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00:00:00...of Cover-Up.
00:00:30E aí
00:01:00Tchau, tchau.
00:01:30Tchau, tchau.
00:02:00Tchau, tchau.
00:02:30Tchau, tchau.
00:02:59Tchau, tchau.
00:04:29Tchau, tchau.
00:04:59Tchau, tchau.
00:05:01Tchau, tchau.
00:05:31Tchau, tchau.
00:06:01Tchau, tchau.
00:06:12Now we make her look good.
00:06:13We can make her look real good.
00:06:18You wouldn't have anybody left behind
00:06:20to identify your men as terrorists.
00:06:21Sergeant Carlos, what's happening here?
00:06:37Buddy, what's going on?
00:06:51Buddy, what's going on?
00:07:03Honey, I want you to get under the bed,
00:07:06and I don't want you to make a sound.
00:07:07Oh, my God.
00:07:08Not a sound. Now give me the baby.
00:07:09This is Mark Reynolds.
00:07:26Mark, it happened, but we were wrong about ABT.
00:07:28They grabbed Riker.
00:07:29Who did?
00:07:30It wasn't terrorists, Mark.
00:07:31They were going to make it look like terrorists, but it wasn't.
00:07:33Bud, slow down and tell me everything you know.
00:07:35I recognize one of the guys.
00:07:37He's a high-ranking police official.
00:07:39He's someone we thought we could trust.
00:07:40His name's Carlos.
00:07:43We're going.
00:07:44Bud?
00:07:45Buddy.
00:07:47Yeah, we must be getting out of range.
00:07:48I've lost reception.
00:07:49Bud, look, if you can hear me,
00:07:51I'll go ahead and meet you at La Harbor, okay?
00:07:53He's alone.
00:08:17Yes?
00:08:18Miss Lloyd, we have Riker.
00:08:20That's perfect.
00:08:21But there is a problem.
00:08:24A security guard by the name of Bud Taylor
00:08:26got away long enough to make a telephone call.
00:08:28I don't like problems, Captain.
00:08:30Who did he call?
00:08:31What did he say?
00:08:32He arranged to meet a low-level American ambassador
00:08:34by the name of Mark Reynolds at the La Harbor restaurant.
00:08:38Well, that just can't happen.
00:08:39Bud Taylor is not the problem.
00:08:40He is dead.
00:08:42But Mr. Reynolds has already been told too much.
00:08:45We must get him before he stops the shipment from arriving.
00:08:48I'll handle Mr. Reynolds at the restaurant.
00:08:51I trust you didn't have any other problems.
00:08:54One.
00:08:54Another one?
00:08:56Well, what is it?
00:08:57Bud Taylor's wife and child are missing.
00:09:00I'm going to hold you fully responsible for the woman and child.
00:09:03They will be found, dead or alive.
00:09:13Mr. Reynolds, there's funko for you over there.
00:09:15There we go.
00:09:16Hello, Bud.
00:09:30No.
00:09:31This is Michelle Loy with Industrie Française.
00:09:33I'm afraid there's been a terrible tragedy.
00:09:37Mr. Riker's been kidnapped by terrorists.
00:09:40And I believe that I have information that could be of importance.
00:09:42Who told you to call me here?
00:09:44I have no official capacity in Lacoste.
00:09:46Bud Taylor told me to call you there.
00:09:48He said you're our only hope.
00:09:50Where can I get back to you, Miss Loy?
00:09:52Bud won't be meeting you, Mark.
00:09:54I'm afraid he's dead.
00:09:57His what?
00:09:57I'll explain at the American Embassy.
00:10:00But you must hurry.
00:10:02Mr. Riker's life may depend on it.
00:10:05I'll be there.
00:10:16Mr. Reynolds!
00:10:17Mr. Reynolds!
00:10:18I think we've tidied up all the loose ends, George.
00:10:38Good.
00:10:38Thank you, Michelle.
00:10:39Thank you, Michelle.
00:10:39Thank you.
00:10:40Thank you.
00:10:41Thank you.
00:10:42Thank you.
00:10:43Thank you.
00:10:44Thank you.
00:10:45Thank you.
00:10:46Thank you.
00:11:14Thank you.
00:11:15Alright, over there, you two together a little bit
00:11:18Ok, move in a little bit closer
00:11:21That's good, good, good, good, good, give it to me, alright
00:11:24Now, let's move in a little tighter
00:11:31Come on, be happy
00:11:33Alright, let's go
00:11:35Yeah, Jeremy, I can't now, Karen's got a booking in 45 minutes
00:11:40Okay, okay, but I think you better pick it up first
00:11:42The office said it's from La Costa, something about your husband
00:11:45Now, Mark knows I can't take the phone while I'm shooting
00:11:48It isn't Mark, it's a lady, and she's very upset
00:11:51Alright
00:11:53Hello?
00:12:04Hello, Mrs. Reynolds, thank you for taking my call
00:12:07It's alright, what is it about?
00:12:10I know you'll hear about this through proper channels
00:12:12But I felt that Mr. Reynolds would want you to know the truth
00:12:15I don't know what this is about, but I'm in the middle of a shoot
00:12:19Can I call you back? I'll take your number and name
00:12:21I can't, I'm in La Costa
00:12:22Where your husband and mine were working together on a very dangerous assignment
00:12:26You're talking about a different man
00:12:28My husband just has an ordinary job with the diplomatic corps
00:12:31No, you're wrong, Mrs. Reynolds
00:12:33Unfortunately, there were certain things that you didn't know about your husband
00:12:37And remember, what they tell you won't be the truth
00:12:40Your husband wasn't what they say he was
00:12:43He was an outrider
00:12:44What do you keep saying was?
00:12:49Was he sent home, or...
00:12:50What are you not telling me?
00:12:52Your husband is dead, Mrs. Reynolds
00:12:53They murdered him
00:12:55What?
00:12:56Well, I suppose you already know that I've made plans to go to La Costa
00:13:06I don't want you to go
00:13:08It's too dangerous
00:13:09What was Mark doing in La Costa?
00:13:12Danielle, it was a routine diplomatic mission
00:13:14Have you ever heard of the term
00:13:17Outrider?
00:13:20I've run across it once or twice
00:13:21Why?
00:13:22Well, I checked it out with a friend of mine
00:13:25At the New York Times
00:13:27And he says an outrider is a house expression for people who are put in critical situations
00:13:32People with no outside help
00:13:36To do whatever they have to do to solve a problem
00:13:39It's a very interesting concept
00:13:42But what does this have to do with Mark's death?
00:13:46Huh
00:13:46I have reason to believe that my
00:13:49Gentle
00:13:50Soft-spoken, unassuming husband
00:13:53Was an outrider
00:13:56Even if what you just said is true
00:14:02You've just proved my point for me
00:14:04It's no place for a woman alone
00:14:07Who said I'd be going alone?
00:14:11Well, this is it, pal
00:14:20$22.50
00:14:22That include the tour?
00:14:24Tour? What are you talking about, tour?
00:14:25Past the Empire State Building twice
00:14:27Hey, look, pal
00:14:29Hey, I'm sorry
00:14:31I went away at a wrong time
00:14:33You know what I mean?
00:14:34Yeah
00:14:34Mr. Harper has arrived
00:14:44Send him in
00:14:45I'll tell you when you can sit
00:15:09I'll have to see how big you are
00:15:13No previous modeling experience
00:15:16Other than this poster?
00:15:19Hey, look, you people came looking for me
00:15:21I was doing just fine driving my caterpillar
00:15:22How'd this happen?
00:15:25Uh, something about truth in advertising
00:15:26I was in Special Forces
00:15:29Fort Benning, Georgia
00:15:29They, uh, came in and looked sober
00:15:32About as uncomfortable as what you're doing here
00:15:34What'd you get out of it?
00:15:36A lot of flack for my buddies
00:15:38In a three-day pass
00:15:38Well, the pay here would be better
00:15:40That is, if you get the job
00:15:42Well, I don't know if I want the job
00:15:45What is it?
00:15:46I thought you said you were up to a challenge
00:15:48Well, the guy on the phone said
00:15:50It wouldn't be the usual kind of stuff
00:15:51You people do here
00:15:52I don't, uh, think I'd be interested
00:15:55In being a, uh
00:15:56A model
00:15:57Yeah
00:15:58Sit down, please
00:16:00I'll just stay up, thanks
00:16:03All right
00:16:04Let's talk about you
00:16:06A very impressive background
00:16:09Special training in martial arts
00:16:12Advanced skills in the use of chemical interrogation
00:16:15Marksmanship citations
00:16:16And advanced field experience in weapons
00:16:19Multilingual
00:16:20French, German, Spanish
00:16:22Chinese
00:16:22A distinguished service cross for bravery-in-laws
00:16:28It all looks very good
00:16:30On paper
00:16:32Tell me
00:16:35Do you have access to weapons?
00:16:39Special truth chemicals?
00:16:41Access?
00:16:42Can you get your hands on them?
00:16:44Well, I get my hands on anything I need to survive
00:16:46Anyplace in the world
00:16:47But I don't know what the hell
00:16:48That's got to do with modeling
00:16:49You will
00:16:50There's just one thing left to check
00:16:53Would you take your clothes off, please?
00:16:57Ma'am?
00:16:59Just strip down
00:17:00Yeah
00:17:04I'll be going now
00:17:10I'm very familiar with your war record, Mac
00:17:13Including your R&R exploits in Taiwan
00:17:15You're not exactly a prude
00:17:18You know, I got this thing about clothes
00:17:20I decide when they come off
00:17:22I'm not interested in anything
00:17:26Anything except your scars
00:17:29Entry wounds, according to the medical record
00:17:32I got lucky
00:17:39I don't believe in luck
00:17:41Anyway, the scars are fine
00:17:45They're not disfiguring enough to blow your cover
00:17:48My cover?
00:18:02I would like you to help me find
00:18:05The people who murdered my husband and wife
00:18:09And then I would like you to help me
00:18:11Punish them
00:18:18Mrs. Reynolds just arrived in La Costa
00:18:35Yes, to do a fashion layout for Vogue
00:18:37She expects anyone to believe that she is here
00:18:39By coincidence
00:18:40So close on the heels of her husband's death
00:18:43We checked with New York
00:18:44And her trip was scheduled before her husband's death
00:18:47But if you're concerned
00:18:49We can always, um, have her blown up
00:18:51Very amusing
00:18:54We were lucky last time
00:18:56All we need is another kidnapping
00:18:59And a major investigation a few hours before our ship arrives
00:19:01George, when are you going to learn to trust me?
00:19:05I assure you there's almost no chance
00:19:07You'll ever see Mrs. Reynolds while she's in La Costa
00:19:09Ah, it is an honor to have you with us, Mrs. Reynolds
00:19:29You grace our full facilities
00:19:31Oh, thank you
00:19:32Well, which of these bags are yours?
00:19:35All of them
00:19:36Or the girls have their own
00:19:38Actually, I should explain to you that my luggage also contains several hundred thousand dollars worth of designer clothes
00:19:47Entrusted to me personally by the Paris Couturiers
00:19:50Naturally, I want your assurance
00:19:52That they will be safe
00:19:54I will assign them their own guard if you wish
00:19:58Ah, well, better yet
00:20:00Their own suite
00:20:01I will see to it personally
00:20:04Excuse me
00:20:05What's wrong?
00:20:12I was trained for three years to keep a low profile, you know what I mean?
00:20:15I hear you are marching into the lobby like a truckload of wild turkeys
00:20:18Well, if Marilee Taylor's going to try and find us
00:20:21I thought we would give her a nice, big, bright target
00:20:24Well, in that case, congratulations
00:20:26It would be blind or deaf to miss this act
00:20:29I want this up, I want it happy
00:20:33All right, now, flush around in the water a little bit
00:20:35Don't get the dress wet
00:20:36Just nice, big smiles, and that's the ticket
00:20:39How's the light on there? Is it okay?
00:20:41It's all right, yeah
00:20:42It could use a little reflector underneath there, yeah
00:20:44It's almost lunchtime
00:20:46You've got a 4-5 on there
00:20:47Yeah
00:20:48Come on, I want a lot of movement
00:20:50That's good
00:20:50Smile
00:20:51That's it
00:20:52Sammy, put the reflector under a little bit
00:20:54Right shoulder into me
00:20:55That's good
00:20:56Now, keep smiling
00:20:58Put your hands up here
00:20:59That's good
00:21:00Come on, give me a nice smile
00:21:02That's good
00:21:03Come on
00:21:04Okay
00:21:05Two more
00:21:07Roll that sleeve up
00:21:08That's it
00:21:09Okay, one last one
00:21:11Give me that gleam
00:21:12That's it
00:21:13New deal
00:21:14Okay, new setup, guys
00:21:15Let's go
00:21:16Thanks, babe
00:21:16Nice having you here
00:21:17All right
00:21:18Hey, go have some lunch, all right
00:21:20Here, stand here
00:21:22Would you stop gaping at the models?
00:21:25You're supposed to be used to them
00:21:26They bore you
00:21:28They bore me
00:21:29They bore you
00:21:29Now, if you're not convincing
00:21:31It could cost us our lives
00:21:33If the girls don't bore me
00:21:34It could cost us our lives
00:21:35Right
00:21:36I think we're in big trouble
00:21:38I suppose you've been too busy to notice
00:21:42Don't look
00:21:44To notice that that man has been following us all day
00:21:46Two men
00:21:47Don't look
00:21:49I'm so one
00:21:51I guess that's why you hired me, huh?
00:21:54Who do you think they are?
00:21:56We'll find out
00:21:56But if your informant does show up
00:21:58We're going to have a pretty tough time
00:21:59Keeping them from spot there
00:22:00Yeah
00:22:01Well, I'm not so sure she'll show up
00:22:03In such a public place
00:22:04It's okay
00:22:05Give me some life
00:22:06And try and act a little perfect
00:22:07Darling, go in
00:22:08And sort of drape yourself across
00:22:09And he doesn't know what he's doing yet
00:22:11So, uh
00:22:11Okay
00:22:12Now
00:22:13Now, act like you're having fun
00:22:16Tammy, lose the jacket
00:22:18No, hold it
00:22:18Put it in your hand
00:22:19Okay, come on
00:22:20Let's go
00:22:21Mrs. Reynolds
00:22:23I'm Mary Lee Taylor
00:22:24I was afraid you wouldn't come
00:22:26Smile
00:22:27This is the one
00:22:29That's it
00:22:30I want this picture
00:22:32I can't talk to you
00:22:33You're being watched
00:22:33I know
00:22:34They're watching your hotel
00:22:35I haven't been able to get near you
00:22:36Now that we're here
00:22:37How do I know you're not
00:22:38One of the people that killed my husband
00:22:40Keep moving
00:22:41I want a different pose
00:22:42Every shot
00:22:42That's it
00:22:43Big smiles
00:22:44Come on
00:22:45Look out
00:22:46This monitor
00:22:47Keep dealing with anchored
00:22:50Okay, uh
00:22:52Ladies
00:22:52Top's off
00:22:53On three
00:22:53One, two, three
00:22:55Top's off
00:22:56That's it
00:22:57Please, let me through
00:22:59Please, let me through
00:23:01Wait, please
00:23:08Wait
00:23:11Wait
00:23:12Wait
00:23:13Wait
00:23:34Wait
00:23:34Wait
00:23:36Wait
00:23:38Wait
00:23:38Wait
00:23:38Let me go!
00:23:53Let me go!
00:23:58Let me go!
00:24:08Hey!
00:24:10Wait!
00:24:12What's gonna cost you, fella?
00:24:14I wasn't looking.
00:24:15Mama!
00:24:35Bruno Diego, Industries Francais, huh?
00:24:37How's business?
00:24:38Oh, what's this?
00:24:39Thanks, pal.
00:24:40I was wondering where I was gonna get a hold of a piece down here.
00:24:50Yeah.
00:24:51Yeah, I'll hurry there.
00:24:53Careful.
00:24:57Yeah.
00:24:58Come in.
00:25:04It's an old Laotian cure.
00:25:06Uh-uh.
00:25:08Please.
00:25:10Thanks, Debbie.
00:25:11Great hands.
00:25:13Sorry if I was in the way, Mrs. Reynolds.
00:25:17She makes Mrs. Reynolds sound so institutional.
00:25:20To expect her speared the death of you.
00:25:23You're a damn legend in there, world.
00:25:25Well, obviously, I haven't gotten my point across to you.
00:25:27We are in a war zone, Mac.
00:25:29You play by my rules.
00:25:30To give away something that I've paid for is treason.
00:25:34I am referring, of course, to your time.
00:25:39Of course.
00:25:40Yes.
00:25:42What's the big deal with Debbie?
00:25:43Just give me a little professional support.
00:25:45I don't really want to hear about it.
00:25:47Fine.
00:25:48That looks terrible.
00:25:52Could have been a lot worse, too.
00:25:53He was armed.
00:25:54With a gun.
00:25:55Big gun.
00:25:56It's obvious our plan is working.
00:25:59Sorry.
00:26:00We're stirring them up.
00:26:01And Merrilee Taylor has something to say to you that some big French company doesn't want us to hear.
00:26:05We certainly better get to know these people.
00:26:08I could do a little clandestine second story work.
00:26:11Well, there is an advantage to working with me, Mac, that you've never had before.
00:26:16What?
00:26:17I can get us in the front door.
00:26:23We've been invited to a party.
00:26:25To celebrate our ship coming in.
00:26:27Don't even mention that in jest.
00:26:29We'll have less than 12 hours until he docks.
00:26:31After that, we'll have less than a day to clear the computer through customs and get it back on the ship out of here.
00:26:36My goodness.
00:26:37What a challenge.
00:26:39With the docks as empty as they are, that should take us all of 12 minutes.
00:26:42Michelle, your problem is you were born to hopelessness.
00:26:46You don't think that the world is going to survive the day.
00:26:49Ergo, you don't plan beyond your next seduction.
00:26:52That's not fair.
00:26:54You make me kill all my friends.
00:26:56What do I have to look forward to?
00:26:58How about a hundred million dollars by tomorrow night?
00:27:01If.
00:27:02If.
00:27:03Nothing stops that ship from sailing out of here with her cargo.
00:27:05If.
00:27:06If.
00:27:07If.
00:27:08If.
00:27:09If.
00:27:10If.
00:27:11If.
00:27:12If.
00:27:13If.
00:27:14If.
00:27:15If.
00:27:16If.
00:27:17If.
00:27:18If.
00:27:19If.
00:27:20If.
00:27:21If.
00:27:22If.
00:27:23If.
00:27:24O que é isso?
00:27:54O que é isso?
00:28:24O que é isso?
00:28:54O que é isso?
00:28:56O que é isso?
00:28:58O que é isso?
00:29:00O que é isso?
00:29:02O que é isso?
00:29:04O que é isso?
00:29:06O que é isso?
00:29:08O que é isso?
00:29:10O que é isso?
00:29:12O que é isso?
00:29:14O que é isso?
00:29:16O que é isso?
00:29:18O que é isso?
00:29:20O que é isso?
00:29:22O que é isso?
00:29:24O que é isso?
00:29:26O que é isso?
00:29:28O que é isso?
00:29:30O que é isso?
00:29:32O que é isso?
00:29:34O que é?
00:29:36O que é isso?
00:29:38O que é isso?
00:29:40O que é isso?
00:29:42O que é isso?
00:29:44O que é isso?
00:29:46O que é isso?
00:29:48O que é isso?
00:29:50O que é isso?
00:29:52O que é isso?
00:29:54O que é isso?
00:29:56O que é isso?
00:29:58O que é isso?
00:30:00O que é isso?
00:30:02O que é isso?
00:30:04O que é isso?
00:30:06Não, não.
00:30:08Não, não.
00:30:10Como se a fato,
00:30:12eu tenho que voltar.
00:30:14Talvez mais tarde.
00:30:18Me desculpe.
00:30:26Obrigada.
00:30:29Michel Loi?
00:30:30O que é que vem?
00:30:32O que é isso?
00:30:33O que é isso?
00:30:34O que é isso?
00:30:35Acredito que se venha à mistura
00:30:36ou que não que o time
00:30:37as refeições
00:30:38đến o atalgo
00:30:39e a sua perfeição.
00:30:40Agora,
00:30:41está à direita
00:30:42e espera você.
00:30:44Foi.
00:30:45O que é isso?
00:30:46O que você gostou da conversa?
00:30:48Bom, na verdade,
00:30:49a música é um pouco.
00:30:50Está bem bem.
00:30:51Se repetindo.
00:30:52Não.
00:30:53Na verdade,
00:30:53eu estava falando
00:30:54com a homem que a golpeado
00:30:54ontem a sua vez.
00:30:56O que é?
00:30:57O que é o Leste que faze-nos aqui, eu sei que você quer dizer.
00:30:59Leste?
00:31:00Você vê, parte do meu trabalho é proteger a nós.
00:31:03Você vai ter certeza de que muitos homens estão interessados em mim.
00:31:06Você pode me dizer sobre isso por um bebê, ou você pode me dizer sobre isso por um bebê, ou você pode me dizer sobre isso por um bebê.
00:31:11Você não sabe nada, hein?
00:31:13Tudo mas os olhos, meu Deus, estão me vestindo.
00:31:16Caio de novo.
00:31:17Desculpe, eu não pensei que você não tinha pensado.
00:31:19Tem uma maneira mais fácil.
00:31:21E, uh, this is a picture of a man called Bruno.
00:31:28He was watching me from behind the phone.
00:31:31All right, you win.
00:31:32How can I deny such beautifully photographed evidence I was having you follow?
00:31:37Why?
00:31:38Two reasons.
00:31:39First, as a friend to your late husband, I'm quite concerned about your coming to La Costa.
00:31:43The embassy believes that my husband's death was just bad luck.
00:31:48Still, in a country where the war games are far from over, this is no place for you?
00:31:54You said there were two reasons.
00:31:57What's the second?
00:31:58The truth?
00:31:59Please.
00:32:00I've been an admirer of yours since Mark Reynolds first showed me pictures and articles about you in the world press.
00:32:08I think I'll go inside now.
00:32:09It was Mark who told me that you didn't see much of each other, that it was your work that kept you apart.
00:32:15Really?
00:32:16And what else did he tell you about me?
00:32:18This is hardly the place.
00:32:20All right.
00:32:21Why don't you pick a better one, and I'll meet you in front.
00:32:27I have checked out the young American, and we have nothing whatsoever to worry about.
00:32:31He is what they call a flower in bloom.
00:32:35The young American is trying to take me to bed.
00:32:38I don't understand.
00:32:42If I not walked away, he would go to bed with me.
00:32:45And Michelle, what do you have to say to that?
00:32:47It would have been very crowded.
00:32:49How the hell can you run off with a complete stranger?
00:32:53I thought I was supposed to protect you.
00:32:54Don't worry about it.
00:32:56He strikes me as the kind of man who pays someone else to do his dirty work.
00:32:58This isn't going to work, Danny.
00:33:00I was taught to plan every move down to the last detail.
00:33:02And it just so happens I found the one place they don't want us to be is back to that harbor.
00:33:06How'd you find that out?
00:33:07One of the survival skills I find I use the most, eavesdrop it.
00:33:11Matt, that's wonderful.
00:33:13Thank you.
00:33:13Of course, you're right.
00:33:15Naturally, I wouldn't have made a date if I'd known about the harbor.
00:33:17That's my point, you see.
00:33:18But now that I know about the harbor, I'll just have to fit it in.
00:33:21Fit it in?
00:33:21Now, hang on one second, Danny.
00:33:23If you're going to fly off by the seat of your pants, that's fine with me, but get yourself
00:33:26somebody else to work with.
00:33:27Hey, if you're concerned about my life, you're not going to walk out on me now.
00:33:31Why don't you just check out the rest of LeMaire's group and see what they're doing?
00:33:35Hmm?
00:33:37Okay, Mrs. Reynolds, we'll play it your way, loose and wild.
00:33:40I think I'll begin with LeMaire's own assistant.
00:33:42She looks pretty sinister to me.
00:33:43Any objections?
00:33:45No.
00:33:46Just try and be in before dark.
00:33:48Hmm.
00:33:48It is imperative that they do not see anything tonight that will make me suspicious.
00:33:52I guarantee that Mrs. Reynolds will not be anywhere near the harbor.
00:33:56Do you think you can occupy her, young man?
00:33:59Do you seriously have any doubts?
00:34:07Sorry, she usually gets what she wants.
00:34:11So do I.
00:34:12Anything particular in mind?
00:34:14Something in a very long American.
00:34:17I'm game.
00:34:18Then you go tell my driver.
00:34:20I'm leaving with you.
00:34:21All right.
00:34:22We need not concern ourselves with following Mr. Harper.
00:34:33He's leaving with Michelle.
00:34:35Yeah, I'm going to make him pay.
00:34:40You'll be coming with us, Mr. Harper.
00:34:42Thanks, but I already have a date.
00:34:43Well, you don't understand.
00:34:44Look.
00:34:44I thought you were saying he was leaving with Michelle.
00:34:54He didn't give me what he was.
00:35:02Easy, easy.
00:35:04Now, you've been moving in on my job, and I don't like it.
00:35:06It's called territorial imperative.
00:35:10American intelligence.
00:35:12Scary, isn't it?
00:35:13We really exist.
00:35:14Those darts hurt.
00:35:15I know.
00:35:16I voted for bullets.
00:35:16You see how much pull I have?
00:35:18As someone just said to me, there was an easier way.
00:35:22No time.
00:35:23You're getting in over your head.
00:35:24What I want to know is who you're working for.
00:35:25Mrs. Reynolds, I'm a model.
00:35:27Oh, that's a good story.
00:35:28I've got a story for you.
00:35:30ABT paid the ransom to release Riker today.
00:35:32Yeah.
00:35:32Mm-hmm.
00:35:34Well, you're down at the embassy celebrating.
00:35:36I hear he was well liked.
00:35:37Yes, he was a friend of mine.
00:35:38I was one of the people sent over to pick him up.
00:35:40Congratulations.
00:35:40You can save that.
00:35:42We used a magnifying glass and a pair of tweezers.
00:35:44There was nothing left of it.
00:35:52Well, the way I have it figured,
00:35:53Riker was sold out by a member of his own security team.
00:35:56That's the only way those terrorists
00:35:57could have nailed him so cleanly.
00:35:59Yeah, I'd buy that.
00:36:00All right.
00:36:00The only person conveniently away from Riker's house
00:36:03at the time of the kidnapping, Bud Taylor.
00:36:05He's dead?
00:36:06Sure.
00:36:06They killed the only person that could identify them.
00:36:09You're not telling me all this
00:36:10to save me the price of a newspaper, are you?
00:36:11Well, I'm telling you this
00:36:12because you know something we don't.
00:36:13How to get all of Marilee Taylor.
00:36:15Wrong.
00:36:16Harper, there are so many ways
00:36:17to get yourself killed down here.
00:36:18Don't look for new ones.
00:36:20You made an appointment with her yesterday in the square.
00:36:23Wrong again.
00:36:25She came to us.
00:36:26Whatever.
00:36:26If you think that she and her husband
00:36:27were not in on the kidnapping,
00:36:29bring her in.
00:36:29It's the only way you're going to save her life.
00:36:31If a pro like you can't find her,
00:36:32how do you expect an amateur to do it?
00:36:33Who says you're an amateur?
00:36:35Dazzle me, Mac.
00:36:36I love surprises.
00:36:46I believe this is your hotel.
00:36:48Thanks a lot.
00:36:50Oh, Harper.
00:36:52I have discretionary powers that,
00:36:55in modern parlance,
00:36:56are awesome.
00:36:58Please don't make me use them.
00:36:59Nice meeting you.
00:37:00She'll be right outside your gate.
00:37:13Name's Michelle Loy.
00:37:17Miss Loy?
00:37:18Do you have a phone call, ma'am?
00:37:24Hello?
00:37:25Oh, Michelle, where are you?
00:37:26What do you mean, where am I?
00:37:28I'm at the front door.
00:37:29Front door?
00:37:30Oh, I thought you said the side door.
00:37:32You stay put.
00:37:32I'll be there in 10 seconds.
00:37:35Taxi?
00:37:38Can I have an embassy, please?
00:37:44Take it easy, will you?
00:37:45Um, excuse me.
00:37:57Do you want to speak English?
00:37:58You're making the wrong turn, Samson.
00:37:59At the embassy.
00:38:00Relax, Mr. Harper.
00:38:01We've got a long drive ahead of us.
00:38:03Maryland?
00:38:03What are you nuts?
00:38:04Half the city's looking for you.
00:38:10Thank you for saving me yesterday.
00:38:12Well, this is no way to show your gratitude.
00:38:13Why are you driving like this?
00:38:14Because of your tail.
00:38:15But I can lose him.
00:38:24Look, Mrs. D'Arm.
00:38:25You're going to kill us trying to lose him.
00:38:26But it's dangerous to change drivers at this speed.
00:38:29Not as dangerous as leaving you behind the wheel.
00:38:31What are you going to do?
00:38:32A little demonstration I used to give the rookies
00:38:33to shake them up.
00:38:34How did you do that?
00:38:45How did you do that?
00:38:48I will show you.
00:38:49I will show you.
00:39:03Se inscreva no canal.
00:39:33Se inscreva no canal.
00:40:03Se inscreva no canal.
00:40:33Do they always work at night?
00:40:35Sometimes a ship is late and has to unload quickly in time to make room for another boat coming in.
00:40:42Do you know what company that is?
00:40:44I have no idea.
00:40:46Probably a fresh load of tractors from America to put this country back on its feet.
00:40:52We're all trying to chip in.
00:40:53Telephone, Mr. Lannert.
00:40:58Will you please excuse me for a moment?
00:41:00Yes, sir.
00:41:00I trust that car won't be taking you away.
00:41:30Oh, not to talk, not to talk.
00:41:33Ha, ha.
00:41:33Show me a bar with a good looking woman.
00:41:40Just get out of the way.
00:41:43Turn on the jukebox.
00:41:45I'll show you a song you should play.
00:41:47The Lone Star of Life.
00:41:49Feel like I'm back in Texas.
00:41:50That's the whole idea.
00:41:52I've only been in La Costa a couple weeks and barely know anybody.
00:41:55But I feel right at home here.
00:41:56This is where I've been hiding.
00:41:57Charlie's from El Paso.
00:42:06He's the only person that my husband said could be trusted if anything were to happen.
00:42:10I don't know what I'd done without him.
00:42:12That's it for the one down on the end, huh?
00:42:14Well, that's right on top of the jukebox.
00:42:15You can't hear yourself think.
00:42:16That's the idea.
00:42:17So, what do you have?
00:42:20Another round?
00:42:21We have another shoe here.
00:42:22Can you get beer back?
00:42:24Merrily, why are you risking your life trying to get to us instead of the authorities?
00:42:28My husband didn't feel that there was anybody down here he could trust.
00:42:31Well, we've got an embassy four miles away.
00:42:33Mr. Harper, if Buddy thought that he could trust people at the embassy,
00:42:36then why did he set up a meeting with Mr. Reynolds down by the docks to tell him what he found out?
00:42:40What did he find out?
00:42:41That's the problem.
00:42:43I don't know.
00:42:44I only know that he wanted to show him something.
00:42:48Well, why didn't he trust the police?
00:42:49I don't get it.
00:42:52Well, right after the kidnapping, Buddy came tearing into the bungalow and he shoved me under the bed.
00:42:59He had time to make one phone call and I heard him tell Mr. Reynolds that the men weren't really terrorists.
00:43:04They were just pretending to be.
00:43:06And that one of them was a high police official.
00:43:11And then those so-called terrorists put a gun to my buddy's head and shot him.
00:43:21Well, so we can't trust the police, can't trust the embassy.
00:43:24Who's left?
00:43:25You, me, Mrs. Reynolds, and Charlie.
00:43:28Hey, Cal, by God, good to see you out of that hospital.
00:43:41Charlie?
00:43:42Hey, Mary Lee.
00:43:44Cal Tiller.
00:43:45Hey.
00:43:46What do you have, Cal?
00:43:48A beer would be just fine, Charlie.
00:43:50Right?
00:43:50One of your cheeseburgers rare.
00:43:52Burn one and paint it yellow.
00:43:54What ever talk about Cal?
00:43:55Well, I never got to know him, but I do know that he was on duty up at the main house during the kidnapping.
00:44:02He's the one that got shot.
00:44:06I better call Ida May and tell her they let me loose tonight.
00:44:09I don't want to just walk in on her.
00:44:11I may get a surprise I don't need if you know Ida May.
00:44:14Don't let them pick guitars and drive them on trucks.
00:44:19Let them be doctors and lawyers and sons.
00:44:24Mama, don't let your babies grow up and get out of home.
00:44:29Michelle, I just found Mary Lee, too.
00:44:32Good.
00:44:34How many people with her?
00:44:35Just some big, good-looking drink of water dressed like he's going to a wedding.
00:44:39Wearing a tuxedo?
00:44:40How'd you know?
00:44:41Never mind.
00:44:42Just make sure they don't leave.
00:44:44I'm bringing over a few friends.
00:44:47Same ones that handled Mr. Riker?
00:44:49Just tell me where you are.
00:44:50Let the rest be a surprise.
00:44:53Lone Star Bob.
00:44:55Get here as fast as you can.
00:45:01Mary Lee, you remember your husband saying anything about Cal and his part in their Riker affair?
00:45:06Just the breakdown in procedure.
00:45:09Breakdown?
00:45:09Well, you see, Cal told a guard at the main gate over the comm line that Mr. Riker was in the house.
00:45:15That's that buddy Sky High.
00:45:17He started strapping on guns and shoving in ammo like he's going to war.
00:45:21It was scary.
00:45:23Good morning, America.
00:45:26How are you?
00:45:29Enjoy the conversation, Cal?
00:45:31Hey, Mr. Riker, what's this all about?
00:45:33I suggest you staying real still.
00:45:35I just got out of the hospital.
00:45:36What the hell are you doing?
00:45:37He got shot in that kidnapper.
00:45:39Fact is, I'm surprised he got out so soon.
00:45:41Yeah, well, maybe he didn't get hurt as bad as some say.
00:45:43It just so happens I'm somewhat an expert on gunshot wounds, Cal.
00:45:49Where'd they get you?
00:45:49My leg.
00:45:50Charlie, is he crazy or what?
00:45:52Ow!
00:45:53I'm in pain here.
00:45:54I should think so.
00:45:55What hospital release you in this condition?
00:45:57You're still leaking vital fluids, Cal.
00:45:58Wouldn't take much of a job.
00:46:00Ow!
00:46:00This whole thing again, would it?
00:46:01Where in the hell they find this monster?
00:46:04You're pushing your luck, mister.
00:46:06Mac, why are you treating him this way?
00:46:08Ask Cal why he breached security and gave the terrorist Rikers exact location over the
00:46:11comm line.
00:46:12Who says I did that?
00:46:13The liar!
00:46:16Who'd you send for, Cal?
00:46:17I didn't.
00:46:17You're sending him.
00:46:18I didn't send him.
00:46:18I don't want to see that.
00:46:19I don't want to see that.
00:46:19I don't want to see that.
00:46:31You don't look so good, Cal.
00:46:38I'm telling you, I don't know what you're talking about.
00:46:40What's happened to all you people since I've been shot?
00:46:42You're all acting nuts.
00:46:44Car's leaving.
00:46:45I told you I didn't call anybody.
00:46:47Looks like I misjudged you.
00:46:49Sorry, Cal.
00:46:50I just can't take any chances with this thing.
00:46:51She's a real important witness.
00:46:53I better go get my baby.
00:46:56Baby?
00:46:57Did she say baby?
00:46:58Now, listen.
00:46:59You don't have any objections to me not sticking around, do you?
00:47:03No, I guess I just overreacted to your phone call.
00:47:05Yeah, you did.
00:47:07That's why I'm sure you won't mind switching cars with us, Cal.
00:47:10What?
00:47:11Well, if you didn't send for anybody, there's nothing to worry about, right?
00:47:13I mean, even if you did, whoever it is, you'll be able to tell the difference between one
00:47:16person and three.
00:47:17Why bother?
00:47:18Because you're going to stay up here in the compound tonight.
00:47:20We're heading back to town where they'll be looking for that taxi, and I know you wouldn't
00:47:22want to jeopardize our lives, right?
00:47:27Right.
00:47:28Well.
00:47:29I don't see any harm in trade now, but I want my car back in the morning.
00:47:33Trust us, Cal.
00:47:36I'll be seeing you, Cal.
00:47:47Strange.
00:47:48He was acting so funny.
00:47:49I thought you were right.
00:47:49Quite.
00:48:11Bye.
00:48:11Bye.
00:48:11Bye.
00:48:12Bye.
00:48:17Bye.
00:48:19Boa noite, La Harbour Restaurant.
00:48:22Vou falar para o Jorge Lemaire?
00:48:24Um momento.
00:48:26Sim?
00:48:27O que você está fazendo com a luta com a Mrs. Reynolds?
00:48:30Eu estou dando uma guia de tour.
00:48:32Eu não quero que ela se venda por sua própria.
00:48:35Aproveita sua companhia enquanto você pode, Jorge.
00:48:38Eu posso te matar por o plenário.
00:48:40Como eu fiz Mrs. Taylor e Mr. Harbour.
00:48:42Você está começando a me frighten.
00:48:44Agora você está entendendo.
00:48:46Eu não estou em isso para o divertir.
00:48:48Eu não estou em isso.
00:48:48Agora, se livra de ela.
00:49:00Eles pensam que eles matem a gente.
00:49:02Vamos lá.
00:49:10O que é?
00:49:12É aquele carro.
00:49:13É o carro do Mason Carter.
00:49:14É o local do intelligence americano aqui.
00:49:16I don't know where he fits into things, come on.
00:49:26Hello?
00:49:27Danny, it's Mac. You alone?
00:49:30Yes, I'm alone.
00:49:31Who would you expect to find here in the middle of the night?
00:49:33I don't know. I just have to be sure.
00:49:34I've got you-know-who with me.
00:49:37And a certain guy we can't afford to run into
00:49:39has his car parked in the basement,
00:49:40which means he's somewhere in the hotel.
00:49:42Maybe I can get the girls to distract him somehow.
00:49:45Excuse me, please.
00:49:54Could you tell me where Mr. Carter is?
00:49:56Yeah, yes, sir.
00:49:56Thank you.
00:50:00You must be Mr. Carter?
00:50:02Yes.
00:50:02The cutest-looking American in the bar.
00:50:05Dear, and at my age, too. What do you know?
00:50:07You must be Mrs. Reynolds' girls.
00:50:09Yes. She and Mac would like to see you upstairs.
00:50:11There's someone you're looking for.
00:50:12You mean Marilee Taylor's in the hotel?
00:50:14I really don't know who it is.
00:50:16She didn't say, but she did ask that to you.
00:50:17Please come alone.
00:50:18Let's go. Come on.
00:50:23There you go, madam.
00:50:29The wardrobe suite.
00:50:30And you said I don't plan ahead.
00:50:32I knew we'd probably have to hide Marilee.
00:50:35Way ahead of me.
00:50:35How can I thank you all for sticking your necks out for me?
00:50:38You don't have to thank us.
00:50:41Both our husbands were taken away from us, and someone's going to pay.
00:50:45Or at least be brought to justice.
00:50:48Pay.
00:50:54Well, where are they?
00:50:56On their way.
00:50:59Hi.
00:51:01Hi.
00:51:01I've got a lot to learn about motivating the people who work with you.
00:51:05I was trained as a loner.
00:51:07It shows.
00:51:08I want you to see what I've got.
00:51:13Wow.
00:51:13Well, you look at this.
00:51:14You've been busy.
00:51:15You've got a lot of pictures here.
00:51:16I thought you'd be impressed.
00:51:18You're just kidding.
00:51:19What is it?
00:51:21What is it?
00:51:22Huh?
00:51:22Aren't you looking at these?
00:51:24Oh, yeah.
00:51:26It was great photography.
00:51:27The dimension, the clarity, it's mind-boggling.
00:51:29Would you stop it, please, and tell me what you see?
00:51:31Would you stop it and tell me what I'm supposed to look for?
00:51:34You've got 500 pictures hanging here all over the place,
00:51:35and I walk in, we've got about twice as many people chasing us with guns.
00:51:38Just take it easy.
00:51:39Take it easy?
00:51:41You spent the evening having dinner with champagne down by the ocean.
00:51:43Do you have any idea what that girl and her baby went through?
00:51:46They tried to blow her up with dynamite,
00:51:47and in case you hadn't heard, they have blown up Riker with dynamite.
00:51:49Well, they blew up my husband with dynamite,
00:51:52in case you've forgotten.
00:51:54And it was only one week ago, today.
00:52:00All right, I'm sorry.
00:52:01I just don't know what the hell I'm supposed to be doing here to help you.
00:52:04You don't have to say you're sorry.
00:52:07I think we're doing a hell of a job.
00:52:09How?
00:52:10Well, for one thing, Marilee and her baby are alive,
00:52:13and I'd like to think that you had something to do with that.
00:52:15Yeah, but that's...
00:52:16Don't...
00:52:16But!
00:52:17You got her out of that mess, and you know it.
00:52:20Now, why the hell don't we go and get those...
00:52:22people that killed my husband are trying to kill her.
00:52:27All right, you want me to look at the pictures again?
00:52:29I'd really appreciate it.
00:52:30Trenton, USA, Rostock, East Germany.
00:52:39I don't get it.
00:52:39What's the connection there?
00:52:41It shouldn't be.
00:52:42East and West is very little trading.
00:52:45Listen to this one.
00:52:46American Business Technology docked a giant load tonight,
00:52:50and I was watching the mayor, and his hands were sweating.
00:52:54Danny, his hands were probably sweating for you.
00:52:56No, the moisture came when, uh...
00:52:59this big fellow here was hauled up.
00:53:02American Business Technology Trenton.
00:53:05Does it mean something to you?
00:53:06Not really.
00:53:07It could just be a shipload of typewriters.
00:53:09I don't know.
00:53:10Oh, Mac.
00:53:11Or a shipment of something else from ABT.
00:53:13I don't know.
00:53:14Uh, what else have we got?
00:53:15the senior vice president from ABT
00:53:17was kidnapped the same week as that shipment, right?
00:53:19Yeah.
00:53:20But who else was killed that day?
00:53:22My husband.
00:53:24And Bud Taylor, who also works for ABT,
00:53:26was suspicious that something was going wrong
00:53:28that needed outside help.
00:53:29An outrider, to be exact.
00:53:31Hmm?
00:53:32Now, you're trained in clandestine operations.
00:53:34Don't you see some sort of pattern emerging here?
00:53:38Hard to miss when you put it like that.
00:53:39So we have enough to go to Henry.
00:53:41Not really.
00:53:42It could still be a shipload of typewriters.
00:53:43And if that isn't where the body's buried,
00:53:45we may only alert them that we're getting close
00:53:47and scare them off for good.
00:53:49All right, then.
00:53:50We have to go in
00:53:52and find out exactly what's in that crate.
00:53:54See, even if I can get into the warehouse...
00:53:56No, Mac.
00:53:57Not I.
00:53:58We.
00:53:59We.
00:54:00And we'll find a way.
00:54:02I thought you said they were on their way.
00:54:04They said they had to be careful.
00:54:06I really don't know why.
00:54:08Would you mind zipping my dress?
00:54:09Of course not.
00:54:10Can I borrow that little lace bra?
00:54:12All right, sweeties.
00:54:13What's going on?
00:54:14We're going to a party, Mr. Carter.
00:54:16You want to come along?
00:54:18Yeah, there's a party, all right,
00:54:20and I think I'm intended to miss it.
00:54:26Call Mrs. Reynolds.
00:54:31Who is it?
00:54:32It's me.
00:54:33Who do you think it is?
00:54:35Come in.
00:54:38What are you doing here?
00:54:39I thought I was going to meet you down in the garage.
00:54:41The girls called and said that Carter was coming up to my room.
00:54:44Oh, great.
00:54:45That means he'll be here next.
00:54:46We're going to get moved.
00:54:47Come on.
00:54:48Wait a minute.
00:54:49How are we going to break into the warehouse?
00:54:51If you don't have ropes, things, something.
00:54:54Well, I got a lot of those things.
00:54:55They're in the trunk of the car.
00:54:56What are they doing down there?
00:54:57For emergencies like this.
00:54:59You don't expect me to walk through a hotel with a rope and a grappling hook, do you?
00:55:02Yeah, good point.
00:55:02Oh, here.
00:55:23Fire it up.
00:55:24It's that one right there.
00:55:24I'll meet you at the door.
00:55:25Come on.
00:55:32Oh, slide over.
00:55:57Oh, slide over.
00:56:02Oh, slide over.
00:56:33This is where Lance goes to work.
00:56:35What do you mean?
00:56:36I'm going with you.
00:56:37No, you aren't.
00:56:38Let's not forget who's boss.
00:56:41All right.
00:56:41All right.
00:56:42You can keep an eye out for the night.
00:56:43Watch me.
00:56:44I said I'm going with you.
00:56:46Bye.
00:56:47Come along.
00:56:47Come along.
00:56:47What are you doing?
00:57:10Throwing this rope up onto the roof.
00:57:11Ready to go?
00:57:15Go where?
00:57:17Up the rope.
00:57:18Up the rope?
00:57:20Yeah.
00:57:21How do you know if it's secure up there?
00:57:23It usually attaches itself pretty well.
00:57:25Usually?
00:57:25I'll tell you what.
00:57:27You stand guard.
00:57:28I'll let you in when I'm inside.
00:57:29I like that better.
00:57:30I thought you would.
00:57:31You know what to do when somebody comes?
00:57:33Hide.
00:57:34No.
00:57:35You make a fuss.
00:57:36You're lost.
00:57:37You need a telephone or something like that.
00:57:38Anything will let me know there's people out here.
00:57:40You're very good at this.
00:57:41I did this for a living, you know.
00:57:43See you soon.
00:57:43Here's your one.
00:57:53Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:54Suit.
00:57:55Suit.
00:57:56Suit.
00:57:56Suit.
00:57:57Suit.
00:57:57Suit.
00:57:57Suit.
00:57:57Suit.
00:57:57Suit.
00:57:57Suit.
00:57:57Suit.
00:57:57Suit.
00:57:58Suit.
00:57:58Suit.
00:57:58Suit.
00:57:58Suit.
00:57:58Suit.
00:57:58Suit.
00:57:58Suit.
00:57:59Suit.
00:57:59Suit.
00:57:59Suit.
00:58:00Suit.
00:58:00Suit.
00:58:00Suit.
00:58:01Suit.
00:58:01Suit.
00:58:02Suit.
00:58:02Suit.
00:58:02Suit.
00:58:02Suit.
00:58:03Suit.
00:58:04Suit.
00:58:04Suit.
00:58:05Suit.
00:58:05Suit.
00:58:07Suit.
00:58:07Suit.
00:58:09Suit.
00:58:09Suit.
00:58:11Suit.
00:58:11Suit.
00:58:13Abertura
00:58:43Abertura
00:59:09It's me
00:59:10That was close
00:59:12Be careful, não trip over the wires
00:59:14I had to clip off the alarm
00:59:15You're really good at this
00:59:16Thank you
00:59:17How'd the army use all these things they taught you?
00:59:21I was always afraid they asked that question
00:59:23Come on
00:59:23Yeah, this looks like the crate in the photograph, huh?
00:59:28It certainly does, look at that
00:59:29Yeah
00:59:30You know, somehow that French company wants to get their hands on whatever is inside here
00:59:34They're probably gonna steal it
00:59:36I don't think so
00:59:37This machine is consigned to industries for our service
00:59:40See, they bought and paid for it
00:59:42It'll probably be processed in the morning, delivered before now
00:59:44It's theirs, completely above board
00:59:46That's terrible, this is the only thing that made any sense
00:59:50Yeah
00:59:50Well, at least we didn't go running off to the police with an accusation that'd make us look like fools
00:59:55Better get out of here, come on
01:00:10Then we was right, I shouldn't have come here
01:00:16Hato, deténgase!
01:00:17Kiss me
01:00:18What?
01:00:27What are you doing, amigo?
01:00:30Just fine, if you wouldn't mind turning off that light
01:00:32It's for a state, you know
01:00:33You're cheap American
01:00:35Get out of here
01:00:37Go rent a hotel room
01:00:38Not a bad idea
01:00:39Thank you
01:00:40What do you think?
01:00:54I think
01:00:55We have someone to blame the fire on
01:00:57Now let's go, let's go
01:01:27I'm sorry
01:01:48Go on
01:01:50Getting you involved in this
01:01:52I have no business thinking that I can solve some international conspiracy that probably doesn't even exist
01:01:57And the keys, please
01:01:58Hey, you starting to feel sorry for you or for me?
01:02:02I could have gotten us killed tonight
01:02:04And for what?
01:02:06The shipment is legal
01:02:08If I wasn't so tired, I'd be laughing
01:02:12Hey, Danny
01:02:13Did you love your husband?
01:02:17I love my husband very much
01:02:19All right, well then we have to go on, don't we?
01:02:22We're going to find out who killed your husband and why
01:02:24Get some rest or something, huh?
01:02:27Mrs. Reynolds
01:02:27You and Mr. Harper are under arrest
01:02:31What for?
01:02:32We're breaking and entering the American Business Technology Warehouse
01:02:35I'm burning it to the ground
01:02:38Wait a minute, William
01:02:40Bertie, a weapon
01:02:42What are you talking about?
01:02:45You realize that you've been released on my personal assurances to Colonel Carlos
01:03:02That you will turn over the Taylor girl to me
01:03:04You have our word on it
01:03:05On one condition
01:03:07There are no conditions
01:03:08You said you would deliver Marilee Taylor
01:03:10Yeah, but she's smart
01:03:11She can't think it's a police trap or something like that
01:03:13We need some neutral ground that she doesn't know
01:03:16Like where?
01:03:18How about your place?
01:03:20When?
01:03:21In an hour
01:03:22All right
01:03:26But if you don't show
01:03:27I exercise a license to kill
01:03:29That makes James Bonds look like a learner's permit
01:03:32Okay, one hour
01:03:39One more thing
01:03:40The, uh, sodium primate
01:03:42Are you sure you need this?
01:03:44You don't want us to drag her across the city kicking and screaming, do you?
01:03:48You know how critical this stuff is
01:03:50One drop, two at the most
01:03:51I'll be careful
01:03:52Don't worry about it
01:03:54You know what we're doing
01:03:55I hope so, Mrs. Reynolds
01:03:56Because so far I have let you lie to me
01:03:58Hide a fugitive from me
01:04:01Withhold information from me
01:04:03Destroy a car that belongs to me
01:04:05And take bail money worth of fortune from me
01:04:06That makes this score
01:04:08Five to nothing in your favor
01:04:09It will not reach six
01:04:11Comprende, amigos?
01:04:13You're on to something very crucial to us, Mac
01:04:28That fire in the warehouse last night
01:04:30Was a big ruse
01:04:31To cover the theft of that ABT shipment
01:04:33Yeah, but we didn't find out anything
01:04:35You couldn't have found out through customs
01:04:36Customs understands basics
01:04:37Like who ships what
01:04:39The return address on that crate
01:04:41That you saw in the warehouse last night
01:04:43Was from New Jersey
01:04:44Do you have any idea
01:04:45What computers they manufacture there?
01:04:48I haven't decided
01:04:49Does the MX-1201 ring any bells?
01:04:52I was unrestricted this one, huh?
01:04:54Yeah, the Soviets tried to smuggle one out
01:04:56Through Spain last year
01:04:56Correct
01:04:57It's the most perfect
01:04:58State-of-the-art computer
01:04:59In the world today
01:05:00With many peacetime purposes
01:05:02But in the wrong hands
01:05:03It could put any country in the world
01:05:05In the space missiles race instantly
01:05:07Do you have any idea
01:05:08Who the buyer might be?
01:05:09Could be anybody
01:05:10Countries like Cuba
01:05:11Or East Germany
01:05:12If they got their hands on one
01:05:14The rest of the block
01:05:15Would have their technology
01:05:16By the end of the year
01:05:17Yeah, but right now
01:05:18The MX-2's legally non-existent
01:05:19Burned up in that fire
01:05:20They'd be hiding that thing
01:05:22Anyplace for all we know
01:05:23Only way to nail them
01:05:25Is to catch them
01:05:25Trying to ship it out
01:05:26Yes, but we know how
01:05:28To find out their timetable
01:05:30You do?
01:05:31How?
01:05:32Don't ask Henry
01:05:32Danielle, please
01:05:34Don't start in with me again
01:05:35Henry, trust me
01:05:36Trust her, Henry
01:05:37She's got you this far
01:05:38You know, I was just thinking
01:05:40With something this important
01:05:42Maybe
01:05:42Well, maybe we ought to notify
01:05:44Our local authorities
01:05:46The Department of State
01:05:47American Intelligence
01:05:49Maybe even some key members
01:05:51Of the local establishment
01:05:52I mean, it just makes
01:05:53I was only theorizing
01:05:58I'm definitely not in control here
01:06:03Danny, I'm rather partial
01:06:06To a good sound planet
01:06:07Especially when it comes
01:06:08To stopping an ocean-going freighter
01:06:10That could change the balance
01:06:10Of power in the civilized world
01:06:12You know what I mean?
01:06:13So, uh, what's our plan?
01:06:16We're gonna find out
01:06:17When the ship's at
01:06:17Yeah, then what?
01:06:19Then we're gonna stop it
01:06:20There's a lot to remember
01:06:22Well, maybe go back
01:06:24And start over again
01:06:24So I can take notes
01:06:25Mac, it's simple
01:06:27The ship is my least concern
01:06:29Now, between George and Michelle
01:06:31We're gonna find out
01:06:32About the ship
01:06:33And who killed Mark
01:06:34And we're gonna do it tonight
01:06:35So, don't forget
01:06:38The sodium flying
01:06:39Bye
01:06:40Bye
01:06:43Hello
01:06:54This is a surprise
01:06:56Yes, well, I've
01:06:59I've been a bit of a fool
01:07:00I didn't realize
01:07:01Who my friends were
01:07:02The police made it clear
01:07:04That you were cooperating
01:07:05With them in finding
01:07:06Mrs. Taylor
01:07:06That's good news
01:07:08For all of us
01:07:08Yes, well, I'm sure
01:07:10Her wild accusations
01:07:12Were getting a bit
01:07:13Bothersome
01:07:14She should have been
01:07:15In custody by now
01:07:16Have the authorities
01:07:17Picked her up yet?
01:07:18Um, I don't know
01:07:20You'd have to ask
01:07:21Mr. Carter
01:07:21Of American Intelligence
01:07:23About that
01:07:23He's in
01:07:25Complete control
01:07:27Of the situation
01:07:27Actually, I don't want
01:07:28To even hear about
01:07:29Miss Taylor
01:07:30Or Mr. Riker
01:07:31Until I leave
01:07:31Tomorrow morning
01:07:32Well, you're leaving
01:07:33So soon
01:07:34Well, there's nothing
01:07:35Here to keep me
01:07:36But I
01:07:38I did want to show
01:07:40You my appreciation
01:07:41I promised you
01:07:44Some vintage wine
01:07:45From my private cellar
01:07:47Please accept the invitation
01:07:49That sounds like
01:07:50Such a lovely farewell
01:07:51Shall we say eleven?
01:07:53Eleven it is
01:07:53Have you lost your mind?
01:07:56The shipment goes out tonight
01:07:57And she will be here
01:07:59With me
01:07:59Fully occupied
01:08:00Which leaves only
01:08:01Mr. Harper
01:08:02To be handled
01:08:03Something you haven't
01:08:04Been able to do so far
01:08:05Our problems
01:08:05Would have been handled
01:08:06By simply leaving
01:08:07The two of them in jail
01:08:08That would not have
01:08:09Rid us of Mrs. Taylor
01:08:10I think it is time
01:08:12To find out
01:08:12If Mrs. Taylor
01:08:13Has in fact
01:08:14Been delivered as promised
01:08:15Yes
01:08:19I decided to disturb you ladies
01:08:22But we are authorized
01:08:23To search the room
01:08:24No, wait a minute
01:08:26We happen to be
01:08:27I suggest that you ladies
01:08:28Co-operate
01:08:29Call Mrs. Reynolds
01:08:30Or Mack fast
01:08:31I would not bother
01:08:33They have troubles
01:08:34Enough of their own
01:08:35I hate to do this
01:08:38Without Mrs. Reynolds
01:08:39Permission
01:08:39No one is above the law
01:08:41Not even American celebrities
01:08:42And there is nowhere else
01:08:54In the hotel
01:08:54Where they could be
01:08:55No place else
01:08:56No place else
01:09:02Except
01:09:03Yeah
01:09:07Mack
01:09:08Mr. Carter left
01:09:09When
01:09:10Just now
01:09:11I tried Mrs. Reynolds' room
01:09:12But she is out
01:09:13Alright, just sit tight
01:09:14Don't say anything
01:09:15About the wardrobe room
01:09:16No, wait for aca
01:09:25Tu ve para alla, eh
01:09:26Está bien
01:09:26No hay nada
01:09:32Oye, vámonos
01:09:33¿Te salgo?
01:09:39No
01:09:39Nada
01:09:41No hubo nada
01:09:43Anything else, sir?
01:09:49No, no, nothing
01:09:50Where are you?
01:10:13Don't cry, my baby
01:10:22We're safe now
01:10:24We fooled him
01:10:26Ya, vamos
01:10:27No hay nada
01:10:28No hay nada
01:10:29No hay nada
01:10:29No hay nada
01:10:29No hay nada
01:10:30No hay nada
01:10:31No hay nada
01:10:43Você tinha que ser um herói, não você?
01:10:44Olha, cara, eu me desculpe que você pute você em uma situação difícil,
01:10:46mas nós tivemos que essa garota e essa garota e a sua vida.
01:10:48Até provado otherwise,
01:10:49essa garota e sua mulher pode ser responsável por 10 bons homens.
01:10:52Oh, come on, não pute em...
01:10:53Mostra do que você não serve para nós.
01:10:54Agora, eu estou com o treinador de você como um civil.
01:10:56Ou seja, você produz a garota,
01:10:57ou eu vou te dar você upstairs e enviar você para o Capitão Carlos,
01:11:00que, por favor, é famoso para os interrogantes.
01:11:03O que ele está falando de uma garota?
01:11:04Sim, ele está falando de uma garota.
01:11:05Agora, se ele encontra essa garota antes de eu,
01:11:07eu vou ver que você rota em uma de seus jails.
01:11:09Olha, olha, você garante me,
01:11:10você vai ter o merrily você mesmo.
01:11:11No mais deals com você, Arthur.
01:11:13Você tem uma garota de mim muito muitas vezes.
01:11:15Agora, vamos.
01:11:22Pule-se junto, Miss Taylor.
01:11:23Eu vou te matar dois aqui.
01:11:27Matt!
01:11:28Eu estava estava indo para ela.
01:11:29Eu estava levando ela em.
01:11:31Você não pode deixar ela.
01:11:36Por favor, eu vou te dar com você.
01:11:37Por favor, eu vou te dar com você.
01:11:39Por favor, eu vou te dar com você.
01:11:40Por favor, eu vou te dar com você.
01:11:48Como você estava levando por todos os policiais?
01:11:50Ele não disse que o outro se encontrou.
01:11:52Você falou o que você falou.
01:11:54Você está dizendo o que ela tem que dizer.
01:11:56Você está doido.
01:11:57Não precisa de você ficar em um lugar.
01:11:59Como eu digo, é uma questão local.
01:12:05Por favor, não vou te dar você.
01:12:06Carlos, eu vou te dar com você.
01:12:07Carlos, eu estou te dar com você.
01:12:07Carlos, você pode, o nome do policiais?
01:12:09Você é a cidadão do meu país.
01:12:11Eu estou te dando a licença de memória.
01:12:12Eu estou te dando...
01:12:13Eu estou te dando...
01:12:15No!
01:12:16No!
01:12:24Eu estou te dando...
01:12:25Ei, ei.
01:12:26Ei, ei, ei.
01:12:28Ei, ei.
01:12:34Ei.
01:12:34Ei!
01:12:35Ei!
01:12:35Ei, ei.
01:12:35Ei!
01:12:35Ei, ei!
01:12:35Ei, ei!
01:12:36Ei, ei!
01:12:36I'm sorry, kid, I didn't see it.
01:12:41Look, I'll get you a doctor.
01:12:42You and I both know better than that.
01:12:45You know where he's going?
01:12:48I thought what a lousy way to go.
01:12:51Letting a woman and a baby get killed.
01:12:54Don't talk.
01:12:55Why didn't I see it?
01:12:58I should have seen it.
01:13:04Carter.
01:13:06Carter.
01:13:11It's not over yet, friend.
01:13:13There's someone who'll know where they'll be taking her.
01:13:16She's got to tell me.
01:13:18Hello?
01:13:20Yes, Carlos.
01:13:21You have her?
01:13:24Wonderful.
01:13:25I knew I could count on you.
01:13:30Where are you now?
01:13:36No.
01:13:39I want you to take her to the warehouse.
01:13:41I'll come out and tell you what to do.
01:13:43Any sign of Mr. Harper?
01:13:49Dan.
01:13:49All right, you get going.
01:13:52I'll be right along.
01:13:56A lot of people have made the mistake of trying to find simple solutions to the very complex problems facing these third world countries.
01:14:05No, no, let me do that.
01:14:07I know where everything is.
01:14:08Oh, no.
01:14:09I'm tired of people saying that American women don't know how to treat a man.
01:14:14Excuse me.
01:14:17Hello?
01:14:17Carlos phoned.
01:14:20He has the girl.
01:14:21I told him to take her to the warehouse.
01:14:23Is this wise?
01:14:24There's so much going on there tonight.
01:14:26I think that under the circumstances, a nice long sea voyage in a packing crate is the neatest way to dispose of a problem you don't want to turn up on the police's doorstep.
01:14:39Will you meet me?
01:14:40Am I to gather that you were unable to attract Mr. Harper to your nest?
01:14:44I hate arrogant Americans.
01:14:45He needs to be taught a lesson.
01:14:47Be careful.
01:14:48For the first time, I think you may have met your match.
01:14:56Make me happy.
01:14:58No, I think it's perfect.
01:15:01Good.
01:15:03I'm here for my lesson.
01:15:05I was expecting you much earlier.
01:15:08Ah, yes.
01:15:09Well, I ran into a little bit of trouble.
01:15:11You wouldn't know anything about that now, would you?
01:15:13Me?
01:15:14Oh, that's right.
01:15:14You're just a sweet young working girl that happens to be leaving a trail of bodies from one end of this country to another.
01:15:19Oh, dear.
01:15:21You found out.
01:15:22Hmm.
01:15:23And I was hoping we might enjoy each other for one more night.
01:15:26Ah, then what?
01:15:28Oh, nothing lasts forever.
01:15:29Not even people.
01:15:32Tragically romantic.
01:15:34Well, what happens now?
01:15:36You get punished, I'm afraid.
01:15:38Oh, good.
01:15:39Oh, I thought you'd like that.
01:15:42Can I have my robe?
01:15:46Yeah.
01:15:47Yeah.
01:15:56Oh, God.
01:15:57Oh, God.
01:15:58Oh, God.
01:15:59Oh, God.
01:15:59Oh, God.
01:16:00Oh, God.
01:16:01Oh, God.
01:16:02Oh, God.
01:16:03Oh, God.
01:16:04Oh, God.
01:16:05Oh, God.
01:16:06Oh, God.
01:16:07Oh, God.
01:16:08Oh, God.
01:16:09Oh, God.
01:16:10Oh, God.
01:16:11Oh, God.
01:16:12Oh, God.
01:16:13Oh, God.
01:16:14Oh, God.
01:16:15Oh, God.
01:16:16Oh, God.
01:16:17Oh, God.
01:16:18Oh, God.
01:16:19Oh, God.
01:16:20Oh, God.
01:16:21Oh, God.
01:16:22Oh, God.
01:16:23Oh, God.
01:16:24É um país lindo, que morreu para.
01:16:37Às vezes, meu irmão deve ter pensado.
01:16:40Ou talvez ele não tenha a chance.
01:16:46O que você me deu?
01:16:49Deve ser o vinho.
01:16:51Eu me senti um pouco light-hado.
01:16:54Não me engano, não me engano.
01:16:56Eu tenho mais experiência em essas coisas do que você.
01:17:01Um, você não precisa.
01:17:03Eu só quero falar com você.
01:17:06Então, é o que você foi?
01:17:08Um dos governos de novo.
01:17:11O que você fez?
01:17:12Eu pensei melhor se eu sabia
01:17:14por que você fez o que você fez de mim.
01:17:17Ele faz um sentido.
01:17:18Não, não, não, não, não, não.
01:17:19Como você fez o que você fez?
01:17:21Porque ele veio de La Costa.
01:17:22How much did he give me?
01:17:23Mas ele não foi a threat.
01:17:24Por que ele teve que morrer?
01:17:25Ele foi um outrider.
01:17:27Ele foi levado por causa da máquina.
01:17:29Riker, suspecível,
01:17:32ele não vai ficar em La Costa.
01:17:34Ele queria Riker para cancelar a ordem.
01:17:37Então, você matou Riker.
01:17:39Então, ele não vai cancelar a ordem.
01:17:41E todos esses pessoas morreram?
01:17:42Por um machine?
01:17:45Não só um machine.
01:17:47A power.
01:17:48No mundo.
01:17:49Para quem é que você fez de mim.
01:17:51E aí?
01:17:52E aí?
01:17:52O que você fez de mim?
01:17:53E aí?
01:17:53O que você fez de mim?
01:17:55Que muito.
01:17:56Você me fez de mim, o que você fez de mim.
01:17:58E aí?
01:17:58Não!
01:17:59Não!
01:18:00Não!
01:18:00Não!
01:18:00Estou aqui!
01:18:01Estou aqui!
01:18:03Estou aqui!
01:18:04Estou aqui!
01:18:05Estou aqui!
01:18:06Estou aqui!
01:18:06Estou aqui!
01:18:11Você disse que não pudesse ir ao Hancock
01:18:12com o que fosse uma plana.
01:18:14Então, foi isso, não?
01:18:15Não?
01:18:17Não?
01:18:17Onde você me encontrou?
01:18:18Por que eu me expliquei, as pessoas que estão tentando me ajudaram.
01:18:21Eles estão levando a sua casa.
01:18:23O que está acontecendo com esse cara?
01:18:25Eu lhe dei o que você lhe deu.
01:18:27Sodium thio, talvez?
01:18:28Sim.
01:18:31Quanto? Ele realmente olha fora?
01:18:33Tudo tudo.
01:18:34Tudo tudo?
01:18:35Dani, você é loucura?
01:18:37Isso é verdadeira inteligência.
01:18:38Você não pode pôr em um cara como você pôr em gas.
01:18:40Você vai ser feliz se você não matou ele.
01:18:43Desculpe, eu estava nervosa.
01:18:47O que você está fazendo?
01:18:49Você está comendo ele.
01:18:51Quando você está comendo ele, ele vai te dizer o que está acontecendo aqui.
01:18:54Ele está respirando, não é?
01:18:56Um pouco.
01:18:57Oh, Deus.
01:18:58Eu acho que comendo ele, eu acho, seria um milho de formas para fazer.
01:19:01Você tem que ser bem-vindo, Dani.
01:19:03Por que você está trippando?
01:19:05É uma longa história.
01:19:06Você quer que a porta?
01:19:07Sim.
01:19:17O pecado!
01:19:19Cuidado!
01:19:20Cuidado!
01:19:29Pelo menos assim!
01:19:32Peça mais uma coisa!
01:19:33Seu bem melhor, não?
01:19:34Claro.
01:19:35Tampé de volta para você.
01:19:36O que está indo?
01:19:38O que você está passando?
01:20:08O que você está passando?
01:20:38O que você está passando?
01:21:08O que você está fazendo aqui, Sr. Lamar?
01:21:10Eu achei que Michel estava vindo.
01:21:12Eles me trouxeram.
01:21:13Eles me trouxeram?
01:21:15Você quer dizer que você trouxe a arma?
01:21:19Não está em load.
01:21:21Mas isso é. Eu não estou.
01:21:22Eu estou muito bom.
01:21:24Coloque seu armado.
01:21:24Não tem que fazer isso.
01:21:27Não tem que fazer isso.
01:21:28Não tem nada a se preocupar.
01:21:30Será que ele é muito seguro de si?
01:21:33O pior é, nós sabemos que ele é verdadeiro.
01:21:35Não faça a move, vocês.
01:21:37Vamos lá.
01:21:37Onde está?
01:21:39Onde está?
01:21:40Onde está?
01:21:41Onde está?
01:22:11O que você fez com Marilee Taylor, e ela está tudo bem?
01:22:19Eu posso falar com a Miss Taylor.
01:22:23O que é?
01:22:26Bruno.
01:22:27Não pegue a jeep.
01:22:29Você sabe, Jorge, eu tenho idiota para companhia.
01:22:33Fui.
01:22:35Eu deveria incluir você.
01:22:41Fui.
01:23:11Fui.
01:23:41Fui.
01:23:42O que é isso?
01:24:12$100 mil?
01:24:14Não!
01:24:24$100 mil?
01:24:26Olha...
01:24:28Eu preciso de alguém.
01:24:30E você vai passar a buck.
01:24:32E eu vou conseguir.
01:24:34Muito bem.
01:24:42Muito bom.
01:24:48Foi o menos que eu fiz.
01:24:50Tudo bem?
01:24:52Tudo bem?
01:24:54Tudo bem?
01:24:56Tudo bem?
01:24:58Tudo bem?
01:25:00Sim.
01:25:02Podia ser melhor se planejasse.
01:25:04Plane tem seu lugar.
01:25:06Talvez.
01:25:08Mas vamos falar sobre isso depois.
01:25:10Ele é o que você poderia fazer.
01:25:12Passou-feira ato.
01:25:18Ahn, atenção.
01:25:19Patrovia 502.
01:25:21A favor de a avoiding o auxílio automobilístico na Avenida Revolucion.
01:25:22Cuarta avenida.
01:25:23A Avenida Revolução, 4ª Avenida.
01:25:53Isso ajuda a saber que ele morreu por algo que ele acha que era muito importante.
01:25:59Você não gosta de ele, mas você não teria feito a bed out of the right of yourself.
01:26:05Você sabe, Mac, por exemplo, se o senador morreu enquanto ele está em office,
01:26:11sua esposa often takes over his work.
01:26:13Então, você acha que...
01:26:14Eu não acredito que isso não é a mesma coisa...
01:26:16Não, não, não, eu sei que eu estou um pouco verde, mas é um perfecto cover, perfecto.
01:26:20E como você acha que vai comigo para fazer algo muito importante?
01:26:25Importante?
01:26:26Como um outrider.
01:26:29Diga algo, mesmo que a resposta não seja.
01:26:36Agora, isso não é muito bom.
01:26:38Depois de tudo que nós temos passado, eu acho que eu mereço uma resposta.
01:26:46Lance, você pode me chamar de Lance.
01:26:50Nice job, Mr. Harper.
01:27:00Good work, Mrs. Reynolds.
01:27:01Good work, Mrs. Reynolds.
01:27:18O que é isso?
01:27:48O que é isso?
01:28:18O que é isso?
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