- 2 days ago
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00:00Ss âm
00:21Ssez
00:23Ssez
00:24Ssez
00:24Ssez
00:28Ssez
00:29And so on the earth,
00:31give us today the same bread
00:34and let us know our hearts,
00:36as we were on our hands
00:38and let us be in a challenge,
00:41but let us be out of luck.
01:26Time is hidden.
01:31And many people want to be found, because it is a lot of evil in the Lord of 1961.
01:46It is surely the wonder why I chose you.
01:52We are in a war for the truth.
01:56Today is even more.
01:59What will you tell us is for the good of the monastery.
02:07Everything starts from the secret of the temple.
02:15What you will discover, everyone must know.
02:23But the most important thing is for you.
02:47What will you tell us?
02:51What will you tell us?
03:24What will you tell us?
03:25You have to see something.
03:31What will you tell us?
03:33What will you tell us?
03:35I will tell you.
03:36I will tell you the prayers.
03:37We will see you.
03:39And nobody is home.
03:41I will tell you the one who will.
03:42Bye.
03:59I will tell you the next one.
11:30Did you see him?
11:32He was a boss.
11:35Yes.
12:35Okay.
12:36Yes.
12:37Yes.
12:37Yes.
12:37Yes.
12:37Yes.
12:38Yes.
12:39Yes.
12:39I need to speak with you.
12:41Yes.
12:44Mieco, I was working.
12:46You know what's going on.
12:47Okay.
12:51Ah...
12:52Ella...
12:53Ella, how do I move? Why?
12:55Otec Kliment Kachak.
12:57And I don't have any information.
13:00He'll tell you.
13:00What do I tell you?
13:02Please.
13:11Let's go.
13:23Let's go.
13:24Otec.
13:24Hello.
13:25This is my sister.
13:26Hello.
13:27I'm going to talk to you later.
13:29I'll go to the library.
13:31I'll show you.
13:55I'll show you later.
13:56I'll show you later.
13:59I'm sorry.
13:59Okay, okay.
14:00Okay.
14:02Okay.
14:05Okay.
14:06Okay.
14:28Okay.
14:29Okay.
14:33Okay.mm
14:35Okay, okay.
14:37Okay, let's go.
14:40Pallazov?
14:41Listen, you know where Rios is.
14:44You have to go there.
14:46But I'm not official.
14:48So I'm going to go.
14:50Yes.
14:51Let's go.
15:16Let's go.
15:34Do you know what he's known?
15:36No.
15:37I don't know what he's known.
15:41Then why did you know what to call the 강aire?
15:45I don't know.
15:47Do you know what he knows?
15:49So why did you follow the 강aire out there?
15:49I don't have any idea.
15:51Maybe...
15:52It's a delicate thing, right?
15:54But, Ted's Clement is quite proud of you.
15:57That's why I'm not sure.
15:58Okay.
16:03Have you seen anyone before that?
16:06No.
16:07Absolutely no.
16:09Who knows your colleagues?
16:11Brothers.
16:12Okay. Who knows your colleagues?
16:14Just a single one.
16:16I want to talk with him.
16:17I want to talk to him.
16:19I'll be a little more.
16:21I'll tell you a moment.
16:23I'll tell you.
16:25Can I see you?
16:26Yeah, I'm fine.
16:28I'm not sure if you're a police officer,
16:33because I'm a police officer.
16:37I'm a police officer,
16:38I'm not a police officer.
16:40I'm not sure if I'm a police officer.
16:42I want to see you again and see you in the middle.
16:43I'll tell you a bit next to me.
16:54I'll tell you something.
16:56I'm a police officer.
16:58I'll tell you a bit.
17:00I'm a police officer.
17:01I'll tell you.
17:02I'll tell you a little bit.
17:02What did you see?
17:03It's a story that I saw someone, but it was there.
17:08It's a story that I saw you.
17:10I can't tell you.
17:12On the two doors there is a house.
17:14They didn't see anyone except for us.
17:16I don't know.
17:18I know and I told you.
17:20It's a story that I saw you.
17:45I heard you.
17:46Let me tell you.
17:53It's a second.
17:58I will look at you later.
18:07How did it happen in 61st?
18:10I don't have anything to say.
18:12Is it possible to have any of your brothers?
18:16Yes, I don't know.
18:18As I already said, at the time of the monastery, there is no one except for one of us and
18:23two of us.
18:25Except for that, there is nothing.
18:27I don't know anything.
18:29I'm going to go ahead.
18:32Tell me what exactly did you do, when I got a letter?
18:36I got a letter.
18:40I saw the letter.
18:42I took it.
18:43I looked down.
18:48There was no one.
18:54I got a letter.
18:56I got a letter.
19:01I got a letter.
19:03I got a letter.
19:10I got a letter.
19:11I got a letter.
19:12I got a letter.
19:19I got a letter.
19:27I got a letter.
19:38I got a letter.
20:07I got a letter.
20:08I got a letter.
20:24I got a letter.
20:37I got a letter.
20:41I got a letter.
20:41I got a letter.
20:45I got a letter.
21:13I got a letter.
21:16I got a letter.
21:29I got a letter.
21:31I got a letter.
21:36I got a letter.
21:40I got a letter.
21:41I got a letter.
21:44I got a letter.
21:45I got a letter, sir.
21:46I got a letter.
21:56I got a letter.
22:03I got a letter.
22:04Did you give in fact why I worked at them?
22:08I got a letter.
22:10That doesn't change anything.
22:13You very well know how to make a decision for this question.
22:20Someone left a letter in my life.
22:23Do you know who it is?
22:25No.
22:27You put a perfect fact.
22:29And no one can help you.
22:32If something happens, then...
22:33It's true.
22:34It's true.
22:38Do you know who it is?
22:44God is with you.
23:18I don't want you to be here.
23:18I think you are the best.
23:18The priest.
23:18God is committed to being...ason.
23:20That's
23:20not my fault. That's
23:21not my fault. Yes.
23:34Wait.
23:34Can I
23:34do something? I'm
23:34in a lot of trouble. It's
23:48Hello.
23:50Welcome.
23:51Hello.
23:52Hello.
23:53Welcome.
23:54Where are you from?
23:56We have human remains.
23:58It's not a big deal.
24:00Hello, my old friend.
24:01Hello.
24:01How do you stay here?
24:03I am, human remains.
24:06What are you doing here?
24:08I'll show you. I'm going to tell you.
24:11You know what I'm doing here?
24:13Yes, you have a small bottle.
24:15Yes, a small bottle.
24:17Okay, a big bottle.
24:18Yes.
24:21I can confirm that I'm sure,
24:23that I'm going to get you to death.
24:26I'm going to get you to death.
24:28I'm going to get you to death.
24:30Are you sure?
24:32What are you doing here?
24:33I'm getting you to get you in a bottle.
24:36I'll get you to get you to death.
24:38What's the name of the bottle?
24:39You can ask me if you want to take a bottle?
24:42I'll show you a little bit more than you did here in the 90's.
24:52Tweet me.
24:53I'll show you the way you came here.
24:55I was going to get you to get you to death until I get you.
24:58I've got you to get you to death.
25:00I was going to tell you.
25:01I was going to get you to death.
25:02Okay, I'm fine, I'm fine.
25:05But...
25:06I'm so very strange in these hands.
25:08What?
25:10I don't know.
25:11I'm playing a puzzle with them.
25:19I'm going to go now.
25:20I'm going to go out of the air.
25:24Did the ball go?
25:25Yes.
25:32I'm going to go out.
25:57I'm going to move on.
25:58I'll go out and get out.
25:58I have no idea what else...
25:58I don't want to know him.
26:01I think he was a man who died in 1996.
26:04Yes, yes.
26:07And, especially, he was a guy who was a guy who was a guy who was a guy from Andreev.
26:12Fischer?
26:13What?
26:17I'll wait for a minute.
26:27Spray, take it away.
26:31Just give it away.
26:32He's his brother, he's aggressive.
26:36Have you been out of the house?
26:37No, they work out.
26:39I've got friends and people, but I don't know Luzzii.
26:47He doesn't know him. He's got his head out.
26:48and then you'll find it.
26:50I'm a police officer, and I'll be very close to you.
26:55Serafim is an erudiv.
26:58There is another one in every monastery.
27:00He can't understand whether he is or whether he is.
27:04But he is good.
27:06But he doesn't know everything.
27:08He is a monarch.
27:09Yes.
27:10He doesn't have any information about him,
27:12if he himself doesn't want to give him.
27:14Excuse me, but I'm going to go.
27:16Wait a minute.
27:17How is your name?
27:21Christian, Avramov.
27:22And your name?
27:24Inspector, I want to ask you a question.
27:26Okay.
27:27I'll be in the area, if I need something.
27:35Yes, Mr. Comisar.
27:40Yes, I have a question.
27:46But I'm already working.
27:50Yes, Mr. Comisar.
27:52Yes, Mr. Comisar.
28:16Again, I'm here.
28:25Let's go.
28:28Yes.
28:44Yes, Mr. Comisar.
32:15What are you doing?
32:20I told you what I have told you.
32:22The version is wrong with what we found.
32:25What do you see everywhere?
32:27Because someone is trying to make things like this.
32:29And who is this guy?
32:31I don't understand.
32:35They were killed in the убийство,
32:37but they were killed in the real life.
32:40What do you see?
32:44I want to tell you about the story about the story.
32:48Who are you?
32:52You don't understand how everything looks like?
32:55You're killing Bonnev, after that he disappeared.
32:58You go through the investigation,
33:00and you'll find a 20-year-old girl in your village.
33:04It's perfect.
33:20Okay.
33:34Wait a minute.
33:37Just a minute.
33:38That's a boss.
33:39No, it's all being killed in this episode.
33:39Hello all the Schlussfolter.
33:40So thanks again.
33:40So what do you have,
33:55Good morning.
33:56Good morning.
33:56Good morning.
33:57Good morning.
33:57Good morning.
33:57Good morning.
33:57Good morning.
33:57I am a friend of the 90's.
33:59And then I don't have any information about him.
34:00I'm a friend of Borislav Andreev.
34:02But I'm a friend of the system.
34:03And so I should go to Sofia.
34:05It looks like a classic case of the 90's.
34:07I don't have any questions.
34:09I think that I am to give you the event to Sofia.
34:12No.
34:13Wait, wait, wait.
34:14There are no capacity for this kind of research.
34:18Let's see what we have done.
34:20Let's see what we have done.
34:22They seem to see that the man's life is going to be a bit more than the president.
34:25But let's see what we're interested in.
34:27I have to get that job.
34:28This is an event.
34:31I can't offer a very serious question.
34:33I don't want to give him an answer to the minister.
34:35If you have an easy case for a successful case.
34:43It's a week.
34:46Hey, Chef, can I take a job?
34:49Okay.
34:53Fischer, where are you going? I don't want you to go here.
34:55I don't want you to go here.
34:56Oh, Karpov.
34:59It's so Karpov.
35:00I'm going to tell you the time.
35:04Fischer, how do you stay with your new Iskara?
35:06I don't want to go there.
35:08I don't know anything.
35:09I know that I know that I'm going to go there.
35:11I'm going to go there.
35:12Hey, Johnny, silencio, silencio!
35:19Why do you do so?
35:23I'm going to talk about the moment.
35:26I'm going to talk about the moment.
35:27Hey, I'm going to go there.
35:27Hey, I'm going to go there.
35:28It's important.
35:29Hey, what do you mean?
35:29What do you mean?
35:31I'm going to talk about it.
35:32I'm going to go there.
35:33I'm going to go there.
35:34I can't wait until three hours.
35:36Don't you stop your wife's son?
35:38Is it your father's son?
35:44What's your cause?
35:45What's your fault?
35:46What's your fault?
35:50This is your job, isn't it?
35:52It's your job, isn't it?
35:53It's your job, isn't it?
35:53Okay.
35:57Let's go.
35:58And it's my job, isn't it?
35:59Let's go.
35:59We can't wait for an event.
36:01No, I'm not going to go.
36:04I want the winner.
36:07The winner is winning.
36:08It is my job, is your job.
36:09My job.
36:10I need a job.
36:19No!
36:22I'm going to do it.
36:23I want you to go.
36:24Oh, I love you. It's a taste of my taste.
36:27What is it?
36:29What is it?
36:30There's one piece of mine.
36:31There's one piece of it.
36:33There's one piece of it.
36:34There's one piece of it.
36:36There's one piece of it.
36:37How are you?
36:38Inspector Obrechenova.
36:40What?
36:44I'm here because of Yolian Bonnev.
36:48But this is the same thing.
36:49I don't know if I'm interested in it.
36:51I'm the last one.
36:52I mean I don't know if you're a good one.
36:54You're not prepared.
36:55I'm not sure if you're a good one.
36:56You know you can decide to be a good one.
36:59And you're a bad one.
37:02And you're a bad one.
37:03You know that I'm at the moment.
37:04I'm not sure if I'm a good one.
37:10I'm a good one.
37:12I'm a 100.
37:13I'll do that.
37:14I'll do that.
37:17I'm a very nice to meet you.
37:18I'm a good one.
37:19Yeah, my...
37:24Let's go!
37:45What are you doing?
37:47I'm going to use the toilet.
37:49What is it?
37:50It's bad.
37:50Okay.
37:52It's there.
38:27What's your drink?
38:30You look nice.
38:32Are you waiting Mosher?
38:35How did police go?
38:37Are you waiting for me?
38:40It's a type of Kosti of Riotsky Mastises.
38:43The most likely is on Juiliand Boniv.
38:45So are we?
38:47You should tell everything you know about Bonnev.
38:50You should have done it.
38:51You should have to talk about it again.
38:52You know that the murder of a murder is a guarantee for a lie.
38:56How is your case with the murder of a woman?
38:59The finding of the truth and the finding of a victim are two different things.
39:26No!
39:26Johnny, where is he?
39:27Is he even gone?
39:29Yes, I'm sorry.
39:30Okay, come back where you are.
39:32Good.
39:35Good, good.
39:37Have you tortes?
39:38Yes.
39:38We will let them catch myself.
39:45Here is the menu.
39:48It's chocolate.
39:49Is it good for you?
39:51Yes, water.
40:20Hello, Angie?
40:22Thank you very much.
40:33Did you get it?
40:34No, exactly.
40:35Did you get it?
40:36Yes, I have to go to the Ryuski monastir.
40:38But I took the tort.
40:40The chocolate is finished.
40:41What do you have?
40:42The Ryuski monastir?
40:44Is it so important?
40:48I'm going to come and just relax.
40:50Just don't wait for me.
40:52Okay, don't wait for me.
40:54I'll see you later.
40:56I love you.
40:58I hope.
40:59I love you.
40:59I love you.
41:00I love you.
41:00I love you.
41:01Let's go.
41:15I love you.
41:16I love you.
41:46Stoy!
41:52Stoy!
41:53Stoy!
41:54Stoy!
42:09Stoy!
42:22Stoy!
42:23Stoy!
42:25Stoy!
42:29Stoy!
42:31Stoy!
42:36Stoy!
42:43Stoy!
42:45Stoy!
42:49Stoy!
42:50Stoy!
43:03Stoy!
43:04Stoy!
43:06Stoy!
43:07Stoy!
43:10Stoy!
43:11You