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06:46chromatique et colorimétrique, balancing of capture, PBR treatment, etc.
06:53Et c'est là où nous avons, à Art Graphique et Patrimoine,
06:56les plus grandes valeurs et innovatives de travailler et de trouver une nouvelle solution
07:01pour les clients dans l'audiovisuel production ou l'industrie de l'événement.
07:08Finalement, nous avons aussi la concern de respecter notre héritage
07:12et, en fait, offrir très high-precision digital twins
07:16avec l'aimé d'établir un standard de qualité internationale.
07:22Nous garantissons nos partenaires,
07:24avec les valeurs et les requériments que nous partageons,
07:26non seulement la fidélité des digital twins,
07:29mais aussi la sécurité de leur data et l'utilisation qu'il va être fait.
07:36Donc, la innovation technologique est liée ici à la innovation commerciale,
07:41dont notre 30 ans d'expérience dans le service de l'héritage
07:44et ses stakeholders permettent de nous garantir.
07:48Merci beaucoup.
07:56Bonjour à tous, mon nom est Marjorie Le Cointre
07:59et je suis le chef de communication de Paris Opéra.
08:02Vous pouvez vous demander pourquoi Paris Opéra
08:05need a digital twin, and what for?
08:08So, I'm going to just tell you a few words
08:11because it's for three main reasons.
08:14The first one is that the Paris Opéra
08:16is a very busy place.
08:19We have more than 300 shows a year.
08:22We have opera, we have ballet,
08:25and we have more than nearly 1 million visitors
08:30coming to the Palais Garnet every year,
08:33which means we have to turn down nearly 95%
08:40of all the events that come through the Paris Opéra.
08:44and we believe, we think it's really a shame
08:47because we have many interesting projects coming to us,
08:50but we can't make it to happen
08:52because, mainly for, because of a schedule reason.
08:57We don't have time to welcome technical teams.
09:01We don't have time to welcome film shooting
09:04or TV commercial or whatever.
09:06So, we think, we think it's very, it's a shame.
09:10We have more than 200 of requests
09:12for private events a month.
09:15So, that's why we believe the Heritage
09:20virtual scene is a key solution for that
09:23because it will help us to make real,
09:26many projects we receive,
09:29and we believe it's a great opportunity
09:31for the people carrying this project
09:33and believing in it to make them come through.
09:36The second reason is related to our history.
09:42We are busy and we are old.
09:45The Palais Garnet will have his 150th birthday in two years.
09:52So, shooting and filming in the Palais Garnet
09:56is a great experience,
09:58but it also comes with lots of restrictions
10:01because it's a listed building.
10:04So, and besides, the Palais Garnet is in the center of Paris,
10:10which is great for the people who are coming to see a ballet or an opera,
10:14but it might get very tricky for technical teams.
10:17So, once again, we believe the Heritage virtual scene is a great solution
10:22because it means you can enjoy the beauty of the place,
10:28the architectural features,
10:29without having to deal with a very tight schedule
10:33or too many security concerns.
10:35It also reduces the risk of damage to the building,
10:41and it means more freedom for all the event producers.
10:45And last but not least,
10:47the third reason is related to our DNA,
10:51which is creation and innovation.
10:54ever since it was built,
10:56the Paris Opera was meant to put on stage
10:58the very best of the opera
11:00and the very best of the ballet.
11:02Day by day, we have to create,
11:05we have to surprise,
11:06and we have to maintain a very high level of art.
11:09So, therefore, we are so happy with this partnership with AGP
11:16and a very high quality project.
11:19We share the same values of excellence, commitment and creativity.
11:26Just as we decorate our stages every day,
11:31producers will be able to personalize the virtual setting of the Palais Garnet
11:36in the best conditions.
11:38And also, we will keep control of our image,
11:42as project will need our approval before using the digital twin.
11:48So, let's hope this new project will build a new relationship
11:52with all events producers.
11:55And at the end,
11:56we hope that it's not the public that comes to the Paris Opera,
12:00but the operas that will come to you, the public.
12:03Thank you.
12:09And we will be very happy to welcome you, BoostH22.
12:14Waiting for you.
12:17Thank you very much.
12:19Ladies and gentlemen, that's the memorist.
12:22We're going to take a 10-minute reset.
12:24So, see you back here at 3.15.
12:27Before we go, we'll see you back here at 3.15.
