- 7 hours ago
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00:20We have no information about their actions, nor that they have left the country.
00:28What else?
00:29If they were arrested, they were arrested again.
00:31They were not arrested.
00:33How did they get arrested?
00:35They were arrested again.
00:39They were arrested again at the time of the important factory.
00:42He was beaten by the face,
00:43and lost some singing and not enough dances.
00:47After the signal, they were arrested.
00:50They were not offended, but arrested.
00:52He was arrested for us today.
00:54He was to be with the people.
00:55He's given the truth to the politicians.
01:01Balachev, let go, let go!
01:04If it's convenient.
01:30Stigal, Stigal, Stigal, Stigal, Stigal, Draco
01:58Draco
01:59Но лицето назовава се Мирон Люцеров и е известен сред обществото
02:06Мога ще и папата да я не ме интересува
02:08Еда, но негов Чичо е виден депутат и...
02:12Джагов, проблеми с лоха ли имаш?
02:16Съвсем не
02:18Още има ли?
02:19Съвсем не
02:21Слободен си
02:23Джагов
02:26Let's pray for him, if it's convenient.
02:56Let's pray for him.
03:27Let's pray for him.
03:55Let's pray for him.
04:55Let's pray for him.
04:55Let's pray for him.
04:56Let's pray for him.
05:04Let's pray for him.
05:07Let's pray for him.
05:15Let's pray for him.
05:16Let's pray for him.
05:39Let's pray for him.
05:43Let's pray for him.
06:10Let's pray for him.
06:28Let's pray for him.
06:43Let's pray for him.
06:45Let's pray for him.
06:47Let's pray for him.
06:49Let's pray for him.
07:00Let's pray for him.
07:37Let's pray for him.
07:37Let's pray for him.
07:43Let's pray for him.
07:49Let's pray for him.
08:21Let's pray for him.
08:26Let's pray for him.
08:31Let's pray for him.
08:46Let's pray for him.
09:07Let's pray for him.
09:09Let's pray for him.
09:10Let's pray for him.
09:13Let's pray for him.
09:14Let's pray for him.
09:25To be continued...
09:46Who is going to go to the house and take them out of the house?
09:50He tells you everything.
09:53He tells you everything.
10:06Where is he?
10:09A car.
10:10What?
10:11He said a car.
10:12Where is he?
10:15Where is he?
10:18Where is he?
10:19Where is he?
10:20Where is he?
10:22Where is he?
10:24Where is he?
10:25Where is he?
10:26It's for a digizering.
10:27Hey!
10:28Stop!
10:28Come on, I told you.
10:30It's masked.
10:31It's not seen from the enemy.
10:33Okay.
10:34Because you know this.
10:35Shhh!
10:35Shhh!
10:38What?
10:41I'm going to get him to the house.
10:43Hey!
10:47Go!
10:48Go!
10:48Go!
10:50Go!
10:51Go!
10:51Go!
10:52Hold it.
10:56Go back.
10:58Now I'm going to push it.
11:01I'm going to go a little bit.
11:03I'm going to go a little bit.
11:04I'm going to go a little bit.
11:06I'm going to go a little bit.
11:09I'm going to go a little bit.
11:10What?
11:13What?
11:14What do you want to do?
11:16The father can help. I'm giving him advice.
11:20Come on.
11:21Go a little bit.
11:24Go a little bit.
11:25Go a little bit.
11:27Go a little bit.
11:29Go a little bit.
11:30Go a little bit.
11:32Go a little bit.
11:32Go a little bit.
11:34Go a little bit.
11:36The oversturrenfueurier Claus
11:39but he was never sure
11:42any information about the spies
11:44who were brought in Moscow.
11:45He says,
11:47that soon he will serve him personally,
11:49even if he decides to get out of the mountain.
11:53He says,
11:54He says,
11:54He says,
11:54He says,
11:55He says,
11:55He says,
11:58He says,
12:01He says,
12:01He says,
12:03He says,
12:04He says Walend Becker.
12:06He says,
12:06He says,
12:07He says,
12:07Like the 이번에 does not represent.
12:09We need to promote his special Lisa.
12:11Let us walk.
12:13He says that there is no doubt that my business is important.
12:24Myriz Moving is not mentioned that,
12:26Right?
12:27It's话 than the pits,
12:29Hello, Mr. Gosev.
12:33Losan-sí di sabotaje, fin den-sí das radio und ez-sí auch eine
12:37ilegale drogeerei.
12:39Pogrijezete se, za diversantite, namerete radiostancijata.
12:42Razbrahme, či ima unelegalna pechatniça.
12:45Losan-sí di srecel und sie ein direktur können verde.
12:49Rechete Rebosa, i moze da stanete direktor.
12:52Haben Sie mich richtig verstanden?
12:54Razbirate me, prailano, nali?
12:57Napolenopraile, no razbrah.
12:58No, I don't know.
13:07Hey!
13:09Hold it! Hold it, Valio!
13:16Ah, so.
13:17Ah, so.
13:18Hey, I'm going to hold it.
13:19Okay.
13:24Hey, you're good.
13:25What did you do?
13:26What did you do?
13:27What did you do?
13:28Degiz...
13:28Degiz...
13:29Degiz...
13:30Degiz...
13:30Oh, so.
13:31But you know what?
13:32I'll hold it.
13:37What do you do, man?
13:39Wait.
13:40Hey, the one.
13:42The one.
13:43What?
13:45We'll switch it.
13:49Cool.
13:53And do you want to throw a gun?
13:58It's easy.
14:02It's easy.
14:03It's easy.
14:03You can throw it?
14:05Or you can't throw it?
14:08I know...
14:10It's easy.
14:12Yes.
14:14You can throw it?
14:17I can.
14:19I can.
14:20It's easy to throw it out.
14:23Maybe I can.
14:23Where am I going?
14:26I can?
14:28I can't.
14:29It's easy to throw it out.
14:30I can't imagine how much is Dandaniya
14:31in the direction of the direction,
14:33in which most commonly known names were his one
14:37and that of Miron Lucerov.
14:42Mr. Chairman Gochev, Director of Cholakhov,
14:45you will be back to the office.
15:00Ivany, why do you go to the office?
15:03You have to go to the office, right?
15:06Is he a free man?
15:09I have to ask him.
15:10There is no need to ask him.
15:17I'm gone to here in the line.
15:20I work with the most human material,
15:22but his methods make me feel the most small.
15:28It's nice to not get out of here.
15:30Don't be able to get out of here.
15:31You'll get out of here?
15:32Don't be able to get out of here.
15:34Mr. Gocheva!
15:34I'm not sure what I do, Mr. Gocheva.
15:39Mr. Gocheva,
15:41I'm ashamed of the previous one,
15:43I've been in the last few years.
15:45You've been in a way with a very popular person.
15:51You've been in the last few years.
15:53He was a tough one from Balačeva.
15:57You know it, Gocheva?
15:59You know who you were?
16:01I know. Where you know?
16:04You've been in the last few years.
16:07What?
16:08You've been in the last few years.
16:09What do I need?
16:11The night in the arrest was taken by the patrolman.
16:17The face, which failed, was the son of our manufacturer.
16:22That he was arrested well.
16:24But who gave the right to be the man's punishment?
16:28I've never heard of this.
16:32The face was a mistake.
16:35He was a mistake.
16:36A little bit.
16:41The minister gave me his eyes.
16:44He came back to the king.
16:46But, Balačev will stop him.
16:51And I'm going to send you a message here.
16:54The message and the responsibility I have.
16:57But Balačev is needed.
16:59With your actions, you will pay for the corona.
17:03You know.
17:04He was a minister.
17:07He was an artist.
17:09He was a doctor.
17:10He was a thief.
17:11I work with murder.
17:15The corona demand is not the jealous of the social media.
17:18They are a bad thing.
17:25They are a bad thing.
17:26They are a bad thing.
17:27They are a bad thing.
17:28They will be a bad thing.
17:30They will be a bad thing.
17:31And you are a bad thing.
17:34You want to leave my boss.
17:37One of the best.
17:39I will not let him go.
17:43For the evil,
17:45I will be a bad thing.
17:48Iwane!
17:50Iwane!
17:51Iwane!
17:52What do you think,
17:53that his job is more useful for the country than mine?
17:57It is strange.
17:58Where did he go with courage?
18:04Yes.
18:05But I did not tell you anything.
18:08Right?
18:10Yes.
18:17Go!
18:20Go, come on!
18:21Go!
18:22Come on!
18:23Go!
18:24Go on!
18:25Wait.
18:26Wait.
18:27Wait.
18:27Wait.
18:27Wait.
18:30Wait.
18:31Come on!
18:32Come on!
18:34Wait!
18:35Come on!
18:35How are you doing?
18:37Who is it?
18:38I don't know if I can.
18:40I can, but...
18:42What?
18:42I'm going to remind you.
18:45Wait.
18:46Come on, Valio.
18:47I'm going to remind you.
18:48Come on, Valio.
18:49Let's see.
18:52Let's remind you.
18:54He's going to remind you.
18:56Look at him.
18:58You're going to be a little bit.
18:59You have to be a little bit.
19:00You're going to be a little bit.
19:02Put it!
19:02Put it!
19:03Put it!
19:04Hey, Valio!
19:07Valio!
19:08Valio!
19:09Let's go!
19:10I'm going to be a little bit.
19:12Nothing.
19:13Will you tell me?
19:16What do you think?
19:17What do you think?
19:19Good.
19:21Just look.
19:22You have to be careful.
19:23I'm not a man.
19:26I'm not a man.
19:29You hold it.
19:30You hold it.
19:32You don't have to look down.
19:33You look ahead.
19:34Where are you ahead?
19:35On the road.
19:36There.
19:37Look at where?
19:38Wait.
19:38Hold it.
19:39Hold it.
19:39Hold it.
19:40Hold it.
19:41Hold it.
19:41Hold it.
19:43Hold it.
19:45Wait.
19:47Where do I look ahead?
19:48I'm ahead.
19:49Hold it.
19:50Hold it.
20:15No, no, no, no.
20:18No, no, no, no, no.
20:48No, no, no, no, no, no.
20:52No, no, no, no, no, no.
21:08No, no, no, no, no, no, no.
21:15No, no, no, no, no.
21:57No, no, no, no.
21:59No, no, no, no, no.
22:16No, no, no, no, no, no.
22:55No, no, no, no, no, no, no, no.
24:08No, no, no, no, no, no, no, no.
24:12No, no, no, no, no, no, no.
24:43No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
24:50no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
24:57no, no, no, no, no, no, no, no, no, no, no, no, no.
25:12Good.
25:13Ah, and what do you say?
25:16I tell you, thank you for the first day you wrote in the newspaper
25:20how the German officers danced in the hall with our town.
25:25And you know, without incident, the evening.
25:28Thank you, but the minister told me.
25:33Maybe you know, three condors of bombs were killed.
25:37Seven years ago.
25:40In the office they said they would let us at home
25:46and got the bombs to bless you.
25:48Ah, yeah, yeah, We are no man.
25:57But I do know it's not like that.
26:03Look, we'll let's have xd one in someone that gave a book
26:09And you, as you invite them to the Gestapo, I ask you to tell me.
26:14Let's meet there, it will be better, right?
26:21Hey, let's do it, nice work.
26:25But I want to excuse Mr. Miron Lucerova.
26:30Yes?
26:30Yes, Mr. Miron Lucerova.
26:38Stop, get out of here!
26:44The Chief of Miron Lucerova...
26:45Go!
26:46Go!
26:46Come on!
27:16they don't want to drink wine for a good hour.
27:22You can't see me in the morning.
27:24I'm in a bag with my baby.
27:30There are a lot of drinks.
27:35Come on, come on, wait for me.
27:38Wait for me.
27:40If they're in the morning, go.
27:42I don't want to sleep.
27:46Today is a great day, a great day.
27:50When they open the store, they will get three kilos from the water.
27:53And they will get a big deal.
28:01A big deal!
28:03Come on!
28:05Don't go back to me.
28:07No, no.
28:09What do you do?
28:10The man is waiting for a half hour.
28:12We've got to sleep.
28:14Except for a drink, I have a drink.
28:17Let's go here.
28:24The man doesn't know why the others are doing.
28:29But they didn't have to tell them.
28:30They organized everything for them.
28:33The car, which I assured you in the beginning,
28:35will take them to a much better place,
28:38where with what they achieved,
28:40they first gave them nice things.
28:42So…
28:42Please make this video,
28:46Wow.
28:46Make it a cola~~
28:53I can't wait so much,
28:57거예요.
28:57Make it a public…
29:01sounds good.
29:02He was told in my car.
29:04He was able to understand it.
29:11Let's go.
29:14Go!
29:18How are you doing?
29:19Let's go.
29:23The excitement for the first discovery of the store,
29:27the entire night.
29:28And at the end of the day,
29:30he was able to take a picture of the Italian people.
29:34It was time to go.
29:39Claudio!
29:41Fabricio!
29:47I'm ready!
29:56I'm ready!
29:58Fabricio!
29:59Moment, signora!
30:07I'm ready!
30:10Fabricio!
30:12Claudio!
30:15Andiamo!
30:16Ah,
30:17just to excuse me for a moment,
30:19that I forgot my pants in the house.
30:21Let's go!
30:23Let's go!
30:28I'm sorry!
30:29I'm sorry!
30:34I'm sorry!
30:35I'm sorry!
31:04I'm sorry!
31:05Did you see him, Lucerov?
31:06I'm already sorry.
31:07I'm asking you why I'm leaving there.
31:09What are you doing? You can't talk to me, man.
31:11You're sorry to him.
31:12From him he goes.
31:14I'm sorry.
31:16You're well done.
31:26Good day again.
31:29Miro.
31:33How are you, Miro?
31:34Is there anything new?
31:36I'm sorry.
31:38I'm sorry.
31:39I'm a friend of Chichu and Miro.
31:41I'm not saying anything.
31:42I'm not saying anything.
31:46I want to say anything.
31:46I want to say anything.
31:48I want to say anything.
31:53In waiting for the main victims,
31:55Claudio and Fabricio,
31:57the group members made films for memories.
32:00I'm not saying anything.
32:02I'm not saying anything.
32:13I'm not saying anything.
32:27I'm not saying anything.
32:30I'm not saying anything.
32:32I'm not saying anything.
32:33I've seen anything.
32:36I'm sorry.
32:37You are you, I am.
32:39I have to say that the soldier of the Führer Klaus is still a war.
32:45Why did he say that he was a slave?
32:51Now, the war is.
32:55I am.
32:56We are talking about the tribe of Bulgarian deputies.
33:00I am.
33:01You are you, I am.
33:04Did you hear where he was ready with courage?
33:13Italians!
33:16Italians! Italians! We all are waiting in the morning.
33:20So beautiful, who saw?
33:22Caesar even saw!
33:24You came up with us!
33:26Ciao ragazzi, I'm saying.
33:29The ears are a man,
33:30the men of the king,
33:30the men of the king,
33:32the king of the king,
33:33the son of the king,
33:34we left him without his mind.
33:36What do you think of me?
33:38A man of the army?
33:40Is there a man of the army?
33:42No, no.
33:43Only one.
33:53They're going to take care of, you!
33:54Come on, come on!
33:58Come on!
34:10Claudio!
34:22Fabricio!
34:22Fabricio!
34:24Come on, come on!
34:24She'll break the door!
34:26Wait a minute!
34:28Wait a minute!
34:44Claudio!
34:45Come on!
34:47Fabricio!
34:49Fabricio!
34:56Fabricio!
34:59Fabricio!
34:59Fabricio!
34:59Fabricio!
35:01Fabricio!
35:02Fabricio!
35:03Fabricio!
35:04Fabricio!
35:05Fabricio!
35:07Fabricio!
35:08Fabricio!
35:09Fabricio!
35:09Fabricio!
35:10Fabricio!
35:11Fabricio!
35:13Fabricio! Fabricio!
35:22Why did the guests came here?
35:25Kmeta, Bukolinski here.
35:33All.
35:35They came here.
35:42Wait!
35:56The car is my car.
35:59The car is my car.
36:00The car is 1938.
36:03My car is my car.
36:04And where did the car go?
36:07Before a month, I gave up the car.
36:14Dear citizens,
36:16we are sorry for the delay.
36:17My dear friends, Claudio and Fabricio,
36:20will come out every moment.
36:22Bravo!
36:24I'm missing one car.
36:26The car are the whole thing.
36:27I will show you the other car.
36:29There is no such thing.
36:31From where I know,
36:33that they are like this.
36:34They are not the car.
36:36My car is the car.
36:39How do you stay with the car?
36:41Is there someone who has to drive?
36:43Is she going to push the car?
36:44And they are all the cars.
36:46The car is holding the car.
36:48My car is here.
36:50Look at me.
36:51My car is here.
36:55Look at me.
36:56Everything is here.
36:56My car is here.
36:57My car is here.
36:59My car is here.
37:09Look at me.
37:11Look at me.
37:11My car is here.
37:13Look at me.
37:14Look at me.
37:16My car is here.
37:19My car is here.
37:23My car is here.
37:25My car is here.
37:27My car is here.
37:31All of them.
37:35Here they are.
37:42My car is here.
37:44My car is here.
37:45Good, my car.
37:46What had you said here?
37:57Cloud, come here.
38:01Cold!
38:16Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio.
38:41Fabrizio, Fabrizio, Fabrizio.
38:46Fabrizio, Fabrizio, Fabrizio, Fabrizio.
39:18Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio,
39:31Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio,
39:32Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio, Fabrizio
39:43Look! Look!
39:46Let's go!
39:47Let's go!
39:48Let's go!
39:49Let's go!
39:50Let's go!
39:51Let's go!
39:52Let's go!
40:00Let's go!
40:03What he sees here is that he's not going to be.
40:05He's not going to be a fan.
40:07He's not going to be a fan of his own.
40:08Something that will make me clear in the future.
40:11There were a lot of papers,
40:12a lot of papers,
40:13a lot of papers,
40:15and two cars.
40:16The time was for the theatre.
40:23Let's go!
40:26Let's go!
40:29Let's go!
40:31Let's go!
40:33Let's go!
40:39In front of the theater, the stories were not good.
40:42The affection of the man and the love of the woman, Miron Lucerov,
40:46was still not intended.
41:01I would like to see the fun of the man by the tenor Lucerov, but...
41:06He plays a big role in his life.
41:09Isn't he sick?
41:10He doesn't have to sing in his life. He just sits.
41:14Do you understand, lady, that only the voice has fallen?
41:18And the voice, and the nose, and the neck, and the neck.
41:23And the head?
41:24And the head.
41:25But otherwise it's good.
41:27Absolutely.
41:29I'll ask you for two tickets.
41:31Second row, second balcony.
41:44And while one half of the town felt like Miron Lucerov,
41:48the other half continued to go for several hours.
41:58The End
42:09My name is Nisqave Paride, Nisqave Paride.
42:30Nizkame Parite! Nizkame Parite!
42:34Go ahead, Spiro, Centrala!
42:36Nizkame Parite! Nizkame Parite!
42:40Hello? Centrala?
42:42Do you see me with the police?
42:44Do you see me from Hotel Balkan?
42:46I'm sorry!
42:47I'm sorry!
42:48I'm sorry!
42:52Nizkame Parite! Nizkame Parite!
42:56Nizkame Parite!
43:01Oh...
43:19Oh...
43:20Marks-
43:21KOK!
43:22KOK!
43:23KOK!
43:24KOK!
43:24KOK!
43:25KOK!
43:27KOK!
43:33Remember that there is always an end.
43:41But what will he say for Miron and Angelina? I'll tell you later.
43:46The things that became serious.
43:48The village was also different.
43:52The village, the village and the village,
43:54the village and the village and the village.
43:54The village and the village and the village,
43:56the village.
44:01And the village or other village.
44:04It was like that.
44:08The city respected the habit of the city and the city.
44:15But the city respected the habit of the city and the city.
44:27And now they have to know how to speak.
44:40The city of Orlind,
44:41Tindas, the city of Orlind,
44:43The restaurant in Puppodir and Nasetne,
44:44where they wanted to meet with other people.
44:47What did they expect in these two?
44:51I would like to tell you in the next step.
44:54The other two had to leave the city with Carreiro.
44:57The car, the Cracko and Marcos were being separated and died in two neighbors.
45:00and the people who were in front of the army were in bombardment.
45:03That, what it was, was extremely serious.
45:07In general, it was the time.
45:11So it was time.
45:13And you remember, not to find the main character.
45:17In our history, everyone was the same.
45:20And everyone was the same.
45:22In our history, the main character is the time.
45:35It was the time.
46:00We can connected to the painting of Da Vinci and Des Moines.
47:00We're right back.
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