17.
27:13Yes, it may be high, but you'll see, it's a lovely room.
27:17Your luggage will be brought up to you.
27:20Baroness Ordochy.
27:21Yes.
27:22So.
27:29Oh.
27:53Countess, we are at your service.
27:55What are you both doing here?
27:57I think we said you would lock the door.
28:01Thank you, I forgot about it without you.
28:11Leave me alone.
28:13But where were you going, Countess?
28:17But please explain yourself. What brings you here?
28:21Did you tell him, Tony?
28:23Yes, I'll tell him if you prefer.
28:25I'm asking you what you prefer.
28:27I don't care, you know that.
28:29So, I'm going to tell him.
28:39Sit down.
28:40I want to go out.
28:41You don't want anything at all.
28:44Countess, nothing but the best.
28:47Sit down.
28:52What's going on?
28:59So.
29:00You know that my grandfather...
29:02But you knew him, my grandfather, Tony?
29:04No.
29:05Well, it doesn't matter.
29:07My grandfather was a philosopher.
29:10He often used to tell me...
29:12A fool who thinks he is very strong often realizes too late that he is a fool.
29:17You are a living illustration of this excellent saying.
29:20You're an idiot and you know it too late.
29:23That's life.
29:26A rather short life.
29:28What are you going to do to me?
29:30Have you lost your mind?
29:32You would never dare...
29:34Yes, we will dare.
29:36Don't be afraid, it will all work out, I guarantee it.
29:39We'll do it in a humane and quick way, you'll see.
29:44Even Julius...
29:46Tony...
29:48Silence.
29:50Be quiet.
29:51If you shout, I'll take you down.
29:53Ask who it is.
29:57Who is here?
29:58The valet, Madam.
30:01I'm bringing fake luggage.
30:03Well, give him the key.
30:05I'm warning you, no wrong moves.
30:07If you ever try to run away, or if you say anything to him,
30:12You are dead.
30:13We warned you, didn't we?
30:17Come.
30:25Countess.
30:33Oh, my word!
30:34They will have created halter points to carry your falcons.
30:38What do you put in it?
30:39Gold bars?
30:40They're a bit heavy, I know. Put them there.
30:44Nor do we have any idea of installing a frequency on the third floor.
30:49I always say, big bags at the bottom, small bags at the top.
30:53The big client is the big baggage.
30:55That's the heavy baggage.
30:57Oh !
30:58Oh !
31:01Oh !
31:01Zazan locked him up here.
31:03What is the chambermaid waiting for to give them a breath of fresh air?
31:09Oh !
31:11Oh !
31:13But where did those two come from?
31:16Never mind, it's nothing, my good man. It's nothing. These gentlemen are friends.
31:21Me? Friends?
31:24No, no, no. Not even friends, madam.
31:27This is a Boulis regulation.
31:30No strangers allowed in the rooms after ten o'clock in the evening.
31:33It's posted on the door.
31:35Well, I'm sorry. I haven't read it.
31:38Yes, that's what we say. That's what we always say.
31:40And then Commissioner Boulis arrives with the husband to witness the crime in progress.
31:45No, no, no, madam. In that case, you will have to look for another hotel.
31:49Do I need to leave the hotel?
31:51What if she...
31:53What if this lady refused?
31:55Ah, in that case, I'll call the police. They're downstairs, by the way.
31:59No, no, it's pointless.
32:02So, your armored men are calling you.
32:04We were going to leave anyway.
32:06Yes, we were just about to leave.
32:09As the countess told you, we are friends.
32:16See you soon, Countess.
32:20And you, the valet, are you settling in?
32:22No ?
32:24Oh, wait a minute. Let me give you something.
32:28Oh, in a moment.
32:30Here you go. Gentlemen, good night.
32:33Welcome.
32:43And there you have it.
32:45Oh, Arsène!
32:46There are still times when you're happy to see me.
32:49Oh, it was a very risky game though.
32:53What wouldn't we do for a pretty woman?
32:56But tell me between us, did you go to the bathhouse to get your two pendants?
33:00In Vienna, they had been recommended by a bookmaker.
33:03They were supposedly hardworking and very dedicated.
33:05I want to believe that, but devoted to whom?
33:08Just a moment, I'm taking precautions.
33:10I think he's the kind of guy you run out the door from.
33:14and who comes in through the window.
33:17You have my full gratitude, Arsène.
33:20I truly believe you saved my life.
33:22Oh, life is short enough already. No need to shorten it further.
33:36But what are you doing here?
33:39I suppose you want to have a quiet night.
33:41Me too. That way, we're at home.
33:44But how are you going to get out, Arsène?
33:48Unless you go through the keyhole, there is no other way out.
33:54Arsène, you're not going to spend the night here.
34:01I don't see how to pass it on anywhere else.
34:04No, no, dear professor, have no fear.
34:06I won't interfere with your treasure hunt.
34:08I am here for a variety of reasons.
34:10It is the castle that interests me.
34:12Don't you think this would be a wonderful place for weekends, my dear?
34:16Have you spoken to the owner about it? Is he willing to sell?
34:19No, I haven't been able to approach him yet.
34:21I only saw his steward.
34:22The count does not want to receive any visitors.
34:24It's definitely an original.
34:25Not to mention a madman.
34:27Why do you say that?
34:28Well, he's locking himself in his apartment.
34:31He doesn't want to see anyone.
34:33He's an eccentric.
34:34May I, Baron?
34:36Yes.
34:36And you'll excuse me for disturbing you, Count Naïdok would like to speak with you.
34:42Extraordinary.
34:42Yes, indeed.
34:46Baron, what's your prescription?
34:48I am delighted to meet you.
34:49Would you like to sit down, sir?
34:50No, it's pointless.
34:51I prefer to remain standing.
34:53It seems you want to buy my castle.
34:54Yes, that's correct.
34:55Its effect, the project.
34:56My castle is not for sale.
34:57No more than my coat of arms.
34:59Regardless of the price they offer you.
35:01Honor is priceless, sir.
35:02Or else, it's prohibitively expensive.
35:04A word to the wise.
35:06Excuse me, Count.
35:08I am Professor Corcoran
35:09from Aberdine University.
35:11Don't apologize.
35:12It takes all sorts to make a world.
35:14It's not what you think.
35:15I had intended to present myself at your castle this morning.
35:18Because I believe I know that it contains valuable information
35:21concerning a legendary treasure.
35:23But where do you think you are?
35:25Among the Templars?
35:26No, you shouldn't misunderstand.
35:28Believe me, I'm only interested in the scientific aspect.
35:32Tours of the estate take place on Wednesdays.
35:35Normal visits, Count,
35:36seem completely insufficient to me.
35:38for serious research.
35:40And that's why I had hoped
35:41that you would grant me the favor...
35:43No, I don't grant any special favors.
35:45outside of official opening hours.
35:47If you enter my house, I will unleash my dogs.
35:51With great honor.
35:53Greetings.
36:00Excuse me.
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