- il y a 14 minutes
Arsène Lupin suit dans un train une jeune anglaise qui lui a volé son portefeuille. Ils sont attaqués par deux hommes qui s'enfuient en s'apercevant qu'ils se sont trompés de victimes. Lady Bakefield, blessée, s'évanouit en murmurant à Lupin "Gabriel...Villa Valdblick". Deux cadavres sont découverts à l'arrêt du train. Une jeune fille aux grands yeux verts est arrêtée.
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AmusantTranscription
00:04Ladies and Gentlemen
00:30Black, green and face
00:32For the staff
00:33THANKS
00:42If this continues, I predict an excellent holiday for the Count.
00:45It's your never
00:46Hey, Greniard
00:47Take the rest
00:48You can buy yourself a Bugatti or whatever you want.
00:51When we return to France
00:53Mr. Accountant is too good
00:57Oh !
01:00You are extremely kind, sir.
01:02Thank you
01:03Come on, all the pleasure was mine
01:09Innocent eyes, sensual mouth
01:12This is my favorite cocktail
01:16The Count suddenly looked pensive.
01:18Yes, indeed, my dear Greniard
01:21It is on strengthening the cordial understanding that I reflect
01:27What is it, boss?
01:28Have you lost something?
01:31Oh, that's incredible!
01:34It's fantastic
01:36Take me, Arsène Lupin, my wallet
01:39This woman wants war
02:08MFP subtitles.
02:39Hey, checked!
02:45What did you do?
02:46What did you do?
02:47Okay, let's talk!
02:47Rest assured, the dog and the young lady are old friends.
02:50My carriage, but what are you thinking about?
02:52Since we have the car, come on!
02:55Damage !
02:57A brute, a ferocious dog, a girl with green eyes,
03:00It's a trio you would have liked to follow a little.
03:05But you must take revenge on perfidious Albion.
03:08Treacherous, but very well done.
03:11We hope you enjoyed your holiday in Baden-Baden.
03:14and wish you a pleasant trip to Luz Vicksburg.
03:16THANKS.
03:20THANKS.
03:20THANKS.
04:00THANKS.
04:02THANKS.
04:08THANKS.
04:17THANKS.
04:35THANKS.
04:38THANKS.
04:40THANKS.
04:43THANKS.
04:46THANKS.
04:47THANKS.
04:48THANKS.
04:52THANKS.
04:53THANKS.
04:54THANKS.
04:54THANKS.
04:54THANKS.
05:08THANKS.
05:20THANKS.
05:22THANKS.
05:25THANKS.
05:26THANKS.
05:26THANKS.
05:29THANKS.
05:42THANKS.
05:48THANKS.
05:56THANKS.
05:58THANKS.
06:00THANKS.
06:02THANKS.
06:02THANKS.
06:03THANKS.
06:04THANKS.
06:11THANKS.
06:17THANKS.
06:23THANKS.
06:31THANKS.
06:33THANKS.
06:34THANKS.
06:41THANKS.
07:04THANKS.
07:06Dora.
07:06Dora.
07:08Listen, there's a case for us.
07:12Tomorrow morning, Villa Waldblik in Luz Vicksburg.
07:19Follow, Gabriel.
07:24Tomorrow morning, Villa Valtblik in Ludwigsburg, Gabriel.
07:32Look, criminal, Commissioner Marchand.
07:34Commissioner, Commissioner.
07:43Please be calm, calm down, and let no one leave the compartment.
07:48Commissioner, come and see this quickly.
07:52Two men's corpses and a woman's hat.
08:12I don't care about your recruitment difficulties.
08:15I need 20 police officers as soon as possible.
08:18And the doctor I asked for.
08:20I have a young woman here who is seriously injured.
08:23If your doctor doesn't arrive in time,
08:24You can remove the word "advancement" from your vocabulary.
08:27Farewell.
08:33The train has left.
08:34I'm having the crime wagon put on a siding all the way to New Shadow.
08:38Under good guard, I hope.
08:39You have some good ones.
08:40I am alone with my wife and she is deliberately hurting her.
08:42So, how is she doing?
08:44Thanks very much.
08:45You know, here we lead a quiet life, no more than three trains a day.
08:48So, she knits me some socks.
08:50No, no, no, I'm talking about the injured woman.
08:52Ah, that one, she's still unaware.
08:57This is the guardhouse. What is the name of this village?
09:00Egelhofen.
09:02Egelhofen.
09:02The Egelhofen guard.
09:04Yes, yes, it's him on the phone.
09:06What did you say?
09:08Oh, colossal!
09:11Yes, yes, yes, bring it right away.
09:15What are you telling me?
09:17A beautiful girl with big green eyes.
09:21Are you kidding me?
09:23Bring that wretched little thing to me immediately.
09:27But did you say a girl?
09:29Yes.
09:30One of the attackers has been arrested.
09:32And it's a girl.
09:34Age 19-20, oval face, blond hair, slim build,
09:39Distinguishing feature: magnificent emerald green eyes.
09:43Rather strange, isn't it?
09:44Yet another example, Count, of the misdeeds of the Republic.
09:47The right to vote granted to women and all this general emancipation
09:51result in the emergence of bandits of the weaker sex.
09:53Ah, if only our emperor were here.
09:55I don't know about that.
09:56But I find it difficult to imagine that a woman
10:00be capable of wielding the baton with such vigor.
10:02Nothing surprises me about an anarchist.
10:04Moreover, woman is made to destroy man.
10:07The lady who was with you, for example.
10:10Is that Lady Bigfield?
10:11Yes, Count.
10:12She is an adventurer, a pickpocket, a kleptomaniac.
10:15Ah, not possible.
10:16Yes, yes, yes.
10:16She was the one I was watching on the train.
10:18Well, well.
10:19But she is incredibly suspicious.
10:21I only know one other man who is as brilliant
10:23and just as elusive as she is.
10:25It seems he's in Greece now.
10:26He's the gentleman tombrioleur.
10:28Arsène Lupin.
10:32Ah, really.
10:34Very interesting.
10:56So, the young lady gets on her high horse
10:58and refuses to answer questions.
11:00Well, I'll take care of charming you.
11:02Your name and your profession.
11:05Are you the investigating judge?
11:07It's not up to you to ask me questions.
11:10I am introducing myself purely as a courtesy.
11:11Commissioner Marchand.
11:13I want to speak to an investigating judge.
11:15Can you hear it?
11:16She wants to speak to an investigating judge.
11:17I will no longer tolerate your impertinence.
11:20Can you hear me?
11:21Anyone placed under arrest
11:23must be presented to an investigating judge.
11:26It's true !
11:27How ?
11:29It's in your code.
11:31Article 128.
11:34So, do you know the code?
11:36You too ?
11:37Yes.
11:39And you refuse to disclose your identity?
11:41Yes.
11:42I will speak to the investigating judge.
11:45The law enforcement officers in charge
11:47of the provisional custody of a suspect
11:48must take all security measures
11:50which seem indispensable to them
11:51to prevent the prisoner from attempting an escape.
11:55This way, miss.
12:08It was article 347 of the same penal code.
12:10I didn't invent it.
12:13No one is allowed to enter or leave here.
12:14Okay, Commissioner.
12:20Gardigelhofen?
12:20One moment, please.
12:22Yes, it's for you.
12:26Hello, yes, this is Commissioner Marshall
12:28who is on the phone.
12:31How ?
12:32So, that's settled.
12:33If you have any news,
12:34Call me back here at the train station of...
12:37Igelhofen.
12:37Ah yes, Igelhofen.
12:39Yes.
12:39There is a good brewery in the area.
12:41Yes, when I go out, opposite, I'm on the left.
12:42That's not good.
12:44How so ?
12:45But here's a question, naturally.
12:46that the second bandit must be found.
12:49If it had been brought to me, I would know, wouldn't I?
12:51I'm telling you he's free.
12:54Yes, well, continue the search.
12:56He shouldn't be far away.
12:57Come on !
13:19Come on !
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13:48...
14:12Why did you kidnap me, sir?
14:14You are terribly romantic, miss.
14:17I did not kidnap you, I set you free.
14:20The difference is important.
14:23When I remove, I seduce first.
14:27Always.
14:29To whom do I have the honor?
14:31Let's not reverse the roles.
14:33It's up to you to tell me who you are.
14:35My name is Aurélia.
14:38Aurélia, that's a bit short.
14:40Aurélia who?
14:44Mysterious Aurélia.
14:46Are you the timid young girl I met in Baden-Baden?
14:50Or perhaps the luxury train robber?
14:52Or both?
14:53I think I know what your secret is.
14:59Don't try to make me talk, sir.
15:01I already told your colleague that.
15:04Eh?
15:04Ah, because you think that...
15:05Oh no, that's not true.
15:07Commissioner Marshall, my colleague?
15:09Lord, why did I deserve this?
15:11I am convinced that you are with the police.
15:14My dear child,
15:15You are the best comedy writer of the year.
15:17And you're delicious, too.
15:21Leave me alone!
15:23Come on, leave the car!
15:24Mine!
15:25Come on, let it go!
15:27Gabriel!
15:28Gabriel!
15:30Gabriel!
15:50Run, children.
15:52I know where you're headed.
15:55Ludwigsburg,
15:56city in Valblik.
15:58Gabriel.
16:00Congratulations, my dear Dobrydsky.
16:01With your usual mastery,
16:02You've messed everything up again.
16:04I did what I could, Mr. Beaumann.
16:06Have you wondered what would happen?
16:08What if Aurélia were arrested?
16:09She would go and confess to the first investigating judge who came along.
16:11And that would be my ruin.
16:13There is nothing to fear.
16:14Gabriel accompanies him
16:15and he will ensure that she is discreet.
16:16Gabriel, my devoted secretary,
16:18is nothing but a sinister swindler.
16:20You know that this boy has been convicted several times.
16:23I will ignore it as well.
16:24I fell for it.
16:26He enters my service, gains my trust
16:28and takes the opportunity to seduce my daughter.
16:29That's normal.
16:31She is 17 years old and he is 25.
16:33Silly.
16:34But it's not out of love
16:35that this thug is trying to marry Aurélia.
16:37Let's see, it's to beat me to the punch.
16:41He's probably heard about the fabulous inheritance
16:43and he suspects that Aurélia will soon be very rich.
16:46You who have been waiting for so long.
16:48Good God, and you Dobrydsky,
16:49instead of catching up with the jipier,
16:50You let him escape.
16:51Yet I did everything that was possible...
16:53So much so that your exploits are displayed on Saint-Colonne
16:55in all the newspapers.
16:56Bloody crime on the Ludwigsburg train.
16:59Give me one more chance, sir.
17:00I promise to stop that bastard from harming you.
17:03You will have the opportunity to distinguish yourself.
17:06So listen.
17:08Aurélia and Gabriel are going to try to penetrate
17:10at Villa Valblik starting tonight.
17:13That way, we can catch them red-handed.
17:14That is to say, you will surprise them.
17:16Go hide somewhere in the villa's garden.
17:18Aurélia, you will remain at your post for as long as necessary.
17:21And if I have one piece of advice to give you,
17:23that I don't see you again without Aurélia.
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24:11She's in the lake, darling.
24:14It's a pity.
24:16Your Gabriel is hopelessly clumsy.
24:20He is being hunted.
24:24It was thanks to the intervention of the German Shepherd that the man was finally arrested.
24:29Ah, and you, Mr. Lupin?
24:32You, the unbeatable one who managed to ridicule Mr. Erlok Scholmest.
24:36You witnessed this scene without intervening at the bottom of the water.
24:41Disappointment is leading you astray, milady.
24:44Do you think Arsène Lupin might have let himself be arrested?
24:48Unfortunately, they took Gabriel, your distinguished colleague.
24:53Ah, my colleague!
24:55So, your friend?
24:56I don't know this Gabriel at all.
24:59It so happens that I overheard a conversation he was having with a young girl named Aurélia
25:02in Baden-Baden Park.
25:05Ah, and I see, it was about the girl's family.
25:08whose identity had to be discovered.
25:10Yes.
25:11She was supposed to play a piano piece at the Valbli villa.
25:14That's precisely what piqued my curiosity.
25:17And since God wanted me to love music,
25:22I wanted to know more.
25:23And I discovered this lying around in Gabriel's pocket.
25:28And you hid it away, Dora?
25:32Admit that this letter could have tempted the devil.
25:34Here, read it.
25:38My dear Aurélia,
25:40When you receive this letter, I will no longer be of this world.
25:44But you need to know that I loved you the way only a father can love his daughter.
25:50I did what I could for you; your future is secure thanks to the inheritance I left you.
25:54I'm leaving you.
25:56To avoid you having to pay inheritance tax, I deposited it in a safe place.
26:00You will find it in your grandfather's house in Ludwigsburg, the Valblik villa.
26:07There is a grand piano in the living room.
26:10All you have to do is play our old favorite song.
26:15And at the same time, you will be rich.
26:19Your father who will love you eternally.
26:25Don't you think this Gabriel is a complete scoundrel?
26:31I'm getting lost in this story.
26:34For example, why were we attacked on the train?
26:38Why resort to murder?
26:40A simple mistake, my dear rat.
26:43It was so simple that I didn't even question the girl about it.
26:46So, now you know this little girl.
26:48Of course.
26:50But what the newspaper doesn't mention,
26:52That's because she was with Gabriel at the Valblik villa.
26:55So, did she play the piano?
26:56Oh, you're hurting my ears.
26:58Hold.
26:58And what happened?
27:00Nothing. No visible results.
27:03Frankly, I don't see how the key to the puzzle can be a piano melody.
27:07Well, imagine, my dear...
27:10Carson Lupin, for his part, is beginning to see things clearly.
27:18So, Milord, you are tiring our patient out, that's not reasonable.
27:21Oh, but you're right, miss.
27:24Goodbye, darling.
27:26Get well soon.
27:29Oh, borrowing her daddy's wallet.
27:31You should be ashamed.
27:33That's very ugly.
27:35Don't lose heart, my darling.
27:39Oh, I'm counting on you, miss.
27:42Take good care of her.
27:44And one recommendation,
27:45She absolutely must not leave here before my return.
27:59Who is here?
28:01Count Limusie.
28:09So, you're not too bored in your little hiding place?
28:13No, it's nice, yes.
28:15And yet, I...
28:16And yet, what? What is there?
28:18I'm thinking of the gypsies who lived in that caravan.
28:21I am depriving them of their housing.
28:22But they are delighted, my dear.
28:25I rented them a sumptuous apartment in a three-star hotel.
28:28This is a holiday for them.
28:33Here you go, Aurélia.
28:35To prevent you from wasting away.
28:40You're too kind to me.
28:42It's my right.
28:44And that's my pleasure too.
28:46I am terribly ashamed.
28:47Ashamed of what?
28:49About Gabriel, perhaps?
28:51Hmm.
28:52From your youth?
28:54From your lack of judgment?
28:56Ashamed of having mistaken this pathetic little thug for Prince Charming?
29:00Optical error, it happens.
29:03Have you never had any friends?
29:05Never a confidant?
29:07Mr. Beaumann forbade me from having friends at school.
29:10I have never confided in anyone.
29:12The tactic of isolation is almost like kidnapping.
29:17Gabriel is a little rascal and Beaumann is a big rascal.
29:21But that needs to change.
29:24Rest assured, dear Aurélia.
29:26Within 12 hours, everyone will have found their rightful place.
29:38From Count Limsy, with his compliments.
29:41It's kind of him to remember that I exist.
29:44The Count is very worried about your health, Milady.
29:47He wanted to come in person, but he is very busy at the moment.
29:51Yes, I can very well imagine what's occupying him so much.
29:54The Count asks you to trust us.
29:57He thanks you for giving him the letter in question.
30:01Ah, that was perfectly natural.
30:03I have as much confidence in your master as he has confidence in me.
30:05Well, one last word.
30:07The Count is very keen to...
30:09You will tell Mr. Lupin
30:11that if he really wants more information,
30:13He has to come and get it himself.
30:15Ah.
30:17GOOD.
30:20You have no other commission to give him.
30:22Tell him that...
30:23Daddy is a treasure.
30:35That's the piano tuner, Professor.
30:40He's the piano tuner, sir.
30:42But what...
30:43Which piano tuner?
30:44I don't have it here.
30:45Send it back.
30:46I don't want to have my piano tuned.
30:48Oh !
30:48What a happy coincidence, Professor.
30:51I'm not a piano tuner, by the way.
30:53Molto grazie, signora.
30:55No, my name is Lou Pranési.
30:57Yes, I am a concert pianist.
30:59music teacher
31:00and a collector all at the same time.
31:02And yet,
31:03You wouldn't believe it, Professor,
31:05How many instruments are used nowadays?
31:07instruments worthy of a collector,
31:09are difficult to discover.
31:11She's a constant pain in the neck.
31:12to search for the rare violin,
31:14the beautiful flute,
31:15the harpsichord which was in good health
31:17Handel or Vivaldi.
31:19And when I was told that you had here
31:21an extremely rare piano, I was deeply moved.
31:23Ah yes, and I came without wasting a moment.
31:25Even though it's not for sale,
31:26I will not be discouraged.
31:28Oh no, oh no, never.
31:29Ah.
31:30Oh dear, oh.
31:31Oh dear, oh dear, oh.
31:33Oh, this marvel needs to be tuned.
31:34Oh yes, yes.
31:36There are still a few correct notes.
31:37Yeah, it must have been ages ago.
31:39that he is in this state.
31:40It's been a long time since I last played it.
31:43Eh.
31:45Oh, oh, atrocious.
31:46Oh, terrible idea.
31:47Oh, oh no, that's not possible.
31:49Ah, y'a, y'a, y'a, y'a, y'a.
31:53Oh, discordant sounds are for an artist.
31:56Like poisoned flabbiness
31:57in the heart of an explorer.
31:59Oh no, not that at all.
32:00Okay, 25 brands, professor,
32:02and your piano will be perfectly tuned.
32:04Okay?
32:05But this piano is no longer of any use.
32:07in this house.
32:08Okay, so 20 brands.
32:10But that's my final price, right?
32:11My fingers are covered in drops.
32:14Oh, 15 brands.
32:16The price gives years
32:17for my wife and children.
32:18No?
32:19Okay, so 10 brands.
32:21Tune that piano and get out of here.
32:23Okay, we'll give them to you.
32:24your 25 brands.
32:25Okay, let's go!
32:28Oh, no, then, then, do that.
32:30Everyone.
32:41Ah, these boxes are very interesting, aren't they?
32:45Music devices, right?
32:47Yes.
32:48Gramophones.
32:50They were made by my son.
32:53He was an inventor; he was a genius.
32:57He had.
32:59And these inventions, then, are they finished?
33:02He is dead, sir.
33:04He perished in a boat
33:06which was shipwrecked.
33:07Ah, what a transsexual.
33:09In the bloom of the Ade, I suppose.
33:12He had just turned 35.
33:15Oh, it's a sub.
33:18And so, he died.
33:19And he left behind only a few gramophones.
33:22Did he have a wife and children?
33:24He had a daughter.
33:25She was never found.
33:28We are all helpless
33:30in the hands of blind fate.
33:32Yes, indeed.
33:34And you learned nothing
33:35about the fate of your little girl?
33:37Finally,
33:38I restored heaven and earth
33:39so that my Aurélia can finally be found, but...
33:43And so far, no glimmer of hope.
33:45Oh,
33:47There were many glimmers of hope.
33:48and few real lights.
33:51I was disappointed.
33:52Last year, I tried a new method.
33:54I hired a private investigator,
33:55an extremely nice boy.
33:57He promised me wonder.
33:58And since then, he has disappeared.
34:01And how do you know that?
34:03Oh, I presume so.
34:06Did you confide in him?
34:07Confidential documents?
34:09Yes.
34:10When?
34:11One month ago.
34:12And you haven't heard anything since?
34:14Exactly.
34:17Ah,
34:18Well, there you have it.
34:20Now, that's it.
34:22What are they looking for?
34:23That one's stiff.
34:25Chief Commissioner Marshall
34:28will solve the puzzle
34:29bloody murders
34:30committed on the train to Ludwigsburg.
34:32He will do so during the reenactment.
34:33of a mysterious event
34:35Today, Wednesday, at precisely noon.
34:37But that's colossal stupidity!
34:39Who communicated
34:40This news in the newspapers?
34:41I don't know, Commissioner.
34:43But on behalf of all my colleagues,
34:44I congratulate you on having done so quickly
34:45solved the mystery.
34:47Yes, in a way.
34:48That's very clear.
34:51Today, Wednesday at precisely noon,
34:52Villa Valbublik.
34:57If only I knew
34:58who gave this tip to the press,
35:00I would be relieved.
35:05Earl of Limsey,
35:06But what has earned us this honor?
35:08Oh, Commissioner,
35:09I am delighted to see you.
35:12And I congratulate you in advance.
35:14the success you will achieve
35:15in the next half hour.
35:17Please take the time to come in.
35:35Hello, Mr. Beaumann.
35:37Mr. Beaumann,
35:38This is the man I told you about.
35:39That's correct.
35:47You are welcome.
35:54Where is she?
35:56But who?
35:57My daughter sent me this telegram.
35:59Where is she?
36:00May I read it?
36:04awaits you today at noon
36:06Villa Valtblik
36:08For discussion, marriage plans.
36:11Aurélia.
36:12She is my adopted daughter.
36:17And you believe that this telegram
36:19Is it authentic?
36:19Pardon?
36:21For discussion, marriage plans.
36:25You think that's the style
36:27of a young girl?
36:28Hmm.
36:34Well, we'll find out right away.
36:38But what is it?
36:40A trap?
36:42Dear sir, why are you chirping?
36:44that I am here?
36:47Please sit down.
37:02Is everything ready?
37:03Yes, sir.
37:05The photo?
37:06And there it is.
37:09Alright.
37:11Sir, what does that mean?
37:12What is this all about?
37:15You will find out very soon.
37:20I would like to ask you, madam,
37:22And you too, gentlemen,
37:25to observe the silence
37:27and not to intervene in any way.
37:37Come in, my child.
37:41Courage, Aurélia.
37:42No one here will harm you
37:43as long as I am with you.
37:46Oh, but I'm not afraid of anything, sir,
37:48since you are here.
37:50Disregard all
37:51people present here.
37:54Now look around you.
37:57Does anything strike you?
38:12That's my father.
38:23You have sometimes played the piano
38:25For your father, isn't it?
38:27Yes.
38:28Nothing but easy-to-remember tunes,
38:29I was still very young.
38:32Do you remember?
38:33His favorite song?
38:34Yes.
38:36Do you want to play it for us?
38:38Yes.
38:41Come on.
39:19Subtitling by Radio-Canada
39:31Aurelia, our little Aurelia.
39:33The Lord, be praised, my name.
39:34This little family scene
39:36is extremely moving.
39:38Can we know what this is?
39:40What's in this safe?
39:42Gladly.
39:44Those are gold bars.
39:45And here, these are jewels.
39:47Ah!
39:48The loot collected
39:49after the train attack
39:50from Ludwigsburg.
39:52Put the handcuffs on him.
39:53No.
39:56Wrong, Commissioner.
39:58The riches you see there
39:59were bequeathed to Aurelia
40:00by his father.
40:03He was an engineer
40:04specializing in acoustics
40:05and the author of numerous inventions.
40:08Thus, for this safe,
40:10he had invented a lock
40:13special
40:14actuated by an acoustic membrane
40:16which vibrates at a certain frequency
40:18and, by his reaction,
40:21causes this lock to open.
40:23Yes, sorting.
40:29And where did you get yours from?
40:30This information?
40:33By a letter
40:34that Aurelia's father
40:35had written to her daughter.
40:38All you have to do is play
40:38our old favorite song
40:40and, at the same time,
40:41You will be rich.
40:43It's written here.
40:44How did he get her?
40:46But she had already played
40:47this area in front of me
40:47And yet,
40:48Nothing happened.
40:50Indeed.
40:51You have already done
40:52this experience,
40:53But she couldn't succeed.
40:55The piano,
40:56being terribly out of tune,
40:57could not give
40:57frequency
40:58who would have manipulated the lock.
41:00I was inspired.
41:01by having it granted today.
41:02What a happy coincidence!
41:03Indeed, Professor.
41:05But what we take
41:06by chance
41:07is sometimes
41:07that a demonstration
41:08of destiny.
41:09Hey!
41:10Can we know
41:11Where did this letter come from?
41:12She was part of
41:13of a file
41:14that my son had confided in us
41:15before his death.
41:15Some time ago,
41:16I put it back
41:17to this young detective.
41:18Yes.
41:18That gentleman.
41:19And in turn,
41:20he gave it to the guardian
41:21of the young girl,
41:21Mr. Aloïs Beaumann.
41:23You are mistaken, sir.
41:24I don't know who this individual is.
41:26and I was never
41:26handed over the letter.
41:27This letter,
41:28You're the one who stole it from me.
41:29Shut up,
41:29I have a ticket to the gallows.
41:31Since she had been at his place,
41:32he left poor Aurélia
41:33starve to death.
41:33And suddenly,
41:34when he learned
41:35by this letter
41:35that she was going to be rich,
41:36the idea came to him
41:37to marry her.
41:38I'll explain.
41:39It's very simple.
41:41He took back the letter from you.
41:43and then,
41:43He left with Aurélia.
41:46Not because he was
41:47in love with her,
41:47Of course,
41:49but with the sole intention
41:51to steal his fortune.
41:55Isn't that right?
41:56No, maybe.
41:58I don't remember anything.
41:59Since this dog
41:59attacked me,
42:00I have amnesia.
42:01Yes, yes, yes
42:01we know
42:02your refrain.
42:04Now it's our turn.
42:06Little lady
42:07startled,
42:08beautiful child with green eyes.
42:11There are presumptions
42:11serious things that weigh on you.
42:13I am convinced
42:14that you participated
42:15to the double murder
42:15from the Odvigsburg train.
42:17Gently, my police dog.
42:19You're not going to
42:20jeopardize your advancement.
42:21After the brilliant investigation
42:23that you have led,
42:24That would be a shame.
42:25What do you mean?
42:26Admit that you regret it
42:27infinitely to have
42:29suspected
42:30this innocent young girl.
42:31But these suspicions
42:33are justified.
42:34Whereby?
42:34We have recorded
42:35depositions.
42:36Moreover, I believe that
42:37yourself, Count,
42:38You said that...
42:39I remember,
42:39I told you that the culprit
42:41was a man and a leader
42:42Like you, Commissioner.
42:43With your experience,
42:45your intelligence,
42:45your keen sense of smell,
42:48you discovered
42:49the truth for a long time.
42:50Yes, yes, yes, it's about time.
42:54I discovered it, you know.
42:57How did I do it?
42:59But come now, Commissioner,
43:01remember
43:02of what had happened
43:02on the train.
43:05Lady Bakklin and I
43:06we were attacked
43:07by mistake
43:08as you have since learned.
43:12Stop, you idiot, stop!
43:13You can see that clearly
43:14that they are not
43:14those we are looking for.
43:15Follow me!
43:16You almost ruined everything.
43:18You made a mistake
43:18compartment.
43:19It's here.
43:20Go to work.
43:29Oh, Gabriel!
43:32Gabriel!
43:37This is a case
43:38of self-defense.
43:39You saw
43:39what they did,
43:40Lady Bakkfield.
43:41I wasn't going to let
43:42to murder poor Aurélia
43:44Let's see.
43:45At first,
43:45I made the mistake
43:46to judge events
43:47according to their appearance.
43:49Experience shows
43:50that in the event of a crime,
43:52the dead are the victims
43:53and those who flee
43:55are criminals.
43:56However, in your case,
43:58It was the opposite.
44:00I didn't want to
44:01to run away.
44:02But Gabriel,
44:04he was forced to do so.
44:05He had just added
44:06two murders
44:07to his criminal record
44:08already heavily loaded.
44:10But the rabble
44:10don't forget
44:11the precise purpose of his trip.
44:12Life doesn't have a click.
44:16The villa
44:17Valdblik
44:19and fortune
44:20by Aurélia.
44:22As for the disguise
44:23with the thug's coats,
44:25It was a risky maneuver.
44:26but which offered the advantage
44:28to induce the police
44:28in error.
44:29I would surely have finished
44:30escape from him
44:31forever.
44:32But here's the thing.
44:33Commissioner
44:34had already understood everything
44:35from the beginning.
44:36Yes, of course.
44:38And now,
44:38Take them with you.
44:39Everyone
44:40in the salad basket.
44:41Come on.
44:48Count,
44:50Let me tell you
44:51to what extent...
44:52No, no, no
44:52You're welcome.
44:53No, don't thank me.
44:55It's my guilty pleasure
44:56to help the police
44:57to defend innocence.
44:58Above all
44:59when innocence
45:00has such pretty green eyes.
45:02You saved me.
45:04Bye,
45:06Aurelia.
45:09Farewell,
45:10Commissioner.
45:12Ah, maybe
45:12Goodbye.
45:19German affairs
45:21once finished,
45:22let's take care of ourselves
45:22British affairs.
45:24God, Europe
45:25is pretty.
45:26But don't get defensive,
45:27What.
45:27Let's go,
45:27hurry up.
45:54Subtitling by Radio-Canada
46:14In Baden,
46:15I had never seen you before
46:16with this car.
46:17Yes,
46:18I just pointed it.
46:19My faithful old soldier
46:20changed the license plates
46:21and prepared the paperwork.
46:21I believe we will
46:22It had a very good effect in England.
46:24What do you think?
46:25You say
46:26We ?
46:27Yes, indeed.
46:28We,
46:28my dear Dora.
46:30You will escape
46:31just barely
46:32with hooked claws
46:33Commissioner Marshall
46:34because he absolutely insists
46:36to lock you up.
46:37And as for me,
46:38I might
46:39to specialize
46:40during the night tour
46:41historic castles
46:42after being introduced
46:44by your father
46:45in the wider world.
46:47Under these conditions,
46:48my dear count,
46:49it would be more decent
46:50that you hand over
46:50your share.
46:56you are offered
46:57very nice fees
46:58for your services.
46:59Yes,
47:00according to the proverb,
47:01we are well served
47:01than by oneself.
47:03You know that's
47:03Beaumann's money
47:04that you just took
47:05right here in my pocket.
47:07Ah, you know,
47:08I...
47:08Yes, yes, yes
47:09I took this liberty,
47:10my dear Laura.
47:32It's the biggest, the most charming,
47:36The most elegant, with his gloves, or without gloves, is Arsène.
47:46When he arrives, when he gets involved, everyone gets mixed up, everyone freezes,
47:53And without, without a saddle, Arsène.
47:59When he approaches, we hide the brooches and saddlebags.
48:04They empty the pockets, without a donkey, they pocket Arsène.
48:12He's the king of wreckers, he's the king of heartbreakers,
48:19He is as brilliant as a diamond, as swift as the wind, Arsène.
48:27When he arrives, when he gets involved, everyone gets mixed up, everyone freezes,
48:33And without, without a saddle, Arsène.
48:40He's the king of wreckers, he's the king of heartbreakers,
48:47He is as brilliant as a diamond, as swift as the wind, Arsène.
48:56Subtitling by Radio-Canada
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