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00:16Previously on American Classic.
00:19The Millersburg Festival Theatre used to be a destination.
00:21Everything I loved is gone.
00:23You are such a pompous ass.
00:27We're just trying to make sure this theatre survives.
00:30What does the mayor have to say about this?
00:32I'm the mayor.
00:33You take my money, and you take it,
00:35and you rebuild this town.
00:38Ooh, look at all they.
00:41And now I'm told this theatre might close,
00:44but I'm not going to let that happen.
00:46We will restore the soul of this town
00:51by producing the greatest production this country
00:54has ever seen of our town.
01:06Thank you, John.
01:16John?
01:18Listen to me.
01:19Cover your ears.
01:20No, you have to tell him.
01:22You have to tell him that if he goes through with this,
01:24that theatre, it closes forever.
01:28John?
01:28You don't want coffee?
01:29No.
01:30I am already seeing noises.
01:32You have to talk to him.
01:34Right?
01:34Now, this morning.
01:36Okay.
01:36It might work better if we do it together.
01:38I have boil in half an hour,
01:39and then I have the concerned parents' book burning summit.
01:43And besides, I might kill him.
01:44So you have to do it.
01:46Okay, okay, okay.
01:46But just for the sake of discussion.
01:48I mean, it is our town, right?
01:49There's no sets.
01:50There's no props.
01:51It's the mime, right?
01:53It's the cheapest show in the world.
01:54It's the greatest hour town.
01:57But that's what he said.
01:58This is going to be some crazy Richard Bean shit
02:01that's going to just bankrupt all of us.
02:03Well, we don't know that.
02:04Yes, we do, because I know him.
02:07Sir, we do not have the money for original productions of any kind.
02:11We don't have any money at all.
02:13Look, you have to talk to him.
02:14You have to just get him to go away.
02:17I made bagels.
02:18From scratch?
02:19Uh-huh.
02:20Take him for lunch.
02:21I'll talk to him.
02:22I'll talk to him.
02:24You know, he's probably forgotten about it already.
02:26You know, he gets swept up in the moment.
02:28I mean, does he ever follow through with anything?
02:40What, uh, what are you doing?
02:43Uh, I made a great deal on some new theoriesies.
02:47Seats?
02:49221 upholstered flip-up seats from an old movie house in New Jersey.
02:54And he said if I bought the whole lot, I could get them for like $95 per unit.
03:00Per seat?
03:01And free delivery.
03:03Hold on.
03:03Wait, hold on.
03:04That's more than $20,000.
03:06You can't.
03:07Jesus Christ.
03:08Richard.
03:10We gotta talk.
03:11Listen.
03:11I made a vow over our mother's cold, dead body.
03:15Okay, stop saying that.
03:16That I would restore this theater to its former glory.
03:20Yes, okay.
03:20But this is a working theater.
03:22We have another week of nonsense.
03:23You can't just come in here and tear it all apart.
03:26I'm not tearing anything apart.
03:27Help me move these tables.
03:28I'm just making a plan.
03:29I'm helping you.
03:30I'm keeping you company.
03:31You're not helping me at all.
03:32Yeah, I feel weak.
03:32Oh, I know what this is.
03:35This is your low blood sugar thing, right?
03:38Low blood sugar.
03:39Low blood sugar, yeah.
03:40Okay, I'm gonna make you a sandwich.
03:42Yeah.
03:43I love you, brother.
03:55The matinee special.
03:57That's fantastic.
03:59My take on a Reuben with a spicy pickle put in there.
04:02Yeah.
04:03No, but there's something in the bread.
04:05Juniper berries.
04:06I fold them in instead of caraway seeds.
04:09You made the bread?
04:10Yes, I made the bread.
04:12You could've gone to Subway.
04:13On Main Street.
04:14Yeah, you're not gonna do that.
04:15No.
04:16No, you're not.
04:17And why?
04:18Because this sandwich is a sandwich of a certain standard.
04:22This is the Thornton Wilder of sandwiches.
04:27People who abide into this sandwich are never gonna be satisfied with Subway.
04:31Again, you see where I'm going with this?
04:33Maybe.
04:34I see in our town.
04:36It's completely new.
04:39It'll have a real soda fountain.
04:42It'll have a horse crossing the stage.
04:45It'll have rain falling from the sky like the sky is weeping.
04:50Sounds very expensive.
04:52It's my juniper berries.
04:54See?
04:55Okay?
04:57Dad can play the stage manager.
04:59He can't do it.
05:00Yes, he can.
05:00He did it for me this morning.
05:01Richard, Richard, you haven't been here.
05:02He can do it.
05:03You know, two weeks ago, we found Dad walking down Third Street in his slippers in one of Mom's
05:09hats.
05:09He had no idea where he was.
05:11It doesn't matter.
05:11The play is locked in there.
05:14Trust me.
05:15It will be all of us, as a family, telling great stories.
05:20Yeah.
05:21That's what we do.
05:24And the people who are lucky enough to be sitting in our new seats, they're gonna remember
05:29it for a long time.
05:36I'm so, so sorry.
05:38I'm late.
05:38I'm dealing with this small family thing, and it's not really small.
05:43It's suffocatingly large, actually.
05:46It's enormous.
05:47But you know what?
05:47I'm getting a rash.
05:48You wanted to talk about your payment?
05:52Yes.
05:54I know we're already behind, but we had to cancel several shows because of the funeral,
06:00and there's this famous actor in the family, and he has to make everything about a show,
06:04so it's...
06:04So you're defaulting on the loan?
06:06No.
06:06Oh.
06:07No, no, no.
06:08No, no, no, no, no, no, no, no.
06:11It's just about this month.
06:17I'm only pulling your leg.
06:20I know you're good for it.
06:22Yeah, forget about this month.
06:24We'll call it a payment holiday.
06:26Oh, God.
06:31I promise we'll make it up next month.
06:35Can we keep this between us?
06:37Yeah, dead on.
06:38Oh, and in return...
06:40Connor, I cannot give you a quid pro quo.
06:43I've told you that.
06:44I've made it quite clear.
06:45No, no, you're signed.
06:46It's, um...
06:47It's not about permits.
06:48It's, um...
06:49It's about dinner.
06:53What?
06:55Yeah, would you mind inviting Nadia and Mia over for dinner?
07:01Oh, that's it?
07:02She's obsessed with the, uh, actor fella.
07:05I mean, she said she used to watch him back in Russia.
07:07You know, I don't know.
07:08She said she wants to ask him some questions,
07:09and, you know, her heart's all a flutter with his theater shite.
07:12So, a dinner with him would make her happy.
07:15I mean, if that's not a problem...
07:17No, no.
07:18Getting Richard Bean to talk about himself is not a problem.
07:21Just don't count on an early night.
07:24What is your obsession with fog?
07:27Fog? What do you mean?
07:28You wanted it at the funeral, too?
07:30No, no, this is gonna be a heavy fog that will drift off of the stage,
07:34into the audience, nestle at their feet,
07:36and kind of invite them to be part of the action.
07:39Okay, but it's a small space, so you have to be careful, right?
07:42You're worried about the CO2, are you?
07:44Well, yes, it is lethal, but that's only if the audience
07:47gets down on their hands and knees and tries to huff it.
07:50Well, hi, boys.
07:51Hello.
07:52How's it going?
07:53Three-quarters full. Miranda's doing drinks.
07:56Hello, Richard. How are you?
07:59Well, I'm fine.
08:02Well, what have you beans been up to?
08:05Well, Richard has been walking me through production design.
08:09It's ambitious, but it's very cool, and I was about to tell him what you'd said.
08:15What did you say?
08:16Well, I was gonna say that I know whatever you come up with will be ambitious, but very cool.
08:26Really?
08:27Yeah.
08:27High praise coming from you. I'll take that.
08:30So, how ambitious? Just out of curiosity.
08:34You want to know the cost?
08:35Hmm.
08:35Well, I based my budget on a typical Broadway budget.
08:41Why would you start there?
08:43I mean, this is Millersburg.
08:46No, I know that. I know that.
08:59Okay. They're all ship-faced. We can start.
09:02Good.
09:05What's that?
09:06Oh, this is, uh, my, our tone.
09:10There's drawings and, uh, sketches. Just thoughts, you know.
09:13Oh, I'm so excited.
09:14You know, I'm casting it with local actors, and, uh, I think I have something very nice for you.
09:22You don't mean...
09:24I do.
09:25Seriously?
09:27Yeah.
09:30Okay. Okay. Enough. Back to serving.
09:32Thank you. I love you.
09:33Is this good to go?
09:34Yes.
09:35There we go.
09:35Bye.
09:37Don't you think she'll make a wonderful Emily?
09:40I mean, she could be as good as... she could be better than you.
09:43Cut to the chase. How much?
09:45All in.
09:46If we pay the actors equity minimum, uh, ballpark figure, uh, it'd be $250,000 a week.
09:55For our town?
09:56Th-that's our operating budget for the entire year.
09:59Yeah, I-I've got some wiggle room. I-I can give up my waterfall. I can just get rid of
10:05the cornfield.
10:06It's our town! There-there is no waterfall or cornfield.
10:11Okay. Up front, it-it's-it's more like 200 grand.
10:15But-and once we cover the-the nut, then, uh, the, uh, the production pays for itself.
10:19Oh, speaking of which, I bought 212 theater seats.
10:25And I thought, uh, since they're a permanent addition to the theater, that maybe you could expense it for me
10:31and get the tax right out.
10:32But you-you bought? You didn't buy the seats?
10:33Yes. The-the guy told me I'd be an idiot not to buy them. Those were his exact words.
10:38No, but you didn't buy them.
10:40Yes, I did. I told you I did.
10:41No, you didn't tell me that. You told me you found them online. I told you not to buy them.
10:44I told you to slow down. I told-
10:46Oh, my God. Oh, my God.
10:47No, no, see this? No, I didn't-I understand.
10:49I didn't-I didn't know he'd bought them.
10:51He told me he found them online.
10:53What if your seats are free?
10:54He didn't tell me he bought them. Please, I didn't know.
10:56I had a great deal. I don't know what you're talking about.
10:58Okay, just do me a favor. Go-go give those nuns their 15-minute call, please.
11:02Okay. New seats.
11:03You lie.
11:03Okay.
11:04You have to sit somewhere.
11:05So.
11:06This is a problem.
11:07So.
11:08What a worrier.
11:09Uh, why don't you keep this? Just in case there's a problem and you might-you might have
11:14to return them.
11:15Well, no, no. This was a kind of final sale sort of deal.
11:19Just in case.
11:20You don't actually think I expect you to pay for the whole thing yourself, do you?
11:25What?
11:25I mean, my vision of our town, my rain and horses.
11:32Rain? Horse?
11:34Because, you know, I do have access to angels, super angels, friends.
11:38That is, in fact, very good to hear.
11:41Now.
11:45I-I need you to do something for me.
11:49Come to the house Thursday night. I am-I'm having a dinner for a developer who is literally
11:55the only person in the world who is putting money back into this town and-and for his wife
12:01or girlfriend or God only knows what she is, but she is a big fan.
12:10Oh. Oh, a fan.
12:12Yeah. So, you'll come?
12:15No. I'm kidding. Of course I'll come.
12:19And you'll-you'll act normal.
12:23I'll give it a shot for you.
12:27For the town.
12:31Anything to help.
12:33I'm gonna make a phone call or two.
12:36Yeah.
12:37Is Richard Bean calling with a proposal I'd like to make to James Davis?
12:43Oh, I'd say it's business and pleasure.
12:46Yeah.
12:47It's about-it's about a show.
12:50Bean. B-E-A-N.
12:52Like the legume.
12:55Oh, she's not there.
12:57Okay.
12:59Uh...
13:00If you let me speak to him, I think I can plead my case a little more, um, directly.
13:06You know what I'm saying?
13:07He just went to lunch.
13:08It's extraordinary.
13:09What time is it where you are?
13:11Tell her it's the Beano.
13:12Hello.
13:12That was her nickname for me, you see?
13:14Yeah.
13:15Oh, she-oh, she did.
13:17I see.
13:18Yeah, I-I wouldn't really call it a-a rampage.
13:21I think that's-that's a bit severe.
13:23Yeah, no.
13:23My name is Bean.
13:26Yeah, as in has been.
13:31As a thought experiment, what would it take for me to finance this whole endeavor myself?
13:39Uh...
13:39A miracle?
13:41Why?
13:41Could you explain?
13:43Well, there's a lack of incoming funds, but you've still got your expenses, your mortgage,
13:47your maintenance fees, the alimony.
13:49Yeah, I get all that.
13:51What-what-what can I put my hands on right now?
13:52What's liquid?
13:53I mean, I-I could mortgage the apartment?
13:55Couldn't I?
13:56Are you familiar with the term upside down?
14:00Upside down?
14:01Of course I am.
14:01Yeah, but I-I suspect you're using it in some arcane financial context.
14:10I can't do it. I can't make-I can't make the show happen.
14:13No.
14:15I've let everyone down.
14:17Yeah.
14:21You saw their faces at the funeral. They were all aglow. Their eyes filled with tears.
14:28You know, some of those tears were for Mom.
14:31Well, yeah. Even the standing ovation was partially for Mom, I'm sure.
14:37What?
14:37Well, are you gonna say something?
14:39It was a good idea. Maybe this is just not the right time.
14:43You know, maybe we planned this for some time in the future. The distant future, when you're back at work,
14:49or-
14:49It must be someplace I can crawl to.
14:52Hey.
14:53What are you doing tonight?
14:54Well, I'll probably be here drinking myself into a stupor.
14:57No.
14:58We're going to a show.
15:00Oh, please, John. Not tonight. I'm not in the mood for nonsense.
15:05No, it's Monday night. No nonsense.
15:08You're gonna love this. Trust me.
15:11Just can I have one more of these? Just to get me through the afternoon.
15:16As long as it's with you, you can take the light away. You can turn the sky to grey. Give
15:34us time to look and find a place where we can feel the light.
15:43Even in the cold, there's a miracle.
15:45You can take the light away. You can take the light away. You can take the light away. You can
15:50turn the sky to grey. Give us time to look and find a place where we can feel alive. Even
16:06in the cold, there's a miracle.
16:40Even in the cold, there's a miracle.
16:42big surprise because he's been inspiring me for most of my life he's here sitting there in the
16:50back I swear this wasn't planned but maybe we could get him to sing something oh he's going
16:58all shy I couldn't I couldn't now I haven't prepared any I'm nothing voice he's actually
17:03sung on Broadway I'm warmed up I wasn't expecting this brother
17:38my destiny calls and I go onward to glory oh no I can't stop you sound brave you're very kind
17:51thank
17:52you I'm not being kind come on please keep going you sound no great
17:59the impossible dream to fight the unbeatable foe to bear with unbearable sorrow to run where the brave
18:19dare not go to ride the unrightable wrong to love your own chase from afar to try when your arms
18:35are
18:35too weary to reach the unreachable star sing it brother this is my quest to follow that star
18:47no matter how hopeless no matter how far and I know if I'll only be true to this glorious quest
19:05that my heart will lie peaceful and calm when I'm laid to my rest
19:18and the world will be better for this that one man scorn and covered with scars still strove with his
19:35last ounce of courage
19:37to reach the unreachable star
19:49to reach the unreachable star
20:00You have got to stay!
20:02I'm proud of the course I'll stay!
20:04I'm proud of the girl!
20:10I wasn't sure about this our town thing but last night Miranda was so happy seeing those kids they-they
20:19were excited I-I haven't seen so much happiness in years
20:23Yes, the fat faces all aglow.
20:26No, not that these kids were fat.
20:27What does this fat thing would be?
20:29I don't know. It's just how I picture them.
20:32The beauty is that by investing in the show,
20:34we increase the value of the property.
20:37So, you see, Jeff, the loan pays for itself.
20:42It's just not possible.
20:43The MFT sits on two and a half acres
20:45of the most beautiful land in Millersburg.
20:47It has to be worth a fortune.
20:49It's not about the value of the property.
20:50I know what it's about.
20:51It's about the value that we bring to it.
20:53It's about what the theater can provide to the town.
20:57You simply have to embrace
20:58the power of the art form itself.
21:02Show him.
21:04Show him.
21:06All right.
21:07I'll give you an excerpt.
21:11I have of late,
21:14but wherefore I know not
21:18lost all my mirth,
21:21forgotten all custom of exercises.
21:26Indeed, it goes so heavily with my disposition
21:28that this goodly frame, the earth,
21:32seems to me a sterile promontory.
21:36This most excellent canopy.
21:40The air.
21:41Look, you, this brave o'erhanging firmament,
21:45this majestical roof,
21:47fretted with golden fire.
21:51Why, it appears nothing to me
21:53but a foul and pestilent congregation
21:56of vapors.
22:01What a piece of work
22:03is a man.
22:06How noble in reason,
22:10how infinite in faculties,
22:13in form and moving,
22:15how express and admirable,
22:18in action, how like an angel,
22:22in apprehension, how like a god.
22:24the beauty of the world,
22:27the paragon of animals.
22:33And yet,
22:36to me,
22:38what is this
22:42quintessence of dust?
22:48Man delights not me.
22:54Anyway, that's, that's the gist of it.
23:03That's the sort of thing
23:04that the theater can provide.
23:06What do you think?
23:07I want to help.
23:09I do.
23:10But we don't control the mortgage
23:11on the theater anymore.
23:12Kristen refinanced a few years ago.
23:14You must know this, John.
23:16You do the books.
23:17Well, I write the checks every month.
23:19But, you know,
23:20sometimes the names on the checks
23:21don't always match the payee.
23:24No, I don't know that.
23:26Well, but you know
23:26what I'm talking about.
23:28I mean, sometimes
23:28it's a numbered corporation
23:30or Bernie who sells us our meat.
23:32He likes the checks made out to cash.
23:34Wow, that is just terrible accounting.
23:36Not knowing who you're paying
23:37is just really...
23:38So tell me,
23:38who owns the mortgage now?
23:40I don't know.
23:42Yeah, well, um...
23:44We're artists.
23:45We know nothing.
23:47We're idiots.
23:48It must be Chase.
23:49It must be Chase.
23:50No, I do remember.
23:51Kristen, she was looking
23:53for a better rate
23:54and she's very smart
23:55about that stuff.
23:56I'm sorry.
23:57Fine, it's just the way it is.
23:58You can't compete
23:59with the megabanks.
24:00No, no, no.
24:01We understand.
24:02Thank you for your time.
24:04Thank you for the show.
24:06I don't really know Shakespeare.
24:07That was Shakespeare, right?
24:08It was just...
24:10It was very moving.
24:12Well, thank you.
24:14Yes.
24:15I'm so glad.
24:16Good luck.
24:18You just need a theater.
24:21Listen, I'm going to ask Kristen.
24:26There's more where that came from, folks.
24:28Just come to the theater.
24:29The Millersburg Festival Theater.
24:31Eight times a week.
24:32I hope we'll be there.
24:33Oh, for a muse of fire.
24:36I know, I know.
24:38I'm late.
24:40As long as you have time
24:41to work your magic.
24:42Alakazam.
24:44Hey, so, uh,
24:46I saw Jeff today.
24:47Jeff?
24:48Yeah, Jeff at the bank.
24:50Bank Jeff.
24:51Oh, Jeff.
24:52Yeah.
24:53Yeah, I haven't seen him in forever.
24:55You know, that's what he said.
24:57He said they're not servicing
24:59the mortgage anymore.
25:00You know, they're here in an hour
25:01and I have to shower,
25:02so can we just talk about this later?
25:04Well, I was talking to Richard and Jeff,
25:06and, uh...
25:06Why were you at the bank with Richard?
25:10You know, you're right.
25:11Let's talk after dinner.
25:13I got to get...
25:14I love you.
25:14Yeah, love you, too.
25:22Oh.
25:25Cucumber and crab vichyssoise
25:28with roasted chili oil and radish.
25:30That's just the start.
25:31Tell them what's coming.
25:32Oh, it's just my take on flounder mounier.
25:35I dusted an almond flour
25:37and I finished it off
25:37with a brown butter thyme reduction
25:39and some boiled new potatoes
25:40with parsley and chive butter
25:42and then some asparagus
25:43with a lemon parmesan sauce
25:45and a simple little endive
25:47and, uh, tomato salad.
25:49Bon appétit.
25:51Oh, my God.
25:53That is what they must eat in heaven.
25:59What's it like kissing a man?
26:01I'm sorry.
26:04What's it like kissing a man in a play
26:06when you are not gay?
26:08Because I see you in the normal heart
26:10and I know you are not a gay man
26:12because I read everything.
26:14I read everything.
26:15But then I see him kissing Richard Thomas.
26:17I think he is being gay so well.
26:21How is he doing that?
26:23How do you do that?
26:25It's not that hard, really.
26:26You know, kissing a man,
26:27it's like kissing a woman,
26:28only...
26:31she's a man.
26:32Isn't true.
26:33Our honoured chef,
26:34uh,
26:35enough of you slaving away
26:37in the bowels of that jerk joint.
26:39A man of your gifts
26:40deserves his own restaurant
26:42and a chance
26:43at his Michelin star.
26:45Sláinte, chef.
26:45Uh, uh,
26:46cheers.
26:47Excuse me, uh...
26:50A jerk joint?
26:51The MFT.
26:52Look, your brother is a wonderful cook.
26:55Well, he is.
26:56And the food at the theatre is wonderful.
26:58We can't afford to do this
26:59every night, obviously.
27:01Do you do your own wigs?
27:04Uh, no, no.
27:06Someone else does my wigs.
27:08They have a mould of my head.
27:11So, Mr. Boyle...
27:12Connor.
27:13Connor.
27:13Kristen tells me that
27:15you're the saviour of the town.
27:18No saviour, Richard.
27:20Just a businessman.
27:21Well, honestly,
27:23there's an opportunity here
27:24for redevelopment.
27:25I can make a wee bit of money
27:26as we go along,
27:27and, uh, you know,
27:28the town gets jobs in return.
27:29You know, capitalism.
27:31Have you heard of capitalism?
27:33Rings a bell.
27:34Of course, Richard.
27:35Be a nose, capitalism.
27:36Did you once,
27:37not on Broadway,
27:38do Willy Lama?
27:39I did?
27:40Yes, you see.
27:41I am doing the homework.
27:43In Russia,
27:44we love this Willy play
27:46because we see the truth
27:49of this country,
27:50great America,
27:51to throw out worker
27:52like Olshu.
27:53He, you, you know?
27:55My Nadia,
27:56she has a heart like an artist.
27:59She's a dreamer.
28:00You must be a dreamer, too.
28:01I mean, you must have a plan,
28:03a vision for this whole town.
28:05Let's just all enjoy
28:06this wonderful soup,
28:07hmm, shall we?
28:08He is wanting
28:09to build a casino.
28:13A casino?
28:14I wasn't ready
28:14to talk about it.
28:15Yes, but you are these days.
28:16You are talking of nothing else.
28:18You say, casino, this, casino.
28:19Well, that, that,
28:19that is pretty much the truth.
28:21Yes.
28:21Well, Connor,
28:22tell us about it.
28:23Well,
28:24it's more of, um,
28:26an entertainment complex,
28:28you know,
28:28with a shopping center
28:30where they're in
28:30a four-star hotel
28:32and, uh,
28:33three swimming pools.
28:34Oh, I hope it's gonna have
28:35one of those, uh,
28:37spouting fountains
28:38where the, uh,
28:39the lights and the music
28:41are all synchronized
28:42to the spurts.
28:43Why not?
28:43And a five-star restaurant
28:45for John to do his cricket?
28:47Really?
28:47Right here in Millersburg.
28:48You know,
28:49that came to me
28:49when I tasted this fucking soup.
28:51So we're going to become
28:52a casino town.
28:53The restaurant, for me?
28:54It's the perfect location.
28:55It will have a theater.
28:57It will have a big theater
28:58for you.
28:59Also, celebrity acts, right?
29:01Big draws, you know,
29:03like, uh,
29:05Barry Manilow.
29:06You know,
29:06someone people
29:07will actually pay money
29:08to see.
29:09Did you know
29:10about this dream
29:11of commerce?
29:12I did not.
29:13But it's still,
29:14it's, it's intriguing.
29:16Why not make
29:16Millersburg a destination
29:17for thousands of tourists
29:19to spend money
29:20and, uh,
29:21have a good time?
29:21I mean,
29:22everyone wins.
29:23Except most people,
29:24most people lose.
29:25Miranda?
29:26What?
29:26She's right.
29:27I mean,
29:27that is how we make money,
29:28I mean,
29:29I'm not going to lie to you.
29:30I fucking love craps.
29:31Hey,
29:32who wants more wine?
29:34Where are you thinking
29:34about building this?
29:35Where are you building it?
29:36Well,
29:36I've looked at several,
29:37you know,
29:38possible locations.
29:39Oh, yeah,
29:39and I just bought
29:40that old hotel
29:41up in, uh,
29:43Berryhill?
29:43The Morrison.
29:44The Morrison.
29:44That has a big enough footprint
29:46for the main building.
29:47The Morrison is a heritage building.
29:49It's a landmark.
29:50Mom.
29:52Do you have a name
29:53for this in mind?
29:54No.
29:55Not yet.
29:55Might I suggest
29:57the Golden Boyle?
30:00Okay.
30:01That's, that,
30:01it's very funny.
30:02Yeah.
30:03You know,
30:03I could build it
30:05right in the heart of things.
30:06I mean,
30:07the MFT site
30:08might just be big enough.
30:09I got some surveying done when I took over the loan.
30:11Oh!
30:12Wait, what?
30:13What the fuck, Miranda?
30:15What?
30:16You control the loan?
30:18We refinanced around two years ago,
30:21and Mr. Boyle was kind enough to give us a...
30:24This theater is our family's legacy,
30:26and you sold it to a developer.
30:28I did not sell it.
30:29I renegotiated for a very good rate.
30:34I mean, we have to make payments, but...
30:37Forget about the payments.
30:38Just forget about them.
30:40Let them go.
30:41Listen, why are you all killing yourselves, you know?
30:44I mean, why don't you let me build us a complex,
30:47a theater for you, and a restaurant for John?
30:51Let me make this as clear as I possibly can.
30:54We're not letting anything go.
30:56The theater is not for sale.
31:00It is not Kristen's theater to sell.
31:03It's our family's theater.
31:07We own it.
31:09Okay?
31:09Kristen is an employee.
31:11I am not an employee.
31:13Richard, you can't say that.
31:14How dare you?
31:14You didn't mean that, but why didn't you tell me this?
31:17Why did that...
31:20It was when we were putting in the kitchen.
31:21Did you not think I could handle this?
31:23No.
31:23Is that what you thought?
31:23It was when we were putting in the kitchen.
31:26Our family's theater.
31:27Are we...
31:27Oh, my God!
31:29Look, look.
31:29I have been killing myself.
31:30I know you have.
31:31That's not what I'm saying.
31:33I'm really sorry.
31:34Listen to me.
31:34Can you talk to me for a second?
31:35No, I'm not going to talk.
31:36You can't...
31:37Listen, you know who can have to talk to me for a second.
31:39I'm very sorry.
31:40I don't want to talk.
31:41Serve the fucking flounder.
31:42Tell me, Richard, how are you remembering all those lines?
31:49Great question.
31:51Great question.
31:53Where's the flounder?
32:17What's the flounder?
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