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00:00First, he didn't want to serve us, now he doesn't want us to leave.
00:20I mean, we're gonna be late for the party.
00:22Oh yeah, who is this guy again?
00:24Noah Moreau.
00:25It's his going away party as head designer at Magnus Miller.
00:28Yeah, there's a rumor he's being replaced by Drake.
00:30I heard Justin Bieber.
00:32That's insane, Noah's won multiple CFDAs.
00:34Well, it doesn't matter anymore.
00:36Yeah, noise and hype are more important than collections.
00:39Well, it didn't help that he didn't get a Grammy, but it could work out for you guys.
00:42Oh, are we courting him?
00:44That's the whole reason we're trying to get a meeting with Noah, in hopes of bringing him on as the head designer of Marcello Moratori.
00:49I see.
00:50Oh wait, I wonder whose idea it was to turn this double date into work.
00:54Actually, it was Marcello and Nico's idea.
00:57I just made sure our names were on the list.
00:59Naughty.
01:00Naughty.
01:13How are we gonna get to him?
01:15That's Noah's agent over there.
01:17I think she's our best bet.
01:19Let's talk to her.
01:20Huh?
01:21Oh my God, look.
01:22He has such an adorable dog.
01:24How'd he get a dog in here?
01:26He couldn't even bring a bottle of water.
01:27I grew up with Weimaraners.
01:29What?
01:30My dad breeds them, I told you that.
01:34I'm sorry, this whole time I assumed a Weimaraner was some sort of fox or mink.
01:39I thought your dad was in the fur business.
01:41Ew, no!
01:42Hi.
01:43Ramona.
01:44Oh my God.
01:45Nicolas de Leon and Marcello Moratori.
01:49Bonsoir.
01:50Have we met?
01:51No, but you two have been spread across every fashion business site for the past month.
01:57Hi.
01:58Mindy Chen, Nicolas' girlfriend.
02:00Uh, how cool is this?
02:01So many people showed up for Noah.
02:03You sound surprised.
02:04We know what a talent is, it's not surprising.
02:07Yes.
02:08Soon we'll have a pick of the houses and this chapter will just be a blip.
02:11So he hasn't landed anywhere yet.
02:13Oh.
02:14Emily Cooper, I work with Marcello at Agents Grotto.
02:16As you might have heard, we're starting our own label and we'd love to meet with Noah.
02:21Sorry guys, Noah will be giving careful consideration to his next move and you're kind of radioactive right now.
02:29What's that supposed to mean?
02:31Your family's still the number one player in fashion and nobody wants to piss them off.
02:36Best of luck.
02:37And please, don't talk to my client.
02:40Look, they have an uphill battle.
02:42Sure.
02:43Okay, but they're gonna make it.
02:44As an American who works at a French marketing firm, I know what it's like to be an outsider.
02:49Touching story.
02:50Still no.
02:51But enjoy the party and we're serving cheeseburgers if you're feeling homesick.
02:56Rude.
02:58But also, where are the cheeseburgers?
03:00Excuse me.
03:05Chauncey, come on. Sit down. Be sweet.
03:29Oh.
03:30What are you doing?
03:31Hi there, ça va?
03:32Oh.
03:33He really likes you.
03:34What a handsome boy you are.
03:35You know, growing up I had a silver grey too.
03:36We named him Bugs After Bugs Bunny because he was grey and he loved carrots.
03:38Um, I'm Emily Cooper.
03:39Oh, I'm Emily Cooper.
03:41Oh, I'm Noah.
03:42I know.
03:43Well, meet Chauncey.
03:44He won't eat a carrot unless it's covered in meat.
03:45Aw, well there's nothing wrong with that is there.
03:46You're a hunter not a gardener.
03:47Am I right, monsieur?
03:49There's one thing I know about Emily Cooper is that she does not like her face licked.
03:54Come on, Molly's still slobbering.
03:55Oh, hi.
03:56Um, these are my friends.
03:57Mindy, Nicola, Marcello, meet Noah and Chauncey.
03:58Great party, by the way.
03:59I can't believe you got candy head to DJ.
04:00Well, he's under consideration to replace me too.
04:01So, did you come here?
04:02Oh.
04:03Oh.
04:04Oh.
04:05Oh.
04:06Oh.
04:07Oh.
04:08Oh.
04:09Oh.
04:10Oh.
04:11Oh.
04:12Oh.
04:13Oh.
04:14Oh.
04:15Oh.
04:16Oh.
04:17Oh.
04:18Oh.
04:19Oh.
04:20Oh.
04:21Oh.
04:22Well, he's under consideration to replace me too.
04:26So, did you come to pay your respects?
04:28Actually, we came to get you out of here.
04:34Oh.
04:36I started working with the label right out of school so this is my first big break up.
04:41Now, I'm completely distrustful.
04:43I was discarded for some child actor turned popstar.
04:46Oh my God.
04:47It is Drake?
04:48No, it's this Zaptic German rapper who has 200 million Instagram followers.
04:53Oh, Baby J. And no more from Dusseldorf. He's so not a designer.
04:59No. They're going to call him a creative director.
05:04Total bullshit. There is no craftsmanship anymore.
05:07My dad always said that the only thing that makes clothing distinct is the quality of the craftsmanship.
05:13Your father was an inspiration to a lot of us.
05:18That's very kind. It is my inspiration as well.
05:20I'm feeling sparked.
05:22Me too.
05:23So, can we have a more serious conversation about what Marcello has been envisioning from the line?
05:29As off tomorrow morning, I'm officially unemployed, so why not?
05:33Should I set it up with Ramona?
05:35Forget Ramona. Chauncey never liked her anyway.
05:39He's got a good instinct for people I can trust.
05:41He's got a good instinct for people I can't believe it.
05:44He's got a good instinct for people I can't believe it.
05:46He's got a good instinct for people I can't believe it.
05:48He's got a good instinct for people I can't believe it.
05:50He's got a good instinct for people I can't believe it.
05:53He's got a good instinct for people I can't believe it.
05:55He's got a good instinct for people I can't believe it.
05:57Oh.
06:02You're still there, you. I can't believe it.
06:06I've always wanted to.
06:08But no one's sorry, I'm just not able to follow.
06:12You didn't seem to follow me.
06:14I've had a living outside the girl.
06:17And you also?
06:17No, not...
06:19You and me,
06:21it's just...
06:23two bodies
06:25who try to do well.
06:27Like a good friend,
06:29a big day.
06:31I'm still there.
06:33I'm going to work.
06:35Why not send me pictures
06:37to spend time with you?
06:39Oh, no.
06:41What, just like that?
06:43No, I'll send you no pictures.
06:45You're so sexy.
07:05It is so much easier
07:07for guys to do a walk of shame.
07:09Look at you. Same clothes as yesterday,
07:11but who notices?
07:13You just did.
07:15You know, on the charcuterie
07:17board of life, men are the
07:19bread. Oh, okay.
07:21And what are women? Everything else.
07:23The brie, the
07:25honeycomb, the salami roses.
07:27The bread is the only thing that looks edible
07:29the morning after.
07:31The rest is just loose fruit and
07:33cheese rinds. Mindy,
07:35stop. You look good. No one could tell
07:37you weren't out in those clothes last night.
07:39Oh my god, are you okay?
07:41Is your dress on backwards?
07:43What?
07:45Um,
07:47why didn't you tell me?
07:49I didn't notice.
07:51Okay.
07:53I think
07:55Marcello and I are sleeping in the wrong places.
07:57I mean, it doesn't make sense for us to go
07:59back and forth every day.
08:01Yeah, I see your point.
08:03So, while Marcello is in town,
08:05your boyfriend should stay with you
08:07and I'll stay with mine.
08:08Okay, but it's only temporary, right?
08:09Like, you're not moving out.
08:10Oh my god, no.
08:11Temporary.
08:13Okay.
08:14Okay, deal.
08:15Fine, let's do it.
08:16Cute!
08:19You don't mind switching, do you?
08:21Yeah, yeah.
08:22Thanks for asking.
08:25He doesn't mind.
08:27J'en ai assez.
08:29Stop.
08:30Stop.
08:31Ça ne peut plus continuer.
08:33Alors, comment ça se passe les préparations
08:35Ã ton anniversaire de mariage?
08:37Bien.
08:38Et donc, ça t'embêterait pas de venir un peu plus tôt,
08:40parce qu'il va y avoir que la famille,
08:42les gens avec les enfants.
08:44Je crois que j'ai vraiment besoin de toi
08:45pour rigoler un peu.
08:46Oh, chérie, mais oui,
08:47je vais faire un petit effort.
08:51Comment va ton 5 Ã 7?
08:53Non, mais c'est dingue.
08:55C'est devenu un 5 Ã 7 heures du matin.
08:57Il veut plus partir maintenant.
08:59Ah, mais vous êtes à fond.
09:00Oui.
09:04C'est lui?
09:05C'est dur d'être loin de toi.
09:08Oh.
09:12Très dur.
09:17Qu'est-ce qu'il dit?
09:21Quoi?
09:22C'est une photo.
09:23De quoi?
09:24De...
09:25De sa queue?
09:26Non, mais je peux voir.
09:27Non!
09:28Je vais demander à Guillaume pour votre anniversaire de mariage.
09:31Alors, Guillaume, le cadeau,
09:33ce serait de ne plus jamais voir la sienne.
09:34Oh!
09:35Oh, arrête!
09:36Vous pouvez voir la sienne.
09:37Oh!
09:38Oh, arrête!
09:39Vous pouvez voir!
09:40Oh!
09:43The inspiration for the line is...
09:45Il Paglio di Siena.
09:46The horse race?
09:47Uh-huh.
09:48Okay.
09:49Interesting.
09:50So, sportswear?
09:52Like an Italian raffle run.
09:54Timeless, but not stuffy.
09:56Here, I have sketches.
09:58Oh.
09:59Hmm.
10:00Who did these?
10:01They're not bad.
10:02I had them commissioned to give you a visual sense of the line.
10:03I see.
10:04Buttons up, but playful, too.
10:05I don't hate it.
10:06Not hating is good.
10:07Very good.
10:08And what's your role in the company, Emily?
10:09Besides Chauncey's new favorite obsession?
10:11Marketing?
10:12Unofficially.
10:13We need to convince Sylvie.
10:14Well, I'm glad you're part of the team in whatever capacity.
10:15I like you guys.
10:16And I feel like you guys like each other.
10:17And I feel like you guys like each other.
10:21No drama, no politics.
10:23And I need a creative pal Performance at The down the back of later.
10:43The Creative Palette Cleanser.
10:48I'm in.
10:49Let's do it.
10:51You want your credits.
10:56Yes!
10:57Shake my hand!
11:02Bonjour, Sylvie.
11:03Belle journée, Nespa.
11:05Oh, oh, oh.
11:06It's never good news when you greet me in French.
11:09What's wrong?
11:09What? Nothing.
11:11I got us a meeting with the new company
11:13that Noah Moreau is designing for.
11:17Interesting.
11:18Who are they?
11:19I heard Chloe was courting him.
11:21Well, it's actually, drumroll please,
11:24Marcello Muratori.
11:26And Nicola DeLeon is going to finance him.
11:28Well, I'm sure everyone in town is clamoring
11:30to meet with the two black sheep
11:31of major fashion families.
11:33Just hear them out, okay?
11:35The worst you can say is no.
11:36That's not the worst I could say.
11:39Can't you just, please?
11:40You're helping Marcello and Nicola.
11:44Interesting.
11:45Is it safe to say you and Marcello are back together?
11:49This is about business, not my personal life.
11:51Emily, when isn't business about your personal life?
11:54Well, I'm happy for you.
11:56You're doubling down.
11:58What does that mean?
11:59Once you break up with someone and get back together,
12:02you're making a big statement of commitment.
12:04You're basically saying this is the one.
12:07And there's no going back.
12:09Yeah, it's why I don't do relationships.
12:12Period.
12:14There is only one happiness in life.
12:21To love and be loved.
12:23Exactly, Emily.
12:25Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:26Exactly.
12:39So how did you all land at Noah Moreau?
12:41Every big label is after him.
12:43Noah had the rug pulled out from under him
12:45by a brand that he's been committed to for years,
12:47so I think he feels pretty burned by big labels.
12:49And Emily made friends with his dog.
12:51Huh.
12:52Is that supposed to be some sort of expression,
12:54like, Bob's your uncle, or...?
12:56No, he has a beautiful Weimaraner named Chauncey
12:59that will probably take up a significant portion of the budget.
13:02Super.
13:03How is Antoine dealing with you being here, Alfie?
13:06This is a side hustle for now,
13:08until things take off.
13:09And it will take off.
13:11Marcello and Nicola grew up in the business.
13:13Combined with Noah,
13:14they've spent over 70 years in luxury fashion.
13:17They've got a distinct edge.
13:19Sounds like you're already working for them.
13:22We've been lucky to have Emily's help.
13:24We know there is no success without a team like
13:27Agence Crateau behind us.
13:28We've seen firsthand how our parents built
13:31successful fashion businesses.
13:33We want to build it differently.
13:35Meaning?
13:3620% of luxury textiles is thrown away during the production.
13:41We plan on using dead stock fabric in our collections,
13:44which is not only sustainable,
13:46but makes each collection truly one of a kind.
13:49Saves money as well.
13:50Yeah, I like the ethos,
13:52but it's the fashion that's gonna sell your line.
13:54Of course.
13:55Marcello Muratori.
14:02I see you didn't spend much time coming up with a name.
14:06Actually, I did.
14:07In the end,
14:08I wanted to pay homage to my family,
14:10but also stand apart.
14:12Yeah, well, it is quite engaging,
14:16sort of prestige sportswear.
14:21But I've been burnt in the past,
14:22so why would I trust working with a Muratori?
14:25Or a De Leon?
14:27Because you wouldn't be working for us.
14:30You'd be working with us.
14:32We'd bring you in as a full partner.
14:34When this is a success,
14:36you'll gain as much as we will.
14:38And if it isn't?
14:39It's going to be, Sylvie.
14:47Well, I guess we're gonna have to make sure it is.
14:50You're in?
14:51She's in!
14:54I think you're gonna be leaving Antoine soon, my friend.
14:56Yeah, I'm gonna eat the same dinner as I may.
14:59We're gonna have to put out a press release immediately.
15:03Oh, actually, I had another idea.
15:04The fastest route to people's hearts is through their stomachs,
15:06so what about throwing a luncheon for the press?
15:09Bravo, bonne idée.
15:10Merci, Sylvie.
15:11You won't be sorry, I promise.
15:13You're welcome.
15:14You're welcome.
15:35Oh, my God.
15:36Are we power couples now?
15:38Uh, I think we're a power quad.
15:40Ooh.
15:41Because, like, each of us individually brings something to the best.
15:43Yes.
15:44Yes.
15:45And we need a quad of champagne.
15:47Tutu sweet.
15:48Oh, oi, oi.
15:49Hey.
15:50Hey, hey.
15:51Okay.
15:52What are you doing here?
15:53Celebrating.
15:54To us.
15:55Who's us?
15:56Is he us?
15:57He is.
15:58I asked Alfie to help out with financials.
15:59Oh, yeah.
16:00Isn't that so cool?
16:01Yeah.
16:02It's so cool.
16:03Yeah.
16:04It's a great opportunity.
16:05Yeah.
16:06Have you guys called Noah yet?
16:07Oh, we have to do that right now.
16:08You should come, too.
16:09Oh, yeah.
16:10Okay.
16:11Right now?
16:12Okay.
16:13We'll be.
16:14Uh.
16:15So, new job.
16:16Yeah.
16:17Basically, um, consulting.
16:19Don't worry.
16:20I won't be hanging around all the time.
16:21I'm not worried.
16:22That makes sense.
16:23Why wouldn't you help them?
16:24Oh, yeah.
16:25Oh, yeah.
16:26Oh, yeah.
16:27Oh, yeah.
16:28Oh, yeah.
16:29Oh, yeah.
16:30Oh, yeah.
16:31Oh, yeah.
16:32Oh, yeah.
16:33Oh, yeah.
16:34Oh, yeah.
16:35Oh, yeah.
16:36Oh, yeah.
16:37Oh, yeah.
16:38Oh, yeah.
16:39Oh, yeah.
16:40Oh, yeah.
16:41Oh, yeah.
16:42Oh, yeah.
16:49Oh, yeah.
16:50You've gotta be kidding me.
16:51It-
16:52Is this-
16:53What?
16:54A tango?
16:56Did you request this?
16:59Yes.
17:00Because I love reliving my Bilando experience.
17:05That wasn't all bad.
17:12What?
17:17There's no way you remember.
17:18I got this.
17:42I'm having a really hard time not thinking about us.
17:59You know I'm back with Diego.
18:01After what he did to you.
18:05Relationships are complicated, Alfie.
18:07Yeah, well, people don't change.
18:09When the guy's a snake.
18:14If he's so bad, then why are you working with him?
18:16Because snakes know how to make money.
18:19It doesn't mean I sleep with one.
18:39It doesn't mean I'm drinking.
18:44It's usually
19:04Oh, mon Dieu, tout le monde sait quand on la regarde.
19:20Elle a ce jeunesse c'est quoi, elle danse le soir, elle s'en fout.
19:24Payette partout dans les airs, son parfum t'en fout.
19:27Oh, mon Dieu, tout le monde sait quand on la regarde.
19:43Bonsoir.
19:44Bonsoir.
19:57Oh, Sylvie, you never thanked me for the chocolate.
20:05I hope you got them.
20:06Oh, of course.
20:08They were quite exotic.
20:10Did you guess what was inside?
20:13No, but, uh, the flavor did linger for quite a while.
20:19Liver.
20:20What?
20:20Hmm, I wanted something unexpected and aggressive after we met.
20:27The thought of you also lingered for quite a while.
20:31Oh, mes chéries, ça me fait plaisir de vous voir.
20:34Bon, j'enlève Sylvie, on a besoin d'un verre.
20:37Oh, oui.
20:39Toi, t'es malade de l'imaginer avec un mec pareil.
20:41Mais comme tu dois, c'est bon, là , maintenant, je sais ce que t'aimes.
20:45Bon, t'as des photos?
20:46Non.
20:47Hein?
20:47Non, de toute façon, si j'en vois rien, j'ai rien.
20:49Eh bien, qu'est-ce que t'attends?
20:51Envoie!
20:52Mais...
20:52Oh!
20:53Mais quoi?
20:54Non, mais j'en ai pris, mais j'aime pas boire comme ça.
20:56Ah non, bah non, non, non, Sylvie, écoute, si des femmes comme toi ont des problèmes pour envoyer des photos sexies, on est foutues, nous, les autres.
21:02Allez, pour nous, s'il te plaît.
21:04Allez, allez.
21:05Ok.
21:11C'est fait.
21:12T'es contente?
21:13Je te remercie.
21:14Ah?
21:17À toi, à Guillaume, et à votre anniversaire.
21:19Et à ce bel étalon, oh, qu'il se...
21:23Oh!
21:26Oh!
21:27C'est déjà lui?
21:28Hein?
21:32J'ai l'impression qu'il est très content.
21:33Oh!
21:34Oh!
21:34Oh!
21:35Oh!
21:35Oh!
21:36Oh!
21:37Arrête!
21:37Arrête!
21:38Arrête!
21:39Arrête!
21:40Non!
21:40Chut!
21:41Chut!
21:41Yvette!
21:42Mais elle est grande et dure.
21:44Non, je te déteste!
21:45Arrête!
21:45Je t'assure!
21:46Oh!
21:48Oh!
21:50Arrête!
21:52Oh, it's funny!
21:54We're going to look like the paper-pain of my bathroom.
21:56We're not going to look like the paper-pain, Yvette!
21:58Hello, Mom.
22:00Sylvie?
22:02What do you do here?
22:12Oh!
22:14You know her?
22:16But for 30 years, bro.
22:18She could be your mother.
22:20What's going on?
22:22Oh, Sylvie!
22:24You met my son?
22:32Oh, Sylvie!
22:34I've never seen you in a tie before.
22:44You look so handsome.
22:46As long as the dog looks nervous,
22:48this company's a big risk.
22:50You don't get anywhere without taking those.
22:52This is for you.
23:02What's this?
23:04The key to your heart?
23:06No, it's the key to my apartment.
23:12You're not so nervous anymore.
23:16Let's go and press the press.
23:18Yes.
23:19Yes.
23:26You'll go up at the same time.
23:28You'll intro Marcello, and then you will intro Noah.
23:30Got it.
23:31You got it?
23:32Yeah.
23:33Nancy and I will be waiting in the woods, okay?
23:35Mm-hmm.
23:36Okay.
23:37Time to make this venture official.
23:39Let's go.
23:40Let's go.
23:41I need to know how to delete a follower from Instagram.
23:44Oh, what happened to your phone?
23:46Dropped it.
23:47Can you just please delete Yvette?
23:50Oh.
23:51Um.
23:52Looks like she already deleted you.
23:55Everything okay?
23:56Hmm.
23:59Yeah, just don't sleep with the first cute guy you meet in a tuba, Emily.
24:06Ladies and gentlemen from the press,
24:08it is my pleasure to introduce to you,
24:10Marcello Muratori.
24:16Thanks to my partner, Nicola De Leon.
24:20This is a big moment for us,
24:24and I'd like to thank you all for being part of it.
24:27This project has been very close to my heart,
24:31to our hearts,
24:33for a long time.
24:43Excuse me.
24:44Marcello Muratori.
24:45Yeah.
24:46Si.
24:47You've been served.
24:48Sorry.
24:59I'm being sued for trademark infringement by my mother.
25:07No.
25:09No, I'm sorry.
25:10This is not the right situation for me.
25:12I should have listened to Ramon.
25:14Good luck.
25:15No.
25:20We, no, we will not be taking any further questions.
25:23No, no further questions.
25:25No, no further questions.
25:26Thanks.
25:35Oh, oh, oh.
25:36Don't talk to her. Don't talk to her.
25:38But you know how much I feel humiliated.
25:41And don't be ashamed of you.
25:43You ashamed of yourself.
25:45You ashamed of yourself.
26:06How am I going to find another designer?
26:15No one is going to want to work with us now.
26:27This might sound crazy, but what about the person who did these?
26:31They're really good.
26:32No.
26:33Why?
26:36That was me. I did those.
26:46You?
26:47My dad taught me how to sketch like he did.
26:50He created all of the original Muratore designs.
26:54Just like you.
26:57You did these sketches and you came up with the concept.
27:01I mean, we don't need to look for anyone else.
27:05Okay? You're the designer, Marcello.
27:07No, Emily. I cannot do this.
27:10Yes, you can.
27:12Yes, you can.
27:13I know you can.
27:14I know you can.
27:16Ain't nothing new.
27:18No.
27:19No.
27:20No.
27:21No.
27:22No.
27:23No.
27:24No.
27:25No.
27:26No.
27:27No.
27:28No.
27:29No.
27:31No.
27:33No.
27:34No.
27:35Nowhere, nowhere else to go.
27:42No escape, no denial.
27:51We always say, life is just a game.
27:58Playing is okay.
28:01Until you lose, but mirrors don't lie.
28:10There's no other side.
28:14The absence of hiding.
28:18Deep within you.
28:22You always say, life is just a game.
28:33Playing is okay.
28:36You always say, life is just a game.
28:45Playing is okay.
28:49Until you lose, but mirrors don't lie.
28:51Until you lose, but mirrors don't lie.
29:00There's no other side.
29:04The absence of hiding.
29:06The silence.
29:07The sense of hiding.
29:13The silence.
29:18The silence.
29:21real cords and quickly.
29:22useum
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