- hace 2 días
Reparto: José Luis López Vázquez, Gracita Morales, Antonio Ozores, Alicia Tomás, Marisol Ayuso
Director: Mariano Ozores
Justina (Gracita Morales) y Acacio (José Luis López Vázquez) son una pareja de timadores profesionales que actúa en las costas andaluzas timando a los guiris. Un día, en Torremolinos, Acacio, pensando que se trata de una pastilla para la acidez de estómago, ingiere un microfilm secreto, elaborado en Cabo Kennedy y ambicionado por los servicios de espionaje de las principales potencias del planeta, por su incalculable valor. A partir de ese momento, Acacio y Justina deberán sortear toda suerte de peligros para salvar sus vidas. Parodia de las películas de espías a lo James Bond.
Director: Mariano Ozores
Justina (Gracita Morales) y Acacio (José Luis López Vázquez) son una pareja de timadores profesionales que actúa en las costas andaluzas timando a los guiris. Un día, en Torremolinos, Acacio, pensando que se trata de una pastilla para la acidez de estómago, ingiere un microfilm secreto, elaborado en Cabo Kennedy y ambicionado por los servicios de espionaje de las principales potencias del planeta, por su incalculable valor. A partir de ese momento, Acacio y Justina deberán sortear toda suerte de peligros para salvar sus vidas. Parodia de las películas de espías a lo James Bond.
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00:00:00The world is a small place, as Pinocchio said, but this phrase, which may seem exaggerated, is an indisputable truth.
00:00:09And to prove it to you, we're going to tell you a little story that begins here in the United States of America a few days ago.
00:00:18Secret communications exchanged between the Pentagon, the White House, and Cape Kennedy.
00:00:23Urgent message from the Pentagon to the White House in Washington.
00:00:26We suspect Russia has placed space satellites over strategic points in the United States loaded with nuclear bombs.
00:00:32The White House-Pentagon, urgent order.
00:00:36Take some action, boys.
00:00:38Captured, electromagnetic rocket projectile designed to disable Russian satellite network.
00:00:43That's right, I'm going to Texas.
00:00:45But microfil with plans for an electromagnetic rocket stolen from Cape Kennedy.
00:00:49Here, take that. Get that film back, no matter what it takes.
00:00:53It will cost!
00:00:54If you need anything, I'm from Texas, I'm going to Texas.
00:00:59Oh, how beautiful Texas is!
00:01:01And now comes the part about the handkerchief.
00:01:03Because this huge mess that starts here, is going to end here.
00:01:08But first, taking a descent here.
00:01:12And specifically, here.
00:01:15Thank you!
00:01:16Thank you!
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00:04:17Thank you!
00:04:47Thank you!
00:05:17Thank you!
00:05:27Miguel?
00:05:29Yes, it's me.
00:05:31You must be Corcoran, right?
00:05:33Yes, thank goodness.
00:05:35I thought I wouldn't make it.
00:05:37They've been hot on my heels.
00:05:40I need you to get me some other clothes.
00:05:42Tomorrow I continue my trip to Berlin.
00:05:44Some friends are waiting for me there.
00:05:47Thank you!
00:06:17Thank you!
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00:07:00Departure of Iberia flight 482, destination Malaga.
00:07:05Boarding at gate number 2, please.
00:07:09Immediate boarding for Iberia passengers going to Malaga on flight 482, gate number 2.
00:07:39These things happen, rarely, but they do happen.
00:07:58And in this case, precisely, they are going to have a fortuitous connection with a pair of Celtiberians that we are going to introduce to you.
00:08:04Justina Salguero Cascajo, called the 100 meter hurdles because she is always there when she jumps.
00:08:10And Acacio Rendruel Escañizo, better known as the charcoal burner because, according to him, his stomach is a mess.
00:08:17Although in the international criminal world people kill each other over a microfilm,
00:08:21In the Spanish criminal underworld, this couple only engages in the occasional slap.
00:08:26And unlike everyone else, he works during the holidays.
00:08:30That time of year when tourists invade our beaches in search of our peace, our sun and our tourist menu.
00:08:39Right away, miss.
00:08:51Let's see the ball, how beautiful.
00:08:59That's 116 pesetas.
00:09:01Oh, don't worry, ma'am, I'll go get her.
00:09:03No, no, no, I'm going to run now.
00:09:04No, please, I'm a gentleman.
00:09:06Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!
00:09:11Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey
00:09:41The annoying thing is midday.
00:09:43It's urgent. Call her, her father is dying.
00:09:46What should I put on it?
00:09:55What's up?
00:09:57I urgently need to call a gentleman. I believe his father is ill.
00:10:01Instead of waking me up, he should call a doctor to see his father.
00:10:05He's referring to your father. He's going to die.
00:10:08Again?
00:10:10As?
00:10:11Nothing. Put me on.
00:10:16Hello?
00:10:17A commission from Corcoran.
00:10:19Who are you?
00:10:21And who is Corcoran?
00:10:23I can't waste any time.
00:10:26At one o'clock sharp I will hand that over in exchange for $5,000.
00:10:30But if you give me 10,000, you can keep it.
00:10:32Okay. Where?
00:10:33I should meet my buyer in Marbella. There's a café in Fuengirola called Torremar.
00:10:37I'll ask.
00:10:38At twelve o'clock sharp. Buy the hotel.
00:10:40I will buy it.
00:10:44Excuse me, but I'm in a great hurry. Please forgive me.
00:10:47Is that you, Fernando?
00:11:04I'm calling you from the hair salon.
00:11:05Yes, I'm with Mom.
00:11:11No, I'm not going to eat.
00:11:13I have to go with her to the doctor. You know how she is.
00:11:35No, wait a minute.
00:11:56Wait a moment, please!
00:12:00Mother Moses!
00:12:02Let's see, a little to the left.
00:12:04To the left, no, no, to the left towards the clock hand.
00:12:09That.
00:12:10To the left.
00:12:12Yes, to the left.
00:12:13To the left.
00:12:14You always have to assimilate to another.
00:12:18But put down the purse, baby, it's not a jewel.
00:12:21Now, both of them towards me.
00:12:24Towards me.
00:12:25That's it, huh?
00:12:26Very good.
00:12:27The prawn.
00:12:28Adroite.
00:12:30No, no, no.
00:12:30The leg shrimp, not the whisker shrimp.
00:12:34That's it, that's it.
00:12:35Come on, come on, come on, come on!
00:12:38Okay, that's fine.
00:12:40Now, stay still.
00:12:42Looking at me, always at me.
00:12:44The head, perfectly still.
00:12:46Ah!
00:12:47Is.
00:12:48Standard.
00:12:49They are, they are, din.
00:12:51They're already dead.
00:12:52Together, right?
00:12:53Okay, okay.
00:12:54That's it.
00:12:57I'll look for them tomorrow.
00:12:58This way, by the beach.
00:12:59Hey, will the photo turn out well?
00:13:01Listen, go and run.
00:13:03No complaints have ever been received here.
00:13:05And you'll see next month.
00:13:06I'm thinking of starting to put film on it
00:13:08to the camera.
00:13:10Bye, bye.
00:13:24The portrait machine.
00:13:41One moment.
00:14:03Park it next to the others!
00:14:11Park it next to the others!
00:14:41Park it near the whirlpools! Urgent!
00:14:45Always indispensable.
00:14:49Soon?
00:14:51Are you sure?
00:14:53So, trying to betray me, huh?
00:14:56Good, good! He brought it on himself.
00:14:59Some of my girls will go to visit him.
00:15:02And for the whirlpools!
00:15:09And for the whirlpools!
00:15:14Ready!
00:15:16Already!
00:15:19Well done, you're in great shape, beauties.
00:15:21Now, all those who know how to play the violin, get ready.
00:15:24I have a job for them.
00:15:30Tampita! I have a holy card!
00:15:33I want a holy card! I want a holy card!
00:15:41Holy card! I have a holy card!
00:15:43Foolish woman! A poor fool! It's pathetic, sir!
00:15:51Hey, sir! He's carrying thousand-peseta notes!
00:15:53And he says they're holy cards!
00:15:56I saw it from one of my yachts!
00:15:58I think we should take advantage of this, don't you?
00:16:01Just a moment, the sun is blinding me. I'm going to put on my hat.
00:16:04Work on yourself, no, work on yourself!
00:16:06Just get to work, it's coming your way!
00:16:07Just get to work!
00:16:11Surprises! Surprises!
00:16:12Always!
00:16:13Surprises!
00:16:14Oh, oh, oh, oh!
00:16:16No, no, no.
00:16:46No, no, no.
00:17:16No, no, no.
00:17:46You are a decent woman.
00:17:48The two stones.
00:17:50They're already taking him to the parade.
00:17:51Not you, I'm Spanish.
00:17:53And racially diverse people like me are not looked down upon.
00:17:55You can swap that junk for a suit from Dr. Rasurel.
00:17:58which is the most decent thing that's been invented since the chastity belt.
00:18:02According.
00:18:02It's almost noon.
00:18:05You need to get your stamp.
00:18:06Yes, yes, we're almost at Puengirola.
00:18:08Go on, get ready.
00:18:10And remind me to get my driver's license one of these days.
00:18:13Look, these cars don't use much gas.
00:18:16I haven't spent anything on this trip.
00:18:17What can I get you?
00:18:38A gin and tonic.
00:18:38Is that watch working properly?
00:18:41Yes sir.
00:18:42It's almost twelve o'clock.
00:18:42Thanks, Majo.
00:19:10Oh, and remind me to buy one of these cars too, okay?
00:19:12Come on, it's going to get late for your stamp.
00:19:14Come on, it's going to get late.
00:19:44Today I'm on edge.
00:20:05Will there be a storm?
00:20:07What I have is a duodenal wax, not a bunion.
00:20:11One of the warm milks.
00:20:12And you?
00:20:13And a sandwich and a small bottle of beer.
00:20:14A pepito now, Justina, because you're not going to eat.
00:20:18Look, look what's coming in!
00:20:20Yes sir.
00:20:21Okay, this is a musical group.
00:20:23And not like those others with long hair.
00:20:25You need a soloist to play Desbaraca for you.
00:20:27Don't make a fool of me, you came with me.
00:20:32And?
00:20:32They might think you're my sister.
00:20:34Furthermore, I am Celtiberian.
00:20:36Celtiberian and Spanish.
00:20:38And when a Spaniard sees a woman like this, a real stunner,
00:20:41We jump and our blood races.
00:20:42Something like an American when he buys a gun.
00:20:45You have to use it right away.
00:20:46Okay, have a drink, be quiet, it's already twelve o'clock.
00:21:16Let's see that glass of milk.
00:21:22Right away, sir.
00:21:46The equals.
00:21:51The same for today.
00:21:53The equals.
00:21:54Who wants the lottery?
00:21:56Come in, come in this way, good sir.
00:21:59Thank you.
00:22:06The equals.
00:22:08Do you want some bandages?
00:22:09You are new.
00:22:09This area belongs to Mr. Manolo.
00:22:11He had to go to Malaga.
00:22:13To manage a kiosk.
00:22:14I'll replace him.
00:22:15Okay, then give me two Doyitos.
00:22:16Let's see if you bring me better luck.
00:22:22What are you?
00:22:23Buying supplies and my milk?
00:22:29Is that Pepito a long way off?
00:22:32Not even milk, miss, I'm bent over.
00:22:35Okay, okay.
00:22:38Is that little guy going to join the dinner?
00:22:42I've already asked the kitchen.
00:22:43It won't be long.
00:22:45Here it is.
00:23:11Thank you, daughter.
00:23:15So, Justina, where did you put the stamp?
00:23:17There.
00:23:19Well, I didn't bring another one, you know.
00:23:21Oh no, you're going to lose track of time.
00:23:24Wow, what a guy.
00:23:25Everything gets out of hand.
00:23:27What do you mean everything is getting out of hand?
00:23:28I didn't have it.
00:23:29If I leave it to you.
00:23:29Oh, look, here it is.
00:23:32Take.
00:23:32Oh, you're crazy, if it weren't for me.
00:23:36Yeah.
00:23:37Thank goodness.
00:23:47This one was hard to get through, but I'm sure it's going to suit me better than any other.
00:23:50What has he done?
00:23:52What has he done?
00:23:53He's brought it on.
00:23:54Spit it out.
00:23:55I've seen it.
00:23:56Let it go.
00:23:56Spit it out.
00:23:58Spit it out, you idiot.
00:24:00Here?
00:24:00Murderer!
00:24:01I'll let him take the midwife away from the policeman.
00:24:19Take cover!
00:24:24This is where the fun begins.
00:24:26Come with me, my car is nearby.
00:24:27Come on!
00:24:31Roof!
00:24:45Come on, run!
00:24:46But what happened?
00:24:47What's with all the shooting?
00:24:48Run!
00:24:49I can't, to see heart too.
00:24:52Well, if he doesn't run, they're going to have to bite his head off to transplant it.
00:24:54Come on!
00:24:55Here's the car.
00:24:56I must have a persecution complex, he thinks they were shooting at me.
00:25:03Yes, yes, he's playing!
00:25:05Oh, he's playing!
00:25:11So what do we do here now?
00:25:12We should go to the police station to report it.
00:25:14First I have to pick up my dog who is here.
00:25:16Yes, as things stand, I prefer the police station.
00:25:18Don't worry, my dog is a policeman.
00:25:20I'm with you!
00:25:21Don't delay!
00:25:22Hey, this is an animal clinic.
00:25:27Why not give that man the stomach pumping he needs right here?
00:25:32What do you know?
00:25:33Why does he say that?
00:25:35First of all, that man was as blind as I am an engineer.
00:25:38Oh, really?
00:25:40Natural.
00:25:41A blind person entering a cafe for the first time cannot go straight to the counter without bumping into anyone.
00:25:47Second, he took something out of his pocket that I don't know what it is, but that everyone was very interested in.
00:25:53But in a really bad way.
00:25:55Why do you have to see it in a salty shooting gallery?
00:25:57Fifth, third, that thing has been swallowed by that good man.
00:26:03Four, that nice guy is my boyfriend.
00:26:06And since he's my boyfriend and I love him more than anything in this world,
00:26:12Fifth, I'll sell it to you.
00:26:16What does your boyfriend sell me?
00:26:17Yes, or I'll rent it to him for the time necessary to get that thing out that he swallowed thinking it was his stamp.
00:26:24What if I refuse?
00:26:26I'll snitch to the police.
00:26:28You don't mess with my boyfriend.
00:26:30Well, I do.
00:26:32And how much will that rent cost me?
00:26:36Five thousand pesetas.
00:26:40OK.
00:26:41She said yes very quickly; I should have asked for more.
00:26:44With their help, everything will be easier.
00:26:48The veterinarian is a friend of mine.
00:26:50And we can't go to a doctor because they'll all be under surveillance.
00:26:53Well, you better get the vet ready because I'm going to trash my boyfriend.
00:27:00It's not in my best interest for my Acacia to find out what's going on.
00:27:04He's already had his fifth heart attack.
00:27:07Ouch, it already hurts.
00:27:08No, but why would they wash my stomach if it's perfectly clean already?
00:27:11No, we never have anything completely clean here, my friend.
00:27:16Well, I suppose it'll be with warm water because my impressions...
00:27:19If the washing isn't on the outside, it's on the inside.
00:27:21The inside is beyond words.
00:27:22Come on, calm down, calm down.
00:27:24The little animal is going to be good because otherwise half of them won't give him a bone.
00:27:29Little bones, little bones.
00:27:30Now the little dog is going to be good and swallow this gummy all by himself.
00:27:34Dog waves are very fine.
00:27:35This one's from a horse!
00:27:37Come on!
00:27:37I refuse to swallow the flag!
00:27:39Oh, I'll swallow it whole!
00:27:40He'll be rebellious!
00:27:45Oops!
00:27:46Did it bite me?
00:27:48I assume he's vaccinated against rabies.
00:27:49Yeah.
00:27:50Are they crazy or what?
00:27:51I have nothing in my stomach!
00:27:53What do you mean, no?
00:27:54You just drank a glass of milk.
00:27:56Hey, doctor, isn't there another procedure?
00:28:02Open up its tummy?
00:28:03No!
00:28:05That's the ultimate goal.
00:28:06What if you gave him something so that he could do it on his own...?
00:28:09Understood.
00:28:10But without ruling out the last possibility.
00:28:13Understand it.
00:28:14My whole life has been with animals.
00:28:15And for once I have the chance to put the scalpel in a human being?
00:28:19Oh, what bad luck!
00:28:21Yes, it will make you feel like new!
00:28:23I'm fine with secondhand!
00:28:26Okay, let's see that patient.
00:28:30This is it!
00:28:31Look at the lovely nurses the doctor has!
00:28:33And take him for an X-ray immediately for a preliminary examination!
00:28:37We explore whatever, I'll go and shield my soul.
00:28:39He almost fell!
00:28:40Come on, you snitches!
00:28:41Many bulls, many choras!
00:28:43Well, no, they're the ones who insist, Justina.
00:28:45Not me, okay?
00:28:46But why do they have to put this on me?
00:28:48Clear.
00:28:49Just so he'll stay still while we take the x-ray.
00:28:52And then they come out all messed up.
00:28:53But where is the doctor?
00:28:57He is getting his eyes used to the dark bed.
00:28:59And you?
00:29:00Let's go to hell.
00:29:02Oh, let the ugly ones die!
00:29:05Be careful with the marches, make sure they guide you well.
00:29:08What cute little girls!
00:29:11I know one of them.
00:29:12Sure?
00:29:13Well, from what I've seen.
00:29:15He came into the cafeteria a little while ago with a violin.
00:29:19What does it say?
00:29:20I think we've been deceived.
00:29:22Where is the doctor?
00:29:24Take this off me, I'm suffocating!
00:29:25Right now!
00:29:25I'll be right back!
00:29:27What are you saying?
00:29:28I understand!
00:29:29Take it off now!
00:29:30They've tied my window shut with a rubber hose!
00:29:33Who was it?
00:29:34I think that's clear.
00:29:36Those nurses are faker than Judas!
00:29:38No!
00:29:38Ah, how quickly!
00:29:44Emergency plan!
00:30:00Very bad, curious!
00:30:05Ah!
00:30:08There's your patient, doctor.
00:30:24He will need to be stopped en route.
00:30:26Come on, girls.
00:30:27Hurry!
00:30:29Careful!
00:30:34They heard him!
00:30:35Where are they taking him?
00:30:41We opened them by asking them!
00:30:42Run!
00:30:42No, no, no.
00:31:12Well, my friend, your adventure ends here.
00:31:19We're going to operate on him.
00:31:21Well, Dr. Encarnita is going to operate on her.
00:31:23No, don't worry, nothing will happen to him.
00:31:26Are the instruments ready, Dr. Encarnita?
00:31:27Okay, Mr. Márquez.
00:31:29Is the anesthesia ready?
00:31:30No, there is no anesthesia.
00:31:33What about melatonin, alcohol, hydrogen peroxide, or a disinfectant?
00:31:37You won't need to disinfect.
00:31:39No, if it's not for him, it's for me.
00:31:41I just cut off your hands.
00:31:42We're going to cut with dams.
00:31:44A little tourniquet that I'm going to live in.
00:31:47The blue-blooded girl.
00:31:48Of course, since I'm a marquis, blue blood.
00:31:50Sure, plasma.
00:31:53Blue plasma!
00:31:53But where are they taking him?
00:31:59He just doesn't understand.
00:32:00They don't lead anywhere.
00:32:01They'll be cutting open his belly in there.
00:32:03My five thousand pesetas.
00:32:05Open the glove compartment.
00:32:10I give it to you.
00:32:12I can't drive and shoot at the same time.
00:32:13Throw it away.
00:32:14What if I kill him?
00:32:18Throw away the wheels.
00:32:19Does it just squeeze?
00:32:20Only!
00:32:22Go ahead, shoot already!
00:32:23Come on!
00:32:39Oh!
00:32:40This is serious!
00:32:40I'm hitting further and further each time!
00:32:42Pull nonstop.
00:32:42It will be easier!
00:32:43There!
00:32:44Oh, what a time I've had!
00:32:51Oh, when I see blood!
00:32:53Oh, I got confused!
00:32:55No, they won't get infected, okay?
00:32:57Don't worry, doctor.
00:32:58Then proceed with the main patient, Dr. Encarnita.
00:33:01They're shooting at us from a car.
00:33:03No matter, the back is open and we'll be home soon.
00:33:06Let's go!
00:33:07Please proceed, doctor!
00:33:14Large scalpel!
00:33:23Nothing, nothing!
00:33:25To make money, you have to be a top-notch shooter!
00:33:29Emergency! Emergency!
00:33:31To your battle stations!
00:33:34Is the shovel still there?!
00:33:36No!
00:33:37The revolver has punctured the tire!
00:33:41They took care of me!
00:33:43They took care of me!
00:33:44No!
00:33:54We've hit one of those Madrid-style potholes!
00:34:05Oh, oh!
00:34:06Ah!
00:34:10What a load of nonsense!
00:34:11Poor Acazzi!
00:34:12She was so excited about marrying me!
00:34:16None of them could be saved!
00:34:19In the end!
00:34:19I'll give you half of the five thousand.
00:34:21Oh!
00:34:22We'll perform an autopsy!
00:34:29Look, that nasty bug!
00:34:31He's alive!
00:34:41He's alive!
00:34:42Oh yes!
00:34:43We're going back to a thousand books!
00:34:44And now it's going to be two thousand for wanting to perform an autopsy!
00:34:47Let's go down!
00:34:49We're doing better this way!
00:34:50Good heavens!
00:35:04Poor man!
00:35:07He's hurt himself!
00:35:08I witnessed the accident!
00:35:09It's been awful!
00:35:10He wants me to take him to a clinic!
00:35:12No, no, no, they shouldn't talk about the clinic at all.
00:35:15Well, don't get too excited.
00:35:16I was out for a ride on the motorboat.
00:35:19If you want, we can go to my house so you can rest.
00:35:21And then we'll call to have the injured picked up.
00:35:23Yes, yes, yes.
00:35:24Let's go somewhere quiet.
00:35:25I've been here a day...
00:35:27Get in!
00:35:28It was awful!
00:35:29I thought there wouldn't be any survivors!
00:35:31I help.
00:35:32He's all alone now!
00:35:34Oh yes!
00:35:35What a clunker!
00:35:36They're taking it away!
00:35:38And he was definitely in the cafeteria.
00:35:40Run!
00:35:41Come on!
00:35:41Acacia!
00:35:42Right here!
00:35:44Don't touch it!
00:35:45Don't touch it!
00:35:47Little pot!
00:36:02Why would you want such beautiful legs?
00:36:17and with a tiny little thing
00:36:18You break down very easily.
00:36:20Go!
00:36:32Poor man.
00:36:34It must have been terrible.
00:36:36Yes, tremendous, tremendous, miss.
00:36:38Irina.
00:36:38My name is Irina.
00:36:40Foreigner, of course.
00:36:42It sounds like a Russian name.
00:36:44Server Acacio Rendrueles Cañizo.
00:36:47What can you do?
00:36:48Nobody's perfect.
00:36:54The truth...
00:36:56I don't know how he doesn't die of heat, Acacia.
00:36:58From you, Irina.
00:37:00Let's strengthen international ties.
00:37:02You and I can hug whatever you want.
00:37:05What a day!
00:37:05Today I'm being introduced to Sophia Loren.
00:37:06and kicks Carlo Ponti.
00:37:13Don't distract me, baby.
00:37:20The bad thing is that driver.
00:37:23Don't worry, darling.
00:37:24He is deaf and mute.
00:37:25But he'll see us, I say.
00:37:27He is also faithful.
00:37:30Well, all he needs now is to have flat feet.
00:37:33Come on, come on, don't worry about me, cuddle up,
00:37:36cute things, whatever you want.
00:37:38It upsets me to see you so dressed up,
00:37:40while I was like this.
00:37:41Ah, nothing.
00:37:42I'll dress up as Tarzan, modesty aside.
00:37:43Besides, whenever you want.
00:37:45Muscovite of my life.
00:37:46What nonsense, I'm not getting nervous.
00:37:52as if it were the first time I'd taken it off.
00:37:55Of course, you're impatient too, naturally.
00:37:57Clothes off.
00:38:01Long live the mini skin!
00:38:03All the Tarzans!
00:38:04Get out of here, you nuisances!
00:38:05Oh!
00:38:12Ah!
00:38:12No?
00:38:13What have you done?
00:38:14What have you done?
00:38:14Come here!
00:38:14Long live free love!
00:38:16Come to...
00:38:16Come to...
00:38:16Come to...
00:38:17Come to...
00:38:17Come to...
00:38:19What does it matter?
00:38:21The one about water also works.
00:38:24Attention, Miss L-42, this is Corcoram speaking.
00:38:28Does it recognize my voice?
00:38:29If something unpleasant were to happen to me,
00:38:32We must continue our negotiations with the person carrying this message.
00:38:37Nothing more than L-42.
00:38:38But is your name L-42?
00:38:40L on the mother's side and 42 on the father's side.
00:38:43Shut up!
00:38:43Shut up!
00:38:44Well, I guess you know we don't have time to waste.
00:38:49I know.
00:38:51That's why I've brought them here.
00:38:53From the accident site.
00:38:56But you were in the cafeteria too.
00:38:58Yeah.
00:38:59He shot at the fake blind man.
00:39:01He was the murderer of Corcoram.
00:39:03And who is Corcoram?
00:39:05Corcoram, Harry Corcoram, sent me this message.
00:39:09Harry was my brother.
00:39:11He was going to sell you the capsule.
00:39:12I will continue the negotiations.
00:39:15But you don't have the capsule.
00:39:17I know.
00:39:18But I know where the man who tripped her might be.
00:39:21In the hands of a woman who will not hesitate to kill him to recover the capsule.
00:39:25Oh, poor little Acacito!
00:39:26As long as they don't break his hypochondrium, which is the only healthy thing he has.
00:39:33Hey, this buy-and-sell shop from your fellow countrymen is interesting, babe.
00:39:39Fellow countrymen no.
00:39:40Just friends.
00:39:41Well, whatever, but curious.
00:39:51Little Shark!
00:39:52Why aren't you coming?
00:39:54I'm coming, sweetheart.
00:39:56Did you know that your chicken with the cosiguín was fantastic?
00:40:03I prepared it for you with love.
00:40:05But Justina lovingly prepared my food and now I have a duodenal ulcer, gastritis, pancreatitis and vegetative dyspepsia.
00:40:14Don't dwell on sad things, let's make a toast.
00:40:16Yeah.
00:40:17For us.
00:40:18For us.
00:40:21Yes, this is Justina's doing.
00:40:23The fact that?
00:40:24She decided to operate on my stomach and I think she's doing everything she can to make it happen.
00:40:29Sure?
00:40:30Well, let's raise a glass to the loving moments that await us.
00:40:34No, not minutes.
00:40:35Hours, days, nights, centuries of love.
00:40:38Acassius!
00:40:39Drink first.
00:40:40Oh, before what, little girl.
00:40:42I'll admit I'm not used to it.
00:40:44I might just fall flat on my face.
00:40:46My arms will catch you.
00:40:48Then prepare them well for me.
00:40:51Wait.
00:41:18You're in my hands now.
00:41:26You fell for it! You fell for it!
00:41:28But how could one drink possibly have any effect on me, silly girl?
00:41:30And why did you want to have me in your little hands?
00:41:33What's wrong with you?
00:41:35You've always been like this.
00:41:36Yes, ma'am.
00:41:37I've always been like this, Spanish.
00:41:38But on one hand there's the duodenum issue, and on the other, Justina.
00:41:41Don't run away from me, it's worse.
00:41:43We had to hide it, you understand.
00:41:45Don't run away from me, Russian girl, because you and I are going to jump the gun.
00:41:48The non-proliferation pact.
00:41:49Of nuclear weapons.
00:41:50Well, what am I, my love?
00:41:52A nuclear boom missile.
00:41:55Oh my goodness, how suddenly I feel.
00:41:58This is going to be a proper invasion.
00:42:00Irina, irinesca, irinusca.
00:42:05Wow!
00:42:06That's it, that's what I like.
00:42:08My model, a bullring.
00:42:12Double springs, intertwined, secure.
00:42:14The donkey, alca, volva.
00:42:18Tobarich, cosiguina, don't hide, because I don't want to get all worked up.
00:42:24Ay, vol, a vol.
00:42:29I think Justina's father is going to come out again.
00:42:32Come with me, thousand leaves.
00:42:39I'm here.
00:42:42And what are you doing so far away?
00:42:44Come with me, tourist, and you'll see how different Spain is.
00:42:47You'll become a citizen tomorrow.
00:42:52It has to be here.
00:42:54Here.
00:43:00Oh, how strange you Slavic women are.
00:43:03But I don't care.
00:43:05I'm like Santana, I play well in off-road vehicles.
00:43:13Yes, daughter, yes, yes.
00:43:15That's asepsis.
00:43:16And the rest is nonsense...
00:43:17Aren't you sleepy, darling?
00:43:21Dream?
00:43:22Am I dreaming right now?
00:43:23Come on, the average Spaniard is short and skinny.
00:43:27But you never sleep while on duty.
00:43:29This little Russian girl, leré, told me last night, leré, that if I wanted to, leré.
00:43:44I will read, I will read, I will read, I will read, I will read, I will read, I will read, I will read, I will read, I will read, I will read, I will read, I will read.
00:43:50You won't believe it could be Justina, who's coming to operate on me permanently.
00:43:55I'll go check, don't go out.
00:43:57If you feel sleepy, go to sleep, I'll wake you up when I get back.
00:44:03Yes, yes, yes, go to sleep.
00:44:06For once I get all fourteen results right, I'm going to sleep.
00:44:09I have to climb the tree, I've just picked the flower and given it to my dark-haired girl to put in it.
00:44:23They'll be right about this.
00:44:24What are you doing? He can't come in!
00:44:32Thank goodness. He thought he was late.
00:44:35Have you drunk this?
00:44:36But why have you gone out to sunbathe?
00:44:39Don't overdo it, Irina.
00:44:40I'm not Irina, darling, but don't worry, you won't miss her with me.
00:44:44Come on.
00:44:44No, if you start taking things off, we're not leaving, brunette.
00:44:48It's so you can change your clothes.
00:44:49You can't walk around in that bathrobe on the street.
00:44:51Put this on, I'll watch the exit.
00:44:54But wow, that's awful.
00:44:59They're so cute, why do they face so many objections in the United States?
00:45:04Hurry up, love.
00:45:05I'm coming, little snowball.
00:45:08I suppose this rag will be like that.
00:45:10Irina gave my clothes to the night watchman to dry.
00:45:14Oh no, has this one fallen?
00:45:16No, I hit her because I didn't want you to come with me.
00:45:19And what about me?
00:45:20And I would have killed him.
00:45:22But what will I have this summer?
00:45:24Come on.
00:45:25Yes, let's go, love, wherever.
00:45:27No, that way.
00:45:27No, the store exit is this way.
00:45:30We'll go out through the alley, hurry.
00:45:32We are nobody, Cosiguina.
00:45:37I think we've arrived too late.
00:45:39Let's see if the dark one is a traitor.
00:45:41We shouldn't have stayed in the car waiting.
00:45:50Someone is drugged up to their mustache.
00:45:51Could this be it?
00:45:52No, she was beaten up.
00:45:56It must be his acacia tree.
00:45:57Glad to hear it.
00:45:57He'll be completely drowsy after the first kiss.
00:46:00We have to find them.
00:46:01We will separate.
00:46:02Take a taxi and go to the cafe.
00:46:04I'm going camping.
00:46:05If you find them, wait for me.
00:46:07If they are at the campsite, I'll keep it there.
00:46:08Understood?
00:46:09Understood.
00:46:11Understood.
00:46:11And against the barrier.
00:46:13Ah, yes, ma'am.
00:46:20Can you enter now?
00:46:22I'm only just starting to understand cats in February, baby.
00:46:26Does it feel uncomfortable to you?
00:46:27No, I think it's wonderful if you're there.
00:46:30Painter of bedroom saints, paint me little black angels.
00:46:35Just a moment, just a moment.
00:46:37Aren't you sleepy?
00:46:38But why the rush to make me fall asleep?
00:46:39Tonight I will die with my boots on, but with my eyes open.
00:46:41Look at me.
00:46:41Look at me a lot.
00:46:43Okay, but first we need to inflate the mattress.
00:46:45Ugh, this is nothing to me.
00:47:11Don't you have a small bellows lying around?
00:47:14You see the same, even without a mattress.
00:47:16That's it, in a nomadic, hippie style that's very fashionable.
00:47:20But aren't you sleepy?
00:47:22And he keeps getting more awake.
00:47:24By your side, getting bigger and bigger and bigger and bigger.
00:47:27Hey, there are landslides here.
00:47:29No, why?
00:47:30No, nothing, just my own stuff.
00:47:31Come on, sweetheart, give me a kiss, I want you to taste like chocolate.
00:47:36But where are you going?
00:47:38I'm not going!
00:47:38Damn it!
00:47:40Who is it?
00:47:41Angela.
00:47:41Ah, come back tomorrow, I'm busy now.
00:47:43What's happening?
00:47:44Where are you?
00:47:44Admit it, she cheated, my friend.
00:47:46Now I will take this man by force.
00:47:48I will follow her to the ends of the earth to kill her.
00:47:50Come on, girls, don't kill each other over me, we'll take turns.
00:47:53Mondays and Thursdays with you, eh?
00:47:55Tuesdays and Fridays with you, and Wednesdays and Saturdays with the poor Russian woman.
00:48:00And they leave me Sundays free to recover.
00:48:02And Justina?
00:48:03Ah, she counts that one, we'll leave her on the shift.
00:48:06Now he's coming with me.
00:48:07Okay, let's see if we don't play.
00:48:09I'm going to be like that guy who, because he couldn't decide on a menu of a hundred dishes, ended up going hungry.
00:48:12And tonight, whatever happens, happens...
00:48:15Come on, and don't even think about following us.
00:48:19I'll aim to hit.
00:48:20Yes, ma'am, let's go, but let's eat, because I'm already crying from the appetizer.
00:48:23I'll be back when I'm done with this.
00:48:25Drop that and come with us.
00:48:31The marquis wants to speak with you.
00:48:36This is also nice, you see, and the lighting is very well done.
00:48:40It gives it a very, very cute look.
00:48:43Chuchi?
00:48:44Chuchi, chuchi, chuchi.
00:48:45No, no, no, sexy, sexy.
00:48:47I mean sexy, sexy, sexy, sexy.
00:48:50Okay, make yourself comfortable.
00:48:52I'm going to change my clothes.
00:48:53We'll spend the night here.
00:48:54Naturally, and on the weekend, if you like, or better yet, on New Year's Eve.
00:48:58Why not the end of the year?
00:49:02Hurry up, darling, the sun's about to come out and I don't want them to bring us breakfast yet.
00:49:07But you don't have a girlfriend.
00:49:09Me, a girlfriend?
00:49:10No, I'm free, free, like a taxi in August.
00:49:17And Justina?
00:49:18In other words, a friend, a rather clingy one, but a friend nonetheless.
00:49:22I thought they were engaged.
00:49:23That's what she'd like, but I'm worth much more.
00:49:29Or not?
00:49:32That's true.
00:49:33You are worth more.
00:49:35At least for now.
00:49:36No, no, oh, because we haven't become close yet, but tomorrow she'll tell me if they're going to be with me or if I'm worth it.
00:49:41The Spanish in this business of, of, this, what's it called?
00:49:44The fact that?
00:49:45The kind of thing that always comes up in art house films.
00:49:48Eroticism, that's it.
00:49:50Well, when it comes to eroticism, we Spaniards are very behind the times because there's no cocaine, no drugs, nothing.
00:49:55We are simple.
00:49:56Man, how come I once smoked a kapok cigarette just to try it out and I didn't even get high or anything?
00:50:02It only gave me a cough.
00:50:04And I spat out feathers, but come here, my dear.
00:50:07Acacia, you are here because I want to protect you.
00:50:10That's what it's called now.
00:50:12Okay, then let's protect each other.
00:50:15Please, Acacius, leave me alone.
00:50:17Stay still, sweetheart.
00:50:18Come on, just a little kiss.
00:50:20Leave me alone.
00:50:20You'll see how you faint in my arms.
00:50:23That's outrageous!
00:50:31How do I kiss them now? Do I destroy them?
00:50:34I'm going to smash your head in, you scoundrel.
00:50:36But, Justina.
00:50:38You wanted to deceive me.
00:50:39But, woman, how could I deceive you?
00:50:41If you were right here, you would have found out everything.
00:50:44Hey, do you think if I give him another one of my kisses he'll come back, and will he?
00:50:47As if it were Snow White, well no.
00:50:50It'll last a while.
00:50:51So here I am for that erotic thing?
00:50:53It's not the same thing, woman.
00:50:56Wake up, baby, wake up.
00:50:57I'll give it to you more gently next time.
00:50:58It's a Casio Spray style kiss.
00:51:00Let her deceive you with me.
00:51:04It's about time we were alone together, just you and me.
00:51:08Hug me, hug me, hug me.
00:51:10Miguel, arm.
00:51:11It's life, life.
00:51:12And it also has a bed.
00:51:14A soft, soft, soft bed.
00:51:17Come on, the moment the narcotic takes effect, it's also bad luck.
00:51:30Acacia, Acacito, wake up, heart, wake up, man.
00:51:40Come on, you fool, wake up.
00:51:42You have to give me one of those French kisses.
00:51:46Oh, I really do get dizzy.
00:51:49Oh, but what are they doing?
00:51:50What are they doing here?
00:51:51Shut up!
00:51:52Quiet.
00:51:58I don't want to, I don't want to, I don't want to, I don't want to!
00:52:03Stop!
00:52:03Shut up!
00:52:04The mouth is alive!
00:52:04The mouth is alive!
00:52:04You're alive, my mouth!
00:52:06Come on, two, two, two, two, two!
00:52:08I'm leaving! I'm leaving! I'm leaving! Up!
00:52:18Go on, go on with all those murderers I've brought you! You're going to get otism!
00:52:24There, hole!
00:52:31Just a moment, just a moment. Let's see, the boss, the manager, the commissioner,
00:52:36Whoever you send, let him come.
00:52:38There's a mistake here, I'm Acacio, the charcoal burner.
00:52:42And lately, apart from a few minor things, nothing much, I haven't...
00:52:46Come on!
00:53:00Go on!
00:53:00Go!
00:53:10Hey, where are you going? Come on! Come on!
00:53:16You are in a deep sleep, Mr. Rendrueles.
00:53:18Ah, you're welcome, nice to meet you. As I was saying, this is that I...
00:53:20No, no, don't worry. You have nothing to fear. You are my guest, in principle.
00:53:26Have something.
00:53:28Welcome to Fuente Ovejuna.
00:53:30Yes, I understand. An international criminal organization like mine should be called Spectra.
00:53:35Chaos or something like that, but what do you want? Even in my crimes I'm a patriot.
00:53:40That's why Fuente Ovejuna.
00:53:42Attention! Internal service call for the boss.
00:53:45Oh! It's always the boss, it's because I'm indispensable.
00:53:47It's flattering, I like it, but of course, annoying too.
00:53:59Soon?
00:54:00Fuente Ovejuna speaking.
00:54:02Big sheep on the device.
00:54:04Oh yes, Mr. Rendrueles has already woken up.
00:54:07Okay, I'll see the young lady at dinnertime.
00:54:10Uh, anything else?
00:54:12Ah, the password for tomorrow.
00:54:14That's it, the...
00:54:17B...
00:54:20B...
00:54:22Yes, a long B and a short B, right?
00:54:25Okay, short.
00:54:27No, come on, I'm short, I'm done.
00:54:29This.
00:54:31Come with me, Mr. Rendrueles, I'm going to do the inspection visit.
00:54:35Hey, sir, big sheep, sir...
00:54:38Hello?
00:54:39Could I call my mom?
00:54:41No, that girl is on the line, direct line to me, yes.
00:54:44Come, come with me.
00:54:47Come on?
00:54:49I'll look you up in the guide.
00:54:53Follow me.
00:54:54No.
00:54:55And where do you recruit them, Mr. Marquis?
00:54:57Well, from here and there.
00:54:59Don't you see that I pay them more than domestic help?
00:55:01Ah, of course.
00:55:02No, no, no, no, no, no, please, no, no, no.
00:55:06That way you wouldn't be able to escape a stronger enemy, no.
00:55:09Look at me.
00:55:11If one weren't constantly on top of everything...
00:55:13Come on, put me in the key, and hold it tight because I can hurt you, okay?
00:55:16Yes, Mr. Marquis.
00:55:17That is.
00:55:18Hold me tight so that the girl from this law can see it here.
00:55:21Yeah.
00:55:22Welcome, huh?
00:55:24Now!
00:55:28Very good.
00:55:30Did something break?
00:55:31Yes, the suspenders.
00:55:34Well, when this fails, you have to resort to a special trick that I invented myself.
00:55:39Want?
00:55:40One, two, three.
00:55:42Sayonada!
00:55:53Hey, girl, what time is it?
00:55:55Six fifteen.
00:55:56Well, let me go, you silly goose, can't you see I'm in a hurry?
00:56:00Do you see how you have to let go?
00:56:01Hey?
00:56:02They ask for the time and then let you go right away.
00:56:05And you, arrested.
00:56:06One week, for being rude.
00:56:10Follow me.
00:56:12Wild, isn't it?
00:56:17I wish I had to say that they add the belt for me.
00:56:34Excuse me, but I've always met up for dinner.
00:56:38It's a habit I acquired in my youth when I was on the French Riviera.
00:56:42This, the one from...
00:56:43At that time I was a waiter.
00:56:44Then, those from Marqués.
00:56:46Marqués is my second surname.
00:56:47Ah, I see.
00:56:48You believed, seeing my personal bearing...
00:56:50Of course I had titles.
00:56:51Of course I had titles.
00:56:52Logical and normal, of course.
00:56:54Yeah?
00:56:55No, this is not it.
00:56:57The thing about blue blood is that my pen got squashed.
00:57:00Uh-huh.
00:57:01Your brother wasn't an idiot, miss.
00:57:03Oh, chief of the west.
00:57:05What I was saying is that...
00:57:08Corcoran...
00:57:10That button...
00:57:12He wasn't stupid.
00:57:13My blood has gone up.
00:57:15Therefore, that thing you guard so jealously...
00:57:19What do I keep?
00:57:20There must be a copy.
00:57:22Because his brother had to think about the possibility of being caught.
00:57:26And he should have sent you a copy.
00:57:29The last I heard from him was verbally.
00:57:32AND...
00:57:34A memory.
00:57:35Something has come back to him.
00:57:36Tell me.
00:57:38Let's see, what did he say?
00:57:39That the last time she heard from her little brother...
00:57:42Who, by the way, I don't know.
00:57:44It was a verbal agreement.
00:57:47But listen, no offense intended...
00:57:49Not to seem selfish, or anything like that.
00:57:52What does all that matter to me?
00:57:54Thank you very much.
00:57:56Vera.
00:57:58Please, the young lady has finished her dinner.
00:58:00Do you want to take it downstairs?
00:58:02She has something to tell us, but she's embarrassed.
00:58:09What did I call him?
00:58:11If Corcoran had made a copy of the film...
00:58:14And she would have sent it to her sister...
00:58:16And her sister would give her to me willingly...
00:58:19Or not?
00:58:20Oh, what?
00:58:21He just doesn't understand.
00:58:23I wouldn't need to open your stomach.
00:58:26Ah!
00:58:28You are Bermúdez!
00:58:30Me, Bermúdez?
00:58:31Yes sir.
00:58:32Oh, Justina is your friend!
00:58:34Now I'm starting to understand things.
00:58:37But look, really, I don't have anything in my stomach.
00:58:40You'll tell that to all of them.
00:58:42Ah!
00:58:43He's also found out how I am with women!
00:58:46Yes, sir.
00:58:47I've had some amazing days.
00:58:48Although I'll tell you honestly, I can't explain it.
00:58:52Don't say!
00:58:53Those girls who follow him have good reason to do so.
00:58:56If I'm there, I'll follow you.
00:59:00Well, you're really wasting your time, you see.
00:59:02Mr. Marquis, the telephone.
00:59:06Connect it here, the man is trustworthy.
00:59:08No, it's the phone bill; if we don't pay, they'll cut off our service.
00:59:12Don't bother me now, man.
00:59:14Next week.
00:59:15Ah, next week!
00:59:17You see, when I see those American crime syndicates,
00:59:21Those organizations where money doesn't matter, it puts me in a bad mood.
00:59:25In Spain, even to be a high-level criminal, you have to sign promissory notes.
00:59:28And now come with me because I'm going to give you dessert.
00:59:32Nothing, and nothing here, nothing, nothing.
00:59:35Have you brought all their things?
00:59:37Yes sir.
00:59:39Anyone can guess where that's going.
00:59:42I think it's best to get to the point.
00:59:44Miss.
00:59:47He has never seen anyone dislocated.
00:59:50Ropes are tied to his hands while his legs are restrained.
00:59:54Then you slowly, slowly, slowly turn a turnstile.
00:59:59The strings are getting tighter.
01:00:05The arms lengthen, the legs lengthen.
01:00:09The muscles, the muscles precisely.
01:00:12Tired of resisting, they give up and relax, and then...
01:00:15Their joints begin to pop out.
01:00:18This one here and this one, and this one more, and this one.
01:00:21Then, consciousness is usually lost.
01:00:25But soon, with salts and cold water, the victim is revived.
01:00:29Sadism, constantly sadism.
01:00:35Now, the fabrics are taut like drumheads.
01:00:39That's when the knives come into play.
01:00:44Simply by letting the blade slide across the skin...
01:00:47This jumps in a housed manner.
01:00:53The blood begins to flow copiously.
01:00:56But there's no need to worry.
01:00:58Because that's when, with these irons...
01:01:01These irons...
01:01:02These irons...
01:01:04These irons...
01:01:05These irons are red hot and they're burning hot.
01:01:10The wounds begin to cauterize...
01:01:13Until the victim screams.
01:01:16No! Sorry! Sorry!
01:01:18I'll tire you out!
01:01:20What happens next?
01:01:22Don't know.
01:01:23No.
01:01:24Whenever I get to this part of the description, I faint.
01:01:28See? It always happens to me.
01:01:31Ooh!
01:01:38Okay, enough with the softies.
01:01:42Executioner, proceed.
01:01:44Listen, I don't know what this movie is about, but it seems to me that it's gone a little too far.
01:01:48Choose. Either she talks, or she'll cut open your gut.
01:01:56How many turns do you have to give the handlebars?
01:01:59Everyone freeze!
01:02:00But what does it say?
01:02:01There's no need to overthink it! Everyone's a fool!
01:02:03But how did they get in?
01:02:04He doesn't care.
01:02:06Acacia, let that woman go.
01:02:08Uh-huh.
01:02:09And you, Mr. Marquis, go ahead and tie your girls up in those shackles.
01:02:12They will not be able to escape.
01:02:13Besides, there's no need to get so worked up.
01:02:15I was just trying to entertain my guests.
01:02:17It was a joke.
01:02:18Joke?
01:02:19And was that poor girl going to have her arms so long that she'd be able to put on her shoes without bending down?
01:02:23There.
01:02:26Well, there's no need to get angry. I didn't mean to.
01:02:30Well, don't you think it's about time I found out what's going on here?
01:02:34Yes. I think it's better that she knows the truth.
01:02:36I did it for his heart, which is also platinum sick.
01:02:40Ah, so is it true that this little angel doesn't know anything?
01:02:43Nothing! It's wonderful!
01:02:46Like a child!
01:02:47Don't you dare kiss my bald head again!
01:02:50Don't turn around, Angela!
01:02:52He knows I'll shoot, if necessary.
01:02:54Drop that machine gun!
01:02:56I shouldn't have trusted you.
01:02:57He already betrayed me this afternoon.
01:02:59Now this man will be taken away again.
01:03:01I don't need it anymore.
01:03:03Mr. Marquis is smarter than anyone.
01:03:05Do you see it? Justice, only justice.
01:03:09What are they?
01:03:10He assumed my brother would trust me.
01:03:13Now you, put on those shackles.
01:03:16Come on!
01:03:17But there isn't a single kind soul who wants to tell me anything.
01:03:20You won't believe it, Acacito! You won't believe it!
01:03:23Veteran, I am authorized to pay up to $100,000.
01:03:26I will give them to you in exchange for you operating on this man with a full guarantee.
01:03:31Let's see? $100,000?
01:03:33$100,000 to operate on me?
01:03:35You are a price gouger, Dr. Bermúdez.
01:03:37He doesn't know anything, but he's also an idiot.
01:03:39Oh, how delicious!
01:03:40That man is worthless now.
01:03:42I have a copy.
01:03:43And when he wants to leave here, I'll have already sold him.
01:03:47To the Russians?
01:03:48No.
01:03:49So who are they going to sell it to? The Andorrans?
01:03:51To those who gave the order to my brother.
01:03:53To the Chinese.
01:03:55Mother! Even Chinese people! And I didn't even know.
01:03:58Pull that chain, I installed it myself.
01:04:01Hey?
01:04:02Pulling it will block all exits.
01:04:04Quick, let's go!
01:04:06He's already in the trap!
01:04:07Well, I may be an idiot and know nothing, but you're an imbecile for knowing everything, Mr. Marqueso, Dr. Bermúdez, or whatever your name is.
01:04:21Somemo!
01:04:22Well, I guess they won't starve to death.
01:04:24Not even you when you're old.
01:04:25Come on, let that go! Come on, let that go!
01:04:28Mine have arrived!
01:04:30Shut up, you idiot!
01:04:32I'm not going to release him.
01:04:34Oh no!
01:04:35I'm going to take the copy of the movie.
01:04:37But I don't understand why they're getting so worked up over a movie.
01:04:41Ah!
01:04:42It will be green!
01:04:43Right?
01:04:46Attention, Miss L-42.
01:04:49Corcoram speaks.
01:04:50Does it recognize my voice?
01:04:52If something unpleasant doesn't flow,
01:04:54We will have to continue our negotiations with the person carrying this message.
01:04:58Nothing more than L-42.
01:05:00And now, pay close attention, miss.
01:05:04All information about electromagnetic rockets
01:05:07It is at the end of this tape in a film of photomicrographs.
01:05:12It's a copy of the one I personally use.
01:05:15In case I couldn't make it to Berlin alive,
01:05:18where I'll see the movie,
01:05:20I'm leaving you that copy to sell to the highest bidder.
01:05:23It's my inheritance.
01:05:25Ah!
01:05:27No, I'm starting to see everything much more clearly now.
01:05:29Yes, but I ask,
01:05:31Why have I been dragged into this mess?
01:05:33Yes, yes, yes.
01:05:34You're crazy.
01:05:35To prevent this film from falling into enemy hands,
01:05:37at the end of my message,
01:05:39If the tape recorder is not stopped, it will explode.
01:05:51Attention!
01:05:53This message is true...
01:05:55Shut me up!
01:05:56If the capsule I'm carrying were stolen,
01:05:59at five o'clock in the afternoon on August 25th,
01:06:03will release a terrible corrosive acid
01:06:06and it will destroy it as well.
01:06:08Do not hold the capsule in your hands at that moment.
01:06:12You would have a horrible death.
01:06:14But why are they looking at me?
01:06:16I don't understand.
01:06:17They look at me as if that acid had something to do with me.
01:06:22Something?
01:06:24You're going to get bloated with baking soda, Acacia.
01:06:28After three seconds, this tape recorder will explode.
01:06:34Take cover!
01:06:35We don't know what the explosion will be like.
01:06:55Okay, Justina, that's enough. Let's go!
01:06:58And what do we do with these little bracelets?
01:07:00One moment.
01:07:02Mr. Marquis, it has been a great pleasure.
01:07:05What an unpleasant effect!
01:07:09What a great idea!
01:07:10How did he come up with that idea?
01:07:11Because one isn't stupid, beautiful.
01:07:13although I do it from time to time.
01:07:17I've known how to do sleight of hand since I was little.
01:07:19Go on.
01:07:20And let's go now, Justina.
01:07:22This whole thing is really getting on my nerves and I'm going to explode.
01:07:24No, pop it, but you'll see when your belly starts to melt.
01:07:26Nothing's going to melt on me.
01:07:29Come on, Justina.
01:07:31Did you see?
01:07:32One moment.
01:07:34One moment.
01:07:38Would you be willing to pay one hundred thousand dollars for that movie?
01:07:41I don't know how much that is in pesetas, because I get dizzy when I reach fifteen hundred.
01:07:45Is that right?
01:07:46That's how it is.
01:07:47Translated into greenbacks from the Bank of Spain?
01:07:52If you prefer.
01:07:53Help me, Acacio, this one's coming with us.
01:07:55There are many of us, and the fewer fines I issue, the more clarity there will be.
01:07:58Furthermore, this is also an alliance.
01:08:00You shut up!
01:08:01Now we'll look for a quiet place.
01:08:03We have to tell you something.
01:08:09And what do we do now, Mr. Marquis?
01:08:11No, don't worry.
01:08:12Precisely tonight, and because of what might happen, I ordered that the hand-held blowtorch be put in my secret pocket.
01:08:19Here it is.
01:08:20But they're idiots.
01:08:23Well, they don't go and instead of a blowtorch they give me a little blowtorch.
01:08:44And what time will that corrosive acid be released?
01:08:47At five in the afternoon.
01:08:49So I...
01:08:50At five in the afternoon!
01:08:52But it's safe!
01:08:53At five in the afternoon!
01:08:54But why is it now!
01:08:55Because it's time for the truth!
01:08:57Do you have the money?
01:08:59No, but I'll have it.
01:09:00I give you my word and if you don't let me have the surgery.
01:09:02And we lose one hundred thousand dollars, which multiplies by seventy.
01:09:05And you'll see how we can buy the entire Prado museum, to run it ourselves.
01:09:10Don't talk to me about cooking!
01:09:12What will it be?
01:09:15I don't know what to do.
01:09:17I don't want her to suffer.
01:09:18If the capsule is destroyed there, then for me, mission accomplished.
01:09:21And I will have saved my country's treasury one hundred thousand dollars.
01:09:24Hey!
01:09:25But I'll be your cicada!
01:09:27That's why I want to take him to a clinic!
01:09:29You are a good, innocent man.
01:09:32And I've grown so fond of you, that the only thing I don't like about you is that you call home.
01:09:36And for me, it's all about bread, there's money.
01:09:38Cheer up, man!
01:09:39With the money we're going to earn, can you call yourself?
01:09:42Carlos Enrique!
01:09:44And I, María Antoñeta, know that Justina is something else too.
01:09:48Okay, raise the price by two hundred thousand and we'll have the surgery without a peep, right Luis Felipe?
01:09:54Open it, for two hundred thousand now, I wish!
01:09:56Look, with two hundred thousand dollars, we're going to be so rich that the banks are going to make us on their Board of Directors, huh?
01:10:04I'll have to check, I don't think there will be any problem.
01:10:07As soon as it gets light, I'll phone my bosses.
01:10:13Oh, this is going well! I knew this was a good deal.
01:10:16It's obvious this isn't your triathlon, why open it!
01:10:19And I say, couldn't we wait to see if the capsule continues its normal course on its own?
01:10:24Yes, but if it gets stuck and it's five in the afternoon...
01:10:28Yes, yes, it's better to recover.
01:10:30And to think that I didn't dare to eat chicken breast in Villarroy, in case it made me sick.
01:10:34I have something to do, I'll see you in a little while.
01:10:35Where?
01:10:36Wherever the guys are playing! Goodbye!
01:10:38Taxi!
01:10:50That's why we're nobody.
01:10:54Bye bye!
01:10:55Bye bye!
01:10:56Bye bye!
01:10:57Bye bye!
01:10:58Bye bye!
01:10:59Bye bye!
01:11:00Bye bye!
01:11:01Bye bye!
01:11:02Bye bye!
01:11:03Bye bye!
01:11:04Bye bye!
01:11:05Bye bye!
01:11:06Bye bye!
01:11:07Bye bye!
01:11:08Bye bye!
01:11:09Bye bye!
01:11:10Bye bye!
01:11:11Bye bye!
01:11:12Bye bye!
01:11:13Bye bye!
01:11:14Bye bye!
01:11:15Bye bye!
01:11:16Bye bye!
01:11:17Bye bye!
01:11:18Bye bye!
01:11:19Bye bye!
01:11:20Bye bye!
01:11:21Bye bye!
01:11:22Bye bye!
01:11:23Bye bye!
01:11:24Bye bye!
01:11:25Bye bye!
01:11:26Bye bye!
01:11:27Bye bye!
01:11:28Bye bye!
01:11:29Bye bye!
01:11:56Bye bye!
01:11:58Bye bye!
01:12:28Bye bye!
01:12:29Bye bye!
01:12:30Bye bye!
01:12:31Bye bye!
01:12:32Bye bye!
01:12:33Bye bye!
01:12:34Bye bye!
01:12:35Bye bye!
01:12:36Bye bye!
01:12:37Bye bye!
01:12:38Bye bye!
01:12:39Bye bye!
01:12:46Bye bye!
01:12:47No!
01:12:48If I have no way out.
01:12:57I'm so sorry, I'm so sorry, my, my.
01:12:58Sorry, my, my.
01:13:00Excuse me.
01:13:01They're so cute.
01:13:02Those who kill.
01:13:08Attention.
01:13:09Calling Big Borrego in flight.
01:13:11Attention.
01:13:13Here is lamb number seven on the terrace of the Molino de la Torre.
01:13:16Change.
01:13:17Anything new?
01:13:18Change.
01:13:18Nothing, we're looking.
01:13:19Change.
01:13:20And that's why she calls me, you ridiculous woman.
01:13:22We need to find that idiot.
01:13:24Short.
01:13:26At your service.
01:13:27We will continue searching in the city center.
01:13:30Short.
01:13:37Please.
01:13:42Listen.
01:13:44Me?
01:13:44Please.
01:13:48Let's see if I can get out.
01:13:53Let's see if I can get out.
01:13:53That?
01:13:54That?
01:13:54What do you want?
01:14:02Bring me a coffee, waiter.
01:14:04Do you want it with just milk or with the sauce?
01:14:06What is this?
01:14:07What is this?
01:14:09What is this?
01:14:13Yes, that one.
01:14:14I knew I was safe here.
01:14:18Did he bring the ice tongs?
01:14:20Yes, what do you want it for?
01:14:23You'll see.
01:14:26What's that?
01:14:29This is an apartment in Madrid.
01:14:31A chalet at 500 whirlpools.
01:14:32A car.
01:14:34Apple pie daily.
01:14:35And a...
01:14:36For a rich aunt I'm thinking of.
01:14:38Bye bye.
01:14:38Hey, what about the bag?
01:14:39Oh, I'll give it to you.
01:14:40I'm going to buy one made of gold tissue.
01:14:42Bye bye.
01:14:43No, no, no, no.
01:15:13Here it is.
01:15:32Come with us willingly.
01:15:34Yeah.
01:15:36Do not resist.
01:15:39No, no, but...
01:15:40Wait, I'd go if they played the clarinet instead of the violin.
01:15:43Come on, let's walk.
01:15:44Why don't the three of us form a choir?
01:15:46I sing very well.
01:15:48Sad and alone.
01:15:50Triste se queda foseca.
01:15:53Sad and tearful.
01:15:56Okay, I give up.
01:16:00The coffee is not coffee.
01:16:06Attention, attention.
01:16:07Great sheep in flight.
01:16:08Change.
01:16:08Great flying sheep listens.
01:16:10What's happening?
01:16:10Change.
01:16:11Game discovered.
01:16:12Change.
01:16:13Big lamb congratulates you.
01:16:14Where?
01:16:15Change.
01:16:15In a tow truck, going up to Torremolinos.
01:16:17Come on, fly.
01:16:18Change.
01:16:19No, if you want I'll get off and go on one leg.
01:16:21I'm not telling you.
01:16:22Short.
01:16:22Stop, stop, sir, the one below.
01:16:50Stop.
01:16:51Hey, listen, what are you doing on my car, you cow?
01:17:00The stork brought me, daddy.
01:17:01But what are you doing up there?
01:17:03How was it possible to get up there?
01:17:03Can you tell me what time it is?
01:17:05Two thirty.
01:17:06But why has the car gone up?
01:17:07You want to cause trouble for me.
01:17:09But...
01:17:09My own stuff, dude.
01:17:11You're a kid who's high around here.
01:17:12To the madman.
01:17:13With her little belly and her desire.
01:17:20There it is.
01:17:21Follow him.
01:17:23Closer, closer.
01:17:24Closer, closer.
01:17:54Safe helmet.
01:17:55No, no, no.
01:18:01Get out, get off the ground!
01:18:09Four little skis.
01:18:10He has my bed.
01:18:11Four, zero.
01:18:12Will you come with me?
01:18:13I'm waiting for you, they're going.
01:18:15I'm waiting for you, they're going.
01:18:16I'm waiting for you, they're going.
01:18:17I'm waiting for you, they're going.
01:18:31Hey! Hey!
01:18:33Stop, stop, stop!
01:18:34Look, surprise!
01:18:35They're going to kill Cassius!
01:18:36No, if he has a filly, I'm happy with $200,000.
01:18:40According.
01:18:41Well, here's your capsule.
01:18:42Did you operate on him?
01:18:43No, if Acacio didn't swallow it, I hid it myself.
01:18:47And why did he make us believe it?
01:18:48Because I realized that if everyone saw things as difficult, the price was going to skyrocket, and it did...
01:18:54Well, hurry up because I think your boyfriend is worthless now.
01:19:06No, I hear it but I don't see it.
01:19:27Here it comes! There it goes!
01:19:36Here it goes!
01:20:06Here it goes!
01:20:17Here it goes!
01:20:21What will you do, like a jumbo melon?
01:20:23Ah! You'll go and kill him if he doesn't speak!
01:20:45Shut up!
01:20:53Come on!
01:20:57Here it is!
01:21:01Here it is! The bottle of Nis!
01:21:02But poor Acacia, poor thing!
01:21:06Because he can't swim! He can't swim, swim, swim, swim!
01:21:09Ah! Let's go!
01:21:11He's back forever!
01:21:14Oh! Why didn't I follow the career my father wanted me to pursue?
01:21:18That's enough!
01:21:20Yes, it's normal!
01:21:21Why have I started talking nonsense?
01:21:24Ah! Ah! Ah! Ah! Ah! Ah! Ah!
01:21:25Ah! Ah! Ah! Ah! Ah! Ah!
01:21:30He has regained consciousness.
01:21:32Oh, why shouldn't I follow the career that my father wanted me to have?
01:21:35That's enough.
01:21:36Yes, it's back to normal.
01:21:38Why has he started talking nonsense?
01:21:40Did his father want him to be in the armed police?
01:21:42My stomach, what time is it?
01:21:44A doctor!
01:21:45Lifeguard, lifeguard!
01:21:46Don't worry, it's all over.
01:21:49You just swallowed your medicine.
01:21:51And the capsule doesn't.
01:21:53Did I hide it?
01:21:54What were you hiding?
01:21:56I knew that with her we would end up being rich.
01:21:58And has it been done yet?
01:21:59Calm down, calm down.
01:22:00Do you know that if I ask the water with a stone tied around my neck,
01:22:02Will any judge congratulate me?
01:22:05Oh, yes, he did kill him.
01:22:06And would they put you in jail?
01:22:08And what did Carlos Abolfo come to enjoy with his $200,000?
01:22:12Where is that capsule? I don't trust it, I don't want to see it.
01:22:16Here.
01:22:17Throw it away yourself.
01:22:18Sure, it's just like my... me.
01:22:21Why wasn't I born tall, handsome, blond, and a special agent?
01:22:33Oh, oh, oh.
01:22:34Oh, oh, oh, oh.
01:22:34Oh.
01:22:51The note, sir.
01:22:52That's 1,260 pesetas.
01:22:54Only?
01:22:55How tiny.
01:22:56I'll pay you now.
01:22:57Bye bye.
01:22:58Look, there's Angela, cute.
01:23:09Angela, my dear!
01:23:14Look how cute she looks, how modern.
01:23:17What a beautiful model from Valenciaga!
01:23:19Colm and holes.
01:23:22Did he bring that?
01:23:24Yes. Is everything here?
01:23:26Everything. Can you tell him?
01:23:28No need, we trust you.
01:23:31Well, goodbye then.
01:23:34I am so grateful for your collaboration.
01:23:37Hugs, Carlos Adolfo.
01:23:39If it weren't for the fact that there's no time, no, Gregorio.
01:23:42Bring me another one, please.
01:23:43Still!
01:23:45Hugs, Justina.
01:23:46With a thousand loves.
01:23:47Oh, just right!
01:23:48See you around!
01:23:57I don't think we'll see each other again.
01:23:59We're going to retire and open a chain of churro shops.
01:24:01Well done!
01:24:03Goodbye, Juan and Ángel.
01:24:05Good luck!
01:24:07Yeah!
01:24:08I won't let them!
01:24:10Oh, how hungry!
01:24:12Ah, how hungry!
01:24:14Give me a couple of green ones, Petulia.
01:24:17Yes, Luis Fernando.
01:24:20Why are you giving me these ads, you crazy woman?
01:24:23Oh, Acacia!
01:24:25Carlos Adolfo!
01:24:26Acacio, I know for sure that the international spy has tricked us.
01:24:31The Americans are going to get involved in this too.
01:24:33We've been scammed!
01:24:36This is like the autogyro thing, they steal our invention, improve it, and then claim it as our own.
01:24:40Oh no, that won't be possible!
01:24:42Sir, the cigar is not on the bill.
01:24:44Allah, you're welcome!
01:24:45Don't worry, I'll pay for it separately.
01:24:47Do you want it in hundred euro notes or in obituaries from ABC?
01:24:51Oh, poor thing, poor thing, poor thing!
01:24:53No, poor thing, no, I...
01:24:53How wonderful!
01:24:54I'll bring it to you!
01:24:55No, no, don't be nervous, come here, woman, now, I'll come, you're going to break your leg like the other day.
01:25:01No, thank you, sir!
01:25:02I'm coming!
01:25:03Hey!
01:25:03For you, I killed Spain hot!
01:25:05Hey, hey!
01:25:06Come on!
01:25:08Hey, he's leaving without paying!
01:25:09How cool, I'm carrying her and me!
01:25:10Don't bother me!
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