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00:17You sure about going public?
00:19No more sure than anything in my life.
00:23Come on, get in there, miss.
00:27The sooner the better, I think.
00:29Right, and I'll come back for those.
00:32And you, you know, get on, have a nice day.
00:33Why don't you just leave them in the car?
00:35Because I get nicked.
00:36Ruby, you're making me feel as if I'm booting you out.
00:39Yeah, of course you are.
00:42Steph, I just don't want to lose this place.
00:44Look, the landlady's only calling me back because somebody's pulled out.
00:47You know, when I'm sick, playing gooseberry to you and Ollie.
00:53Morning, skinny.
00:55Er, morning, gobby.
00:56Here you go, there's a list of all the year 10s that are going to be missing out on your
00:58class today.
00:59Oh, of course, the art trip.
01:01But you'll do anything to skive off, won't you?
01:03Excuse me, this isn't about having a day off.
01:06This is about inspiring my pupils.
01:08Especially Amy Porter.
01:09Honestly, she's so good at art and she's genuinely interested.
01:13Well, I think that maybe a refresher course in sex education is more appropriate than a bloomin' art trip.
01:20Oh, ye of little faith.
01:22It's like Vernon Holiday.
01:24Yeah, check out the art gallery, then we'll hit the town.
01:26I'm being serious, Ben.
01:28I'm being serious, too.
01:29You should know that by now.
01:31Listen, today's just about me and you.
01:33Whoever else tags along, that's their look out, yeah?
01:37Adam.
01:38Adam.
01:39Hey, how are you?
01:41Fine.
01:42Yeah, really good, actually.
01:44In fact, I'm moving out of Steph's this afternoon.
01:47That is great.
01:48Yay.
01:49And you're still, you know, off the, um...
01:51I haven't taken any pills since you helped me.
01:54Cross my heart.
01:55I'm glad to hear it.
01:57Well, I mean, you know, it's all down to you, actually, because I just can't thank you enough.
02:03Well, why don't we just put it all behind us, yeah?
02:06Yeah.
02:09Come on, that's the bomb!
02:12Come on, man.
02:17Come on!
02:18Phil!
02:22I was hoping she decided to move schools.
02:24He'd be all right, mate.
02:26No, I won't.
02:27Nothing I can do about her, is there?
02:29Come on, chin up, man.
02:31Come on.
02:32Here, lay on.
02:35Babes!
02:36Are you OK?
02:37You've been dead worried.
02:38I was so nervous about coming back.
02:40What people would say.
02:42Well, don't worry about Miss Loopsit.
02:43She's my course.
02:44Yeah, I know.
02:44Miss Mason told me.
02:47I feel like he won't even talk to me.
02:49Well, it's his loss then, isn't it?
02:51Come on.
02:55Hi.
02:55Are you ready?
02:58Uh, hi, everyone.
03:00Can we just have a little word?
03:02Um, Adam and I have got something to tell you.
03:04We don't want to make a big deal of this, but we do want to deflect any more gossip, so,
03:08um, we...
03:08We're getting married.
03:09Yeah.
03:12Wonderful.
03:14Congratulations.
03:15Oh, I am so pleased for you.
03:17All the time, dear me, is all I can say.
03:20We haven't actually set a date yet, but we don't want any fuss at all.
03:23We're just telling you before the kids catch on, really.
03:26Congratulations.
03:27Well, congratulations, the pair of you.
03:30Looks like it's love's young dream all around.
03:32What?
03:33Are you getting married as well?
03:34No, no, I'm not getting married, but Oliver is moving in with me today.
03:39That didn't say anything to me.
03:40Hey, I hope I haven't stolen your thunder.
03:42Well, we're still one up on you.
03:43You're not engaged.
03:44Yet.
03:46Anyway, we know it's a big day today.
03:47Don't want to hold any of your back, so business as usual, and thanks.
03:53Chris, um, are you okay with everything?
03:59You know there'll always be a spare bed with your name on it.
04:02I've really got to get going, Steph.
04:04I know we've had our problems in the past, but maybe we should just put them behind us
04:09now that me and your dad are practically...
04:11Yeah.
04:12You're not all right with it, are you?
04:14I just didn't realise it was so serious.
04:16I always assumed it'd fizzle out.
04:17No, I think you wanted it to fizzle out.
04:20You've got to let your dad move on, Chris.
04:22You're not a kid anymore.
04:23Yeah, I know that.
04:25I just...
04:27I just don't want to see anyone get hurt.
04:30It all seems very convenient to me.
04:32What do you mean, convenient?
04:34Did Dad tell you it's his and Mum's wedding anniversary today?
04:38No, but I don't see how that's relevant.
04:40Well, it's totally relevant.
04:42He's chosen to do this today, on his wedding anniversary, to make my mum jealous.
04:47Seems happy enough.
04:49Look at his world.
04:49Do you really think that you fit in?
04:53Look, look, I'm sorry, Steph.
04:57I don't want to upset you.
04:58It's just...
05:09Sam!
05:10I saw something out of this.
05:11Oh, no.
05:12Lauren!
05:13Come on, there's plenty of seats at the front.
05:16Er, Siobhan...
05:17Er, put that away, please.
05:19No food on the coach.
05:20Hiya.
05:21All right.
05:22Amy!
05:22Hiya!
05:23Looking forward to today?
05:24Yeah.
05:25Should get a lot out of it.
05:26You're very talented.
05:27It's all right.
05:28Keep trying to tell her.
05:30Major talent.
05:31I should know.
05:35Sorry about that.
05:36I thought you were going to miss the coach, busy gassing away with your future stepmother.
05:40Oh, pack it in, will you?
05:41Maybe you and her could have a double wedding.
05:43What?
05:43You know, your dad and Steph and you and your girlfriend.
05:46A, my dad's still married to me mum, and B, if Anna and I got married, I think I'd choose
05:51something a little bit more romantic than a double up with Steph Aydon.
05:53All right, all right.
05:55Look, I'm just not up for any more hilarious jokes about my dad and Steph, all right?
05:59Right, yeah, give me that.
06:00I'll finish up here.
06:02You're going to have a sit down, have a rest.
06:03I'm pregnant.
06:04I'm not ill.
06:24Why does she have to be in all my classes, huh?
06:26Thought there's no escape.
06:28There's plenty of other girls out there, man.
06:30You're just going to have to get over her.
06:31What, do you not think I would if I could?
06:33Oh, God, she's coming over.
06:36This is stupid, Philip.
06:38I want for us to be friends.
06:42Yeah, well, I want for you to not be such a lying, cheating, lesbian cow, but we can't
06:47go where we want, can we?
06:50Do you know what?
06:51Scratch what I just said.
06:52You're an idiot and I wish I'd never met you.
06:55Smooth.
06:56Yeah, mature.
06:58What am I going to do?
06:58I don't know, mate.
06:59Put yourself off her or something, because you're starting to act like a total woman.
07:03Yeah, it's actually quite embarrassing.
07:05Look, you're going to put her on a pedestal.
07:07There must be stuff that puts you off her.
07:09Has she got, like, bad breath or smelly armpits or something?
07:12I love the way she smells.
07:14Oh, God.
07:17Look, I'm sorry if I was a bit sharp with you earlier.
07:19Yeah.
07:21We've got the old date together with this lot.
07:22Let's try and make it as funny as we can, shall we?
07:24Do you know what?
07:24It should be me who was apologising.
07:26I was being insensitive and I was being nosy and pregnant.
07:34God, to be honest, I just, I just, I can't wait to get back to being normal.
07:39Normal?
07:47It just, it makes you think, doesn't it?
07:49You know, you've got Rachel and Adam and, you know, they're getting married.
07:55And then there's me, who's just done it all the wrong way round.
08:00Hey, loads of people bring up kids on their own.
08:05Anyway, you're going to meet someone eventually, aren't you?
08:10Yep, I will.
08:13If I can be bothered.
08:17Say, it's good that you've met someone special though, isn't it?
08:20Anna.
08:22Yeah.
08:23It is.
08:24She's great.
08:27Good.
08:48You're kidding me.
08:49This isn't a list.
08:50You said pros and cons.
08:52Yeah.
08:52Cons.
08:53Plural.
08:53You've only got the one for you.
08:55Con number one?
08:56She's gay.
08:56She's got a bunch of deal breaker though, innit?
08:58Look at all the pros, man.
08:59There's loads.
09:01I didn't even try, Philip.
09:03What's the use?
09:04I'll miss her.
09:05Alright, and that's that.
09:05I probably always will.
09:06I'll miss you.
09:08Ellie.
09:10Feeding one of you.
09:12Michael and Mater, I haven't seen it in years.
09:16Say if he wants to help, a couple of beers, a single nacition, a single nacition,
09:23a single nacition, a single nacition.
09:26Take it easy getting off the bus, please.
09:33all right get yourself straight in please yeah straight in and remember it's a gathering it's
09:38not a zoo or a knocking shop so let's show some respect shall we i'll keep my eye on thing
09:45today
09:55okay the exhibit that we're going to see today is all about love which as we all know is a
10:01multi-faceted thing um found you ros mccain pros and cons she's a great kisser she's got beautiful
10:11eyes what's this i found it in the common room who wrote it a girl nope her ex philip ryan
10:18oh poor philip oh poor philip crap she's the only one in year 12 who won't end up working in
10:25a chip
10:25shop excuse me no wait there's more she's naturally pretty unlike the slappers she hangs around with
10:32wait she's even nicer those thick bimbos on the netball team philip bimbos right there
10:41come on everyone
10:46so the subject of homer's odyssey is the importance of resisting sensual desire you can see the sirens
10:55here they're using their sensuality to lure the the sailors to their deaths typical blend the women
11:02okay right well this is where art gets interesting okay because understanding the symbolism helps to
11:10understand the paintings real themes although everybody will interpret them differently it's
11:15kind of lonely fantastic amy that's what's important your reaction as well as what the artist is trying
11:23to convey can you can you expand on that and tell me why you think it makes you feel that
11:27way
11:28amy can paint better than that i'm sure amy knows that she's got some hard work to do to develop
11:34her
11:35own style she's already developed it might not be as fancy as all this but i can see it even
11:42if you
11:45can't anybody else can anyone else tell me how it makes them feel um sir i'm just gonna go to
11:50the
11:50toilet okay no not okay can't you wait till we break yeah if you want the next exhibit to be
11:55called
11:56turd on floor come straight back right everyone if you follow me into the next room and the next
12:10exhibits
12:11first things first write a nasty message on philip's page
12:30i like it
12:32it's good
12:35you like it
12:46oh what is this
12:49who are you calling slapper
12:54well no one really not fill it it's here in black and white what do you think so not only
12:59are you a
13:00pink you're a liar as well
13:02pink pink pink pink pink pink pink that's the work guys huh brilliant suggestion
13:12i'm gonna go to the gents and check on finn there's no way you should have been this long
13:16hang on where's amy i knew it
13:24oh acrylics in a pen check out the colours
13:27how much
13:31i don't want that much on me
13:32oh thanks babes i don't need presents i've ever got you
13:43amy what are you doing in here
13:45yeah i was just looking
13:46and where's finn
13:48why should i know
13:49because he's your boyfriend and he's disappeared as well
13:52he went to the toilet didn't he
13:54amy you know that you're not supposed to wander off don't you
13:58i thought you were enjoying the talk
13:59i am
14:02but then look please don't spoil things by making me have to punish you
14:07do you know what you have got such a good eye you've got so much potential you could really
14:12make something of yourself don't let finn stand in your way he's not i mean
14:17i wouldn't i won't miss
14:21okay come on
14:21i don't know
14:39i don't know
14:40i don't know
14:48i don't know
15:07No, Finn. He's not in the gems. There he is.
15:14Oi. Oi, Cupid.
15:16Been looking at these two lovebirds, sir.
15:19You know what? That could be you and Miss Campbell, that.
15:21I'll see you later. Go and join everyone else.
15:29Anna. Chris.
15:33What are you doing here?
15:37Yes, all right, everyone. Anna's a friend of mine.
15:40Sorry. Kim, could I join you in a second?
15:44Yeah. Yeah.
15:49Sorry, you're working.
15:51It's just, you mentioned you might be coming on a visit here, so I thought I'd pop by on the
15:54off chance I might get lucky.
15:55Great.
15:56Is it?
15:57Yeah. Of course.
15:59Only it's been a couple of days and you haven't called, so I just thought that maybe...
16:03No, no, no, no. I've just been busy at school, you know.
16:07Okay.
16:09Congratulations.
16:11Kept that quiet.
16:12Well, we wanted to tell everyone at once.
16:15So, how is it, the new flap?
16:16Do you know, I haven't actually seen it yet because I just thought I'd better take what I could get
16:21out of Steph's hair.
16:22But, er, I mean, it'll be fine.
16:24Well, of course it will.
16:25With your design skills.
16:27Um, do you want to, um, come over and see it with me later?
16:31You could help me, you know, move my things and have a glass of wine.
16:34You asked me that this morning.
16:36I'm going out with Rachel.
16:39Er, yeah.
16:41Okay, I'll catch you later.
16:43Okay.
16:52Hey, what's up?
16:55Nothing.
16:57She don't want to cramp your style.
17:00Hold your back, you know what I mean?
17:04I can't help what Campbell said.
17:06Maybe.
17:08But you agreed with her.
17:10It's all I need to know.
17:14What do you mean, all you need to know?
17:15If you're with me, you're with me 100%.
17:17I am.
17:18You made your choice, Amy.
17:20It's over.
17:37Kim, could you do me a favour?
17:40When we break for lunch, would you mind if I meet Anna for half an hour?
17:44That's not very fair, is it?
17:45It's only in the garden outside.
17:48I didn't think you'd mind.
17:49Yeah, but...
17:51You know, that's...
17:53Well, there's a lot more likely to kick off, isn't it, at lunchtime?
17:57Right.
18:00So is that a no, then?
18:01No.
18:04No, it's...
18:05Oh, forget it.
18:07You go.
18:08You have a good time.
18:09It's just me being home all the way, that's all.
18:12Only if you're okay with it.
18:13I am.
18:14I am.
18:15It's absolutely fine.
18:16Honestly.
18:17I'd be glad to see the back end.
18:31What are you doing?
18:34That's my personal business.
18:36It's not you we called a slapper.
18:43How could you?
18:45Like I haven't been through enough without you spreading it round the whole school?
18:50Thanks, guys.
18:51This is all your fault.
18:52What are we going to do about it?
18:53Pink!
18:54Pink!
18:55Pink!
18:55Pink!
18:57Pink!
18:58Pink!
18:59Pink!
18:59Pink!
19:00Pink!
19:01Pink!
19:02Pink!
19:02Steph!
19:03Steph!
19:04What are you doing here?
19:06I'm not going anywhere until you give me an explanation.
19:08Oliver, this isn't the time.
19:09You make me no option.
19:10You can't just break up with me without telling me why.
19:13I'm supposed to move in with you tonight, for God's sake.
19:15I know.
19:16On your wedding anniversary?
19:19Well, isn't it?
19:21Yeah, I suppose it is.
19:22How do you know?
19:23Your son told me.
19:24Chris!
19:25Unless you've got another one.
19:27Look, not here.
19:31All right, everyone.
19:32That's lunch.
19:33If you make your way over to the gallery restaurant, please.
19:38Here, I can give you a hand.
19:40You look like a sumo wrestler.
19:42Why don't you just call me a fat cow, Chris?
19:45Sorry, that's not what I meant.
19:46Good job.
19:47I'm not coming for lunch with you and Blondie, isn't it?
19:49I might scoff for a lot.
19:51Kim, is there some reason why...
19:55Why you wouldn't want me to go for lunch with Anna?
19:58I've said go, aren't I?
19:59Let me give you a bit of advice, though.
20:01Don't mention anything about her weight, because it doesn't go down too well with the ladies.
20:04I wasn't saying you were fat.
20:05I was saying you were pregnant.
20:07Well, you should go.
20:09You'll be late for Anna.
20:16It's about trust, Amy.
20:19You've got to trust me.
20:21All we've got is each other.
20:23That's how I feel.
20:23That's what I want.
20:24But if you...
20:25No, but I do too.
20:27You're all I want.
20:28All I've ever wanted.
20:30Yeah?
20:32Yeah.
20:33It's while you were running off after Campbell.
20:34I was putting my neck on the line trying to get you this.
20:45It's over, Steph.
20:46She's accepted it, and so have I.
20:48Tonight's just another night.
20:50And Christopher knows that.
20:51So what he's playing at, I don't know.
20:53I think I do.
20:54The point is, this is all nonsense.
20:56If my son's got a problem with me having a girlfriend...
20:58No, Ollie, you're not getting it.
20:59It's not you having a girlfriend.
21:00It's having me as a girlfriend.
21:02That's because he's a snob.
21:03He can't see through all the bluster to the real you.
21:06The bluster?
21:07What bluster?
21:08Nothing.
21:09You know, the vivre, it's...
21:10It's what makes you you, though.
21:12It's charming.
21:13I mean, I'm hardly in a position to criticise at my age.
21:17I'm lucky to hook up with anyone.
21:20I feel so special.
21:25Got to go.
21:26Playground duty.
21:27Well, stop, Christopher.
21:28We won't tell him.
21:29It's none of his business anyway.
21:30No, Ollie, listen.
21:32I think I deserve more than better than nothing.
21:36I think.
21:44I thought it was a bit weird when you didn't call.
21:47I mean, I don't want to be like some sort of stalker, but...
21:52Going from being friends to something a bit more was a bit traumatic at the best of times, so...
21:57I thought it'd be nice to know we're in it together.
22:00Yeah.
22:00Of course we are.
22:01Hmm.
22:04So what's going on?
22:07What?
22:08By the radio silence.
22:13Um...
22:14I...
22:15I don't know.
22:18Well...
22:19My feelings have kind of been all over the place.
22:21Mine too?
22:22Right, I'm going to put my cards on the table.
22:24No, Anna, it's fine.
22:25You don't have to.
22:25No, I want to, cos...
22:26You see, I always wondered what it would be like if we were boyfriend and girlfriend, not just friends, and...
22:31Cos I always wanted it.
22:32For years.
22:33And...
22:34You see, everyone who I ever went out with never quite measured up to the mark.
22:37I told myself, I said, we'd be better off as friends, cos I'd only be disappointed, but...
22:42The thing is, I wasn't.
22:45Cos, you see, the thing is, I've never felt this way about anyone the way I feel about you, Chris,
22:49and...
22:50Well, I can't believe it could just be me, so...
22:54Oh, God.
22:58I'm sorry.
23:00I want to, it's just...
23:10OK, everybody, listen up.
23:12After lunch, we're going to be doing our own art, yeah?
23:15So, what I want you to do, I want you to pick out your favourite piece, and then I want
23:20you to interpret it in your own way.
23:22OK?
23:23You shouldn't have to copy this rubbish.
23:25It should be all paintings on these walls.
23:27Oh, you're just saying that cos you buy it.
23:29Yeah, I believe in you, Amy.
23:32I believe in you too, babe.
23:33More than you know.
23:36Then show me.
23:38I don't know, babes.
23:40We could get into serious trouble.
23:41If something's easy, it doesn't mean anything, does it?
23:46I just want you to show me that you love me.
23:54I assume that this wasn't meant for public view.
23:57They're absolutely appalled that Philip used such a Neanderthal terms for a girl.
24:02Peer pressure.
24:03Powerful thing.
24:04By the looks of it, the poor sod will be regretting it.
24:07Teenage girls take them so seriously.
24:10Sorry, are you actually defending this?
24:11Please, Liz, just...
24:12I'll take that.
24:13Just give me these and we'll...
24:14From what I can see, Philip has been saying nice things about us.
24:17She must be flattered.
24:18It's you lot has been slagging her off.
24:20Can you not read, moron?
24:22It's about what you've been saying about us.
24:24Come on, mate, just leave it.
24:24Are you making it worse?
24:25Of course he is.
24:26He's got a Y chromosome, hasn't he?
24:27Speak English, woman.
24:29Sexism is insidious.
24:31And this impressionable age is when...
24:33It's when sexual stereotypes, they really take root of...
24:36I'm not having it in my school.
24:38From pupils or staff.
24:40This is all over a few terms of phrases, my son.
24:42What, like thick bimbo?
24:44No, like slapper.
24:45I'll give you slapper.
24:47What are you doing?
24:48You're all out of order.
24:49You're disgusting and you're agreeing with this.
24:51You're accusing me of being sexist.
24:53You don't seem in a hurry to deal with the problem.
24:54What problem?
24:55They're kids.
24:56This is what they do.
24:56Let them sort it out between themselves.
24:58Hang on a minute.
24:59When they put these things on the wall,
25:00they involve the school and they involve me.
25:02Now you sound like the head teacher.
25:04Well, I am.
25:05When we got engaged, you promised to treat me like an equal.
25:08Am I not entitled to my opinion?
25:09Am I allowed to disagree with it?
25:11You just slapped me in the face and no will do it.
25:13I'm not kidding.
25:14I'm not kidding.
25:15I'm not kidding.
25:16I'm not kidding.
25:18I'm not kidding.
25:18I'm not kidding.
25:19I'm not kidding.
25:19I'm not kidding.
25:19I'm not kidding.
25:19Pack it in.
25:20This hate campaign against Philip has gone way too far.
25:23I don't know what he wrote, but this is bullying, yes?
25:25It's not even about Philip anymore.
25:27It's about the lot of them.
25:28Women are so much better than men.
25:30We can do well better without them.
25:32Yeah?
25:33You took the word right out of mind.
25:34Well, I'm afraid you're stuck with each other,
25:35so you might as well learn how to get along.
25:37Do you know what?
25:37If you're going to do this, why don't we do it properly?
25:40Huh?
25:40Why don't we see if we can decide once and for all who's better,
25:43men or women?
25:44Yes?
25:45General studies with Mr Badgen this afternoon.
25:48Let's debate it.
25:49See who can win the battle.
25:50I don't really think this requires a full-scale debate, does it?
25:53Philip, maybe you'll learn something.
25:54No, it'd be the girls that learn something, miss.
25:56Save it till next period.
25:58No matter how much I try to pretend that it was just a crush
26:00or that I'm over it,
26:04I'm just not.
26:07Who is she?
26:11It's Kim.
26:12You've met her.
26:15Oh, no, the baby's not mine.
26:17She's not with the father anymore, thank God.
26:20But not because of me.
26:22It's because of him.
26:26She's been hurt.
26:29You obviously care a lot about her.
26:32Yeah, for all it's worth.
26:35Tell me about it.
26:39She doesn't know she's born.
26:42I'll remember and tell her that.
26:43Someone should.
26:47Right, can you get your trays,
26:49put them all away,
26:50start to get your sketchbooks out, please?
26:54Not that you'll be needing yours.
26:57I'm scared.
26:58Don't be.
26:59All great artists take risks.
27:01It's the only way to get noticed.
27:02You think I'll be a great artist?
27:04There's only one way to find out, isn't there?
27:29Yeah, good work, girls.
27:35Good work, girls.
27:36Don't forget to put your own stamp on it if you can.
27:39I'll try.
27:51Finn?
27:52I can't breathe.
27:54What? Are you all right?
27:56Can someone help me, please?
27:58Just try and keep calm.
28:00Just keep calm.
28:03Everyone stay back, all right?
28:04Stay back.
28:05Just give him some air.
28:21Excuse me.
28:22Can you call us an ambulance, please?
28:31Breathe in and out for me?
28:33Something wrong?
28:34Yeah, it collapsed.
28:35I had to call an ambulance.
28:40You all right, Finn?
28:43Yeah.
28:44I'm actually feeling much better now.
28:50What's going on, Finn?
28:52I must have had one of them panic attacks, you know?
28:53A panic attack?
28:54You've gone too far this time, Finn.
28:56Where were you, Mr. Armand?
28:57I'm going to talk to him.
29:01Sorry, can we cancel the ambulance?
29:03It looks like it was a false alarm.
29:07There's a problem in Gallery 5.
29:10Chris.
29:14Amy?
29:15What are you doing?
29:17Stop right there.
29:18Amy?
29:20All right, turn the hands off of me.
29:21Leave this to me, please.
29:22This to you.
29:23Look what happened.
29:24You're guests of our gallery.
29:26This is disgusting.
29:27I think it's brilliant, me.
29:29His husband, can you see?
29:30Is that what your panic attack was about?
29:31I helped her, and I'm proud of her.
29:33Banksy won't have to apologise.
29:35Amy is not Banksy.
29:38She's a vandal and a disgrace to the school.
29:40If you think that Banksy would draw all over someone else's art...
29:43Let's deal with this in the office, shall we?
29:48You as well, Finn.
29:51Kim, you just stay here and calm down.
29:54Yeah, cheers.
29:54My hero.
29:55Thanks.
30:18Right, shh, shh, shh, shh, shh, shh.
30:20Right, settle down.
30:22Boys are better than girls.
30:26No, no, no, no, I think it's great.
30:29All right, all right.
30:29Uh, Paul, you're on the debating team.
30:33Right, OK.
30:36This house would argue that boys are better than girls because...
30:41Because...
30:42Because girls take ages to get ready before they can even leave the house.
30:45Yes!
30:46Oh, good, well, well done.
30:48Come on, that's a lame argument.
30:49It's not lame, it's true.
30:50Have you been out of Bolton?
30:52It takes hours.
30:54Look, guys are faster, stronger.
30:58So what does that make us?
30:59Better athletes.
31:00Thank you very much.
31:01Oh, no, no, no, no, no, no, no, no.
31:02That is...
31:02That's not true.
31:03Erm, OK, who's the best basketball player?
31:06Me.
31:06No, Sam Kelly.
31:07And what is she?
31:08A girl.
31:15Miss Campbell.
31:22The gallery have agreed to let the school deal with Finn and Amy, provided we can pay for the damage,
31:26and the rest of the kids have to stay in there away from the collection.
31:29Right, where's Amy and Finn?
31:31I mean, the security office waiting for a taxi to take them back to school.
31:34Nancy can go with them, or you, if you've had enough.
31:37Wow.
31:39God, you've got it all sorted out, haven't you?
31:41Shame you weren't about when poor old ineffectual me couldn't cope, eh?
31:44Look, I shouldn't have left you for so long.
31:46I got caught up with Hannah.
31:47Yeah, OK, spare me the details.
31:49Not like that.
31:50She was upset.
31:51Chris, I couldn't care less about your love life.
31:54Let's just get on with the rest of the day, shall we?
31:55Hang on.
31:57You're overreacting, Kim.
31:58I was a bit late, that's all.
32:00I seem to remember you bending the rules plenty when it came to your own love life, so don't pretend
32:03you're perfect.
32:04Hang on a minute.
32:05You just let me down.
32:08Like, just admit it.
32:12You know what, you stay with these.
32:13I'm going to go and see Amy and Finn, and I'll stay.
32:18Men are the best chefs.
32:19Now we've even taken the kitchen from your...
32:21Exactly, and men get paid.
32:23Leave a minute, leave a minute.
32:24So what does that tell you?
32:26Hang about, hang about.
32:28What about Miss Mason?
32:29She's a woman.
32:30I mean, is anyone going to say she doesn't have to run the school?
32:32Exactly.
32:33Seriously, man, who side are you on?
32:35You know what, I'm going to say something.
32:37Right, things are changing, okay?
32:39Women are achieving positions of power in all sorts of industries,
32:43and we've had to work that much harder to get there.
32:46So that arguably makes us better than men,
32:48because we're stronger and we're more determined.
32:51And we won't take crap from people who write lists about us.
32:55Philip.
32:55Yes, Philip Ryan.
33:06I gave you a chance.
33:08You blew it.
33:09Seems that way.
33:12Is this what you want?
33:14Look at me.
33:15Is this what you want?
33:16To ruin your academic career and your self-esteem for it?
33:26Can I go, please?
33:28Yeah, yeah, go on.
33:44I don't want to see him get hurt, so I think you should leave him alone.
33:58Well, I think you know what I'm talking about
34:03Girls cope with stress better because we actually talk about things. Yes. No what you mean is women go on
34:10and on
34:15Everything where it's us lads we get on with it or we take action
34:20But I've overanalyzed everything since the day I was born. I wish I didn't buy silly
34:24You're a boy
34:27purposes of this debate at least
34:32This is stupid I don't think that women are better than men. I just think women are better than men
34:40understanding things
34:42especially emotional things
34:44And I think that men can be really really immature and hurtful
34:53Look
34:55Rossi's right
34:57Some men don't take things seriously enough
35:00We're all here because I wrote down a stupid bunch of stuff because I was
35:06Because I am immature and disrespectful
35:12I was hurt
35:16But I honestly never meant to hurt anyone
35:19I'm sorry
35:24So what is it exactly that I'm supposed to have done?
35:55You might like the idea of Chris pining after you
35:57You are interested
36:01Yeah
36:02Yeah
36:03Yeah I am but
36:04Work relationships always go wrong so
36:06Whatever
36:08I just hope one day you know what it feels like to want someone who doesn't want you
36:11Because take it from me
36:14Because take it from me
36:15It hurts
36:15It hurts
36:51It hurts
36:52It hurts
37:11It hurts
37:15It hurts
37:15It hurts
37:40It hurts
37:41It hurts
37:41It hurts
37:46It hurts
37:47It hurts
38:02It hurts
38:02It hurts
38:08It hurts
38:20It hurts
38:21It hurts
38:39It hurts
38:39It hurts
38:41It hurts
38:41Cause help me
38:42Chris
38:44Chris
38:44Chris
38:45Kim
38:46Oh
38:46Oh
38:47Oh
38:47There's blood
38:48There's blood
38:49There's blood
38:49Right, it's all right, it's okay, it's okay
38:50I'm the latest
38:50I'm in, I'm in
38:51I'm in
38:51I'm in
38:52I'm in
38:52I'm in
38:52I'm in
38:52I'm in
38:52I'm in
38:52I'm in
38:57Listen, Philip
38:59Look, Ros
39:01I'm sorry
39:03No, I'm sorry
39:06I know I've hurt you
39:08But
39:10I just
39:10I kind of couldn't help it.
39:14You know what, though?
39:16After writing that stupid list, it sort of made me think.
39:21There's so much stuff about you that I like.
39:23There's just this little thing that sort of makes it impossible for us to be together.
39:27So, can't we just hold on to the other things and stay mates?
39:32That's what I want.
39:34I've missed you.
39:57Do you need some help with those?
39:58Oh, my taxi hasn't showed up, so...
40:02Well, why not I give you a lift?
40:05Oh, thank you.
40:07Yeah, I don't know how I was going to get it all in because I'm on the third floor.
40:11Well, er, just one minute.
40:17Look, I'm going to give Ruby a hand moving to stuff it.
40:19What about our reservation?
40:21See you there? I just feel a bit sorry for her.
40:23Adam, are you sure that's not exactly what she's hoping for?
40:27Mustn't let her get too dependent on you.
40:29Life's falling apart just as ours is coming together.
40:32It's the least I can do as a friend. I've been with a couple of boxes.
40:36That is why I'm marrying you.
40:39Go on, then.
40:44Hey, girls, what's going on? Where's Miss Campbell?
40:47Mr Mays had to take to the hospital.
40:49She was bleeding. They had to call an ambulance.
40:51Oh, my God.
40:52It wasn't Braxton Hicks. She's going to lose the baby.
40:55I'll go.
40:55Please, let me know as soon as you hear anything.
40:58Yeah, of course.
40:58OK.
41:01Christopher Meade?
41:02Yes.
41:03How is she?
41:04I'm afraid it's a clot, which means we can't keep the baby inside any longer.
41:08We're going to have to perform an emergency caesarean.
41:10She's not due for another month.
41:12The baby's premature, yeah, but I don't see a problem if we act quickly.
41:15Kim's signed consent, so we're free to go ahead.
41:17But she's asked to speak with you before we operate.
41:20Yeah, yeah, of course.
41:27Hey.
41:30I'm really scared.
41:32Come here.
41:33Will you stay with me?
41:35I'm not going anywhere.
41:37I won't let anything happen to you, yeah?
41:40And the baby as well.
41:42I'll be right here.
41:44I promise.
41:45Right.
41:45Let's get you lying down now, Kim.
41:48We need to get her down to theatre.
41:53I feel the same.
41:57I feel the same.
42:08Wow!
42:10It's, er...
42:12It's compact.
42:14It's filthy.
42:16Yeah.
42:17It just needs a good cleaner.
42:19Yeah.
42:20Look, Anne...
42:23You know, thanks very much, but I don't want to keep you.
42:26And I've got my work cut out for me,
42:28getting this place fit enough to eat in.
42:31Not that I've got any food,
42:33because I was going to go to the shops later.
42:35Look, why don't you start scrubbing?
42:36I'll go and get some supplies,
42:38so at least you can eat something.
42:39Won't you be late for Rachel?
42:40Oh, not if I'm quick.
42:41I'll, er, see you in a minute.
42:49Could you cut, please?
42:53OK, just hold it there.
42:56Hold.
43:01Hello there, little fella.
43:17Let's get this bleeding stopped as quickly as possible.
43:31Chris?
43:32Who is she?
43:34Erm,
43:35it's a boy.
43:37They're checking on him now,
43:38but he seems healthy enough
43:39and he's breathing well.
43:40Good.
43:41But there's been a problem with Kim.
43:43She's lost a lot of blood
43:44and her pressure's dropped more
43:45than they would have liked it to.
43:47Yeah, but she's going to be OK.
43:51They're working on her now.
43:53That's all I know.
43:58And something for you to, er,
43:59celebrate a new house?
44:00Oh, that is great.
44:02Let me get a couple of glasses.
44:03Ah, no, no, no,
44:04because I really do have to go now.
44:06Well, let me reimburse you for a second.
44:08No, look, consider it a housewarming gift, really.
44:09It's fine.
44:12You've just been so lovely to me.
44:15No, you have.
44:16Just,
44:17quite everything you've,
44:18you've done and,
44:20you know,
44:20what with the tablets,
44:21you've just been such a support to me.
44:23Thank you so much.
44:25I just think you're brilliant.
44:26Look,
44:27as long as you're OK,
44:28that's brilliant.
44:30Oh, I'm sorry.
44:32No, I'm so sorry.
44:35I...
44:36No, because she's just gone above and beyond for me,
44:38and then you lied to Rachel.
44:40You know that me and Rachel are very much together.
44:42Yeah.
44:42Look, you have just,
44:43you've just misunderstood.
44:45Yeah, sorry.
44:47I'm so sorry.
44:48Something like I really do have to go.
44:50It's...
44:51It's fine.
44:58Steph,
44:59what I said this morning,
45:02I shouldn't have.
45:03I know.
45:05I've found it hard,
45:06me and Mum and Dad splitting up,
45:07but I should never have stuck my heart in like that.
45:10Let's just focus on Kim,
45:12hey?
45:13Yeah.
45:18She told me she loved me.
45:21Before the operation.
45:23Well,
45:24at least she said she feels the same way I do,
45:26and since I love her,
45:28then...
45:28Well, it's about time she admitted it.
45:30It's been obvious to anyone who cared to look.
45:33Good news.
45:35She's in recovery.
45:36Oh, thank God.
45:37Can I see her?
45:38When she's had a good sleep.
45:39But if you'd like to meet the baby,
45:41if you just follow me,
45:42I'll get you gowned up.
45:42OK.
45:43Oh, just a second.
45:47Steph,
45:47however I came across today,
45:49I am ashamed of meself.
45:51You're a lovely person,
45:53and I'd be proud to call you my step-mom.
45:55Well, it's not really an issue anymore.
45:58The truth is,
46:00I wouldn't fit into your dad's world.
46:12I don't think she's got a crush on you, do you?
46:32No.
46:34Why?
46:35Don't know.
46:38Seems to have latched on to you.
46:40I don't want to sound possessive, but...
46:42Well, what woman would be able to resist me?
46:43I don't know.
47:10Is he all right?
47:13He's perfect.
47:16Is he definitely a boy?
47:19I haven't checked myself, but I'll take their word for it.
47:23They're pretty good at what they do around here.
47:29Is your mummy?
47:42You had me worried there for a bit.
47:46I'm sorry.
47:48I forgive you.
47:52For everything.
48:25I forgive you.
48:36I forgive you.